#i should rewatch the prequels

[bagheerita]

So I read A Stitch in Time and one result of that which I was certainly not expecting was that I feel so much sympathy for Enabran Tain. Garak's life is a tragedy, but Tain's is a fucking black comedy.

I mean, he's a terrible person and an absolute shitbag, but can you imagine? You have this kid. You go to all the trouble of arranging for him to be raised in a family situation where he won't be rejected from society for being your bastard. You get him into the nicest indoctrination school where he can hobnob with plenty of uppercrust kids. You get him a job in your Order and all the proper training. And he's actually, like, really good at it. But he has this fatal flaw of being completely incapable of not making stupid, short-sighted, emotional decisions.

A scene I imagine has to have happened just prior to Garak and Tain's confrontation at the end of part II:

Like goddamn. When Tain asked "what's your plan for getting rid of her husband?" and Garak's just like "plan what plan." Dude. I'M disappointed, I can only imagine the guy who's job it is to know and plan for everything isn't at least as disappointed.

I know he didn't actually, but do you think there was ever a time when Tain wanted to be like, You know what. Just go back to Tolan and become a gardener. Join that illegal hippie cult. It's fine.

[gabityaby]

I think i cracked it, the reason everything produced in the times of the High Republic is soo good compared to modern Star Wars, tldr its because of pain.

See, in all the works that date during the High Republic (specifically during George's ownership of SW) there's this fearlessness to show pain and tragedy and death, and i know it sounds like "everything for the children these days is sanitized!" but think for a second if Revenge of the Sith would be something Disney would publish these days and that's your answer, but that's just a tangent meant to emphasize the difference between Og SW and new SW, because what Og SW had was strife, and you the viewer knew that, because every time you booted up KOTOR or played Phantom Menace you knew what was coming, you knew to expect the isle of happiness in which the characters lived to slowly sink beneath the waves of tragedy and you'll see it happen as the characters around the story just dug up their own fates, in very much George Lucas fashion, and THAT is what made the work and the small moments of levity to taste so much sweeter, because you see the characters who you've grown attached to suffer so un-justly that when you return to the good times you can't help but appreciate the good and mourn it's departure.

The reason new SW does not achieve this is because the characters are dealing with the aftermath of the destruction of the baddies, its the birth of the hope for the future, its when you look at the horizon at the END of the movie, yes new problems may arise but the big hurdle is done and Disney didn't cultivate the joy from the Alliance's victory as it should, because instead of giving us proper post-war optimism (as it fits the real life post WW2 countries counterparts and fantasy sci-fi proper) it stuck only with the brooding post-war trauma, and while yes, that is also a very realistic take it still lacked verily from the former and thus there is no reason why we should mourn a character's strife if that is all we've seen from them, its like watching paint dry, nothing particularly changes, just a new villain here and there, the new character discovers new powers, new info, but there is no resolution, no reward for their strife, and even if they were going for a bleak post-war future (which they didn't and it also doesn't fit SW's constant theme of hope for a better future) it still ends up looking incomplete for the mere reason that they don't want to shut the book in case they need to milk the cow some more.

My point with all this was not to bash new SW though, my point was to use it as a comparison to highlight how Og SW built itself on a foundation of hope, how it showed us the height before the fall, how it is possible to make Shakespeare in space and leave all of us with broken hearts and looking hopefully into the future.

[gemkun]

spoilers for yingdu arc below cause i cannot contain myself

i am so mentally ill over link click and have been for the past few days to the extent i've rewatched the finale of yingdu at least 7 times and soon to be more.

i'm so sick cause the utilisation of the symbolism of movies and film tape to represent when a character's arc is over but liu xiao goes "the movie isn't over" which basically spelled out vein hasn't finished his purpose yet was soooo. and the year on liu xiao's phone being 2024 showing that he's either time travelled back to this point which is why the events lu guang was expecting had been changed...

