#i should write about being disabled more often

[icantlivehereanymore]

You swear when I need something. Awfully bad tempered. Rusted over at the first touch of rain, a mess of metal I'm unsure what to do with. This was never beautiful to anyone, hopeful, quenching any sort of thirst. 

The only difference between a machine and a clump of parts is purpose. Which does that make us? 

[spicyicymeloncat]

Yknow something that gets me abt certain fanon depictions of kai is that he’s portrayed with no sense of self preservation, as if he’s self sacrificing and burned out, and I think I dislike it bc it feels like the opposite of his character most of the time.

Yeah some of the actions he takes are harmful to himself in some way, but it’s never intended to, they were ways of coping and making himself feel better.

Like the green ninja plot, he is insecure in his place, so he strives for the highest title to make him feel better.

The red shogun isn’t him beating himself up and not caring about his own well being. He was winning fights, fully engaging in the job, taking his frustration out on others and drinking away his issues, and yeah there’s self loathing in that, but there’s also him trying to make himself feel better, to redirect hurt away from himself.

Him prematurely concluding his parents were the bad guys in s7, is (imo) his way of rationalising his mixed feelings, in order to keep himself okay.

He’s not a reckless war machine who throws himself into battle with no hesitation, he tries to keep himself safe.

Kai is self-prioritised and yknow I think people in general really demonise that kinda of trait both in fiction and irl and that’s actually kind of harmful. The self sacrificial trait is so grossly over romanticised and idk it’s a breathe of fresh air when you see a character who doesn’t start out that way or end that way. Like nothing wrong with that trait being written, it’s just like sometimes it feels like people are only allowed to prioritise themselves if they previously have no sense of self care, bc then it’s seen as a healthy improvement. But in any other case, it means you’re selfish and that’s a bad thing apparently.

Like no. Being selfish and loving yourself and thinking you are hot shit and the smartest person alive and prioritising things that make you happy. None of that makes you evil or morally wrong. If in attempts to meet your needs you try to hurt someone else, or end up hurting yourself, then the action you took was bad but the intent isn’t! Fuck the media that finds people loving themselves as immorally wrong! Fuck it! It is not sexy to hate yourself actually.

I want more fanon Kais indulge in activities that make him happy, Kais that make bad decisions in trying to protect himself and Kais that have good coping mechanisms because he’s still trying to protect himself he’s just found better ways of doing it.

Bc it’s canon and it feels like it gets erased a bit because people somehow don’t find self love appealing unless the character was self hating first.

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[cy-cyborg]

Forgetting your character is disabled isn't a "good representation" flex: Writing Disability Quick Tips

[ID: An image with “Writing Disability quick tips: Forgetting your character is disabled isn't a good representation flex” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text is a poorly drawn man in red chalk looking down confused at his leg, one is drawn normally, the other is drawn to resemble a basic prosthetic. He has question marks above his head. /End ID]

For a while, I was involved in the booktok and Tik Tok writing communities, specifically parts of the community focused on more diverse books and authors. During this time, I noticed a reoccurring pattern when people were highlighting stories featuring disabled characters, or even promoting their own books, and that was how often people would say "I kind of forget they have [insert disability here] because they're such a badass."

The intention behind this statement is (usually) good, with people trying to show that their disabled characters are self-sufficient and don't fall into the tired old sad/helpless disabled person trope, however, you can - and very much should - do that without erasing your character's disability. If you find yourself forgetting your character is disabled, or your beta and pre-release readers are commenting about forgetting it, then there's a good chance that's exactly what you've done - and as a disabled person myself, if I see that statement being used in your marketing in particular, it's a giant red flag and a sure fire way to make sure I give the book in question a skip.

Remember, disabilities (especially major ones) are a part of your character's identity, and they're important regardless of the character's personal relationship with it. Even if your character doesn't specifically identify with the label of disabled or doesn't really care that much, it's should still be impacting their daily life, even in small ways. If you're finding yourself forgetting about a major part of your character's identity, it might be a good idea to check and make sure their disability is having an impact on the character.

I see this comment most often with amputee characters, and to me, it's a pretty consistently good indication that the author has treated their character's prosthetic as a cure rather than the mobility aid it is. It's far from unique to amputees, mind you (I talked about this a lot when I was discussing the character of Toph from Avatar), but it's when I tend to see it the most. Remember that mobility aids and other forms of assistive technology and assistive magic (if it's a fantasy story) are just that: they're aids, they assist, they shouldn't be cures.

Of course, this wasn't unique to Booktok, I've seen it on nearly every other social media site with a writing and book-focused community at some point, but Tik Tok was just where I spent the most time and it seems to be where I see the most people specifically gloating about it.

[cripplecharacters]

Facial Differences that You Should Consider Representing in Your Writing More

[large text: Facial Differences that You Should Consider Representing in Your Writing More]

As it has been said many times on this blog before, facial differences are a very wide spectrum - there’s thousands of conditions that cause it, and they’re often extremely different from each other! It’s an incredibly diverse category almost by definition. But…

In books, movies, and our inbox, it seems that a traumatic battle scar is the only facial difference that exists. I find this rather frustrating because I would like to see the real life diversity to be actually considered by writers when creating characters - and that’s exactly what this post is for. I hope that by making people just aware of the myriad of options they have, I can help a bit. 

This isn’t to say that you shouldn’t write characters with scars, it’s to say that there’s more for you to consider. Just like not every physically disabled person has hip dysplasia and not every neurodivergent person has epilepsy, not every person with a facial difference has scars! 

Of course, this list isn’t exhaustive - no such list exists, it would be like “list of every disability ever”, it simply can’t be done. This is just a dozen random facial differences that I would like to see incorporated into characters more often!

Facial paralysis Exactly what the name implies. There are many types of facial paralysis - complete, partial, bilateral, unilateral, chronic, acute, and it can affect the whole face, or only part of it.  Sometimes it can cause problems with speech or dry eyes (mostly the latter), but it’s frequently just primarily a visual difference. A person with facial paralysis might be completely unable to make facial expressions at all if it’s severe, or have a lop-sided smile and inability to raise an eyebrow or control an eyelid like me. Causes include cranial nerve damage (especially the 7th nerve, which is called facial palsy), Bell’s palsy, Möbius syndrome, or multiple sclerosis! It can be congenital, like in my case, or acquired, like in most cases - mostly due to stroke. Here I would write something about the current media representation being good, bad, or what tropes to look out for but I don’t know a single character with it. So :-)

Anotia/microtia Microtia is a congenital facial difference that affects the outer ear(s) - as the name implies, they’re smaller than average; anotia means a complete lack of them. This usually will also result in being d/Deaf or hard of hearing in that ear, as the ear canal can be smaller or closed (depending on the “grade”). People with microtia who decide on using hearing aids will usually wear a bone-anchored hearing aid, which looks very differently from the “regular” HA; it’s worn with a headband. Microtia can be the only facial difference that a person has, but it can also be a part of Goldenhar syndrome, Treacher Collins syndrome (mentioned below!), or hemifacial microsomia.

Congenital Trochlear Nerve palsy I have a subtype of this, and because it happens to have the most boring name in existence I have never seen anyone talk about it, certainly not see a character with it. So! CNIV palsy (again, an incredibly catchy name) is a disorder of one of the very-easy-to-damage nerves that allow eyes to move. It causes constant double vision, severe strabismus, and progressive facial asymmetry. A person with CNIV palsy will have a 24/7 head tilt to the side and will have their chin tucked in, which causes said asymmetry - facial features on the side of the tilt will sag down, the eye will “sunk” in, and because it’s congenital, the jaw can grow to be misaligned (like mine!). Over time, it causes neck pain and kyphosis, so add chronic pain to that. Trochlear nerve palsy can be congenital, acquired, traumatic, and even extremely rarely genetic (that’s me! allegedly <1 in a million). However, most acquired cases are only temporary, and “fix themselves” with the passage of time. Again, I would love to write something about CNIV palsy representation, but I’m fairy confident it doesn’t exist : )

Sturge-Weber syndrome The most visible part of SWS - that you might be familiar with - are port wine stains! In this syndrome, they tend to be large and generally cover the forehead-eye area. Around 15% of people with any kind of port wine stain on their face have Sturge-Weber syndrome, and even more when it comes to larger ones. Most people with SWS will have epilepsy since childhood, and many will develop glaucoma (which causes blindness) if the PWS is around that eye. Hemiparesis (one-sided weakness) can also sometimes happen on the opposite side of the PWS. Here is a short article about media representation from a person with SWS!

Cystic Hygroma Also known as lymphangioma, it is a bump that mostly happens on a person’s lower face and/or neck. It’s almost always congenital and a result of a blockage in the lymphatic system (thus lymphangioma). Sometimes, if it affects the mouth or jaw, it may cause a speech disability where the person’s speech might not be fully understandable, or cause an airway obstruction; this generally means that the person has to have a trach tube in their neck to breathe. Here is a short article about living and growing up with cystic hygroma by Atholl Mills!

Congenital melanocytic nevus A complicated name for a specific kind of birthmark! Melanocytic means related to melanin, so it’s a black or brown birthmark that can show up on any part of the body and be of almost any size. Sometimes it can be hairy as well. While CMN doesn’t usually cause any problems, people who have it have a higher risk of skin cancer, epilepsy, and brain tumors. Here is a short article on representation - among other things - by a person with CMN!

