#i should really just take the time to get used to digital art because i cannot keep fighting with these supplies anymore omfg

[triglycercule]

i WAS gonna complain about horror being a skeleton and therefore never able to do the akanbe face but then i remembered. i'm an artist!! i can just DRAW him doing it 😇😇😇 ok but he doesn't have eyelids iKNOW ill figure it out ok

[haunted-closet-art]

Real life is kind of messing with my ArtFight time, but I managed to get around to drawing Siv! @chewyena

[skrunksthatwunk]

wip as an excuse to show her off because she's cute to me but also so i can rant in the tags about The Malfunctions I Am Experiencing During This Piece

[keeps-ache]

so there's this place-

[ms-demeanor]

Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

[theelvishfiddler]

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

[suguru-getos]

just some over-affectionate yan!sato blabbering

yandere satoru hasn't really snapped at you, he just doesn't. always playful, always an embodiment. waking you up with peppers of kisses, making sure you have your favorite breakfast, making sure you relax around him. he even indulges in your silly little hobbies, all for the sake of making his baby comfortable. if you like painting, he is going to buy you all the colors there are, premium quality canvas boards and everything you'd ever need to bring your imaginations into reality. digital art? then you have an ipad with procreate and a pencil, anything and everything you need.

he doesn't say it but he is extremely observant, he even notices things like your skincare before you were kidnapped, and goes out of his way to upgrade it if needed. he can be a little pesky at times. what if his baby is using the wrong skin-care? probably going to fly you to the skin and beauty land 'korea' to have your skin checked, and then buy you the 'recommended' skincare.

same with aesthetics, you like wearing a certain type of fits, you have them littered in your closet room. he prefers changing styles and wouldn't mind upgrading/donating your wardrobe when you're also bored with the same ol' things.

your room is a mixture of everything you are, and trinkets of satoru in it. you are really not allowed to sleep in your room though. it's your space, just your happy corner. it doesn't have a bed. it has plush couches that are better than most beds, neon-light which speaks of your name and scented candles, perfect desks with the perfect desk mats. you just need to sleep with satoru.

he gets specifically testy when you really don't want to give him company at times. why? hasn't he done enough? most people would kill to be in your place. that's when you can see the cracks in his carefully calibrated persona he harbors for you.

he is usually very mellow, clingy and would be so playful you often forget how strong he is. "baby- but i want cuddles!" satoru whined, pulling you close to him while you squirmed when you weren't in the mood. satoru hasn't really pushed himself sexually, but he treats you like a pet in other stances. meaning - if not huggable why so cute? so you can't really escape from him during those times.

if you really, really try hard. his laughter, soft eyes, all of it drops. the usual high-pitched excitement too... "i will count to three. if you don't really come to me, there would be consequences." you haven't really checked on what the consequences are because that sets you straight instantly.

satoru HATES when you fear him, some part of him snaps so hard at that he ends up scaring you more. this happens when he's pissed about something and you flinch/wince at his tone. he hasn't done anything to make you scared... yet? though sometimes the way he comes home... reeking of dead curses, reeking of torment and torture. you automatically end up fearing him.

there was one time you took things too far, taking his leniency too far and going out without asking him. he hasn't locked the doors like a barbarian and you're making him question if he should... that's when he took you to one of his missions. shaking, quivering as you cling to him while the curse in front of you begged for death, for being exorcised while satoru made sure it healed and then continued his torture. blaming it on you as you sobbed, anxiety and palpitations all over you. "see, this is what i do... when you don't behave. you cause pain from me to others." he just wants you to know he is/can be fucked up.

would eventually feel extremely bad when you throw up from the gore and anxiety and finish the job, bringing you home and forcing you in his arms, crying with you at how bad it makes him feel to see you like this. how he would kill himself than making you cry, though a part of him is grateful that you wouldn't really go against him for a long, long while.

whenever any action done by him fucks you up, satoru takes responsibility of undoing it. even if sometimes he needs to make sure you stay with him, no matter the consequences... he would try his best to make up for it. always pestering, always kissing you, praising you for being so good to him even if you're not, behaving like an ideal boyfriend to the point where even you start suspecting if the problem is you.

he loves so sickeningly hard you end up deluded enough to consider yourself the 'toxic' one. :3

[11cupids-tarot11]

What's going on right now? Need Clarity? A message from Spirit!

1-3

Choose a selfie! ☆

︻デ═一・・・・・・・・・・・・・・

Want to book a private reading?

Socials

Cupid's Master-List

Tips are appreciated!

Cash app tag: $minnieplant3

Pay pal@: janellec03

I 🫶🏾 y'all!

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Pile 1- 9 of Pentacles, 9 of Wands, Princess of Pentacles, 3 of Cups, 8 of Cups, 9 of Swords, The Hermit, Ace of Cups, King of Cups, Ace of Wands, 2 of Cups, extra card- Prince of Pentacles.

Bottom of the deck- The Lovers

Hi my pile 1!

Today I feel like Spirit really wants to talk about you and your work. I heard something about planting roots, could be a literal 9-5 job we're talking about or even a relationship for some of you (I'm picking up on a masculine here), but I'm feeling like it might not be the way you want to to be right now, you're not seeing the results of all of your hard work but the Nine of Pentacles talks about having to climb that last mountain before you can reach the top and rest. This energy here is expressing though we may be so tired and want to give up it's very important you look back and see how far you've come in any given situation, how much you've progressed with maybe in a job, or something that really matters to you like finishing a book or even how much progress you've made in a relationship as well. (My phone buzzed as confirmation, I feel like there's a little bit about love in this reading which is crazy because I'm trying so hard to be diverse and not talk about romance so much but other forms of love too lol). Overall I'm getting don't give up, I know it's a struggle but sometimes it's good to sit back, reflect and remember our "Why". We just need that extra push of motivation, whatever motivates you, even if it's taking a small break before you decide to get back at it again, anything but quit! An example I could use is when I'm working on my Digital Art for a good hour and decide I still don't like how my drawing looks, I get tired but deep down want to finish it soo bad, so instead of giving up I take a break, let my fingers breathe and get a snack before going back at it again, sometimes it's okay to not break your back trying to finish projects no one's perfect.

