#i should write an essay. that is all

[fruitycircus]

btw if there's a slim to none chance of the next nintendo console getting teased at the direct i'm gonna say a hot take

i do not care for the idea of the switch 2

[dreadfuldevotee]

"The Vampire Chronicles characters are exercises in the cycle of trauma and abuse and how they are capable of complex emotions and receiving and giving love and empathy alongside all the horrible shit they do to one another" and "Anne Rice herself was a bigot and had some shitty personal beliefs and just because the genre is Gothic Horror doesn't mean you ignore the way those ideas bleed into the writing. Not all commentary is good commentary" are two sentiments that can and SHOULD co-exist, what the fuck are we doing.

[gummi-ships]

[erinwantstowrite]

personally i think the trope of "said something i wasn't supposed to while high on pain meds at the hospital" only works if it's smth actually incomprehensible. down with this trope. that and the whole "speaking out loud but the narrator doesn't know they are" trope. you should legally have to tag that i think. i know this usually happens for characters that would never admit something otherwise but actually there are a billion reasons someone would admit something they wouldn't otherwise. for example: someone else has a bomb-

[courtrecord]

honestly i hate how that “maybe the curtains are just blue” post has become shorthand for anti-intellectualism and shit bc as someone who has an utter passion for media analysis now, I WAS THAT PERSON IN HIGH SCHOOL ENGLISH CLASS.

english class never taught me how to analyze stories, it taught me how to remember what things the teacher said were “symbolism” and how to take quizzes where we had to match a quote to the character who said it. i didn’t give a shit about any of it, bc literally why should i. it was bullshit.

there’s this idea online that people are forgetting or rejecting what they learned in english class when they’re bad at media analysis, and maybe that’s a little bit true, but i think the much bigger problem is they never learned it in the first place. cinemasins & “maybe the curtains are just blue” aren’t convincing people to abandon an intellectualism they already had, they’re filling a void.

when all you learn in high school is to write on the test “blue = depression”, why is it surprising that so many people don’t give a shit about the curtains.

[buglaur]

this is kit, please commission some art from them on social bunny 🙏

[eggwishing]

doing very important things right now that take very high priority

[rowanisawriter]

[70x1cnature]

I have thoughts about q!Cellbit and q!Tubbo.

These two characters from the very beginning have had pretty similar situations. Causing problems with the Fed, getting attacked, going on mystery solver on their asses, whatever. The interesting thing to me is how they're different, and how much they've diverged from each other.

When Cellbit was fucking with things initially, Cucurucho terrified him by chasing him with a chainsaw. From then on Cellbit absolutely hated the Federation. He tried to infiltrate them, figure out a way to take them down from the inside. He got kidnapped, and he half went along with the assignments given to him.

Tubbo on the other hand just doesn't give any shits at all, and makes it very clear from the beginning. He does illegal big things, goes against Cucurucho, and when threatened with a gun he's not scared. That mother fucker taunts him and runs away because he's not scared of death. Death in this world is not permanent, so he doesn't give a shit. He couldn't be threatened in any way that truly mattered. Tubbo briefly considered joining the Fed but decided fuck that, he doesn't give a shit about the Fed, and let's that be known.

Then Tubbo went and befriended Fred, talked to him and learned about the Federation slowly through a growing friendship and love. Cellbit was finding things out secretively, trying to be covert while also doing his job.

This is the major difference of where their characters diverge. Cellbit was isolated from the other workers, just doing his job and only interacting with Cucurucho- who he's hated sense he chased him with a fucking chainsaw. Tubbo was on the complete opposite of this. Not interacting with the Federation at all (other than Cucurucho trying to get him to stop doing illegal shit) while interacting and getting close to a worker.

Now we've gotten to the point where Cellbit has snapped, he doesn't give a shit anymore and he will kill anyone who says on the side of the Federation. He won't listen to reason, he doesn't care anymore, he just wants the Federation dead, and he'll kill every single worker to make that happen.

Tubbo is closer to the Fed workers than ever. His love is dead, he held a funeral for Fred where only other Fed workers showed up. He's vowed to help them if they ever need it, and they've promised the same. He still doesn't give a shit about the Federation, but to the workers, he's the Hero of the Village.

[camellia-thea]

okay. just rambling here, but, i think armand took more than just the end of the interview away from daniel.

we got that little moment about that night, saying 'you asked me to' to louis. 'you asked me to take this from you, you could not live with it,' leading into, 'i look after you when you cannot look after yourself, i make those choices for you.'

we know that during the chase and devil's minion era, daniel was an addict, who was, by his own admission, slowly killing himself. he was also addicted to blood.

it's really not too far to make the jump, if devil's minion occurred, that armand made the choice to step in, in his own mind, for daniel's best interests. i know this isn't a unique jump to make, but; again with armand's "i look after him when he cannot look after himself" continual reiteration, i think it's a fair assumption.