Ptosis Ptosis is actually really common - I can almost guarantee that you have seen someone with it - but for some reason it never shows up in media, unless it’s to show that a character is under the influence or vaguely creepy. Ptosis is simply a drooped eyelid. It’s caused by damage to the third cranial nerve, which can be congenital, acquired, traumatic, etc. It’s very common in myasthenia gravis and CHARGE syndrome. In most cases ptosis is a visual thing, but it can sometimes cause problems - for me, it partially obstructs my vision and for some people who acquired it later in life that can cause pain (due to having to constantly lift the eyebrow). Ptosis is often misunderstood, and people tend to make bizarre assumptions about those of us who have it - even Wikipedia cites “looking sinister” as a symptom (not that I particularly trust Wikipedia as a source, but it shows the general public’s view quite well). In real life, we are normal people and all these “drunk/high/rude/evil” associations aren’t true at all.

Treacher Collins syndrome You have probably seen a person with TCS at some point, as it’s not that rare. This is a genetic, congenital disability that affects the development of the face. The bones of the jaw and cheeks are underdeveloped, eyes have a downturned shape, and microtia/anotia is often present as well. A lot of people with Treacher Collins are d/Deaf or hard of hearing. Sometimes, the small jaw might cause problems with breathing, which is why a lot of people with TCS will have a permanent tracheostomy tube in their neck. Similar to ptosis, eyes in TCS are often seen as “looking sad”, but that’s an incorrect assumption - that’s just how they look like. The main and only big representation of TCS in media is that one awful movie from a few years ago, that was literally just inspiration porn featuring an able-bodied actor based on a shitty book, made by an author with some sort of abled-person guilt. Very cool, don’t do that.

Crouzon syndrome Crouzon syndrome is a type of craniosynostosis; a congenital condition where a person’s skull fuses too early. There are other disabilities that can look somewhat similar, like Pfeiffer or Apert syndrome, but they are different!  CS will affect the person's skull - it will be taller than usual, eyes - they will be large and bulging, midface - it's often smaller than average and can look sunk in comparison to the jaw and forehead, and more! Sometimes people with Crouzon syndrome are d/Deaf or hard of hearing (very common with craniofacial differences), or experience long term effects of hydrocephalus, which happens fairly often. Here is a short article by Mikaela Moody about movie representation - and her piece on how it to be trans while having a facial difference, which I relate to a lot and wanted to share:-)

Phthisis bulbi Phthisis bulbi is something that I have mentioned on this blog before, as it logistically should be represented way more often in fiction than it currently is. It's also known as the “end-stage eye” which is a pretty metal name. This is an ocular difference that can result after trauma to the eye. It can also result from a million other things, but trauma is apparently the most common thing to happen to an eye in fiction, so. With phthisis bulbi, the eye shrinks, sinks, and everything inside becomes stiff; this is permanent, and the eye isn't functional anymore - it's blind and unable to move. The only treatment is to have the eye removed, especially if it causes pain. If you're writing a character who got a Hot Sexy Scar over their eye and still has that eye, they probably should have this (and yes, the “shrunk and sunk” part is mandatory, you can't just make the eye lighter and call it a day).

Frontonasal dysplasia Frontonasal dysplasia is a congenital facial difference that affects the structure of the face. While it's a spectrum with a lot of variety, most people with FND will have hypertelorism (eyes spread widely apart), a flat and broad nose, and a cleft going through the middle of the nose. Other facial clefts (not necessarily just cleft lip) are also common. Sometimes, someone with it can also have cranium bifidum (meaning a brain/meninges that protrude through the skull, similar to how spina bifida works), or intellectual disability related to the potential absence of corpus callosum. Rarely, limb differences can also be a part of it; absent tibia, extra toes, or clubfoot. Again, I’m unaware of any representation of FND outside of “scary birth deformity” on medical shows :--)

Parry–Romberg syndrome PRS is also known as progressive hemifacial atrophy, which is a much more descriptive name. It’s an acquired facial difference that people just get for unknown reasons, mostly before the age of 20 and usually between 5 and 15. Generally, PRS is considered to be slowly-progressing, but this can vary pretty widely between different people. As the name implies, it causes atrophy in the face, which affects everything from skin to fat and muscles to sometimes even bones. Some people will also experience skin darkening, alopecia (hair loss), or trigeminal neuralgia (very severe nerve pain) on the atrophied side. The difference between the two sides can be very pronounced, with a visible line between the halves showing up on the forehead. Again, no existing rep that I know of :-)

And as always, I recommend this short PDF that in my opinion any writer who wants to include a character with an FD has to read. Additionally, you can also check our #face difference tag, this primer on facial difference, or this piece on making sure you’re not contributing to disfiguremisia.

Also apologies for the amount of “idk what to say about already existing rep because it literally doesn’t exist afaik” but I hope it illustrates the problem :-)

Happy Face Equality Week!

mod Sasza

[dannyphannypack]

Writing ASL: Techniques to Write Signed Dialogue

Hey, guys! I've been reading a lot of DC Batfamily fanfiction lately, and in doing so I realized how little I see of ASL being represented in written text (love you, Cass!). I wanted to briefly talk about tactics to writing American Sign Language (ASL), and ways that these techniques can help improve your writing in more general contexts!

SOME THINGS BEFORE WE GET STARTED

I will be discussing everything in terms of ASL! If you have a character who uses Chinese Sign Language or even British Sign Language, the same rules will not necessarily apply! Don't be afraid to do some extra research on them.

Do not let this dissuade you from writing a character who signs ASL! This is by no means the end-all be-all to writing ASL dialogue, and I do not intend this post to insinuate that by writing ASL the same way you write English you are deeply offending the Deaf community. If this is something you're interested in though, I highly recommend experimenting with the way you write it! Above all, have fun with your writing.

Related to 2nd rule, but still very important: not everyone will agree that sign language should be treated/written any differently than English. This is a totally valid and understandable stance to take! I do not hope to invalidate this stance by making this post, but rather to introduce an interested audience to how ASL operates in the modern world, and how that can be translated into text.

ADDRESSING SOME MISCONCEPTIONS

ASL is the same as English, just with gestures instead of words.

Actually, no! There is a language that exists that is like that: it's called Signing Exact English, and it's an artificial language; i.e., it did not come about naturally. All languages came from a need to communicate with others, and ASL is no different! It is a language all on it's own, and there is no perfect 1:1 way to translate it to English, just as any spoken language.

2. But everyone who signs ASL knows how to read English, don't they?

No, actually! Because it's a completely different language, people who sign ASL and read English can be considered bilingual: they now know two languages. In fact, fingerspelling a word to a Deaf person in search for the correct sign does not usually work, and is far from the preferred method of conversing with Deaf people.

3. Because ASL does not use as many signs as we do words to articulate a point, it must be an inferior language.

Nope! ASL utilizes 5 complex parameters in order to conversate with others: hand shape, palm orientation, movement, location, and expression. English relies on words to get these points across: while we may say "He's very cute," ASL will sign, "He cute!" with repeated hand movement and an exaggerated facial expression to do what the "very" accomplishes in the English version: add emphasis. Using only ASL gloss can seem infantilizing because words are unable to portray what the other four parameters are doing in a signed sentence.

4. Being deaf is just a medical disability. There's nothing more to it.

Fun fact: there is a difference between being deaf and being Deaf. You just said the same thing twice? But I didn't! To be deaf with a lowercase 'd' is to be unable to hear, while being Deaf with an uppercase is to be heavily involved in the Deaf community and culture. Deaf people are often born deaf, or they become deaf at a young age. Because of this, they attend schools for the Deaf, where they are immersed in an entirely different culture from our own. While your family may mourn the loss of your grandfather's hearing, Deaf parents often celebrate discovering that their newborn is also deaf; they get to share and enjoy their unique culture with their loved one, which is a wonderful thing!

YOU MENTIONED ASL GLOSS. WHAT IS THAT?

ASL gloss is the written approximation of ASL, using English words as "labels" for each sign. ASL IS NOT A WRITTEN LANGUAGE, so this is not the correct way to write it (there is no correct way!): rather, it is a tool used most commonly in classrooms to help students remember signs, and to help with sentence structure.

IF THERE'S NO CORRECT WAY TO WRITE IN ASL, THEN HOW DO I DO IT?

A most astute observation! The short answer: it's up to you. There is no right or wrong way to do it. The longer answer? Researching the culture and history, understanding sign structure, and experimenting with description of the 5 parameters are all fun ways you can take your ASL dialogue to the next level. Here are 3 easy ways you can utilize immediately to make dialogue more similar to the way your character is signing:

Sign languages are never as wordy as spoken ones. Here's an example: "Sign languages are never wordy. Spoken? Wordy." Experiment with how much you can get rid of without the meaning of the sentence being lost (and without making ASL sound goo-goo-ga-ga-y; that is to say, infantilizing).

Emotion is your friend. ASL is a very emotive language! If we were to take that sentence and get rid of the unnecessary, we could get something like "ASL emotive!" The way we add emphasis is by increasing the hand motion, opening the mouth, and maybe even moving the eyebrows. It can be rather intuitive: if you mean to say very easy, you would sign EASY in a flippant manner; if you mean to say so handsome, you would sign handsome and open your mouth or fan your face as if you were hot. Think about a game of Charades: how do you move your mouth and eyebrows to "act out" the word? How are you moving your body as your teammates get closer? There are grammar rules you can certainly look up if you would like to be more technical, too, but this is a good place to start!

Practice describing gestures and action. ASL utilizes three dimensional space in a lot of fun and interesting ways. Even without knowing what a specific sign is, describing body language can be a big help in deciphering the "mood" of a sentence. Are they signing fluidly (calm) or sharply (angry)? Are their signs big (excited) or small (timid)? Are they signing rushedly (impatient) or slowly? Messily (sad) or pointedly (annoyed)? Consider what you can make come across without directly addressing it in dialogue! Something ese about ASL is that English speakers who are learning it tend to think the speakers a little nosy: they are more than able to pick up on the unsaid, and they aren't afraid to ask about it.

