It's been a while huh? How about a long ass trolls au post? Would that be anything?
Ok but seriously I'm obsessed with them and wrecked my sleep schedule for two nights in a row because I was having so much fun drawing them. I haven't seen any crossovers yet and I have many thoughts about how the mdzs/trolls lore works.
I was thinking about making each clan a different type of troll (the lans would fit classical so well etc but I wasn't really into the cupid aesthetic lmao) but the point of this at the beginning was just to get rid of major art block by drawing cute trolls so I just did whatever :'D
The gist of it is Wei Wuxian is a rock troll adopted into the pop troll society by the jiangs and in his yiling laozu era he fully leans into the rock side of himself that he used to suppress to fit in. I had to make Chenqing into an electric guitar, obviously, (rip wangxian duet) and he uses it to control rock zombies. As usual he gets resurrected by Mo Xuanyu (Did he die by being eaten? Maybe.) and his final form reflects both his love for pop while embracing his rock side as well. Also yes, the Jin trolls are yellow, so.
Since the Lan clan are not really classical trolls I thought they're instead more of the love ballad type of pop, (fits the lans only love once thing too!) so, very sentimental. Which makes Lan Wangji stand out by being cold and seemingly closed off while he's secretly composing love songs for Wei Wuxian. Design-wise I felt the lans would wear more layers and keep their hair tied but I wanted to differentiate the style from Wei Wuxian's ponytail so it's either a half tied up (down? since troll hair goes up??) or a bun. I thought it was funny to give Lan Wangji a huge hairpiece to keep the high hair thing going even when it's tied. Also it kinda marks his age, the taller it is the older he is. Maybe it's a status symbol as well.
I didn't really put too much though into A-Yuan since I just randomly decided to add him cause baby trolls are adorable but basically just Wen colours and the pigtails are homage to manhua A-Yuan whom I love.
Overall I tried to mix design elements from both ips and I really like how they turned out. I think that's all for now. :'D
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i will never understand how or why the httyd movies did the books such an injustice.
the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.
the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.
and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.
hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.
and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.
and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.
and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.
and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.
that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.
i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.
if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.
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i have seen alot about it on twitter but very littel here so im gonna mention it jsut because it makes me sad/angry how quickly people are okay with studios doing shitty things if they find a game funny enough-
(take it with a grain of salt since i havent been able to do research on it on my own)
so recently a new game released called 'palworld', its a blatant pokémon rip off (or a weird mix of that with some shooter game idk) but with guns hooray, and i am not here to defend the giant that is pokémon (im well aware their games arent exactly the greatest lately) but plagiarism is plagiarism and not only does it steal from pokémon itself but also stole fakemon designs made by fans (the examples i saw were literally 1 to 1)
as other people have been finding out the owner of the studio is also really into AI, so its not out the question that its been used in there, and is also of the opinion that anything they see can just be taken, be it idea or design; the studio itself seems to be build around copying whatever is popular (the examples i saw were well .. pokémon, breath of the wild and hollow knight) kinda like those shitty copies of popular movies meant to trick parents into buying the wrong one
just now i also learned that apparently you can sell people into slavery in the game (people, not "just" the "pals"), cool.
its already made a big impact, half the streamers i follow are playing it to thousands of people and i heard it made millions in profit already, which, given how the whole hogwarts legacy bs went down, maybe shouldnt surprise me, but at a time of artist struggeling against being stolen from and shitty game studios releasing shitty games, betting on or already replacing artists with AI and still make billions, AND in dark times in general i find it especially disheartening
people are proudly yelling about not caring about anything off about the game or the studio bc they either find the premise funny enough or just hate pokémon so strongly they laugh and dance about the stealing, actively cheering it on and more
i guess i shouldnt be surprised by anything anymore after seeing people actively cheering on a genocide but here we are.
(do not try to argue with me, i know what "inspiration" is, i know what "you cant copyright an idea" means, it either doesnt apply here or isnt the point, fuck off.)
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Bojan on the cover of Astro Suzy, special summer edition of Suzy Magazine, focusing on astrology and spirituality.