he can also replace and blur memories, which makes the discussion of alice and paris -- why the dessert from that night? -- and how immediate and sincere his answer of "she wanted to say yes, but she didn't trust you. you hadn't given her a reason to." this could be the night he took them away, replaced himself with alice, planted something similar for her to start the relationship, then step back and watch it fall. and i think the thing that stands out there is just how tender he is while saying it. there's an undercurrent of something else entirely underneath, it isn't a dig at daniel in the moment, despite the pushing earlier in the scene.

and then in s1, when louis say to daniel, "i'd give it to you now." and the cut to armand, still in disguise, and his micro-expression of horror, the way he stiffens and looks away... and the little moment of what i read as conflict when daniel says no. his jump to "may i be excused?" i can't tell in the moment, if he's horrified about the offer itself, the fact that it is louis offering to turn daniel rather than himself, or the fact that daniel denies it. because i don't think armand could actually let daniel die if this was the case.

the disguise itself-- why pretend to be rashid? i think part of it is to try and hide behind a human persona to keep those memories at bay; especially given the little moments of flashback that got triggered by little mannerisms. i can't decide whether they're intentional pushes or not, whether armand wanted/wants daniel to remember on his own, or wants to keep it under wraps. i think, even if he believes he doesn't want it to come forward, he truly does deep down.

and once he's revealed himself as armand, the way he gazes at daniel, his beautiful boy. the continued "our boy", from both he and louis, the "he's still in there, somewhere..."

and i think "our boy" is also really interesting, because why would daniel be armand's boy, based solely on the moments that louis initially remembered? armand didn't really have any emotional connection to daniel that night, sure, he saved him, but that doesn't really mean anything; he saved daniel for louis, not for daniel's sake.

and, jumping back "our boy,[...] he's still in there somewhere"... there's implication that louis might know about it? again, i don't think this is related to the original interview, or at least, limited to it? i don't have anything concrete here, just vibes, but again, why is armand's boy still in there somewhere?

and sure, some of these are reaches and i don't think i'm necessarily right, but god it would be deliciously awful if i was.

[batbabydamian]

so, Batman #147… rambling about the difference in how Zdarsky portrays the two current Robins

this is a fantastic run for Tim, and very much written like a return to form of what plenty consider the best dynamic duo, but even more so "the best Robin". once Damian's introduced in this run, Zdarsky really makes sure you still know that lol

1. "We don't need anyone else" VS "I need my family"

#147 clearly exemplifies the contrast, so i'll go through it first. Damian, having fallen for Zurr's lie and accepted him as the real Bruce, goes so far as to say in the very first page "We don't need anyone else." it's cold colors, machinery, and hollow declarations of "father and son" for these two.

towards the ending, Tim has deduced where the real Bruce is hiding and brings him food expecting Bruce's knack for self-neglect. it's all warmth, sunshine, and mutual understanding - also a cute back and forth of "Batman and Robin" between them. on top of this, where Damian isolates Batman & Robin from family, Tim is the one to remind Bruce about "helping each other." Bruce heartily agrees with "I need my family" for a weighty end.

along with this parallel, from #138 Tim makes it clear that even in opposition, he's only ever trying to help Bruce. Damian was still on the wrong side with Zurr-induced-Bruce here at the time too 😭

2. Tim's independence as both a hero and partner

Tim is written as the ideal Robin to Bruce's Batman, and has made Robin its own independent hero on equal footing rather than a sidekick - it's made in statements by both Tim and Bruce, and through the entire narrative. he takes initiative and tries to foresee what would ultimately help Bruce. beyond being great partners, there's many bits showing their emotional connection ("i'm scared of being lost, but i'm more scared of losing you, Bruce" hit me like a bag of bricks). tbh this almost could be a Batman and Robin run lol

added the first panel from #126 of Tim declaring he's his own hero outside of Bruce, proven plenty especially in his backups in #131-134!! the other panels are a few highlights from #128, #130, and #135 of the partnership between Tim and Bruce

granted it's Zurr, but Damian is mostly seen following orders and given pensive looking panels when there's something concerning. While Tim continued to represent Batman's ideals during his own solo quest to find Bruce, Damian doesn't question or take action against "Bruce's" sudden shift in ethics

Batman #134 Backup - Tim showing support toward Toyman VS Batman #146 - Zurr and Damian confront Harley as she pleads about her change of heart

another kiinda parallel in #147 is Bruce acknowledging Tim's hard work to become Robin compared to Damian who's out here going Batman and Robin/Father and Son. i don't think it's an intended parallel but just the state of continuing to show Tim in a better light - Tim put in the effort "to become the second-best Robin" while Damian is Robin because..."son." supposedly less effort on his part too, because LOA.

second pic is from Batman/Catwoman The Gotham War: Scorched Earth, felt fitting to add since Tim mentions needing to "know everything" in both. and the humble brag. which ofc Tim believes Dick is the best!! but also. jic we didn't know Tim is the best current Robin sdfgh