Above all, don't be afraid to ask questions, do research or accept advice! New languages can be big and scary things, but don't let that make you shy away. Again, there is nothing wrong with deciding to write ASL the same as you write your English. I've personally found that experimenting with ASL dialogue in stories has aided me in becoming more aware of how to describe everything, from sappy emotional moments to action-packed fighting scenes. Writing ASL has helped me think about new ways to improve my description in more everyday contexts, and I hope it can be a big help to you as well, both in learning about Deaf culture and in pursuing your future writing endeavors. :)

P.S: I am quite literally only dipping my toes into the language and culture. I cannot emphasize how important it is to do your own research if it's someting you're interested in!

P.P.S: I want to apologize for my earlier P.S! What I meant by “I am … dipping my toes into the language and culture” was in direct regards to the post; what I should have said is “this post is only dipping its toes into the language and culture.” While I am not Deaf myself, I am a sophomore in college minoring in ASL and Deaf Culture, and I am steadily losing my hearing. Of course, that does not make me an authority figure on the topic, which is why I strongly encourage you to do your own research, ask your own questions, and consult any Deaf friends, family, or online peers you may have.

[bonefall]

i dont think people are upset that the erins "weren't creative" enough with Moonpaw, they're upset that she's just. not a chimera. thats just a longhaired tortie and they justified it with chimerism. which is extremely insensitive because chimerism is a real medical thing that can cause issues in every species, including humans for those that dont know, and thats like. a big thing.

like, yay some disability rep (depending on how they write it. it wont be good. ughh) but like. its not going to be considered a disability when it can be in some cases. they are just going to say "ohh shes so special!!" like some people say with autism in this age (the infantilization of it) and its gonna be. weirdddd

anyways. sorry for ranting in your inbox.

Hey. Woah. THIS is insensitive and I don't know where you're getting this from. NONE of the three types of natural chimerism are a disability and it is extremely rare that fusion chimerism leads to medical complications.

Do not spread misinformation about a genetic condition because you're annoyed about the writing team confusing a common tortie fur pattern with chimerism. THEIR mistake is ultimately harmless. What YOU'RE doing is stigmatizing.

Quite frankly, after seeing a bunch of posts and receiving several asks about this, I don't think half of the people who are getting mad actually know anything about chimeras. I sure as fuck hope it's just ignorance, and that you aren't out here trying to call the state of being intersex a disability.

But I can fix ignorance. No need to assume malice. I will explain what chimerism is, and why you should stop going around implying it "causes issues in every species."

Chimerism is when a single individual is comprised of cells from two or more fully fertilized zygotes. There are two BROAD types of chimerism;

Artifical

Natural

Artifical chimeras are common with the advent of modern medicine. Ever had a blood transfusion? Organ transplant? You are a chimera. Or at least were for a while.

THIS can lead to complications and can cause disability, but it's not what Moonpaw is. She would be a type of natural chimera, which in and of itself has THREE subtypes;

Micro chimerism

Blood chimerism

Fusion chimerism

Microchimerism is so common that I could make a Your Mom joke out of it. It's caused by the passage of cells between the fetus and placenta during pregnancy. Everyone who has ever been pregnant is a microchimera.

While it can lead to complications, it can also be beneficial. Pregnancy could be considered a type of temporary disability, but no one would expect disability rep from every character who had ever given birth.

Blood chimeras are common in species whose twins typically share a placenta, such as cows and marmosets, but very rare in animals like humans and cats which usually don't. It occurs when tissue between two twins is exchanged through the umbilical chord. This type of chimera often ends up with a mixed bloodtype, hence the name.

This is the cause of freemartinism in cattle, when fraternal cow twins cause a sister to share her brother's hormones and act more like a bull. A type of intersex condition, not a disability-- so I sure HOPE you aren't trying to imply THIS should be "disability rep."

And even in the other case, would you automatically expect disability rep from a character that has two blood types?? No. Just like you wouldn't automatically expect disability rep from every character that had ever been pregnant, or every character who had ever needed a blood transfusion

And lastly, the one that Moonpaw ACTUALLY is. A fusion chimera. These are created when two fully fertilized zygotes fuse into a single individual.

These are extremely rare because you can't usually TELL when an individual is a chimera. There is no obvious physical difference between the "halves," with some cases of doctors insisting that patches are just weird birthmarks. They live their entire lives with normal health problems like non-chimeras. It mostly causes complications when DNA testing results in a false negative-- because the offspring of a fusion chimera occasionally end up being their genetic nespring.

Or, the two "halves" are male and female, causing gonadal differences. These people aren't disabled, there's nothing wrong with their bodies, but they're subjected to unneccesary cosmetic surgeries as children because they are intersex.

Say it. SAY IT. INTERSEX. I N T E R S E X. IM GRABBING YOU BY THE SHIRT AND SHAKING YOU THEY ARE INTERSEX.

Can some intersex conditions cause disabilities? YES. Are intersex conditions inherently disabilities? NO. Even when you're discussing infertility as a disability, tread VERY CAREFULLY because intersex people are fighting very hard to lift the stigma over their bodies.

Speak with care. Do not equate being intersex with being disabled. They are two different things.

You can be both and sometimes one could contribute to the other, but BEING intersex IS NOT a disability.

VERY rarely, even MORE rare than standard chimeras which are already very very rare and massively underreported because they are so unremarkable, a fusion chimera will happen LATE in utero. THIS can contribute to a chronic autoimmune condition where the cells reject each other, which is a disability.

And by rare I mean one case. Literally one. Of the 50 reported fusion chimeras in the review I'm referencing, Taylor Muhl was the only one with this. 4 were discovered via congenital abnormalities (unknown if connected to the chimerism b/c they were only tested because something was already wrong), 17 had fertility issues, and the remaining 28 didn't report immune conditions or birth defects but INTERSEXUALITY.

ANOTHER condition is often lumped in with chimerism, by people who do not know what chimerism is, which is mosaicism. Mosaicism, when there are two different sets of genes resulting from the same zygote, is NOT chimerism. MOSAICISM can be a cause of disability. CHIMERISM is usually not.

(Read the review in depth, as it includes mosaic cases for the sake of completion.)

They can both be fertilization errors, but are not the same thing. Follow me, I'm only going to woefully simplify a complicated topic once,

CHIMERA = Two zygotes in one body

MOSAIC = Two bodies in one zygote

CHIMERA = usually fine

MOSAIC = usually bad

And the last possible places you could be getting the idea that chimerism "causes disability" from, to my knowledge, is 1. This study that says the loss of a twin in early pregnancy increases the chance of congenital defects in the survivors (has barely anything to do with chimerism, this link is tangential, vanishing twin syndrome does not necessarily mean it was absorbed by its sibling)

Or, 2, this study of several animals where they correlated rates of benign tumors to % of chimerism based on SPECIES. BLOOD chimeras. It's COWS AND MARMOSETS AGAIN. The study ITSELF calls for further targeted research of chimerism cause of susceptibility to cancer.

It couldn't even link new growths or malignant tumors to chimerism in the mammals of its study. WE'RE mammals.

Correlation does not equal causation. Statistics 101.

So no. That's not "a big thing." Chimerism is fine, they're just very likely to be intersex if they're a fusion chimera of a male and a female zygote. Do not imply intersexuality is a disability. Please get mad about the actual ableism in the series, not the team being clueless about tortie patterns.

Also everyone say you're sorry to intersex Moonpaw. I better see you people making intersex Moonpaw pride flag edits as penance IMMEDIATELY.

UPDATE: Anon apologized! Growth! I still think this is an important post, especially in the context of the wider fandom conversation, so I'm leaving it as-is. Please feel free to reblog.

UPDATE 2: Clarification on infertility as a disability because I didn't word myself very well in one section!

[whumpinggrounds]

Writing Deaf Characters

I am making this a series now so pls drop requests if there is something you’re curious about!

Disclaimer: This is all based on personal experience and research, all of which relate to the American Deaf experience. It’s not perfect, nor is it representative of a global experience of d/Deafness. If you plan to write a d/Deaf or hard of hearing character, please do your own research! This is intended to give people a few ideas about where to start.

Vocab

Deaf = Refers to the cultural experience of being deaf and immersed in Deaf communities.

deaf = Inability to hear some or all sound.

Profoundly deaf = Inability to hear almost all or all sound.

d/Deafblind = Inability to hear some or all sound and as well as having some level (usually high) of visual impairment. 

Hard of hearing or HOH = A person whose inability to hear may not rise to the level of deafness or profound deafness, or simply may not identify with the term.

Deaf of deaf = A Deaf child born to Deaf parents.

CODA = Child Of Deaf Adults. This refers to hearing children, not d/Deaf children.

Manualism = Refers to the belief that d/Deaf children should be taught only sign language and should not be taught or expected to learn to speak.

Oralism = Refers to the belief that d/Deaf children should be taught only to speak and should be discouraged from learning or using sign language.

Bilingual-bicultural or bi-bi education = A school of thought that combines oral and manual education for d/Deaf children.

Mainstreaming = The belief that d/Deaf children should be educated in the same schools and classrooms as hearing students. (More widely refers to the belief that disabled students in general should be educated in the same schools and classrooms as nondisabled students.)

Deaf gain = The Deaf community’s answer to the term “hearing loss.” Rather than losing hearing, a person is said to be gaining Deafness.

Cochlear implant/CI = A medical device implanted into the inner ear which (debatably) produces sensation that is (somewhat) analogous to hearing.

American Sign Language or ASL = An American system of communication consisting of hand shapes, hand movements, body language, facial expressions, and occasionally, vocalizations.

Signed Exact English or SEE = A manner of communicating that directly translates English words into signed equivalents.

Home sign(s) = Signed communication that is specific to the signer’s home or community, which may not exist or be recognized in the wider world.