So I feel like Spirit also wants to warn us of becoming too materialistic, it's clear this message is for someone who's worked hard to get to where they are now, but I feel like you haven't had the time to celebrate that because you're too focused on moving on to the next thing so quickly, we should appreciate and honor and celebrate all that we've done for ourselves even if you haven't reached the highest goal you've set, go out and celebrate with people you love! You deserve it!

So I feel energy like someone putting so much on themselves, I feel like you make yourself your main concern? If that makes sense? Like someone who gets frustrated at themselves because they quit something, someone here overworks their mind way too much, to a dangerous point. You're pushing your body to work so much because of a certain goal and I see here you see yourself as the problem. You are the very thing that crafts your reality but you can also break it as well. You know that saying less is more? I just heard it in my head, like if you stopped focusing so hard on this and live a little you might manifest it better not obsessing over it so much.

I'm picking up on two different messages, one is for someone who hardly has fun, I think the main message for you to overcome some things is to reach out more to people you love, spend more quality time with them! Have fun, go out and just go for a walk or sit in the park! Do something that doesn't feel like a job, you know? For others, I'm getting you might be more introverted, Spirit is encouraging you to branch out more, maybe work is something that you've just always known and been comfortable, but Spirit is encouraging you to go make some friends, step out of your comfort zone a little! Sometimes someone's companionship is all you need and you would've even realize it because if you're like me and hardly care for socializing it's something you can definitely live without, can't miss something you've never had right? Lol.

I feel some anxiety, negative thoughts and bad coping methods that are no longer serving you, but I feel like this anxiety is just coming from being scared, scared of the unknown especially. This energy doesn't serve you, focus on healing this and pushing this energy out of our consciousness, don't expect it, normalize it or embrace it.

I think as time goes on you could slip into a state of wanting to be alone a lot, I think this is a warning if you continue on you'll always be stuck in that energy. I think the hermit also reminds us to consider ourselves better, present and future, encourages to get to know yourself as well, take time to really understand and appreciate yourself.

I think you're a kind person, I'm seeing here you're represented by the Ace of Cups as well as how you see yourself, which means there is self love there, even if you don't see it or feel it's not impossible! Take it day by day, step by step, whatever that looks like for you! You have lots of joy and sunshine 🌞 maybe you're someone who likes to keep a positive appearance and rarely ever show your real emotions especially if they're negative.

I keep picking up on small messages of someone waiting for a specific love interest or maybe just waiting for your love life to get juicy in general.

I feel like someone's hoping for a connection, there's lots of masculine energy here. This is a special message so if you've been hoping for a specific person Spirit knows! I can't get much but maybe that's because it's not supposed to be a love reading, but I did get that message, Spirit hears you. Maybe this masculine is also a person some of you know, like they're in your life already and they have a heavy impact on you. I'm seeing for some of you it doesn't have to be romantic, could be a father figure for those of you wishing to get closer with your father's!

In conclusion, I don't want to say you'll never find a solution to your problems, but I will say life will always be throwing tough situations at us, at any given time, I think the highlighted message here would be that our mindset is the key here, you can't change your situation maybe but you can decide how you handle them. A strong mindset is always important, a clear and positive one. It's not an answer, no, but it's more like encouragement. I feel like Spirit wants to remind you as long as you have you, you'll never really be stuck or lost, you have the power to see the greater good of any situation or the power to visualize and manifest a life or outcome of a situation you want!

Hope you like this reading! Love you! <3

✮ ⋆ ˚｡𖦹 ⋆｡°✩

Pile 2- The Hermit, Judgment, Eight of Pentacles, Four of Cups, The Tower, The Star, Three of Swords, Nine of Cups, Nine of Wands, The hanged man and The World.

Back of deck: Queen of Cups

So the Hermit is once the fool, right? I feel this card is drawn today to point out that you need to focus on something with yourself. You're being pushed to learn more about yourself maybe, I'm getting this card also signifies someone who mostly spends their time alone, this could be because you're being drawn to focus more on yourself and this could also serve as a warning for some that you could be surrounding yourself with too many energies. Either way this card does signify a change does need to happen. A path needs to be taken. Something needs to be done, let's see what it is!

So currently it's healing, I'm seeing it's something heavy on your mind and heart. Well, with the Justice I hear that you have the option to heal right now, you maybe have been wondering what does healing really mean? and I'm hearing that the Angels Gabriel maybe are present with this card and that the path to healing is about to basically open up for you to take. I want to go into great detail about what I mean but can't find the best words, my book describes it like 'an opportunity to scrape off any remaining bits of mud clinging to your boots'.

I feel like someone here is very focused on healing for the greater good, you have a desire, strong will and determined just to do better for you and with the Eight of Pentacles it serves as kind of a confirmation that your guides do see and hear your efforts. Some of us could even be manifesting greater things, better days and your guides definitely do hear you! Makes me feel like they're hinting that your wish will be granted soon, the judgment card does often hint at justice! ;)

I know it might be confusing or some of you are probably like "what?" But I'm hearing that you'll just get random downloads and be like "oh yeah, duh! I should totally try doing that." A specific message for a few of you lol.

So the four of cups makes me feel like your guides are just pointing out more the need to kind of take a break away from everything and everyone. Maybe you're around people who don't have your best intentions or don't really serve you or your healing journey and spirit warns to watch who we keep around, it might be time to cut some people off. Some of you might be getting invited out, it's okay to reject them and let them down easy, take time for you, it's okay to not be bothered and be in the comfort of just yourself! <33

Right now I feel like you're carrying a lot of tension, anxiety and there's a call to release all of that, a change, I feel like being around people might be causing this anxiety because this is supposed to represent your external energy and you got the tower card, but so far all I'm getting is isolation is good for you, which is making me think there might just be a specific person causing this anxiety, if they make you feel bad they're not worth having around, i had to learn that the hard way whoever needs to hear this 😭 🩷

So we're letting go of burdens, anything that's holding us back, we're getting into really good energy! I love this pile honestly lol. You got the hope card! While all of this is happening, you're going to be passing through really heavy energy I bet, it might feel like you got hit by a bus even but your guides want you to remain hopeful! Try to stay as optimistic and positive as you can be, showing gratitude can also help right now! But good job! You're looking at every corner of your shadow self, you're doing a really good job too!

