#i simply could not handle the stress | Explore Tumblr Posts and Blogs

reidmotif · 22 days

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Relax, I've Got You

Summary: Reader isn't the best at handling stress, and her roommate Spencer, notices. Luckily, he has quite a few salacious ideas on how he could make her feel better.

Couple: Spencer Reid/Fem!Reader

Category: Smut

Content Warning: friends-with-benefits situation, oral (f!recieving), fingering (f!recieving), mentions of anxiety/symptoms of anxiety.

Word Count: 2.7 k

Masterlist

You were never good at handling stress.

You were well aware of this facet of your psyche– the way tensity would often wind around your limbs, snaking into the very depths of your bones until you were entirely drained and devoid of peace, a shell of the person you were accustomed to being.

You had dealt with this complication on your own for the most part. You’d come home after a long day, and attempt to find yourself again through chamomile tea, lavender mists, and a warm blanket.

Of course, there were days where even these measures could not suffice in curing your weariness.

That’s where Spencer Reid came in.

He’d only been your roommate at first. With the economy going as it was, it was simply more practical to find one, rather than renting alone. He’d responded to an ad you’d put up, and you accepted. The process was easy, honestly. You had no qualms about sharing your living space with another person, and even found the arrangement enjoyable at times. Spencer was well-mannered, never missed rent, and wasn’t even at home most of the time. When he was, he was quiet. Sweet.

Through time, you found yourself becoming friends with the man. The conversation was light and easy, and in a rare turn of events, you started to open up to him. Even more surprisingly, he returned the favor, adding to the understanding that was fast growing between the two of you. It seemed only natural, since both of you were made naturally vulnerable by the circumstances of your situation. You’d come to your apartment, drop the mask of the day, and see that Spencer was already there, becoming an extension of the solace you found at home. Soon enough, the comfort of your couch was simply synonymous to him as well.

It didn’t take long for Spencer to notice the anxieties that would plague you when a deadline came about, or when you simply fixated on an issue for too long. The way your bedroom light wouldn’t shut until 4 AM, or how you’d pace in the kitchen, so wired that your body denied you the rest you so desperately needed. He noticed the dark circles, the occasional irritability (followed by an apology, of course), the headaches, everything. Which is why he thought nothing of it to suggest some remedies for your troubles over breakfast one day.

“Caffeine can actually increase stress, if you weren’t aware.” He says, eyeing your second cup of coffee that morning. “There’s actually a large amount of data that indicates you should limit caffeine intake, especially if you’re already anxious.”

You narrow your eyes, furrowing your brows slightly. “Says who?” You retort, not quite ready to give up your chosen beverage.

“The NIH, Penn State, the AMA-”

“Okay, okay. Sorry. I got it.” You interrupt, knowing you’d started a losing battle the moment you’d questioned him. “I’ll try to cut down on it.”

He grins, satisfied with how the interaction had played out. You, on the other hand, started to drift farther away from your current setting. You swallow, putting down your coffee cup before rubbing your eyes, a soft sigh escaping you.

“Something wrong?” Spencer asks, cautiously, his voice soft.

You tsk, shaking your head and shrugging a bit at your own dilemma. “It's just.. I’m already so tired. I’m exhausted and the day’s barely begun.” You pause, unable to articulate just how fatigued you were. “It’s like I can already feel the mid-afternoon headache I’m going to get later, and it hasn’t even started yet.” You hate the way you sound, longing for the day you could fully relax for even a fraction of a second.

“You’d probably be a lot less tired if you slept a little more.” Spencer suggests, and you shoot him a death glare.

“Don’t you think I know that?” You snap. “I’m trying. It’s not that easy. It’s just-” You groan, stopping yourself as the quick realization dawns on you that you’ve misdirected your frustrations. There’s a wave of shame rising up almost immediately, heating your cheeks up in regret.

“I’m sorry, Spencer. Sorry. That’s unfair of me. I know you’re just looking out for me.” You murmur, taking a deep breath to calm your senses.

“Hey, don’t worry.” He says, his voice low and compassionate. “I get it. I know you’ve got a lot on your plate right now.”

You nod, closing your eyes as you continue to breathe. He continues to speak, his voice remaining warmhearted.

“There are actually quite a few ways to alleviate stress. Some experts recommend meditation, exercise and yoga. I wouldn’t mind doing those with you, if you were interested.” He offers, as he continues to ramble, lost in his own explanation in the hopes of being of service to you. “Some experts even name sex as a useful stress reliever, due to the endorphins and oxytocin released after completion.”

You give a fruitless laugh. “Jesus, I wish. I don’t have the time to try and find someone willing to do that for me.”

Spencer goes quiet, and you finally open your eyes. You’re met with his stare, trained on your form, a thoughtful expression on his face.

“What?” You ask, upon returning his gaze.

He clears his throat, shaking his head, as if he was ridding himself of a passing thought. “Nothing. Sorry. I’m sorry. I hope you do find something that works for you though. I hate seeing you like this.”

You soften at his concern. “Thanks, Spencer.” You say, the affection in your voice unmistakable. “Maybe I’ll end up taking on.. Yoga? That seems doable, right?”

He smiles. “Yoga. Right.”

The days pass on, until you find yourself in a similar scenario you’ve been in one too many times. You’re pacing the kitchen, a small clock reading that it was currently 2 AM. You couldn’t even really decipher the source of tonight’s anxiety– all you know is you feel it, and you feel it deeply.

That’s when a voice breaks through the darkness, halting your movements altogether.

“Hey, are you alright?” Spencer’s soft, slightly deeper voice.

“Oh, yeah.” You call out, despite the growing tightness in your chest. “I’m fine. You can go back to sleep. Sorry for waking you.”

He shakes his head, scratching his head as he makes his way towards you. “It’s nothing.” He reassures. “I needed to pee anyway. What’s going on with you?” He inquires, gently.

You rub at your chest, biting your lip. “The usual.”

“Work?” He asks, softly.

You purse your lips. “I’m not even sure at this point. Just really anxious.”

His expression softens. A beat of silence passes between the two of you.

“I’m- um. I’m willing to help.” He stammers out, suddenly seeming much more nervous than he was a moment ago.

You give a dejected smile. “That’s sweet, Spencer, but I dunno. I think I have to deal with this on my own.”

“No, I mean. I can help. I’m willing to help. To do that for you. I’m your friend. I want to help.” He restates, his voice a little urgent.

“Willing to do what?” You ask, wholly confused with where he was going with this.

He takes a breath. “Sex. Or, an orgasm, at least. You said no one you knew would be willing to help you like that. I am. If you want.” He blurts out.

You stand there, momentarily shocked into silence. You’re suddenly able to recall the conversation you’d had, just a few days prior, and realize what he was trying to say. Here you were, in your kitchen, with your friend- your roommate, and he was selflessly offering himself to you. For sex. For de-stressing sex. He sounded so earnest, despite the obvious lewdness of his offer, and the juxtaposition made your head spin.

“I..” You start, your voice caught in your throat.

“You don’t have to feel compelled to say yes. I’m just offering. I want to help you.” He interjects, his voice still carrying that unselfishness you’d known from the very beginning.

“I.. no. I mean, yes. I want to say yes.” You find yourself admitting after a moment. “But.. are you sure? It’s.. I mean, it’s sex, Spencer.” You whisper.

“I’m aware.” He says, matching your softer tone. “I’m okay with that. Are you?”

You take a breath. Looking up at him, you take in his slightly tousled hair illuminated by the soft moonlight that drifted in through your apartment windows. His white sleep shirt was crumpled, and even in the darkness that enveloped you, you could decipher the kindness in his eyes, his mere presence bringing a shade of ease into you as you spoke to him.

“Yes.” You murmur out, the words flowing out with no hesitation. “I’m okay with that.”

“Can I kiss you?” He says, gently, and your nod of affirmation is almost immediate.

He steps closer and cups your cheek, before pressing his lips against yours gently. It’s a sweeter kiss, something that, despite never saying out loud, you would have expected from him. His mouth moves languidly against yours, before pulling away, slightly out of breath.

“Kissing actually helps to reduce cortisol.” He murmurs. “It indirectly lowers stress as a result. Is it working?”

And true to his words, you realized that the tightness in your chest had faded somewhat, no longer blaring with the intensity you had just felt a few minutes prior. An entirely new feeling settled within you- an ache, a need for this man and what he brought to you.

“Yeah. It’s working.” You mumble out.

As if he could read your mind, Spencer gently takes your hand. “Let’s move to the couch, yeah?” He murmurs, already leading you to his spot of preference.

He gently guides you to sit on the couch, quickly finding your lips once again to exchange some soft kisses along the way. His hands drift up and down your back, fingertips light and tender. His every touch speaks to something more, to an unspoken dedication that you’d never felt before until this moment.

To something that maybe extended beyond the original purpose of your rendezvous. “Is this alright?” He asks, his tone hushed and reverent.

You nod, almost in a trance. He was so gentle, so reassuring. He was exactly what you needed.

His lips find yours again and you respond eagerly, letting your hands tangle into the mess of brown hair that sat atop his head. He let out a small groan as your fingers slightly tugged on the strands, sending a thrill through you.

He starts to trail the kisses down your neck, seeking out more sensitive spots that could bring you into a further state of rest and repose. Everything about you spurred him on, it seemed. He paid attention to every noise, every movement– his ultimate goal seeming to hinge on your pleasure throughout this.

Of course, you respond accordingly to the dedication, a soft gasp or whimper escaping you when he would mouth at the perfect spot, which would only cause him to increase his actions tenfold, leading to even more response on your end.

The perfect feedback loop driving you to pliancy and ecstasy all at once.

His lips begin to drift down, and you realize he’s settling in between your legs now, hands on the waistband of your sleep clothes, urging you to lie down completely, which you do.

“Gonna take these off now.” He whispers, looking up at you between your legs.

“Please.” You respond, waiting with bated breath.

He manages to pull down the last barrier between you two, before being met with the mess he’d created. His lips parted as his fingers trailed lightly over your wet slit, your arousal evident on his finger as he marveled on the effect he could have on you.

“Jesus, you’re beautiful.” He whispers, as if his eyes are set upon something precious, something worthy of worship. And in a way, isn’t that exactly what he’d set out to do the moment he’d placed his face between your thighs?

He loops his arms around your thighs, before slowly allowing his tongue to dart out, delicately, tracing the wetness of your pussy. A moan slips out of you, low and needy, and that’s all the confirmation he needs before he’s diving in, devouring your cunt like a man starved.

“Spencer.” You gasp out. You say his name like prayer, like he is god-given, because in this moment, he is.

His tongue traces your clit in circles, before directly placing his lips over the swollen bud, applying some light suction. The tenderness in the action, the way his eyes flit upto yours, watching your gaze for the utmost reassurance that he was doing right by you, only hurdle you closer and closer to your pleasurable end.

It’s almost as if you’re floating, your back arching as his face stubbornly stays buried in your cunt, lapping at your wetness insistently. He wants your release just as bad as you do, and it’s clear he’ll do anything for the sweetness that comes with you falling apart in his arms.

“Oh god.” You moan out- how is it possible to feel so airy, and yet so present all at once? To feel every movement of Spencer’s warm, wet tongue lavishing your clit, and still be somewhere else entirely- a new height of pleasure you had sorely needed all along.