Identity First Language or IFL = A system in which someone is described first by an identifier that they choose and feel strongly connected to. Examples include describing someone as an Autistic woman, a disabled individual, or a Deaf man.

Key Elements of Deaf History

Can’t emphasize this enough - this is a VERY abbreviated list! It is also not in order. Sorry. That being said:

For a long time in America, Deaf children were not educated, nor was it considered possible to educate them. When this did change, American deaf children were educated in institutions, where they lived full-time. These children were often taken from their families young, and some never regained contact with their families. Some died and were buried at these institutions, all without their families’ knowledge.

In the early 20th century, oralism became popular among American deaf schools. This mode of teaching required lip reading and speech, no matter how difficult this was for students, and punished those who used or attempted to use sign language. Pure oralism is now widely considered inappropriate, outdated, and offensive.

Hopefully you’ve gleaned this from the above points, but d/Deaf schooling, education, and the hearing world’s involvement are a very sensitive subject. Proceed with caution. It’s unlikely your d/Deaf character would have a neutral relationship with schooling.

Helen Keller is probably the most famous deafblind person in America. In her time, she was also known for being a socio-political activist, a socialist, and a vaudeville actress. There are dozens of other famous d/Deaf people who are a quick Google search away. Give your Deaf character Deaf heroes, please.

The Americans with Disabilities Act, or ADA, was passed in 1991, and represented a landmark victory for disabled activists in America. Among its provisions were closed captioning for Deaf individuals, ASL interpreters for public services, and the right for d/Deaf children to attend accessible, accommodating public schools. The ADA is a HUGE deal. It’s also not perfect.

In 1961, cochlear implants were invented. I was going to write more about cochlear implants here, but it’s too long. New section.

Cochlear Implants

Massively massively massively controversial in the Deaf community. Always have been, potentially always will be. For people who strongly identify with Deafness and the Deaf community, CIs are an attack on their identity, their personhood, and their community’s right to exist. 

Do not allow people to “hear.” The input that a person receives from CI can, with physical therapy, training, and time, be understood and processed in a similar way to sound. This does not mean it would be recognizable to a hearing person as sound. It is often described by people who have them as being metallic, buzzy, or robotic. YouTube is a great resource for sound references.

In order for a cochlear implant to be effective, a personal will have to participate in years of training and therapy to correct process, understand, and interpret the feedback given by the CI. This is not negotiable. Even if your character just lost their hearing in an accident last week, a CI will not allow them to instantaneously regain that hearing. Nothing that currently exists in the real world will do that.

CIs, to be most effective, are almost always implanted when the recipient is very young. This decision is often made by hearing parents. This, again, is massively controversial, as Deaf activists argue that it violates the child’s bodily autonomy and is inherently anti-Deaf.

A cochlear implant, once placed, irreparably destroys any residual hearing that the recipient may have had. This is because it penetrates the inner ear in order to function. This residual hearing cannot be regained, even if the cochlear implant is not used.

Deaf people do choose to get cochlear implants of their own accord. Many d/Deaf people are very happy with their cochlear implants! It is still a highly charged choice in light of the political history surrounding d/Deafness and hearing.

Notes About American Sign Language

ASL is not a signed version of English. It is a distinct language, with its own vocabulary, slang, and grammar. Just a sentence would not be constructed the same way in Russian, Spanish, or Tagalog, a sentence in ASL would not be a direct translation of its English equivalent.

Deaf people have historically lower rates of literacy. This is not due to a lack of intelligence; it is because ASL and English are two different languages. ASL has no written equivalent. In order to be able to read or write, d/Deaf children must learn an entirely different language. This means that it is not realistic to always be able to communicate with d/Deaf people through writing.

As ASL is a visual language, many signs started out as very literal gestures. This means that many older signs are continuously being phased out as they or their roots are recognized as stereotypical or offensive. Please be careful in researching signs. I recommend Handspeak or Signing Savvy for accurate, relatively up-to-date information.

Many online “teachers” do not have credentials to teach ASL, and especially due to the prevalence of “baby sign,” home signs, invented signs, or false information spreads unchecked. If you see multiple different signs advertised for the same English word, please be diligent in checking your sources.

Not every English word has a distinct signed equivalent, and not every sign has an English equivalent.

SEE is almost never used by Deaf people. It’s rarely used and is generally thought of as a “lesser” version of both English and ASL.

ASL is a complete, complex, nuanced language. A character would not switch into SEE for a technical conversation or really any reason. Complex ideas, technical terms, and even poetry can all be expressed in American Sign Language.

Just like in English, there are some signs that are only considered appropriate for certain people to use. For example, the sign for “Black” when referring to a Black person has a modified version that is only used by Black signers. This does not mean it is a slur or the equivalent of a slur. It is a sign reserved for Black signers referring to other Black people.

Things to Consider/Avoid/Be Aware Of

I hesitate to tell anyone to avoid anything, because I don’t think I have that authority. That being said:

The Deaf community has a complicated history and relationship with cochlear implants and the concept of being “cured.” What message are you sending when you write a story in which a d/Deaf character is “cured” of their d/Deafness?

Generally speaking, d/Deaf people do not identify with the “disabled” label. Each person has their own preferences, and those preferences should always be respected. Your character(s) may choose differently than their real life community, but you should put thought into why that is.

Generally speaking, d/Deaf people use IFL. This means that a majority of d/Deaf people in America would describe themselves as d/Deaf people, rather than people with deafness, people with hearing loss, people that are hard of hearing, etc.

Okay I lied I’m going to tell you what to do here: Do not use words like mute, deaf-mute, or dumb when describing d/Deaf people. Hearing impaired is also not ideal but is considered outdated, rather than outright offensive.

The best lip readers are judged to be able to catch 30% of the words people say. How realistic is it to have a character that relies 100% on lipreading? What do you gain when you write a character that lipreads, and what do you lose?

Yes, Deaf people can drive. I don’t know why so many people wonder about this. It’s okay if you didn’t know, but please don’t come into my ask box about it.

Assistive Devices/Aids

Cochlear implants ^ see above

Interpreters. Will have gone to school for years, might have specific training for certain environments or technical terms, etc. For instance, an interpreter that works with Deaf people that have mental illnesses would be fully fluent in ASL as well as having requisite mental health training in order to interpret for them. Interpreters could be a whole other post actually, but I won’t tackle that now.

Closed captions. Self-explanatory.

Alarm clocks, fire alarms, and doorbells that use light instead of sound. This is sometimes a typical flashing light, but particularly fire alarms in predominantly d/Deaf spaces can be overwhelmingly bright. Bright like you’ve never seen before. Bright enough to wake someone from a dead sleep.

Some assistive devices also use sensation - alarms that actually shake bedframes exist and are the best choice for some people!

Service dogs - can alert people to sounds like the above - fire alarms, doorbells, knocking, etc.

Hearing aids. Generally not controversial in the way that CIs are. Only effective if people have residual hearing. Do not really expand the range of sounds people can hear, just amplify sounds in that range. Very, very expensive.

Microphones. If a d/Deaf or HOH person is in a crowd/lecture setting, the speaker will want to use a microphone. If this is a frequent occurrence, the microphone may be linked to a small personal speaker or earbud used by the d/Deaf or HOH person.

TTY: Much less frequent now that everyone can text and email, but stands for Text Telephone Device and was/is a way to send written communication over a telephone line. The message is sent, the phone rings, and a robot voice reads the message. Obviously, this is not effective for d/Deaf people communicating with other d/Deaf people, but it was often used to communicate with hearing people/hearing establishments, as when setting up appointments.

Media About/Including Deafness

No media is perfect and unproblematic, but here are somethings I have seen that I can verify do at least a pretty good job -

CODA is a movie that features Deaf actors, ASL, and a story about growing up, family, and independence vs. interdependence. 

The Sound of Metal is a movie that features ASL and a story about identity, recovery, and hearing loss/Deaf gain.

A Quiet Place is a movie features ASL and Deaf actors, although Deafness itself is not necessarily integral to the story.

BUG: Deaf Identity and Internal Revolution by Christopher Heuer is a collection of essays by a Deaf man that discuss a wide range of topics. This book is not always up to modern standards of political correctness.

Train Go Sorry by Leah Hager Cohen is a memoir by the granddaughter of a Deaf man, which discusses the intersections of the hearing and Deaf worlds.

Far From the Tree by Andrew Solomon is a research book about the effect of horizontal identity on parent/child relationships and features a chapter on d/Deafness. This is a good look at how d/Deafness can impact familial relationships. Some aspects of the book are outdated, and it was written by a hearing author, albeit one who extensively interviewed Deaf and hearing parents of Deaf children.

If you made it this far, congratulations! Thank you so much for taking the time to read through my lil/not so lil primer :) If you have any questions, comments, concerns, or feedback, please feel free to hit me up! If you have any requests for a diagnosis or a disability you’d like me to write about next, I’d love to hear it. Happy writing!

[easays]

To Ragh; or, On Fatness

Hi! Below is an actual play mini-essay. These are written as part of a personal writing practice of thinking critically about actual play. I hope you find this reading engaging and know that all I write reflects my own interpretations rather than as an official representation/canonization of these shows. Keep reading for my interpretation of Ragh Barkrock's fatness as part of queer representation in Dimension20.

Ragh Barkrock may be one of the most beloved NPCs in Dimension20. It would be easy for Ragh, a bloodrush player good enough to potentially play professionally, to be presented as hypermasculine. In fact, the freshmen year art for Ragh, when he was antagonist rather than beloved ally, showed him in a muscular, inverted Dorito shaped body typical of a jock.

He's, obviously, built, and his cut jaw and cheekbones only bolster that image. As Ragh comes to terms with being gay at the end of Fantasy High, his countenance changes. When we see him again, the new art reflects a chubbier, happier Ragh.

