#i say this as someone whose actual favorite comic book anything is batman

[ectopolis]

as someone who is a stubborn completionist comic reader and a somewhat studied fan of DC in particular, this was the best & funniest post. "you guys haven't read the horror side of DC!" and then following that up with the flash is, like, the best. noted DC horror character barry allen. i'm calling the period in the 70s where barry was a republican to oliver queen's liberal to hal's shocked face of horror (yes, this was an actual title DC ran) the horror flash era.

i want to say that you are definitely right, but just like, substitute the flash for, like, the doom patrol. jane's powerset is by definition kind of infinite. cliff steele is a brain in a robot body who bashes his face into walls because he can't feel pain. negative man is... not altogether that different from danny, actually. alan moore's swamp thing, maybe one of DC's most famous horror titles of all time, features an issue where you find out the swamp thing isn't a person-crossed-over-with-plant-DNA, but a sentient plant that absorbed alec holland's consciousness before he died. that's also not all that dissimilar to what danny goes through, if not actually kind of worse. swamp thing's powers are also not that dissimilar, to be honest - there's one really funny bit (context: swamp thing and constantine fucking hate each other) where swamp thing has to possess constantine for a bit.... and he takes constantine's body to get a tattoo of a tree on his ass. i digress.

i'd also argue in favor of one dynamic in particular: as a character, danny is a spider-man pastiche, pretty obviously. but when spider-man was originally created, he was, like all other heroes at the time, a riff on the most popular, enduring symbol of superheroes: superman.

i love superman comics, like a lot, actually. superman comics have come to revolve around the question of giving a human person infinite physical power. there's no such thing as beating superman because the whole point is, you can't - clark's become so overpowered over the years that it's come to be meaningful within the story, like death of superman was only as impactful as it was because it was the death of fucking superman. clark's consistently depicted as always, always aware of his strength, because he can flick someone a mile away. (he does this to deathstroke once while drunkenly posing as bruce wayne. they actually hadn't met yet)

but in a real way, superman lives in a world of cardboard. there is next to nothing he can't destroy without even trying. his struggle has become power and how to wield it, power and how to manage it safely, how to use his senses without getting overwhelmed. powers so acute they cause sensory overwhelm are a superfam rite of passage, as is ethically dubious cloning, as is billionaires making tech to kill specifically you, as is growing up terrified of governmental vivisection. these things are in danny phantom because they're also features of spider-man comics, but spider-man got it from superman. there are comics where clark's hearing is so acute he can pinpoint batman's heartbeat across the planet. like, i don't do crossovers much, but i see a LOT of danny-meets-the-batfam (which is fine! i love the batfam! have your fun!) when my natural instinct is actually clark-takes-danny-to-space. i mean, clark literally has a glacier fortress of infinite ice where he houses endangered space animals. he keeps pet sun eaters. i don't even know what the fuck a 'sun eater' is but it's an alien pet and clark has a plurality of them, what more does a superpowered space geek need?

too many dpxdc headcanons about danny creeping the other heroes out that were obviously made by fans who havent read the more horror side of dc. danny would complain about slowly losing his humanity and the flash would say "i get that, i also died more times than i can count and im not sure if im fully human anymore" and they would high five and go get burgers together

[physalian]

On Fight Scenes (Or, getting creative with your magic system)

This is coming from a reader’s perspective, not a writer’s, in what I like to see and what my thought process was when writing my fight scenes—I hate these things and can’t call myself any authority on the matter. They’re tedious and translating what’s in my head onto page is always frustrating.

This is also for fantasy and sci-fi: Fight scenes that have some magical or technological element to them, not a straight-up action story with two dudes punching each other. This includes anything from fights in Harry Potter to battling a Xenomorph to bending in ATLA to a throwdown between superheroes.

Side note: I really, truly hate “two dudes punching each other”.

—

I have a friend who loves comics, specifically DC Comics, and watches all the DCAU films. When we lived together, I often watched a lot with them. My favorite remains Constantine: City of Demons because unlike literally every other DCAU movie, it doesn’t drop the ball in the third act and devolve into a stakes-less fistfight. This dude faces *consequences*.

I’m not a comics (like actual, paper comic books) fan, but without fail, every time the setup is good, the characters are good, the first 2/3s are good with pacing and usually a mystery and passable character development like Batman: Under the Red Hood…. The last 15 minutes or so always abandon what had been a good plot for just superheroes punching each other and I get so bored. I’m invested and then they rarely deliver any payoff.

But I do like Constantine. Dude needs a nap.

Point is: On top of those fight scenes not really mattering, by the nature of what comic books are in that they can never stray too far from the status quo, or if they do, it doesn’t stay that way for long, the people who made these characters don’t get all that creative with their powers.

I think, actually, I liked Constantine so much because his stuff is rated R and it doesn’t shy away from the more realistic effects of living in a superhero society… without being gratuitous like The Boys.

I just get bored. The fight stops when the plot says so. Knockouts are arbitrary, power scaling is arbitrary. Someone can get thrown through a wall and walk it off but the villain or their buddy can come up behind them and hit them really hard on the head and that’s enough.

Anime is its own thing and would take far too much time to address here but I do want to talk about My Hero Academia real quick, following up on a previous post about tournament arcs.

Season 2 of the show has three main arcs: The tournament in the first half, and the Stain fight/final exams in the second.

For a while, the show actually seemed to take injuries rather seriously (for shonen, at least), and got insanely creative with characters’ very niche powers. In season 1, their teacher, Aizawa, gets pretty brutally beaten by a horde of villains and his powers are permanently impacted by his recovery—he can’t use them for as long as he used to, and he has a new scar.

Midoriya, too, whose powers break his bones on the regular, has consequences for overusing them, like his hands and forearms not healing properly despite superpowered medical intervention.

Power scaling, too, was fantastic…. Until the Stain fight.

I will never understand the thought process behind this logic:

“Hey let’s show how powerful Todoroki is by having him manifest an entire glacier in about 3 seconds!” *9 episodes later* “Hey let’s make this fight with a dude who only has various blades to work with super tense by making Todoroki completely nerfed in a legit life or death situation!”

Buddy couldn’t take two seconds to yell at his friends to get the fuck out of the way? Was he worried about damage to the buildings? I feel like nepotism could have spared him from some consequences if breaking a few windows meant him not getting murdered. It wasn’t like he had daddy issues over his ice powers.

The rest of the show (until I DNFed) had similar issues. Powers were as competent as the plot allowed at any given moment, which I guess is the nature of shonen, but if you’re going to go out of your way to establish realistic rules and consequences really early on, breaking them willy-nilly because it looks cool later is annoying.

Which is applicable across all fantasy sub-genres: Consistency.

I might not be the best at writing the step-by-step choreography, but damn it if I don’t know how to make sure I’m not opening up plot holes in how much damage my characters take and dish out.

—

So. How I approach fight scenes as told by Eternal Night and my sci-fi WIP.

Before anything else, establish a reason that this has to be a fight, that it has to happen now, and what’s happening beneath the combat to keep the story progressing. The plot will not stop just for fisticuffs.

A magic system is only as cool as what its characters cannot do with it, and breaking those limits ruins the magic system.

Make sure this is a fight that can only happen in this story, taking full advantage of the various powers/abilities/magic system rules, if this is meant to be flashy and grand.

Eternal Night is about vampires, thus my vampires, being immortal, can take a lot of hits and not suffer long-term consequences compared to a mortal. I adhere to a lot of classic vampire lore while also making up my own rules. They don’t have super speed, super strength, or compulsion, they just have a lot of experience and know how to use their weapons well, and can essentially go at 100% without mortal limitations of fatigue.

Basically: My vampires are only as strong as a mortal in absolute life-or-death situations, but that’s also dependent on how strong they were in life. Somebody who was a couch potato isn’t going to be as strong as a bodybuilder, and that carries over. I don’t have “younger/older vampires are supernaturally stronger” rules.

They have the same immortality risks as most versions: Stakes, beheadings, sunlight. Anything else is survivable.

Simple magic systems tend to be the most robust because there’s less rules available to risk breaking or forgetting (why ATLA's bending feels so real).

So when I was writing ENNS’s big fight, on top of making sure they weren’t all gods with their weapons—they missed shots, got tired, made bad calls—priority one was making sure I kept killing blows consistent, and when they’re temporarily “dead,” that the timing of when they revive isn’t determined by the plot.

Meaning: If I have a vampire who, idk, gets stabbed by a regular sword and it “kills” them, they have to stay “dead” for whatever amount of time I’d previously established and not wake them up early to participate in the plot again. Those are my rules and I have to work with them.

And in that way, yes the choreography is frustrating, but even if it’s an average description of a fight, I will appreciate that the writer respects their own rules and still be entertained.

With that, in the sci-fi WIP I had incredibly complex and diverse magic systems, 3 complete and unique practices split between two characters. One of which was incredibly OP.

This was a very reluctant OP character who wouldn’t use the full extent of his powers even to save his own life, often to the ire of his team who suffers the consequences of unnecessarily complicated battles when he could one-shot the enemy but chooses not to.

Internal limits tend to be stronger than external ones if you have an OP character, because they’re more believably toggled on and off without breaking the lore.

Even with OP character stubbornly making life harder for himself, he was still OP. He had two different magic systems at his disposal, and beyond his internal limits, they had two very easily exploitable external limits.

Magic system A was tied to a physical artifact he had on his person. If he got separated from it, he couldn’t use it. A is also a lot harder to use if B is also busted.

Magic system B was counteracted easily by users of Magic system A, and by the enemy military who’d developed weapons specifically to nullify those powers, and that weapon was everywhere.

Which meant my fights concerning OP character were rarely “why doesn’t he insta-kill them” it was “oh shit, he can’t insta-kill them, now he has to be clever to get out of this alive”.

One of my favorite fights was at the tail end of Book 2 where he was stuck with two of his non-powered teammates, on a ship dead in the water being overrun by the enemy. The ship had no power, the radios were dead, and the engines were fried.

He had already been sick for half the book and physically and mentally exhausted, and when the enemy arrived, they nullified the rest of his powers. All he had was Magic System A, but in his condition, it was like being asked to do long division on paper by hand, because his calculator was broken.

Dude was not having a good time.

Which meant he was basically useless, with two of his basically useless teammates, who all had to work together to get creative and clever with the tools that they had, on a ship they all knew like the backs of their hands.

So many things they would not have had to do in any other situation, with stakes so much higher because OP was powerless. The characters came first, not their powers, which I think is the most crucial ingredient to any fight you want people to keep talking about for years to come.

—

I can’t tell you how to choreograph your scenes, but I do think that why they’re fighting matters far more than what they’re fighting about, and especially in fantasy: What’s the point of writing magic if you don’t take full advantage of your magical characters?

[immaturityofthomasastruc]

(Accidental 150 Follower Special) IOTA’s Top 10 Best (and By That, I Mean Personal Favorite) Episodes of Miraculous Ladybug

Alright, I already covered what I considered to be the worst Miraculous Ladybug episodes in two parts, and now it’s time to talk about the what I consider to be the best Miraculous Ladybug episodes before I talk about... him...

I’m only putting one rule in place for this list. I'm going to try and list episodes with good qualities other than “cool-looking Akuma and awesome fight scenes”, and focus on other details like character moments and story.

Other than that, let’s get started.

These are the Top 10 Best Episodes of Miraculous Ladybug (in my personal opinion because your opinion is also valid)

#10: Mr. Pigeon

While Marinette works on sketching a design for a hat for a fashion contest where the winning design will be worn by Adrien (a rare example where the “Marinette does a thing to impress Adrien” plot actually works), a birdwatcher who loves feeding pigeons in the park is told off by the only police officer in Paris, causing him to get akumatized into the titular Mr. Pigeon, who has control over all of the pigeons in the city.

And by God, does this episode have fun with the concept.

In addition to constantly mimicking pigeon cries, Mr. Pigeon's movements are just so entertaining to watch, only aided by the creative ways he controls the flocks of pigeons.

I'm not kidding when at one point, Mr. Pigeon traps Ladybug and Cat Noir in a cage, and threatens to have his pigeons crap on them unless they hand over their Miraculous. Yeah.

This is one of the episodes that really set the standards for how outlandish the Akumas in Miraculous Ladybug could get. It kind of reminds me of an episode of the original Ultraman, where the SSSP has to find a way to move an incredibly heavy monster using increasingly abnormal strategies, like inflating it with air so it'll float like a balloon. It's clear it isn't taking itself too seriously, so the audience shouldn't either.

Admittedly, Cat Noir's feather allergy feels shoehorned in, and is only included to increase conflict, and you would think it would come up when Mayura, a bird-themed supervillain appears in the third season. But then again, that's just a minor nitpick.

It's just a really fun episode, and I wish we could see Ladybug and Cat Noir fight Mr. Pigeon again that isn't used for a cheap gag.

#9: The Puppeteer

After being told by her mom that she can't have a Ladybug doll made by Marinette, young Manon is Akumatized into the Puppeteer. But obviously, you can't have our heroes beating up a five-year-old, so instead, the Puppeteer has the power to exact control over past Akuma victims as long as she has the doll made by Marinette. So Ladybug and Cat Noir have to face off against Lady Wifi, the Evillustrator, and Rogercop, before the Puppeteer gets her hands on the dolls Marinette made of the two heroes and take control of them as well.

It's still kind of funny to think about the fact that of all the Akumas to become a huge threat to Ladybug and Cat Noir, it's a little girl throwing a temper tantrum. And like with “Mr. Pigeon”, the episode has a lot of fun with the concept, best reflected in the voice acting. You can tell that Carrie Keranen is having so much fun this episode with the stuff she says as Lady Wifi.

The fact that someone who was actually a major threat to the heroes with how she was able to easily outsmart them and also came really close to getting their Miraculous is now acting like a little kid using phrases like “super duper sorry” is even more hilarious.

I'm still a little confused as why of all the past villains, it's Evillustrator and Rogercop that get to come back, and I wish they had gotten more to say, but it's still a treat to see Ladybug and Cat Noir fighting four villains at once, especially since this was before “Heroes Day”.

#8: Sapotis

Hawkmoth akumatizes Alya's little sisters into Sapotis (supposedly based off a folktale, but I can't find anything about it online), who have the power to multiply and easily overwhelm Ladybug and Cat Noir, forcing Ladybug to recruit Alya to become a third hero, Rena Rouge.

I've been a little negative about Alya in the past, but this episode gives her some major character growth. One of the biggest problems I had with her character in Season 1 is how often she tried to figure out Ladybug's identity... despite claiming to be a huge superhero fan, who should know why superheroes keep their identities a secret. Thankfully, this episode mostly puts an end to this idea.

The episode opens with Marinette giving Alya some reasons why Ladybug would keep her identity a secret, and it actually plays into the episode.

Putting aside the stupid Rent-A-Miraculous system introduced in this episode, the idea of keeping secrets and how necessary they can be sometimes is reflected after the battle where Alya is hesitant at first to give up her Miraculous, but eventually concedes and keeps her identity a secret from Marinette (who ironically knows, but that's not important).

Even without that, this episode still has a lot of action with the three heroes fighting their way through an army of Sapotis, with plenty of banter during said action. Hell, at one point, Cat Noir says “gotta catch 'em all”. I don't have a joke here, that's just brilliant.

Out of all the introductory hero episodes, this one easily sticks out among most of them.

(Don’t worry, I’m going to talk about Rena Rouge’s character design in a later post.)

#7: Guitar Villain

I said before in an earlier post that Jagged Stone is one of my favorite characters in Miraculous Ladybug, so it's obvious that the episode where he gets akumatized would be on this list.

After a disagreement with his manager about trying to mimic the popular singer XY (who ironically lacks a Y chromosome), Jagged is akumatized into Guitar Villain, a rock star with a pet dragon who forces everyone to listen to his Awesome Solo (yes, he names his attacks too) to dance uncontrollably.

Honestly, there's not much I can really say about this episode. It's Ladybug and Cat Noir fighting a rock star who flies around on a goddamn dragon. That's one of the coolest things I've ever seen! Even the way they defeat him (which I won’t give away) is a fun jab at rock stars.

Admittedly, the episode does border on grouchy old man territory sometimes by complaining about how bad today's music is with the way they portray XY as a whiny and egotistical coward, but after watching “Silencer”, you'll be glad everyone hates him.

Overall, it's a rockingly awesome episode.

#6: The Dark Owl

Mr. Damocles, the principal of Marinette and Adrien's school, is akumatized into the Dark Owl, a corrupted version of his favorite comic book superhero (who would later turn out to be real in the New York special, but I don't want to acknowledge that), who uses his high-tech gadgets to trap Ladybug and Cat Noir, putting them in one of their toughest binds yet.

I'm a huge fan of the Adam West Batman show, so you could probably guess why it's on this list. This episode really feels like an episode of that show with how goofy and over the top everything is. Obviously, this episode has a few Batman references thrown in (even an Incredibles reference at one point), and they're all hilarious.

I just love how complex Dark Owl's traps for Ladybug and Cat Noir are, and the fact that he actually manages to outsmart them at one point. Like seriously, have you ever heard of a death trap that involves drowning someone in whipped cream? That’s totally something you’d see the Joker setting up.