One of his hands leaves the iron-grip it had your thighs in, letting his fingers drift towards your entrance. He slips the digits in, slowly pumping into you, only adding to the overwhelming rapture you found yourself in. Your eyes shoot open, and you find yourself writhing against him.

“Spencer- oh god. Please, please.” You babble out, legs starting to tense with the beginnings of your orgasm.

He only pulls away enough to murmur softly. “That’s it.” His fingers continue their steady pace into you, his grip on your thigh keeping you planted to the mattress. “I got you, love. Come for me.”

With nothing else to say, he resumes eating you out, and the combination of his fingers and mouth finally barrels you towards your orgasm, shuddering as it rips through you, as your every sense is clouded- with this, with him.

It’s only until you’ve ridden out the entirety of your orgasm that he pulls away. Sitting upright, he leans forward to caress your jaw, taking in the rapid rise and fall of your chest, the flushed appearance your face had taken on in the throes of gratification.

“Feeling better?” He asks, softly.

“Entirely.” You whisper back, almost in awe. Not only at how well it worked, but how adoringly he stared at you, it being enough to stop your heart in your chest. Did he always look like this? How did you never notice?

“Can I return the favor?” You implore, already beginning to get up, but Spencer pushes you back down lightly, shaking his head.

“You’re tired.” He says, as if his word was fact, despite these being your feelings that were being spoken about. “Right now, the oxytocin coursing through your body is priming you perfectly for sleep, and God knows you need it.” He chuckles out.

You realize that he’s right, and for the first time, you feel the fatigue that comes naturally with sleep, as opposed to the restless nights you’d been dealing with. You still feel disappointed though, feeling a sting of rejection as you’re unable to touch him back. Still, your tiredness is undeniable, and so you nod.

He gets up, finding a blanket to lay on top of you, before kneeling beside your face. He looks at you with subtle veneration, before letting his lips brush against your forehead.

“I’ll take you up on your offer tomorrow, though, if that’s alright.” He murmurs. “When you’re rested.”

Your smile is immediate. “Deal.” You whisper out.

He looks at you for another beat, before letting his knuckles brush against your cheek, slowly retreating to his bedroom, as to let you get the rest you so desperately needed.

You close your eyes, amazed by the tranquility that came with Spencer. How simple intimacy came with him, as if that’s how it should’ve been all along.

You know you’ll ponder on this fact in greater detail later on, but for now, you relished in serenity of the afterglow.

“Spencer Reid.” You think. “What divine comfort you are.”

HOOOLY SHIT. how long has it been since i uploaded? a long time? i think. hahahaha. in between traveling, [redacted life updates], and even more, i just wasn't very inspired to write. i hope this speaks to some of you, and i hope it was enjoyable to read. as usual, any likes, comments, reblogs are so so so deeply appreciated. feedback as well! thank you so so so much for reading regardless, i am eternally grateful for any and all support <3 (oh also haha. this was written for @imagining-in-the-margins friends with benefits challenge! check it out.)

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dystopyx-blog · 2 months

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Stuck in TWST without meds

and also they're yandere or something

@shironakuronatasa here you go pookie <3

Because everyone is different, I'm gonna be focusing on the meds I take and the things I experience! If you're inspired to write one of your own based on your types of meds, go for it! I'd love to see others' takes on this :3

I'm still writing in 2nd person, but you/mc is heavily based off of me!

(And if you still want a personalized one but don't want to write it, my commissions are open/hj)

Tw for one mention of suicidal ideation.

Imagine...

You don't quite have a clusterfuck of things going on in your head, but sometimes it can feel like it. Autism, Anxiety, depression, and ADD. Thankfully, you have access to medication, and they work well for you.

Although you can't keep the downward spiraling from the depression and anxiety away completely, it is far more manageable with your medication. You've found that when off them, you are far more prone to completely fall apart at even the slightest inconvenience. It feels like constant stormy waters, with stormclouds that only make the waves worse. But when on them, the storm disappears. Yes, the waves still get rocky and tip your boat from side to side, but you're emotionally stable enough to handle them.

Then the meds for your ADD. With them you have the razor sharp focus to not only take care of projects and work, but also to simply take care of yourself. When off of those, even simple tasks like taking out the trash can take hours, especially since you so easily forget steps, and will stop the chore in the middle, genuinely thinking it's complete.

But you have your meds, so you manage just fine.

Until you're sucked into Twisted Wonderland.

First of all, even if you had already taken the meds for anxiety/depression, there's not much they could do in the face of being transported and consequently trapped in a different dimension. But they do still help, and instead of bawling, you manage to keep a cool (enough) head and get yourself settled into Ramshackle.

But they don't last you long. They had built up in your system enough to last you a few days, but time and circumstances were not on your side.

Even though Grim is by no means an emotional support pet, and is by all means a little shit, he manages to push his pride aside when he can tell you really need it.

Especially the days where you wonder if death is what will bring you back home...

Grim will act as if he helps you for his own purposes, but he is genuinely there for you.

The others, however...

First of all, quite a few of them don't completely understand... you're extra sad and spacey, but you had some kind of magic to help with it back home, but you don't have them here, and without them you get... sad and spacey?

Riddle probably sees it as some pathetic excuse. It's not until after his overblot that his tune completely changes and he is giving you all the special treatment. Even if you mess up on purpose, even if it's something that really frustrates him, he'll justify it as you not knowing any better. Which is patronizing as hell.

Ace will use it to his advantage. Getting into trouble and having you take the brunt. And you play along with it, because, again, Riddle is treating you like an incompetent child, so you are all for raising Cain with Ace. What Ace really loves about this, though, is that it makes you more willing to hang out with him, and more likely to dislike Riddle.

I imagine Deuce has something going as well, though I don't quite know what, and neither does he. But he finds a kindred spirit in you. Study sessions with him are a MUST, and you share your different study and coping tactics, while he stares at your lovely face.

Trey relishes in caring for you. If you're having any kind of sudden increase in stress or sorrow, he is fucking there. He will scoop you up and take you to the kitchen and treat you with his home baked goodies right then and there. Same with your academics, if you need help with academics, it's to the kitchen for tutoring. And as bad as it is, he finds himself wishing you'd give in and lean on him completely.

Leona will also be there for you in depressive episodes. He sees how you always go to Grim when your upset, notices the little things that Grimm does that helps, and starts subtly using them whenever you're upset. Not even just if it's depression/anxiety related, if you're upset with him specifically he'll start purring in that low register that has your heart slowing. He'll rest his body on your chest as a weighted blanket. He'll let you pet him and comb through his hair. All until all you associate Leona with is safety and comfort–as you should from a mate.

Ruggie is SUCH a little meanie at first! Specifically regarding your ADD. Once he sees how much it genuinely upsets you, though, he'll back off. He does have a manipulative streak, though, and will use your anxiety against you. Any way he can get you to distrust others and seek him out is a good way.

Jack is one who does not fuckin understand at first, but once he does, he's supportive. He asks if there's anyway he can help and you offhandedly tell him about emotional support dogs, and he is locked on. He's embarrassed by it at first, of course, but he can tell how safe it makes you feel, and like Leona he is completely fucking for that. Though he won't just be emotional support, no, he'll be the guard dog chasing away anything that could possibly trigger you.

School is very difficult for you without your ADD meds. You can manage, but it is far more stressful and difficult than it needs to be. So, of course, you have those generously offering to help you–specifically Azul, who's more than willing to help... at a price, of course.

Floyd really likes when you daze off in class... When you're staring blankly, mind thinking about so many things except whatever the professor is droning on about. The way your eyes glaze over, the way you're so focused on whatever the fuck is going on in your head, the way your lips part ever so slightly... All your idle habits are endlessly entrancing to him. And, goes without saying, every single time you're especially depressed, he offers a good squeeze session.

Jade, the manipulative bastard, will purposely set you up for failure so that you feel like you need to go to him for help. Because lord knows Azul will make you pay for it, but not your good friend Jade. Plus, if you ever mention how hiking can help with mood, lord save your soul...

Jamil is such a DICK. He will be degrading you at every second, completely taking over whatever it is you try to do. Even if it has nothing to do with him. God, you remind him of Kalim, but at least you don't have the nerve to be so fucking happy all the time. A sick part of him likes when you're sad. You're less annoying when you're depressed, specifically, without little energy or motivation to do or be anything else. He'd happily take care of you then. He'll do whatever you need done. You'd probably do it wrong anyway.

Kalim feels so fucking seen and understood. He honestly felt like some kind of freak for so much of his life, but you... you're kinda like him! A lot sadder though. Your very existence brightens his life, so he's made it his mission to brighten yours. He also really can't stand it when you're with others. It's so obvious you two are meant for each other! He views your shared ADD symptoms as evidence of soulmateship.

Vil is another case of not fully understanding. You're making excuses. Until he takes it a bit too far, pushes even more than what you can handle, and you fully break down in front of him. You're so completely and utterly vulnerable in that moment. He doesn't know if it's a very dedicated manipulation tactic to get out of his nitpicking, but... he becomes a little more sympathetic with you. Vil recognizes that, for whatever reason, you do in fact seem to struggle more with certain things. And yet, despite that, you still try. You continue push yourself, even if what youre pushing towards is, by other people's standards, the norm/mediocrity/minimum. And in you he starts to see a bit of himself. Especially since, let's face it, with depression, anxiety, and add, it is very likely you relate more to Vil than you do Niege. He helps you, and in turn you help him, though you don't even realize it. Helping you be happier with yourself helps him be happy with himself. And he'll fucking slaughter anyone who takes you away from him.

Rook, like Vil, is easily able to recognize how much you not only struggle, but how much you try. And he finds that incredibly beautiful. Needless to say, he is often watching you. Everything you do is enchanting. He memorizes every. single. stim. and habit. Sometimes when you get frustrated, he just wants to scoop you up in his arms and shower you in kisses, but then you'd realize he broke into your room...

Epel will see how much you get pushed around, and takes it upon himself to defend you. He also sees a bit of himself in you. Sometimes he purposely waits around you, and at the first sign of trouble, he'll attack.

Sometimes you just get too fucking overstimulated and you need a break. And in those times, you've found Idia to be the best person to go to. You both started off pretty distant. You approached him, upset, and asked for a quiet place. You put in headphones and just laid down right there. The two of you just sat in silence, with headphones in, doing your own things, blocking out the world. And, oh, how Idia came to crave those moments. He began to depend on you for comfort, ans hoping that you would similarly come to depend on him. You're different from those other normies, you're the only one who gets him so please just stay with him! He will start to modify his room to be the perfect sensory room, the only place in the school you can go to fully regulate yourself. He starts going out with you, acting as if you're really helping him step out of his shell, when really he just wants to spend more time with you, and will continue to shy away from everyone else and hide behind you. This man desperately needs you to need him as desperately as he needs you.

You are so. Fucking. Cute. Malleus finds your every single quirk so fucking attractive. He doesnt like, however, seeing you so upset. So sad. And the kind of sad where he is helpless to help you. He also really doesn't like it when you're upset at yourself. Don't you realize you're perfect? And who cares if you're not good at any of the school stuff? Malleus doesn't. You don't need any of those skills anyway, with Malleus Draconia here to always take care of you.

if you want the rest of diasomnia or the secret character I subtly didn't include lmk

part two out now!!