The show aligning weight gain with acceptance and happiness already works against prevailing stereotypes that use weight loss as a quick metaphor for improving yourself and being the "real you." Moreover, connecting Ragh's acceptance of his sexuality with what seems like a larger comfort in his own body is a strong indictment of hypermasculine gay culture. As Gabriel Arana writes, gay men "must reconcile their sense of masculinity with their failure to conform to its heterosexuality." Not doing so has negative mental health outcomes, as Arana points out, and contributes to a culture that devalues fat queer people (see the popular "no fats, no femmes, no Asians" that often is touted in masculine gay subculture).

All of this, I think, is why Ragh's art for Junior Year was particularly impactful for me as a fat queer person. If being a gay man (or half-Orc, in Ragh's case) means having to situate your life in relationship to failing compulsory masculinity, then it seems there is an inherent queer aspect to embracing, celebrating, and showcasing a beloved NPC in an explicitly fat and happy body.

FHJY Ragh art by @caitmayart

Ragh is still strong and he is still fat. His body radiates a commitment to the power of fat bodies to exist in spaces they are often violently unwelcome in, such as gyms. Existing in gyms and sports spaces as fat people means dealing the "impossible standard that rejects nearly all of us" and upholds a diet culture rooted in impossible, Eurocentric and colonial body standards. In TTRPGS or actual plays, there is a unique opportunity to think about how bodies might exist in worlds different from ours, to imagine bodyminds as otherwise. However, as queer critics like Paul Preciado have noted, sci-fi and fantasy representations of cyborgs and other transformative bodies often lean into "fixing" disabled people or moving gender nonconforming bodies more easily towards technologies upholding a normative standard rather than questioning the standard all together.

Spyre is a world that deals with similar issues to ours, even without direct one-to-one correlations, so it, too, is a place where the narrative and artistic choices should be examined in how it helps us interpolate the world the audience resides in. From the Applebees cultish adherence to a deity-based nationalism to the various representations of parental neglect and abuse and every side story in-between, Dimension20's flagship show does not shy away from difficult realities even when recasting them through fantasy. Ragh, as a half-orc gay son of a disabled single mother, then, I see the arc his fat body goes through as meaningful and intertwined with his self-acceptance and queerness. He moves away from the toxic masculinity engineered into his blood rush team to instead pursue coalition comraderie with his friends to the point that he and his mother end up joining a communal living situation with those friends and their parents. Ragh's body expands as his family does, as his ties to community do, and to me, the gift of his fatness is the invitation to expansion that it holds out to us as viewers.

[softspace-fics]

Hiiiiii I just read your new loki fic with a disabled little and I was amazing to read especially when it's relatable like that I have a bad relationship with my health 😅

If your comfortable with it I really feel that a stucky x disabled little would be a perfect match cuz bucky is disabled (just in a cooler way with the vibranium arm) and iv been reading how you write bucky and Steve and they just want what's best for they're little so I need to read them helping the reader be more comfortable with they're disability.

You can ignore this but I just wanna say I love your blog and I hope your having a great day

-🦄

Hurts.

Masterlist - All my work!

A/N - hiii! I am so sorry your request took a little bit because I wanted to make it similar yet different to my story "It's hard." because everyone's experience with pain and why they don't feel comfortable with others when in pain, or for why they have bad relationship with their health is completely different. I wish I could include everyone in each post, and if you'd like to share your story with me I'd love to know, your never alone in your battles. If you have any feed back please let me know!

Warnings⚠️: mentions of rough family life, parents saying meds should fix the pain, ignorance of how pain affects someone, negative regression, mentions of bucky in hydra but nothing significant, please let me know if I missed anything!!

Steve Rogers x Bucky Barnes x Little!Reader

___________

Bucky understood what it was like to be in unbearable pain, feeling like your entire body was being ripped to shreds. He had been stuck being experimented on for how long? When he told Steve about how he felt on a daily basis even after not being experimented on for a while, Steve did his best to learn how to help him out when the pain just made it unbearable.

This meant that steve tried hard to figure out the best ways to help anyone who was in severe amounts of pain. He tried epsom salts, different type of ointments, mental care, anything he possibly could think about to make bucky comfortable. 

So when they met you, you didn’t seem out of the ordinary for them, to them you were seen as such sweet person and you were pretty confident. When people would talk to you, you helped them out if you could, or were polite in saying you couldn’t. 

You had originally met the two in a library when Steve and Bucky were looking for different types of books to try and learn more about the world today. You were trying to reach for the book on the highest shelf, and pain was shooting through every fiber in your body. You were exhausted and uncomfortable when you saw Steve's shadow behind you and got spooked. You jumped and nearly fell over from moving too quickly off your tippy toes. He gently grabbed your arm to stabilize you before smiling at you and apologizing for scaring you.

He asked if you needed help with getting the book off the shelf and you quietly said yes. It was one of your favorite childhood books, you read them sometimes when you regress, although  he didn’t need to know that. You felt bad making him do it for you, even though he asked. You know it wasn’t anything significant but you had never been able to accept help. 

Your family barely paid any attention to your pain, you were thrown on meds that did nothing when you were a kid and they stopped caring. Everytime you said something you always got “Well, did you take your meds?” “Your meds worked yesterday, don’t lie to me” Meds this, meds that. It got to the point you stopped taking meds and never asked your parents for help with your pain. 

When you were able to finally get into doctor offices by yourself you got meds that helped somewhat, but you still never felt as if you could rely on anyone else to help with your aches and how you felt on the inside. You had meds which meant that you should be fine and learn to deal with the pain on your own. Right?

You had seen the duo in the bookstore quite often after the first interaction, learning they were together and they were shocked when you told them you had no clue who “captain America” or the “winter soldier” was. You never really payed attention to the world outside of your bubble, you couldn’t relate to a lot of people so you shut off a lot of the outside. 

Eventually they asked you out, and from then on is history. But something you still hadn’t told them about was the chronic pain, and the regression that came from it. You had times where getting out of bed was the worst idea ever, showering was beyond out of the question, and regression was the only option your brain had.

You’d regress young enough that you could toddle and make it from point A to point B, but past that you had no survival when you were in so much agony. This means there became times you didn’t eat for hours, you’d sleep longer than you should, and there would be times you didnt respond for hours to anyone.

Bucky and Steve got super worried on days you never replied, they tried to let you have your space, thinking that it was something that you just did, but when you didnt show up for a date at their place, they ran over, thoughts racing.

They knocked on your door which woke you up, but you had no energy to attempt in getting up. Not knowing it was them, you assumed it was a package and tried to go back to sleep when they knocked louder.

Steve continued to knock while bucky prayed that you had left a key outside to your apartment incase you lost yours. He looked under a brick and practically ran to get your door open. Thank god that he remembered people put keys under rocks.

When they got in the apartment, the quickly rushed to find you. Scanning and worridly running around.

“Y/N??” Steve shouts, checking the bathroom.

“Sweetheart?!” Bucky yells as he opens the door to your room, where he finds you crumpled in pain, your room darker than a cave.

“Please, stop screaming.” You mumble quietly, you clutch your stuffie to your chest, your regression starting to set in after being brutally awaken.

Bucky quickly comes and sits by your side, helping to pull the blanket away from your face, looking at you with complete and utter concern.

Steve eventually comes in with some things in his hands, bucky looks at him puzzled before connecting the dots.

See, Bucky found you, but Steve found your regression and safe room. Where you had soft toys and padding everywhere. It was something you had filled with everything that you could need for when your regressed, and when it hurt too much to move.

The two knew what age-regressors were from tony, seeing as him and Stephen were the proud caregivers of Peter and Wanda. So when Steve saw your pacifier and heating pads, and anything else that might help, he grabbed it all.

“Baby, can you tell us whats wrong?” Bucky softly asks, tucking your hair behind your ear, Softly rubbing your thigh with his thumb.

“Hurts.” you mumble out softly, you slowly flip over, and bury your face into bucky's stomach. His scent fills your lungs, and he slowly starts to rub your back, holding you closely. 

Steve comes up behind Bucky, his face contorted to a face of his own pain. He hated seeing you so upset, and mowing you were trying to fend for yourself, by yourself, hurt him.

“Do you want your pacifier darling?” Steve gently asks, he wasn’t sure if you knew he had found your room, and wasn’t wanting to freak you out.

Hearing him ask that question, you looked up from bucks embrace with pure terror. How did he find it? Why was he so calm about it?

Bucky softly cupped your cheek and kissed your forehead before pulling you back into his embrace, rubbing small circles on your back before he speaks calmingly.

“Doll, we know about regression or age-dreaming, there's nothing to be afraid of, we promise.”

You relax into his hold before slowly nodding. Steve hands you your paci and you slide it between your lips and just rest against bucky, the pain minorly subsiding with the extra pressure of his hug.

“Baby, I know that the pain can be hard to handle, but you don't have to go this alone, you'll never be alone now that we're here. Whatever we can do, we want to do it. Please never feel as if you have to fight this battle alone.” Bucky manages to barely whisper out, fighting his own emotions.

Your tears begin to fall, hearing words you've never heard before. You’ve had to fight by yourself for so long, that maybe them knowing wasn't for the worst.

“Your not alone anymore, never alone. We're with you now. The pain doesn't have to be suffering anymore, let us help.” Steve sits next to you and buck, rubbing your back and leaving little kisses on your head.

You slowly nod, wanting someone to be there, maybe this time, you'll be able to accept the help. The right help.

[fallingdownhell]

May I request Yae Miko, Dehya, Cyno and Childe getting defensive/angry/protective (whatever you see fit) about someone saying they deserve better then their s/o because they aren't in the best physical shape? (Be that being fat, disabled ect.)