I don't really want to give away the ending (which is why this part is so short), because I think it's a really clever resolution that you should check out for yourself.

#5: Gorizilla

Hawkmoth akumatizes Adrien's bodyguard into Gorizilla, whose sole purpose is to protect Adrien. His motivation? To see if Adrien is actually Cat Noir or not. So Adrien has to avoid this gigantic gorilla's wrath with Marinette, all while trying to catch a movie his late mother was in.

See this? This is Adrienette done right. This is the kind of interaction I like when it comes to romance. Marinette and Adrien spend a few scenes with each other avoiding Adrien's crazy fanbase, and Marinette doesn't stammer half of her words. Even when she interacts with Adrien as Ladybug, she still remains confident, and Adrien trusts her judgment when it looks like he might fall. I don't just want Marinette and Adrien to cuddle with each other or declare their love for each other when they get their memories wiped. I want them to interact like human beings before they actually start a relationship, and this episode is a good example of it.

Adrien also gets some good focus with the way he views his relationship with his parents, as does Gabriel with his relationship with his son. Granted, he's taking a pretty huge gamble trying to kill Adrien to see if he's Cat Noir or not as opposed to just... taking off his ring while he sleeps. Can we at least admit he's trying?

I feel they could have done more with the King Kong homage (guess who I'm talking about?), but I can understand there wasn't enough time to focus on that. It's still an important episode to watch for plot and character growth that will barely be acknowledged in later episodes.

#4: Sandboy

tHe SaNdBoY hAs ChEcKeD iN. nOw NiGhTmArEs CaN bEgIn.

Now that we got that obvious joke out of the way, let's talk about one of the most creative episodes of the show.

Tikki and Plagg, Marinette and Adrien's Kwamis (the magical beings that power their Miraculous) take part in a ritual with the other Kwamis inside Master Fu's Miracle Box to contact Nooroo, Hawkmoth's Kwami, on his birthday and get an idea of where he is. Unfortunately, Hawkmoth chooses to akumatize someone during the ritual, leaving Marinette and Adrien helpless to fight back against Sandboy, an Akuma with the power to make their worst fears come true.

I said before in my worst list when talking about “Ladybug” that there was too much going on for one episode, what with Marinette's expulsion, the attempted Scarletmoth attack, and the fake Ladybug plotlines generally being rushed through. This episode is basically the opposite of that (ironically, they're both the penultimate episodes of their respective seasons).

The Kwami ritual and the Akuma attack are perfectly staged together so one affects the other. Not only do the Kwamis have to risk aborting their ritual to reach Nooroo in order to fight the Akuma, but Marinette and Adrien have to deal without fighting off Sandboy's nightmares on their own. Both plots balance each other out into a well-crafted story.

This is also one of the only episodes in the show where the Akuma of the week isn't the man focus. Here, we don't even see what happens to get the kid akumatized into Sandboy, and instead, Gabriel senses someone with negative emotions and akumatizes the kid offscreen. This works, because it doesn't distract from the main plot too much.

Even Marinette and Adrien's worst fears beautifully contrast each other, with both managing to be unsettling in different ways, even if they both have different tones. While Adrien's worst fear is being imprisoned in his own room (the fear only made worse with Plagg's absence), Marinette's worst fear is... the real star of the episode. Ladies and Gentlemen, I think you all know who I'm talking about.

You can tell the animators had a field day with animating Nightmare Adrien. Just look at the way he moves around and the faces he makes. It manages to be terrifying and hilarious at the same time. Bryce Papenbrook's performance only makes it better, cementing this as the highlight of the episode.

This episode also does a good job at foreshadowing the main plot for Season 3 with Hawkmoth finding out about the other Kwamis and by extension, more Miraculous.

It's got plot, comedy, good action, and Nightmare Adrien, so how can you turn this episode down?

And no, I'm not talking about Nightmare Ladybug, mainly because I'm tired of all the evil doppelgangers from the worst list.

#3: Startrain

Yes, believe it or not, I managed to find a Season 3 episode that wasn't complete garbage, and spoiler alert, this isn't the only one.

Marinette and Adrien's class goes on a field trip to London by taking the train, until the driver is akumatized into Startrain, who wants to escape to the one place that hasn't been corrupted by capitalism... SPACE! So Ladybug and Cat Noir have to defeat Startrain while also finding a way to bring everyone on the train back home.

I like how this episode plays with the usual Akuma of the week formula. Unlike every other Akuma they've fought, Cat Noir points out that if they beat Startrain, everyone will die, so they have to be more strategic in their approach. They don't even fight Startrain for most of the episode, as they have to make their way to the front of the train to confront the Akuma. The action in this episode is very creative and really takes advantage of zero gravity, only aided by the design of the futuristic train the episode takes place in.

The new hero introduced, Pegasus (AKA Max, another student in Marinette and Adrien's class), is also really cool, being very intelligent and helping out the heroes progress through the train even before he gets the Horse Miraculous. It makes sense that his intelligence would be used rather than just his powers in this situation.

There are even some good character moments too. For once, Master Fu does something smart and loans the Horse Miraculous (which has the power of teleportation) to Marinette so she can still go on the class trip, trusting her and actually letting her have a life. It was also nice to see Alya stick up for Marinette by keeping Lila from interrupting her nap with Adrien.

This episode is basically like a refreshing glass of water to enjoy during the garbage fire that was Season 3.

(I’m going to talk about Pegasus’ character design later on too, don’t worry)

#2: Silencer

Lukanette shippers, ASSEMBLE!

Music producer Bob Roth and his son XY hold a contest for young artists to show off their skills, and Kitty Section, a band composed of several recurring characters, decides to enter, with Marinette helping to design their costumes. But as soon as they submit their video, they find out that XY copied their style, naturally pissing the band off.

Marinette and the lead guitarist of Kitty Section, Luka, confront Bob Roth and XY, who threaten to ruin their careers by claiming that they ripped off XY. Seeing Marinette getting threatened is more than enough for Hawkmoth to akumatize Luka into Silencer, who naturally has the power to silence and mimic the voices of others.

I talked about Luka and his relationship with Marinette in an earlier post (specifically the one where Astruc claimed that the fandom growing to like Luka counted as character development), and I said that this was one of the few good episodes this season because of their interactions. This episode basically made me realize how much Luka cares for Marinette, and the episode gives plenty of time to show the two spending time together and growing closer. It's basically everything “Oni-Chan” should have been about, giving some depth to Luka and not portraying him as a crazy person like they did with Kagami in that episode.

Silencer is also one of the more creatively designed villains this season, and has a really creative approach to achieving his goals. While the ability to steal and imitate someone's voice seems mundane compared to control over the weather, or making nightmares come to life, it's used very effectively. Silencer basically tricks the police into arresting Bob Roth while imitating the mayor's voice, and he threatens to make his life a living hell by using the connections to the voices he's stolen. Even with the hand puppet gesture, it's still unsettling to have Silencer speak in all these voices, and it would make for a really interesting horror movie.

Even Ladybug and Cat Noir's interactions are back to their Season 1 levels of enjoyment. Even though Silencer took her voice, Ladybug just makes so many expressions that do a great job at describing her feelings, which naturally plays off Cat Noir's motormouth tendencies. Whenever Cat Noir jokes about Ladybug's condition, he is rightfully called out on it and is reprimanded in some way, my favorite being when Ladybug uses her yo-yo to hit Cat Noir on the head to shut him up. Even putting aside that, they still work well together this episode and really feel like equals. I also love their silent fist bump when Bob Roth is exposed.

Again, the episode still takes the time to go on about how unoriginal today's musicians are, and how they lack artistic creativity and all that crap. Look, given how ham-fisted the writing in this show can get, are you surprised the commentary isn't subtle?

Even putting aside how much this episode made me appreciate Lukanette, it still has a lot of great moments that aren't even related to the ship itself, which is a real testament to how this show can perfectly balance romance and story when it's done right. Now if only the show could try this much with Adrienette, then people wouldn't hate the main pairing of the show this much.

#1: The Collector

Taking place immediately after the Season 1 finale, Marinette meets Master Fu and discusses the book she found depicting past Miraculous users. Marinette theorizes that since the book was in the Agreste mansion, Gabriel could be Hawkmoth. And to the surprise of absolutely no one, she's right, and in order to draw off suspicion, Gabriel akumatizes himself into the Collector.

This episode has several good writing decisions for both sides, and the choices the characters make feel natural. Gabriel akumatizing himself is such a smart move, and so is what Marinette and Master Fu do with the book at the end. This episode does a great job setting up future plot threads and establishes Master Fu's character and the mystery associated with him.

The Collector is a visually stunning villain, and his powers are really creative, leading to a great fight with Ladybug and Cat Noir, who use a great strategy to outsmart him. I also love how over the top he is in order to make the heroes believe that he's working for Hawkmoth, all with a devious smile on his face.

This was also the episode that really got me into Miraculous Ladybug as a whole. I checked out the first season on a whim after it was mentioned in a Pan Pizza video, but it was during the hiatus between seasons, and I hadn't really started using Tumblr yet, so it mostly stayed off my radar. When Season 2 started however, I really got invested in the story, and the way this episode turned out was a big reason why. I wondered what it would be like when Adrien finds out his own father is Hawkmoth, and how the story would play out after the reveal.

Despite what it led up to, I still consider “The Collector” to be my favorite episode of Miraculous Ladybug.

Well, now that I talked about that, not it's time to talk about what I consider to be the worst episode of Miraculous Ladybug, “Felix”. God help me...

[charliejrogers]

Wonder Woman 1984 (2020) - Review & Analysis

Here’s a non-controversial statement: 2017’s Wonder Woman is a legitimately great film (if you discount the last act’s boring battle). A fun, yet emotional anti-war tale with a great period aesthetic. What elevated it from greatness was its starkly bleak reveal that Ares does not start man’s wars, but he merely gives humans ideas for how to instigate them. Ultimately, it is Man who holds responsibility for our own destruction, and despite this Wonder Woman still chooses to help us poor creatures. Cool themes, cool hero, cool movie.

Wonder Woman 1984 shares the main character from its 2017 forerunner, as well as its dedication to recreating a particular period aesthetic (here the 1980s), but the brilliant writing from the first film is gone. The main themes are essentially… “be careful what you wish for” and “winners never cheat; cheaters never win.” Not the most grand and interesting follow-up to the prior film’s genuine insight into human nature.

But that’s OK. I’m really not sure why this movie is getting so much flak online. If DC’s recent prior history with filmmaking should have taught us anything, it’s that 2017’s Wonder Woman was a fluke. Remember that this is the same studio that brought us the outstanding climax to Batman vs. Superman where one grown man learns that another grown man’s mother is also named Martha. Oh, and did we all just forget that Justice League is one of the worst movies we have all collectively ever seen?

So let’s not be too hard on WW84 for not meeting the quality of 2017’s Wonder Woman. Few comic book movies can. In the more fair comparison to other movies in the DCEU, it sits below Shazam! and Aquaman, and just a smidge below Birds of Prey, but certainly above Suicide Squad, and then literally leaps and bounds over every other movie they’ve made.

Let’s start with the good. Honestly, despite my gripes about the themes of the movie not being very profound, I found the story to be interesting. The movie centers around Diana Prince (Gal Gadot in her role as an archaeologist for the Smithsonian and not as Wonder Woman) stumbling upon an ancient stone whose inscription invites people who hold the stone to make a wish. No one takes it really seriously at first, so two people make wishes without thinking they could come true. The first person is Diana herself who wishes to bring her boyfriend (whom she only knew for about a week, mind you) from the dead. As a reminder from the first film, her boyfriend Steve Trevor (Chris Pine) had died nearly 70 years prior to the start of this film in a dramatic, sacrificial, world-saving act. Apparently, Diana hasn’t moved on at all from the 1910s and still considers her short-time lover to be her forever lover. She’s not really a human and did not grow up a human, so I think we can forgive her for not moving on… but it is weird to imagine that Diana somehow works at the Smithsonian (without going to college? Or did she?) without developing any friends or interest in life. Wouldn’t she have moved on... like a little bit?

Anyways, she wants her boyfriend back, and that’s wish #1. Wish #2 comes from new character Barbara Minerva (Kristen Wiig… who I am shocked to find is 47 years old! She looks fantastic and far younger in this film). Were Barbara a man, the way she is treated by her colleagues would put them in the stereotypical role of a future school shooter. Barbara is a brilliant gemologist for the Smithsonian, but goes completely unrecognized for her brilliance. She is shy and unconfident, and subsequently people frequently forget that they have even met her. Add on to that the fact that she has to work in the same office as Wonder Woman, and her loneliness and subjective feelings of unattractiveness increase as male employees drool over Diana while they ignore and mock Barbara. Therefore, we would forgive her for having a chip on her shoulder. Yet, for all this, Wiig avoids playing her as an angry, emo goth. Barbara kinda has this air about her of “Well, this is just how life is, and there’s nothing I can do to change that.” Given the character’s lack of self-confidence and lack of social grace, it at times seemed like Wiig was just reprising her old SNL character, Penelope, the socially awkward one-upper. But that’s not fair to her character. Wiig portrays Barbara with an earnest goodness to her. She’s one of those people who when allowed to talk one-on-one proves to be more eloquent and interesting than you could have imagine. Far from being angrily envious of Diana’s confidence and beauty, she’s more sadly jealous. Naturally, then, she wishes on the stone to be more like Diana… unaware that this wish might have some unintended benefits.

But then, there’s a third key character to the film (and a third wishmaker), the main villain Maxwell Lord (Pedro Pascal). I cannot tell you if this was a good character or not… and I cannot tell you whether the imperfections of the character are more due to the film’s writing or Pascal’s performance. Lord is another loser, and like Barbara, his “loser” status is the result of being a victim of America’s prejudicial attitudes. But whereas Barbara fell victim to sexism, Lord falls victim to racism. Hispanic in origin, Lord grew up in America with an abusive father at home and racist classmates at school. Beaten down from an early age, all he wants in life is to make a name for himself, to prove he’s not a loser. In a clever twist, Lord (the person who originally ordered the wish stone to come to America before it was confiscated by the FBI and sent to the Smithsonian for analysis) does not simply use the stone to wish for riches and power… he wishes to BECOME the stone. That way, he can get nearly infinite wishes so long as he can con the people around him to wish things for him.

The scenes of Max Lord as a flawed human who just wants to not be a loser show Pascal giving a great performance as a human being at the ends of desperation. The scenes of Max Lord the supervillain are… not good. In a long string of over-the-top, eccentric, hyperconfident supervillains in countless superhero movies, Pascal’s Lord is just not interesting. In fact, he is literally a weak character. He cannot fight for himself as his body is crumbling (a side effect of wishing to become a stone). Furthermore, his initially grounded motivations to finally be respected and successful seem to be just utterly lost by the end of the film when he just wishes for world chaos… only then to turn around and declare undying love for his son. It doesn’t make a whole lot of sense.

Failure to understand a character’s motivations casts a shadow over Barbara’s character arc as well. It is explained that the wish stone takes something in return for granting someone their wish. So as payment for bringing Steve Trevor back to life, Diana loses some of her strength. Still… this strains to fully explain why Barbara, after gaining Wonder Woman-like strength, turns into a walking humanoid cheetah (complete with bad CGI like she walked straight out of the cast of 2019’s Cats.) Like I get that she lost some of her humanity and morality in exchange for strength… but Cheetah girl seems like a little much. And though initially it is fun to see Wiig get to play Barbara as a confident and sexy woman who fights back against the patriarchy, the movie (I think) unfairly pushes her into the villain role. In my opinion, she should be treated as a tragic character, something akin to a Harvey Dent in The Dark Knight, as her villainous tendencies are not really her fault. She literally had the part of her that cares about other humans taken away from her when she naively and innocently wished to be like Diana. Instead, the movie has Diana lecture her that she shouldn’t be so evil. She literally can’t, lady! Stop being so hard on her! In any case, it seems like a failed opportunity to generate sympathy for a genuinely likable character who tragically becomes a villain not through her own accord.

That failure to create genuine emotions extends to Diana’s story as well. As soon as Steve is resurrected, you know by the movie’s end he will be dead again. There’s no other way this movie ends. Yet, the fact that Diana is so stubborn in refusing to give up Steve makes it hard to sympathize with her. She is simply being selfish, making her eventual decision to say goodbye to Steve feel more like her finally doing the right (and obvious) thing, and not some heartbreaking decision. Also the fact that seemingly Diana hasn’t even tried to move on in the last seventy years doesn’t help matters for me: it more just feels like a lazy way to write in Chris Pine’s popular character into the second movie. The move certainly weakens the idea of Diana as a strong, independent woman by making her emotionally stunted and crippled for the last 70 years. It would have been a much more satisfying (and daring) choice if Diana had moved on from Steve emotionally and had to deal with the guilt of having brought him back by accident, particularly if he didn’t want to go back to being dead. Instead... Steve knows he has to go back and Diana feels no guilt keeping him around. It’s weak character writing.