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gremlingottoosilly · 3 months

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Deaf!Reader are struggling to earn money to pay off their rent and living expenses, by handing out leaflets on the street X Mafia!Konig

(one time, I was walking past the metro, and there was this lady handing out leaflets to men. I wanted to take the leaflet as well because I always wanted to help the people who were handing it out, but she looked at me super weirdly when I took the leaflet. Turns out, it was a leaflet for illegal prostitution sites (sex work is banned in Czech Republic) You just needed money. The disability payments are dogshit and wouldn't even cover half of the expenses of renting your own place - but all the other jobs are basically blocked to you on the basis of not having enough resources to support a deaf worker. You know it's just their saying, they simply don't want to hire you even for brownie diversity points - but still, the only jobs that you could get without much of an education is something as shitty paying as handing leaflets. At least you can just not read the lips of people who are clearly cussing you out for bothering them with an abysmal task of accepting a thing piece of paper. Only, the gig is just a bit too shitty. It's illegal; technically, sex work is still as banned as always - you stare at the leaflets with half-naked women printed all over, disguised as dating websites, and you want to puke over how fucking terrible it looks. Still, they were paying a bit more than usual, and cops won't bother you as long as it's not a direct sex work endorsement. The people on the streets are having weird reactions, however... Konig had a shitty day and an even more annoying night. Having to oversee a big drug deal himself because Horangi was out dealing with some transgressors, and Krueger can't be trusted with customer service, he had to stay awake at ungodly hours just to finish the deal...and now there is some dumb girl handling him a leaflet for his fucking sex business like she doesn't know who he is and can't hear that he said he doesn't want it three times already and- He notices the way you stare at his lips and ignore the yelling of other people crowding around during rush hour at the station. Oh. Konig guesses even the illegal business of his had to get more open for workers with disability...although he looks at your cute lips and just knows he is ready to promote you from handling leaflets to never holding anything heavier than his hand (and his cock) ever again. Needless to say, you were terrified when this big, grumpy man in a suit just fucking grabbed you hand and pushed you into an unmarked and clearly dangerous-looking vehicle. Of course, sometimes people are annoyed at receiving brochures, but not to the point of kidnapping...and certainly not to the point of bringing you to their lap and then forcing a hand between your legs, squeezing and playing with the flesh like you were nothing but a stress toy. Not being able to read his lips since you were pressed so closely to him, terrified you even more...although his intensions are pretty clear when you felt a kiss pressed to your forehead, and a gentle hold on your neck until you finally passed out in his hands.

#konig x reader #cod #konig #yandere konig #cod x reader #yandere cod #mafia!konig #mafia!cod

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enkvyu · 1 year

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“babe i messed up, we gotta go bald.”

“no!” you grab onto the electric buzzer and fight against him, holding gojo back. “wait, let’s think this through!”

“look at my hair, it’s horrible! i can’t go out like this!” your boyfriend whines and though he resists your pull, you know he isn’t putting force behind the gesture.

“you look…” you yank your eyes away from his head, suddenly struggling to look at him. “fine.”

“you paused!”

“it’s fine, gojo!”

“it’s not! if my lover can’t even look at me without laughing, what are my students going to think?” gojo checks himself out in the mirror of your apartment's bathroom, turning his head side to side to observe the lousy slash he had given himself.

“their opinion of you can’t go any lower.” you reassure him. “and it’s fine, really. just, put down that shaver, that’s it, put it down on the counter and i can fix your mess for you.”

gojo gives you a wary look but eventually relaxes his hold. you pick up the shaver and the handle is still warm from his touch. turning it on, you let the hum of the device fill the silence.

after gojo had decided to abandon his glasses for a blindfold, he realised simply letting his hair grow out in whatever direction would not cut it anymore, else he wanted to look ridiculous.

when he complained to you, you absentmindedly told him to get a haircut without thinking of the consequences of your actions. of course gojo wouldn’t just go to a barber, of course gojo would think he could style his own hair and of course gojo would pick the worst haircut, making the first move without another thought. and now, after running the shaver a few centimetres up from the nape of his neck, the both of you realised that he should never be allowed near a electric shaver ever again.

you exhale. "okay, i've got this."

gojo looks at you through the mirror. "don't stress. worst case scenario, i can just buzz everything off."

you stare at him. "i cannot love you if you're bald."

"seriously?"

"what's with the look? would you love me if i was bald?"

gojo doesn't even hesitate. "yes!"

that makes you feel guilty. you don't comment on the topic any more, instead channelling your attention to the shaver in your hands and the white hair above your boyfriend's head.

“hey, don’t ignore me. you wouldn’t love me if i was bald? what’s next, you wouldn’t love me if i was a worm?”

you bite your lip to stop your face from contorting into a grimace. “i’m trying to focus here.”

“and i’m trying to make sure there’s still love in our relationship.” he turns around and looks at you. “do you love me?”

looking at him, a small smile slips through your disgusted expression. your boyfriend was regularly annoying, but there were times when his childish behaviour was more endearing than irritating. this was one of those rare times.

“yeah, i do.” you admit.

“prove it.”

“huh?”

his hand closes around yours, the one holding the buzzer. “i’m going bald.”

“no you’re not!”

“this is my hair, i get to decide what to do with it!”

“gojo!” you quickly reach over and unplug the shaver. “let’s be rational!”

he looks at you with bleary eyes. “i love you.”

“me too, which is why i can’t let you go bald.”

“you’re lying. if you loved me, it wouldn’t matter how much hair i have on my scalp.”

you sigh, rubbing a hand over your face. when you peek through your fingers, gojo is still giving you a wounded look. “okay fine, i would still love you if you went bald. it honestly doesn't matter to me, but is this what you really want?”

“and if i was a worm?”

you look away, busying yourself with tidying your already tidy sink. “are you going bald or not?”

“answer my question.” his hand wraps around yours. “you can’t leave here until you give me a response i can accept.”

you try to shake him off. “i’m not backing down on this, i will not love you if you turned into a worm.”

“i would—”

“no you wouldn’t! how would you kiss me if i was small and slimy?”

he pauses. “i don’t need to kiss you to show my love, it’s just a side benefit.”

“okay, and what about our species difference? what if i find a handsome worm and fall in love with him? he would treat me better since we’re both worms.”

“i would keep you in a cage so that you'd never meet another worm.” he says, completely serious.

“is that what love means to you?”

“i’ll fill the cage with all your favourite things!” he brings your hand up to his cheek and presses against it, littering kisses onto your palm when you don’t react. "it's also to keep you safe! you'd be completely defenseless as a worm."

"well, if you were a worm i wouldn't be able to keep you safe. you're the strongest, if you can't protect yourself then how could i?"

"that's something different. i wouldn’t be the strongest, i would be a worm."

"an unlovable one."

he drops your hand and grabs the electric shaver before you can. "i'm going bald."

you don’t stop him this time. “fine, go ahead. but when you’re hairless i am not taking the blame for this. if you even start to complain to me i will plug both my ears and walk away. that means if your students take photos of you and spread it like the plague, i won't stop them.”

“i knew it.” gojo says after a moment’s silence. “you don’t love me anymore.”

“if there was ever a time that i did.”

“when did you start falling out of love?”

this was slowly getting out of hand. “gojo.”

“when i ate your chcolate? i apologised, what else do you want from me? want me to kneel?”

“gojo!”

“is it because i used your expensive skincare? i was curious because it came in a little pipette thing and i wanted to squeeze it real bad.”

you hiss. “i knew that was you.”

“you seriously believed me when i told you it wasn’t me? we live together and we live alone, who else would it be?”

a humourless chuckle escapes your lips. perhaps gojo detects your intentions before you can act on them with his six eyes, because he freezes, backing up against the edge of your sink.

in his fear, you yank the shaver out of his hand and flick the power switch back on. the buzz fills the air.

“you’re going bald.”

“i was just kidding! i don’t want to be bald!” gojo leaps out of his chair and heads for the door. unfortunately, you grab onto his shirt and pull him back.

when gojo walks out of your bathroom a few hours later, his head is lighter than when he first entered.

sped wrote this so i could post smth it’s so stupid i’m crying

#gojo x reader #jujutsu kaisen #gojo satoru #gojo x you #jjk #gojo satoru x reader #gojo satoru x you #gojo imagine #gojo drabble #gojo fluff

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eskumii · 7 months

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soft yandere!genin!sasuke uchiha x reader hcs

TITLE: " BAD ROMANCE " — navi. — read part two.

A/N: i'm clearing out my drafts ,, was in a huge naruto phase when i started this blog!

☆ genin sasuke is pretty mean. he doesn't notice you for your looks, personality, or even your prowess as a young kunoichi. you're just... you. in which, you don't cling to him like sakura does, and you aren't delusional like ino is. you're just okay at first, and there's not much he can go off of when he never really interacts with you. it's nothing personal, really.

☆ although sasuke is typically not a stranger to the prospect of romance, the reason why he doesn't indulge is simply because he fails to understand what romance is. if sasuke is anything, he's aware; of his surroundings, the people in it, and the turmoil that churns inside of him. the more he loves, the more he'll eventually hate, so he gathers that there's no room for it in his life. it's his curse to bear.

☆ genin sasuke would eventually notice you after being placed on team seven together, of course. you're pretty hard to ignore from thereon. in between the bouts of sakura clobbering him and naruto screaming in his face, his eyes are on you. both naruto and sakura wear the extent of their capabilities on their sleeves, but you're hard to read and that intrigues sasuke.

☆ it's not until much later that sasuke notices his feelings for you are much different than before. after all the trouble you've been through together (near death experiences & the dreadful antics of naruto), he feels like he's finally got a foothold on what it is that makes you so interesting. he's not a moron—yes, it would appear that he does like you beyond the "like" that he holds for the rest of team seven. however, it's such a foreign feeling that he's not even sure how to handle it, being that he's never had to deal with it before. does he tell you? does he not? would you even feel the same?

☆ in the end, sasuke shows his fondness for you in more subtle ways. it's not really his style to outright confess. sometimes he'll ask you to spar with him (alone, which he stresses), or he'll happen to have a "spare" tomato (or onigiri, if you don't like tomatoes) on him when you complain about being hungry during missions. if you get ambushed by rogue ninja on a mission, he'll instinctively step in front of you, or if you're out of kunai he'll lend you a couple of his—things like that. he's quite thoughtful when he wants to be.

☆ even under sasuke's merciful tolerance of you, you're not off-limits when it comes to his biting insults and sarcastic comments. normally he doesn't speak much but with you he becomes rather talkative, if you can even call it that. when someone else tries to butt in, sasuke's brooding and murderous glares scare them away. they should really know better than to talk to you when he's around.

☆ sakura obviously hates that you've suddenly become the apple of sasuke's eye when she's been vying after him since their early days at the academy. you're not even that pretty, honestly. but any attempt to sabotage you or make you look like a fool in front of sasuke is thwarted... by sasuke. he always thought of sakura like a whining gnat in his ear so it's amusing to see her cry when he blatantly ignores her for messing with you.

☆ when sasuke leaves the village, you're the first person he visits beforehand. you're asleep but that's just fine; actually, it's perfect because you don't see how he gently caresses your hair and how he gives you a kiss on your forehead. you don't hear him when he finally admits that he likes you. loves you, even. you don't hear him when he says he wishes he could take you with him.

☆ but don't worry, he'll be back for you...