Okay, see! The three of swords is heavy energy but it does signify ✨ NEW 😍 and BETTER 😩 things for us! If you keep going this road, you're going to find something that really brings you contentment and life will feel good again for you! You're getting justice baby!!! I'M TRYING TO GET YOU HYPED BECAUSE YOUR GUIDES ARE PROMISING EVERYTHING YOU'VE WISHED FOR!! 😍😍 Lol whatever that might look like for you, like lately I've really been wishing for a new apartment, so when spirit says my wishes are about to be granted I'd get real excited because that means I'm gonna find a way to get that new apartment soon! Lol.

So right now I feel like you know you're able to manifest these good things all on your own. I feel like a few of you are like me and it maybe took you this long journey to get where you are now, maybe mentally or also in a physical matter, either way you look back and see how far you've come, you still want so much more and maybe you kinda pick on yourself when you realize that but your working on being content and grateful and moving forward now that you really understand how to now!

So I'm hearing that you might have some fears about never seeing progress, or maybe you're grinding very hard I'm talking day and night and you haven't seen the results you want, but you'll get there! I'm hearing the only way you don't is if you give up on yourself. As long as you have the consistency, motivation and power to keep showing up you will definitely see the results you want!

You got the world card as your outcome! This is a possible outcome, the world represents completion usually all things of a happy ending basically! Which means this is how your outcome will be! You do big work and receive big rewards from the universe! You're going to be sooo happy, you're on your way to your biggest achievement yet I feel! Congratulations! 🤭😍

I also heard a message about someone needing to further develop their spiritual growth!!

Hope you enjoyed!! 🩷 Love you sweetie piez

✮ ⋆ ˚｡𖦹 ⋆｡°✩

Pile 3- Eight of Cups, Temperance, Three of Cups, Seven of Cups, Princess of Wands, Ace of Cups, King of Swords, The Emperor, Princess of Cups, Ace of Swords, Two of Cups.

Hii! ☺️ So there's a message for you in pile 2! Specific for some of you, maybe if you felt drawn to more than one pile I highly recommend checking it out because I could not stop channeling that!

Let's get into your reading now!

So you're currently in an era of change right now, moving away from toxic energies, environments, mindsets and/or situations, I'm hearing it's because you're embarking on something new and you want to have a fresh clean state basically. Good for you! I totally resonate with that, it's a very good example of bringing home a new puppy even though you already have a dog, you still buy the new dog it's own toys and personal items because you can't just take the old dog's things and give it away, you have to start all over again and buy fresh items, you know? Weird example but this is the best I could explain it 🤣 I don't even have a dog so bare with me lol.

So I see that you're currently questioning how to go about this, and I get the feel that the Temperance card is telling us that we have that answer within. I think Spirit really wants to remind you to listen to your inner child as well, not only that but all parts because it's very important, even our shadow selves. So I feel like that's something you're going to be going through, mental clarity. This energy is a lot like pile 2! There's an overlapping message! Pretty soon you'll be gaining insight, like you'll be receiving downloads and messages from your team and everything will just "click" for you, yk? 😭 Lots of magical energy in all of the piles today it's crazy. I think you're also going to be learning how to balance yourself out, you're going to Intuitively just know because you've done the work searching every part of yourself!

So I see some tension and desire around three of cups, maybe someone here could be wishing for healthier connections, maybe there's some fear of being alone even and it's triggering some healing to be done around that area.

So like I said earlier, you're going to be receiving some intuitive messages that will bring you lots of clarity which is confirmation with the Seven of Cups, it'll just come to you, you might receive an important dream soon! So just keep on keeping on lmao basically stay true to your goals and keep forward on your path!

Okay okay I see you working on moving into your Princess of Wands energy! So the Princess part is like someone who's still learning, so you're going to be in an energy that you're in control of! I feel like you're already represented by the Princess of Wands energy and you're just working on being Queen now! You're going to learn how to utilize your personal energy, creativity and sexual power. Okay so you're going to need this new energy for the path you're going down, you're going to shine through it, literally you're a star whoever you are lmao other people see your energy too, you're someone people look up to! You're embarking on a new journey, I feel like I keep repeating myself a lot but even in my tarot book it says the exact same thing in the card description as the messages I'm channeling from Spirit 🤣 I've gotta start a YouTube so I can show you guys more! Or would you guys prefer if I just included pictures? I don't for aesthetic purposes but let me know guys!

Anyways, back to YOU lol,

So I see you wishing for lots of abundance like love maybe, doesn't have to be very deep and serious like marriage but I feel like a few of you want a baby and someone that loves you and it's a dream of yours, but you're probably putting that dream to the side right now to work on yourself which is good! That way when you are ready to receive you'll know exactly what to do with your gifts, treat them nicely lol! I do see a promising future for you where you receive all of that plus the self love from yourself which will already come first before anything, I think it's really beautiful energy I really like this pile 😭 I love you whoever you are, you feel so sweet!

OOO I see a King of Swords in someone's future? I feel like this is a romantic for a few of you because you also have the Two of Cups as your ending card which represents union to me. My book describes this person as fascinating, and talkative, they'll be very good at providing you emotionally and physically wise! I feel like after all of this work you're finally getting the connection with someone you've been waiting for!

Gender doesn't matter here, but you might see yourself as the Emperor, even if you struggle to, the outside world does too! You're a born leader, you're strong and intelligent enough to LEAD the team! People respect you I feel like, you're very hardworking, you like to set goals, some people might call you a nerd lol 🤓. I feel like in school you were the one who took control in group projects, you're very outspoken and an outgoing person, people love to be around you!

You might not have had many relationships, I'm hearing you might be kind of scared of love and have some hope and fears around it, you'll be discovering your own love language I hear ☺️ how precious omg.

So someone around you with the Ace of Swords suggests that someone you've already had your eye on someone for a while, a few of you might even be in the talking stages still! Either way you might already know who you're coming into union with 🤣 Crazy! For others of you, you will be meeting this person soon! A complete stranger you'll just bump into within divine timing on the weirdest day of your life!

So the Two of Cups is your outcome! With the two of cups it means you'll get the perfect person you've been waiting for! Which is what you've been wishing for, right? (Me too😭) I'm seeing that picturing your perfect person will help manifest them! Some of you could be dating after heartbreak as well I'm picking up on, for those of you who are single you'll be glowing! People will notice and compliment you a lot more. You're just ready to receive while being in your Queen energy! Real hot girl shit 😍 lol I love that omg.