These poor choices I contrast with two of my favorite TV shows that demonstrate perfectly how former lovers who miraculously reunite eventually have to say goodbye for good: Buffy the Vampire Slayer and Jane the Virgin. For risk of spoilers to those still watching Jane, I’ll stick to the Buffy example. There’s an episode of Buffy (though technically an episode of the spin-off show Angel) where Buffy and her vampire lover Angel are fresh off their recent and tumultuous break-up, but through some dark magic that neither seeks out, they are given the opportunity to live a life where Angel isn’t actually a vampire and their love can be fully expressed. Yet, in the end, Angel opts to give up his life as a human and return to being a vampire. The choice is so moving precisely because (due to circumstances I cannot begin to explain) in choosing to give up his life with Buffy, he saves her life as well. Whereas in this movie, Diana choosing to let Steve go is really just her choosing to undo her choice to essentially cheat death. Angel, however, is actively choosing to give up a life of happiness he never wished for but was just given on a silver platter, and will now live in a world where his lover will never know his selfless act and will go on hating him. It’s heartbreaking in a way Wonder Woman dreams it could be.

And not to get too Buffy-heavy… but that show also deals with the emotional consequences of being ripped out of the afterlife much better than this movie. Steve just kinda unrealistically adapts to being alive again in all of five minutes. If, perhaps, from the start he questioned why he was there and hinted to Diana that something was wrong, the emotional aspect of this story, the doomed nature, the feeling of “this is the last chance we’ll have together” could have made this a stronger movie. I wanted to find myself crying when Diana finally says bye to Steve, and I was no where close to that. Gal Gadot shares at least part of the blame. She’s a pretty wooden actress. It’s something I noticed in 2017’s Wonder Woman, but in that movie she was supposed to be a fish out of water so her stilted presence seemed appropriate. Here, where she’s supposedly become an assimilated American for 70 years… it is just bad acting.

Anyways, another aspect of this film that was lacking were the visuals. The bad CGI of Barbara as Cheetah is just scratching the surface here. The opening flashback to Diana as a girl performing in the Amazonian Olympics just… looks fake. I don’t know. The reliance on CGI over practical effects is clear and distracting. It’s only worse in the subsequent scene where Wonder Woman stops a theft from occurring in a mall. The effects are just bad. Like passable for a film in the 1990s or early 2000s. But for a 2020 blockbuster, it’s noticeably bad. And already the scene where Wonder Woman is running towards the camera with a weird green screen behind her seems to have become a meme given just how weird it looks.

And yet, for all the negatives I’ve listed, this is a decent action flick. There’s even some nice set pieces like the one in the White House. As little as I liked Max Lord as a supervillain, I found figuring out the other half of each of his various Monkey Paw wishes (i.e. the downside of each wish) to be clever. unfortunately, each of the main three characters fails to have a story line that takes full advantage of their emotional potential, or they are just poorly acted. With few exceptions, the film eschews “fun” in favor of “seriousness.” Really the only exception is, as in the first film, the chemistry between Pine and Gadot. Their chemistry makes for some of the movie’s best moments, like when Wonder Woman makes the plane they’re flying in invisible and the pair flies over fireworks on the fourth of July. But that sense of whimsy in their scenes is largely absent from the rest of the film. This is particularly true of the action sequences, especially those at the climax. The seriousness makes them rather boring. Really, I’m comparing these action scenes with the last half hour or so of Birds of Prey which really set the bar for superhero movie fight choreography. So in the end, it’s overall an OK movie. It certainly isn’t as bad as others make it out to be, but I cannot believe I’m saying this… in 2020 if you’re in the mood for a fun superhero movie, you’re better off with the Suicide Squad sequel than the Wonder Woman sequel.

**/ (Two and a half stars out of 4)

[purplesurveys]

1142

survey by tickticktmr

Do you have a digital camera? What color is it? No, haven’t held one in years. The last digital camera we had was a bit of a magenta shade; it actually belonged to my sister but I borrowed it occasionally.

Did you like the movie Juno? It was ok, though to be honest I’ve mostly forgotten what it’s about. I remember fairly liking it but it’s not the type of movie or genre I’d rewatch.

Name something you think is way over-rated: Big Macs, which I’ve never found tasty.

Do you remember your first friend? Yes, it was a girl named Kaye that I sat with in preschool. She didn’t stay too long in my school, so I haven’t been able to reconnect.

Would you rather live with your mom, dad, a friend or on your own? On my own.

Name something your pet(s) like: Walks.

Do you listen to country music? No, I don’t.

What does the color white remind you of? Peace, serenity, doves, minimalist homes.

What show/movie/song makes you cry every time? Show: From Brooklyn Nine-Nine - either the episode where Rosa Diaz comes out as bisexual or the episode where Terry gets racially profiled.

Movie: La vita e bella.

Song: There isn’t one song that makes me cry 100% of the time, but I suppose Why We Ever by Hayley Williams had this effect on me for a time.

What was your last fight about? I spilled a drop of our dinner’s soup on the dinner table last Thursday and my mom did a sufficient job making me feel incompetent and a dumbass about it, so I was hurt by it and didn’t speak a word for the rest of the evening. Not really a fight, but y’know.

Do you text a lot? I used to not but anymore. I usually get prepaid for LTE now, not to have credits for texts.

Have you ever been screamed at by a teacher? Many times. A number of them didn’t like me for whatever reason...

Do you smile or scowl more? I definitely try to smile more, but idk for sure if that’s what I do more frequently.

Obama or Bush? Idk, maybe Obama? Considering we were colonized by the US at one point and imperialism remains to linger in my country, I generally don’t take kindly to any US president, though.

Batman or Superman? I don’t like comic books.

Are you excited about Blink 182 getting back together? I don’t follow the band so I’m not sure how recent or relevant this news is, but  generally speaking I don’t remember ever being stoked for a Blink-182 comeback in particular.

Would you rather be a teacher, a stripper or a hairdresser? I’d go with teacher, and preferably of history, so that I at least can have an hour or so to talk about my passion with other people lol.

The last person you spoke to: how many times have they made you cry? Just once.

What's your favorite kind of gum? The classic bubblegum flavor is fine with me.

Have you ever failed a class in school? Just exams, but never altogether an entire class that required me to retake.

Are you even in school? No, not anymore.

Are you taller then your best friend? No haha, I’m slightly tinier than both of them.

Are you scared of spiders? I’d be scared probably of the larger kinds, but all we get here are the super small spiders so this isn’t an issue for me for the most part.

You can't eat anything ever again except for jello or apples: which one? Probably apples. I cannot stand the texture of jelly/Jell-O, and I guess I can move past my dislike of fruits for this situation since apple is kinda decent anyway.

Have you ever cheated on anyone? No, never man.

If you answered yes to the last question, do they know about it?

Do you paint your nails often? I never do and I never have them done either.

Mascara or lipgloss? Er lipgloss I guess, since I literally don’t care how my eyelashes look.

Who’s the last person you called? I think it had been Denise, a co-worker. 

Describe the last person who sent you a text: It was just the delivery guy who brought Ysa’s gift to my place, so I don’t know enough about him to be able to give a sufficient description.

Do you ever watch TV shows or movies on YouTube? No, because for the most part they would be high- or low-pitched, in a tiny screen, sped up, zoomed in, or altogether fake. I also don’t understand why buying movies individually on YouTube is still a thing when Netflix exists for literally cheaper.

Myspace or facebook? Uh Facebook, I guess.

How old were you when you lost your first tooth? I was around 5 or 6, I think.

Have you ever embarassed yourself in front of someone you like? Yeah. But when I started dating them, fucking up in front of them became less embarrassing, of course.

Describe your hair right now: Wet and slightly dripping since I just stepped out of the shower.

Do you like it when it rains? Yes, it’s my favorite weather.

Does anyone miss you right now? I hope my friends do...but I can’t say for sure.

How many funerals have you been to? None. Just wakes.

Where's your favorite place to hang out? Depends on the vibe I’m feeling for the day and the company I’ve got.

Have you ever laughed so hard you peed in your pants? Oh gee, never.

Do you like video games? What's your favorite one? I was raised around video games and so much of my childhood was watching my kuya, dad, and a number of my uncles completing games, so I definitely hold a big appreciation and fondness for them. I never inherited any skills of my own though lmao, so I mostly watch walkthroughs; and the only video games I’ve ever met considerable progress on are Nintendo games marketed for all audiences HAHAHA.

Have you ever worn something your parents wouldn't approve of? Yeah I’ve gotten chided by my mom a handful of times, telling me to cover up with a jacket or something. But her reasoning was always men, so I’m usually able to defend myself and say that that’s not my problem and that’s something fucking men have to deal with themselves. We both know I’m right so she ends up begrudgingly letting me go out with whatever outfit I choose on that given day.

Where are your sibling(s)? They are in their respective bedrooms.

When's the last time a friend got dumped/dumped someone? September. That friend was Gabie and the dumpee was me hahahah, does that count?

Do you celebrate Valentine's day? If I have a significant other, yeah. I like keeping our activities lowkey though because from all my past experiences, malls and restaurants tend to get fully booked on February 14 and it ends up being more of a (very crowded) hassle than a celebration.

Do you celebrate Christmas? Yep.

Does it snow where you live? Never.

Have you ever wanted a pet unicorn? I never did, actually.

Would you like to work to earn money, or simply have money given to you? The latter is obviously the ideal situation, but I recognize the importance of hard work too and constantly working on my skills.

If you could be on any game show, what one would it be? Jeopardy or Family Feud.

Do you know anyone whose famous? Yes, at least locally.

Do you read those gossip magazines? I used to, lol those were my guilty pleasures back then. I still keep up with celebrity updates, but I’ve moved to social media now. I also filter which publications I consume and avoid the tabloid-y ones like Daily Mail.

Summer or winter? I’d go with winter so that I can actually experience it for once.

What do you hear right now? I’m watching an archived Facebook livestream of a senior citizen who had held a virtual piano concert to raise funds to afford his maintenance medicine. The media ate it up like crazy and it’s since gone viral, so I was able to I read about him earlier tonight. He reminds me so much of my late grandpa so I quickly searched for the finished concert on Facebook and now I have it on :)

When's the last time you saw a cousin? Around two weeks ago.

Where were you the last time you left your house? I can’t remember exactly. I think I went to Feliz...OH OK I remember now - I originally went to the nearby SM to handle an LBC delivery for work, and to stay at Starbucks for a few hours also to work. After that I went to their vape stall to buy new pods but they didn’t have any for the vape brand I use, so I went to Feliz as well to try my chances there. They ended up having a few flavors but not what I usually get, so I decided to try a new one - grape lol.

Describe the room you are in: Dark, filled with the lovely sounds of piano music, and the faint smell coming from my scented candle. Overall, light and peaceful.

What shoes did you wear today? I wore my Onitsukas when I walked Cooper this morning.

[magic-miraculous]

Daminette December-- So Close (And Yet So Far), Chapter Two “Blind Date”

———————————————————————————————————– Marinette absolutely adored Gotham University. She felt free there, away from the responsibilities and drama that she’d been sucked into in Paris. Ever since the defeat of Hawkmoth a few months before, Mari had found that the only tie she had to the city was her parents. Luka was touring with Jagged as an intern, Kagami had gone to Japan for pre-Olympic training and University, and Chloe was planning to move to New York with her mother after her father lost his job as Paris’s mayor. She had no contact with anyone else in the class, but she did hear what some of them were up to through Luka, who was told from Juleka. Apparently, Lila and Adrien had started dating a few weeks into the summer (Marinette had left for Gotham just a few days after graduation, staying at the university for a summer program specifically for foreign students; where she met Damian, actually, even though he wasn’t a foreign student of course), and Alya and Nino had broken up yet again soon after. They got together for the first time during their last year in college, but the relationship had always been rocky. Alya was under Lila’s command, and Nino didn’t appreciate that. Luka said that this might be the real end for them, though. Nathaniel got into a prestigious art program at the Sorbonne, and Sabrina became one of Lila’s new cronies. The rest of the class didn’t do anything that Marinette or Luka found noteworthy. As much as thinking about her old class angered her, she felt comfort in the fact that she was able to escape and find such amazing friends.

Chloe, Luka, Kagami, Allegra, Felix, Allan, Claude. And now Damian, too, as difficult as it was for him to admit.

Marinette really appreciated Damian’s sobering and serious presence. He brought her back down when she spiraled, and he actually listened to her, which she really appreciated. He wasn’t the type of person Marinette ever expected to be friends with, but she’d found their personalities really complemented each other. Tikki even thought he reminded her of a black cat, and Mari agreed.

The duo was quiet on their walk, as Mari expected they would be. Mari waved as people she knew passed by, but Damian kept walking. She had to take quicker steps to keep up with his brisk pace, but with her extra endurance she wasn’t out of breath.

It was outside one of the academic buildings that a club had set up a table covered in newspaper-wrapped books. The sign in front of the table said “BLIND DATE WITH A BOOK: $2.00”

“Oh, look!” Mari said, pointing at the table. “Let’s go over!” She grabbed Damian’s hand, an act that he surprisingly didn’t recoil from as he would have if it was anyone else who’d done it, and headed over to the table.

“Hi! Want a book?” a boy sitting behind the table asked. “Some general info is written on the front, just so you have a general idea of what you’re getting into, but all the titles are hidden.”

Marinette picked up a thin book, reading the notes on the cover. “SUPERHEROES, BIRDS, WITTY BANTER”

“Can I take this one, please?”

“It’s all yours! Just two dollars, please.”

Marinette fished through her bag and frowned. “Any chance you would take euros? I need to convert some more cash…”

“I’ve got it, Mari,” Damian said, pulling out some money from his wallet.

“No, it’s--”

“It’s only two dollars,” he replied. “No big deal.”

“I’ll pay you back,” she said, making it clear that she wasn’t going to let him get away with that.

“If you say so. Want to keep walking?”

“Yeah!”

As they walked, Marinette started to unwrap the book. “Superheroes, birds, witty banter,” she told Damian. “Any guesses?”

“Comic book?” he suggested.

“Right you are!” She held up a copy of “Batman and Robin: Bad Blood.”

Damian scoffed. So it was one of the fake stories. There was no ‘bad blood’ between him and his father, and even when Dick was acting as Batman he was sure to keep things professional.

“--are so cool!” Mari said, flipping through the pages. Damian watched to make sure she didn’t trip over anything on the ground. “Who’s your favorite?”

Damian’s favorite hero? He couldn’t say Robin; that would be conceited, and on the slight chance she ever found out his alter ego she would think he was a raging narcissist. Definitely not Todd, and he would rather die than have Grayson find out he said something nice about the eldest brother. That only left--

“I guess Red Robin is pretty cool,” he replied calmly. “What about you?”

“I really like Robin,” Mari said. “Even though he has terrible fashion sense and his costume could use a serious update.”

Damian felt an unnatural blush forming from her first comment, but her second one sobered his thoughts. “What do you mean, ‘bad fashion sense’? His costume is tasteful, and timeless!”

“More like ‘lost in time,’” Mari told him, flipping to a page in the comic that had his full outfit on display. “The cape is old-fashioned and a bit too long, and the color blocking just gives you a headache, you know? The colors work, but they’re also very bright and… violent, maybe? I can’t find the right word, but you know what I mean, right?”

“Sure,” he muttered, staring at the page. He never really thought about any of the things she said, but now those critiques were all he could see. He’d have to talk to Alfred or one of his brothers about potentially changing it.

Wait, why did he care so much what she thought of his alter ego’s outfit? For some reason, he now craved her approval. He didn’t like that feeling at all. At least she looked happy, though. He always saw a light in her eyes when she talked about fashion, and this was just the distraction she needed to get over the stress of getting so many unsolicited calls.

Damian found himself wishing he could stare at that smile forever.

———————————————————————————————————–

BONUS #1:

“So, could you find out who the number belongs to?”

“Yeah, it’s a guy named Adrien Agreste. Age eighteen. Son of Gabriel Agreste; big fashion guy. Kid’s a model, currently living in London and attending University there. Business school, of course.”

“Any chance you can make it so his number can’t call this one?” Damian asked, handing Tim a piece of paper with Marinette’s number on it. “But you aren’t allowed to look up the holder of this number. You have to promise me.”

“Yeah, sure,” Tim replied, already typing away. “Okay, so now whenever he tries to call this number he’ll get one of those ‘why are you harassing women?’ messages. That good?”

“Perfect. Thank you.”

Tim blinked. “Did you… did you just thank me for something?”

“I take it back.”

“Too late! I’m going to cherish this moment forever, Demon Spawn. I hope you know that.”

“I’ll stab you, Drake. So help me, I’ll do it right now.”

“So that is a knife in your sock! Isn’t that uncomfortable?”

“Not as uncomfortable as it would be to be stabbed by it.”

“Touche.”

———————————————————————————————————–

BONUS #2:

In the Batcave:

Damian: Do you guys think my suit is outdated?

Dick: It’s a classic!

Damian: That’s what I thought too, but recently someone I know from school said that it was ‘lost to time,’ and that the colors were blocky and too bright and I’m starting to see it.

Tim: Is it the same person whose number you gave me to block from that creep?

Jason: What person? What creep?

Damian: Drake, I swear to all that you hold dear, I will stab you.

Tim: Do it. I’m calling your bluff.

Bruce: No stabbing anyone! We’ve talked about this!

Damian (mouthing to Tim): Watch your back!

