#i should do this longform stuff more often

[fioras-resolve]

This Enemy Is Too Strong

So like, I've been playing Final Fantasy XII again, and I've been thinking about in comparison to that other single-player MMO, Xenoblade Chronicles. There's a lot I can talk about there, and I probably will later, but the thing I wanna talk about is level scaling.

The thing is, right, both of these games let you fight enemies that are far above your current level. They just go about it in very different ways.

Xenoblade Chronicles is largely a linear game. You will go to Colony 9, then Gaur Plain, etc. It's a chapter structure, the Switch version literally has chapter markers.

But these areas are massive, you can spend several hours in one just exploring the place. And from the very first area you can venture off and find monsters way above your level. They're just scattered around the place, Xenoblade has some of the most level diversity you'll ever see in an RPG.

And since a lot of them attack on sight, or on hearing your footsteps, or detecting the game's magic equivalent, it means you genuinely have to watch out when you're exploring. Like, this is an ecosystem that you have to keep in mind, and it's honestly pretty damn lifelike in a lot of ways.

FF12, on the other hand, is different. Let's start out with the major difference in terms of structure. Yes, this game does have a linear story, but you have a fair bit more freedom in what areas you can access and when.

From the beginning, you can go to the Estersand, the Westersand, or Giza Plains branching off from the hub city of Rabanastre. You'll have to go through all of these branches at some point, but the freedom is pretty nice for an open world feeling. If you visit the Salikawood early, and get past a boss, you can visit Nabreus and Nabudis, optional lategame areas that will almost certainly kill you if you try to go through them too early. It's a lot of freedom for a game like this, and I appreciate it for that open feeling.

...But this runs into a problem when you get down to the realities of each area. Because FF12 doesn't really have level diversity in its areas. If you're encountering a high-level enemy, that's because you're in a high-level area. If you can't fight one enemy in Nabudis, you're probably not going to have a good time in Nabudis. And, conversely, going back to an old area kinda sucks, because every enemy is a pushover.

If you want to actually play at the right difficulty level and have a good time, you basically have no reason not to just play the story normally. And it honestly makes the game feel more gamey. FF12 just doesn't have the kind of unique enemy behaviors that XC does, and it makes each enemy feel like, well, mobs in an MMO. I can appreciate in some sense, like FF12 is not trying to hide the fact that it's a video game, and in a lot of ways that's really good. But it kind of makes the game feel more lifeless, you know?

In a post-BotW world, it can be kind of trite to think about these kinds of semi-open-world games. Like yeah, it's the Switch era, everything is open-world now. Fucking Sonic and MegaTen have these massive areas, you can't escape it. But there's a lot of room to talk about how to do these things well.

If anybody sees this, which I fuckin hope people do, tell me what you think about this! How do you like these kinds of games to be structured, and how much do you care about stronger enemies?

[icewindandboringhorror]

"We can get through this by working together, reach out to your friends, community is all we have, a social network will be your security in the world, now is the time to lean on others!"

I do agree, and it's scientifically sound (pretty sure there is data about how people with better social networks live longer and etc) but also....augh..... what about the severe social issues, difficulty to leave the house, physical issues which lead to like zero socialization energy a majority of the time, etc. etc. Social support can be a replacement for structural support, but.. I guess I just wish it didn't have to be. Community is extremely difficult to build, even moreso if you're someone who has issues with social cues or group conversations or even just being around others in the first place. And blah, nuance, of course I'm just complaining or maybe being too negative or maybe misunderstanding, but, I hardly have the energy to brush my hair once every 2 months.. how am I supposed to maintain a wide social network and be active in a Community and Join Groups lol... sometimes it kind of feels like "er.. well if thats my only option then...... ruh roh". It's overwhelming

[dipstick-university]

i'm further processing my decision to move away from wifi, and so i'm trying to make a list of all the ways i have attempted to lessen unnecessary internet use. almost every tactic worked a maximum of three times and then i forget about them and went back to my ways:

scheduling when i can access the internet

setting time limits which i immediately turn off

buying $100 software that i eventually figure out how to turn off and forget to turn back on

hiding the phone somewhere inconvenient

turning the wifi off

only looking at the phone while standing up

using one of those cute grow-a-flower app (that one was actually nice and felt good and i should try it again)

physically giving my phone to someone nearby to 'hold onto' but then feeling too embarrassed to ever repeat the experiment

going a full day without (i always forget by like 11 am)

keeping my phone away from my bed (i go to sleep to audiobooks and i can't not. this is the actual most deeply ingrained habit and drives me nuts. i get a nice little kick knowing i get to lay in my bed, do crossword puzzles and listen to scifi)

setting the screen to black and white

pomodoro timing breaks of 20 min on 5 off

deleting all social media and scrolling apps

turning the damn thing off

taking up genuinely more fun hobbies

changing my screen wallpaper to remind myself to use the phone less

putting something around the phone that i then immediately forget to put back on

all the mindfulness stuff of examining why i compulsively check it (boredom, anxiety, a way to distance from larger feelings)

having only a flip phone for two years (i got lost soo often and i had to write everything down in a notebook because the phone was so poorly made. but i still loved it and i only gave it up because a friend very aggressively gifted me an iphone 5se that i still have)

the only thing thats actually lowered my usage is regularly reading communities like r/nosurf and going through their recommended book list. i knew that big tech was pretty evil, but hearing about it repeatedly in longform is forcing me to absorb it fully. really, all these books are just asking what the fuck we're doing here. everyone knows its not great for us and yet we continue on for the assumed benefits. isnt that one of the major signs of actual addiction?

and i hope it comes across that i say this with complete empathy for all of us. no judgement. it is just surreal to be in a crowd of people staring at their phones and feeling im the only one being so crabby about a social norm. i know im not and yet...!

i was at a party saturday and someone (can't even remember his name but it still felt important to cite that it was him) mentioned how to make art you now have to be a master of social media--a conversation for a different time--while also having the self control of an ascetic who can deny the siren call of checking checking checking the internet.

this combination makes it almost impossible for so many of us to make art, let alone have commercial success with it. so i ask again: what are we doing?

[damoselcastel]

Writer Interview game

Considering myself tagged by @queenlua

When did you start writing?

Jr. High is when I started sitting down and really going at it. I'd done visual art things since I was 4 years-old, but storytelling is something I'd always enjoyed. Now I consider myself faster at writing than as an artist, oof.

Are there different themes or genres you enjoy reading than what you write?

Slice-of-lifes that dive deep into IRL topics, I have a lot of fun consuming. Modern set stuff I can enjoy, but usually don't want to write about (mostly cause I'll get neurotic about getting every little thing right)

Is there a writer you want to emulate or get compared to often?

Not by name, though I've been told my prose is 'lyrical', 'poetic', or just compared to older period books. Frankly, there was one creative workshop wherein a classmate was like "Oh, you talk like this too" when referring to my writing, and I just sat there all "?????" Personally, I remember loving Stephen Crane going ham with metaphors, but my childhood was most shaped by old fairytale collections.

Can you tell me a bit about your writing space?

A desk dominating a corner of my bedroom houses my desktop. I'll bring my laptop to bed, or the living room couch (I should try bringing it outside the house more often)

What’s your most effective way to muster up a muse?

When I'm interacting with a piece of media with a similar idea or, uh... isn't up to snuff with what they've done with a premise. "I can do it better" has fueled some of my longer projects. But mostly, chasing intriguing ideas.

Are there any recurring themes in your writing? Do they surprise you?

Culture clash - the nature of harmony - different people making an effort to interact. Those I've found crop up in my romances A LOT (one day I'll get my monster husband ideas down in longform prose). Not too surprising coming from a bi-racial, multicultural home.

What is your reason for writing?

Currently, for fun. An expressive outlet. Half a decade ago there was a lot of interaction it brought, in a mostly good way. Now that my expenses are bigger than ever, I'm kicking the can of "can this make money?" down the road.