#yandere x reader #yandere #yandere naruto #yandere sasuke x reader #yandere sasuke uchiha #yandere sasuke uchiha x reader #yandere naruto x reader #uchiha x reader #sasuke x reader #yandere sasuke hcs #naruto headcanons #sasuke uchiha #genin sasuke x reader #yandere genin sasuke #yandere uchiha

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pearlywritings · 6 months

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The scent of being mine

synopsis: lately your husband has been staying deep in his thoughts as if bothered by something. It's only natural you want to figure it out and help.

pairing and characters: Neuvillette x fem!reader

tw: established relationship (marriage), tiny hurt/comfort, draconian features (scenting, growling, implied sharp nails)

word count: 3k+ words

“Beloved, you are brooding. More than you usually are.”

Your comment snaps Neuvillette from his thoughts, long lashes fluttering in surprise. He blinks, primordially beautiful eyes finally focus on the document in front of him, and the man makes a frustrating discovery - he’s been staring at one single line of text for who knows how long.

“Beloved?” Your sweet voice soothes the momentary disappointment, and Iudex’s undivided attention is on you in a second.

“Yes, my dear? My apologies, I didn’t quite catch what you said. Could you be so kind and repeat, please?”

You lower the book onto your lap, and the man can’t help but relish in the sight of you comfortably lounging on the sofa in his office at the Palais Mermonia, with your shoes neatly put near one of its legs and your legs hidden under the light embroidered plaid. Your back and side sink into multiple pillows, half of which he fetched for you previously from the second sofa, and you look pleasantly relaxed within the walls of his work space, knowing very well that he has no meetings scheduled for the day, and the only people who can enter his office are the melusines with document delivery. And who would be uncomfortable in the presence of their own ‘daughters’?

“I was saying that you are brooding. And It won't be superfluous to note your sour mood too,” you nod in the window’s direction, where the sky is cloudy and gloomy. It has been this way for a couple of days already. “I wasn’t bringing it up since I thought you were simply a bit stressed, but after observing you for some time, I am sure there’s something on your mind that’s been bothering you immensely.”

Neuvillette exhales deeply. How could he ever hide anything from the woman he’s been married to for so long? Not that he ever tried, but subconsciously he sometimes tends to push his own worries aside not to make you fret. Besides, usually it’s not something of a big deal…

Watching the thoughts overtaking his mind again, you grab the bookmark from the armrest and soon the closed book takes its place, at the same time as you push the plaid off. Not caring to put the shoes on, you make a quick way to the grand doors to turn the key left in the hole from the inside. But changing your mind a little, you take a hold of a handle instead and crack the door slightly open, enough for the melusine at the reception to hear you.

“Sedene, sweety, Monsieur Neuvillette is taking a small break.”

You can’t quite see her perking up in her booth, but you know she is aware of what that means.

“Thank you for informing me, Madame. Would you like anything to drink or eat? I could send someone to put an order in whatever restaurant you’d like.”

“Much appreciated, but we’ll be fine.”

You hear her hum in understanding and only then close the door and lock it, turning the key two times.

“Now…” glancing back at your husband, you slowly walk back to your previous place of resting, but making it past the sofa and then around the desk, stopping right at his side. Neuvillette lifts his head, looking at you, and immediately pushes the chair back to make room. Gloved hands take a hold of your waist when you step closer and help you settle down onto his lap. One stays gingerly on your hip, the other is placed upon your knees, as you adjust your position, turning half-around to face him. Mesmerizing eyes with slitted irises stare at you with hardly-veiled adoration, and for a moment it almost fools you into thinking that nothing is wrong. Until he inhales and white eyebrows furrow slightly.

“Neuvi, what’s going on? Is it something I can assist you with?”

The man leans forward, pressing his face to your neck, silky locks of his fringe tickling you when he releases a breath. Your fingers find the back of his head, softly scratching the scalp, making him groan in satisfaction. His own digits flex, and you think you feel the claws digging slightly into your flesh through the dark material of his gloves and the skirt of your own clothes, and you let the dragon be a tiny bit greedy in expressing his affections.

“It’s not something I thought would bother me,” you hear him murmur into your neck. Instead of rushing to ask him to elaborate, you encourage him to take his time with a soft touch, gently following the pointy shape of his ear with your fingertip. The man shivers, but quickly relaxes, leaning into your body a bit more.

“Why logically I understand I’m in the wrong, but on an instinct level it doesn’t give me rest. Remember the celebration Lady Furina threw three days ago?”

Ah, of course you remember. It was a nice little feast the Archon organized to mark another successful staging of hers, to which your husband and you were obviously invited. You can’t, however, recall anything particular that could upset Neuvillette. He wasn’t offered anything to taste he didn't enjoy - had his own supply of fresh water even; he had no cases to worry about, having finished everything rather important beforehand, and he was not engaged in any interactions he could potentially be uncomfortable with. Maybe it was something related to you? However, you can’t think of anything: most of the time you spent conversing with Furina, discussing her next outstanding and grand performance, or dancing with your beloved, happily twirling in his embrace. Sure, other people approached you too, but…oh. Wait, there was something.

“Do you mean the celebration during which that opera performer from Li Yue was flirting with me?”

Immediately his body tenses and a low sound, kind of sounding like a growl, escapes his strained throat. He quickly composes himself though, once you drop your hand from his head to his back, drawing circles there.

“...I apologize for that.”

“Please don’t, I don’t mind a bit of jealousy,” you assure him, and the man finally leans back, looking at you with those fairytale eyes.

“You think it was jealousy?”

“Well, maybe right now it was just a bit of frustration, but back then I think it was jealousy,” Neuvilette hums, lowering his gaze, processing the information. You meanwhile decide to ask more. “But what sparked it? You know I am yours and that no human will ever be able to steal me from you.”

“Ah, my love, I am fully aware of that,” gloved palm leaves your knee and cups your cheek instead. “I know all that, but…but what I felt is hard to explain in words.”

“Try,” you encourage, turning your head and kissing his palm, “I’ll get it.”

“Alright,” with a sigh he lets his fingertips outline the contour of your jaw and travel down the side of your neck, sending a pleasurable sensation down your back. “I suppose I should start with what happened before, when we were still back home. You looked so ravishing and regal - a true gem to an eye, - and I just couldn’t help but let some of my scent linger on you.”

Which is absolutely fine, you love doing the same for him.

“Keeping that in mind I felt all those strange emotions wringing my heart, as he was giving you compliments, especially about the scent, not realizing it’s mine. And then more and more.”

As he doesn’t find what more to say, you stare at him, trying to analyze the information. After a couple of minutes of silence, during which you absent-mindedly braided a little braid out of his straight lock, you decide to summarize.

“So… If I understood you correctly, it felt upsetting that, basically, he caught the whiff of you on me, yet didn’t stop his attempts to hit on me. Am I right?”

“Exactly,” a small smile graces his pale lips, and Iudex presses a delicate kiss to your shoulder. “I could not have worded it better.”

“Hmm… Now I see why you are torn. It is annoying for sure, but it’s not like an ordinary human could know of draconian peculiar properties.”

He nods, thumbing at the pulse point on your neck, staring a little bit past you. His state is saddening, really, even though a tiny slither of pride infiltrates your heart - knowing your husband wants the world to know you are his as much as you want to claim the same about him… Would’ve made you purr if you were a feline.

You shiver when Neuvillette brings his face close again, soft lips pressing to the side of your neck.

“You are so dear to me, my love…” he breathes in a way that makes your heart skip a beat, voice full of unbridled devotion, something not many can hear from this stoic man throughout their whole life. “There are days when I can’t bear the thought of you not being close to me, I overcome with desire to be in your presence, to hold you in my arms, to listen to your divine voice… When you call my name, I want to bring everything I have to your feet.”

“But you already do so,” you cup his cheeks, kissing his forehead. “You don’t have to say all of it - you sound like you are apologizing, like you are trying to excuse your natural behavior. Don’t do it, please. You are so precious to me, I’d be damned if I ever felt unnerved by something like this.”

“I apologize if it sounded like this,” he sighs, long lashes flattering close, when you proceed to kiss over his eyelids. “I just meant to express how thankful I am that you chose me.”

“Oh, Neuvi,” you chuckle, kissing the bridge of his nose and when the tip of it. “I adore when you are so affectionate in private. As for the public display, if we return to the topic of scent… I think I could figure something out for the both of us. If you trust my judgment, that is.”

“How can I not?” Those eyes are staring back at you, bottomless pools swirling with wonder and elation. “Only if you truly want this.”

“I do,” your lips hover dangerously close to his. “And I will find the way.”

Soft thuds rhythmically yet quite leisurely cut through the lofty noises of the Court of Fountaine, catching the attention of the passersby. One hit of an elegant cane against the pavement equals two steps of yours, as you and your husband walk through the main square of the city. Your appearance - no matter together or by yourself - always gathers attention, and you could bet that if Fontaine didn’t have a law prohibiting photography of executives without their permission, your picture would’ve adorned tomorrow’s copy of The Steambird.

And you are a sight to behold - your hand resting in the crook of his elbow, gloves matching perfectly his today’s cravat of choice, jewelry specifically picked to mirror the beauty of their wearer’s partner, clothes tailored to clearly be a ‘couple outfit’... It is pretty evident that this outing is planned, if the Iudex’s absence from the Palais Mermonia didn’t serve as a clue.

You hold no conversation, rather relishing in the warm rays of sunlight (you did though tease Neuvillette upon stepping outside that his mood seemed to improve). Despite looking like it’s you who is clutching onto the man and him leading you somewhere, it’s completely vice versa. Your beloved has absolutely no idea what kind of ‘surprise’ he is soon to experience, but your previous words keep his mind at rest - you found a solution for his concern.

As a result, his high spirits are pretty apparent to the people who know him well. Or the melusines, if one is being accurate, who approach you two along the way with warm words of greetings and cute waves of their hands, which brightens Neuvillette’s features more evidently.

“I think we should soon visit the Merusea Village,” you suggest after bidding goodbye to Tristane. “And do a little gathering for our girls who work here, in the city. I am sure they have many stories to share with us.”

“I would really like that,” Neuvillette's smile is a heart-warming sight. You can only hope that you’ll get to see it more after today. “How about we start planning tomorrow after work?”

“That would be wonderful! I can’t wait to write an invitation to every single one. And to the village too.”

“Then it’s on you as always,” he agrees without objection, leaning a little to subtly kiss your temple when you turn the corner. Letting out a soft chuckle, you give him a fond look, and then focusing back on the street.

It’s barely a couple of minutes later when your partner sees you perk up. Trying to pinpoint what caught your eye, the man scans the signboards of the shops and boutiques lining up at both sides of yours. Jewelry? No, he doesn’t think so - you adorn each other with fine gemstones regularly. Clothes? Doubtful, given you’ve just received a couple of new outfits a week before. Maybe it’s-

You disturb these wandering thoughts, tugging on his elbow to catch his attention. Looking at you and then following the direction of your raised hand, Neuvillette lifts his eyes to read the signboard above the shop you’ve stopped in front of.

“Palais des parfums”

“So,” you start when he gives you a questioning look, “it’s a perfumery, yes. And my suggestion is the following - let’s choose a scent we could wear together. Before you get concerned about it becoming too popular, because we will use it, this shop has an option of creating something personal. We can just pay a little more to make it exclusive.”

“The same…scent?” Your husband hums, touching his chin in thought. This actually sounds quite good - created by a human master, it is to be perceived by humans, and by utilizing one fragrance on you both it will be made clear that the two of you are spouses. Not to mention the newspaper that will spread the fact for others to know. “My dear, that’s a marvelous idea.”