Bruce: But yeah, the outfit can be a bit much sometimes.

Dick: *indignant noises*

Damian: Alfred, can we make some changes?

Alfred: Of course, Master Damian. I’ll have some new sketches ready in the next few days.

Jason: Hope your mystery friend likes it!

Damian: *scowls at Jason* You’re next.

———————————————————————————————————–

Hope you enjoy the bonuses! They're my favorite parts that I've written so far. Also I was planning to post this earlier but I’m dumb and accidentally deleted ALL of my tabs I had up and had to reorganize everything which took a WHILE so yeah.

Tagstagstagsallthetags:

@dawnwave16 @bluerosette23 @18-fandoms-unite-08 @northernbluetongue @latinawithbooks @blue-peach14 @weird-pale-blonde-person @astridflies @annabellabrookes @iloontjeboontje @abrx2002 @valeks-princess @interobanginyourmom @vixen-uchiha @sofmimis @worlds-tiniest-spook-pastry @thesunanditsangel @crazylittlemunchkin @caffeinetheory  (comment/send me an ask if you want to be added! Also, please feel free to lmk if the notifications aren’t working and I’ll my best to fix it!)

@daminette-december2019 @ozmav @maribat-archive

All of the prompts are available to see on @daminette-december2019 on Tumblr, and that might give you a general idea of how this fic is going to go (but there will definitely be some twists, I promise you that!)

COMING UP NEXT-- Chapter 3 "Decorating"

[surveys-at-your-service]

Survey #318

“what can you do, where can ya go, when your mama is a burnout, and your daddy is a pyro?”

Do you have your ears pierced more than once? Yeah. Do you use an electric toothbrush? Yes. When was the last time you changed in front of someone? Oh, I have no idea. That's something I avoid like the plague because I loathe my body. When was the last time you got high? Never. Do you get along with your parents? Yeah. How many bracelets do you have on your wrists right now? None. Have you ever used a Ouija board? No, I don't fuck with that stuff. Have you ever met anyone who claimed to be a witch? Yes. Do you go along with prank-callers, or just hang up? I don't answer numbers I don't recognize to begin with. Would you ever tattoo a lover’s name onto your body? Nooooo. Do you own any version of Guitar Hero? I have a lot of 'em. Do you use mouthwash every single day? No. Do you know anyone with asthma? Yeah, my mom. Have you ever walked through a forest at night on your own? Uh, no sir. When was the last time you were in a graveyard? It's been many, many years. Do you know what an ‘AMV’ is? Yep, used to make 'em. How many items are in your recycle bin? (On your computer!) Oh yikes, probably loads. I haven't emptied it in... I don't know how long. Would you rather be a bird or a fish? A bird. What’s one award show you have to watch every year? None. Who do you like more: the Batman or the Joker? Joker. Heath Ledger's is my favorite. Have you ever had a pet rock? No. How much do you weigh? Yeah, no. If you are outside, what are you most likely doing? Taking nature photographs. Have you ever lost your luggage at an airport? No. Have you ever been on a rollercoaster that actually scared you? I don’t do roller coasters to begin with. Have you ever gone in a sauna? Ugh, hell no. Has a stray dog ever tried to bite you? No. Have you ever had an eating disorder? No. Are you attracted to people outside of your race? Yes. Are you in love with anyone at the moment? No. Have you ever dated someone more than once? No. Best cough drop? Those creamy strawberry ones. If you have a pet, does it make a lot of noise? One's a snake, so she's silent as could be. My cat is generally quiet, but he has his times where he just walks around meowing, normally for attention. Are you a fan of eyeshadow? If I actually wear makeup, yeah, I like black eyeshadow. Can you tell the difference between Coke and Pepsi? Absolutely. I don't like Pepsi. Would you feel funny if you kissed somebody of the same sex? Done it before, didn't feel weird. Besides furniture, what’s the biggest thing in your bedroom? A Silent Hill poster. Which of your friends makes you laugh the hardest? Girt. Have you ever been in a Catholic confessional? Yeah, as a kid. What color was the hair of the last person you kissed? Brown. What was the title of the last song you listened to? So today I've really been digging dark synthwave/cyberpunk-ish music, and right now I have a playlist on that's currently playing "DNA War" by Absolute Valentine and Billy Mays. How far away is the closest Walmart? Not even five minutes. Can you do a backflip? No. Who is the lead singer of your favorite band? Well, Ozzy is the lead singer of Ozzy Osbourne, haha. When was the last time you went fishing? Not since Sara visited and we went catfishing with my dad one night. What brand of deodorant do you use? Secret. Have you ever liked someone and never told them? Yes. Do you regret it? Nah. Who was the last person to buy you a drink? My mom, lmaoooo. Who was the last person to buy you dinner? Also my mom, haha. How old is the oldest person you’ve dated? Juan's maybe like... 28 or something by now, idk. Have you ever run a stoplight? No. Have you ever dated someone & then dated their sibling? YIKES, no. That sounds miles beyond awkward. Are both your parents still living? Yeah, thankfully. What’s something that makes you feel more creative? Music, for sure. Do you collect Mason jars to use for crafts? No, but I do find those super cute. What gives you a quality of life? Not much nowadays, idk. What would give you a high quality of life? A sense of purpose, direction, and worth. Do you have any rugs on top of carpet in your home? We have a big one in our living room, yes. I don't get it. Do you have a mattress cover on your bed? Yeah. Do you hate taking naps during the day? No; naps are normal for me. Who has the best personality on YouTube? Maybe I'm biased, but I genuinely do think Mark for a multitude of reasons. He's just extremely likable imo and sincerely a fucking spectacular human being. Do you have any vinyl records? No, but I would love to collect classic rock and metal ones. Which serial killer(s) do you find most fascinating? I'm quite honestly not well-informed in serial killer stories. I think they're interesting, but not enough for me to learn about them. Have you ever visited any celebrity gravesites? No. How do you feel about archaeology? It's fuckin dope. Any animals whose behaviors you find particularly interesting? ALL OF THEM AHHHH!!!!! But I particularly love learning about social animals, like meerkats (mongoose in general, really), African wild dogs, wolves, etc. What are your thoughts on gun control? I don't support the idea of banning firearms altogether, but I am very much in favor of some reform. There needs to be a much, much more strict and complex system in order for you to legally own a gun, and I also support periodic "check ups" to ensure you still fit whatever criteria is laid out. "Bad people will still find guns;" yes, some most certaintly will, but you can't convince me that the numbers wouldn't decrease. It would take a serious villain to put so much effort into pursuing obtaining a firearm. Do you like animals better than most humans? Sure do. Have you ever had to block people online for harassing you? I've blocked people to prevent that. If you collect anything, what is your favorite piece of that collection? I cherish the plush meerkat Jason gave me most, probably; out of my Silent Hill stuff, the limited edition Revelation flyer I have in Japanese. Are you friends with anybody you didn’t like at first? Hi, meet my best friend lmao. Are there any musicians you didn’t like at first, but grew on you? Probably. Do you have any favorite books you’d like to have signed by the author? Not really. Well wait, Ozzy signing my copy of his autobiography would be pretty damn cool. Do you like any board games or card games? I'm not really a board game fan, but Magic: The Gathering is fun as far as card games go. What historical figure(s) are you most interested in? I'm not incredibly interested in any, but I do think Pharaoh Hatshepsut was a bad bitch. She was one of the extremely few female pharaohs, and if my memory serves me right, one of the most successful. Do you like Breaking Benjamin? I sure do. How many people of the opposite sex have you told you loved them? One. Have you ever had to change your phone number? Yes, because I was getting strange texts from numbers I didn't know. Have you ever played bingo at an actual bingo hall? No. What’s your favourite comic book/graphic novel? I don’t read any. What is something you take pride in? How far I've come as far as my mental illnesses go, particularly depression and PTSD. What’s the biggest magnet on your fridge? I'm not getting up to go look. Have you ever eaten a Big Mac? No; I hate lettuce on burgers, so. What brand is your vaccuum cleaner? Dunno. Do you believe in sex before marriage? Sure, but I don't believe it's a must for everyone. Plenty of people don't even want to get married. Be intimate once you're comfortable with the person, and be safe and smart about it. Are you for or against abortion? I'm pro-choice. Do you feel like you need to lose weight? It's fact that I need to. My body just doesn't want to, afuckingpparently. All I seem to be capable of is either maintain or gain nowadays. Is summer your favorite season? It's my least favorite, actually. Do you wear glasses? I'm basically blind without 'em. Can you say the alphabet in more than one language? Yeah, in German. What do you want out of life? To feel like I made a difference, even if it's a small one. Do you ever get carsick? No. Do you groom your eyebrows? Not really anymore, no. Have you ever liked someone who treated you badly? No. When was the last time you went in the car past midnight? Oh boy, probably not since I had my cyst in I think '16. I was in so much agony and we had no painkillers, so I had to wake up Mom to go to Walmart to grab some. They barely even helped at all. God, I couldn't imagine dealing with that again. Were your last two kisses with the same person? Yes. Do you have alcohol in your house? I don't think we do right now, no. Do you have any personal fashion rules that revolve around your own preferences/body type (e.g., you never/always wear a certain color, sleeve type, or length of dress)? Yeah; I don't wear anything that shows my legs unless I shaved, but I will never wear a dress that isn't at least past my knees. Do you remember any celebrity whose style you admired when you were a teen? What do you think of that style now? Avril Lavigne was/is an ICON. I still think she looks badass. So, is it gif with a hard G or soft G? I used to say the opposite, but I say "gif" now. Apparently that's how the creator of the term says it anyway. When you are invited to things like wedding showers or baby showers do you tend to go or skip? What about graduation parties? If Mom is able to take me, I'll try to go to the first two if they're my closer friends. Do you like spicy chips? Oh FUCK yes. What’s the last movie you watched at a friend’s house? Elf with Sara's fam. Can you remember your parents’ birthdays? Mom's, yes. Dad's, only the month. Do you read your friends' surveys? Yep, I love learning about them. Do you know anyone with a glass eye? Not to my knowledge, no. Do you ever use the n-word? Absolutely not. What piercing do you like most on the opposite sex? I tend to like lip piercings. Do you prefer beef, chicken or steak? Chicken. Ever spent the night in a tent? Yeah, multiple times as a kid, "camping" in the yard with Dad, haha. What do you call your grandparents? I called both sets just "Grammy" and "Grampa." Have you ever cried while reading a book? Oh, certainly. How many college degrees do you want? I got none, and I'm not going back to college. Do you know how to play pool? What about foosball? Yes. Have you ever attended a professional sporting event? Yeah, hockey with my dad a few times. Do you own any jerseys? No. Were you born with naturally straight teeth? No; that's why I had braces. If you were the opposite gender, what name would you like to be called? Maybe like... Victor. Idk. Do you prefer original or sour Skittles? I love both, but sour. Do you like bacon bits on your salad? Yeah. What is your favorite kind of soup? I'm not a soup person. Did you learn to type through a computer program for kids? Yeah. What do you take for pain? Advil/Ibuprofen. What is your favorite place that you’ve lived? My pre-teen and teenage years house: in the woods on a dead-end road and down a gravel path that everyone always missed when learning where our house was. The actual road itself had very, very little traffic, and there was a large expanse of cotton fields. I loved it and miss the house itself, but it's got a lot of bad memories rotting in it. Who are your favorite kids that you’ve babysat? My niece and nephew. <3 Who is your favorite cousin? I don't have a favorite. We barely interact at all. Does one side of your family live in another state? Literally none of my extended family (or half-siblings) live in NC. What states did your parents grow up in? New York and Ohio. Have you ever had an allergic reaction to an insect? No. Is there a good hospital where you live? God no. It is notoriously awful. When was the last time you were asked out? Did you accept or decline? Mid-2017. I aceepted. Does your job allow piercings or tattoos? N/A Do you want to get married? If so, what color will your dress be? Yeah. Probably white/ivory or black. Ever had a caricature done of yourself? How much was it, and were you satisfied with it? No. Do you like peanut butter and fluff sandwiches? No, I don't like the texture. If you got married and then got divorced, would you want to re-marry? Probably not. What’s your favorite amusement park? I haven't been to nearly enough to know. Do you play video games? If so, what kind? Yeah. My favorite are horror games, but I also love me some story-driven survival games like The Last of Us, and then there's "kids" games like Spyro, etc. I like a looot of different kinds. Would you buy used clothes? I don't think so. I know it's easy to wash clothes and stuff, I'd just still feel kinda... grossed out by it.

[bigskydreaming]

What are the best standalone dc comics you can recommend to someone who just knows the main few jla heroes, the existence of multiple robins, and only a few of their actual names? The less grimdark the better, I've already got Li'l Gotham, Kami Garcia's Raven, Superman's pal Jimmy Olsen in my list. Anything with Dick?

With the ironic exception of the 90′s Nightwing solo series, which I will never recommend as it contains all of my least favorite staples of his character lol, from cop Dick to ‘let’s systematically destroy his life because that builds character’ which uh, is NOT the point of angst or conflict IMO, lol.....

Ahem, anyway, except for the 90′s Nightwing solo series, I personally would recommend going back to the 90′s comics for fun stuff. First off, back then the titles were a lot less interconnected, it was a lot easier to read just one book and not inevitably need to rush over to another one to get any context for what was happening, and like....I think the 90′s (at least for DC) gets an undeserved rep. It was dark at times, definitely, but not the unending grimdark of some of the more recent years, and there was a definite focus on younger heroes - for instance, a lot of the names I bring up in my posts about the lineup I’d use for Jason’s Titans, those come straight out of the 90′s versions of those characters. Like The Ray, Damage, Anima, etc.

So the 90′s Young Justice book, Superboy, etc. The Flash, because Wally and Linda Park are a hugely underrated DC couple and were so great together, and the Rogues were at their best in the 90s, I think. The JSA title from back then was a TON of fun at times, with a lot of characters you’ll rarely see anywhere else, unfortunately, but definitely deserve all the love. 

And the 90′s Robin book! Maybe unexpected given my posts about Tim and his fandom these days, but a huge part of my issue there is that fanon Tim and Red Robin Tim are just....the ANTITHESIS of everything Tim was originally, and why I loved him. In the beginning, 90′s Tim was the Robin Who Shouldn’t Have Been. What I mean by that is he wasn’t this exceptional prodigy whose rise to heroism was inevitable - his discovery of Batman and Robin’s identity was as much a matter of luck and fanboyism than anything, certainly not Tim being this child-sized Batman who was every bit as competent as his older counterparts with none of the training. 

Tim was the Robin who made no sense, and that was the point - he didn’t have Dick’s lifetime of dedicated athletics or Jason’s street-smarts or self-preservation instincts (Jason died because he followed his understandable desire for family rather than his instincts, it was never because he was this reckless kid with no sense of danger, he KNEW how to protect himself and keep himself safe and alive...the tragedy of his death was it happened because he didn’t CARE in his desire to believe the best of Sheila and try and save her).

The point of Tim, originally, was he became the hero he was for one reason only - sheer stubborn determination to live up to the example of the Robins before him and be the partner he believed with all his heart that Batman needed. Tim, ironically given how he’s portrayed today and viewed by fans - was the everyman. 

Yeah, he was wealthy, but that wealth wasn’t portrayed like he was Bruce Wayne Jr., but rather just that he was a well-off kid who skateboarded and played video games and had the luxury of going off and doing what he wanted. It wasn’t emphasized the way it is now. And yeah he was something of a loner, but that was by choice - because he was this kid who was obsessed with his hobbies that by their very nature required secrecy. But he had friends, he was just selective about them, and his only hurtle to making friends later with his teammates was the secrecy demanded by Batman. And he was never this socially awkward, maladjusted loner who was a lonely outsider constantly looking in - Tim has probably had more casual girlfriends than any of his brothers, he was awkward but never exceptionally so, and his social issues or problems fitting in at times at school were always portrayed as like....teenage growing pains, rather than any kind of true outsider status.

Tim Drake, originally, was just your average kid who became a hero because he loved heroes and believed in them, and he saw a void that nobody else was filling, and said well if nobody else is going to do it, might as well be me. 

And he was the Robin who had everything set against him and no reason to expect he’d actually work out....because he wasn’t an innately exceptional athlete or genius, he HAD lived a relatively sheltered and privileged life (at that point, though they emphasized and upped the tragedy and neglect of his family circumstances more and more in later years)....but initially, the point was....he had no reason to have the skills or the drive of either of the two previous Robins....AND YET HE SUCCEEDED ANYWAY.

For one simple reason:

He was determined to. He refused to give up. He powered through despite all odds. THAT was the point of Tim Drake.

He was the underdog. That was why we rooted for him!

And that’s why the modern version and the fanon versions of him are so dissatisfying to me personally, because they’ve taken ALL of that away from him and made him into this entitled, inevitable HEIR to all the talents and instincts and toils of everyone who came before him. He doesn’t have to work for any of it, it all just comes naturally to him. From his first appearance in most stories, he’s already the equal of all of his predecessors, able to play cat and mouse with Bruce and Dick and Jason without any of them gleaning on to the fact that he knows more than them, and he’s like....the puppet master secretly helping them all from behind the scenes because they apparently need his help and were incompetent until he came along and that’s not Tim Drake to me and completely the opposite of why he was so great! Now in fanon he’s as wealthy as Bruce and as tragic as Jason and as athletic as Dick and as smart as Babs and I know I’m always saying the Batfamily is a family of Mary Sues and that’s their entire concept, but there’s this insistence on Tim being the MOST Mary Sue of them all and THAT’S his niche, like if he isn’t the most special or talented or smart then what’s even the point of him and its like......STUBBORN TEENAGE HERO IDEALIZATION! THAT’S THE POINT OF TIM!