Lots of water energy, someone could be a water sign, Pisces, Scorpio or Cancer or have those placements heavily in ur chart. Someone here could like the color blue or purple or those colors might be significant for you. The number 4 might also be significant. Someone could wear red a lot.

I hope you enjoyed this reading! Love youuu!!!

[tofupixel]

I feel like this is the worst time to start doing art because every where corporate greed takes over and they push out some thing that either hinder or harm artist in many ways.I'm not sure of me doing art anymore, this feel imposible to grow on social media without getting F by some dude with a lot of money. Maybe art is not a good fit for me rn. Sorry if it not a question

maybe, i mean for me it makes no difference if a website becomes too shit, i will just stop using it. i will still keep doing art and hopefully continue to find work.

things are feeling increasingly hostile for digital artists but people who are younger than me may not realise how bad it used to be. before the internet we had to go to school and go work in a studio, do traditional and hope you get into galleries, or nothing. which a lot of the time was really hard for working class people to enter

my parents basically told me dont do art you will never make it and you will never make money (which isnt true in the modern day)

its more accessible than ever but that also means its more competitive. if u want to do art like i do then nothing should stop you!

i also think all this shit is temporary, like i do believe there will be some restrictions on generative AI (the law is always slow on tech) and i also believe these shit websites will eventually push too many people away and will have to do some things right to get userbase back

thats what i think anyway. a lot of people who do art have been doing it despite everyone telling us not to, and its always been an uphill battle, so just another barrier doesnt change anything to me. artists are strong 💪

[artdcnaldson]

thinking about pre engagement art at his first olympics. you’re doing coverage for a mag back home on some player from your hometown. but art. beautiful fucking art who you run into the morning of your first day and who you convince to come to your hotel so he can get away from the rickety little twin beds at the village. butter him up with a drink. only one, won’t hurt his game. you talk and talk you god you wish your story could be about him instead. and he stays the night in the hotel with you and is gone when you wake up but he’s left an official statement on his wonderful teammate, hometown guy, for your story that will make your boss happy. when you get home after your story star gets knocked in the round of 16 there’s flowers and your hotel has been paid off until the final. he wants to go to dinner after he wins gold and take polaroids of you w nothing but his medal on.

if u have room for 🫐 anon, i will keep homeostasis w my zweiginator emoji anon

Omg hi sorry I sat on this so long <333 RAHHHH pre engagement pretty angel curls art playing tennis at the Olympics makes me feel SO CRAZY

EEEEEP using your press pass to get access to all of his matches, even though you really should get home. Art’s dominating the court— effortless and beautiful. You’re there when he wins the gold medal match against an older, seasoned player, and he’s so gracious to the player’s face, to the press.

“It was a tough match,” he says into a microphone as you stand close by, thankful for the press badge around your neck. “I’m just lucky to get the chance to play with one of the greats.”

He smiles, charming and victorious when they take photos of him with his medal. The American flag in the background and him, the spitting image of homegrown, good old fashioned athletic talent.

The dinner is nice, fancier than you’re used to on a journalist’s budget. He’s just got a new sponsorship with Nike, so they pay for a lot. He buys a nice bottle of wine and bashfully admits he doesn’t know a lot about what makes it nice, other than the price tag. It’s charming, it’s sweet.

Sitting across from him at the table, you know he’s got less than innocent intentions for the night. Just three days ago, he had you sinking down on his cock, riding him hard and fast and crying out his name like it was a form of worship.

“Do you want to see the medal?” He asks once you’ve finished dessert.

You forget the question by the time you’re in his room in the Olympic village, when he’s mouth is on yours and his hands are ripping at your clothes. The bed is soft, plush beneath you as he drops you onto it, laid bare and wanting. You part your legs invitingly, wordlessly begging for him to strip off the rest of his clothes and bury himself inside of you.

You’d even let him do it raw— a present for his gold medal win.

But he disappears, digging in his suitcase until he retrieves the medal from within. Orange and red ribbon and a big gold medal at the center. Before you can say anything, he’s slipped it around your neck, so the gold is nestled between your breasts.

“Pretty,” he muses, fingers circling the cold medal where it rests. “Can I take a picture?”

“Yeah,” you answer quickly. He could’ve suggested anything, really, and you would’ve said yes. He was just so beautiful, so charming. You wanted to please him more than anything.

He pulls out a digital camera and powers it on. It whirrs softly as he zooms in, then snaps a photo of the medal resting between your tits. “Pose for me,” he says, but he has another idea already. His hands move up, sliding from your hip, up your abdomen, until it cups your breast in one large palm. He snaps another photo, smiling behind the camera.

“You’re so fucking hot,” he muses. He nudges your thighs apart and toys with your clit, just on the good side of teasing. Slow, insistent circles that make you grow even wetter, even needier. He zooms out, takes a full body shot (because he’ll die before he forgets this pussy) and tosses the camera to the side.

He hikes your legs over his shoulders and buries his face between your thighs— mouthing hungrily at your cunt. His tongue laves over your center, lapping at the wetness that had been steadily leaking from your cunt since dinner. He moans against you, as he nuzzles his nose against your clit to get closer and closer. “Taste so good—“ his words are mostly muffled against you, as he licks and sucks on your pussy, face shiny with slick and spit.

You cum easily, your body responding to his touches so openly. Like it’s his toy to use. He smiles up at you as you pant and tremble, cunt fluttering with aftershocks. He kisses your thigh gently, reverently.

It’s not long before he’s sinking into you. Your pussy so soft and warm and wet for him, sucking him in, aching for something to fill that empty spot inside. You whine and gasp as he nudges against your cervix, buried deep, finding home there.

“That’s it,” he hums as you instinctively wrap your legs around his waist. “Pull me in deeper. Just like that.”

His pace is slow, his thrusts deep. You feel so close to him as he boxes you in, arms on either side of your head, fucking you like he’s making love. When he leans down and kisses you, it feels like heaven, which seems appropriate for a boy who looks like an angel.

[meanbossart]

Another much overdue ask compilation! Some short-ish lore asks (Gale, Gort, DU drow relationships and pet-companion preferences) and a couple of art/advice ones sprinkled in. THIS IS BY NO MEANS ALL OF MY ASKS so as usual I appreciate everyone's patience!

