#i should draw more willows art xD

[stressed-sock]

willows ruby colored sketch \o/

[n04hfiction]

Im adding more thanks for telling me

Hobbies: Anything to do with art accept using willow sticks I refuse to use that Satan spawn, Playing Minecraft and building huge builds that I usually give up on or forget about then go back to, I enjoy playing, singing, and listening to music, and I do theater and enjoy musicals

Personality: This ones hard but I'm going to try my best, more of a dark humored person that will take anything the wrong way and point it out if I find it funny or the right time, I'm usually stuck being the mom of my friend group and I talk a lot but sometimes I just want to be left to my own businesses, I am also extremely social online but have extreme social anxiety in real life situations, I will also break down in tears if I get yelled at for "Discipline reasons" or I will cry when I can't figure shit out or it gets too hard

Appearance: I'm around 5'6-7 feet tall with straight brown hair that goes a tiny bit past my shoulders with bangs, I have blue eyes and generally clear skin

Also random thought I should probably put in I am a chocolate ADDICT like, the past 3 birthdays have been straight chocolate cake

hey hey!! i ship you with alex (quackity)!!

he loves playing minecraft with you and killing you he loves making builds with you and sometimes he’ll finish em if you forget about them, he also makes surprise builds for you :)

and he likes to sing with you!! like he’ll sing the spanish version and you’ll see the english version, and he’ll play guitar while you guys do <3

sometimes you have to basically parent him because he’s a man child sometimes, but you love him so yk it’s fine lmfao

he also begs you to draw him and he’ll even pose if you want him to!! he’ll probably do some kissy-fuck boy face with the lip bite xD

he also feeds you a bunch of mexican chocolate :3

[cometcon]

I've been practicing art again and having lessons too to help me improve. :D

Slowly getting the hang of light and dark and shading and values and improving my perspective and foreshortening where relevant etc etc.

Cylinder people, because my cylinders and spherical shapes need a lot of work. XD

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Learning white charcoal and willow stick on midtone paper to learn depth and roundness and how instead of various levels of dark on white paper you have to use both highlights and shadows to create depth (teddy bear). Also coloured pencils on midtone instead of white for a change (seed pod).

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White charcoal on black paper. Learning how on dark tone paper you focus mainly on the highlights instead of the shadows, and touching on creating the effect of transparency.

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My first attempt at a still life. First attempt at books and fabric too. Need serious work to learn fabric better. Ran out of time to finish the books properly. Pretty proud of the lamp. :D

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Teaspoon. Not much to say here. It's a spoon. It didn't do it in the reference photo I took but I still should have curved inside a little more to create a more concave effect I think. Next time. Pretty proud of this too for where I'm at currently. :D

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Teddy bear. Simple shape and attempt at shadows at this point. Was working with two light sources. You can see where I hit the fuck-it stage on the cabinet, lol. Not a bad attempt I think. I can do better though.

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Half an avocado. Wasn't really bothering too much because it was a low spoon day but practice is practice so I plonked it down and sketched it out.

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First attempt at fur. Haven't been taught it yet but I gave it a go. Second attempt at fabric. Also haven't really been taught that yet so that kicked my arse. You have to take a leap and accept being bad at something to practice properly though, or you won't learn at all.

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Those are all my better drawings out of my learning/practice pieces. Behold, my formative art stage. One day I hope to be several years along the track and look back at this to see how far I've come.

[townofcadence]

⭐

Send a ⭐ for Muse Combinations!

Hmm! This is tough since I'm very lacking in the Persona knowledge department, but I think I have a few in mind!

I think for your kiddos, There's three or four groupings I think could be interesting! Since your muses are persona ones who are on the young side, I think Artair being in Japan means he could work for threads, because he would probably take a fair few of them under his wing and try to help them as the adult. I don't think it'd be a mentor/mentee situation, since he hardly sees himself as a role-model, but he would at least offer support to these kids who are taking on WAY more than anyone their age should ever have to.