Modern and fanon Tim Drake is this dark, brooding, cynical pragmatist, when 90′s Tim was the kid who was so hopeful and optimistic he brought a smile back to even Dick Grayson’s face when Dick Grayson had stopped smiling!

Ahem.

Anyway.

Yeah, 90s Robin is a good series. So is the original Batgirl series. I’m a sucker for Kyle Rayner of course, so I’d recommend his solo Green Lantern title, but even though his debut happened in Green Lantern vol 3 issue #50, I’d start around #60 to be honest, because the early issues are when women in refrigerators was coined with the utterly gratuitous murder of his girlfriend Alex deWitt, and its truly an albatross around that book’s neck that never needed to happen and IMO added absolutely NOTHING to his character or the title, so skip it and don’t do that mess the courtesy of even reading or acknowledging it. 

Hmm, what else....the Captain Marvel/Shazam stuff from back then was excellent of course, as was Wonder Woman and her supporting cast. The Titans were honestly not at their best in the 90s though there were some good minis here and there. 

After the 90s, my recs are sporadic - I’d read the Ryan Choi as Atom series, Jaime Reyes’ Blue Beetle books, the Jason Rusch Firestorm, etc. I really have very little modern or current DC recommendations as IMO the entire New 52 was an unnecessary miss and Rebirth has done very little to course correct, though I do think the early Rebirth Nightwing title was pretty good and had some fun stuff.

Anyone else got anymore/other recs for anon?

[hellyeahheroes]

Orphaned: How The New 10s Have FAILED Cassandra Cain

As we approach the end of “the New 10s”, how we came to call this decade (a term I will be using in the common usage, referring to all years with 201X number, not the proper one which ends with 2020), I took a look at one of the characters who I really feel got the short end of the stick through all of it  - Cassandra Cain.

There were some good things for the character in the decade. Writers like James Tynion IV, Bryan Edward Hill actually gave her as much respect as they could in given circumstances and she even made her first-ever appearance in animation. However, looking back I cannot say that it has been actually kind time for her . The bad just outweighs the good. I have isolated five reasons why I believe that to be the case.

1. The Erasure

This room is full of New 52 Cassandra Cain stories.

As always, everything boils down to New 52, the reboot that defined the New 10s for DC Comics. A reboot that asked us to assume Cassandra no longer exists and never existed, even if this did not mesh with the supposedly intact, just compressed, Batman continuity. The only writer who seems to have ignored it was Grant Morrison, whose Batman Inc. was caught by the reboot in the middle and seems to exist in a Schrödinger's relationship with two continuities - both part of the old and new DC Universe.

What is worse is that DC editorial has been silently stonewalling writers who wanted to use the character with vague excuses of her supposedly being toxic and little explanation beyond that. Scott Snyder was denied the use of her in Batman and had to create Harper Row as a replacement. Gail Simone’s pitch for a Batgirls book featuring Cassandra, Stephanie Brown and Barbara Gordon was rejected in favor of a solo Barbara book. In which both characters have been banned from appearing. The only exception was the Future’s Ends special, which was literally Simone’s final issue. It feels that this was done due to higher-ups' desire to push Barbara as the One True Batgirl. Which manifested in some of the editorial changes made to the book, like an artist being told, behind Simone’s back, to make a new villain look like Stephanie. Or Batman flat out calling Barbara “Only Good Batgirl” despite this making no sense in a continuity where she is literally the only one to ever use the name. The fact this ended up doing more harm than good to Barbara is a topic for another list like this altogether. The crux of it is, DC did their worst to make people forget Cassandra ever exists and alienate her fans for years, hoping to get rid of them entirely.  As the very existence of this article proves, their attempts were less than successful.

2. The Alienation

Once DC actually gave in and allowed Snyder to bring Cassandra back, other problems arose. The first one has come in the form of her new codename - Orphan. That name was supposed to allow her establishing her own identity instead of being defined by Bruce and Barbara. However, this argument seems dishonest when it is an identity previously used by her villainous father. The idea of Cassandra redeeming it has some merit, I admit. But this decision does send a message of her being defined solely by her abuser. It also serves to separate her from the rest of the Batfamily. Originally Cassandra has been portrayed as a member of the group and an adoptive sister to all of Bruce Wayne’s fellow sidekicks. Now it feels like her very name serves to single her out, an orphan among orphans.

This problem is not limited to the title. In general, Cassandra is now written as more isolated from the rest of the Batfamily, excluded from as many things as possible or having her role limited to nothing but a cameo. It has been 5 years and DC did as little as possible to reestablish her relationships with any people she was close with previously. In fact, with characters like Stephanie or Tim Drake, they seem to be betting on fans remembering their bonds from the previous continuity and act like they do not need to put in the work to rebuild them. Even if such measures have been taken for things like the reveal of her mother again. Her relationship with Barbara is as quickly cut as it was reestablished, without giving us anything but one or two scenes that work mostly as a reminder of what the two have lost from old continuity. She is not allowed to form new bonds with major characters either, her interactions with Jason Todd and Damian Wayne being kept to a bare minimum even more than before New 52. 

What’s worse is that new connections that she does form end quickly broken and undermined. After a big buildup of her friendship with Harper that girl gets completely written out of Batman comics altogether. Her relationships with Clayface and Batwoman were shattered with the former’s death. Not only that but DC seems entirely unwilling to follow on plot threads like this. It has been over a year by now since Kate was forced to kill Basil to save Cassandra’s life and not a single interaction between the characters seems to be allowed to ever bring that up, despite the effect it should have on both of them. I’ve gotten an impression they aren’t allowed to interact at all anymore, just stand awkwardly next to each other in group shots. Even Cassandra’s currently established bond with Duke Thomas feels constantly undermined by a looming threat he will end the story broken and turned into a villain. All of this sends a message that Cassandra is not a real part of the Batfamily, more a hired muscle than a real member of the group. 

Even the relationships with her villains have been taken away from her by simply erasing said villains. The same goes for many characters who once were her supporting cast, like Brenda or Onyx. Even her father had to be killed despite how many great scenes past writers could work out of confronting the two and exploring both how twisted his view of her is and what extent of the damage he has done to her. It gives an impression of outright spite, as if DC only agreed to bring her back at the cost of stripping her away from all interesting story threads.

3. The Jobbing

The less is said about Thomas Wayne vs Entire Batfamily, the better.

One of the problems with Cassandra’s portrayal is jobbing. For those who do not know, jobbing is a term in wrestling where a wrestler is made to lose a fight to put their opponent over with the audience. The bigger the reputation of a certified badass the jobber has, the more likely people are to buy the other guy as a genuine threat. A quote attributed to veteran wrestler Christian goes “If you can make the other guy look good you will always find a job, but you will have to do the job”.

Sadly, since her return, Cassandra has been reduced to a jobber. A character who is known as the best martial arts fighter in the Batfamily, if not in the DC Universe as a whole, is constantly made to lose to make someone else look good. In fact, between 2015 and 2019 the character had literally a single clean victory. By “clean” I mean a fair one on one fight. Every single one of her other victories was immediately being retconned as her opponent holding back (Dick Grayson) or undermined by her having the help of other characters (Lady Shiva, Azrael). Even the one opponent she was allowed to beat, Ismael, was a new character introduced just a few issues prior and his only show of skill to speak of was beating her in a previous fight. Meanwhile, she is constantly made to lose against opponents who have never been shown to possess skills or abilities that could make it believable, like Jason Todd, Helena Bertinelli or Karma. Thomas Wayne, a character whose use of guns was justified as compensation for his horrible hand-to-hand skills, is likely the worst example of them all. Cassandra is allowed to beat unnamed minions, be it Colony soldiers or League of Shadows ninjas. However, these do little to establish her as a force to be reckoned with she once was. After all, every single hero takes down hordes of minions constantly. Overall her status as a great fighter is at this point nothing more but an informed ability and DC has killed all credibility she once had.

There are painful and insulting implications that come along with Cassandra’s jobbing. This is because her skills as a martial artist have always been something she took great pride in and formed a lot of her self-esteem around. She finds comfort and relief from living with her disability in them. Her story is not one of a person “overcoming” their disability or have it nullified by superpowers that comic books are sadly full of. It is a story of a disabled person learning to live with their disability by finding solace in other skills she has and proving herself a true master despite said disability. By making her be beaten by everyone and their mother, DC turned that character arc into a cruel joke. Cassandra who is losing every fight is Cassandra that DC wants you to laugh at. Mock her for being delusional to think disabled people can be heroes and not just helpless victims. An ableist position very in line with a company that erased Barbara Gordon’s disability and history as Oracle, and to this day has editorial personally offended by the idea she could be anything but helpless in a wheelchair. As a result all Cassandra stories since her return just feel mean-spirited.

4. Shiva

Since Cassandra's return, the only two stories to focus on her have been about her mother, Lady Shiva. This has been a larger problem that has existed since Dan DiDio started meddling with the characters. We could see it in a classic story Destruction Daughter as well. There seems to be a desire on an editorial level to repeat and outdo the classic fan-favorite fight between them from Batgirl #25. Which is by many considered the best Cassandra story and the pinnacle of Kelley Puckett's run. But the editorial does not want to simply “top” that fight. They also want to somehow integrate it into a bigger story that ties Shiva with League of Assassins. I mean no disrespect to James Tynion or Bryan Hill or Anderson Gabrych, but none of them managed to truly make it work. The stories, while still well-written, seem to be inherently contrived. And I believe the future attempts will never truly work no matter who is writing them. The whole premise is nonsensical. Shiva that works with Ras Al’Ghul and his League is by definition out of character as the two have no aligning goals to speak of. There is nothing he can offer her and she doesn’t care for his goals. And the idea of sticking with him to fight challenging opponents is undermined by a fact she could get a good fight by simply slaughtering his entire organization. I started comparing this to Street Fighter to easily explain my issue with this. For Shiva to work with Ras makes as little sense as for Akuma to be M. Bison’s lackey.  DC is constantly trying to sell to us a story that does not work and then angrily try again when it is not hailed as better than Batgirl #25. It seems that Cassandra has become a means to an end in all of it. That she exists solely to get Shiva over as a minion to a bigger villain she has no good reason to follow in the first place.

This does nothing to make Cassandra less of a jobber either, as Shiva has been stuck in the same position for the entire decade herself and at this point is no more threatening than a Teletubby. Especially if the same stories that are supposed to reestablish Shiva as a threat are the stories where she fights her daughter. It feels like the two characters are trying to each regain their credibility by beating the other one because DC did such a good job of undermining them they wouldn’t be allowed to defeat anyone else.

While I want Shiva to be an antagonistic force in Cassandra’s life and she is a great villain, the way it is done does nothing for either character. Their complex relationship and clashing philosophies don't need to be violent or even physical at all to be compelling. It effectively squanders all potential the two have, seemingly for no other reason than to put Ras Al’Ghul over.

5. No Focus

Some of you may have caught on the prevailing theme of these points. Cassandra is no longer being written as a character in her own right. She is erased or pushed in the background to not overshadow Barbara. Her relationships are not being built upon and her plotlines are being dropped in favor of focusing on other characters. She is isolated from her new family and her membership is undermined even by her own codename. She keeps losing so that villains can look strong and cannot score a victory to not make someone “more important” look weak. She keeps being dragged into fights with Shiva to push Ras Al’Ghul as a bigger deal. She is constantly on team books that are always about other people first. 

This pattern speaks for itself. Despite an ever-increasing number of her fans and even writers who adore her, DC does not care about Cassandra Cain. This whole decade the company has shown the only role they see for her is someone used to push characters the editorial wants people to like instead. DC’s treatment of her betrays their arrogance, the belief the editors know better what the fans want than the fans themselves. Sadly it seems to have spilled onto other media as well. From what we know about her appearance in the upcoming Birds of Prey movie, Cassandra is the only character the creators did not care to get right, just somebody to make others look good. This is also why I am not holding my breath for her upcoming appearances in DCeased and Harley Quinn and the Birds of Prey books. At the end of the day these are still not her stories, just someone else’s books she was allowed to be in. Do not get me wrong, I hope we really get this “Cass Renaissance” the fandom is getting excited about. But outside of Shadow of the Batgirl, which will actually be a story about her, I do not trust DC to treat her as more than a glorified prop for other characters. If there is one thing I learned is that you can never expect good things from the Big 2. You can hope for the best and prepare for the worst. But they will very rarely offer you a surprise that is actually pleasant.

- Admin

[glassprism]

Since you're also in other fandoms, are there any ships/pairings you like? Who's your favourite pairing in POTO? Who are your favourite characters (from POTO to all your other fandoms) and why? Ooh, here's a rather unusual one: who's your favourite side character (name one for all your fandoms!) and why?

Yeah, definitely! Though whether some can be counted as actual “ships” is debatable, as you’ll see in a bit.

For Phantom, my favorite “ship” is the love triangle - E/C/R. Not in a polyamorous, threesome way, but one where I love the dynamics of the characters, the way they affect one another, the ways Erik and Raoul are similar and different. So it’s not quite a “ship” in a traditional sense where I want characters to end up with each other, but more in the sense that I like to explore and analyze them.

As for other “ships” or pairings, I’m just going to list, like, every fandom or random-ass thing I’ve ever loved in semi-chronological order (time to go back to my middle school fandoms!). Under the cut for length.

Harry Potter: Sirius Black and Harry Potter. I adored the godfather-godson bond between the two (absolutely no romance; I clicked on an mpreg fic of the two when I was but a wee lass of twelve and it scarred me): how Harry was the last living reminder of Sirius’s best friend, whose death he still feels responsible for; how Sirius is the parental figure Harry wanted, how they were never able to be happy god damn it Rowling. (You can imagine how much my eleven year old self cried when I read the fifth book. Oh boy, the tears.)

Star Wars: Vader and Luke. Again, totally familial, father-son relationship only. (Speaking of scarring experiences, I once stumbled on a romance fic between the two, where yes, both of them were still father and son, and I have that summary etched into my brain permanently.) The way Vader obsessively hunts down Luke, the first emotional connection he has had with a person in literal decades! The way Luke has just ached all his life for a father figure, to the point where he will take a homicidal Sith lord if that’s who he is! How he never gives up on trying to redeem him! How Luke is right. Loud screeching.

Pirates of the Caribbean: Will Turner and Bootstrap Bill and Will Turner and Henry Turner. More sad father-son dynamics (you may be noticing a pattern here). Repeat what I said with the Star Wars relationships, only with more pirates and less homicide. (And way more parental abandonment guilt.)

Halloween: Michael Myers and Laurie Strode,  remake universe. Yet again, no romance, just a severely messed-up brother-sister relationship. I can’t begin to tell you why I like the horrific relationship between a serial killer and the little sister he was so obsessed with he ruined her life, completely traumatized her, and ended up leading to her death, but I do. Maybe it’s the dark obsession aspect of it, that in the midst of all his murders, there’s still one person Michael Myers longs to have a connection with, the baby sister who represented total innocence in his mind. Maybe it’s the “what could have been” aspect too, as Laurie never recognizes him or realizes their connection until it’s far too late. Maybe I need to re-examine my life choices. I’ll figure it out someday.

Bat Boy The Musical: Bat Boy/Shelley. Yes, this is a romance; yes, they are half-brother and half-sister, yes, you can get on me about this, but in my defense how about you watch the musical and NOT come out of it shipping these two against all your better instincts.

POTO: E/C/R, as stated above and for all those reasons. Oh, and you know what - The Phantom and Gustave from Love Never Dies. Can’t get away from those father-son ships. I actually care about that relationship than E/C or R/C in LND (maybe because both E/C and R/C suck in the sequel so what else am I going to latch onto).

Batman: Listed here, but my heart really lies with three ships. Jaytim is the first: it’s the whole “angry woobie destroyer of worlds who hates everyone meets seemingly well-adjusted and cheerful individual who is secretly hiding their own issues” dynamic. Bane/Talia from The Dark Knight Rises is the second. Doesn’t matter if it’s familial, friendship, protector and protectee, or romantic, I eat it up, and to be fair, it’s never explicitly stated what the relationship is in the movie. All we know is that the two grew up together in a hellhole prison, probably dependent on and solely trusting only one another, and that bond continues even after they leave, and not even death will make them leave one another. Finally, we have Jason Todd/therapy from the Arkham games. Because the poor guy needs it.

MCU: STEVE/BUCKY (aka Stucky). This ship (again, could be friendship or romantic) dominated my thoughts for four years. Steve’s fish-out-of-water status! Bucky’s horrific imprisonment under Hydra. The way the two find each other after and the angst. The fact that Steve refuses to kill Bucky and, even after seventy years, succeeds in breakthing through to him because their connection runs that deep. The fact that Marvel just ruined this relationship so now I have to rely on fanfic. Oh yes, and I also slowly fell into the Kastle ship (Frank Castle aka The Punisher and Karen Page). Another “hardened killer with sad backstory who connects to idealistic young woman with hidden darkness” dynamic.