I actually think he'd give them a pass entirely as soon as he noticed. Correct me if I'm mistaken but half-drow get No love from underdark drow and are usually surface babies right? So that fruit is miles away from the tree lol. I think he generally has a bit of a soft spot for mixed kinds since he himself feels like an amalgamation of sorts.

Thank you! They're kind of a pain in the ass to draw at times for that very reason but man I do like the look 😩if other people like it too then that makes it all worth it!

THAT'S TRICKY TO ANSWER BECAUSE OFTEN TIMES I'M NOT... REALLY TRYING. I've draw a ton of horror comics for mine and my partner's series' SAD SACK and SORTIE, so I think it just comes naturally to me 😅 also I do genuinely find expressive and, uh, rugged faces more attractive? (I think they look rugged, again that's what people tell me at least.)

I think the secret might be adding bits of realism in there. I get a lot of comments about the wrinkles and eyelashes I add to my art, as well as the way I draw individual teeth (though I've lately been making an effort to simplify my style in favor of drawing faster, so I haven't done that as much or in as much detail.)

Both symmetry and the lack of it can also add to that effect. I have employed both facial unevenness and almost point-perfect symmetry to achieve something a little frightening or otherworldly in my work. [MORE UNDER THE CUT]

Thank you so much!!! The contrast is very much intentional, that's what DU drow's character is all about ;)

Hahah well I somewhat doubt Bhaal would care that his spawn gets named, but either way he stripped himself of his name as soon as he killed his foster parents and abandoned the Underdark. He had a drow name that I jotted down somewhere but it's completely irrelevant because nobody has used it since he was a child, and he doesn't remember it (even pre-tadpole/having his brain scrambled.) Here's a little write up about his origins that might shed some more light on that: https://meanbossart.tumblr.com/post/739688837431836672/did-drow-ever-have-a-childhood-before-the-temple

And about his original drow-given name and the reason behind it: https://meanbossart.tumblr.com/post/741350986692591616/drow-had-to-have-been-given-a-name-by-his-adoptive

Everyone just referred to him as his supposed race, or as Bhaalspawn or Bhaal's child, and any other similar titles. Orin called him "kin" and "brother" and Gortash likely called him his associate. Post-tadpole the camp grows entirely used to calling him "the drow" and he has no desire to change that or to choose a proper name.

THANK YOU BOTH SO MUCH😭 no reason to be intimidated, I'm just some rando drawing BG3 fan art LOL I've been drawing since I was a child, and started taking it semi-seriously when I was 16 years old, so twelve years ago! That's around the time where I got my first non-display tabled and used that well into my twenties, prior to that I only did stuff on paper and liked to do inks color with pencils. I never really ventured into traditional painting at all except for a little bit of water-coloring in college.

Traditional and Digital art are very much different beasts. Which one you want to start with is, in my opinion, just dependent on what you want to do. Digital art gives you a lot of tools that makes learning easier, but you might find yourself having much steeper of a learning curve if you ever decide to do traditional art instead. If you want to be good at both, you need to practice both, since the skill doesn't entirely translate from one medium to the other.

Naturally you will be able to draw well on either, it's just... Different. I will say though, that I think if you're still learning you should use whatever allows you to look directly at what your hand is doing, so either traditional or display tablet/Ipad. I have no idea what a non-display tablet would do to a beginner, but remembering my experience with it I feel like it might be a huge detriment to developing the skill (feel free to share your experiences in the replies if you disagree, as I would definitely be curious to read them!)

YOU KNOW ME BABY IT WAS MESSY AND COMPLICATED the tldr.: is that they were "buddies", absolutely no romance intended there on either mine or DU drow's part, but due to his nature the friendship was extremely weird.

Here's a couple of replies where I go into more detail about it: https://meanbossart.tumblr.com/post/739191190871818240/i-dont-have-a-particular-question-in-mind-sorry

https://meanbossart.tumblr.com/post/744952815768764416/so-not-sure-if-youve-covered-this-but-i-thought

That's definitely reserved for the vamp LOL DU drow very much enjoys when Astarion teases and fusses over him, and while Astarion probably got a kick out of acting that way around such a big and scary looking guy at first, I think by "now" (later and post-game) he's pretty much immune to DU drow's looks and just enjoys doing it in earnest.

He's not at all averse to being touched (even rather intimately) by close friends, but he wouldn't be quite THAT vulnerable with anyone else.

HE REALLY DISLIKED GALE... He irked him out by seemingly fostering a rather persistent romantic interest in him for at least half the time they spent together (very much based on my interpretation of their in-game interactions at the time, though my Gale might have been a little bugged.)

But also they had a... Fairly in depth relationship still? Gale was a staple in my party, and even though I antagonized him constantly by the end of the game it still felt like they had so much weight in each other's lives, if that makes sense. I might need to do a bit of an "update" on the DU Drow/Gale lore sometime, I feel like I've had some thoughts since that warrant more exploration of their dynamic (you can find a lot of old asks about it if you just search the Gale Dekarios tag in my blog though).

The gist of it is that DU drow found him arrogant and duplicitous, his constant optimist irritated him to no end and felt like it veiled a stream of self-pity (two things DU drow despises) Gale's attempts to get through to him only added insult to injury. By the end of the game he decided to pursue the crown of Karsus and this only lost him even more respect in Drow's eyes, seeing as he doesn't value godly power at all.

I was pretty overwhelmed by the game at the start so I actually missed a lot LOL including Scratch. I did get the owlbear cub though, which DU drow gladly welcomed into camp since it was injured - but I think he would have wished for it to remain a wild animal and to return back to it's home after it had grown up a bit. He didn't really make a "pet" out of it more than he just looked after the little guy in the way it's mother might have, probably with Shadowheart's help.

He wouldn't be opposed to proper pets though if one were to stumble into his life. He'd definitely be more of a cat guy because of their independence and strong little attitudes.

It is very hard to build proper rapport with him. He will be "friendly" to most people who have a good sense of humor about them, but friendSHIP is another thing entirely.

I think it's kind of circumstantial. He's very economical in his relationships and doesn't really seek them out at all - so a situation where he's forced to be in someone's company might be the only way to develop a bond with him, as he doesn't appreciate insistence either and that's more likely to push him away. He doesn't value status or titles either (kind of looks down on them really) so that won't help.