“Really?” A wide smile lifts the corners of your lips.

“Really. I like it a lot,” he assures you with a smile of his own. “And I do favor the possibility of making perfume specifically for us. How did you know though, my love?”

“Have done my research. And already spoke to the vendor before. Furthermore, I think we can order the creation of two perfumes. One for every day, and one for grand events where our presence is required.”

“I see you’ve done your research indeed,” his words are soft and gaze is full of admiration. It’s so hard to resist and not kiss him right in the middle of the street, yet let your fingertips gently scratch his forearm.

“I promised my husband a solution, didn’t I? Couldn’t disappoint you.”

“You can never disappoint me, if anything you astonish me every single day of our lives. Shall we get inside?”

“We shall. Just please, beware, there are a lot of fragrances mixed in the air. I am afraid your nose will be assaulted just like mine was.”

“I can bear with it, beloved. I would be a coward of a husband, if I turned back after the amazing work my wife did,” your cheeks heat up at his praise and you lightly dig your covered nails into his arm.

“Oh, stop it, no need to be so sweet, I already understood your appreciation for this,” your eyes motion to his hand resting on the hilt of the cane and fingers joyfully tapping against the wood. With a barely audible chuckle, the man unhooks your arms, wrapping his around your waist, and steps forward, reaching for the handle.

A soft chime caresses his ears, as the maddening mix of scents hits him right in the nose. Glancing to the side to check on you, he notices how you instantly switch to breathing through your mouth and follows your example. It, thankfully, gets better.

The shop owner is not hard to find, a sweet lady in her late 50’s welcomes you with a glint in her eyes upon recognizing you, which soon is replaced by the look of surprise when she sees your companion.

“Good afternoon, Monsieur, Madame, how can I help you?”

“Good afternoon, Mrs Deschamps,” you greet her with a smile, “I came by two days ago, remember?”

“Yes, yes, how could I forget our dear Madame? You were curious about my perfumes and if I do personal orders.”

“Right! This is my husband,” you motion to the man still courteously holding your waist, who bows in greeting.

“Pleasure to be meeting you.”

“O-oh! How could I not know you and your husband? Your wedding was the event of the century!”

“Haha, you flatter us,” you chuckle merrily, covering your mouth. “We are here to put in an order. We’d love to buy a newly crafted perfume. However, we have a couple of conditions…”

It’s almost evening when the doorbells chime again, marking your departure. Once again walking side by side and with arms linked, Neuvillette feels an almost primordial satisfaction. These hours spent in that stuffy, smelly box of a shop will be absolutely worth it when your order is complete. While he does feel the inevitable approach of a runny nose after test-smelling way too many fragrances, and it doesn’t feel like he left work today at all, as he was handling legal documents relied to the exclusivity of the product, he doesn’t regret a single mora spent and to be spent in the future for this.

Soft thuds once again cut through the sounds of the city, and they are gently lulling your mind. Maybe your head hurts just a little bit, but it pales in comparison to the invested state of your husband and how much evident fun he had in meticulously choosing the right aromatic notes to your future shared scent.

You can’t wait to help him apply it every single morning to come and get the same treatment in return. This is going to be a new, hopefully a long-staying option to your usual scenting routine.

taglist: @meimeimeirin

#genshin impact #genshin impact x reader #neuvillette x reader #neuvillette x fem!reader #neuvillette #genshin impact fluff

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misscammiedawn · 1 month

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Time Loops and Dissociation

CW: suicidal ideation, glitchy unreality, overt depictions of self-harm, parental abandonment

This essay contains full game spoilers for In Stars and Time.

You wake up to your alarm at the same time every day. The same view greets you from your window. Same sheets. Same outfits in your closet to get dressed in. Same choice of drinks in your kitchen to put in the same choice of cups. Same 24 hours but a different day. What better way to capture the existential horror of disconnecting from the world than to simply take away the words "but a different day" and make it the same 24 hours.

Time Loop fiction likes to capture the monotony of being caught in a rut. For some stories, like Groundhog Day, the rut could be that of not working on one’s self and accepting the eternal trappings of a never ending moment and not seeking change. For others, like Palm Springs, it is the conflict within a romantic relationship between one partner wishing to grow and find new experience while another wishes to remain in the safety of the known. Others still, like All You Need Is Kill, the conflict is a matter of maintaining one's optimism and drive in a hopeless fight against an antagonistic force that will crush their spirit upon the weight of eternity.

The constants in this genre are the forces of change and stagnation. Exit can be accomplished via self-improvement, it can be accomplished by having the bravery to risk leaving safety, it can be accomplished by killing every last time looping alien until you’re the only one left. But the allegories are always there. Tomorrow can only be attained by growing beyond Today. Change doesn’t happen in a day and as those stuck in a time loop know… a day can be an impossibly long time. And what does a person do during that impossibly long time? Repeating the same acts over and over again, where people become predictable and all the complexity of life has been stripped down until there’s nothing but cold empty and predictable monotony? You dissociate.

Dissociating is the experience of detaching from reality. Dissociation encompasses the feeling of daydreaming or being intensely focused, as well as the distressing experience of being disconnected from reality. In this state, consciousness, identity, memory, and perception are no longer naturally integrated. Dissociation often occurs as a result of stress or trauma, and it may be indicative of a dissociative disorder or other mental health condition.(*)

Every time loop story inevitably includes a segment where the pain of going around and around becomes simply too much to handle and the audience must witness the protagonist's mental health decline in real time. It is the moment in the story when they no longer feel able to connect with other humans, when they disconnect and just succumb to the weight of the eternity that they are trapped within. For most the idea of being stuck in a rut is a horrific thing. People are a social species. We seek connection and we seek change. We actively want to grow. But this is not true for everyone. Some are so scared and scarred by the world that they dare not ruin the safety that they have managed to find. Narrowing one's world down to avoid conflict and danger is a common feature in Complex Post Traumatic Stress Disorder, particularly in those with a tendency to freeze in the face of their emotional triggers.

The flight-freeze type avoids potential relationship-retraumatization with an obsessivecompulsive/dissociative “two-step.” Step one is working to complete exhaustion. Step two is collapsing into extreme “veging out”, and waiting until [their] energy reaccumulates enough to relaunch into step one. The price for this type of no-longer-necessary safety is a severely narrowed existence. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

And that is the heart of any time loop. Safety at the price of a narrow existence.

For this essay I want to talk about a piece of media that masterfully manages the time loop dilemma while managing to depict a remarkably strong representation of Complex Post Traumatic Stress Disorder. Today I want to talk about In Stars and Time. Because if I'm gonna highlight a time loop story for my essays on dissociative disorders then I'm going to do the one which has a "Press X to dissociate" mechanic.

In Stars and Time is an RPG Maker game in the stylings of Earthbound and Final Fantasy. The star of the play game is Siffrin (he/they), a silly little one who tells light-hearted puns and has their tongue stuck out in a :3 cat face smile.

As the thief type of the party he leads the group through dungeons to deactivate traps and find keys he can sometimes be bad at his job. They have managed to help the team get to the final dungeon and take on The King who has managed to freeze most of the nation of Vaugarde in time. Their adventuring friends are Mirabelle (she/her), the housemaiden; Isabeau (he/him), the fighter; Odile (she/her), the researcher; and Bonnie (they/them), the kid. Siffrin finds themselves trapped within a time loop. Reliving the same 2 day period as the party make their approach to The King and must defeat him to release Vaugarde from being eternally frozen in time. The game speaks frankly and kindly on many topics beyond mental health and trauma. Among the many rare and beautiful things it organically depicts it has an asexual and an aromantic discussing society's pressure to enter relationships and perform intimate acts, a trans masc discussing the destructive and yet necessary process of transitioning and two expats discussing how difficult it is to integrate their cultural roots (or lack thereof) with the values and expectations of the dominant culture of their new environment. Keep that last one in your back pocket for now. It'll be important for later. This is the last chance to check the game out unspoiled and so if anything I have said intrigues enough then please buy the game (Steam - Switch - Playstation 4 - Playstation 5 - GOG - Itch.io) and enjoy it. The game is about 20 hours at a casual pace (WR speedrun is 2.5 hours) and it has much in the way of hidden conversations and content that can help a person stick around and dig deep to find all the content in the game (but watch out). Go with my blessing and check DoesTheDogDie for content warnings if needed. For those who have played or want to read on into spoiler territory, then please forgive my long-windedness. I've too much time on my hands and have not cultivated the skills or talent to present this as a video for passive enjoyment. Let's begin. The game is split into 6 acts so in the interests of not bombarding with information. Shall we follow suit?

Act 1 - The Stage

The curtain rises and the play begins. Act 1 makes up the first loop from Siffrin's perspective. If not for the time loops then this would be a very short adventure. Siffrin wakes up from a nap in a field as they will every single loop from now on. They are in the final town before the enemy stronghold, one final day to rest and gather their strength and resolve to save the country. The group's leader, Mirabelle, has decided to have a sleepover. One final day, one final dungeon, one final fight... and then it's all over. The world will finally be saved. It'll all be over... Siffrin spends the day speaking to their friends, making a wish on the local Favor Tree to spend time with an ally after the adventure and then it's on to the adventure. Isabeau has something he wants to tell Siffrin but decides it can wait until they have saved the world. Entering the house and moving through the first few rooms all seems to be going well. The party of friends beat their first few enemies and Siffrin is sent to check for traps in a corridor leading into the main areas of the house. He checks and checks and checks and doesn't find anything so...

The trap is activated by feeling safe.

For clarity I wish to say much of the analysis and discussion is our personal read of the plot. Before writing this essay we reached out to insertdisc5 to ask about how they approached depicting mental illness in the game and they responded that it was not a matter of research as she was worried about checking off boxes rather than depicting authentic experience. Which makes it all the more impressive that the game was able to depict so many aspects of Complex PTSD so seamlessly. From Walker's book the primary symptoms of CPTSD are:

Emotional Flashbacks Tyrannical Inner &/or Outer Critic Toxic Shame Self-Abandonment Social anxiety Abject feelings of loneliness and abandonment Fragile Self-esteem Attachment disorder Developmental Arrests Relationship difficulties Radical mood vacillations Dissociation via distracting activities or mental processes Hair-triggered fight/flight response Oversensitivity to stressful situations Suicidal Ideation

Over the course of the game Siffrin displays many, if not all of these. One of the core conflicts of the game is Siffrin's feelings of loneliness and abandonment as well as their inner critic and toxic shame.

Another common trait of those with C-PTSD not referenced in the above list is a sensitive startle reflex. It is mentioned in the same book at a later point, however:

A startle response is the sudden full body-flinching that survivors experience at loud noises or unanticipated physical contact. This is usually a somatic flashback to previous abuses.

I bring this all up now because Siffrin's first death. The cause of the first loop. HIS FIRST FAILURE. Was because he let his guard down. He felt safe for even a moment. This is not a reading or something which can be brought up for debate. On floor two of the house there is a book that explains the traps and speaks of the boulder that landed on Siffrin's head earlier:

Throughout the entire adventure Siffrin will have the toxic and universe validated belief that if they ever drop their guard, even for a single moment they may die. This belief will only get worse as they progress, unfortunately. For those with Complex PTSD they walk through life in a state of hyper-vigilance. Never quite feeling safe. Siffrin died the moment he let his guard down. [Dawn here. This is turning out to be the longest Media, Myself and I article by a wide margin. For the sake of not destroying everyone's timelines I'll put the rest of the game under a readmore. I would so very much love it if you did click on, though.]