What do you feel is your greatest strength as a writer?

Mood setting, description, worldbuilding, and dialogue. If someone likes purpler prose, that's where I indulge. I've honestly been doing various experiments to try and get quicker about finishing fics... alas, I'm simply wordy and slow.

How do you feel about your own writing?

I honestly like it all, even old stuff. That stuff is a snapshot in time that present me can't recreate, so it's fun in its own way even with mistakes (like trying to stuff TOO MUCH in one go). Although I do want to take it to the next step...need to get a manuscript DONE.

tagging @mrmissmrsrandom @dithorba @mannatea @arthoure

and anyone else that wants to participate

[starlightkun]

sorry if you've gotten this ask before aljrksjd

you don't have to answer this, but I just wanted to know how you write longform fics or just long pieces in general. it's one of the things I've struggled with as a writer, and I'm having a hard time trying to figure out how I could go about it or do it.

I'd be so grateful if you could provide some advice or suggestions 🥹🥹

i want u to know that i saw this ask when u sent it, but i had a 5hr drive today and wanted to make sure i had time to answer this!! it's under the cut bc i yapped a bit <33

so one thing that i feel the need to say up top is that i never go into pieces with a "goal" length/word count (often times my fics end up being longer than i expected/intended). because i never really write with the goal of a specific length in mind, these are things that i think have helped me write more cohesive and narratively fulfilling pieces in general, which tends to make my fics longer

my first thing is planning/outlining!! i used to just write my fics start to finish in one go with little to no planning, and since i've started slowing down and taking my time outlining/planning beforehand (and even during the drafting process i continue adding to my outline), i've seen the average lengths of my fics go up a lot. you don't have to have every single scene, moment, and piece of dialogue planned out before start writing (lord knows i never do), but you should have a pretty good idea of the major story beats, character dynamics, and any important conflicts, and make sure it's written down in a way that's easy for you to refer back to while you write. never think you're gonna keep it all in your head

build out your characters' lives!! i love introducing a good b-plot involving the main character's friends (see: strawberry sunday) that doesn't take too much attention away from the main plot that it seems out of place, but instead complements the main plot and allows there to be space in between those major plot beats for the readers and the characters to breathe. it also helps make your characters feel more well-rounded and real to the readers if you throw in a scene of their daily life at school or work or with their friends/family both to add texture to them but also to your world. it can also be good to use an establishing scene towards the beginning of their daily life, then a similar one towards to the end that shows any character development, or some other impactful change that happened during your story. instead of just telling us that everything in your character's life changed, show us how it did (or didn't! or maybe it only changed a little, but the little change was important, too)

in a similar vein, build out your world!! im not saying to spend ten pages describing an intricate magic system to us that has little bearing on the plot itself, but feel free to weave in extra details about where/when we are and how the characters interact (or dont!) with the world around them (even if its our normal old world in the modern day)

and i mean i guess my last thing that's really helped me is just sort of getting out my head when it comes to writing? like, not forcing myself to write everyday, not having any sort of word count goals, no posting schedule, etc. just letting myself sit with my ideas for a while and really play around and have fun with them. it's made writing fic something that i look forward to doing when i come from work, or when the weekend is approaching, and i genuinely am making probably my favorite things that i've ever made right now. and they happen to be pretty long!!

i've talked some more about my writing process in some other asks (x, x, x, x, x, x) and i have a writing tag where i post about more general writing stuff if you want to hear me yap some more

[unspeakablehorror]

Where to Find Me

Date Created: 7/20/2023 Last Update: 9/1/2023

Edit on 9/1/2023: Added a link to my personal website to the Fanworks section as well, since my fanfic can be found there.

Edit on 8/7/2023: Added a second website that's for archiving fanworks and other stuff I like to 'My Websites'.

EDIT on 7/21/2023: The @ symbol was automatically redirecting (or attempting to redirect) the second part of the pillowfort, dreamwidth, and cohost urls to tumblr accounts, so I got rid of these in all the links.

NOTE: I HAVE STOPPED REGULARLY CHECKING TUMBLR.

The interface of this site has become nearly intolerable for me, and it's become clear to me over the intervening years that Mullenweg is committed to making it progressively worse. So if you've wondered if the reason I've stopped commenting on your posts has anything to do with you, let me assure you, it's not. It's not you. It's not me, either. It's Tumblr. I logged out like maybe a week ago? And it's been amazing? I can live my life again? Miss you all, though.

So anyone who knows me (or has looked through this blog carefully enough) knows I haven't been on here since 2018. But it's been a few years, so now it's time to update my 'Where to Find Me' post! Since there have been several notable changes, and because I wanted to change how this post was structured a bit, it felt easier to me to just make a new post rather than editing the old.

My Websites

Unspeakablehorror's Site - I'll be keeping copies of my fanfic here, recipes, assorted essays, and other things of interest to me here. I will also archive select works from others on this site (with the creator's permission).

New Old Web - This is my website where I talk about how the web is crashing and burning and think about how we can make it not crash and burn. I'm still building it up, but I hope I can add lots more thoughts here.

Main Social Media

I currently feel that I use Pillowfort the most and Dreamwidth the second most. Something my main social media sites both have in common? They don't take venture capital. They're also great for longform writing and conversations.

unspeakablehorror at Pillowfort - Like if Tumblr and LiveJournal had a baby. I love the way this site handles commenting, reblogs, post edits, and privacy. And I love the communities feature. I'm the mod of 3 different Star Wars comms on here: Andor, Sith Empire, and Star Wars-The Sacred Texts.

unspeakablehorror at Dreamwidth - LiveJournal but better. Interface is a bit retro but I absolutely love the tag cloud. Every social media should have tag clouds. Dreamwidth has so many customization features. Also this site has my favorite setup for privacy options. And I love the communities feature on here. I'm the mod of the Sith of Korriban comm here.

Secondary Social Media

unspeakablehorror at Mastodon (fandom.ink instance) - I am on Mastodon, too, which is similar to Twitter with respect to the character count limitations, but has many exciting ideas, like using a protocol for social media that allows accounts on different servers to seamlessly interact with each other (as long as the server isn’t blocked for incompatible rules). It also incorporates the idea of decentralization in a very intriguing way and is entirely non-profit.

unspeakablehorror at cohost.org - Yeah, I'm here too. I don't currently use this account as much, but I do check the site from time to time and I've made a few posts here. I'd be here more often if any of my friends used this platform, but I don't prefer the interface, which is too much like Tumblr for my taste. Basically this is Tumblr if the interface wasn't total garbage, lol. I think I clash with some of the core principles of this site somewhat, and the only way to delete your page is by emailing the site owners, but at least it doesn't have ads or take venture capital. This site is what happens when some furries with coding and design skills are given a bunch of $$$ to make a social media site.

You can also PM me if you want to inquire about other ways to contact me or discuss anything else. I might be a little slow to answer Tumblr PMs, but I'll try to log in from time to time to check for them. Hopefully Tumblr doesn't end up breaking that, too, lol.

Fanworks

I am actually in the process of decentralizing my fic storage! Currently using a combination of social media posts for my oneshots and external storage links to store pdfs and epubs of my longfic. These can be found by examining my 'About me' in my bio on Pillowfort and my profile on Dreamwidth. My eventual goal is to also have my own website to store my fic on.

Unspeakablehorror's Site - I'll be keeping copies of my fanfic here, among other things.

Fanfic on Pillowfort - Access all my fic from Pillowfort!

Fanfic on Dreamwidth - Access all my fic from Dreamwidth!

unspeakablehorror at AO3 - Ah, I hope AO3 can work out their, uh, severe organizational issues, but in the meantime, I'm uncertain how much presence I'm going to have on this site.

unspeakablehorror at ffnet - This site is awful. The ads alone cause me psychological damage. Probably going to have to phase out posting here.