The other three I think could be interesting are all within the age range of most of the group, so I think there's a better capacity for a peer type relationship. Violeta-Rosa and Keanu (Hemlock to their friends) are siblings from the Rivera-Flores family, and they could be in Japan for hand-wavey exchange program reasons or something-- they're both close to 18-19, so they might have a lot more connection with others who are also still teenagers! I don't have them up on my page yet because I don't have art for them, but I do have sort of a grasp on their personalities and some of the stuff they're dealing with, so something with them could be fun and interesting because of the close age ranges!

The last one is for a similar reason-- she's a Selkie named Marin who is 17 and impulsive and a bit infatuated with the idea of romance. I don't know how well she'd fit in, but she's in an age range where I feel like she could interact with other teens without there being some kind of age discrepancy which might make other muses feel they have to be respectful or--- less themselves because they want to appear mature.

Anddd extra, but I do have a few younger kiddos which might work, if you want, where your kids are kinda the responsible ones in the situation, kinda a la P4 with Nanako! I have Willow, Kit, and Siren. Siren would be a bit tougher to work with because he has no voice. He can read thoughts (he's like... a baby merfolk siren who had his voice stolen in a sense, and I thought it'd be neat if they communicated via fin movements and thought underwater), and the most he usually communicates with is sign, writing, moving his fins, or pictures he draws. So that might be a no-go, though Siren is also the easiest of the kids to manage.

Willow is kind of the middle road when it comes to managing her. She's twelve and usually pretty good, but there's a lot of negative feelings she's carrying with her. Kit is the hardest to befriend if you come at them from a responsible angle, and is a bit of a wild-child. They are a kitsune pup who stays in a human form a lot, or a fox kind of interchangeably. They're a bit of trouble and a bit bitey and mean in a way of seeming tough and protecting themself (or because they're jealous or petty at times), though usually can be befriended with food and patience lol. But yeah, they're both kinda more complex than the kids in media who are perfect and never fuss or be unreasonable xD

[tsubaki3192]

250+ Followers HC! Artist!MC Draws a Portrait of Nobunaga, Ieyasu, Kenshin, Mitsuhide

Requested by: @puffpuff300​

Note: Thank you so much! Haha this sounds like so much fun… So here we go!

Haha… Not all of these are portraits or are they drawn, but…

Edit: I’m so sorry it took so long! But now I think I’m back in business! 

Please let me know if you’d like to be (un)tagged!

--------------------------------------------

Nobunaga:

Honestly? You just loved the way the paint seems to splatter itself on the page.

No, before I properly begin, you don’t necessarily do traditional painting. You like the abstract ones. Like Piccasso… but not quite his style xD

Piccasso’s style… Would confused the shit out of NObunaga if you drew him in that style- I swear if you don’t paint him like that at least once, I’ll smack you xD

Anyway, your paints are precious to you. You know that Nobunaga might be able to get some oil paints for you, but acrylic paint has always seemed to be better for you. That, and you’ve gotten used to it.

On the night you arrive at Honnoji, you’re carrying your art satchel, filled with paint, a couple of canvases, and your beloved brushes. You were in Japan to paint some of the blooming cherry blossoms and scenery at the time.

Dragged into this mess of a Princess and chatelaine duties made you miss painting so badly. Even picking up a calligraphy brush reminded you of the calligraphy-brush style paintings you had been studying before you had arrived.

So you grab the a4-sized canvas and wander the hallways for days, as you search for the best thing to draw. Honestly? You’ve had to white the canvas multiple times simply because nothing seemed right.

That sakura tree in the corner of the castle gardens? Nope.

The bustling streets of Azuchi town in the middle of the day? Hm...

The Ghost of Mitsuhide, smirking wildly as he wanders down the hallways? Not that either.

Not even the pretty Mitsunari seemed to capture your attention for long.

Ironically though, you didn’t even think of paining the lord of the castle at first, perhaps because his ego didn’t need to be brushed up further? 

At the end of the day, you’ve decided to retire to your room, having wasted the whole day wandering the town and castle, listlessly, tirelessly and unsuccessfully seeking the perfect scene to paint.

Weirdly enough, just after dinner, you somehow end up outside the tenshu, peering through the gap the raven-haired lord left in the doorway.

