#i think i messed up at the beginning

[snchkns]

tag nine people you want to get to know better!

i have been summoned (@meryachkins) so let's go let's go my first official post on here (i feel like a grandpa rn, how do you use this thing)

LAST SONG? - what's good by tyler, the creator

FAVORITE COLOR? - bright green and all the purples ‼️

CURRENTLY WATCHING? - star trek discovery and heartstopper, but i think the last time i watched either was at least a month ago 🧍‍♀️ i don't believe in consistency, as they say

LAST MOVIE? - rewatched i saw the tv glow for the third time because i'm insane and enjoy suffering.

SWEET/SPICY/SAVORY? - if i don't get something sweet at least once a few days i would probably lose sanity so. the answer is obvious

RELATIONSHIP STATUS? - [THIS INFORMATION IS CLASSIFIED]

CURRENT OBSESSIONS? - some dc and marvel characters whose number keeps increasing (mostly the Villans and the Queers because who do you think i am) and also criminal case (the 6th game specifically atm, and this one is actually seasonal, it just comes back to me twice a year jsldjksjdkdj)

LAST THING YOU GOOGLED? - what temperature do you wash a knitwear top at because i was loading a washing machine earlier and became very confused ..... adult problems lmao

[bloominglegumes]

i love normal guys doomed by the narrative

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[bitchslapblastoids]

do you remember exactly where you were when basically im gay dropped? are there other d&p videos/content that you’ve had that experience with? am reminiscing and curious

[bayetea]

I think it's really annoying that leo has completely falsified memories of jason too and this is barely acknowledged in the books

[mollysunder]

The one thing I don't understand about the theory where Piltover and Zaun are teaming up to fight Noxus in the end, is why are Vi and Ekko flying towards Jinx's supposed airship if they're on the same team? Why does Vi NEED to confront Jinx in the middle of a warzone?

We see Ekko in garb that looks like he's on Jinx's side, but we mostly see him with the Firelights in those scenes, and they not decorated in Jinx's colors. Even minor background characters that are on Jinx/Sevika's side have a pink X on the right side of their chest. The Firelights are completely free of any graffiti or markers that would identify them with Jinx, and Vi is in an enforcer uniform. We don't see any other Zaunites in the crowd, but for some reason Vi and Ekko are centering their concentration on Jinx.

I think what's happening is that Ambessa's forces are fighting against Piltover's enforcers, but Jinx isn't helping, she's taking advantage of the chaos. Jinx is probably in Piltover to do something big that Piltover can't defend against since they're preoccupied with Noxus. Jinx will probably think the fight between Noxus and Piltover is the best opportunity to kill two birds with one stone. Vi and Ekko will probably object, they'll say her plan goes too far, and it'll get people killed. The whole scenario will probably be a more extreme mirror to whatever the Silco flashback will reveal about what went down on the Day of Ash and why Vander tried to kill Silco, except this time with magic.

[queerofthedagger]

One thing I think about a lot is that when Nargothrond falls, it is heavily implied that as good as everyone perished or, if not, got captured. Like, unlike with the Fall of Doriath, there is no mention at all of any refugees removing to the Mouth of Sirion - and yet, I assume that is very likely where Celebrimbor, at least, went? I definitely think he would have fought, but clearly he survived and neither Doriath nor Gondolin really were an option for him, and I doubt even more that he would have gone back to his family.

And there are a lot of implications to all that, but maybe the one that keeps me up most is that this means he would have likely been there when the refugees of Doriath arrived, when they told of what his family did. That his father is dead. What would he have been thinking? What would the survivors of Doriath been thinking? Like, I know there were technically several different camps to some extent, but I doubt they would have been wholly separate, especially upon arrival. What kind of horror to find someone who looks just like one of those guys who just slaughtered your friends and family. What kind of horror to look like someone who just committed such horrors.

He also would have been there when the third kinslaying occurred, or at least very close to it. What an experience, to end up on the other side of it. To see exactly what might have become of him had he not foresworn his father years ago, and also to see yet again what became of his family. Like yeah, everything before/during the Nargothrond Disaster would have already been formative for him and his future choices, but I do feel even being in the vicinity of all of that would have been such a dire reinforcement of all those convictions and reasons that made him disavow them in the first place. And especially in terms of the third kinslaying, it's also why I personally really doubt that there is a chance at any kind of reconciliation with any of the brothers, whether it's his father or I don't know, Maedhros or Maglor. Like, I just don't think there is any coming back fromt hat, really, if there ever was.

[oneluckydragon]

"What do you remember of being human, Echo?" The question is out of the blue and unexpected. But Sora offers a patient smile and tilts her head in curiosity, just enough that one of her ears flops over. It's endearing, if anything.

But Echo wishes she hadn't asked.

"Not much. Distinct memories are cloudy." A tired tone says softly, a pained recollection in her eyes and an acrid haze in her soul that endures, endures, and endures, "But I remember the discomfort more than anything. My body always did feel wrong back then. Misshapen. Condensed. Like it was too small for everything buried underneath, and that ache went so deeply some days that it would make my skin crawl. I hated that part the most."