the way they tied the ending so well like it's literally moments after the end of s2 just look at their outfits and the fact qiao ling brings up cheng xiaoshi's gun wound that he had gotten while fighting li tianchen and qian jin. (i am kinda disappointed that they revealed the renaming for the studio to shiguang wasn't cause of their bond but rather from cheng xiaoshi's mother's words). not to mention that now with this link up that liu xiao has a whole ass army against shiguang since he's recruited li tianchen and vein has been resurrected which lu guang has no idea about as confirmed by the director himself. also what other abilities does liu xiao have? he talks about being able to listen to heartbeats but also consider maybe he can manipulate people's hearts. clearly he has a time travel ability as well but i wonder just how many he has cause that also showcases how many people he's killed.

anyways this show has ruined my life and my sanity. also xia fei is probably gonna find out who it was that killed vein but i think he already knows based on the conversation he has with cheng xiaoshi and lu guang cause why would you bring up superpowers just on the spot? but if not then, he probably has in the present since he's "missing" now which i mean just probably means he's chilling with the house of hot headed, where vein and liu xiao probably told xia fei what's going on so liu xiao can use his anger over vein's death and the truth behind shiguang's "true colours". he's still baby though trust.

oh yeah when lu guang shouted "xiao weiying" i was losing my mind cause all i could think of was mdzs.

[weregonnabecoolbeans]

What do you do when the comfort movie trilogy you want to use as escapism absolutely cannot be used as escapism because it’s too close to what you’re trying to escape?

[officialpenisenvy]

you don't like saint narcisse? it's a family affair 🥺?

[thenamessparkplug]

yknow chat, i bet watching lucids again will fix me (this is the fourth time ive said this to myself this week)

[unproduciblesmackdown]

i'm the first to admit i'm doing a bad job of not liveblogging, but i gotta be nogblogging

[wickedhawtwexler]

what if i rewatched better call saul

[maidenvault]

During my last rewatch of the prequels I was actually shocked by how much I've misremembered or decontextualized certain moments in my mind because of how they're often talked about in fandom as showing the Jedi as too arrogant, too bureaucratic, generally just burying their heads in the sand while everything goes bad etc. So I'm gonna try to address every individual scene that typically gets brought up to argue that this is an actual theme in Lucas's portrayal of the Order.

The Council doesn't take Qui-Gon's account of meeting a Sith seriously.

Mace and Ki Adi Mundi do both express doubt this guy could be a Sith. (Understandably! Historically they've never known Sith to be able to hide their existence, and for them to have survived totally in secret for a thousand years is a pretty wild thing for Qui-Gon to be so sure of.)

BUT Yoda admits that the dark side is hard to see, and Mace assures Qui-Gon they'll do everything to find out the identity of the attacker. Later he's ordered to go back to Naboo and try to draw out Maul to discover more. Qui-Gon accepts this and doesn't ask for backup. Why should he? He held his own against Maul before, and Maul's probably not gonna show himself again to face a ton of Jedi. They end up missing the chance to learn who trained Maul because of how things go down, but Qui-Gon's death isn't the result of the Council mishandling the situation.

At the funeral, Yoda says the presence of one Sith means there's another out there. They know they've got to be on guard now and will be, but they've got no more leads for now.

2. Qui-Gon's not here to free slaves.

There's this idea that slavery existing on Tatooine shows the Order is apparently too tied up doing shady things for self-interested politicians (footage not found) to help the people who really need it. But Padme's shocked to know the Skywalkers are slaves for a reason. The truth is there isn't a lot of slavery in the galaxy at this time because the Jedi have helped keep it that way for centuries only by working with the Republic. In TCW we see that Zygerrian slavers have a particular hatred of Jedi because they're literally The Anti Slavery People and did so much of the work to crack down on their trade. But Tatooine is controlled by the Hutts and they simply don't have the resources to start a war with them.

(And honestly, it's crazy how people talk like Qui-Gon's a monster for honestly and apologetically telling Anakin no, that's not why he's here. This is a child he's already indebted to and who has a hero-worshipping idea of Jedi, it would be fucked up for him not to be clear about how he can't help him and his mom.)