Well, that's all. Time for me to take my leave of this ball pit!

[fandomsoda]

Ok so let me start off by saying that this post is probably gonna be very clunky simply due to the fact that I’m addressing a two day old situation and I’m doing so without it being directly prompted,, please bear with me.

So, late Tuesday night an anon expressed concerns over the ways that I’ve brushed over the topic of aromanticism in the past, expressing that I only ever seemed to mention partnering aros and that it came off as if I was saying all of that only in service of shipping. These things of course are not things I intended, but are not unfounded claims nonetheless.

My initial response to that ask was definitely not great, I came off as very customer service-y and expressed that I felt as if it was exaggerated (simply due to the way it was phrased as “constantly”). It didn’t help that it was like 11 pm and for some reason my dumb ass didn’t actually go back and look through stuff, purely going off my notoriously bad memory.

Needless to say, this wound up coming off as dismissive and insufficient, and thus I’m making this post now as I have processed everything and want to give the proper actual respose (and in a sense, apology) that this situation is deserving of.

After going back through past posts, while definitely far from constant, I have been able to observe that whenever aromanticism was brought up I definitely had a really bad tendancy of only mentioning partnering aros and it definitely came off as scummy now that I look back at it. This was never something I consiously did, but it was shitty and potentially harmful nonetheless and should have been something I was being more aware about. I’ve already been trying to boost aromantic voices lately since the Valentine season’s been around, but doing that and centering non-partnering aros especially is going to be top priority from here on out.

Now let me real quick circle back around and address the shipping bit, as that’s like its whole own thing-

Now I definitely stand by the fact that I was never only talking about stuff in service of a ship, at least not consiously, but the topic often came up in reference to or alongside shipping and thus I acknowledge that that extrapolation is not at all a difficult one to make. And the fact that I even acted in a way that resembled that is not good.

And discussions with my friends have brought to my attention that I have not been making a number of things nearly clear enough and that whole mess is entirely on me so let’s get some things straight-

First of all, due to the more fluid attitude I’ve seen a lot of people have towards it, I never realized just how strictly romantic most people view shipping. Maybe I’m just a little bit dense but for the longest time, the term “ship” being used in a more platonic sense seemed more common than it actually is. And for the longest time, I’ve viewed shipping simply as “I think these characters have a nice dynamic and that they should be affectionate with one another”. But it has been a violent wakeup call recently that that is far from the most common thought process.

And in this I’ve come to realize that I’ve not been clarifying or establishing the fact that most if not all my ships are queerplatonic in some fashion because romance is a concept I’ve never fully grasped (not gonna go too deep into that here though, my weird perception of relationships is a topic for another day-). And things involving aro characters have especially always been queerplatonic in my mind.

I have not been nearly as clear enough about that as I should be and have failed to mention or establish that as much as I should. So from here on out, im going to be much more clear about that to avoid future misunderstanding or sending the wrong message.

It should also probably be noted that it’s very hard to convey these things given the type of art I do. I don’t properly write nor do longform comics, so it’s much harder to convey the internal complexities of things in the simple individual pieces my art often is.

Characters are also often left unpaired and single in my mind, but once again these types of things are hard to convey visually and the bonds between characters usually inspire art more often.

So most of this has just been a matter of “it’s all been up in my head but my ability to convey it or actually make content of it has been extremely lacking”. And again, in a sense, that’s on me.

Overall I know my handling of this situation has been incredibly scuffed from an outside view, for a lot of this I’ve been just very confused and all over the place so the few things I have said have been poorly summarized and basically just me completely tripping over myself. I’ve been processing things and getting things in order privately though, as you can probably tell. And in that I have come to the conclusion that I must take accountability for my actions as it is truly the only correct course of action here. I’m sorry to those this whole mess has upset, I hope this post is enough to explain everything.

I’m not super certain how to end this off but that’s about it, please let me know of any futher concerns. I’m genuinely sorry for all this mess.

[chamerionwrites]

Tag Nine People You'd Like To Get To Know Better

FAVOURITE COLOUR(s): Rusty red-orange, deep cool spruce green, bright cobalt blue, wine red, the various shades of slate green/grey/blue.

FAVOURITE FLAVOUR(s): Weirdly difficult question, in that what I think I most enjoy about food is the way that different flavors and textures complement each other to become more than the sum of their parts. But I am a huge fan of deep rich fruity-savory umami (sundried tomatoes, a great red chile sauce, things braised in red wine) as well as absolutely any kind of citrus or fresh herbs.

Also, while this isn't exactly one thing and it might be simpler just to say that I like strong flavors, I fall firmly into the These Are A Few Of My Favorite Things camp on a lot of polarizingly funky/briny things (smoked salmon, goat cheese, blue cheese, olives, anchovies, preserved lemons, etc).

Also the taste+aroma of both fresh bread and corn tortillas hot off the comal is imo the human equivalent of catnip, ie "provokes immoderate feral delight on some bizarrely primal level."

FAVOURITE MUSIC: The very sexy Bermuda Triangle where blues/rock/folk bleed into and/or influence one another. Anything else that takes my fancy, including but not limited to a lot of soul, post-punk, and highly danceable salsa or big band swing stuff. Sad jazz. Gratuitously melancholy strings. Great lyrics, great harmonies, deep rich vocals.

FAVOURITE MOVIE(s): I have never in my life been able to pick one favorite book, but Pan's Labyrinth is easily my favorite movie.

FAVOURITE BOOK(s): This is the impossible question to me but The Periodic Table, Signs Preceding The End of The World, The Things They Carried, The Little Drummer Girl, and everything Arundhati Roy has ever written are all on the list somewhere.

FAVOURITE SERIES(es): The Same Sky is exquisitely good and The Night Manager is my id-stroking comfort rewatch. I also loved Andor and the first season of Hannibal.

LAST SONG: I was just going through this tag earlier.

LAST SERIES: Thanks to holiday craft fair season I have had zero ability to do longform TV anytime within the last few months. (Also, frankly, multi-season TV series are the one of the most difficult media formats for my brain to engage with; it's a fantastic storytelling medium when done well, but I personally have a much harder time sitting down for two hours of TV than for two hours of reading and thus getting started often feels like a huge commitment. I am really a 3-6 eps and done miniseries person at heart.)

That said I am a big podcasts-while-working person and I've been listening to a lot of Friends At The Table and Bad Gays recently.

LAST MOVIE: The Wind That Shakes The Barley, which has been on the Somehow I've Never Seen This And I Really Should list for a while. It has promptly been moved to the OFC It's Possible To Make A War Movie That Doesn't Glorify War, Y'all Are Just Fools And Cowards list.

CURRENTLY READING: ...I have to admit that I'm re-reading Kissinger's Shadow (to Mark The Occasion).

CURRENTLY WATCHING: Nothing (see above), though I have ambitions of giving Black Sails a shot.

CURRENTLY WORKING ON: The sketching stage of some linocuts, some experimental worldbuild-y map-drawing (important as Cartography And Its Imperial Misuses are kinda thematically and plottily relevant to the story, at least in its nebulous conceptual form).

TAGGED BY @silkenred (thanks!), and TAGGING (only if you want ofc) @sassysnowperson, @tobermoriansass, @cosmonauthill, @essayofthoughts, and anybody else who feels like doing this. (No really, I'm shy about tagging but please do the thing if you're interested.)

[greenerteacups]

Frequently Asked Questions

Hi! If I’m asked a question more often than sometimes, it’s probably here. Static page also accessible at this link.

When is the next chapter coming out?

I update on Friday mornings, weekly, usually before noon PST. If it’s a Friday and you don’t see an update, it’s either because I’m on a writing break, or we’re in a hiatus between books. Or I've been hit by a car or something.

Do you have social media?