What a sight, though, to see Nobunaga hard at work, that frown finally focused on something other than yourself. You’re suddenly filled with inspiration, and you set down opposite the gap, sketching the outline of exactly what you’re seeing: the gap between the doorway, and Nobunaga seated at his desk.

You know he can see you: You’ve spotted that all-knowing smirk of his. But he doesn’t speak or move until you begin to leave, having finally marked out the correct colours in pencil. 

“Fireball, you may enter the room if you wish-?”

Unsurprisingly, you had jolted at the sound of his voice and bolted from the opening of his door, leaving a baffled Nobunaga staring at your empty postion.

2 days later, you leave the completed painting on his desk, covered by a square of leftover fabric you had used to make the kimono you wore that day. 

He unveils it curiously, only because you didn’t leave a note of any kind. 

Honestly? He just kinda stares at it- curiously- since the painting seemed even more realistic than the ones circling at that time.

And he just laughs, leaving it hanging against the wall beside the Kimono you had made for him.

Mitsuhide:

Okay… So catching this one somewhere paintable is simply impossible. Believe yourself- You’ve tried.

In fact the only reason why you’re trying to paint Mitsuhide is: 1. You don’t have a camera, and 2, He’s just so ethereally beautiful and 3. He’s never lingered in somewhere pretty or ‘nice’ enough for a sufficient amount of time to even sketch him.

As for Mitsuhide, he, without a doubt, is teasing you. He’s seen the paint tubes you brought with you on that night you had first arrived in the Sengoku Era, and he’s seen that sketchbook- or rather paint-book- of yours, filled with random practice paintings of flowers you’ve spotted in the Azuchi gardens-

or Kyubei, which you had admittedly sketched multiple times. Why were both Lord and Vassal so pretty?

and has figured out their uses after stealing a blank page from your book and a couple of paint tubes. 

You’ve found that same torn page tucked within the pile of paperwork when he requested your assistance once.

It was kinda cute too: fingerprints and finger painting galore xD

You’ve also spotted paint residues of blue beneath his fingernails, much to your amusement.

Anyway… So you’ve been trying to paint an image of Mitsuhide with a parasol beneath a willow tree for awhile now… And it’s to the point where you’re tempted to just use your imagination bc he’s simply not letting you.

But you just snap at him, one day, after having had a VERY bad day. And he just… relents, standing statue-still despite you still grumbling beneath your breath with every glance towards him.

You stuff Kyubae into the image too bc he deserves to be immortalised in a painting with his lord….

It takes a week, on top of all your other duties, to complete the painting, and if that’s not the best painting you’ve ever painted, you’d be lying to yourself.

Honestly, even though he’s curious and teasing about it, Mitsuhide only finds out once you’ve completed the painting. Yes, he could’ve seen the painting at any time, but a part of him wanted to keep that as a reward for all his hard work.

He makes that adorable blushy pout when he later realises he simply could’ve asked you to see the painting: Kyubei’s seen it before he has.

You leave the painting on his desk under all the paperwork there is, knowing full well that his curiousity would get the better of him and he’d stop working-

It works, but only at the expense of your blush from his tease when he finds you in the kitchen with Masamune, rewarding yourself with Mochi.

He’s secretly proud of it, and it’s the only one he’ll willingly hang in his room.

Ieyasu:

Ehhhh…. This one’s kinda easy, okay?

So you’ve always wanted to paint Ieyasu with Wasabi. It’s been on your agenda ever since you first caught him playing with the baby deer 3 nights after your arrival in Sengoku Japan.

The only thing is, you’ll have to resort to using Traditional watercolour techniques, since you: 1. Had no paints on you, and 2, canvases didn’t exist back then. You could try to make one, but you swore it wouldn’t turn out as good as the store-bought ones.

So you do paint it. From your memory, and from whatever scenery you could draw from the Azuchi garden.

It’s pretty funny, actually: You know most of the Azuchi warlords are aware of what you’re up to. And by that, you mean all but Ieyasu, who claimed he couldn’t care less, and Mitsunari, that oblivious genius.

Nobunaga and Mitsuhide knows because they’ve been watching you, and Masamune and Ranmaru only knows because Hideyoshi found out.