3. They doubt Dooku could be behind the assassination attempt.

This I understand shows the Jedi to be a little naive. But they knew Dooku as a good man, and at this point he and his followers are still putting on a show of wanting to secede for idealistic reasons (and a few of them, manipulated by Dooku, actually do have good intentions). Only later do the Jedi learn they're illegally building an army before they've even officially left the Republic and clearly have no interest in the peaceful resolution Padme's been advocating for. And they only find this out because they have Obi-Wan investigate the assassin and this very quickly leads him to Dooku.

4. "Arrogance, yes. A trait more and more common among Jedi. Even the older, more experienced ones."

In context, this line from Yoda is clearly not meant to be taken so seriously. Obi-Wan says he fears Anakin is too arrogant, and this is Yoda's light-hearted way of telling him not to be so hard on him. Part of training a Padawan is learning to trust them so they can grow, and Obi-Wan perhaps needs the reminder that he isn't done learning himself.

Of course Yoda saying this could be partly motivated by them having been caught off guard before by the existence of Darth Maul and the dark side clouding their awareness, as we're told repeatedly throughout the PT they know is a problem. But it's kind of contradictory to take this as confirmation that this is a serious fatal flaw of theirs. If someone acknowledges their own arrogance then they're aware of their ability to be wrong, which means they can't actually be that arrogant. If truly meant in a general sense and not just as a gentle reproof of Obi-Wan, it's a pretty self-deprecating comment coming from Yoda.

5. "If an item does not appear in our records, it does not exist."

Chief Librarian Jocasta Nu gives this haughty response to Obi-Wan looking for Kamino, a system that's not in the Jedi Archives. So being so overly confident in the infallible knowledge of the Jedi, he takes her word for it and totally drops this lead.

Except no, he goes to someone older and wiser to figure out what this actually means. And he and Yoda are forced to conclude that the unthinkable - a trusted person among them somehow had reason to erase information from the archive - must nonetheless be what happened. This is honestly an exception that proves the rule: Kamino, and we can assume only Kamino, is missing from the archive only because it was removed, which is so suspicious it just shows he must be on the right track to discovering something. Jocasta is kind of snooty about it but theirs obviously is supposed to be one of the most accurate and complete databases in the galaxy.

6. Obi-Wan doesn't believe what Dooku tells him about the Senate.

For one thing, in this conversation Dooku's lying about basically everything but this. And I can't ever stress enough that Palpatine is a threat unlike anything the Jedi have ever dealt with before, who's already taken control of so much before they even know they're fighting anything, so the idea that a Sith is controlling the Senate would be really hard for anyone to believe.

Still, we know Obi-Wan reports this to the Council anyway. But it's a vague statement and they still don't have any information to act on. Palpatine soon has them very busy putting out fires in the war, and naturally fighting the Separatists who are led by Sith seems the best way for them to get to the bottom of what exactly is going on with the dark side. And they do finally turn their attention to how power-hungry Palpatine is getting once the war is nearly over and they've got the bandwidth for it, and think about what they might have to do if he's the threat to their democracy they fear, but of course he's too many steps ahead of them all the time.

---

So basically, what we see the Jedi being so guilty of in these examples are thought crimes. When confronted with the crazy explanation that happens to be true, their instinctive reaction is "No, I don't think that's possible." And then they do their due diligence to uncover as much of the truth as they can anyway. And Yoda, the Grand Master of them all, is often the first to admit that their first assumptions could be wrong. But Palpatine wouldn't be a good villain if his moves were predictable and he couldn't get an advantage over the good guys - that's just how storytelling works sometimes and it's not that deep.

It honestly felt stupid typing so much of this out because it's 90% just describing what actually happens in these scenes. But I guess it's a lot to ask that people actually carefully watch the films they discuss. 😒

[lastminutestarwarsfan]

I know George Lucas insisted the films be watched in chronocological order and I get why, I get that the story becomes more clearly about Anakin's arc, his fall and his redemption.

But imo the true Star Wars experience is watching the original triolgy and thinking, "that was pretty cool! I see why people like this". It's a nice, slightly goofy in places, tried and true heroes arc story about how anybody can make a difference, how a farmboy from some godforsaken planet became the savior of the galacy. It's a little cliche but that just adds to its charm.