Aside from Tumblr — nope! I’m one of those hermit types. My AO3 account was previously the only place I was active online. I made a Tumblr so I could offer a platform to interact with people who are more comfortable here than in the AO3 comments section (for instance, there’s no anonymity function on AO3; you can log out and comment as a guest, but that’s a lot of work, and then there's not an easy way to check if your question was answered.)

Can I tag you in [thing]?

Yeah! I check back in here every few days, on average, to scope out my inbox and my mentions. If you make something for my fic, I’ll publicize it everywhere, obviously.

Can I bind your fics?

Yep! Carte blanche. I don’t own the copyright for anything I write, so I appreciate the thoughtfulness of people asking, but you can absolutely go ahead and do whatever the hell you want with the text of my fic. Print it, paint it, burn it, bind it, turn it into blackout poetry. Transformative art is human nature. But if you do, please, please, show me! I’ll scream for a thousand years.

Caveat: I’ve seen some people have anxieties about the sale of bound fics for profit, since they’re worried about publishers cracking down on copyright violation and litigating fanfiction. This is tough, because on the one hand, bookbinding can be expensive; on the other hand, selling fic is a violation of copyright, and the only way AO3 is allowed to exist is by authors making precisely $0 from anything they post. (This is why AO3 will boot you immediately if they catch you trying to make money from non-original works on their site — if I so much as drop a PayPal link in the description for Lionheart, the fic will quickly be taken down, and my account could be suspended.) So my stance is: I’m not going to sell my fics; if you bind for personal use, this doesn’t matter, go for it, live deliciously, etc; if you bind to sell, please be careful and discreet as you can. But you have my OK, for what it’s worth.

Can I translate your fics?

Yes, of course.

Will you write other things, besides Lionheart?

Eventually, yeah. Probably nothing longform soon, however. When I’m writing something, I get engrossed in the world and I sort of tunnel-vision onto the project. When Lionheart goes on a hiatus between books, I may pop out and do something else, just to keep my skills sharp and give my mind a break. That’s where shorter pieces like The Climb and SWLITS came from. But I keep my eyes on the prize, as far as what I’m writing, because I pride myself on having finished most (though admittedly, not all) things I’ve ever started on AO3. I hate having unfinished projects  cluttering up my Works page. 

I don’t read WIPs. When will Lionheart be finished/should I read Lionheart?

Listen, I’m not gonna tell anyone how to read fic. If your reading preferences make you happy, then you’re doing it right. And I’ve also been burned by remarkable WIPs that peter out, or die on a cliffhanger, and they just about break my heart. I can’t promise that won’t happen, because I don’t know what life holds in store. I also can’t promise when Lionheart will be finished, because, frankly, I have no idea! As a full-book rewrite, if you look at the current chapter count, and then look at the number of books in the series, then, yeah, it clearly has a long way to go.

But I also know that the Completed Works filter on AO3 is hiding a lot of good fic, and I think people who only read completed stuff are missing out on the real fun of update culture — of reading something serially, the excitement of waiting for the next chapter to drop, looking for clues about long-running puzzles, theorizing in the comments, getting to experience each new hit live. That’s one of the few things about fanfic that you can’t get in a novel, and it’s a real treat. I’d at least give it a try.

Otherwise, here’s what I can tell you: Books 1, 2, 3, and 4 will all be finished. They will have completed endings, and will offer (satisfying, I hope) resolutions to the major conflicts of those stories. And that’s a fact.

[m4lexxx67]

So City accent in my mind is pretty clean and correct English, almost like written language I'd say. Most prominent about it would be the lack of abbreviations. They have them but not all of them are often used. I'd say they use don't, doesn't and it's pretty often (generally it's rather common for them to abbreviate "not", just to emphasize the cases in which the do not abbreviate it to make it crystal clear it's an important not, yk?). Isn't, wouldn't and won't as well as the shortening of are, have ane would are sometimes used but mainly in poorer parts of the City or in private, and rarely heard in like City Center because it's considered "bad etiquette" (also, they would definitely frown upon my use of "like" in this lol). And stuff like 'till, ain't, gonna, wanna, wouldn't've, nah, y'all and any type of swear word is definitely not approved by BLI. You might hear it in the slums, but in most parts of the City, BLI will call you out on it.

The second prominent thing about City accent is the very clear prnounciation of words. Like sounds that you might swallow like don' or somethin' is definitely not something you will hear in the City. Which is why you have a lot of children language classes where they are taught to speak clearly. Sure they're given some slack until they turn like four, maybe five, but once you go to school, you should speak clearly at least 85% of the time or so. And if you have for example a lisp... it's not forbidden per se, BLI does like to present themselves as "good for everyone" so they're not going to be openly exclusive. But you will see no represation whatsoever of it in the media and you will be send to a lot of speech therapist or whatever you call it. Because you will be kind of a social outcast if you don't speak right because it makes you different and the City doesn't like it when you're different. That's the main characteristics of City accent in my mind.

Desert accent on the other hand... I'm not a native English speaker so I can't really assign a region to the accent. But it's a lot more relaxed than the City accent. They rarely use the longforms of basically everything I listed above. Some desert borns might not even know exactly what the short forms stand for (although most probably do because they've heard someone using the long form at some point when someone's trying to emphasize something).

Also they don't speak nearly as clean and pronounced as the City and swallow a lot of sounds, especially t and g sounds at the ends of words are lost. Grammar is also more of an optional thing, especially with adverbs. And of course, they have a whole lot of zone slang and curse words. The zone slang also varies from different parts of the desert.

So while most people in the City will speak very similarly (like I said, they don't like it when you're different), killjoys will often sound wildly different, depending on your crew, where you from, if you're desert born or not, and so on. Like for example the Venom Siblings both tend to swallow t's a the ends of words because one of them had always had trouble with pronouncing that, and the other adopted that from them when they left and spend a lot of time together without the influence of Bat City (I can not decide who got it from who because I like both possibilities). Whereas Ghoul dropped pronouncing g sounds at the ends of words pretty quickly (whether or not he is a sandpup, I think he drops the g's more often than the t's idk why). And Jet does both a lot and has the heaviest desert accent of all four of them (I agree with anon).

That's all I got on Danger Days accents I think but I'd still say it's enough lol

jet stars zones accent is so thick that sometimes pretty little city born party poison has to ask her to repeat themselves at least 7 times

what do city accents and zone accents sound like... i need to know. for science

also try saying "pretty little city born party poison" 5 times fast

[legionofpotatoes]

10 17 and 22 for the art asks :)! also re one of your answers to this: if you enjoy writing, you should do it. i absolutely encourage it. doesn't matter if its not "grandiose" or "important" - the thing thats important is YOU getting to have fun Doing Stuff. :3

Hey you! Thanks for these ☺️

10. Favorite piece of clothing to draw

It's the one I draw most often I guess. The 2012 N7 armor variant 🙃 otherwise I like capes. Or drapes. In that sexy art nouveau way.

17. Do you eat-drink while drawing? if so, what

Not while I'm drawing, no. I take breaks for lunch, but I can't be chewing on something in the process. That would mess up the focus! I do keep a water bottle around (a redundant statement. my home is dotted with half-empty water bottles, always at hand). There is an enormous chasm between the mess my productivity was back when I spent entire days focused on nothing but drawing, to now when I keep my meat suit hydrated. It's night and day. Water is the real deal, folks. Cannot stress this enough, drink up.

22. What physical exercises do you do before drawing, if any

Nothing before; lots of stretching and wrist-rolling during. I know this is something I need to get better at, especially as I keep pulling longer hours in my thirties. It's on the agenda, he said, and probably lied.

I also like to hold my pen in a way that dents the side of my middle finger... trying to work my way around it to no avail so far. I have big-time problems here, gang. My fingie has ouchies when I draw for more than three straight hours.