Honestly? It felt so self indulgent writing some of this, especially Dehya's part, so thank you for requesting it<3 Also, since I'm writing about some conditions I'm not affected with, please let me know if I missrepresent any of it, and I'll immediately change it! Characters Included: Cyno; Dehya; Childe Content: gender neutral reader; established relationship; various conditions on reader: being deaf/overweight/in a wheelchair; mean comments being made by others; characters defending reader; does that count as comfort??; not proofread yet Word count: 1,6k words Enjoy<3

Cyno

being deaf was never the handicap to you as others would probably see it

of course, it was difficult, learning to interact with the world and the people around you when you could not hear any of it, but rather than seeing it as a hindrance, you saw it as a challenge, one that you were determined to overcome

now, as an adult, things were going pretty well for you. Most the people you often interact with know about your condition, so they tend to be more patient when conversing with you

growing up, you began learning sign language to communicate with the people around you, as well as reading their lips. Over the years, you got more and more fluent in the language, so this was working out pretty well for you

Cyno, upon first meeting you, was fascinated by the way you percieve and interact with the world

despite the fact that you were not able to hear anything at all, you were the most lively person he's ever met, always smiling and laughing at everything and everyone around you, always seeing the good

after first meeting you, he immediately went and started to learn sign language as well. He had this desire to be close to you and spend more time with you, and he thought, in order to better communicate with you, he should learn how to talk to you

Now, a few years later, you've been in a relationship with Cyno for quite some time, and he could honestly say, that he's never been happier in his life

you brighten each of his days, simply by existing within his proximity, your smile was contagious and he often found himself just staring at you, never getting tired of your beauty

however, sometimes, there tend to be voices that question the relationship you have. Mostly people who didn't know you all that well, asking Cyno how he could even be with someone who could not hear a word he said

While he did pity those people, he always jumped to defend you. You may not be able to hear, but that didn't mean you were any less than anyone else in this world. In his eyes, it's just another thing about you that made you unique

It was always like this. Whenever anyone was talking bad about you, or telling Cyno that he should find a better partner, he always defended you, claiming that there would never be someone better than you

and if those idiotic people still don't get it by the lovestruck way he talks about you and continue to pester him, Cyno can get annoyed very quickly, not hesitating to draw his weapon on them

he wouldn't actually fight them, but the possibility of it being there scared them enough to run with their tails between their legs

but, at the end of the day, he never tells you about those encounters he has, not wanting to bring down your mood with it. He'd much rather enjoy the stories you have to tell him each day when he comes home to you

Dehya

when people were thinking about Dehya, they thought of a strong, independent woman, beautiful, smart and capable of many things. They respected her, and many wished to become the person by her side

when rumors came about of Dehya having a partner, people began to talk among themselves, guessing on who it could possibly be and what they would look like

No doubt would someone like her only settle for a partner just as good looking, smart and strong as herself, right?

well.. let's just say, the day you and Dehya became public with your relationship was a very... tough one

People knew you as being one of the most trusted merchants of Caravan Ribat. And while they all agreed on you being a very likeable and easygoing person, many of them also made fun of you behind your back, for the simple fact of you being overweight

a fact that you had always struggled with since your childhood. You've tried a many great ways to loose weight, yet either nothing worked or only had very short lived success

eventually, you gave up hope and stopped trying, instead learning to love and accept yourself for who you are

And exactly that love you held for yourself is what drew Dehya to you in the first place, eventually falling in love with all of you. Sometimes, you yourself couldn't believe that she actually loved you, questioning how you got so lucky. But not like you were complaining about it

Still, the glances and whispers people threw your way when you were walking through the streets, hand in hand with Dehya, often brought you down, knowing exactly what they were talking about

but anytime that happened, Dehya jumped right in, telling those people off, yelling at them to mind their own damn business. And it always worked as they hurried away, afraid of her wrath coming their way

whenever this happened, she'd always comfort you afterwards, knowing that, despite everything, words like that still hurt and weighed down on you. She'd then always tell you how much she loved you, how beautiful you were to her, pointing out everything she loved about you. It always helped to brighten your mood again

then one day, it just so happened that while you were out on a date with Dehya, someone decided to be bold and walk up to Dehya, finally speaking out loud what everyone was thinking

"Dehya.. why exactly are you with them?", he would ask, voice timid and quiet, yet he just had to ask

"You got a problem with my choice in parner, huh?", Dehya spoke up, ready to defend you against the entire world if she had to. She stood up from her place, standing in front of the guy as it almost seemed like she got ready for a fist fight

"N-no! I just meant... they don't.. exactly... suit you..", the guy tried to argue, but realised that with every word, he was just more and more digging his own grave

at this point, Dehya was fed up. She did not care for any onlookers as she beat up the guy. Once he was on the ground and apologizing profusely to her, she let go of him, instead addressing the crowd that had gathered around them

"Okay, everyone listen up because I'm not gonna repeat myself after this! They are my parnter, and I do not care what any of you think or have to say about it. It's my choice and you all better shut up about it, or I'll beat you up just like I did this punk!", she yelled and pointed at the guy still on the ground, blood running from his nose and mouth. Pretty sure she made him loose a teeth or two

surprisingly, after this encounter, people stopped commenting behind your back, your days becoming much calmer and more enjoyable since than. And even if you might not agree with Dehya's actions, you couldn't deny that it did have a positive outcome

Childe

most people would suspect that a person as active in their day to day life as Childe, would want a parnter that is at least similar to them in that way

yet, when they find out that his significant other is actually disabled and in a wheelchair, they can't hide the surprised sounds and expression on their faces

they can't possibly imagine how a relationship like that would last very long, seeing as the two of you would be polar opposites

oh boy, would they be surprised to find out that you and Childe have been going strong for several years now. Sure, you were not able to walk and sometimes, in specific situations, dependent on him, but those are also the moments Childe loved, when he got to show his strength when lifting you up or doing something else for you

at first, you felt stupid for having to rely on him in those specific situations, since you always strived to be as independent as possible, despite your situation. Yet Childe always comforted you, telling you that it wasn't a weakness at all to ask for help every now and then. On the contrary, knowing when you need help can be a great strength. So, that's how you decided to see things from then on, and it did help you a lot

and even though you were bound to this chair, that did not stop the enjoyment you held towards life. You loved traveling around, exploring the world and expieriencing it first hand

it helped a lot that Childe got to travel around a lot thanks to his work, so you'd always ask to accompany him. Of course, there were times where he couldn't do so, but most of the time, he was happy to take you along and show you all the places he knows about, and even discovering new ones with you

whenever he couldn't take you along on his travels, he'd always come back with a tone of souvenirs for you, along with so many stories to tell you that never failed to grab your attention, wishing that you could have been there with him

overall a very good, very protective boyfriend

the first few times he heard people talking about the two of you behind your backs, he went over to them, drawing his weapons, ready to kill whoever dared talk bad about you in his presence

word spread around quickly and soon, no one dared even mutter a word about your relationship, in fear that the Harbinger might catch wind of it and came hunting after them, ready to take their lives

Childe did not mind that reputation at all. He was already known as a battlehungry maniac, and if it meant people left you alone, not having to worry about ill intended comments, than all the better. He can handle it

the most important thing to him is, and always will be, your well being

[thurio-edau]

SBG GANG MENTAL ANALYSIS

yup, him for part two. funny thing despite Aiden being my favourite character I'm most excited for the other three posts I'll make, especially the last one. there's a lot to unpack here so

also im writing this with a migraine pls read it-

Part 2: Aiden Clark

ah, yes. the obviously-mentally-ill from the start fan favourite Aiden Clark. let's go.

first, I want to start with something I find really important about his character, what makes him heavily mischaracterized in the fandom. the 'psychopath' cliche.

the terms 'psychopath', 'insane' and 'unstable' are often confused with each other due to media stereotypes, such as Aiden here. one, he is not a psychopath. psychopath literally means a self-centered person who lacks sympathy, affection and care; making them far from most other characters in their franchise. their lack of sympathy/empathy often makes them criminalized, here

disturbing content warning, for an example of a psychopath.

let's take Gressil from Homesick for example since a lot of SBG readers also read Homesick. so, here, Gressil is a perfect example of an actual psychopath. his lack of empathy makes him torment others, he's very self-centered. and when asked why he's doing this? he says he was bored. let's look at Aiden here. what does Aiden do when bored? probably dumb ideas or annoy Tyler. not torturing people for fun. Aiden is just a boy who likes thrills, but he has a sense of empathy, care and justice.

you wanna see a psychopathic Aiden?? the canvas is it

(our local Logan hater is publishing the canvas eps go checc beachy out)

but that's him, not our Aiden. canvas does not equal originals y'all

alright, now since we got that cleared out!! firstly, ADHD.

I think everyone in the fandom is already aware that Aiden is ADHD but I'm still going to talk about it just like Ashlyn's autism. Red has also said that she wrote Aiden with ADHD in mind but hadn't canonically confirmed anyone as neurodivergent. let's start with the main symptoms of ADHD, also known as Attention Decifit and Hyperactivity Disorder.