Long story short, you’ve been neglecting yourself: forgetting meals and overall becoming a Mitsunari 2.0…. Hence the whole “Hideyoshi” thing.

Honestly, it’s a surprise the receiver of the painting doesn’t know. Usually Ieyasu would be the type to scold you with harsh words before you even get to painting him.

But not this time.

Actually, you’re certain he’s been avoiding you. For what reason? Who knows. But painting from memory was always a good mental exercise….

Ieyasu does find out eventually, but that’s simply because you purposely drag him out to the garden where you’ve hung the painted scene on a branch to allow it to dry.

He just sort of stands there surprised, before averting his gaze.

“This is what you’ve been doing the entire time?”

You don’t blame him for the blunt question since you rushed off to the location at any given time to continue the painting, pretty much neglecting anything but your sleep, chores and-

Honestly, being that tsundere-contrarian he is, he flicks you on the forehead while muttering a quiet “It’s good” with averted eyes.

You honestly should never have grinned that widely at his words, bc now he’s walking off while  blushing… and taking the painting with him :3

Kenshin:

You know better than to go behind Kenshin’s back. And by that, you mean “Oh-god-he’s-etherally-beautiful-but-also-a-yandere-so-I-must-gain-permission-to-paint-him-otherwise-he-might-kill-me-help”.

But honestly, it takes you awhile, simply because you’re not sure how to approach him- He’s always given you that sensation of “don’t-touch-me” xD

If it weren’t for Sasuke, who you had known for years, given you went to the same university and assisted him with some artist renditions of the night sky, you honestly would never have had the courage.

The question comes off as awkward. Very much so, since you had been, well, stalking him for days on end before he calls you out and you reply to him, nervously stuttering in response.

Kenshin doesn’t disagree with your request, however, choosing to just call for you whenever he suddenly feels bored.

It’s honestly chaotic and stressful, since he keeps changing position every few minutes…. ^-^’’

In the end you enlist  the help of Shingen, who was only willing to pose for you so he could stare at your expression~ xD

The rest of the time you spend painting is holed up in your room, which, by the way, confuses Kenshin since usually artists would force him to sit agonising hours of stillness just to capture his appearance.

So he goes looking for you.

It’s at a pretty ironic time too, considering you were just adding the finishing touches to the painting. Just some background colouring and details….

But Kenshin’s hovering over your shoulder and-

He compliments you with some VERY sugary words, while you’re wrapped up in his arms. Honestly it puts Shingen’s flirting to shame xD 

You’re warm, but to be fair you’ve left him pretty much unattended for the past week thanks to your want to paint.

Just cross your fingers he never asks you how exactly you managed to accurately paint the position he, in the painting, sat in.

Shingen would most certainly die from spending hours with Kenshin’s princess and love of his life-

Tagging: @tsukiiiyo​​ @unstoppablelinda​ @zavannahmj​ @nad-zeta​ @thesirenwashere​ @ikemenoliver​​ @jiyuu-chan​ @nuttytani​ <3

[bemused-writer]

Fanfiction questions: 6, 22, 28, 38!

Thanks for sending this in!

6. List your OTP from each fandom you’ve been involved in.

Oh, so many fandoms.... This won’t include everything by default of there probably being too much but I will list what I can think of! I’ll start with my more current fandoms:

Wei Wuxian/Lan Wanji (The Untamed) - There’s so much I like about these two in the live action. Their loyalty to one another, their growth over the course of the series, and they way they learn to understand one another so well. Other things I really liked was how pleasantly romantic things were between them. The music, the longing, and how they can work together in unison.

Noé/Vanitas (Vanitas no Carte) - I... almost don’t need to say why I like this ship. It’s taken over all my writing. 8D Still, they are such a great balancing act and Mochizuki is writing their adventures so well.... I’m just very impressed. I also really like Jeanne/Dominique but they haven’t gotten much attention in the series yet. :0

Aziraphale/Crowley (Good Omens) - I just love how they’re nontraditional entities, uniquely eccentric, and that while their friendship has spanned centuries they still have new things to learn about one another.