Regarding the whole writing thing - I didn't mean it like I hate to express myself in writing or even in longform rambles every now and then because of some stuck-up ethical reasons - I honestly don't care about that and you will have to pay me ungodly amounts of money to get me to shut up, just in general. I am extremely lax on what "meaningful" means, and a 24/7 fun train outta these stupid brains absolutely counts.

What I did mean by my answer was storytelling, and specifically storytelling done through writing. You know - that thing that is all about articulating parables through narratives and worldbuilding and meaning-making, which is something I admire but will probably never seriously dabble in. I am keenly aware of the type of creator that I am; I'm still a consumer first. I genuinely revere storytelling, and my "creativity" or whatever is fully transformative and usually stems from my need to prop that other thing up even higher for others to see. Probably why fan art is most of what I do.

And I can (and do) write a lot in that meta sense of how storytelling sometimes does and does not work - anyone following me here knows that is my main weapon to wield against your tired eyeballs. I love understanding both the humanity at the core and the delivery mechanisms around storytelling mediums and how we're all just trying to say the same things over and over again through convoluted yet effective and novel packages and it's all intimate and grand and gorgeous and terrifying and flawed and fun and meaningful and transient and heartbreaking and silly and different yet always somehow the same. And I am extremely aware of the type of gas one needs to have in the tank to actually tap into that semiotic dance and squeeze out a piece of writing that engages and tells a story that is both an escape and a mirror.

This isn't me bootlicking some esoteric auteur culture either, I have my own reservations with the word "talent." I've studied enough of storytelling to know that its raw craft is a crucial delivery system for its core ethos, and it can be built up and improved by anyone, given time and discipline. But it's that ethos I'm talking about, the payload itself. There is something else you need to have present in your soul for that. Something circumstantial, painful maybe, a wound that yearns both to heal and to share itself with others, adding to the tapestry of the zeitgeist in a way that enriches that moment in time instead of tearing it down with ignorance. And I know I make this all sound grandiose and mythic, but meaningful storytelling to me is literally some self-insert fanfic that lulled you into a bittersweet calm after a teenage breakup, or the romcom that made you laugh on a shitty day, or even a fucking poem scribbled on a wall that you completely took out of authorial context yet found some corny meaning in for no more than five seconds. It's the essence of those things, and I have trouble explaining exactly what I mean by that, but I know deep in my bones that it's something core to them that I don't have. I don't have that need to share my lived experience in that way, for reasons internal and external, and I think that is okay! More than anything else in the world I want to cheer on the people who do. I believe in them, and in storytelling, more than in most things in life, exactly because of how privy I am to its healing effects. So I'll do it in my own incessantly annoying ways, don't you worry about that.

I mean look at all this writing I did just now. That's something I like to do. And again; you will have to pay me to stop. Big money. I'm talking six figures or above straight from James Tumbler

[prydon]

hey so feel free to ignore this, but i was wondering if you had any advice for newish writers? for context, i’ve only written a couple like 2,000-ish word things, but i’m taking on writing a script for a big project of mine, and i’m not sure how to go about it?

how much do you plan ahead before you start writing? do you have an in depth outline with every plot point or do you just have a broad overview and see where it takes you?

ohhh that's a tough question.... i've never had any formal writing instruction (outside of english classes in school) so most of my ability just comes from having been reading and writing a lot my whole life just for fun haha, which is great and all but makes it hard to think of advice beyond just "do it a lot".

though i do also recommend reading, i swear i got 50% better at writing by accident just because i got back into reading and subconsciously picked up on stuff i liked or didn't like in the books i was consuming. especially when it comes to writing a script, i'm sure reading other work in that format would be helpful.

as for planning... it does depend on the story, but my outlines tend to just basically be a chronological bullet point list of everything i've thought of for the story, especially the major beats.

i try to at least have a plan for what every scene is going to be before i start writing a one shot or a chapter, even if that plan is just a single line, and then i tend to flesh out the outline as i think of more things. i don't think there's anything wrong with not having a 100% finished outline before you start writing the story. write down the base ideas, then flesh them out as you keep writing/thinking of things.

idk if you've read my childhood friends fic constellations, but it's the only one i have an outline on hand for lol (because i delete my outlines after i finish writing a story, alas) so here's an example of my outline from ch6 of constellations:

so yeah, not very professional but gets the job done :"D

i guess something that's notable is that i tend to write the *purpose* of a scene in my outlines. like, going into writing this chapter, i didn't plan "okay so a bunch of chorus girls are gonna see peter and start whispering about how they don't recognize him, then go up and ask his name/who he is bc they have a crush, and he'll get nervous thus prompting annie to step in and tell them he's her brother". i wrote "annie calls nureyev her brother". because the lead up to that didn't really matter and could have happened any way that i came up with while writing, the base POINT of the scene was to establish how annie now sees their relationship and that peter knows she sees it that way. that was what was important to me to have planned.

and i do think every scene should have a purpose! that's something i've learned over time. even with longform stuff, every single scene should serve a purpose to the narrative, even if that purpose is just to show character development or to give the audience a breather/a false sense of security before an intense moment. often they can serve multiple purposes! something really fun to do is trick the readers by including a moment that they think is only relevant on an emotional level, but--surprise!--is gonna be relevant on a plot level later. if you just shove a chekhov's gun into a scene, people are gonna be like "what's that doing there" and expect it to come into play later, but if you disguise it as just being for the purpose of character development then they might not notice it. 

in general: set up and pay off good. if you set something up, you should probably pay it off. if you make a big moment happen, you have to have set it up. i know that seems simple but it's something that took me an embarrassingly long time to learn as a writer lol, and it's important for both big plot stuff and little character stuff.

themes are good. parallels are good. motifs are good. is there a way you can connect a scene at the end of the story to one at the beginning? have a character repeat the same thing they did in scene 1 but this time it takes on a different, deeper meaning. have a character be unable to catch their friend before they fall off a garden wall while playing in scene 2 that's passed off as a silly moment, then have them be unable to catch said friend again in scene 19 but this time their friend is falling from a radio tower. do it. be evil. people will be like "OHHH SHIT" and have the entire first section of the story be recontextualized for them upon reread.

uhhh what else... voices?? especially for a script, since they're dialogue-only, giving each character a unique voice is super important. i have it easy with this bc i usually only write fic and the characters in TPP have super unique voices to begin with that i can just copy, but i still think it's v important. if you can change which character says a line without changing the line at all and it still sounds right/in character for them, their voices probably aren't unique enough. that's not to say that every character should talk like a cartoon or smth, but i think it's helpful for them to each have their own recognizable vibe. (and a good shorthand for this can be changing how each character refers to others--by first name, by last name, by nicknames, with mocking endearments or with honorifics?)

that's pretty much all i can think of rn and i'm not sure any of it is useful at all but there you go aisfhuiasfh. and tbh i just appreciate that you respect my opinion enough on this subject to reach out haha!

[spockandawe]

What are your favorite chinese webnovels? What are some of the differences youve noticed between cnovels and other types of novels?

That second question is really, REALLY interesting, and I really want to answer it well, and I am REALLY sure I’m going to do a bad job of answering it, so let me just noodle about that first question for a minute while I try to think XD

I went through some of my TOP-top favorite novels in more detail yesterday, but generally speaking, mxtx and meatbun are both at the top of the pack. They’re really good at writing compelling main characters and balancing piles of angst with plenty of humor and pulling everything together into a very satisfying ending (which is something I don’t alwaysssss see, even in some of the novels I really like). After them, The Disabled Tyrant’s Pet Palm Fish (transmigration, ancient chinese prince falls in love with pet fish) and Golden Stage (ancient chinese gay arranged marriage between bitter enemies(?)) are two novels that I love a lot, which both have very cute romances and go a bit lighter on the main character suffering front, and which I broadly recommend to anyone who’s interested in the genre. They didn’t end stick the landing QUITE as hard as an svsss or tgcf, but they still were very nice.