I think he just likes people who are true to themselves and their nature, sometimes even if the nature is one he disagrees with at it's core. This is why he liked Gortash, why he and Shadowheart got along so well, and why him and Astarion fit together so seamlessly despite seeming so different. Likewise I think it's why he didn't jive with people like Gale or Wyll, because they seemed to be rather... Dishonest with themselves and their own end-goals.

[phantomarine]

Hey what were you trying to say in your “it gets good at page 1001” post

Was it more of a comment directed at yourself ( self degradation), is it satire about perfectionism,

Is it supposed to be inspirational for Beginners webcomic creators, or we’re you just in a bad mood?

More of a warning against self-sabotage, because I see it so much. Sometimes it's tied to perfectionism, sometimes it's the opposite - people surrendering to imperfection when they don't really have to.

Creator chat incoming. I'll put it under the deelybob for anyone who wants to read it 👇

I've been in the webcomic sphere for several years now and I've seen so many people introduce their comic with 'I know it's very long and not easy to read, and I won't be going back and changing anything about what I've already made - but please critique it so I can make the rest of the pages better and attract a bigger audience from now on.'

And that's a hard thing to respond to. If a reader can't get through all those existing pages without being confused or bored, then how can they get to the good stuff that lies past them?

So much of gaining an audience is about actively making it easy to 'fall into' a work. Without that easy entry point, it's always going to be an uphill battle to build an audience, no matter how good the later chapters get. There are outliers, but most webcomics won't be those outliers, especially with thousands of them available nowadays. Some people love the grind, but most people will jump to a new tab and try to find something less frustrating.

And webcomic creation is particularly cursed by its very nature. Creators are hesitant to go back and edit pages, even once they've figured out more details about their craft or story structure. It's mostly because of the seeming permanence of it all - the art takes ages and the words feel unchangeable if even one other person has read them. To go back and edit is to publicly admit your failings, right? That's how it feels. What do you MEAN you didn't get it right the first time? You were supposed to do it live, and do it PERFECTLY!

But ideally it shouldn't be any different than prose writing, which is ALL ABOUT finding the story in those edits. And because your story is digital, you can go back and change things whenever you feel like it. A webcomic is fluid.

And if you're thinking 'I should just redraw my whole first chapter' - NO! Hell no, old art can be a part of the appeal! It's far more about finding little tricks to convey your story/characters more clearly. I have read some first chapters with janky art that made me fall completely in love with the story and cast. It's not about the art - as with all things comic-related, it's about conveyance.

Examples I've seen and some I've used myself: A single extra page with a meaningful interaction can solidify the theme of a character's arc. One additional 5-to-10-page scene can help add visual context for an offscreen event where there was none before. Adding a map can tell people where the characters currently are. Changing a character design can help if they get often confused with another character. Redoing your lettering to make it more legible is a huge one too.

In the end, I just don't want people to be afraid of small edits. When I got feedback about the bad clarity of my own work, I knew it would take some time to fix those problems. It wasn't fun to think about or to do, but I'm glad I did it in the end - because it would have limited my audience tremendously. With just a bit of extra effort, I opened a door that wasn't there before, and it now leads more people even more easily to 'the good stuff.'

tl;dr You started your webcomic for a reason, and you're learning more things about its characters, story, and craft every day. Don't be afraid to go back to old pages and inject some of that wisdom through editing. Even a little can go a long way.

***Caveat: If your goal is to just create chaotically, with no goal of gaining an audience, you are a wild and free little thing, and I am in awe of you. This whole rant doesn't apply to you, and you are stronger than me.

[uva124]

INTRODUCING THE MOST MANIPULATIVE KING IN HISTORY , MAGNIFICO!!! 🎇🎇🎇🎇(I hate him but he deserves a redesign lol).

For those who see this post for the first time, I introduce myself, Hi :D! I'm Aled and this is a collaboration with @ animación , author of the rewrite of Wish that is on her profile (read it, the story it's soooo good) and I am in charge of drawing the redesigns of her story.

Now, coming back to the main thing, I will show how we got to this result :)

FACIAL FEATURES AND HAIR:

-Honestly, I never thought that getting used to drawing Magnifico would be so difficult lmao, how in most of my procedures to make the designs, I start with sketches and studying the structure of the character's face, this was a little difficult because I'm not that I'm used to drawing people over 20, but with a few practices I was able to figure out how to draw him :D

(I also did digital internships, but I didn't save most of them because I forgot lmao)

COLOR PALETTE:

-Don't think that I chose a palette of yellow and gold colors just because I thought it was pretty (well, that's also another reason), what happened is that when I was searching through conceptual arts, I found some designs by Magnifico where They used a blue and yellow color palette

I did a quick search and found this:

-Tell me this doesn't remind you of Magnifico, then yes, that's why I chose a yellow color palette, also adding a golden tone to give it a royal vibe.

-I also applied this in the design of Queen Amaya, in the publication of her design I explained why I added details of a dark blue color in her costume and Magnifico's costumes

ATTIRE:

-From the beginning I always wanted to modify Magnifico's cape by adding a rose as a brooch, and searching through the conceptual arts I found quite a few interesting models, so it can be said that I combined everything I liked and that's how I got the cape for Magnifico, Also adding other details that occurred to me.

-The author sent me several ideas for Magnifico (thank you by the way :D), one of them was associating Magnifico with the sun, I really liked the idea and that is why there are so many symbols of the sun in his suit, plus these It reminded me how in so many cultures the Sun is worshiped, just as the kingdom of roses worships Magnifico, there are also other reasons why the sun fits with Magnifico but I already mentioned that in the publication of Amaya's redesign.

-The truth is, I only drew the other details improvised, this time I just got carried away, but hey! The outfit didn't look bad at all :)

-Another important part of Magnifico's costume is the "M" on his badge, but in fact it is not an M 😅, it is the sign of Scorpio ♏, this idea was from Anny Mation

-So yeah, I had to add the Scorpio symbol yes or yes, at first I thought about adding it to the back of the cape but I wasn't convinced by the idea, but then I thought: "Wait, why don't I add the sign on the gold plate ? that would look elegant."