And then you watch the prequels, and you see all the little parallels. You see how Anakin in Phantom Menace mirrors Luke destroying the Death Star. You see Anakin lose a hand. You see both Luke and Leia in Anakin and Padme so much. You see the end hurtling towards them like a Greek tragedy, and the more steps they take to avoid it the more you recognise how things will turn out.

There's this creeping dread that pervades the prequels and it climaxes the moment Vader's mask comes down over the audiences heads. Every time I watch that scene, literal chills down my spine.

And it leaves you wanting to rewatch the original trilogy with fresh eyes. Leaves you sobbing watching R2 flying with Luke the way he used to fly with Anakin, happy to have a piece of his best friend back. Leaves you seeing ROTS Anakin in ROTJ Luke. Leaves you seeing that Luke and Leia really are the best of Anakin. Luke who defied Yoda and Obi-Wan, threw caution to the wind and declared "there's good in him". Leia, so full of fire and anger and passion and a thirst for justice. They are who he could have been. Should have been. Who he really was under the pain.

[livvyofthelake]

in related news my new sitcom to rewatch is the big bang theory. i won't blog about it because there's not much to say. so you won't even notice it's happening really. but there will be signs

oldish sitcoms loved to make jokes about the two male protagonists not being gay in the pilot… they loved doing this it used to be like heroin to sitcom writers. they don’t let them do it anymore because of woke it’s tragic

[gffa]

If you could change anything about the Prequel and the Sequel trilogies, what would it be?

I love the prequels, in all their both brilliant and dumbass glory, so as tempted as I am to say that I would have had Lucas find someone else to direct the prequels after Spielberg said no (I think he was firm in saying Lucas should do them?), I really love that mix of something genuinely good and something genuinely bonkers. I would change the Tuskens storyline to be less racist/the Neimoidians to have a different accent and I would put more Asian Jedi into the scenes, if you're going to base them on Buddhist monks, we could use a little more real world reflecting of that. The sequels on the other hand need an overhaul from top to bottom. At a bare minimum they needed to have at least planned the storyline out ahead of time and had a single vision instead of the tug-o-war that we got. I would not have made Kylo and Rey's characters all about each other, I would have spread the connections around more, given Kylo and Luke more than just the one scene together, I would have given Finn a better storyline, I would have given Poe a better backstory, I would have connected the storyline better in the movies to the world they inhabited (ie, use more established settings and alien races, etc.), I would have kept the OT trio to secondary characters, but also let them have reactions to each others' deaths in the same room, I wouldn't have made Han/Leia into that because how am I supposed to have fun with rewatching the originals knowing everything went to shit, I would not have brought Palpatine back (or at least I would have set it up from the beginning otherwise), etc. The sequels were in a difficult place, but even as many issues as I have with TFA (too much of a palette swap of ANH for my tastes), the pieces for a satisfying story were there, it's just that everyone wanted to take it in different directions and none of the three movies really seemed to get what Star Wars' themes were. I love the characters and there were great moments in there, but I would have sat them down with a bunch of Lucas interviews about what the themes of Star Wars was before starting and tried to give them a better foundation for understanding it.

[knightotoc]

before i watch romulus i wanted to rewatch the other alien movies, especially prometheus and covenant bc i wonder if i can ridley-scott-fanboy my way into appreciating them now. but then i decided to get even more context i should watch the predator movies too. and then i remembered blade runner, blade runner 2, and soldier are also set in this universe. and apparently firefly is too, lol, so the whole timeline ends with joss whedon. how can they all get away with this?

here's the watchthru so far:

1 - prey: nerdy elder millenial white guy made a scary, fun, optimistic, kinda cheap-looking girlpower movie, the first comanche movie ever (on the cheap hulu plan the comanche dub has no ads), really brilliant concept for a prequel

2 - predator: 80s slasher movie disguised as an over-the-top action movie that wears its impenetrable politics on its sleeve, dream-like but convincing CGI, is this where cowboy bebop got the scorpion thing from?