Terminator: T-800 aka “Uncle Bob” and John Connor. Returning to sad father-son dynamics, I have this from Terminator 2. A robot learning emotions! A boy learning to take his place as a leader and all-loving hero. The bond they form, partially because the T-800 will do nothing else but protect John and partially because John has no father-figure of his own, so his robot bodyguard will do. THE ENDING.

ASOIAF/GOT: I actually have very few ships from here other than Arya/Gendry (and only when they’re older) and, weirdly, Theon/Sansa from the show. The Gendrya ship is just cute, it may well be the most wholesome ship on here, while Theonsa has shades of Stucky in it, I suppose, given that Theon has been tortured so badly he can barely remember his own name, until Sansa turns up and reminds him enough that he breaks out of it to help her.

Favorite characters from each of those:

Harry Potter: My favorite characters from here are probably more side characters, so I’ll just say Hermione Granger. Her focus on academics, fear of failure, and conviction that the library holds all the answers, felt all too reminiscent of myself.

Star Wars: Darth Vader,  no contest whatsoever. Cool mask, cool cape, cool lightsaber, and the absolute worst life one can imagine.

Pirates of the Caribbean: Interestingly, Will Turner. Yeah, I guess Jack Sparrow is cool and Elizabeth is absolutely awesome to watch and has the greatest change in the series, but oh-so-serious Will, with his deep loyalties and slow slide into moral ambiguity because of those loyalties, fascinates me.

Halloween: Laurie Strode, all versions. My favorite final girl, my survivor of trauma (except in the remake, where, well, she doesn’t survive). Also, her daughter in the Thorn trilogy, Jamie Lloyd, the most tragic little girl to walk across a horror movie screen.

Bat Boy The Musical: Ah, wow, haven’t thought about this. I guess Bat Boy and Shelley, more by default than anything.

POTO: Christine Daae, no contest. Love her character, love her arc, love her songs, love her costumes.

Batman: Listed here.

MCU: Bucky Barnes (unless he counts as a side character), but I also love Steve Rogers, Natasha Romanoff, Karen Page, Elektra Natchios... and I’ll leave it at that.

Terminator: John Connor. (There’s a reason I haven’t watched Dark Fate yet... or ever.)

ASOIAF/GOT: Three of them! Daenerys Targaryen, who I love because she tries so hard to rule well, who is so observant and cognizant of the things going on around her. Then Sansa Stark, who makes such astounding growth, who retains her empathy and compassion throughout, who is capable of startling perception and insight which most others underestimate. And finally, Cersei Lannister. She’s terrible. I love her.

And favorite side characters from each of those:

Harry Potter: Sirius Black may well have been my first fictional crush. But Remus Lupin is the kind of person (and teacher) I aspire to be.

Batman: I swear, depending on the comic series or movie, everyone is a side character. I’ll just link to my old ask again.

Star Wars: Batman syndrome all over again; every character in Star Wars might be a side character elsewhere, and every side character gets to be the main character of their own comic, book, movie, etc. Erm... I really liked Rose from the sequel trilogy and Chirrut Imwe from Rogue One. I find Mara Jade from the Legends universe fun to read. WAIT I GOT IT - Queen Amidala’s handmaidens from Episode I (Sabe, Rabe, Eirtae, Yane, Sache). Highly trained in both politics, decorum, and weaponry, able to be utterly nondescript or the Queen’s decoy at the drop of a hat? I love.

Pirates of the Caribbean: Hmm... you know what, I thought Syrena the mermaid was pretty cute.

Halloween: Rachel Carruthers! Your typical girl-next-door but well done and with a touching relationship with her foster sister. I will die mad about her death in the fifth movie.

Bat Boy The Musical: Uh.... I’ll get back to you on this...

POTO: Carlotta is super fun.

MCU: Oh heck, Dottie Underwood. (My taste in female characters goes like this: a) intelligent and observant, 2) sweet and compassionate, 3) batsh*t insane. She’s the third.)

Terminator: Not sure how much of a side character she is, but Kate Connor. Wife and second-in-command to John Connor, able to heal wounds and kick butt depending on what the movie requires.

ASOIAF/GOT: I’ll probably think of someone else, but you know what? Queen Rhaenys Targaryen, younger sister and wife to Aegon the Conqueror, whom he wed out of desire. Playful, spirited, loved to fly, sponsored musicians, initiated reforms for the smallfolk, what’s not to love? (Apart from one possibility of her death... but we don’t talk about that.)

[mcrmadness]

Movies, I love movies...

Okay, it's happening again. Getting addicted to thing, I mean. And wanting to share my addiction and shout it to the world but not having even friends to open up to... So, Tumblr, here I'm again, basically talking to walls I guess but it's okay 'cause I've got used to it. (Basically my whole life has been that idk.)

I've had flu for the past 4 days so I've just stayed at home watching tv all day. Yesterday I started feeling like watching those (newer) Marvel movies that I haven't watched before so yesterday, I started with Iron Man 2 (which I also have had on dvd for years but have never watched that) and watched couple of movies I hadn't seen yet and now I'm pissed because I want to watch more and on Netflix (Finland at least) there's every Captain America movie but I really don't want to watch the third one when there's two other movies between them BUT THOSE ARE NOT ON NETFLIX and I don't know what I'm gonna do with my life. I want to watch more but I just hate to do things in "wrong order", no ocd here (at least something that ISN'T mental in my life wooohoo), but it's just something I like and what makes me happy. But also annoyed sometimes. You know, I have the second Thor on dvd (I might have a little obsession with pairings and I regretted buying that dvd but I did it just because of the pairing, now how pathetic is that? :DDDDDDD) but I don't have the first one. And every time I see that dvd at supermarkets I just WANT to buy it so bad because it looks stupid to have only tje 2nd in my shelf but I don't want to buy it because only thing I like in that movie is Loki and, yeah, I don't want the DVD but I want it. Struggle is real!!!!!!!!

...so I need to see more but I guess I have to start searching for the missing movies as DVDs in order to watch the rest if the movies on Netflix 😐 (One day, I swear, I will buy that first Thor dvd so it doesn't look so idiotic to have just Thor2 next to Iron Man and Iron Man 2 dvds hnnnnngh---)

Also I struggled because I felt like watching all of the movies in order but I didn't feel like rewatching some of them and I couldn't stop thinking about how this comes after this which I have seen but a long time ago argh what am i gonna do??? Well ended up just rewinding them to see if I remember everything and to see if I had watched through the end credits too.

[[[HERE I NEEDED THE READ MORE LINK BUT FORGOT HOW TO ADD IT ON MOBILE??? Or did the app just change?]]]

About the Marvel movies overall... Well I grew up with "superhero movies" and I'll always be tru Batman fan and I'll avoid this reboot of the DC franchise as I'm this stupid avoid-all-what's-mainstream kinda person who loves to stick to the "old stuff", and I've also watched lots of Marvel movies and have collected some of those on dvds as well.

I'm proudly one of those who love the original Spider-Man trilogy with Tobey Maguire. For me it's special because I was 13 or so when I first saw it on tv and it touched me because I was heavily bullied and rejected at school and it just made me feel better to see someone going through bullying and then finally defending themselves.

X-Men was also another trilogy that I used to watch and that I liked a lot and I still do. I have each of them on dvd. X-Men are still my favorite from Marvel and I grew a huge obsession to Deadpool a while before his first movie and there's no turning back, I'm still a huge fan and can't wait for the second movie and if had to talk using internet slang, DP would probably be my spirit animal. I'm still annoyed he has to be just a comic book character but fortunately we have Ryan Reynolds there somewhere which is almost like having the real DP in this world.

With the newer movies... Idk why they never got me. Maybe it's the same as with Batman: I love the Batman universe but I act like no other DC universe existed and I ALWAYS hated Superman (Lego Batman would be proud wait what?) when I was a kid so I guess it was same thing with the X-Men for me. And Spider-Man. Actually I think it's this my issue with not being able to adjust to new things that easily that made me not to be interested in those newer movies and I just stuck to the X-Men franchise and spent my energy for new things with Nolan's Batman trilogy.

I don't even know why and when I got that Iron Man dvd but must have been my first newer-Marvel dvd. I guess Robert Downey Jr. was the biggest reason and honestly, I still don't know if I like Iron Man because of Iron Man or because of Robert Downey Jr. 🤔 Anyway, I like Iron Man best from all these and I actually have liked all three movies too. For me they've been more interesting than... the rest? (of what I've seen so far.)

At first I was also annoyed by Captain America's character and I don't even know why. He seemed so negative for some reason - remember that at that time I had seen him only in the Avengers movie - but actually both of what I watched today were pretty interesting. (And I found a ship and can't see anything from behind it anymore. Probably the reason why these movies got so much more interesting so fast..... Sorry, can't help myself.)

I guess the only movies I didn't like that much were both Thor movies and Avengers. Why? Thor is basically a love story and I can't stand love stories and I can't understand love or romance. So I'm just fed up with all that cheesy romantic love story that I just wanna puke. I don't remember if the second movie was any better. I've watched it only once. But I rewinded it today and it seemed boring, mainly cause I could remember every scene as I saw the little images. And Avengers then? Well it's okay, I guess I just was so inspired by Loki's "You're free from freedom" speech that it woke up the anarchist in me that I can't remember anything but Loki and how I melted into another identity crisis and started hating society for not having freedom over my own life because some idiot once invented money and rules. (I'm too kind you know...) Otherwise it was bit cheesy and cliché, I was able to "predict" what's gonna happen so I was probably great company while watching the movie because I couldn't keep my mouth shut and kept telling what happens and "didn't I just say???" and kept criticizing everything they did cause HOW MUCH MORE WRONG CAN YOU GET? Like what about CPR instead of watching your friend die who didn't even die, what about pulse or breath, you know?

But I don't think these are that bad at all. It's just. Funny to see how the plots are usually built the same way. Evil vs good, two different plots told to the audience and these plots will be connected towards the end. After watching this many superhero movies you just KNOW who will be the main villain in this particular one because of the way they're portrayed. Either something completely opposite loser-like OR something mysterious and nameless, powerful and feared character whose face is not seen at the beginning at all. Yeah, I hate clichés. Also with Marvel (minus X-Men) everything often seem to be so black and white. Either it's bad or good but there's no in-between and good will get bad when infected or enchanted or manipulated whatsoever and in the end they will always be back to being good. (With Batman I love how psychological everything is and nothing is black and white. Same with X-Men, it's not always good or bad but just people being imperfect and different.)

I think the main thing to inspire me to start watching these was the LEGO Marvel's Avengers game, it was about the movies and the levels were interesting. Also a while ago I saw the first Captain America movie on tv but couldn't watch it then and every now and then I've felt like I want to hear his story so yeah, I watched some of these today and was not disappointed, at all.

DISCLAIMER: So these are all my own thoughts and opinions so please don't get mad. Or do if you feel like that? My purpose is not to make anyone mad but just talk nonsense to myself but as I hate hearing my voice, I rather do that by writing somewhere instead of really talking to myself. I hate fighting (but live a good talk!) anyway so take it as honest opinions, just my thoughts written down. Not all can like the same things nor can all dislike the same things either. Thank you.

[ghostmartyr]

(SPOILERS for Justice League)

The nice thing about most of my problems with this movie is that I can still point back at Batman v Superman and blame it, because without the dangled plot threads of that, at least one awkward as hell scene wouldn’t have happened.

The other nice thing is that I just love Justice League to death, so regardless of quality I spent a good portion of the movie bouncing up and down.

Which led to me nearly accidentally choking, but not the point.

Less nice things include Bruce being an asshole for no other reason than that the script wanted to pretend it was giving Wonder Woman some kind of arc.

(It wasn’t, she was fine, how dare you bring shades of my ship into that mess, and now I get to whine about Fate Zero, too.)

Okay, so.

Brief background.

The only reason I ever ended up here, or in fandom at all, is thanks to fervently shipping Batman and Wonder Woman from the Justice League cartoon. I was in love with the show, and them, and there was Starcrossed, and I wanted fic. I’ve kept my moniker from that fandom experience in use for thirteen years.

That means I get twitchier than usual about how certain interactions are handled, and I kind of spent the entire scene Bruce was berating Diana wishing that Superman wasn’t dead just so no one would dream up that this was a thing that needed to happen.

I’m glad it was universally agreed that everyone would cover for Diana if she went with murdering him, but... writers, please. I want so badly to love your work, and you spend a lot of this movie not sucking at it, so why must you do these things.

Pure surface cringe, there’s enough shippy gaze that the framing utilizes that Bruce bringing up Steve at all just makes me want to hold my head in my hands and die, because as bad as talking about dead ex-boyfriends to get a rise out of your teammate is, it is a million times worse if you have to wonder if part of the reason the boyfriend is worth mentioning is that you want to draw attention to the romantic links of certain characters.

I don’t know if that’s something that would bother someone if they weren’t hyperly aware of anything that could possibly be taken in a shippy manner, but hi, me, so it was bothersome.

Less subjectively, Steve’s impact on Diana’s life is used to make a really stupid point about how Diana’s conducted herself.

The entire movie, Batman’s been awkwardly trying to make his dream team work.

Meanwhile, Diana has a natural chemistry that, as we see, makes the entire team totally chill with her murdering Batman. It isn’t forced, it’s just Diana being better with them, and performing admirably in every task she takes up.

Blindsiding all of that clear proficiency with the accusation that she’s been limiting herself because of dead boyfriend angst is. Well, it violates its own canon, for starters.

Diana comes into contact with all of the mess of the last movie because of things that happened in her personal life, but she rejoins the fight because there’s a fight to be had, and she can help. That is what she does.

Yeah, Bruce is being a complete asshole on purpose about all of it, but the problem with stories like this is that when people start throwing that kind of incendiary language, the implication is that it’s a hard truth that manners have been holding back.

Later the movie tries to do something a little more real with that base, letting Steve behave more as a representative than the actual issue, but.

Okay, let’s talk Fate Zero. I’m up too late to draw good lines explaining things, so let’s just get to an example I can summarize.

In Fate Zero, there is an episode where the three servants who claim the title king discuss what it means to be a king. They each have different views. Saber, whose perspective the series as a whole argues is no less worthy, is the one who gets a call-out speech about how her beliefs are childish, and not something a true king should believe in.

She is denied the last word on it.

Fate Zero ends with Saber feeling as if she’s failed her people because of everything she tried to be for them. The knight that exacerbates this feeling disagrees, echoing a lot of what the story shows, but she doesn’t get to hear that.

The viewpoint that is given the spotlight, even though showing disagrees with the telling, is the one that puts hers in a broken light.

That’s what Bruce baiting Diana feels like. It’s a lot of words that get more credit than they deserve, because the script doesn’t allow Diana to come back with her say from a point of strength.

Like I said, later they try to do something interesting with it. The idea that Diana fears the burden of leadership after watching so many die could have some real depth, especially because she is such a natural leader. The pain that your own calling brings you is what makes tragedies.

But it’s introduced with a heavily vitriolic tone halfway through the movie, and the Diana before that exchange would have made the same decisions that the Diana afterwards does. She has her hesitance about all of this, but she is willing, and she is engaged. Pretending like she isn’t for the sake of having a fake deep conversation about her conduct is patronizing.

And back on petty, I liked Bruce and Diana’s dynamic without all this stupidity.

I don’t need my least favorite (least favorite is actually all things involving Sakura, but never mind that for the moment) part of Fate Zero anywhere outside of Fate Zero.

I also did not need it in Fate Zero.

To be perfectly honest, a lot of the handling of Wonder Woman in this movie is... less than ideal. She does some amazing things, her smile might actually beam sunshine, and she’s wonderful, but certain choices for her are not, including some camera angles and outfits.

I’m guessing the rest of the internet will cover that.

Uh... yeah, I still don’t like this Superman.

I also get the vibe that they’ve left some of the cast severely underpowered to lift him up.

He can fly. You don’t need to do that.

(I’m just gonna leave this link here....)

Barry is wonderful, Barry and Bruce together are wonderful, Barry and Victor going grave robbing manages to be sweet, Victor and Diana are great, Aquaman’s a bit of a douche but he gets the best music cue in the whole movie so who cares, Batman keeps getting guns for some reason but he isn’t murdering humans...

Some of the shot composition is really weird. Poses that work in comic books don’t always... yeah. Also DC’s in love with slowmo and I am tired of it, and I don’t think my eyes could follow most of the action sequences that didn’t use it.

On the whole, this movie made me happy in a lot of ways. I really love Justice League. More of it is going to make me happy. The script was also willing to have some fun with things, and there were moments that were simply delightful.

It was way better than I feared.

Still not as good as this cast is capable of (well. Supes, I’m willing to let my faith in everyone else stand in for you), and I don’t like looking around for things to bash my head in with in a movie theater, so for the love of all things good try harder, but I feel like this verse is getting closer to the things that make the world and characters appealing.