Act 2 - The Performance

The curtain rises and the play begins. Again. Much of Act 2 is spent trying to get to The King and defeat him. Mistakes such as forgetting a key on an earlier floor or taking a wrong path will cause Siffrin to need to loop back. All the while inwardly berating themselves for their carelessness, knowing that in a world without the time loops they would have been trapped and unable to challenge The King at all. We are also introduced to Loop, a star who watches over Siffrin during his journey. Loop is in the time loop with Siffrin and can follow his progress, offer advice and comment on everything. Loop is a little disaffected and likes to play things silly and coy and can be a little mean at times. But they say they're here to help Siffrin. As the adventuring friends climb to the final boss we get to see Siffrin's rapport with the party. Siffrin likes to stay on the sidelines and listen in to other people having animated conversation. Everyone is nervous to touch him having universally come to an understanding that Siffrin does not like to be touched. They make fun of Siffrin's poor memory (another common trait of those with dissociative disorders that we will talk about more in time) and they treat one another warmly. However during a bit of banter in a snack break...

(source: ISAT Script Project) Note that Siffrin internalizes the comment "we're not friends." instantly. From this point of the game until a latter moment all times that Siffrin's monologue refers to his party the word "friends" is replaced with "allies". They are so sensitive to abandonment and rejection that the they simply accept Odile's words, not even aimed at Siffrin themselves and internalizes them deep enough that the HUD of the game itself changes to accommodate this belief. It was mentioned at the start that Siffrin is a silly traveler who enjoys puns and makes light of most situations. In battles the game uses a Rock, Paper, Scissors weapon triangle and all of Siffrin's attack names are puns. In the profile menu he sticks his tongue out. His battle image is a playfully confident smirk.

During the game we always have access to Siffrin's inner monologue and can tell how they interpret the world around them but they seldom ever voice their opinions. This allows us to see how often they are convincingly laughing on the outside while hurting on the inside. Siffrin, unable and unwilling to approach their shame and self-loathing and terrified of becoming a burden to their friends allies will deflect whenever he sense that they are hurting.

A person (or dissociative part) may avoid being aware of inner experiences such as feelings or thoughts that might evoke shame. Thus, he or she is not aware of the experience of shame, typically does not acknowledge the negative experience of self, engages in denial, and attempts to distract self and others away from the painful feeling. For example, a person who felt ashamed in therapy might start making jokes or flippantly comment that the session is boring or useless, or he or she might try to change the subject entirely or even switch to another part that has a different agenda. The experience becomes neutral or positive; shame may be disowned or denied, or overridden with joy or excitement in distracting activities (joking around, talking about something else). There is little to no awareness of shame or one’s shameful actions, faults, or characteristics. The motivation is to minimize the conscious experience of shame or to prove that one does not feel shame. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The other key thing we have come to learn about how others perceive Siffrin is their memory issues. Memory issues are a constant part of dissociative disorders with a lack of childhood memories being a key feature in Complex Dissociative Disorders such as Depersonalization/Derealization Disorder and Dissociative Identity Disorder. If I am being honest about my motivations for writing this essay, while playing it I keyed in on the lack of memories early and assumed it to be an allegory for such trauma. Even made a Tumblr post stating this. On the top floor of the house of change in a secret room and only during Act 2 there is a bit of dialogue where Siffrin speaks about their childhood.

This was the moment we knew we needed to write about this game. What is missing from the text above is that when Siffrin stammers on their words there is a time loop effect. The first one in the game that is activated by something other than a death or the natural end of the loop. Siffrin edits out this conversation so that not even he can remember it.

Amnesia goes far beyond normal forgetfulness. It involves serious memory problems that are not caused by illness or extreme fatigue, by alcohol or other mind-altering substances, or normal forgetting. Amnesia falls on a continuum. People with a dissociative disorder may recall some aspects of an event but not other essential parts of it. In some cases all memory for certain events is unavailable for conscious recall. Some people with a dissociative disorder describe their memory as being like “Swiss cheese holes,” “foggy,” or “full of black holes.” They may suspect that something happened, or may have even been told by others that something happened to them, but have no personal recollection of events and often feel afraid to think about them. People may have amnesia for longer periods of time during which normal life events took place, for example, a person may report being unable to remember anything from the fifth grade, or from ages 9–12. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Instinctive use of time travel to edit out parts of a conversation that a perspective character does not wish to accept or confront is a fantastic allegory for how dissociative symptoms manifest. When a person or dissociative part stumbles too close to a severe trauma trigger. To speak from personal experience it is a moment where in a conversation a question comes up and the answer feels wrong in your mouth. Like you just lied. But you know you didn't intend to lie... so of course you interrogate the piece of information and the wall of confusion that hits can make a person feel truly powerless. Like you're not even certain of what you are saying anymore and a mixture of shame and fear flood in and tell you to stop talking, stop lying, stop exaggerating, stop speaking, stop, stop, STOP. Poor Siffrin shouldn't have their memory made fun of. But... his friends allies don't know. Do they? How could they? Siffrin doesn't speak up and when he does it tends to be a showy performance of being light hearted and silly so no one can see how hurt he is. Because if he does try to be honest... well. You saw what happened when they tried to open up. Through hard work and persistence the allies loop enough times to gain the knowledge and strength to win against The King. The King's first attack will force the allies to see a vision of the future and without a special magic shield will kill them in a single strike. Siffrin stays determined and prepares his allies. Helps them become stronger. Helps them win. The world is saved. Everyone in Vaugarde is released from the time freezing spell... But something's wrong... Siffrin is given a chance to talk to everyone as they all happily speak about what they'll do now that the country is saved but no matter what happens. Isabeau attempts to confess the thing that he wished to tell Siffrin if they won but is interrupted before he can get the words out, much to Siffrin's annoyance. The world is safe. All is well. It shall return to normal soon enough... only thing to do is speak with the head housemaiden and accept the praise and thanks for all the hard effort in saving Vaugarde... Then world starts to fall apart and... The second act comes to an abrupt close.

Act 3 - Family and Culture

The curtain rises and the play begins continues. The loop begins with Siffrin back at the start, even though the day was saved. Simply killing The King must not be enough. There must be a reason that the loops are continuing, even after Vaugarde is saved. The only way to understand is to find out more about why The King is able to freeze the country in time and if it has anything to do with why Siffrin can loop back. Speaking with Loop, Siffrin recognizes that as long as there are ideas and leads to explore then giving up is not going to happen. Loop seems reluctant to encourage Siffrin to continue, in fact Loop seems doesn't appear surprised by the time loop continuing at all. Loop is an interesting character and deserves an article unto themselves. We should focus on Siffrin right now.

Their first order of business is to attempt the Golden End exit route. It worked for Bill Murray, why not in this situation? Simply work out a way to make everyone have a perfect loop. Saving the world isn't enough. Siffrin can solve everyone's problems. Here we learn that Bonnie, the kid, harbors a deep well of shame for allowing Siffrin to be blinded in an eye while protecting them earlier in the adventure, before the loops. Siffrin, true to their dissociative nature, did not even remember the event. Siffrin also spends quality time with the adults in the party. Always hoping Isabeau would be brave enough to confess this loop. On this journey up the house of change the team are closer and more caring. No one makes fun of Siffrin for bumping into the counter. Siffrin discovers that the other party members have noticed his breathing exercises. Very helpful for those with dissociative disorders, by the way. They ground the body and allow one to ease somatic symptoms by soothing the nervous system and preventing activated sensations worsening symptoms. As they get closer to The King the warm and familial banter continues with Odile using the word 'friend' out loud. A guarded Siffrin allows themselves to confront Odile on saying that they were not friends (something she did not even say this "Golden" loop) and through an awkward but kind conversation she confesses she, a Too Old For This lady cannot feel comfortable calling a group of people with a pre-teen "friends" but she can perhaps call them "Family" The menu updates. Siffrin's Allies are now Sif's Family Members. This remains true in all the menus no matter what happens in any loop. But in this moment, there is a golden ending. There is joy. Though Isabeau is unwilling to discuss his confession when Sif is feeling vulnerable. They need to have a Feely-Feels talk. Sif hates the idea of a Feely-Feels talk. Yet, even still... In this moment Sif is loved.

Many people with Complex PTSD have attachment wounds from their family of origin. The concept of a found family is common among survivors, particularly in those who choose to go Non-Contact with the family of origin. Others, like Sif, have lost their family to tragedy and simply have no roots to return to. The role of a chosen family is vital in the healing journey. Survivors can become aggressively attached to those who they view as chosen family and are often activated by the concept of another loss. The wounds of losing one family enough to have massive impact on how the survivor handles relationships going forward. It is why unstable relationships is listed as a symptom of CPTSD and why there is such a big overlap of CPTSD and BPD diagnosis.

There’s no way around the fact that on the journey to finding your chosen family, you will get hurt. People you thought would be there for you will abandon you, people will decide they no longer have the emotional capacity to hold space for you, and… people who made promises to be by your side will betray those promises. That’s not anyone’s fault. It’s just life. Not everyone belongs on our journeys, but… when you find the right people, don’t let go of them. Nurture the relationships, reciprocate the support, and above all, respect the myriad of ways that people can and will show up for you. - (The Role of ‘Chosen Family' in Trauma Recovery - Monika Sudakov)

Sif is desperately attached to the Family Members that they travel with. In many ways the only reason they can endure the time loops is to protect them. Any time there is a prompt which threatens these relationships Sif's monologue insists that they will not abandon the script that ensures their safety and happiness. Yet despite all this power of love and Family, the loops continue. Which is fine. Golden Ending was a long shot anyway. Clearly it has to be related to The King and it's power to stop time. It seems to know the mysterious art of Time Craft. Talking to The King will help. The answers are still attainable and now Sif has a Family. To get the information required to learn about Time Craft and The King one must interact with as many books and items in the house of change as possible. In doing so we learn more about Sif and their history. By this point in the story the concept of croissants has come up a number of times for the party. In the opening town Sif has the option of buying one from a bakery and gives an uncharacteristic scowl. When they are spotted in the house Sif tends to duck out of conversations, not caring to listen to people talk about the pastry he loathes so desperately. He jokes about it and obfuscates but Sif hates croissants. With a burning passion. There is literally a food that can kill him in the game (he is allergic to pineapple and can die on a banana plantain peel) but his ire always turns towards croissants. Croissants are an emotional trigger for Sif. They harbored such a deep hatred of croissants that when, in Act 4, he is pressured to tell everyone what he wished for at the start of the game he says that they wished for croissants to disappear forever. Sif's reactivated trauma is related to croissants. Up until now he had been living his life blissfully unaware of his dissociated experiences and yet a croissant cracked the amnesia barriers that kept him safe and now each time he sees them they cannot help but be reminded of "The Incident". By examining the Silver coin in their inventory a number of times one can see "The Incident", a moment that happened days before the plot began which informs Sif's entire emotional state throughout the game...