FINAL COMMENTS:

-I'm proud of how this turned out, I feel like it does justice to a villain that commemorates 100 years of Disney :)

-Also, I think that those who have already seen the other redesigns know which character is next, right 👀✨? For Aster, I don't know how long it will take me to draw him, since the boy is literally a walking animation studio lmao.

That would be all for now, until next time :D!

[egophiliac]

Hello! Sorry to bother but do you have any digital art tips? I’m quite new to it and any tips, tricks or advice would be helpful! Your coloring style is very beautiful and I love it a lot!

thank you! 💚💚💚 sorry this is a bit late, hopefully there's still something helpful in it!

(also, it got pretty long, sorry!)

I think the biggest thing is to just take things slow -- digital art feels different than drawing traditionally, and it's SUPER easy to get overwhelmed by the billions of cool features that the digital world offers. (I say, as someone who spends a lot of time downloading cool brushes and textures...and then never using them ever.) there is a ton of really cool stuff you can do digitally, but because there's so much, I think it's really important to take time to figure out what is and isn't working for you. spend some time doodling without any intent to do a finished piece, figure out how you like to hold (or not hold) your tablet, what keyboard shortcuts you end up using a lot (and therefore might want to map to your pen/tablet buttons for quicker use)...that kind of thing!

everyone's workflow and preferred program and style are different, so it's hard to give hard-and-fast general advice. but the things that I think of as the essentials for learning digital art programs, and what I think of as a good order to focus on learning them in (although YMMV, especially depending on what kind of art you're doing):

brush customization (e.g. flow, opacity, softness)

layers and layer masks

selections and transformations (e.g. scale, rotate, flip horizontal/vertical, skew) (skew is underrated and I will die on that hill)

blending modes (e.g. multiply, screen)

adjustments/adjustment layers (e.g. hue/saturation, curves)

and I think most stuff after that is gravy! often very good gravy though! but yeah, as overall advice I recommend just taking things one little bit at a time, spending some time just drawing and messing around with each feature and what you can do with it. whether or not you end up incorporating any of it into your workflow, it's always good to try things out and just see how they feel! :D

and just so there is at least a little more concrete helpfulness in here, here's a few more specific things that I think are super important to keep in mind!

use! your! tablet/pen buttons! I mentioned this earlier, but they are extremely useful for keyboard shortcuts that you use often! most programs will also let you create new shortcuts for other things -- personally, I use the magic wand tool to fill in big color blocks a lot, so I made shortcuts for 'expand selection' and 'fill' and then mapped them to my tablet buttons.

flop your work horizontally often! when you're working on something, you get used to the way it looks, so seeing it mirrored is a quick way to see it with fresh eyes! in my experience, it often feels like this:

(a common thing is to find that everything is sort of 'leaning' too much one way, which is where skew really comes in handy!) (seriously, I love skew, it is my savior)

if you're working with color, keep a hue/saturation adjustment layer (or a layer filled with black or white and set to Color) on top and toggle it on occasionally to check your values! a lot of people who know a lot more about color than me (and are better at putting it into words) have written about why values are so important, so all I'll say is that the rule of thumb is that your image should still be readable in greyscale:

there are some exceptions and grey areas (do ho ho), but it's a good general rule to keep in mind! (some programs also have a colorblind mode, so you can check to see how your work will look to someone with colorblindness!)

and finally, here's some digital art programs I recommend, if you're still looking for a good one!

free: krita, FireAlpaca

paid: ClipStudio, Procreate (iOS/iPad only)

[eldritch-spouse]

Shags get obsessed with a girl that works at an art store where he gets his supplies. She's laid back and chit-chats with him about any projects he's working on.

[Okay but what if you had a really strange thing going on?]

You like this little freak.

Yeah, okay, that's a bit of a mean thing to say. But can you be blamed? There's no word that fits him more aptly than freak. Not even in the physical sense, there's a lot of variety in mushroom monsters, you know some of them can be tall and gangly like Shags. He's just bizarre.

The way he speaks, moves, conducts himself. You swear, not a single mannerism this monster makes feels natural or reflexive. Even the way he seems to intensely wait and make himself an obstacle until you initiate conversation with him... God, even the fucking topics of conversation, it's like he makes an effort to speak in riddles.

In this rather boring dead-end of a job, seeing this weirdo bend and squeeze through the doors like Samara about to crawl out of the TV is the highlight of your shift.

That's why he's your favorite client.

He's been standing still in the same supplies isle for too long, you already know what he wants.

" Having trouble finding something, Mr Shags? "

As if, he probably knows this store better than yourself.

In fact, he outright told you he used to be a client before you started working here.

He murmurs a response too quietly to interpret, forcing you to come closer. And, predictably, as soon as you are within grabbing distance (not hard to achieve when you're a lamppost of a monster featuring branch-like arms), a spider hand slithers onto your shoulder. It's cold, he's always a little cold.

You're urged in front of a shelf, his head looming over yours.

" Ahh, I need your honest opinion on something... If you don't mind? "

This is the paints section, a mural of hues that hurt the eyes.

" Sure. "

" What shade of orange do you think I should get? "

You love these questions. Because never once does he elaborate on what he's creating or why he wants you to choose. It's happened many times before. What size of canvas should I get? What pen should I get? What sketch books should I get?

You like the strange autonomy of getting to pick, offering him the same level of context he does to you.

Absolutely none.

" Alloy. " You point.

Shags reaches towards it with little effort, snagging several little containers with his root-like digits. The hand on your shoulders tightens.

" What a choice. Thank you very much, my dear. "

" No problem. "

It takes a bit of shifting before the hand on your skin is lifted.

You stroll back to the cash register with a small smile and occasionally observe the monster in the same way you'd study an animal at the zoo.

It's strange how little he moves sometimes. Initially, you thought it was just so he wouldn't drip ink everywhere, but it seems to be a part of him now. Blending in with all his other vaguely creepy mannerisms. Mr Shags gets all his items at a snail's torturous pace and finally, finally approaches you.

" How are the latest projects going, Mr Shags? " You start while scanning the paints first.

The shroom actually seems to frown for a second. Fingers busy on the balcony. " Not as smoothly as I wished... "

Tap tap tap.

" My latest muse and I, our chemistry, I'm afraid it has no substance. "

" Oh? " Your eyes deviate to his face for a moment.

" Yes... Something tells me it's time to move on. But I do want to honor our time together with one last, preserving piece. "

Tap tap tap.