[micah-of-the-psychos]

I'm begging and screaming for the people that say "attachment doesn't mean love" to rewatch the Prequels. You don't even have to rewatch the fucking Clone Wars. It is literally the most obvious thing that attachment, yes, does in fact mean love. No, Anakin saying "Jedi are encouraged to love" in AotC does not prove you right, it's him saying "well technically I'm allowed to love" in a very tongue-in-cheek manner, blatantly implying that he's actually breaking the rules (on another note, some people on here really like flip-flopping on whether or not Anakin is a reliable narrator, and it seems to solely depend upon whether or not they agree with what he's saying). It's about as subtle as a semi truck. Plus, the entire time that he's married to her he has to keep his relationship secret because his relationship is, y'know, forbidden. He has to hide that she is pregnant because his relationship to her is, in fact, forbidden.

Since y'all love bringing up what George Lucas said about what attachment actually means, riddle me this: why would he write an entire forbidden romance subplot contingent on the Jedi forbidding things like romantic relationships if the Jedi didn't, in fact, forbid romantic relationships? There's two options here: either George Lucas is an even worse writer than we thought, or he's doing the interview version of retconning shit on Twitter. Since people ignored JKR even before she became prolific bigot, I think it's safe to assume most people think Word of God means jack shit if they're actively retconning core aspects of their work. So Lucas's word is utterly worthless in this argument regardless of his intentions.

Another blatantly obvious bit of proof that attachment=love is the fact that Jedi can't have relationships with their birth family. Full stop. There is no ambiguity to whether or not this is true, there is no George Lucas interviews for you to hide behind; this is irrevocably canon. And there is quite literally no legitimate excuse for the Jedi to do this. All excuses for this, canonical and fandom, circle directly back to "attachment is forbidden", and it is so painfully funny to watch the few people willing to defend this. Most don't even try though, and just ignore this issue entirely, because it is a glaringly obvious contradiction to their glorified headcanon on attachments that they so desperately want to uphold.

You know, I remember back when people on TikTok were freaking out about people not having media literacy. And I remember thinking during that entire time "You guys thought people ever had media literacy?" This portion of the Star Wars fandom in particular is walking proof that media literacy never died, it was already dead the second humanity invented storytelling.

Some disclaimers because some people in this fandom are particularly fond of using straw men and ad hominem, as well as just trolling:

-I don't think the Sith are good guys. You should watch me play KOTOR 1 and count the amount of times I call the Sith assholes, dumbasses, or scum. I very much hate them.

-I don't think that Order 66 was justified. This really shouldn't have to be said, but some people on this platform have rendered this necessary.

-People can headcanon that attachment and love are different things. My problem is when people start treating it as canon and try to force other people too as well.

-Criticizing the Jedi does not mean I am criticizing Buddhism. Even if it did, I will criticize any religion I damn well please because the "It's My Religion" card immediately loses validity the second you physically or psychologically harm other people, especially children. However, the Jedi philosophy on attachment and the Buddhist philosophy on attachment are different, so this argument doesn't hold any water to begin with.

-You are free to like the Jedi. I encourage you to do so. I am not, and never will tell you that you can't.

-I really shouldn't have to make these disclaimers to begin with, but since this is the internet and people don't read the words on the page anymore, I unfortunately have to spell shit out with crayon.

Also, I can and will use the block button. If you engage in bullying or harassment, engage in bad faith arguments, or otherwise say fundamentally false or incredibly stupid shit, I will block you. If you can't handle that, then don't engage with this post. I am not making this post in hopes that you will actually listen to me, because the people that this is directed at don't listen, and don't want to. If you truly disagree with what I've said in this post on such a fundamental level that you need to make a long-winded reply about how everything I've ever said is wrong, please just scroll — dealing with that shit is actually exhausting.