Oz/Echo (Pandora Hearts) - They didn’t get much time together but they were both in a unique position to understand each other’s suffering in a unique way. I really like these two. The one “date” they went on left quite an impression on me; I think if they’d been given the chance they could have really improved one another and brought a special light to each other’s lives. 

Sherlock/Wato (Miss Sherlock) - It’s hard not to ship every version of Holmes and Watson and these two were no exception! I really hope we get a second season but I loved seeing the progression of their relationship in this show and loved how unusual the cases were. Thought they handled things very well.

Eleanor/Tahani (The Good Place) - Honestly, I like all the ships on this show but these two and their kind of background flirting is just great. Love them. 

And now some fandoms I’m a little less active in (at least at the moment):

Dean/Cas (Supernatural) - I don’t know if I’m really holding out for this to happen in canon in any overt kind of way. It’s been long enough since I’ve watched the show that I’ve created a little distance there. Probably for the best. XD Even so, I always thought these two had something special! 

Korra/Asami (Legend of Korra) - I remember watching season 1 and thinking “These two would be cute together but that’s unlikely to happen.” I’m very glad I was proven wrong. They’re just as epic together as I’d hoped!

Ned/Chuck (Pushing Daisies) - Such an ideal couple. They talk things out, they love each other dearly, and they’re both pretty unusual in all kinds of ways.

Yuuko/Watanuki (xxxHolic) - Pretty sure I’m one of the only people shipping this. XD But it is my opinion that Watanuki had feelings for Yuuko that surpassed his feelings for everyone else. Were they reciprocated? I don’t think they were returned romantically, but I ship it all the same.

Kamui/Subaru (X/1999) - I remember, at some point, this ship had a lot of people disliking it. More recent people will use their familial relationship in Tsubasa Reservoir Chronicle as a reason but back in the day it was just because it got in the way of all the Subaru/Seishirou and Kamui/Fuuma shippers. At any rate, in X/1999 Kamui and Subaru are not related and they are pointedly portrayed as a healthier version of the Seishirou/Subaru relationship. Anyway, I think they would have been really nice with each other and I still need the ending of this series in case CLAMP ever wants to, you know, do that....

Willow/Tara (BTVS) - Before certain events, they were just adorable and also a power couple.

Cain/Riff (Cain Saga/Godchild) - Tragic, loyal, and bizarre. This sums up their relationship and the series pretty well. I’m always moved by these two.

Data/Deanna (Star Trek: TNG) - Probably also the only person shipping this, but you know? It would have been cool. Also, I think I’m probably only supposed to pick one ship per show but Q/Picard is just also incredibly good. 

Miharu/Yoite (Nabari no Ou) - Just everything about these two is great and tragic and awesome.

Cosima/Delphine (Orphan Black) - They had a lot of troubled points in their relationships but they pulled through and that was nice to see.

Louis/Armand (The Vampire Chronicles) - It’s been quite some time since I’ve read this (I’m due for a reread) but I distinctly recall rooting for these two because I was (and am) convinced Lestat isn’t good enough for Louis. I’m not exactly caught up on the series, so maybe I would change my mind but... I don’t know...

I’m forgetting so many....

22. Is there anything you regret writing?

At the moment, no! I had a phase when I was a teen where I regretted writing all of my fanfiction, though. It was a difficult time in general and I just felt like none of it was that good and I shouldn’t have spent so much time on it--it seemed like I should be doing other things and there was just a sense of shame. It’s weird thinking back to that time because I’ve definitely moved past it. Unfortunately, I deleted my fanfic from that era. Now I’m trying to recover it so I can see the progress I’ve made, but there’s been so-so luck in that regard. Anyway, this is why I encourage people to at least keep a copy of whatever it is they do. You might want it in the future even if you don’t at this point in time!

28. If someone were to draw a piece of fanart for your story, which story would it be and what would the picture be of?

Hmmm, I’ve actually been fortunate enough that someone did draw some fanfic for one of my stories! But, this is talking about something that hasn’t been created yet. Honestly, I would love to see art of Jeanne taking down VotBM in The Descent. I feel like that is the best action scene I’ve done to date and there was something just... really awesome about her throwing a sword across a room with pin point accuracy. 8D I’d also like to see art of the characters in The Dark Wanderer (the sequel to that), especially Dominique dressed as the necromancer.