Then, let me see. I’m trying to remember which books I’ve read in the last year, and am doing a terrible job, haha. I will say that a book I enjoyed for like... eighty percent of it and then the ending let me down terribly was The Dreamer In The Spring Boudoir (modern day career woman transmigrates into barely-fantasy ancient china novel as the disliked primary wife of a nobleman), which is also the only straight webnovel I’ve read so far. The main character and romance were delightful, but that ending... haha, wow, I felt betrayed. But I did like the first half very much!! I’m idly contemplating a deliberately-partial reread. Then I’m currently like two chapters away from catching up with the current translation of The Wife Is First (ancient chinese prince lives out time travel fixit fic, determined to treat his spouse better this time around). I’m also catching up on Heroic Death System (transmigration, across MANY universes, where the goal is to die heroically in each one, and also maybeeeee to find his boyfriend in each one. this shit gets fucking bananas. in one of them, he emotionally seduces his boyfriend while he’s a dolphin. in another one, he’s a sentient mushroom. i’m in the middle of a section titled ‘I Am An Evil Pen’. yes, like a writing utensil type of pen. this is the weirdest book I’ve read so far). Oh, and Thousand Autumns (righteous sect leader gets sabotaged and loses a fight, wakes up blind and amnesiac, demonic sect leader is like ‘lol i bet i can turn him evil’ and accidentally catches feelings along the way).

What else... I’m keeping up with (but behind on) some others. First, there’s How To Survive As A Villain (modern terminally ill CEO transmigrates into stallion novel, wakes up as villain, accidentally seduces hero). Then, we’ve got Transmigrating Into The Body Of The Heartthrob’s Cannon Fodder Childhood Friend (only modern webnovel I’ve read, young man transmigrates into beginning of gratuitous whump book, back in high school, and is determined to protect the protagonist from all the canonical suffering). Then there’s Pulling Together A Villain Reformation Strategy (guy transmigrates into story as the hero’s childhood friend who will eventually become his enemy and get killed, successfully acts out his part and dies, completely fails to realize he’s broken his friend’s heart in the process... and then wakes up in another character’s body). And then there’s The Villain’s White Lotus Halo (a transmigrator keeps bouncing from universe to universe as a cannon fodder villain, who gets like half a line before being killed. he tries to purchase an upgrade package so he can be a COOL villain instead, but accidentally gets sold a ‘white lotus halo’ package instead, so that no matter what he does, everyone is just DEEPLY moved by his appearance and is positive he did nothing wrong). All of those are EXTREMELY delightful. You may notice a running transmigration theme, which....... yeah, I think there are a TON of delightful stories in the webnovel scene that deal with this genre, which seem so rare in English language media.

Which makes a good transition point to what’s different about the cnovel scene! I’ve seen hardly any transmigration stories in English, and I’ve got a couple go-to examples for when I’m trying to explain it, but like. Only a couple. Which is such a shame! Like, there’s the default idea of ‘I was reading this book and then I woke up inside the book!!’ but it’s clearly such an established genre that people are playing with it in all kinds of interesting ways, like in The Villain’s White Lotus Halo or Heroic Death System setups. It’s kind of wild to me, because it seems like such a gimme for a nice easy story structure? Whatever kind of world you want to present, there’s no need to introduce it to the reader from the ground up, or find a good way to hook them in. Either the main character read the book in question and can explain the premise and why we should care in pov, or the main character is new to the universe too, and trying to find their own footing. I enjoy it a lot! I’ve sampled transmigration books that didn’t grab me, but I’ve sampled way more that did. 

And then, the one semi-technical answer I thought of to this question was the way that these novels tend to handle pov. It’s not a hard-and-fast rule that regular novels are restricted to one pov, or that pov can only change at hard breaks in the story, but if I saw a bog-standard american novel glide from pov to pov the way these novels regularly do, I would tend to wonder if it was sloppiness or a mistake, or I would grump to myself about how I don’t like omniscient third person pov. And I still don’t know exactly what I think about this, or why it’s different in here, but I’m pretty sure I like it a lot, especially for stories where the romance tends to play a large part :V 

I used to read a lot of Books About Writing, and read plenty of stuff about why you don’t DO this, but.... I like it! In dtppf, Jing-wang can’t talk, and when Li Yu is a fish, he can’t talk, and drifting from one of their perspectives to the other gives me lots of useful information about how they’re both feeling. Could that be conveyed through restricted pov? Maybe! But I’m typesetting the svsss extras right now, and I’m in the bing-ge vs bing-mei section, and we get a few brief flashes of bing-ge’s thoughts, and it’s so NICE. It’s information I would not have otherwise received, because Shen Qingqiu sure wasn’t going to notice it. But early in the story, that pov was withheld from me, which also made sense (or hua cheng’s pov was withheld from me FOREVER, which makes me so sad ;u;). There don’t seem to be any hard and fast rules, which makes me really nervous about writing fic and trying to match the style, but I do like it a lot! 

And I’m definitely not able to articulate this in the way that I would like to, or speak with any real authority (I’m not that widely read in the cnovel scene, and i’m not very genre-adventurous in english), but there’s something about the role that the romances play in these stories that’s different from what I’m used to expecting, and it’s VERY tasty to me. I only rarely read romance novels, because I’m not often interested in the romance as a primary plot driver, but the romances in these books play a more substantial role than I’m used to expecting. And I’m into it! It’s a balance closer to what I’d expect from, like, a shippy longform fanfic. Which covers a lot of ground and is NOT a precise measure, but there’s more emotional weight given to the romance than I would expect, but without the romance carrying ALL of the emotional weight, and it strikes a perfect balance for me in a way I’m not used to encountering. Now, some of this could definitely be due to me not finding the right authors, or right subgenres, or whatever. But in the genres I inhabit, it’s a subtle difference, but one I find compelling.

Oh, one last thing. The cultural differences, duh :P I’m only familiar with things like, say, ancient chinese court etiquette through a lens of fan-translated novels like these, and I didn’t grow up steeped in the culture in a way I’m used to the trappings of something like medieval european courts. But there’s a distinct flavor to the social dynamics of these novels, from the formal levels down to the casual, and I know it’s super intricate and detailed and that authors play with differing degrees of historical accuracy vs fictional fun, and I wish I was better equipped to speak to the nature of any of this. But I find it really compelling! I recognize that it’s only new to ME because I didn’t seek out chinese media before now. And, the point that I originally wanted to get to before I got super distracted: the flirting. The flirting and teasing are a very different flavor from what I would expect in most english language media, and I love it, even if I can’t speak to how much of that is purely cultural, and how much of it is like... the conventions of How Fiction Is Written varying by culture, if that makes sense. I adore seeing what flirting and affection and indulgence and attentiveness look like in different settings, and these books, with their heavy romantic focus, absolutely deliver.

[r0sequarks]

(1) Are you aware of mwritesink? She introduced me to the idea of Maddie/Alison and I've never met anyone else into it! You guys should talk! (2) omg tell me all about that movie idea tho (if you want)

i have not but i have never been good at the interacting with people side of fandom. always up for talking about rare pairs tho!

Okay so after Dark Phoenix got announced I was thinking about how often they always rehash the same few plots for literally everything when there's so much good stuff. First movie would be Mutant Massacre, to set up a darker, more serious tone than, like, mcu movies, and would be set post ambiguous Jean sacrifice death, with Angel bringing Scott back to the team, which Storm is leading and stays leading through all of the movies because it's what she deserves. The heart of the movie would be Artie & Leech as new Xavier student and new morlock being friends and adorable moppets.

Second movie would be Genosha, which is being billed as a paradise where mutants and humans live together in harmony. Cameron Hodge would bring Angel there to recover from his mutant massacre injuries, and when the X-Men lose contact with him they try and investigate - putting them in contact with the resistance, and Madelyne Pryor, who does cargo runs to the island and also smuggles mutants out (tying to the fact that the original Genosha arc opens with Maddy on a flight to the island).