I know about 5 different ADHD people myself and did some research, it probably won't be extremely accurate since I'm not ADHD myself, but I'll try to do whatever I can. first with the AD part, Attention Decifit.

now as seen, he doesn't exactly have any problems with theorizing itself. but the problem is that his attention just goes away easily.

i mean cmon bro was making memes on the job

he tries to do work, but can't. he has a low attention span which makes him not able to concentrate. he can't keep it up for long, he'll get distracted or bored too easily about things that doesn't interest in specially.

it's just distracting. what his attention is on constantly changes, there's more to that after the ADHD part but we're here for now.

the hyperactivity... it's a lot more apparent. but I should explain the insane-unstable thing before that.

insane means that someone's mental health is not in an okay situation, where it prevents the person from thinking normally, acting rationally, very often found together with delusions. the person is seriously mentally ill where it might count as a disability.

unstable, however, where someone is prone to psychiatric problems, has moodswings etc. they're not exactly the most sane person, but they aren't insane either. Aiden here, obviously falls on the unstable side. maybe just a little bit insane if you squint. this will be brought up later too, but it mixed well with his hyperactivity too.

and as we all know, our boy isn't exactly the most stable person. (sorry for the collages, but since there is a tumblr picture limit i have to keep on collaging. yes i learnt from the last time) his hyperactivity mixes with his unstable mindset which makes him incresingly vulnerable to danger- which he likes. from when the first shift happened, he's been really careless about stuff but it's been all about his love for thrill.

and it irritates Tyler, too.

the main subplot about his character is that he's a person of excitement. guess what? ADHD people like the excitement, they like new things, they like the adrenaline and thrill. now, Aiden's main characteristic of being unstable mixed with ADHD makes him an even more reckless person. another thing mixing with the hyperactivity, is boundaries.

this part will mostly be about Ashlyn since the boundary issue only happens with her.

I talked about this on Ashlyn's side on my Ashlyn analysis, now it's time for Aiden's side.

he's really annoying to her at first. Ashlyn is someone with lots of boundaries, like high walls. and who tries to climb them with his dumbass? Aiden of course.

she kept rejecting his efforts to befriend her for some time, until the night they stole the jeep. then she managed to actually bring the walls down, and accept them all into her life. but damn was she blunt.

felt that honestly

and Aiden understands her that night, too.

Ashlyn was hesistant to hug him, yes, he was aware. but she still did which made him realize she was also trying. i have to tell you, people with ADHD and people with autism either have trouble getting along, or go perfectly well. my ADHD sibling for example, I have to push them away for a lot and tell them to lower their voice. but once they remember my boundaries it actually becomes a normal, even pleasant hangout. which, Aiden realizes and tries to get along with. he tries.

seeing his efforts on her boundaries makes something click in her mind. and she starts to be a lot nicer when they hang out in the arcade.

Aiden eventually learns and remembers what she's like and what she loves to do. he already tried to watch her ballet sessions once -got slammed-, he's been to her room where he remembered the mat from and her fighting makes it obvious. I'm sure he knew he'd get cooked by betting that. but he still did,

because he knew it'd interest her. which he succeeded, he saw her smile again. the arcade day went great until Barron and his gang pulled up, but if we ignore that part it all went well. Aiden started to understand and respect her boundaries.

anyways then Tyler fucking dies

he knows that Ashlyn feels guilty. Aiden wants to comfort her through it, but also do it correctly. without going over any boundaries. which makes him really,

really,

really surprised when she responds.

also including this pannel cause its hilarious

here we see that he's still trying. hell, I'm sure he spent minutes thinking if he should come close physically to help her. that's probably why he just nudged her softly before anything else. he's not used to it, he has to conciously make an effort to not cross said boundaries. keeping his voice lower, try to not be so reckless, not doing anything physically close unless she reciprocates. wow how i wish another someone i knew irl tried that hard instead of blaming it on me cOUGH COUGH COUGH

also other small things to include

he's yapping a lot

he has a comically large amount of puzzles in his backpack for one single trip

and sticks his head into lamps for some reason

but that's just Aiden and his little neurodivergent brain for ya.

now the part I wanted to get to the most.

Borderline Personality Disorder.

first, what is Borderline Personality Disorder?

shortened as BPD, borderline is when someone's mood is inconsistent and swinging. think of it's name; the person's mental state is in the border, in the border line, switching up fastly. the most easily understood and common type is when the person goes from a depression to a happy state. but no matter which state they are in and/or go to, one thing stays the same: it is unstable.

one thing about borderline is that it is frequently mixed with bipolar. however bipolar is a neurodivengercy which means it is what someone is born with and cannot be changed. but borderline is obtained later in life. it usually happens with depression. bipolar is much more random and the episodes last longer in comparison. it may last up to hours, and the person's memory might have trouble remembering their episodes. borderline, on the other hand, is a short-lived mood swing.

now here. here's the catch; people with BPD during mood swings can have reckless behaviour, suicidal thoughts -in his case as far as we know, lowered sense of protecting himself- or a loss of understanding danger. sounds familiar?

borderline's recklessness and dangerousness, sometimes self-destructive acts combines with ADHD's love for thrill and excitement, combined with Aiden's own personality all make up for a great condition of instability.

Aiden's behaviour constantly goes crazy, I think his most frequent mood swing might be his normal self (at least, as normal as he could be) to this more maniac way of acting. I noticed it from his eyes, when he's in a more calm-ish normal state his pupils are a bit more dilated. in the pictures above, you can clearly see that he's still in the episode; filled with the adrenaline, the unstable way of thinking.

but, what causes that? surely a mental illness such as borderline doesn't happen on it's own.

right?

cause it didn't.

it never works that way.

but it can get better.

eventually.

but what happened to him?

personally, as much as a large amounnt of people seems to believe it's something like family abuse I don't think so. maybe neglect, maybe withdrawal, maybe maybe. but we've seen his parents. I don't think they would hurt him like that. I can't put any more pictures, but this is the last part anyway. his parents seem to be kind and gentle, despite that picture in his house. I'm thinking the picture was only for the dramatic effect. his parents said that he used to be really calm and quiet during Lily's birthday, and both Aiden and Ben seem comfortable around them. they were happy taking Ben in too, any kind of abusive parent wouldn't do that at least that's what I believe. also there is that Aiden got serious and concerned when he learnt that their parents were also in the facility, most likely worried for his own as you would have thought.

there was a post that I've been trying to find for like half an hour, I commented on it but I can't find the post now. the person talked about their own theory. if I remember correctly it was that when Aiden was depressive as a child, his parents took him to a thrilling activity like the ones he's been talking about (bungee-jumping, skydiving etc.) and the thrill made him actually get excited. which is why his parents allowed him to go even more reckless, because they are aware of how prone their son could be to the depression.

what happened? let's ignore the parents factor. someone can have a loving family and still be traumatized, someone can be taken care of and still feel abandoned, someone can never have confronted a situation they are terrified of.

one of my theories is that, the loneliness. it must get to a child heavily considering children need to not be left alone, but Aiden was. he didn't have any actual friends since they always moved from one place to another from his parents' business, and they might have not had enough time to make for him (which I believe is bullshitting, every child deserves to be taken some time out for. some people quit their jobs entirely for their child.) and be unaware, and that doesn't change that he was still depressed and alone. his depressive state was seemingly before Ben was taken in. now here one thing with borderline, at least from my experience, is faking actions. smiles, laughs, friendships, conversations... almost as if there's two different lives; one fake, and one real. you keep on switching, you keep on swinging between the sides where you're yourself and where you're just mimicking 'normal human behaviour'.

it starts from faking a happy state during their depression, and by time you're faking it it becomes an automatic adition to your personality. to your mind. once it furthers, it becomes the disorder. Aiden we see is always smiling. it becomes a habit that only breaks sometimes. now, I'm not saying his smile is fake- I think his face is literally just stuck like that. it breaks ever so slightly sometimes. fake it till ya make it yanno? that kind of thing. and when he swings from his calm mood to his borderline-d mood, his pupils get small and his smile gets worse. noticably worse. I'll be rereading the series (AGAIN) and this time look at all the small details since Red loves putting them and I love theorizing so

which, wraps up the Aiden thing! im actually really proud of how i could put my thoughts into text which i never could. i'd love any additions because i love other opinions as well.

and you know what? im glad Ash and Ai are out of the place because the rest are what I'm actually looking forward to >:)

...and i should sleep. really.

(wow sorry yall i finished this hours ago and said 'alright reread to make sure its good before sleep' and fell asleep through it lol sorry for 4 hour delay ig)

(leaving for school rn see yall 8 hours later 🫡)

[olderthannetfic]

I'm a big mpreg and A/B/O fan who is wondering if anyone else has noticed the weird anti-abortion attitudes in a lot of mpreg and a/b/o? Like where you're "2000s Hollywood movies" levels of characters not even CONSIDERING abortion as an option for unwanted pregnancies (in a universe where this is possible and safe, and where it doesn't make sense with the character's characterization). I get why for plot reasons, abortion isn't as satisfying an end to a certain kind of pregnancy story as having the baby, same as it is in movies that do it. But you can write a character considering abortion and deciding not to get one in a way that doesn't make the option seem horrible and unthinkable or otherwise stigmatize it.

Or the number of people who seem to think abortion is such an inherently "traumatizing" topic that they need to content-warn for even a vague, offhand mention of it. It's one thing if it's graphic surgery or something - I'd probably want a head's up for that no matter what it was, at least in a story where I didn't see it coming - but just mentioning it at all? Abortion is a routine, safe medical procedure in places where it's legal. If you're doing warnings with abortion and no other medical procedures, you're reinforcing the anti-choice idea that abortion is inherently upsetting and sad. It's reinforcing abortion stigma. I've met many, many more people who've had abortions who felt happy about it and wish they could say that without having people treat them like a murderer, than I have people who had the "post-abortion regret" that anti-choice organizations talk about, and my experiences are supported by basically all the statistics about this that aren't from anti-choice political lobbying groups. It's especially egregious when people do this over an early, fully-elective (and legal and safe) abortion - a thing where patients having triggering kind of trauma is so low as to be statistically insignificant - but don't do it over related topics that genuinely contribute to a lot of PTSD, like miscarriage, infertility, adoption, and even fucking child death!!!!! I saw a fic that mentioned ALL of those things in someone's inner monologue considering what he should do about an unexpected pregnancy, but only the abortion part got warned for! Maybe some of that sounds nitpicky, but I personally know people who read fanfiction who like warnings for discussion of infertility/miscarriage because they have a lot of stress and trauma over unsuccessfully trying to have a child, and don't want to be reminded of that in their happy place.