3. Damian's blind loyalty as "Bruce's son"

there's a weight to the Robin title when regarding Tim, whereas Damian's "Robin" role is excess and counterintuitive. he's delegated to desperate sidekick to Bruce, as well as becoming an obstacle to the family. being Robin only seems significant to Damian in how it ties himself to his father, and his single Robin quality is a loyalty that's been written to an extreme fault. the only positive angle i could see this in is Zdarsky aiming to put Damian in a sympathetic light in how far Damian was willing to fall to stay by his father's side, hence, fooled by that nightmare story/confession. the problem with this is that we have not seen a single emotional connection between the two in this run, so why should we care about that relationship.

also, Damian constantly bringing up his position as Bruce's son just makes him look entitled? since Bruce rightfully expressed his claim of having the others as his sons too (with the unfortunate exclusion of his daughter)! so it's like a "lol you're not that special" vibe when looking at it from the outside?? ykw concerning #138, Damian saying "You're the one trying to destroy my father" also could have been in contrast to Tim saying "We'll help our dad" at the end.

Zdarsky seems to believe the only meaningful part of Damian being Robin is he's the son of Bruce, and not a single nod to any noble aspect Damian's achieved beyond that. we're constantly reminded of Tim's greatest hits as Robin, from taking on the mantle to pull Bruce out of darkness (#135, #138), mastermind a whole takedown (Gotham War: Scorched Earth), and always being on the same wavelength with Bruce etc. the entire run sings Tim's praise, and it's deserved!! my problem is how it's in stark contrast to Damian's portrayal of being the other Robin who's only special because he believes he's the greatest son and wants to be at Bruce's side.

so all this to say, if your fav is Tim YOU'RE EATING WELL!! personally as a chronic enjoyer of things, this has been an entertaining run! as a chronic enjoyer of Damian, it's definitely not for many of his fans at this point in time.

i did like this part!! his grin!!

[louthestarspeaker]

You guys!! Dal's captain arc in season two is literally him just learning to trust that people will watch out for him and care about him and the institutions that are supposed to keep him safe and his crew safe and actually have his best interest at heart, I'm not the only one who thinks this right?? <- girl who thought too hard about Dal R'El and now needs to write an essay and maybe cry a little about him

[cisthoughtcrime]

.

[stop-breaking-my-heart-dragonage]

I'm not ready to shut up about Aveline and Carver--so, when you go see Aveline in Act 1, you can catch up with her a little bit and that's where this conversation can happen:

Aveline: "It's just one more change, though. The real end for me was Ostagar. What about you, Carver? You were there. Do you feel something similar?" Carver: No. Aveline: All right, then. Bit of a tit, your brother.

I wanted to see what she would say if Carver isn't in the party. Instead, she says this:

Aveline: Carver was there. I imagine he feels something similar. If he allows it.

......well, at least she didn't call him a tit?

[iwozlegit]

|| 🍍• I’m a sappy fuck - but fr i can’t help but picture a “found family” end credits scene in Sonic 3 for Shadow.

It’ll never happen but, say that Maria had a bucket list of all the places she wanted to go when she got to Earth. And Shadow being the cool brother ultimate lifeform remembers it back to front, left to right.

Cue Shads actually getting to Earth, and not doing the “very Shadow thing to do and die protecting Earth”, and deciding to embark on a quest to experience everything Maria wanted to do and see - obviously on his very cool motorcycle…can’t forget the very cool motorcycle…

Coincidentally, a certain blue hedgehog also kinda wants to see the world for fun rather than getting his ass kicked across every biome playing hero���(and he’s most likely at an age where he probably wants to spread his wings a little away from home).

Somehow after incessantly pleading, Shadow agrees, although not without a strict and rigid “do not do this, this, that, or this” list for Sonic.

So off they pop on his…now theirs…travels.

Initially, like Shadow’s strict and rigid “do not do this, this, that, or this” list for Sonic, Shadow is also very strict and rigid with where they go. And this continues for a while. But Sonic the ever talkative little fuck rambles on and on about some cool places he’s seen or has heard about being amazing…and that’s when the detours start to crop up. Shadow begrudgingly thinks it’s fine. An hour stop here and there, two tops.

Weirdly though, these new places he’s certain Maria would’ve loved. First just one or two short stops, but then eventually whole days worth of detours.

And eventually…a good few months in perhaps, Shadow realises, through Sonic’s bubbly and energetic zest for life, he doesn’t mind as much, because he’s got an eternity to see what Maria was so keen to see, but Sonic doesn’t…make every moment count, am I right?

So they go wherever the roads take them and the end credits is just snapshots and photographs of all the idiot things the two dumbasses get up to…

That’s it. You’re welcome.

Should I write this?

[bowenoke]

the real tragedy of being 14 on the internet is that the first fanart and first fanfic you ever made ARE out there and ARE accessible to you, but that they're attached to the least cool version of yourself. i have access to baby's first princess tutu fanfic and gravity falls fanart and while they may not have been GOOD i do still love them. unfortunately i was also malding about romney losing the election