[ziggyyyystardust]

A detail I love in Star Wars is the use of diversity to show who are the good guys and who are the bad guys. In the OT whenever we see imperials they all look the same - old white men wearing Nazi uniforms. Compared to the rebellion with numerous women in charge, other species, ect. Then in the prequels, while we definitely see much more diversity amoungst the bad guys (Maul, trade federation, ventress, ect) the main bad guys generally fit the criteria (Dooku and Palpatine). But the Jedi order is extremely more diverse, the Jedi council is run by people of different genders, races, species, ect.

It’s a really cool detail to show both their political leanings and all, especially in the OT where the casting for the empire and the small details (the uniforms!!) just show so well that they’re the bad guys, it wasn’t until I rewatched it that I realised why the empire just felt so off putting. The choice to have the good guys be a diverse and overall happier cast really work to show who we as the audience should be rooting for

[kuwdora]

Saturday Morning Vid Recs - Space and Robots

@tafkarfanfic asked me for vid recs that are similar to the following vids:

Data’s Dream by GayleF (Gayle) and TasheryS which premiered at Escapade in 1994 - made on a VCR!! - and was remastered by morgandawn in 2004. Definitely check out the Fanlore page about Data’s Dream. Star Trek + multi-source.

Starships by bironic. Multi-source. The history of Starships on Fanlore.

These two vids are iconic. Please check them out and learn about their history from the Fanlore page, it's a great look at some vidding history and culture. Amazing vids, do love. As for some recs. I love this kind of prompt. More vids like [this vid] is so much fun. I dug deep into my vid rec archives and brain and bookmarks. I’ve also crowdsourced some recs from the vidding discord. Thank you to @rukbat3, @sandalwoodbox, @fairestcat, @monkeyswithjetpacks, @grammarwoman for the reccing help! And everyone else I might have forgotten.

From Land to Sky - and kicking ass while you're there!

Landsailor by @singlecrow/raven. Multi-source. Swades (We, The People); Master and Commander; 3 Idiots; The Dish; The West Wing; Parks and Recreation; Flight of the Phoenix; NASA archive footage; Apollo 13. ❤️ We're gonna need a bigger boat. Come O’ Eclipse by melodytree. Tenchi: The Samurai Astronomer. Calendar-making! Math puzzles! Astronomy! Politics! Eclipses! Oh my! Galaxyrise by starlady. Multi-source. Apollo 13 (1995), Interstellar (2014), Gravity (2013), Europa Report (2013), Contact (1997), The Martian (2015). This vid is full of so much wonder! The sky calls to us/If we do not destroy ourselves/We will one day venture to the stars. Going through space with the world by bironic. Space Exploration RPF. ❤️❤️❤️ From "day in the life of an astronaut" videos to international stardom; or, Chris Hadfield and his adorable mustache. Monsters of the Cosmos by CherryIce. Thor/MCU. Jane Foster/Science.Cherry’s editing is goddamn incredible. In the last century, black holes have gone from being mathematical curiosities to real objects in the cosmos. This is a vid about Jane Foster and her one true love, Science. Also, Thor is there. Toxic by JinkyO. The Planets (TV - 2019). Humanity/The Solar System. This vid is so fucking brilliant and makes me cackle in love and awe so much. It's dangerous, I'm loving it. Sci-Fi Friday in a Blender by Luminosity. Multi-source. Farscape, Battlestar Galactica and Doctor Who. So much happening in this vid. This is among one of the earliest vids I remember watching and became obsessed with back in the day. Supernova Girl by @usuallyhats. Multifandom. Doctor Who, Star Wars, Babylon 5, Steven Universe, Andromeda, Farscape, Battlestar Galactica, Firefly, Mass Effect, Stargate. So many wonderful brilliant amazing EXCELLENT supernova women and girls. Zoom, zoom, zoom. Space Girl by @aurumcalendula. Multi-source scifi. Inspired by Charmax’s Space Girl vid and Bironic’s The Greatest. This vid has a great selection of newer tv shows and films and it’s fun to play spot that character. But also this vid will grab you by the heart, too. Utterly brilliant, perfection. A must watch!! 'I've been as far in hyperspace as anybody can.' One Girl Revolution by bessyboo. Star Wars, original and prequel. Padme and Leia!! Seeing these two focused on in one Star Wars vid is an adventurous kickass ride. I'll be everything that I want to be. Space Girl by charmax. Multi-source scifi. One of the most beautiful epic space vids out there! I know I’ve recced this before and I’ll rec it again and again and again. My momma told me I should never watch Sci-fi but I did, I did, I did.