It feels like a thing that's oddly underdiscussed when people talk about things in mpreg and a/b/o that would be kind of questionable to these same authors if they were to encounter it in stories about pregnancy where the character is a woman (like the stories where simply having a working uterus means you are inherently more nurturing or less ambitious or sweeter, or where getting pregnant suddenly makes you like that no matter how you were before). But if anything it's more common. I have to assume a lot of it's because a lot of people writing these were raised with more conservative ideas about abortion and then changed their minds, but didn't really question everything their upbringing taught them about abortions being always tragic or something that you should only do in extreme circumstances or whatever. Something you often see on Tumblr discourse about abortion, too, where people who claim to be "pro-choice" will come u with a list of reasons (disability, gender, just not feeling it, etc.) why it's "not okay" to get an abortion - not getting the point that forcing someone to carry a pregnancy they don't want is a violation of their body autonomy regardless of their "reasoning." The ableist woman who doesn't want a disabled baby still doesn't deserve have to a pregnancy forced upon her by the state!

I have to wonder if it's more noticeable to me because i wasn't raised that way at all, I had pro-choice leftist feminist parents.

Anyway long story short, I've never agreed with the anti take that mpreg or a/b/o are inherently sexist or anything like that. A lot of it is nothing like this! But it's common and I have to wonder if something working within a medium that's considered to be queerer and more progressive sometimes leads people to expose more of these attitudes than they might otherwise. Kind of like how you see a lot of weird sex-negativity in queer and fandom communities because people think merely being queer and in fandom means they can't be conservative, but they haven't actually questioned underlying sex-negative attitudes they have.... and so you get them being susceptible to anti and "kinks don't belong at pride" and such.

It's not inherently sexist, but I'm not sure it's inherently progressive, either? Not that it has to be. But I think my patience for anti-abortion stigma is, given recent big world events, at its absolute nadir lol

(sorry this is so long! guess i had more to say about this than i thought)

--

Too much American culture, maybe? IDK.

My mother considered abortions to be about like having the doctor remove a tick. I too find a lot of people's pearl clutching bemusing.

I always find it embarrassing in that bad writing OOC way when people don't include abortion where it makes sense or treat it as a Big Deal where it wouldn't be to that character.

However, I do usually expect mpreg fic to be kinking on "Ohhh nooo, now we have to stay together for the baby!" nonsense fantasies. It's one reason I dislike most of it. Given that, I wouldn't read too much into the plague of conservative anti-abortion vibes.

The fandoms that do more with A/B/O world building (giving the betas an actual role, etc.) tend to have more fic where they consider or even get abortions though.

[cy-cyborg]

How your disabled character's allies react to their disability can make or break the representation in your story: Writing Disability Quick Tips

[ID: An image with “Writing Disability quick tips: How your character's allies react to their disability matters” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text are 2 poorly drawn people icons in green, one is standing with their hand up to the face of the other, who is in a wheelchair. /End ID]

Something I brought up in my big post about Toph Beifong was how the other characters reacted to Toph pointing out that things were not accessible to her and setting boundaries regarding her disability, which were ignored. I had more to say about it than I thought I did, as it turns out (when isn't that the case lol) but I feel like this is an important aspect of disability representation that is all too often over looked.

You can write the best, most accurate portrayal of a specific disability ever put to screen or page, but it won't mean much if all the other characters, specifically those we're supposed to like and empathise with, treat your character terribly for being disabled and having needs relating to said disability, especially if the story justifies their behaviour.

You see this most often with autistic characters and especially autistic-coded characters. The character in question will be given a bunch of autistic traits, most often traits relating to not understanding certain social dynamics or sarcasm, and when they get it wrong, the other characters we are supposed to like jump down their throat, tease them or outright abandon them. Autism isn't the only disability that gets treated this way, but it is one of the more common ones that get this treatment. It doesn't matter if you do everything else right when creating an autistic character if the other "good guys" constantly call them annoying, get angry at them or laugh at them for the very traits that make them autistic, or for advocating for their needs.

Likewise, if you have a leg amputee character who is otherwise done well, but is constantly being criticised by their allies for needing to rest their legs or taking too long to get their prosthetics on, it undermines a lot of the other work you've done. Same goes for having a wheelchair user who is accused of being a bore or a stick in the mud because they point out the places their friends want to go to on a group holiday have no wheelchair access, or a deaf character who is accused of being entitled for wanting their family to learn to sign, or anything else.

This isn't to say you can never have moments like these in your stories, but its important to remember that a) people with the same disability as your character will be in your audience. If you spend a whole season of your TV show shaming your autistic character for real traits that real autistic people have, they're not exactly going to feel welcome and may not want to hang around. b) it's going to very, very heavily impact people's perceptions of your "heros" who do this, especially in they eyes of your audience members who share the character's disability or who have had similar experiences. This isn't like calling someone a mean name or being a bit of a dick when you're sleepy, it's going to take a lot to regain audience appeal for the offending character, and depending on exactly what they do and how frequently they do it, they may not even be able to come back from it at all. And finally, c) there should be a point to it outside of just shaming this character and saying the other guy is an asshole. Like I said before, you're character is criticising real people's real disabilities and the traits or problems that come with them, things that they often have no control over, it shouldn't be used as a cheap, quick way to establish a quirky enemies to lovers dynamic or show that one guy is kind of an ass before his redemption arc. If you really must have your characters do this, be mindful of when and how you use it.

[cripplecharacters]

Do you know any good sources for burn scar care?

I’m writing a character who was burned in a spaceship crash. The story is set several years after the fact, and I want to incorporate that detail into the story. What would a burn scar care routine look like?

Hi!

I generally recommend medical websites for this kind of stuff. There are tons of information readily available online, especially about things as common as a burn injury. Phoenix Society for Burn Survivors or MSKTC can be helpful for you!

While caring for a burn scar will be different for everyone (there's many types, degrees, plus just individual differences between burn survivors themselves) some of the things that you can include;

Burnt skin doesn't produce its own oils, so it gets dry. It needs to be moisturized, oil-based products (think coconut or grape seed oil) are often used. The heavier the lotion, the fewer times a day it needs to be applied.

Massaging a scar, especially when it's relatively new. It can be a massage, but stretching or just putting pressure on it is part of that too. It helps the skin from becoming extremely sensitive. Initially you do it delicately, but after the scars are matured it's fine (or recommended even) to put some force into it. This loosens them up.

Itching is a huge issue. Both massaging and moisturizing help with that, but if it's still causing problems then there are medications that could provide some relief.

Protecting the skin from the sun. All year, including cloudy weather. Sunblock, big hats, sunglasses if needed, all that. This applies to people with darker skin as well because the skin loses its pigment after a burn (it can sometimes come back but it's definitely not a guarantee).

Avoiding the heat. A lot of burn survivors will have problems with temperature regulation because burns damage the sweat glands, so they overheat faster. There's nothing burn-specific here, same protocol as for avoiding a heatstroke - drink water and keep out of the sun.

Wearing softer and looser clothing. Rough and tight clothes can cause blisters, and that is a Problem. Inappropriate materials could also induce more itching.

Taking pain meds. Chronic pain is common, so your character might need medication.

I definitely wouldn't say that this is an exhaustive list, but I think it's a good start! If you need more details, I think the resources linked above should work.

I'm glad to see people interested in burn scars being a disability that requires a lot of care rather than seeing it as a solely visual thing! Makes it much more authentic :-)

I hope this helps!

mod Sasza

[a-little-revolution]

Hello! I hope you're doing well. In a previous answer to an ask, you mentioned how little people are often seen as inherently promiscuous/kinky, or completely taboo when it comes to sex. I was wondering, how should someone go about writing a character with dwarfism in sexual settings/situations?

(Sorry if this question seems weird, I don't think I can find my words very well today. Thank you for your time! )

cw: sex and sexuality

Hello! Yes, as a disabled person, I experience the dichotomy of being both hypersexualized and desexualized by the able bodied community. And as a little person specifically, I know the culture surrounding my body to be incredibly objectifying and othering - that sex with a little person is often seen as taboo. This actively affected the way I entered the sexual world, and put me at risk for harm within it. I've had to be very intentional with the people I choose to have access to my body, and I've had to become self-taught when it comes to how sex works for me. I now have a very vibrant, wonderful sex life, but it's taken a lot of work to get here lol I would love to see some positive sexual dwarf characters in media!

When it comes to writing a little person in sexual situations/settings, you'll want to keep several things in mind to do it well:

Make sure you know your basics re:anatomy - flexibility, reach, positions, etc. are all affected by the physical limitations of dwarfism. For example, I cannot wrap my legs all the way around my partner, nor can I reach his or my bits while lying down.

Give your dwarf characters vibrant, autonomous sex lives. Make them the expers on their own body and make their sexuality as normal of a topic as it is for abled folks.

(In the case of interabled sex) Do not make their sexual partners saints or conquerers. It's not heroic or impressive for an abled person to date or sleep with a little person. The abled partner is not throwing them a bone. Little people are just as beautiful and sexy and as able bodied people, and their partner(s) should know that.

Adding complexity to your little characters will inherently help prevent objectification, tokemism, or desexualization. Showing that your dwarf characters have rich lives that intersect naturally with other characters will humanize them and embrase their bodies.

I hope this helps!! I don't often talk about sex on here so I found this ask refreshing! If you have more questions on the topic let me know!

- Elliot (they/them)