38. Do you use established canon characters or do you create OCs?

Generally speaking, I try to keep with pre-established characters since I figure we’re all reading fanfic to see more of them! However, most stories can’t make it on their own with just those characters. Many plots will be too big to only have that limited number, so I create OCs as well to better serve the story. For example, there are a lot of OCs in my interpretation of Vanitas’s background (Dealing with Monsters) because we haven’t yet seen his backstory. If I didn’t create any OCs, there wouldn’t have been much of a story. XD

[lycorogue]

Who Wants to Meet My OCs? (Part 2 - Gyateara)

First and foremost, I meant to have this whole series to be sort of churned out the same day/week as Part 1. Life.... didn’t let that happen. I then figured “okay, I’ll update the series every Sunday” and then yesterday came and went...

Regardless, from the NEXT POST onward, I’m aiming to update every Sunday. Now, back to the series itself.

Ever since at least November, I’ve wanted to do individual posts for each of my OCs so you could meet them all. Well, I’m finally getting off my butt and working on this massive project (we’ll ignore that I’m spending hours working on this instead of my ML fanfic.... >_>).

In Part 1, I gave a broad overview of this whole Meet My OCs series, as well as gave some generic IRL background to the two main worlds my OCs hail from:

1) Gyateara

2) Glitches

Well, in this part of the series, I’m going to stay IRL as I explain where each individual OC within the Gyateara universe came from. If this is interesting to you, feel free to check below the break.

If you’d rather just skip ahead to the character bios themselves, my first one about my Glitches character Willow should be up in two weeks (sorry for the wait).

If I’m talking about Gyateara characters, I should probably talk about the one that first birthed the world: 

Amara Yori

Amara was my first-ever D&D character. I had known of the game for ages since my father used to play it frequently (and apparently roped my mother into at least running the monsters so she’d be included; ignoring that she’d rather not be included XD). 

I really got interested in D&D when I was a teen and saw the gorgeously stylized covers for AD&D ver 3.5. My father had passed away before officially introducing me to the game (although we did used to play Dungeon all the time, so that was a start...), and none of my friends were going to touch that “nerd culture” with a 10ft pole, so I simply admired the books, but never actually played. Then I went to college and managed to Nerd Out.

Hubby (then boyfriend) offered to help me build my first-ever character, but in 2004 the D&D 3.5 expansions were so massive I had far too many choices to choose from.

So Hubby had me go through some of his extra minis, and let me pick out one that I really liked. With his help, I ended up with the 2003 version of the Wood Elf Skirmisher.

Based solely on this mini, I started building Amara.

Hubby suggested that I try out the Scout class for my first one, since I couldn’t choose between a Rogue, Ranger, or Druid, and Scout is sort of in between at least the Rogue and Ranger classes. For whatever reason - I can’t remember it now - I also decided I wanted to play a half-elf.

Upon reading the generic backstory description the D&D books had for the Scout class, I figured my character needed some sort of Tragic BackstoryTM that would explain her scouting skills. Things like trap finding and dismantling, masterful rope use skills, hiding and tracking skills, and connection to animals.

I was in a big The Vision of Escaflowne kick at the time - which shows up in a couple other characters’ backstories - and was fascinated with the history between Van Fanel’s parents. Van’s human father Goau stumbled upon Varie, a Draconian woman, in the woods one day. Draconians have the ability to manifest feathered wings which allow them flight. It was rare to see a Draconian, and her beauty - with her wings shimmering in the moonlight as she waded in a small pool of water - mesmerized Goau. He instantly fell in love and brought Varie home to be his wife. The duo seemed to love each other deeply. Amara’s parents, on the other hand....

I’ll get into more when I break down their actual bios, but I took the idea of “Human stumbles upon exotic non-human in the woods and instantly marries her” and twisted it slightly. Amara’s mother was very much emotionally, and possibly even physically (I haven’t confirmed this yet), abused by Amara’s father. Amara, being a half-elf, also had to deal with abuse at the hands of many of her fellow clansmen - both the human and the elven clans; pretty much exclusively because she was a “half-breed” (Yes, I was really into InuYasha then too).