Scans and ENG Translation by: @kurooscoffee
Cover Title:
Bojan Cvjetičanin: "We have a duty to change things for the better"
Article title:
We are driven by our love of life
WITH JOKER OUT, WE HAVE WITNESSED A MENTAL LEAP AND A SOCIAL PHENOMENON THAT WE HAVE LONGED FOR. THE BOYS GIVE HOPE THAT YOUNG PEOPLE ARE CONNECTING INTO A STRONG COMMUNITY THAT CARES ABOUT THE FUTURE, EVEN THOUGH PREVIOUS GENERATIONS HAVE LEFT THEM IN RUINS. IN A FLOOD OF STARLETS AND ARTIFICIALLY CREATED ONLINE INFLUENCERS, WE GOT ROLE MODELS WHO DON'T OFFER DISCOUNT CODES, BUT IMPORTANT MUSICAL MESSAGES ABOUT VALUES. IN THE MIDDLE OF A SLOVENIAN AND EUROPEAN TOUR, THE LEAD SINGER AND VISUAL OF THE BAND SHARED WITH US WHAT HE'S THINKING ABOUT, WHAT CAUSES HE'S STANDING BEHIND, AND WHY IT'S BENEFICIAL TO DEEPEN YOUR SPIRITUAL KNOWLEDGE.
What are you thinking about as representatives of the new wave, the new generation? What is your attitude towards the dynamics in society, climate change, pervasive social networks, in short, everything that weighs on modern man?
On the one hand, we ourselves are involved in all the processes that actively and continuously prolong the problems you are talking about. On the other hand, we are deeply aware of them and we are afraid of what is coming. It seems to me that in our generation the desire for change is very strong. There is a universal language of youth that has come together on the basis of feeling obliged and able to change things for the better. The song New Wave is about just that. We are ready to celebrate this common strength because we are encouraged by the idea that we are not alone. At the same time, we know that we are compelled to do something because someone before us has seriously 'fucked up'.
In your hit song 'Novi Val' (New Wave), already the very first verse has you wonder where to go from here. Do you know the answer?
If we want to do anything other than burn the horizon, the only way is towards community, away from egocentrism, with an onlook towards common good.
Let's stick to the anthem of the generation of love, as you named your peers and loyal supporters. The phrase 'We were born yesterday and everything is already our fault' is powerful and worrying. You have been given a pitiful lagecy by your ancestors. How do you defend yourself from taking a role of a victim and instead get actively involved in creating a brighter future?
Great question! It would be hard to change anything for the better if we put on the victim's cloak. The fact that in recent years it has become clear that there is a rebellion by people who have had enough is already a cause for optimism. When you put yourself in the role of the one who carries a scepter as a synonym of the leader of change, you move away from being a victim. And each one of us in this community carries it. In reality, we are taking the position that society is currently a victim and it is our task to defend it.
How?
We all contribute in our own way. The role of musicians is to connect people with positive messages. So by constantly reminding people about friendship, love and other social components that can be tapped into through music. In Slovenia, we have a lot of organisations that are trying to change the situation for the better in many different ways. It does not require much to at least educate oneself about what these organisations are doing. I have the feeling that many people would like to get involved and help. At the end of grammar school and at college, we were encouraged to find out about collective organisations. It was clear to them that many people would want to join of their own initiative once they knew what they stood for. I know many former classmates who are very active members and supporters of various movements. Even if we minimise our own negative energy on social networks, it is a big step towards a good state of society, and of mind.
(picture 1: Family Cvjetićanin knows how to stick together)
You seem to care about a world that is increasingly drowning in chaos. You have become idols, not only of young people, but also of their parents. Is this a burden of responsibility or does it encourage you do even more activism?
It's a great feeling when the little ones take you for an idol. As a teenager, it was also inspiring to be surrounded by the music of Big Foot Mama and Siddharta. It gave me a message in a language that I could not compare with anything else. But our creativity does not depend on what people think of us or how they perceive us. But it is a great honour to know that you are one of those who encourage someone. Many people are listening, but not hearing. Joker Out is made up of five individuals who, in real life, when the cameras and the spotlights are off, are just normal guys. We went through all the processes of growing up on the streets, socialising and playing. We went through the process of going to school, and we were not problematic adolescents. Even today, our most extreme departure from an ideal is what 99% of young people do. To party sometimes. We are not outlaws by nature.