" Mhm. Sounds good, I hope the next one works out. " Frankly, you're not sure what he's talking about, but you usually never are to begin with.

" Me too. " Then he smiles again, and you get the distinct feeling his stare has turned into a more scrutinizing one.

Far from the first time, it doesn't scare you like it did initially.

It's pretty funny, actually. You started out thinking this guy was some kind of loser looking to harass you, to intentionally make you uncomfortable. Nowadays he's more of an entertaining almost-friend.

Tap tap tap.

" Will that be all, Mr Shags? "

" Shags. "

He's told you to call him just by his name a couple of times. You always ignore it, but he keeps trying anyway.

There's a silent beat.

During your first years of work, the lack of action would have made you antsy enough to break the silence, which is what you know he wants you to do. But now, you have no trouble staring back placidly until he continues the conversation.

Apparently, the shroom enjoys that continuous challenge, because his grin widens slowly.

" You have a peculiar facial definition. " He eventually rasps.

A nothing statement, not quite a compliment, not quite an insult, definitely said to confuse and prompt a question. One you don't give him the satisfaction of hearing.

" Thanks. " The customer service smile has an edge of playful smarm this time.

Tap tap tap.

" ... I would enjoy sketching you sometime. Your facial expressions are intriguing. "

This is essentially his way of asking you out, you presume.

" You've drawn me before. "

He's even given you the pages, pencil depictions of you caught in a selection of moments. Mostly bored to tears and staring at the little universe between the cracks in aged walls.

Shags tuts. " It's quite different when the muse in question is part of the experience. I much prefer it that way. "

You can't help the hint of a snicker that tugs at the corners of your lips as you bag his items to hurry things along. Not that there's anyone else inside right now.

" Mm. And what if we don't have good chemistry? "

The shroom monster hands you his card, not even caring about hearing the total.

" I think we both know that wouldn't be the case. "

Tap tap tap.

It's only a few moments of intentionally creating suspense until you hand him all his new belongings and card.

" See you soon, Mr Shags. "

His grin only twitches for a delightful glimpse of a second before he carefully takes his possessions and leaves.

Playing with fire is fun.

One day, you'll get burned.

[xannador]

Thank you!

A big thank you to everyone who got a copy of Mostly (h)Armless! I think that for an obscure little fancomic it did really well! About 30 copies have gone where none can ever take them away again. I've also finally received my own version and I am happy about the quality.

I've now unpublished it but turns out you can never entirely take a book off the store once published. You can't edit it to be something else either. (which is what I had hoped to do, I have a bunch of unpublished original comics lying around). So it's just kinda going to sit there for all eternity, unavailable for sale. I sincerely hope it won't give me problems later on.

Anyway, if anyone is curious about one day printing their own comics, here are a few things I have noticed that I will definitely remember for my future printing endeavors:

Most glow and blending effects like Lighten, Color dodge, Hard Light, Linear dodge (add), etc don't look that nice in print despite looking awesome in digital.

Make your line art thick enough.

soft shading looks bad, cell shading looks good. (But it's better to fully fill shapes with a contrasting color rather than doing fancy lighting.)

Consider shading in black rather than color. (optional)

Details and soft lines are usually lost and a waste of time (Mostly in case of a colored book. Black and white may be different)

Keep panels spaced far enough apart.

Draw big panels. Small panels aren't as nice to look at and the eyes are naturally drawn to the larger panels.

Gradients don't look very nice either. Unless they have a light color.

Vintage comic textures and effects actually looks nicer in print than digital (which surprised me).

In dark scenes, rim lights are essential to make the character pop out. M(h)A would've looked like ass if I hadn't added those.

Stay away from the borders of your page, especially the left and right ones. Not just for the text but for the drawings too.

Keep track of which side of your page will be closest to the spine, keep a distance from that side especially. Because your book will be folded and part of the page will be hidden (the thicker your book, the more will be lost).

fancy panel compositions are cooler in digital...

contrast contrast contrast...

Don't be afraid to use pure black a lot.

Don't be afraid to use white a lot.

The 3D shake effect is also not that cool on print. But looks gorgeous on digital.

To myself… keep the font size consistent…

If text is outside a text bubble, it should have a high contrast stroke

Text should always be high contrast in general.

Motion blur is really cool in digital but not so much on print.

Keep black silhouettes black, avoid adding any kind of subtle glow or texture.

Text bubbles can have color but they should be light (again high contrast) watch out for saturated green or blue or red. Test in greyscale. Contrast should be more than 70%.

Line art should not be colored. Keep it black for print.

Hard borders are better than soft borders. On everything.

white panel borders are better than black panel borders.

But white borders with a black stroke are probably the best (cause more contrast).

Again light colors are better than dark colors. To do dark scenes it might be better to just use black and contrast with a lighter color.

Line art perfection is not that interesting, especially in regards to hard surface shapes like robots. (Might be personal taste though. I enjoyed looking at robots with messier line art more than those where I did perfect brush strokes.)

Beware dark blue and purple...

Compositions and colors of both the left and right page should always fit together. I think I did that pretty well here at least.

If possible make your total amount of comic pages devisable by 4. (so 24 pages total, or 28, or 96, you get the idea) not including the cover and back. Or else add a little extra drawing to fill the remaining pages.

I think that's about everything I can see based on my own print. I'm sure that a fair few of the things that I found looking worse in print than digital could be resolved by just being... better at converting your files. There's the whole CMYK color mode thing but in my personal experience that has been such a pain to work with, and each time my prints looked worse attempting to convert the file rather than had I just left it in RBG and let the printer do the guessing work for me.

So if you're like me and you're hopeless at this technical mumbo jumbo printing stuff, I think just avoiding the things I mentioned while drawing should get you well under way to having a nice print. The most important thing to remember is that digital and physical media are two entirely different beasts and if you are interested in getting your comics printed it's easier to adapt your workflow to that from the start rather than going back and altering. A lot of the mistakes I made here are rookie ones and I should have known better. But it's very easy to get lost in the process once you've started. I hope to improve my next print significantly. Once I can make RBG look good, I might try CMYK again.... Maybe. Potentially. No.

Hope these tips can be of service to somebody. They'll be a useful archive for myself in any case. If anyone wants me to elaborate more on a specific point, I'm happy to explain.