(source: ISAT Script Project) Note the time skip at the tail end of that sequence. Sif was thinking too heavily about the trauma again and skipped time to avoid thinking about it. Dissociative barriers. He literally cannot think about it. The universe won't let him. Sif's home isn't there anymore. In the canon of the game where reality can be rewritten on the whim of a wish, the country that Sif comes from was wiped off of the map and all knowledge and memory of it has been erased, even from those who lived there. Sif's trauma is that he lost his home. His family. Everything and everyone that he ever knew. Through traveling with his family members he has gained a slither of the emotion, comfort, connection and safety that he lost and in being reminded of all that he lost so close to the end of their journey he was reminded he can and will lose it all again and the thought is too terrifying to process. This is the core conflict in Sif's heart for the entire game. The more they interact with memories of the destruction of his homeland the more keenly aware he becomes of the fact that the quest will end and his family will go their separate ways and abandon him. They have no home to return to when this is all done. CPTSD is not currently recognized by the DSM-5. An official diagnostic description can only be found within the ICD-11. On the ICD-11 page for Complex-PTSD there is a specific segment for "Culture Related Features" that reads:

Cultural variation exists in the expression of symptoms of Complex Post-Traumatic Stress Disorder. For example, somatic or dissociative symptoms may be more prominent in certain groups attributable to cultural interpretations of the psychological, physiological, and spiritual etiology of these symptoms and of high levels of arousal.

Given the severe, prolonged, or recurrent nature of the traumatic events that precipitate Complex Post-Traumatic Stress Disorder, collective suffering and the destruction of social bonds, networks and communities may present as a focal concern or as important related features of the disorder.

For migrant communities, especially refugees or asylum seekers, Complex Post-Traumatic Stress Disorder may be exacerbated by acculturative stressors and the social environment in the host country. - (ICD-11 for Mortality and Morbidity Statistics)

We do not learn much of Sif's culture of origin but we know that they were in tune with The Universe, that they had spiritual aspects that allowed them to use Wish Craft and follow when fate leads. Act 3 is an info gathering quest on The King's motivations and we discover that King and Sif both hail from the same country and have lost all their social bonds, networks and communities and cannot even recreate the specifics of their culture. It has literally been erased. No culprit is ever named for this atrocity but from Act 3 onwards Sif mourns this lack of roots and via the power of the magic that prevents anyone from remembering the country they cannot mention this tragedy to anyone. Though Odile is able to infer it. Odile is also an immigrant to Vaugarde, her mother was from Vaugarde and her father from Ka Bue. Her mother abandoned her and Odile's quest in Vaugarde is to find parts of her history within the foreign land and fill in the parts of her soul that she feels are incomplete from the lack of her mother's presence and history in her life. In Act 3 the two bond over it as part of Odile's "friendquest", in Act 4 and beyond Sif's inner monologue seethes with bitterness and envy for Odile having connections. The initial connection of them both being foreigners in an accepting land caves to the pain of loss that consumes Siffrin whole.

(source: ISAT Script Project) What's worse is that some of the things that the family members joke at Sif about for being too forgetful to know the words "Kiln" "Pottery Wheel" or "Stuffed Animal" (though they do remember on some loops) become less about silly forgetful Sif letting incidental information slide out of their dissociative mind. It becomes making fun of a person speaking a second language and not having complete mastery over it. By Act 5 Sif has no patience for the playful jabs because they happen every single loop and they hurt. Minimizing is a lot harder in a time loop. Every small moment of tiny pain repeats again and again. Every time Sif bumps their hip on a counter the party laugh at him. Well... except for the time he screamed at them for it... or the time he collapsed into a defeated pile on the floor on the verge of tears. Heaven help me if bumping into a counter hasn't been the last straw to break my facade when the weight is too much to carry. Poor Sif... As Sif learns more about Time Craft and the country that both he and The King come from, Sif starts to gain an understanding of The King's motivations. After losing one country he couldn't bear to risk losing another home. Vaugarde was so kind to him and took him in and he wants it to remain perfect and safe forever. Frozen in time like a photograph. Now that Sif has come to recognize how important his Family Members are to him, they understand. To have people you love and consider Family is so important and the idea of losing that is simply unspeakable. It is a fate worse than the time loops. By now Sif has done the Golden Ending a time or two...

He understands why The King would do this. The final loop of Act 3 allows Sif to attempt to convince The King not to fight. The pair have attempted to bond over their roots, they have tried to force The Universe to allow them to speak the name of their nation (but it refused to be said) and now Sif wants to try and use understanding. The King agrees. He stops the fight. Asks Sif to come to his side and... Then he freezes the Family Members in time. He understands now that Sif is using Wish Craft to fight him and he cannot win on traditional terms so he decides to carve it into Sif's memory, a reminder of what happens if he continues defying The King's will. He picks up poor little pre-teen BonBon... and FORCES SIFFRIN TO WATCH AS HE CRU-

Act 4 - Shame Spiral

The curtain rises. The play begins continues. And Sif is not okay. They witnessed the game break the well established rule that the kid was not able to be hurt. Even in runs where you lose to The King Bonnie always gets away. The Family will always go out of their way to ensure The Kid survives. It's happened so many times by now one doesn't even think to question it... And the player had to watch. There is no avoiding that event. Sif will lower their guard to speak with The King and offer compassion and trust to someone they thought of as a kindred spirit and no sooner had they laid down their arms for a moment they were punished for it. Brutally. It's the rock again. Feel safe, even for a moment, and it comes crashing down to crush with full weight... only this time it's not the Sif taking the hit. Sif can take all the hits in the world. It was BONNIE. Someone else was crushed because Sif trusted. From this moment on Sif's intrusive thoughts become louder and meaner. Look above at the conversation with Odile about her roots and notice the changes between Act 3's inner monologue and Act 4's. By this point in the story Sif is losing track of how many loops they have gone through. Unless you keep your Memory of Self equipped you will find that any time you loop forwards or backwards the loop counter will jump up by leaps. Sif is so numb to the cycle by now that they're just dissociating through iterations of the time loop. Other times he 'blacks out' bits of time include sleeping at the clocktower. We learn that he never ever sleeps at the tower. He just blacks out and comes to at the house ready for the next run. All Sif can remember is what the player sees. But stuff does happen besides that which we see. It's not just the amount of time that Sif has been in the loops that is causing this degradation of mental health, though. It's the continuous activation taking a toll. When a person is continiously hyperaroused they become disaffected, chronically dissociated and begin experiencing somatic symptoms. Headache, stomach ache, exhaustion with no ability to sleep, hunger without ability to eat. At this point of the story Sif is constantly hungry and is not sleeping at all. The primary cause for this is the attachment trauma being continuously triggered. Where in early acts it was a matter of worry over losing his new family while being reminded constantly of losing his old one, now he is reminded of allowing his family to die because of his actions. The shame spiral claims him and his emotions become wild, even if he is not able to express them outwardly. This level of emotional sensitivity is a primary symptom of Borderline Personality Disorder. The similarities between CPTSD and BPD are enough that much of the discussion around the potential for including CPTSD in the next revision of the DSM centers around whether it should replace or be combined with BPD. The Foundation for CPTSD writes on the topic:

At one-time, complex post-traumatic stress disorder was proposed as an alternate form of borderline personality disorder because of the shared link to severe childhood trauma. The jury is still out to recognize CPTSD as a diagnosis in the DSM, but it is believed that the symptoms and causes of BPD and CPTSD overlap substantially, but it is not warranted to replace one diagnosis with the other or conceptualize CPTSD as a subtype of BPD. Borderline personality disorder and complex post-traumatic stress disorder are commonly found together, with between 25% and 60% of people living with BPD also having CPTSD. Complex post-traumatic stress disorder is listed in the 11th edition of the International Classification of Diseases (ICD-11), and this has spurred research differentiating the two disorders. Evidence suggests that CPTSD and BPD may represent a continuum of the stress response, and both seem to have a component of dissociation involved. The most significant difference between the two diagnoses is when they form. CPTSD typically forms in early childhood, while BPD forms during early adolescence. Having both CPTSD and BPD makes life difficult, to say the least. - (CPTSD Foundation)

BPD is a personality disorder categorized by attachment wounds. Part of the diagnostic criteria includes "Frantic efforts to avoid abandonment, whether it is accurate or not, by family and friends" It is safe to say Sif feels this way about their family. They lost their entire home, their history, their family of origin. They cannot conceive of losing the family that they have gained. The concept is simply too painful for them to consider and so emotional and dissociative barriers force away anything which could potentially bring the topic of losing them to mind. Heaven knows we can understand the impulse... But since being directly responsible for failing the promise they made to protect Bonnie this is no longer a matter of fear of the unknown, it is shame in having failed to keep a promise to protect. This shame grows and cripples Sif's emotional regulation, leaving them prone to volatile outbursts of their repressed rage. Either forcing it inwards on the self or outwards on others.

When you feel chronic shame, you believe that no amount of punishment or corrective actions would be sufficient, and you are unable to forgive yourself or have any empathy for the terrible suffering shame brings to you. It is as though chronically ashamed people have received a life sentence of shame with no hope of parole, even when they are unsure of exactly why they are bad. In fact, some people will say there is no particular reason they are bad and unworthy: The mere fact that they exist and take up space on the earth is shameful enough. They believe they are not worthy of living and do not deserve anything good. In such cases, shame is an emotion of hiding: The last thing an ashamed person wants is to be open, vulnerable, and seen by others. Thus, it is an emotion that often is not addressed sufficiently in therapy, even though it is a major impediment to healing. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Act 4 is about learning the origins of the Wish Craft that rewrites the universe and allows for Sif to use Time Craft. We learn that any time they are upset they will instinctively rewrite history to prevent the things that they fear from coming to pass. This includes moments when their anger gets away from them and they lash out at their family. Some optional scenes include forcing Isabeau into a kiss or screaming at Odile when she knows too much and tries to help Siffrin. Any time these outbursts happen time rewinds and only Siffrin is left with the knowledge that they happen, deepening the growing well of shame. All the while Sif feels more hollow in the interactions he has with his Family. In forcing them to be their best selves via the "Friendquest" events every loop he starts feeling like he is manipulating them. Where he felt loved the first few times he now accuses himself of forcing them to love him.

To the degree that our caretakers attack or abandon us for showing vulnerability, to that degree do we later avoid the authentic self-expression that is fundamental to intimacy. The outer critic forms to remind us that everyone else is surely as dangerous as our original caretakers. Subliminal memories of being scorned for seeking our parents’ support then short-circuit our inclinations to share our troubles and ask for help. Even worse, retaliation fantasies can plague us for hours and days on the occasions when we do show our vulnerabilities. I once experienced this after being very honest and vulnerable in a job interview with a committee of eight. Over the next three insomnia-plagued nights, my outer critic ran non-stop films featuring my interviewers’ contempt about everything I had said, and disgust about all that I had left out. Even after they subsequently and enthusiastically hired me, the outer critic plagued me with “imposter syndrome” fantasies of eventually being exposed as incompetent in the new job. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

It doesn't matter. Sif tries everything. Learns all the things that they can learn. Explores all the hidden areas of the house of change. Nothing matters. It's hopeless.

And with each loop The King's attack shows Sif a vision of the future. What do they see? Endless looping or... does Sif see the future beyond the loops? After the party return to their various homes? Act 4 ends with The Head Housemaiden, the only one who could have potentially held answers telling Sif outright that there was no escape... Before the loop begins anew.