I also feel my eyes shutting without my permission, so my contemplation of clicking ‘Post’ feels way riskier than usual, but oh well, this isn’t a real review, it’s babble because I GOT TO SEE JUSTICE LEAGUE MY LIFE IS AUTOMATICALLY MORE COMPLETE.

Yeah I’m going to bed.

[oh-mother-of-darkness]

asks (40)

Anonymous said: Holy frick that is so encouraging and I needed that so much bc I literally visited my college to measure my dorm room and drove home in tears bc I panicked myself into a frenzy about whether or not everything leading me to this point has been a mistake and what if I fail and ruin my life before it even starts (I have since calmed down a little) so your encouragement was much needed & is much appreciated

I’m glad I could help <3 <3 <3 Good luck at school! I’m sure you’ll kick its ass

areverieofchaosdreams said: It's Fanfiction Writers Appreciation Day. So thank you for all your amazing stories!!!

Oh goodness I’m all a blushin :’)

Anonymous said: *HAPPY WRITER APPRECIATION DAY* Send this to someone whose talent has blown you away, who you'd like to encourage to keep on writing always, and who you'd like to thank for working their butt off to provide fandom members with breathtaking stories to consume! THANK YOU :D

Aw thank you!

Anonymous said: Hi! I Hope you're well! Do you still take fic requests? Because I really miss Colin Wilkes and I'd love to a story of him with your writing!

Unfortunately I don’t often take requests these days, but I’ll definitely keep Colin in mind!

dirtycherrypie said: hey! applying for WE for the R&D department (may or may not be aware of producing bat gadgets)

dirtycherrypie said: SHit forgot my name - Bea, at your service!

[Bruce Wayne voice] hired

tigers-and-weeds said: Literally just fell down the rabbit hole on your tumblr for the last 12-24 hours. I am in love with with you headcannons and fics! The angst feeds my soul... So I figured I would request: anything angsty with Dick and Damian please please please

Okay again I don’t usually take fic requests BUT I like me some angst so the odds that this will eventually happen.... are extremely high. I’ll try to remember to dedicate the next one to you :) And thank you!

math--ew said: I went on a little birthday vacation to california and I've never been to the beach before. I was bending down to grab a pretty shell and this huge wave knocked me face first into the sand. Like, five people saw and laghed but I got the shell so I guess it's a win win.

Duuuude back at Lake Michigan last month the same thing happened to me. I was taking care of my little sister and her five year old friend, so I was so busy making sure they were okay that the wave plowed me halfway across the beach

babybatbrat said: when i was in ap physics i once spent an entire study period in my physics teacher's room working on one problem. as far as i could tell i was doing all of the work correctly and had all the initial values right so i was racking my brain trying to figure out why i wasn't getting the right answer. the third time i went up to my teacher and asked for help he told me to start at the beginning and walk him through my process bc he couldn't tell why i was getting it wrong either (1)

babybatbrat said: (2) so i start the problem and explain how i got through all the values - "okay so the rod is 5 inches long and half of 5 is 3 and a half -" and i stopped there bc it occurred to me that 3.5 is not half of 5. "it's what?" My teacher asks. i put my head in my hands and stood there for a minute before picking up my work and walking to the back of the classroom while he laughed, bc i had just spent 45 minutes convinced that half of 5 was 3.5 and not, in fact, 2.5, and that was the only thing wrong

Honestly??? Relatable

babybatbrat said: One time i woke up at six in the morning to hear the neighbor's dog barking and instantly realized that meant my dog had jumped the fence, so i went racing outside and sprinted down the street to catch her. when i did i picked her up and turned around to go home and then saw my neighbor standing on their front porch, realized i was in only an oversized spiderman tshirt and snowman pajama shorts, holding a twenty pound labrador and thats how i met my new neighbors

Incredible...... 10/10.....

thrakaboom said: Not a funny story,but two days ago at comic con I met Tom King and he showed me a picture of his kids while he was signing my books

Well hey that’s pretty cool

Anonymous said: I adore your Tumblr. It was a wonderful way to get into the Batfamily fanbase; prior, I thought that there was only one Batman and a single Robin, dearie me was I wrong. And those stories you write, just great. The Headcanons are just as enjoyable. As for Batman, that has come to be a sibling enjoyment. Thank you for your contributions and existence!

!!!!!! Welcome to the crew!

frnkensteingrrrlz said: hey!!! i just went through ur reasons to be happy tag and!! i'm so so happy bc of it (esp the damian hcs, they're spot on imo and he's my favourite) so i hope u have a good day!!!

Thanks! I am having a good day today! Although I’m sure it’s been a long time since you sent this :////

Anonymous said: HELLO I have just discovered and binge-read all of your fics with my homeboy Damian in them, and just wanted to pop by and say that I love you & you are my hero & you write my boy so well so thank u and I hope your life is blessed & you achieve your wildest hopes & dreams

My day is made :D

badfaith00 said: Best batman storyline you've ever read ?

Ooooooh hm I’m mighty attached to n52 Batman and Robin? Particularly the first storyline, but the second is also fantastic

Anonymous said: THANK YOU SO MUCH FOR SHAMELESSLY REBLOGGING YOUR OWN WORK BC I HADNT SEEN IT BEFORE AND ITS HONESTLY SO PHENOMENAL ITS GOING ON MY LIST OF ALL TIME FAVORITES THANK U AND BLESS U

THANK YOU!!! THAT ONE IS MY FAVORITE AND I AM VERY PROUD OF IT

onwardmotley said: In today's Detective Comics someone finally told Bruce and co that Tim's alive. They didn't explain where he is, or how to get him back, but hey. It might've had more impact if anyone was seen actually mourning Tim and it wasn't just played as him being in cosmic time out, but at least it should end soon idk. Hopefully.

Tim Drake? It’s been years since I heard that name.....

Finally. Thank goodness.

Anonymous said: Idk if I prefer your soul crushing angst or your heartwarming fluff... actually I like to suffer so I'll stay with angst lol

Y’all seeing this? Anon gave me permission. Can’t yell at me next time because it won't be my fault (thanks babe :))

Anonymous said: for music, idk what kind of music u like so here is variety: St. Vincent - Paris is Burning, Sea Wolf - Dear Fellow Traveler (tbh everything by Sea Wolf is great), Dirt Poor Robins - Eleanor Rigby, Between Wind and Water- HAEL, Ellem - Kings and Queens and Vagabonds, The Rigs - Rise & Fall, Tally Hall - Light and Night, and Streetlight Manifesto - The Hands that Thieve.

Thank you! I’m excited to listen to these! I’ll start right now!

Anonymous said: 1) What are the good comics to read for Batfamily stuff (from any point in time) and 2) what are the best Jason Todd comics? Thanks!

Okay for Jason I would definitely start with the big ones, which are A Death In the Family and Under the Red Hood. After that you could try Red Hood: the Lost Days and Countdown to Final Crisis. I would avoid the n52 series until you have a good enough grasp of the character to recognize bad writing when you see it. 

For the generalized batfam.... that’s pretty broad. My personal favorites are Red Robin, Batgirl (2009), and both B&R series. If you have more specific questions, you should IM me! I promise I’m better about answering those than asks

yellowwallsbluesky said: Have you heard Swooner by The Zolas? I've really been jamming to it lately

Listening to it right now! Sounds like a bop so far :)

Anonymous said: Hidden citizens paint it black 💜

Much obliged!

Anonymous said: Harry styles "sign of the times".

[adds to list] thank you!

neo669 said: I MISS CASA OLE!! Sorry just read that you lived in Bryan/College Station and I used to live there as well. It's kinda hard to find people that even know that it exists. But I'm sure you can kick law schools butt. You got this!

Yooooooo I miss cstat too :((((

palliddark said: Adalgiza, and I'll be a translator (English to Brazilian Portuguese)

[Bruce Wayne voice] also hired

maeofthedead said: I love your headcannons and now I sort of want to cry thank

Excellent that is the exact target response 

Anonymous said: Love your rant in the tags about the pizza making I'm laughing so hard

Listen..... I have strong feelings

Anonymous said: Did you hear they're making an omnibus of Tomasi's entire run on Batman & Robin?? I just heard and now I kinda want to get this massive book in honor of my favorite batkid and the series that made me love him so much

Man I already have all the individual volumes but if I didn’t......

sonicboom00724601 said: Hi. :) Nice headcanon. :)

I’m not sure which one you’re talking about, but thank you! You're real sweet

Anonymous said: can you maybe write an interaction between Wonder Woman and Captain America? I absolutely adore your style and would love to see your take on it.

Hmmmm I don’t really have a good enough grasp of Captain America’s characterization to try that one :////

Anonymous said: i tried to kill on mosquito that was on my ceiling by slamming it with a book but mosquito was on the move so i bounced swiftly and jammed both my wrist and thumb and now my existence is Pain. also my thumbs swelling and looks purple, so that's nice

Oh shit anon you good???

daziy said: Do we know who Barbara's mother usually is?

Yeah! In her original version, Babs had a birth mom and an adopted mom. She was originally Jim’s niece, so her birth mom’s name was Thelma Gordon. After the adoption, her parents were Jim and Barbara Gordon, with her adopted mother being her namesake. So two Barbara Gordons.

I think for awhile the canon was that her mother died in a car crash, but the current version has her still alive. She left Jim when Babs was young, taking her son (Babs’s brother) with her. James Gordon (the son) turned out to be a serial killer. 

Barbara Gordon Sr. and James Gordon Jr. both appeared in the n52 Batgirl series during the Death of the Family arc. There’s also a very good story about James from the Dickbats period. That one’s called The Black Mirror, if I’m not mistaken?

Anonymous said: Hi! What do you think of the upcoming metal event? Dick and Damian seem to have a big role in it ( I hope Jason is involved too but there's still no sign of it)

Hmmmm I don’t know that I have an opinion just yet, but as always, I hope to be pleasantly surprised 

Anonymous said: bless you are your wonderful tagging system. know that i may have avoided death because of how easy it was to f ind the thing I wanted in your tags. bless

Oh goodness anon I hope you’re not serious about almost dying.... but thanks?

Anonymous said: hi amy! would u say that damians narrative is written as a child abuse one? like there are definitely many allusions to it but its also not as explicit as say, cassandra or rose. like how much of it would u chalk up to comic world dynamics and how much to actual abuse? also would u consider jason to also be a case of this?

Oh I have very strong opinions about the role of abuse in Damian’s narrative. It’s absolutely there, and the effects are staggeringly large. There is no doubt in my mind that the league was an abusive environment, and I can’t justify some of the things Bruce did either.

I think I would say the same thing for Jason, if not quite as strongly. I definitely think that some of the things that happened to Jason as a child shaped his story later on, but less of those were abuse than outside circumstances. The n52 takes a different track on that one, I think, but I don’t put much stock in that characterization. 

Anonymous said: has jason forgiven bruce for not killing joker? if so, what made him?

Unlikely. They get along better these days, but I would argue that comes from poor characterization of Bruce, not an actual resolution process. 

mellenabrave said: My mom accidentlly threw my Damian doll away (╥_╥)

Tossed in the garbage by yet another parent--

Anonymous said: Whoa where'd you get that bat and oracle shirt you're wearing in your necklace pic? It's so cool! (The necklace is also gorgeous!)

Shoot I think it was from Redbubble? But I can’t find it now

Anonymous said: Omg that necklace was so cool!!! Kudos to the maker of it!! Also I really like your top!!

Thank you <3

[comics-mostly]

WHY you should read DC’s Earth One series!

written 08/20/2017.

For as long as I can remember, comic books have always been very intricately intertwined. For example, I recently bought Volume’s 1 and 2 of the 2015 Invincible Iron Man series – the one that takes place after the events of Secret Wars – and it was filled with a plethora of different cameos; from Jane Foster’s Thor, to “facial hair bro” Doctor Strange, to my personal favorite – the King of Latveria himself, Doctor Doom. Cameos in comic books are no strange occurrence – in fact, you’re more than likely going to see, at the very least, a reference to heroes from other comics within the annals of any given comic book.

And, don’t get me wrong, there’s absolutely nothing wrong with this. I, for one, enjoy those little moments, as they often take me by surprise - in a good way. But, there are times when I can’t help but wonder what it would be like if these cameos didn’t occur. What if there was only one superhero in the world? If Tony Stark was the only person saving the world? Or if Midgard was only under the protection of Thor? What if these heroes were always left to save the world on their own – without the help of a collective or ensemble of other heroes? While Marvel may not have answers to this question – DC seems to.

Welcome to Earth(s) One.

Now, don’t let the picture above fool you - these characters have never met in the Earth One series and, from what the future has in store, it doesn’t seem as though they ever will. The idea of this has me very excited. I know that might sound strange coming from me - especially due to the fact that in my last post I spoke at length about how exciting crossovers are regarding the MCU and the DCEU. While I stand by that argument in regard to television and films, I believe that, in comics, having one superhero inhabit a given universe is actually a very interesting idea. 

Let’s take Superman for example. When I first read Superman: Earth One, it was refreshing to see Superman regarded as a serious aberration to what was considered normal on Earth. How his presence on Earth alarmed and affected people; how the news cycles were filled with discussions on what his motives might be; how the nations of the world wanted to know how to protect themselves from him, if ever he were to go rogue. I enjoyed seeing him try to come to terms with the idea of being a hero; about, to what extent, he should insert himself into the struggles of man; about who he is was, not only as Superman, but also as Clark Kent. It’s not as though it does much that’s entirely “brand new,” but there are certain changes that make the series stand out as something truly unique; certain liberties taken with villains, and love interests, as well as the man of steel himself. 

Having it take place in it’s own universe serves to benefit the narrative because, in the “normal” universe, having a character like Superman amidst droves of other heroes serves to make him less unique. Yes, he’s still often regarded as the most “super” of them all, but with other beings whose powers range from magic to literal God-hood, he can fall to the wayside and seem less fantastic than he truly is. That’s not the case with Earth One. Superman is the hero in this world, and it serves to make him truly “Super” in every regard because if the world faces imminent destruction, there is no League to call on - there’s just him. 

Same goes for Batman. I’ll be honest in saying that I don’t own any Batman comics aside from Earth One. It’s not that I haven’t read any before, it’s just that the idea of the Batman seems ridiculous to me - his level of intelligence and ability to “prepare for anything,” seems highly exaggerated, to the point of absolute nonsense. And yet, here I am making it seem like a flying alien is just so normal, right? No, but in a world of super-powered beings, I don’t think Batman makes any sense. He’s literally just a guy in a bat-suit. That, and I honestly believe his psychosis is so severe that he should probably be locked up in Arkham with the rest of his rogues. But, I digress. 

What I enjoy about Batman: Earth One is that it serves to humanize the character. He’s not some overly skilled detective - Jim Gordon actually makes a comment about how bad he is at it. Nor is his physical ability anywhere near the super-human level it seems to be in certain comics. There’s actually an instance during the very first pages of the first volume wherein he’s chasing a criminal across the rooftops of Gotham. During the chase, Batman ends up falling off the side of a building due to his grappling hook malfunctioning. 

It’s awesome to see The Dark Knight as someone who makes simple mistakes; someone who doesn’t have all the answers; someone who isn’t able to figure his way out of any conundrum simply because he has enough, “prep time.” The Batman in this universe is far more interesting because you know that he isn’t able to call another League member if things really go awry - and within the pages of Earth One, there are definitely instances where it really hits the fan. 

Perhaps the most unique story in the Earth One series would be the retelling of Wonder Woman’s origin. For as long as I can remember, Wonder Woman was always set in the past - usually during the events of World War I. However, this story revamps her tale and - just like the other heroes - sets it in modern times. This, along with other “controversial” changes, make it the most unique of all the Earth One stories by far, and in turn, serves to make it one of the most interesting. 

Also, as someone who doesn’t necessarily care for the all-out-brawling aspect of some superhero comics, it was nice to see that the story did not include an abundance of unnecessary fighting. It could have definitely chosen to go that route in order to appease readers who might have wanted to see more of the “warrior” and less of the “Amazonian” heritage. I, for one, enjoyed the story because it did not go through the same process as with the Superman and Batman Earth One comics when it came to fighting.

So, to wrap this one up, I feel that reading these comics - as well as the Earth One Teen Titans - is definitely worthwhile, because they really do serve as a fresh of breathe air from the “norm.” They offer unique stories that focus on singular characters - or in the case of Teen Titans, that specific group of heroes - and serves to make them feel truly unique on their specific Earth. While a possible team-up may be in their future, no such comic has been mentioned as of yet - and I truly hope that one never does come about. I feel it’s best to leave these heroes in their own distinctive worlds, as opposed to having them converge into each other. I am, however, excited for what the future may bring in terms of other heroes getting their own Earth One title. 

If you agree with my thoughts, or disagree, feel free to let me know! Also, if you’ve yet to read Earth One, then definitely check one (or all) of them out - they’re worth the read! And be sure to check out more DC articles - as well as some of my other works - on my DIRECTORY, HERE. 

[renaroo]

Wednesday Roundups 7/6/17

Wow I had a lot to read and I still managed to turn it out faster than I turn out about 90% of these which I’m not sure if it’s a reflection on my reading and writing skills getting better or if I was stressing out over doing these way too much in the past. 