Actual plot would be pulling from a lot of dystopian movies, and involve some mix of sneaking in to rescue Angel and trying to start a rebellion. The moment of Jean confusion is immediately cut by Maddie yelling at them for nearly blowing her cover/screwing things up, and there's an ongoing tension about how helpful the superhero approach really is.

I get the feeling it may end with Angel dying, although I don't know if I'd commit to that without having the next movie be Apocalypse and that's unlikely. Regardless, Scott gets that prelude to revolution era, and goes, hey, actually, I think Maddie is right and there's better work we could be doing, and leaves the team to go help her.

There'd also be a background level of Sinister vibes, because he's easily my favorite villain, leading up to an Inferno movie that would be Maddie centric. I feel like it works better if Jean doesn't come back, though, if we never meet Jean, if Inferno is just Maddie's rage at Sinister, at being controlled, about compassion fatigue and that burning, exhaustive rage. Not sure how it would end. I think I'd want a movie in between, probably focusing on the Brood, to give Maddie more space to be a person before she has that taken away.

Actually writing movies (or longform fiction in general) is so hard, though, so I don't see myself actually writing any of it.

[shadowsong26fic]

Coming Attractions!

A day late, but ah well...

As usual, we’ll go ahead and do an Open Question Night. Which basically means that, while my ask box is always open, tonight I’ll be keeping an eye on it and answering things as they come in. Any fandom or work I’ve talked about here (or posted on AO3) is fair game, as are general questions about writing, etc. I do accept prompts, but I am. Not very good at filling them in a timely manner unless they Immediately spark something, lol.

So, yeah, what’s on your mind?

Also, since I don’t think I have for a couple months, plug for my Discord server! It’s pretty quiet, mostly intended to be a slightly more interactive extension of this space, but you’re welcome to check it out!

Anyway, the usual Coming Attractions details are behind the cut!

PodTogether 2021:

I participated in this challenge for the first time this year, and it was a whole lot of fun! Of Other Suns is a SW/AtLA crossover, and I think it turned out pretty well! My reader/podficcer and I worked pretty closely together during the initial brainstorming process, working out what we wanted to do, and also bounced off one another during the whole editing/finalizing process. There’s a lot that I didn’t end up putting into the fic (because time and length; I am a. Uh. Very wordy writer; the aim was for 6-12k words, we ended up with nearly 15k as it is...), so I might poke more at this specific AU, or crossovers linking up at a different time (either a different point in the SW canon, or in the AtLA canon, or both). I...definitely have extensive headcanons for SW characters as benders of various elements (or nonbenders), and there are at least two Force-sensitive AtLA characters who were outside the scope of the crossover.

Anyway, if you want to check it out...click this link XD (and definitely listen to the podfic too!!! It’s really great)

Precipice:

So, between the final push on PodTogether and some origfic stuff I got done, I...did not get anything finished and posted for this, alas. But! I am saying it here in the hopes that doing so publicly will for once get me to actually stick to a deadline, which is that I will get either the first Protectors chapter or the next Preludes one-shot (or both!) up by this Sunday, September 12. The Protectors chapter will be mostly scene-setting, establishing where various characters are when we open, six years after we last saw our heroes. The Preludes segment will involved Hondo contacting Obi-Wan (and Anakin, who’s with him when he gets the call) about something Relevant To Their Interests.

I will for sure get that Prelude out this month, and hopefully at least two Protectors chapters, but we’ll see how things go at work and how much brain that takes, which is always a factor...anyway, with any luck, I’ll start establishing a Rhythm. I don’t think I’ll be doing weekly updates, the way I did for the first few arcs of Precipice (in part because there are some other longform projects I intend to start putting out and if I am going to do Weekly Fic Posts, I’ll probably alternate), but we’ll see how things go.

AtLA Fic:

Again, I didn’t finish what I wanted to (other than the aforementioned crossover for PodTogether), but I have been working on stuff in the background and, while I’m not going to commit to a Specific Deadline like I am for Precipice, I do plan to post at least the opening chapter of the still-untitled Avatar Zuko AU I’ve been working on this month, so watch this space!

Other Fic Projects:

I’m poking around at what to do for next years SWBB (if only because my wordcounts have been Steadily Increasing and I’d like to get a head start in anticipation of that happening again this year, lol). Still considering exactly what to do, whether I pour all my focus into OFLAM, like I consider every year, or see if I can work up Bail Unfucks the Timeline or another half-plotted AU I have in the back of my head, or go with a different prompt/storyline that occurs to me at some point between now and then, but I’m starting to Actively Ponder things.

I do have that BSG1 crossover outline in the works, I swear XD I’ve got...uh...maybe half to two thirds of the first third of the overall storyline written up? XD It’s a. Uh. Long one. I might go ahead and release it in three parts, just for length/convenience, and because it does more or less have three distinct sections (the initial contact/New Caprica fallout and establishment of the Haven settlement which makes sense in context; the second contact/algae planet; and then an adventure on a resurrection ship to retrieve a Specific Boxed Five and possibly walk away with Ellen because that would just ruin Cavil’s day and I do so love to ruin Cavil’s day, lol). ...I’m going to go ahead and post a preview snippet at the bottom of this post, as Motivation XD

I think that’s all the fanfic stuff I have specific updates for. There’s generally always stuff noodling around in my brain (lately, for Star Wars, AtLA, BSG, or some combination of the three), it’s just how much of it materializes, lol.

At some point, I plan to revisit some BSG epics I had going on (Serenissima; rewriting For Sorrow Sung or doing a slightly different storlyine with the same concept; The Other Battlestar; a few others), but no concrete plans as of yet.

I also kind of want to explore a far-past AtLA setting I designed for a challenge community way back? But I’m not sure if that would work better as an original work with the serial numbers filed off, if I could figure out how I wanted to do that (I have done it before, as I’ll talk about below, but this concept, while not directly involving any characters from Avatar canon as it’s set 2000 years prior to Sozin’s reign, does to an extent lean on the Avatar specifically as a concept, in a way that the other fic I did this with did not).

Original Fic:

Due to a challenge on rainbowfic, I actually got. Quite a bit written? Most of it was not super plot-relevant, but I dropped some Hints about a character in Lux and I got to play in some heads I don’t very often. I might go back to the Regency AU at some point, and there’s a specific reveal I want to write up for a secondary character in The Farglass Cycle, but I haven’t quite figured out how to structure that one, so we’ll see how it goes.

Had an interesting discussion the other day about the way original fiction sometimes starts as fanfic with the serial  numbers filed off and...well, a lot of my original stuff starts that way? Or has some roots there, anyway.

Lux doesn’t quite as much, but I definitely ported in at least two characters who started as fanfic characters (leaving aside that this is, y’know, The Apocalypse IN SPACE so, like. Various fandoms that deal with that probably influenced things, plus several key players are Public Domain Characters sooooo), plus some of the way the world is constructed draws on the Native Tongue trilogy and I flat-out stole a concept from Queen of the Damned, though the way it works in this world is different (also, to be fair, I think I’ve seen it in other places, too; but I personally got the idea from there).

The Farglass Cycle and Untitled Intrigues Story, however, straight-up started as fanfic concepts. And I don’t think it’s obvious unless I point out what the source materials were? Farglass, in particular (it’s the AtLA fic I mentioned earlier), because it started as an alternate future and then the map and magic system got reworked, plus the Avatar themself wasn’t even super involved in the original fic context, and while certain characters are very loosely based on AtLA characters, by now they’ve been so altered by the setting that it’s...I used the same archetypes, if that makes sense?

And then Untitled Intrigues Story started as a fusion between two wildly different fandoms, and while one character is a pretty clear expy if you know where he comes from, and another character kept the same actress in my head, I don’t think it’s very clear other than that.