As I kept building Amara, I kept adding more and more tragedy to her backstory. I do enjoy what I created, but, especially after reading a lot of posts here on Tumblr, I’m afraid her history is nothing but a giant knotted ball of cliches and tropes. For now, though, I’m running with it. Perhaps I can figure out work-arounds later....

I never did get to play more than a session or two with Amara before the game disbanded (which seems to be a repeat thing with my gaming group), but she still lives on in my mind, and eventually in Gyateara.

Natalie

As I mentioned above, The Vision of Escaflowne very much inspired me while I was working on the earliest bits of Gyateara. Therefore, Natalie is your basic Isekai protagonist.

For those who don’t know the term (I didn’t know an official genre term existed until about a year ago), Isekai refers to a subgenre of fantasy/speculative fiction where the main character is abruptly teleported from their world to a new one; usually one with a fantasy setting.

It’s a massive subgenre and includes most of the fantasy animes I’ve watched:

InuYasha

The Vision of Escaflowne

Fushigi Yuugi

The Devil is a Part-Timer

The Rise of the Shield-hero

The Saga of Tanya the Evil

The Familiar of Zero

How to NOT Summon a Demon Lord

Sword Art Online (technically)

.Hack//Sign (technically)

Digimon (first season, specifically)

Psyren (manga)

The list can go on, but that’s not the point of this post. Getting back to the actual point, I clearly enjoyed this genre without even realizing there was a term for it, and created my own Isekai story. Natalie is from our world, but is abruptly teleported to Gyateara’s main Northern Isle, where she must save the country from being destroyed by a power-hungry, put painfully charismatic, villain.

I had taken elements from Kagome (InuYasha), Hitomi (The Vision of Escaflowne), Miaka (Fushigi Yuugi), and I think I had Ariel (The Little Mermaid) in there as well at one point. She was - and still kind of is - just “Generic Isekai Female Protagonist”, which is one of the main reasons the story she was in failed so soon into NaNoWriMo back in... 2014, I think. Almost a solid decade after I started dreaming up her Isekai story. She definitely needs to go back to the drawing board a bit to be properly fleshed out.

Connor

He was from the same story as Natalie. Connor was a denizen of Gyateara’s Northern Isles, and became Natalie’s traveling companion as he helped her try to find a way home. Ya know, that old Isekai chestnut. I even leaned heavily into the cliche and had the two of them fall in love throughout their journey. Which would lead to a third-act twist of “Okay, we can defeat the villain, but then what? Could they stay together? Would Natalie stay on Gyateara? Will Connor instead try to go home to Earth with her?” Real original. I know. Add in that Connor was a sort of Frankenstein’s monster of a character. Grab a snack, this is going to take a minute...

Connor’s traits included:

The basic backstory and drive of the player character in the video game Fable, in which his father was killed, his mother and sister tortured (and presumed dead, only to be proven still alive and captured), his home village burnt down, and he was taken in by the local guild so the guild master could train Connor to become the hero the GM believed Connor was prophesied to be.

The half-demon traits of InuYasha (InuYasha), which transformed him into a sort of were-cat. His mother, a full-demon, could become a 15ft (4.57m) tall panther with split tails. Connor’s half-demon heritage was hidden from him, and he only transformed under extreme moments of stress.

Yes. The “love interest is the only one who can snap the protag back from a monstrous rage” trope was heavily evident throughout the story.

His overall look was inspired by Link (Legend of Zelda video game franchise). His basic fighting style - swordsmanship and expert archery - was a sort of tag-teamed “thieving” from Link as well as Van (The Vision of Escaflowne).

A highly resistant, and begrudging submission to become the Hero of Prophecy lifted off of Tamahome (Fushigi Yuugi).

I know he was much more influenced by Van from Escaflowne when I was first making him. I even used Van as a reference guide when I tried to create character head shots of him. I just can’t recall now what else I swiped from that character.