At that, Sora's expression falls. She looks inexplicably sad, as if she'd hoped for a different response, a gentler one despite knowing the harsh truth about the dark future and the struggles Echo must have suffered. "But you had Grovyle, right? I'm sure he took care of you."

"He did, Sora, of course he did." A sigh, a flick of an ear and claws clenched tightly into the churned earth pressed under her paws. "I doubt I deserved his attention, though. I was too busy being angry at the world to give any care back."

In my lore, Echo does not look fully human during their time in the dark future. Since they were Darkrai before becoming human, and as a result of Palkia's reckless shattering of the Dimensional Portal which distorted both time and space, Echo's transformation was broken and accidental. They ended up looking pretty messed up and definitely (not) human. A lot of their characteristics as Darkrai carried over but rather morphed into something else.

And Grovyle, growing up in a world where humans have been extinct for longer than any living pokémon has been alive, has no concept of what a "true" human looks like. The only thing he knows is descriptions of humans from glyphs and texts in old ruins. Thus, he mistakes Echo for an actual human. And Echo, not knowing what a human looks like themselves due to amnesia, accepts this identification with nothing better to use.

[anarcho-astromech]

my dad and brother are watching through the clone wars for the first time and I’m watching some with them and

i cant stop thinking about how the war traumatised bariss offee and how it traumatised her in such a different way from ahsoka

like i know weapons factory is supposed to show anakins inability to deal with attachment and loss

but it’s also about how luminara is too easily detatched

bariss needed someone to see her and see her struggling and luminara was too willing to let go and let bariss operate on her own. she trusted bariss to the point that she couldnt see when she needed help when she needed support because she thought she was prepared enough, trained enough

ahsoka was trained enough. she was a child far too good at playing soldier, being supported by someone who would do literally anything for her, even if it meant destroying everyone in her way. and that was wrong of anakin. and she never stopped playing soldier. after the republic fell, she worked as a spy for the rebellion because thats all she’s ever known, she was prepared to be a soldier.

bariss was trained but that doesnt change the fact that she wasnt a soldier. she was a healer playing a soldier with a teacher who couldnt see her desperation. she needed someone to see her. and luminara couldnt do that

yeah i know this isnt a new take. all of this has been said before and all of this will be said again, all of it repeats itself, the story will never end

[fear-no-mort]

thinkign about how alone and unloved morty was for all his life and rick was the first time anyobdy ever put such an amount of intense attention and dependency onto him . and rick had a whole new family and losing them made him stop seeing the value in other people as a whole and morty was the one and first thing that woke him up

[writing-hat]

hiii lil update post i'm not dead i'm just avoiding spoilers cuz i got spoiled twice already on tumblr so i do my best to not explode in anger here zakrgnkd

I'm so mad I can't check my mutuals' posts because I'm too scared of everything now akfzgkrsd but yee

i also wanted to come back with both bruise vampire and begginning of kai fic before halloween. trying my best for the latter to be done by then but it's complicated. but! i do have bruise that should be ready for tomorrow? or the day after

kai fic ch1 will definitely be for middle or end of this week. Anyway stay tuned.

Also after the cliffhanger of ch16 i'm giving y'all the weed quote by Jay

see you soon!

[tetzoro]

could it be .. ? it is !! HAPPY OCTOBER FRIENDZ ! the start of the month is always so exciting and i hope it brings you all love & comfort & everything you desire ! giving an extra dose of luck to all my writer friendz for this month ! may your kinktober / fics be great ! let’s all do our best this month and fill it with silly spooky vibes ! ٩(ˊᗜˋ*)و ෆ

[daboyau]

I was watching lilo and stitch and that “you can never belong” scene came on and I got this idea in my head for that, but with ROTTMNT. So since I don’t do edits or draw, I wrote it out instead. Don’t think too hard about the logistics. :)

It is cold, when Leo slips out of the lair. He can feel Mikey’s gaze on him as he leaves, raising goosebumps over his flesh. He can’t bear to turn back, knowing that his resolve would crumble immediately if he did. His footsteps are too loud in the loneliness of the sewers. His heartbeat pounds in his head. He keeps expecting to hear a voice calling out for him, or the soft sound of footsteps following him. 

But of course it never comes. Mikey had been so hurt. So sad. Of course he wouldn’t follow him. 

When Leo finds a portal into the Hidden City, he doesn’t hesitate to throw himself through it despite the danger it puts him in to be there. The sounds and the sights are familiar to him, yet nowhere calls to him as loudly as the lair had. It’s only been two weeks since he was first brought into their home. They hadn’t even wanted him there, and yet the urge to go crawling back is so strong. He had messed everything up from the moment he’d manipulated his way into their lives. Of course they wouldn’t want him. 

(Why don’t they want him?)

Leo wanders the back alleys and the side streets, letting his feet guide him to nowhere in particular. The picture he had swiped on his way out of the lair is stored safely in the pouch tied around his waist, and between steps he’ll reach in to slide his fingertips over the stiff paper. Just to make sure it’s still there. It soothes him.