...anyway, not sure where I’m going with that, other than it’s been in my head lately, lol.

...I think that about covers it! What about you guys? What are you all working on? Slash any questions, etc.?

Teaser for BSG1 AU outline, as promised:

So, anyway, SG-1 is prepared for rain and mud and a survivable-but-kinda-unpleasant environment. They’re also prepared for the usual shenanigans--Goa’uld, cranky local politics, weird alien tech that Daniel really should know better than to touch but sends him into another dimension anyway...

Just. Y’know. A normal mission.

They’re...not quite prepared for what they actually find when they step through.

Which is a very tense and now slightly Confused crowd of people, and a firing squad made up of very large killer robots, with a teenage girl as their target.

(One of the large killer robots is. Uh. Well. Half a large killer robot now; that particular Centurion was in the wrong place at the wrong time and got kawooshed in the face. As one does.)

(Said Centurion absolutely wins the ‘Weirdest Death’ pool for the week in Download City, because that is clearly a thing that exists because it entertains me)

There’s a beat where everyone just stares at everyone else, trying to figure out what the hell is going on.

The wormhole disengages.

Daniel takes half a step forward, opens his mouth to start the ‘we are peaceful explorers from Earth and y’all seem to be having a Moment here, sorry for interrupting, but, uh...’

And then the moment end and absolute chaos erupts.

[philcoulsonismyhero]

Fic Writer Interview

I got tagged by the excellent @astriiformes Ages ago to do this fic writer interview thing, and I’m finally getting around it! So here goes...

Name:

Mairi (sounds like 'marry'), Kamemor over on AO3 (after a particularly cool Romulan politician in a Star Trek novel, if you were wondering)

Fandoms:

Currently, I'm writing a lot of RWBY fic and that's unlikely to change because I'm deep in Special Interest Hell with no signs of coming up for air. In the past, I've also written a bunch of stuff for Criminal Minds and The Flash/DCTV. I've got a lot of other fandoms, but those are the main ones I've written for.

Two-shot:

Assuming this is asking if I've ever written one, technically no. But I do have a series (Just Hold On, a RWBY fix-it) that currently consists of two fics which could stand alone as they are, although I have plans to continue that one for quite a few more fics if I can find the motivation and time. And I guess I also have a couple of fics that I could have split into two chapters because they switch from one POV to another about halfway through. I like to stick to third person limited POV, and that means I often have section breaks when I want to switch from one character's perspective to another's, and for a two-person scene that usually means two sections. But I like the oneshot structure, and usually I don't feel like what I'm writing is long enough to split into chapters.

Most popular multi-chapter:

I only have one true multi-chapter fic, and it's Moving Forward, a Flash fic based on the idea of Reverse Flash being taken prisoner at the end of s1 rather than being wiped from existence. It's technically still unfinished, but I got a lot of lovely comments on that one a few years back when I was posting it, including a few folks that went through and commented on each chapter and really made my day. Maybe one day I'll actually finish it...

The only other thing I have that’s multi-chapter is a collection of missing scene ficlets, also Flash fic, but that doesn’t really count.

Actual worst part of writing:

My brain tends to be very visual when I'm writing fanfic for a TV show, and few things are as annoying as knowing exactly the facial expression someone is pulling and having No Idea how to describe it in words. Same with tones of voice. Also, I tend to jump straight into writing the bits of scenes that are most interesting to me, and going back and adding in the context that you need to make something actually readable for someone that isn't you can be a bit tiresome.

How you choose your titles:

It depends, tbh. A lot of my older fics are titled with short verb phrases that are pretty straightforward (like 'Moving Forward' or 'Breaking the Cycle'), but recently I've rather enjoyed using song lyrics. Most of my RWBY fics have lyric titles either from songs from the show itself or songs that I've got on my extensive Ironwood character playlist or otherwise just quite like and feel like they fit. I don't tend to find titles all that difficult, and I've got a fair few WIPs that have them already.

Do you outline:

Again, depends on the fic. With longer ones, yes, usually as a list of bullet points describing what happens. But shorter missing scene fics or things that I bashed out in only one or two sessions and only follow a single conversation tend not to be outlined because they just flow as I write them. I've got some more extensive outlines for a few of the fix-it AUs I've been playing with, but even then they're just bullet point lists or mostly held in my own head.

Ideas I probably won't get around to but wouldn't it be nice:

I have. So many. Most of them are RWBY fix-it fic, which is fun to write at the moment of divergence but then A Huge Endeavour to follow any further than that. I’ve planned out a bunch of different shapes for where the three different versions I’ve already written and posted would go, but there’s only one of them that I’m really continuing (aforementioned two fic series). Although I have a dilemma there, because the climax of the story arc that I figured out for that ‘verse would work even better in the other one that focuses more on Penny & Ironwood. But it’s not as simple as just throwing the idea into continuity with that one, because there’s a Major difference between the two in that in one of them, Qrow was the one who got through to Ironwood, and in the other they kinda hate each other over the whole ‘I blame you (and also me but mostly you) for Clover’s death’ thing, so I’d have to plot out a completely different relationship arc there which would have a knock-on impact on how well Ironwood is dealing with everything else. Canon divergence fic! it’s a good time.

I’ve also got So Much other RWBY fic in bits and pieces in various Google docs, it’s ridiculous. (Including a superhero AU that I’m rather fond of conceptually, but don’t really have a solid arc plot for.) A lot of it would be nice to get into a publishable state, but I probably won’t ever be bothered to.

On the not-RWBY front, I've also got a big Criminal Minds/Silent Witness crossover that I've planned out all the beats of, but actually writing it means coming up with the specific details of the murders and the autopsy scenes and a whole lot of technical stuff that I'm not comfortable just winging based on what I've seen on TV. But I also don't like researching real life crime stuff even though I love a good crime drama, so you see my dilemma. I like casefic in theory, but in practice I'm probably not going to write much of it. 

Callouts @ me:

Just because you’re an insomniac who mostly writes fic at night rather than sleeping doesn’t mean that every conversation fic has to happen as a result of one or both characters being unable to sleep, my dude. There are Other circumstances in which people talk to each other.

Best writing traits:

I’m good at character voice, although that’s a pretty standard thing to be good at. I also really like unconventional crossovers, I’ve gotten pretty good at playing around with conversations between characters who never met or aren’t even from the same universe and coming up with a believable dynamic for them. I also like to think that I’m good at getting into the heads of awkward characters and figuring out which bits to poke at in order to get them to do things they didn’t do in canon. (And figuring out how they rationalised the things they did actually do.) That’s a big reason why I liked writing Reverse Flash, the complicated bastard, and it’s why I’m having so much fun with Ironwood now. You’ve really got to work at him to get him to change direction, great big stubborn disaster that he is, and I think I’ve rather gotten the hang of that.

Spicy tangential opinion:

People should write more longfic focused on gen relationships. Some of the most fascinating relationships in stories, at least to me, are the ones between people you’d never expect to be friends, or between adults and the kids they feel responsible for who also feel kinda responsible for them, and that makes for a (imho) much more interesting story than most ships. I Live for a good complicated mentor/mentee relationship, but I hate looking for fic about them because then I have to deal with the fact that a lot of people ship those relationships and it squicks me out. Give me the longfics about types of relationships I actually care about!

(This whole thing is a good 40% of the reason that I’ve ended up get absorbed in planning out a RWBY Vol8 re-write where the parallels and the newly complicated relationship between Ruby and Ironwood is The Main Agenda. (The other 60% of the reason being ‘[x character] deserved better’.) There’s some Really Good Stuff there and I want to play with it in more of a longform situation than my usual oneshots.)

No pressure tagging:

@squireofgeekdom , @catgirlalchemist , and anyone else who wants to give it a go! Feel free to say I tagged you :D