I feel like there are also other male anime/video game protags I swiped traits from, but I can’t recall them anymore. Regardless, I threw them in a blender, and poured out the mixture that became Connor.

Jolene Crisslebalm

Ah, the character whose last name I always have to look up, because I can’t recall how I spelled it. Good starting point, right?

I am a very reserved person. In particular, a very sexually reserved person. But I do enjoy sex, and I love the act of flirting, and the “thrill of the chase” when it comes to dating, so a part of me always wonders what I would be like if I had let go of my reservations and just enjoyed the carnal pleasures of life.

So, two characters in particular - Willow (from Glitches) and Jolene - are my exploration of that Path Not Traveled. 

A friend of mine was hosting a D&D campaign via Roll20.net, and wondered if I wanted in. I hadn’t been involved in a D&D game in a year or so at that point, and I’ve enjoyed playing a couple of one-offs with him DMing, so I leapt at the chance to join. I had almost always played a form of Rogue class (hence the internet persona) in previous D&D campaigns, so I decided to stay the course, but with a twist I hadn’t tried before.

I wanted Jolene to be a sort of reluctant adventurer, preferring instead to be a cat burgler, but I also wanted that sexual/sensual exploration of character. So, she was a traveling prostitute (not exactly legal without proper ties to a brothel; much like a Sex Trade Guild sort of thing), but she also used her “alone time with clients” to scope out the place to see if it’s worth robbing.

Fast forward about 3 years, and I end up watching the first episode of the Freeform Marvel series Cloak and Dagger... where I saw Tandy doing the same thing, but roofying her targets instead of sleeping with them first... Great minds, and all that?

Eh, Jolene figures “might as well make money off of them before coming back and robbing the rest... less to carry later...”

In the end, while Jolene had an.... interesting run... and one I actually did enjoy role playing, even if it did leave me a bit frustrated afterwards (a good frustrated?)... Jolene just didn’t fit the world the DM created, nor did she fit in quite as well as I would have hoped with the other players.

They were all AMAZING players, by the way. Some of the best role players I’ve had the pleasure of meeting, and such fantastic writers as well. BTW, we wrote out everything in the Roll20 chat log instead of verbally playing or using video-chat. I must admit, I was quite envious of their skills. It was just a tighter knit group, and I wasn’t able to feel out their play-style well enough to continue with the group. Eventually they all had to go their separate ways anyway when their schedules no longer lined up.

Still, I LOVED Jolene, and she was the D&D character I had the joy of running the longest, so she NEEDED to live on. She did, in my first NaNoWriMo “win”. I managed to hit those 50,000 words, but I still had about 3/5ths of her story to write. 

See, while coming up with Jolene’s jaded attitude towards love and her pull towards a more hedonistic lifestyle, I went with the good old cliche of Heartbreak Was The Culprit. (With so many cliches in my character builds, is it a wonder why I just stick with fanfiction... the characters are already created...)

Jolene had her heart broken five times between the ages of 13 and 21. She was the type who fell quick into love, and fell HARD into it, and always felt intensely betrayed by her lovers when they left her. To be fair... they did routinely leave her for a woman of better social standing, or - in her youth - someone more willing to put out, or just straight up abandon her without so much as a farewell note. Eventually, she gave up on trying to find love, and joined a brothel, and then the thieves guild, and then headed out on her own from there.

The DM thought it unlikely that she was a prostitute for the better part of 5 years without a single pregnancy, so he rolled for it, and Jolene had one miscarriage, one still born, and one healthy child she gave up for adoption. I was not expecting to include that in her backstory, but it actually worked fairly well.

And all of that was the subject of my NaNo project: Lost Loves and Paramours. Jolene’s full biography leading up to the campaign: every man she fell in love with, every person she slept with, the one client who tried to murder her to avoid a scandal of his lust getting the better of him, the pain of her miscarry, the devastation of her stillborn, the heart break of giving up her surviving child, the struggles against a stalker, and her over-all YOLO attitude.

(Bitmoji is a beautiful thing...)

Well, second long post of this series is now complete. Next week, I’ll talk about the IRL inspiration for my Glitches characters. Thank you so much for indulging me on these epic ramblings.