Robots! More than wires.

If a Machine by caramarie, Multi-source. Robot narrative focusing on machine origin, intelligence, and interaction with humanity. And Human fallibility. An incredibly rewarding watch and rewatch. This is the story of cables and copper wirings. Electric Avenue by @monkeyswithjetpacks. Multi-source robots! Nate’s multi-vids are always so fun, especially when it’s showcasing classic cinema and all these excellent serials. Electric Avenue has source from 1919 to 2015. His editing is always on fucking point. Don’t miss this vid. We’re gonna rock down to electric avenue. Everybody by @kuwdora. Star Trek, the Borg. This vid was actually inspired by the Backstreet Boys original music video. I still have the vivid memory of watching or rewatching the original music video in @ars-amatoria ’s kitchen. And then at some point realizing it is perfect for the Borg. Am I original, am I the only one? Fembots by Grammarwoman. Multi-source. Sexy sharp editing and fun use of all the sources. The intersection of women and technology: a spectrum of clones, AIs, gynoids, cyborgs, and other artificial creations. On by @rhoboat77. Star Trek: Picard. A Soji fanvid. Rho has the sharpest editing skills this side of the Internet and this Soji vid is so fucking badass and worth 100 rewatches. Can’t hold me down cuz you know I’m a fighter. Que Sera Sera by @ohvienna. Star Trek Voyager and Picard. Seven of Nine.Nobody vids their Seven of Nine love like @ohvienna. You gotta watch this if you love Seven. Whatever will be, will be…"

Journey through Space.

To Touch the Face of God by destina. Multi-source. The Right Stuff (1983, )The Dream Is Alive, From the Earth to the Moon (TV).This is one of the most beautiful moving vids you will EVER, and I mean EVER see. From Chuck Yeager, to the Mercury 7, and on to Apollo and the Space Shuttle Program (STS) - a very human history of the triumphs, joys, and tragedies of the USA's journey into space. Doctor Who on Holiday by sisabet. Farscape, Battlestar Galactica and Doctor Who. A mashup vid of Luminosity’s Sci-Fi Friday in a Blender. This vid inspired me so much. And I have 10 very intense ideas about how I would do my own remix of this vid if I were to make it right now. Fly Me To the Moon by thirdblindmouse. Multi-source. This vid has everything! Alien sex! Xenophilia! Zero-gravity sex! Mpreg!!! Because everyone knows this song is about space sex. Game Night in Space by garrideb. Multi-source. This vid!!!!! IS! SO! MUCH! FUN!! Game on! How are you going to spend those long nights on your starship? Play games, of course! Space poker, space chess, space Monopoly… this is a fanvid celebrating game night in space, set to Don't Stop Me Now by Queen. Starships (Monochromatic Remix) by @monkeyswithjetpacks. Multi-source. See the Fanlore page on the history of Starships (Monochromatic Remix). ALSO check out jetpack-monkey’s extensive notes and side-by-side comparison vid of the original vid and his vid!! He matched Starships shot-for-shot! Most brilliant work ever. The vid notes aren’t on the ao3 page so I HIGHLY recommend checking out the notes on his dreamwidth page! This vid is 10 million kinds of brilliant and technical prowess and perfection.

Vidshow Rec

Alien Invasion! - 30 vids curated and organized into a show by @tafadhali for VidUKon 2024. Featuring films and tv shows: Nope, Attack the Block, Pacific Rim, Venom, Doctor Who, Stargate Atlantis, Star Trek, Prey, Smallville, Rowswell, Supergirl, Arrival, Starship Troopers and more.

Follow these tags to keep up with vid recs this summer:

#saturday morning vid recs

#kuwdora recs

A helpful guide I wrote:

How to Leave Feedback on Fanvids