Act 5 - Curtains

[Hello there. It's me, Dawn. I'm pausing the essay and dropping the cute little play structure to reiterate the Content Warnings from the start of the post. During Act 5 there are options to commit self-harm that a player may stumble across unintentionally. During previous acts one has to work exceptionally hard and against the game and characters within it to unlock a means of self-harm and it is unambiguously seen as a bad thing. In Act 5 there are no external forces to comment on Siffrin's actions.] The curtain rises. No point in wasting time. Get the actors. Make them strong. Beat the king. Do it right this time. Unfortunately our star has lost all of the mental fortitude they had. They were so strong for so long but there is only so much a person can take before they let the anger win. It is all too common for people with significant trauma to harbor resentment and anger in their soul. It sometimes remains repressed under layers of emotion numbing dissociation, it sometimes turns inwards into self-destructive acts and viewpoints and it sometimes turns outwards into explosive acts of physical or emotional violence. But it's there... lurking within the injustice of all the pain a person has felt.

When you have experienced a trauma, anger often becomes the central emotion that you feel. Angry thoughts about revenge may consume you. According to Enright and Fitzgibbons (2000), your anger is more destructive if you focus it on another person or people; it is intense, even in the short term; it leads to a learned pattern of annoyance, irritation, or frustration with others who are not the source of your anger; it is extremely passive; it is extremely hostile; or it is developmentally appropriate for someone much younger than your actual age (e.g., you act like a two-year-old and have a temper tantrum). - (The PTSD Workbook Mary Beth Williams)

and so... with the 5th act of our play about to begin, the star wakes in a familiar meadow for what may be the hundredth time... and they simply cannot take it anymore.

The actor on stage has reached Rock Bottom and likely unlocked the skill Rock Bottom to go with it, though they are beyond the silly puns now. Rock, Paper, Scissors, Breathe or Heal. Just get to The King. Just kill it. One. Last. Time. The GIF above starts with the line "YOU WANT YOUR FAMILY BACK!!! NOT THE FICTIONAL CHARACTERS THAT HAVE TAKEN THEIR PLACE!!!" Up until now we have only spoken about dissociation in terms of zoning out or blocking out memory. I now want to talk about Derealization and Depersonalization. DPDR has been a subject of other Media, Myself and I essays, most notably our discussion on Night in the Woods. To be brief about it for this essay Depersonalization is a detatchment from one's sense of self and Derealization is a detatchment from reality. Our star has become so disillusioned with the endless looping that they no longer view their surroundings as real. The people in their life are just actors in a play that they are directing. Everyone says their lines. Even the star must say their lines. But there's still some stage direction. Some purpose that our hero must fulfill. They know that there is a chance if they can just kill the king without Mirabelle landing the final shot. Then. Maybe... In their disaffected state and unable to convincingly perform their lines in the play, our star manages to upset everyone else on stage causing them to doubt if it would be safe and productive to continue traveling with such a horrible disgusting unreliable stupid person. This causes the final act to be a solo performance. One final walk through the house without friends allies family actors to help. At the clocktower the other actors talk about our star and are uncertain if they can trust them any longer. Our star reacts by rejecting them entirely and going it alone. There is a concept in BPD called Splitting in which a person devalues or exaggerates the value of an individual in their compromised emotional state. It can cost a person relationships if they act out of these temporary emotions. At the start of Act 5 the actor manages to scream at the kid for getting in danger, calls the fighter a coward and mocks the researcher for her mother abandoning her. The individual, so desperate to shield their wounded heart, pushes the people they love away because their proximity is too close to their open wounds and they push away to maintain space. This is particularly true in those who struggle to create healthy emotional boundaries. This game is such a god damned call out at times. As the actor climbs the house everything is broken. The universe itself is trying to maintain the reality of two wishes that it needs to make a reality. "Save Vaugarde" and the one the main character wished for in Act 1. Do you remember what it was? The Universe cannot allow Siffrin to remain with their Family Members if they run off alone and reject them. The Universe simply cannot accomodate such a reality. Everything is falling apart. What proceeds is the ISAT equivalent of a Genocide Run in Undertale. Everything is broken and wrong. Rooms are breaking the collision boundaries of a video game, textures are cut wrong, doors lead to the wrong location, time is looping without rhyme or reason. And the menu is blunt. You cannot change your equipment, now stuck with Memory of Emptiness with the description (Nothing comes to mind, hahahahaha!) Some rooms contain hallucinations that make our star feel more abandoned and empty and mournful of their situation. In rooms where they would normally receive a modicum of physical comfort brushing against the other actors there is nothing now.

(Aaaaaaah…) (You rub your arms once, twice, thrice.) (Your throat tightens) (You feel like you're floating in your own body.) (If only someone would touch you to make sure you're real! Someone, anyone!)

This is an example of extreme depersonalization. Also the garden has a table with 4 healthy plants and 1 dying plant to the side. Our star notices it and it acts as a visual indicator of the barriers between the director and their actors. Some of the other rooms on the Act 5 climb depict overt self-harm...

It can be understood as a substitute action for more adaptive coping that attempts to deal with a variety of overwhelming problems, many involving too much feeling (for example, loneliness, abandonment, panic, inner conflicts, traumatic memories) or too little feeling (numbness, depersonalization, emptiness, feeling dead). Self-harm is thus often related to the need for regulation skills, that is, finding ways to modulate and tolerate unbearable inner experiences, such as painful emotions, or traumatic memories (Gratz & Walsh, 2009; Miller, 1994). Some people harm themselves in secret and carefully hide the inflicted wounds from others. Other people harm their bodies in places that are visible to people around them. (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The shame only increases upon doing these optional (but distressingly unprovoked) actions. Honestly, if I had one criticism of the game and its depiction of mental health it is that there is no way to know that looking at the cupboard with the eye patch conversation would cause a self-destructive action. As someone with extreme sensitivity to depictions of suicide and self-harm I felt that having no agency or warning over that (I had no reason to assume this would happen. Any other form of self-harm requires selecting a menu option. This one jumps out at a player unexpected) was... unfair. It is noted in monologue that breathing exercises no longer work by this point of the narrative and due to not being at the clocktower our star is proceeding with no food and no sleep. Their already bottomed out mental and emotional state is in sore need of external intervention. Something the actor both desires and rejects in equal measure. Upon finding and fighting The King our hero is frozen in time and locked in a dream. Placed face to face with their worst fears and worries of how their actors Family would perceive them.

(source: ISAT Script Project)

After the screen stops being blurry and the player wipes the wet spots off of their Nintendo Switch. The fear of being perceived. The fear of being seen as manipulative. Being seen as insincere. Being seen as lazy or too afraid to change. Callous. Aimless. Manipulative. So many survivors have these negative scripts and inner critics. Caught in their cycles. Their own little loops. But there's still hope. Family. The chance to be vulnerable. The game concludes with Sif's Family saving him from The King. But even though The King's spell is broken and the people of Vaugarde are unfrozen the sky has a giant red crack in it. Sif's wish is still tearing the world apart. Realizing that when the quest is over everyone will go home Sif has their temper tantrum, becoming the final boss in which every move is a choice to either lash out at the party or lash out at themselves. A boss mechanic version of the final embers of a violent extinction burst. That is to say a person who does not have control over their ability to maintain a sustained behavior will lash out and attempt to assert control in order to prevent losing the conditioned routine.

An extinction burst is characterized by a temporary increase in the frequency, intensity, or duration of behavior being extinguished through operant conditioning. This phenomenon occurs when the reinforcement for a previously learned behavior is removed, leading to an initial escalation of the behavior before it decreases and eventually ceases. While not all instances of extinction involve such bursts, they are observed in some cases, particularly during the treatment of problematic behaviors. Extinction bursts can complicate the treatment of behavioral disorders, as they may temporarily increase undesired behaviors like aggression or self-injury, making it challenging to assess the effectiveness of interventions. (*)

In this case Sif is lashing out because he has no way of preventing his Family from going back to their lives. It's a destructive and unhealthy mechanism. The fight ends with everyone refusing to let Sif run away or hide anymore. He is forced to admit that his wish was to stay with everyone. That he didn't want the family to go away. He opens himself up to the vulnerability of being seen of being understood and yes, even potentially rejected. The Family agree to travel together at least long enough to get Bonnie back to their sister. But there are no guarantees what happens beyond there. There is love. There is acceptance. There is honesty. There are no more time loops. Maybe now, finally... there can be change. Growth. Tomorrow.

In time loop fiction everything eventually loses meaning. There are no permanent consequences, no external pressures, nothing inherent to strive for, no meaning but what the protagonist(s) give themselves. The option to just accept things and remain is always there as Andy Samberg's character in Palm Springs does. The option to never stop trying to escape is there for those like Keiji in All You Need Is Kill.

The brilliance of In Stars and Time is that there are two wishes that are influencing the universe. The wish of the people to save Vaugarde from being frozen in time and Siffrin's wish to remain with his family. Change and Stagnation. That's what it always comes down to in these time loop stories and the conflict in this game is that those two forces are playing against one another. The only outcome was to give up on one or the other. As we'll learn in Act 6 there is no reality where Siffrin gets to stay with all 4 party members. They will have to separate at some point. Accepting change is accepting that things can and will and do end and life will go on and you have to be okay with it. Many of our essays have focused on representation that includes a healing journey from Ange Ushiromiya accepting the circumstances of her tragic past to Elliot Alderson's 4 season long representation of trauma therapy for dissociative clients. I think the thing I love about In Stars and Time is that it's the long and arduous process of a chronically traumatized individual asking for help. It's the first step on the healing journey. Acceptance. Siffrin spent the entire game in denial and rejection, making jokes and pushing things aside. Our long and hard journey was just getting to the point where they were able to recognize and admit it. And I really hope that Sif and their family members will be okay. I wished on my leaf for Sif to see Ka Bue with Odile. I hope they get to go. But as insertdisc5 says when asking any questions about what happens next "it's your turn" -

Stars that was a long one. Thank you for sticking with me if you read the whole thing. We like to write these essays as a matter of helping our study on dissociation (we, ourselves, are a DID patient and reading and comprehending this material is essential to our recovery and treatment) and providing a little insight to bits of media that are positive examples of what we go through. If you enjoyed always feel free to leave an ask or leave some silly tags. I never care if I get a flop post as writing is its own reward but the encouragement is good for my ego <3

Special thanks to @insertdisc5 for answering when I reached out for comment on the writing of this essay. The reply was helpful and encouraged us to take our time and write this with extra care. (In Stars and Time can be found on Steam, Itch, GOG, Nintendo Store and Playstation Store. The Prologue Game can be found on Steam and the Start Again comic on insertdisc5’s website) Media, Myself and I is a series of Tumblr Essays for positive depictions of dissociative disorders. Other essays include: A History of Murder Alters Discworld and Plurality Incidental, intentional and accidental representation Gender, Dissociation and Clinical Stigma in The Third Person Recontextualized Memories in Umineko Derealization in Night in the Woods and Metal Gear Solid The Dangers of Hypnotic Personality Play in Penlight System Origins in The Incredible Hulk Relationships with Systems in The Incredible Hulk The Healing Journey in Mr. Robot

...wait... what happened to Act 6?

I did say Loop deserved their own essay, didn't I?

#dawn posting #say the line siffrin #media myself and I #watch me post my trauma in public #cptsd #bpd #let's do the time loop again #in stars and time #siffrin #odile #isabeau #bonnie #mirabelle #isat #isat spoilers #time loop

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