Regardless, we have quite a variety this week and still seem to be celebrating Wonder Joy so let’s just get into it~

DC’s Batman, Creator Owned CBLDF Defender, Marvel’s Spider-Man/Deadpool, DC’s Superman, IDW’s Transformers: Lost Light, DC’s Wonder Woman FCBD, DC’s Wonder Woman: Steve Trevor, Viz’s Yona of the Dawn

DC’s Batman (2016-present) #24 Tom King, David Finch, Danny Miki, Clay Mann, Seth Mann, Jordie Bellaire

Okay, so I follow Batman at a distance because I’ll be completely honest: Tom King absolutely lost me with the Gotham and Gotham Girl plot because I just could not get into it, and it annoyed me, so I’ve been hands off with the title for the most part, a decision I only double downed on with the Catwoman debacle and my correct assumption in King really relying too heavily on TWISTS. a

.... 

But I absolutely picked up this issue because even if nothing in my thinking brain believes, at all, that this will be allowed to change the status quo between Bruce and Selina...

I love BatCat so much you guys.

He proposed. And I bought it purely for those pages.

I have to emphasize it was for those pages alone because I could not have cared less about Claire and Bruce’s conversation because I’m just so tired of how many people there are in Gotham and how this conversation would have been so much more meaningful if it came from Kate or Dick or Tim or Cass or Duke or Harper or Damian or Julia or Luke or Jean Paul or Leslie or -- THERE ARE SO MANY BAT CHARACTERS THAT ARE NOT BEING USED TO THEIR FULL POTENTIAL RIGHT NOW DAMMIT.

The conversation itself is kinda stuff we’ve heard before, and while I like how it tied in thematically it just wasn’t in me to not criticize the fact that it’s coming from the current OC of the Day. 

Anyway. 

I came for the BatCat and I was happy for it even if it was basically only three issues and I had to deal with grown artists making Gotham GIrl’s skirt incredibly short while she was in weird positions for most of it. 

So. That’s my take on that.

Now I can write 3 million fics about how this could be wonderful and that Helena Wayne gets to grow up with all her siblings and be loved by the world. byyyyeeeeeeee

Creator Owned CBLDF Defender Vol. 2 #2 Marc Adreyko, Gene Luen Yang

So this is mostly just an addition at the last minute both because it’s free and because it’s, well, an information brochure about uniting to subscribe or pledge money to the Comic Book Legal Defense Fund for all those who have been encouraged into activism thanks to recent events and the collective consciousness surrounding events like last year’s Pulse nightclub shooting.

It’s a good idea and it’s pro-community messaging speaks to me. I’d like to spread awareness for people that these voices are out there and that if you’re interested in providing support you can check out this particular brochure on Comixology for free or google at your leisure.

Marvel’s Spider-Man/Deadpool Vol. 2: Side Pieces Scott Aukerman, Gerry Duggan, Penn Jillette, Nick Giovannetti, Paul Scheer, Joshua Corin, Reilly Brown, Scott Koblish, Todd Nauck, Tigh Walker

Okay, so... I like Spider-Man/Deadpool’s first arc... but it’s pretty much exactly like Trinity over at DC and it’s spiritual predecessors Batman/Superman and Superman/Batman in that, outside of what’s honestly a pretty stellar initial premise, there is not a whole lot of plan behind where the comic wants to go for the future. 

So you get a whole lot of different creative teams and no cohesive narrative or direction for the comic to go. 

But I guess that really brings into question what makes ongoing comics work and whether or not th idea of “hilarious monthly team ups of Spider-Man and Deadpool without a point, and assumedly without continuity consequences” is enough to work. 

And as someone who honestly really enjoys one-shot one-and-dones, that’s honestly a pass for me. 

But at the same tim... I mean there’s a reason I have both Spider-Man/Deadpool and Trinity on trade wait status now. 

The whole is not equivalent to the sum of its parts, but honestly it’s got some genuinely funny and worthwhile parts as it stands. And I appreciate that. 

DC’s Superman (2016-present) #24 Patrick Gleason, Peter J. Tomasi, Doug Mahnke, Jaime Mendoza, Mick Gray, Joe Prado, Wil Quintana, John Kalisz

You know, sometimes being a comic fan is kind of like reading the newspaper more than reading a narrative story. 

For me that’s kinda what this issue felt more like, I was getting information on where all the characters had moved since last time, the motivations, some backstories. Slight progress and movement in the form of an update on what happened to Lois and getting to see her still kicking Clark’s ass in gear despite his concern for her injury, which I liked, but overall this issue mostly felt like filler for the final moment where we see Jon fall completely into the control of Manchester Black. 

Who... is a big whooping plot hole I am stil waiting to be addressed. Clark remembers Manchester Black from the New Earth continuity still and the “What’s So Funny About Truth, Justice, and the American Way?” and knows about the Elite, but do they know about him? Or are they completely different from the Super Elite we knew? Are we going to get a Justice League Elite mention (which good god please spare me, though I’ll take Sister Superior). 

This is one of those cases where I feel like my overly extensive knowledge of things in continuity actually puts me at a disadvantage to actually like... reading and taken things for granted. 

I want things to make sense, or I want enjoyable Kent family shenanigans. 

But this issue did have Krypto so, I automatically add a star to it. Sorry, I don’t make the rules. 

IDW’s Transformers: Lost Light (2016-present) #6 James Roberts, Jack Lawrence, Joanna Lafuente

Look, sometimes I think it’s important for critics, reviewers, readers, what have you, to bea ble to say that they’re confused and don’t know what emotion to feel or whether or not the comic accomplished exactly what it wanted to and I’m just. Like. 

Yes that is my emotion at the moment.

A lot of stuff happened in this issue. Like lots of crazy, out there, amazing stuff was packed into a single issue and it’s like, there were panels where you’d blink and you’d miss important character development notes -- like Ratchet hugging their Rung once they got back. Like there’s so much good -- Rodimus had a lot of amazing moments throughout and I love the range of humor to anger to disappointment that he showed. Like his trust and faith in others is already pretty shattered at the moment and to feel Megatron’s apparent betrayal adding onto that is like a million times more stuff. I fear he’s nearing a very dangerous ledge, which is bad because this issue also tells us that Rodimus’ death wish and lowkey desire to put himself in dangerous positions to die heroically is still as prominent as ever. 

Someone hug my trash fire of a son, please.

And then magical girlfriend romance bringing back her girlfriend as a baby and it’s kinda weird like is it still going to be the same Lug? Does Anode acknowledge that it’s weird? Is anyone going to point out that they could feasibly use protoform matter now to resurrect anyone whose spark remnants are available now? Including Skids and Ravage?

what is going on

Anyway. 

There’s a lot packed into this issue which is why I am honestly kind of happy that next issue’s description is a “fallout” from this because holy shit, I need room to breathe and think through things.

Also. Dat smile when Megatron heard Optimus’ voice in the epilogue-ish finale. I like. Maybe had a fangirl moment. Just maybe. 

Anyway. I’m shrug emoji right now until I can get my emotional state sorted out because wow there’s a lot at the moment. Like a lot. A lot a lot.

DC’s Wonder Woman FCBD 2017 Special Edition (2017-present) #1 Greg Rucka, Nicola Scott, Romulo Fajarado Jr.

Like last week’s Wondy special, this is a reprint, but it’s a reprint of the first issue of “Year One” which still holds up as the far superior of the two starting Wonder Woman titles from Rucka last year and is amazingly well held up...

...save of course for the exact same criticisms as the last time I went over the issue which is Dead Bro Walking trope and a whole lot of Rucka Why???? that comes attached to the really bizarre treatment of race in the first arcs of the series. It’s just so bizarre.

But honestly, again, these moves are meant to attract the new, excited audience after the box office smash that has been the Wonder Woman movie -- an audience that has been largely female of all ages. And if there’s one free comic I’m glad will show up immediately on their google searches this Wednesday, I’m very glad it’s going to be the start of what has quickly become my favorite standard bearer of Wonder Woman’s origin story. 

Something I appreciate even more after having finally read the entirety of Azzarrello’s Wondy run which. Eck. Wash my mouth out. 

DC’s Wonder Woman: Steve Trevor (2017) #1 Tim Seeley, Christian Duce, Allen Passalaqua

So this addition to my pull was kind of unexpected in that I had no idea that it was coming out this week and thought “why not” because I’m literally still so Wonderfully Pumped Up a the moment and as far as I can see, the more proceeds DC and WB can see attributed to Wonder Woman the better.

That being said, Tim Seeley really dug into his Grayson roots in this one because that’s about the only thing I really got from this issue is that Steve Trevor’s a badass secret agent with secrets and a deep seeded guilt thing. Which kinda felt like a harsher toned take on his Dick Grayson more than anything else. Which is fine.

Part of the problem here is that I did not read the New52 short term published book that was A.R.G.U.S. or whatever where Steve starred during the weird interim where Steve was not allowed around Diana and Lois wasn’t allowed around Clark but DC still wants to make money from fans anyway.

idk. And since those kinds of spy books are rarely my cup of tea, I don’t think this issue sold me on renigging on that instinct.

Still it was cute and Diana and Steve’s interactions, while minimal, are really the driving portion of his narrative which I think is always good.

But, just like the Annual, I’m left just sitting here going “why don’t we use this opportunity to show off the upcoming Wonder Woman creative team, DC????”

And I get no answer bc DC actually doesn’t care about some weirdo random blogger on the internet constantly screaming at them.

Viz’s Yona of the Dawn (2009-present) Vol. 6 Mizuho Kusanagi

I have actually been very interested in Akatsuki no Yona since I saw its anime show up in my Crunchyroll feed, and as with most anime I can’t help but immediately try to find the manga instead because I am impatient and want Answers Now. As I understand it, the Viz official translations are far behind the current run of the manga (makes sense, as the manga series has been ongoing since 2009 in Japan), and is only catching up to where the anime left off so far, but that’s more than okay for me right now.

Because oh my gosh, it’s so amazing to read such a beautiful story about the growth, empowerment, and pure will of a female character as told by a female author and artist. I’m not the biggest fan of Shoujo as a style of art, but having Yona strike a balance between beautiful and cutesy visuals with what is ultimately a fairly action driven plot with intense moral posturing and constant detail put into the grayness of life’s choices makes Yona of the Dawn honestly unlike just about any Shoujo I’ve read before. 

Yona is one of the most compelling heroines I’ve ever seen, and her intensity of spirit and her meaningful examination of her kingdom makes this fairy tale story really unlike anything else out there. 

And while I’ve really enjoyed Yona to this point, I have to say it is an amazing relief to reach Volume 6 an finally get more female characters than just Yona. I like the reverse harem appeal of the cast as it has been so far, and I have affection for several of the boys, but man is it so much more meaningful to have a few more compelling female characters backing up Yona in the representation department.

Especially since some of Yona’s crew still feel... a little bland to me. It’s usually not a good sign in a massive cast when the traits that come immediately to mind for me are purely character design. 

I’m excited for what’s to come and to see how our Princess fully realizes her potential as the Crimson Dragon. 

Also I should note some skeevy parts of this. One I don’t mind but am sure other people might, there’s the fact that Yona’s current storyline is dealing with Yona taking down a ring of human traffickers and slavers, which brings up the question of autonomy both for Yona as a woman in this honestly pretty traditionally sexist kingdom but also for the Dragons themselves and how their “service” to Yona is framed as a question of their own will. But it’s still a story about human trafficking and that could bother a lot of people. Another thing in this volume, which has bothered me in the previous volumes but really came to a head this time around, is Hak’s... weirdly possessive outbursts toward Yona. I get that they are meant as... idk protective and romantic to some and that we’re supposed to be compelled by his struggle to not show his affection for Yona, but honestly I’m just kinda... naw hoss. Like Hak’s a fine character and I like his relationship and history with Yona most of the time, but like.. the weird pushing her against walls and... licking honey off of her wrists and just. idk. We’re lost in translation here or something bc I’m not a fan.

I’m also not a fan of Viz’s weird changes in the font randomly throughout the book? Like just stop. It’s bad when your translations look lazier than the fan translations I’ve seen floating around on tumblr.

I’ll be honest, as high quality as I consider almost all of these comics this week, I would say the good majority of them did not give me a fully emotional experience or really captivate me in a way that satisfied me from start to finish. And I’m sure in the follow up issues to come there’ll be a lot for me to question into why that might be for the majority of them, but that time is not now. So, as much as it may feel like cheating to pick a volumed book over single issues, I can’t help but say that Yona of the Dawn by far is my pick of the week. It delighted, it changed up its structure and storytelling, built out its world and has started spending more time on the titular characters where before it often felt like we were just taking for granted that there was a dragon gained every volume. And Yona herself is just one of the most satisfying characters to see grow into their own. 

But that’s just my opinion, I’d love to hear what you all think. Agree? Disagree? Think I missed a great comic this week? Please let me know!

[davidmann95]

What is the best iteration of The Justice League of America and why is it Grant Morrison's JLA?

You know it.

Right up front, since it is important: I haven’t read International, which by the fact of its existence and success is the best argument there is that a non-A-list League can work. My experience has always been that the Justice League is supposed to be The Big Guys, but then - whether mislead by the idea that the League was originally B-listers (missing that presenting them as equals to Superman and Batman made them A-listers, and that this additionally happened during a foundational period where the rules of how the larger universe worked were being laid down that can never be repeated) or attempting to recapture the JLI days - someone starts filtering back in also-rans to try and add flavor, they ultimately take over, and it inevitably ends badly.

The reason Morrison’s run worked best - besides that it was Grant Morrison, obviously - is that it did a far better job of accepting what it was than the other runs of its kind. The conceptual difference between Johns’ drag of a run and Waid’s interesting but ultimately compromised time on the title from this is that they wanted to be character pieces with characters that weren’t theirs to play with. I mean, and also Johns’ run had bad characterization in general, among its many other flaws, but the adventures there were ultimately in service of Waid’s story of the team relearning to trust each other, and Johns’ “They’re totally not gods, especially when I write them all as complete assholes” epic. Those both had logical endpoints, because the driving conflicts need to fit for the whole team while not disrupting anything so severely as to affect the characters’ individual books, meaning they could never go too far. Unlike the Avengers, which largely owned its characters and as such remained a huge aspect of who they were even once they became big names in their own right, meaning it could play those kinds of games, the Justice League can only borrow its main names; they have their own shit going on. That only reinforces the desire to bring in smaller characters who you can have control over, but again, the League is the A-listers, so if you push it too far it can’t mesh with the concept of the book. You get a character-driven team that can never fully commit, and because you put all the effort into that, the actual adventures are probably going to suffer too.

Morrison got that, so the character work, while present, was generally in terms of relationships between the characters or individual illustrative moments, and always subsidiary to the ultimate purpose of putting all the biggest heroes in comics in one book together: beating the hell of of cool stuff in cool ways. He acknowledged that, and moreover he’s better than nearly anyone when it comes to the sacred business of coming up with cool shit and then figuring out how to beat it in cool ways. Just as importantly he’s a master as giving complete impressions of everything that makes a character cool with a single scene or even single line, so his run still felt like it appropriately characterized all its leads even amidst the cosmic chaos. Even his second-stringers were better than anyone else’s. While as usual no one quite picked up on how to do it properly after him, he set the gold standard.

I have to assume you asked in response to the new Justice League of America, and on that one I’m still undecided. It’s a Steve Orlando/Ivan Reis superteam book and as such I’ll follow it to hell and back pretty much by default, but at the same time I am precisely 0% convinced that this isn’t a reconfigured Outsiders pitch. It’s a Batman-headed team of second-stringers that he says he put together specifically because they’re ‘not gods’ like the League, acting as an alternative to it, and most of them are to some degree outcasts; it’s a lot closer to how that traditionally works than the League. Especially given that by all rights, this should have been a Superman-led title: he’s the one who gets the character moment with Killer Frost in Justice League Vs. Suicide Squad that sets things in motion, he’s the one who fits in the territory of cosmic adventure and social justice this is advertised as going for, he’s the one of the Trinity who exists in the CW universe that this is clearly drawing from (though I guess Batman technically has Gotham), he’d clearly be more comfortable going out of his way to work with amateurs and reformed criminals, Batman’s already head of a team book in Detective Comics, etc. But Batman’s gotta have it all, and more than that, this is a book rooted in a concept that Batman originated. If nothing else, you’d expect that if this was really meant as a Justice League title proper from the very beginning, Orlando would have slotted in his favorite character the Martian Manhunter, given he’s a classic powerhouse and a TV star on Supergirl, whose book he even writes.

The Rebirth one-shots certainly gave me hope, but even with this creative team I still have to be won over. All four of the one-shot characters but Ryan Choi (love that guy already) are squarely in “I could maybe get into them given time” territory where I haven’t been fully won over yet, I have straight-up never even kind of cared about Black Canary, Lobo can only have a few remotely non-ridiculous moments before he loses his smelly charm, and yeah, I’m still more than a little salty that Batman gets a Justice League to himself on top of everything else while Superman’s still drowning on every front. Even if it does work, I don’t know that I trust anyone else to carry this on in any interesting way. At the end of the day though it’s still Steve Orlando and Ivan Reis doing the Justice League, so it’s still probably going to be the best run on the franchise since Morrison’s by default.