He doesn’t stop walking until he’s far outside the city, tucked away in the scraggly rock forests that surround the Hidden City. The aching in his chest has turned into more of a twisting knife, the small knot of sadness becoming more like a gaping chasm. An open wound. A bottomless pit of longing and loneliness that he had never felt before he forced his way into the lives of the Hamatos. 

He hadn’t had anything to lose, before. He hadn’t known the kind of pain that loving something would bring. He wishes he could go back to not knowing. He wishes he could return to a life of never having to make the choice to walk away, to spare them all the pain his existence brings them. 

Leo settles on the ground, curling into himself, shoulders trembling under the weight of everything. When he closes his eyes, the image of Mikey’s face as Leo made his choice haunts him. Donnie’s quiet voice rings in his ears in the silence of the forest, you ruined everything, again and again. Raph’s soft squeeze on his shoulder lingers like a phantom. Leo trembles, tucking his knees to his chest. Then, he pulls the photo out. 

Raph, Donnie, and Mikey grin up at him. It’s almost mocking, how happy they look here. A reminder that they are better without him around. He hadn’t seen them smile like that since the first five minutes they’d found him, back before they learned the truth of how much of their lives he can ruin. 

He runs a careful finger over those smiles, then he squeezes his eyes shut and holds the photo against his chest. His throat burns, and the ache in his chest feels like a black hole that will swallow his body whole. He does his best to breathe through the pain and when he opens his eyes again, the light speckled ceiling overhead is blurry and indistinct. It reminds him of the stars they had taken him to see, wind tickling his skin as they sat on the rooftop of the tallest building of their strange human city and stared upwards at something beautiful.

“Lost,” he whispers to the open air, and he can almost imagine that single word floating upwards, towards the city and the sewers. Finding its way into the only place he’s ever found that might have one day held happiness. But only for him. Not for them. There was only danger if he stayed.

“I’m lost,” he repeats, words like some trouble confession, and hot tears roll down his cheeks.

Some small, selfish part of him hopes they’ll hear. He wants them to come for him, and to bring him back home. It is a stupid, foolish wish. It’s better for everyone that he stays gone. He can’t hurt them this way. 

He falls asleep with tears drying on his cheeks, and body curled tight around the only evidence he holds of a dream he knows can never be. 

When he wakes hours later, it’s to the sound of heavy footsteps over gravel. He jolts upright, heart pounding, eyes wide, and for one foolish, terrible moment he really believes that his family has come for him. 

But no. Of course not. When Draxum emerges with a weapon pointed at his head, Leo can’t find it within himself to feel surprised. He stares back blankly, shifting slowly to stand, halfway wishing that Draxum would just take the shot and get it over with. He doesn’t think he has the energy to raise a hand to defend himself. 

The gravel has left his legs peppered with indents and marks from where they’d pressed into his flesh as he slept. They sound like something breaking as they shift and crunch beneath his feet. Draxum’s eyes dart between those markings and Leo’s tear streaked face, before his expression twists into something complicated. Almost pitying. 

“Don’t run,” he says, voice low. If Leo hadn’t heard what true kindness sounds like these last couple weeks, he would have said that’s what he hears in Draxum’s tone. “Don’t make me hurt you. You were difficult to make. No need to ruin a perfectly acceptable specimen.”

Leo shuffles, eyes darting between Draxum and the stacked stones surrounding them. He makes a sound low in his throat, hurt and uncertain, but he does not bolt. Draxum smiles, already assured of his victory, and steps closer. Leo watches with wide eyes. 

“Yes. Yes, that’s it,” Draxum murmurs, careful and soft, like he’s trying to soothe a scared animal. “Come quietly.”

“I…I’m waiting,” Leo admits, and he watches Draxum’s brow crease. His head tips, curious. He’s not used to this side of his creation — quiet, yet resisting his orders. Leo shuffles a half step back, heart pounding so hard in his chest that he feels a little dizzy. 

“For what?”

“For…for my family.”

“Aahhh. There is no use in doing so. You don’t have one. I made you.” 

Leo shakes his head, hands trembling, photo creased from how tightly he is clutching it in his fist. The thought of ruining the only evidence he has hurts, but the fear of Draxum getting his hands on it, of him finding out about the others, it terrifies him in a way he’s never felt before. He can’t let Draxum know about them. 

“Maybe…maybe I could—“

“I don’t know what yokai fool you found, or what nonsense they’ve been filling your mind with, but banish the thought of family from your mind.” His voice has lost that careful, gentle farce. It is harsh and cutting now. A familiar sound that Leo had hoped he’d left behind forever when he ran away. “You are built to destroy. You can never belong. Now, come quietly and we can begin your reeducation once—no! No no, don’t run, don’t—!”

His voice fades as Leo darts through the towering stones, vines curling at his heels and snapping at his shell as Draxum tries to recapture him. The picture flutters from his fingertips as he trips, lost amongst the shadows of the stone forest. Leo sobs, but he does not turn back for it. It is better if it is lost; at least then, he may be able to move on. 

[skeletalheartattack]

...am I just losing my mind or did yer icon become evil? I don't remember that BeAst behind Boe

yuuuump always been behind me

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[calumthoodshands]

I ask no questions as your colours take their hold / As my darkness turns to gold inside

5SOS5 Track 1: Complete Mess