Your work is a beacon of light, a source of hope and strength. Many have done it before you, especially the Beatles. A lot has changed since their era, much of it unfortunately for the worse. How do you keep optimistic? Why is it worth the effort?
Every musician in history who has sung about ending war and living for love has failed miserably. I believe that at least those people who follow the messenger are convinced of peace and love. If every musician encourages someone to to do so, it's a hefty amount of opponents of hate. We are driven forward by love for life.
Writing texts is a responsible job, and you are baring your soul at the same time. Where is the line, to what lengths are you willing to go to protect the most vulnerable part of yourself?
I have never consciously inhibited the process of looking inside myself. But I feel that with age and experience I understand more and more what can lead me to a deeper state of mind. In the beginning I didn't dare to dig into myself. Today I have no problem in fully exposing my feelings, because they are, after all, states that happen of their own accord - and it is impossible to force them
(picture 2: The boys of Joker Out became even closer)
No Slovenian artist has enjoyed such a fierce international success as Joker Out. Concerts in iconic European clubs are literally sold out in hours, even minutes. How do you accept fame? Is it a blessing or is there also a bit of fear?
There are certainly Slovenian musicians with international experience. Maybe not at our age, but that doesn't take away from their importance. We have achieved a very nice success here in terms of listeners, we have honed our skills and we have grown with the band as a collective. We have grasped who and what we are as a whole. We are a group of people who make music purely because we really enjoy it. Whatever feelings our music-making evokes, it all comes from us in the most sincere way, Fortunately, our music is liked by a larger crowd and we have managed to transmit our unforced joy, happiness, joy across national borders. There is no better catalyst for such a breakthrough than Eurovision, we chose the moment to participate wisely. It paid off as a successful project, because for a good band it doesn't matter which part of the world it comes from. It's important to be heard - and we were heard by a lot of people. The only thing that has changed so far is that the bonds between us have strengthened. Suddenly we have been forced to talk about emotions and experiences that we did not have before. There has been a lot of filtering of unfamiliar feelings. The desire to create increased a thousandfold for all five of us.
Are you aware of the role that the public attributes to you, to act as a beacon of light in a crowd of frustrated, bitter people?
No. I would hardly say that I can understand that. Every time I hear something like that, it strikes me that it is saying too much. I really cannot think of myself in such a strong context.
You are giving yourself away. You are constantly on the road, interviews, concerts, promotional tours. It's exhausting. How do you recover? What calms you down, fills you with grace?
It's true that we give a lot of ourselves. But we get so much more in return. Nothing calms me more than coming home and being close to my family. And of course the company of Kris, Jan, Jure and Nace. The people we were with friends before this euphoria, have stayed with us, this team surround us with a lot of love.
(picture 3: He's noticing, that young people are connecting into a strong community that cares about the future)
As a front-man and lyricist, you are even more exposed. You've crossed the magical 200 thousand followers on Instagram, which is a mega number, but also a mega stressful situation. Most young people who find themselves in such a situation turn to intoxicating substances. Can you consciously stop and say that you need time for yourself?
The only thing that made me a bit anxious was the sudden exposure to such a large audience'on social media. This brings with it unimaginable dimensions of human imagination, including malice. Imaginary stories emerge in which people literally compete to see who can come up with something more bizarre. This stress got to me at the beginning, because I felt that I had to defend myself in front of the public. In the end, I realised that I didn't need to convince anyone and that it was enough to know the truth. With the help of colleagues who have similar experiences, I have calmed down. As for the substances, I have a natural protection against those, because I am an incorrigible hypochonder. I dare not take an aspirin unless it is really urgent. Above all, I know when to stop.
You come from a close-knit, loving family. That is certainly a solid foundation on which to build your personality. What is their view of everything that happens to you?
They are very proud! Of all my achievements and of me for being able to pull off a music career combined with the academic milestone of graduating. My parents and my grandmother are definitely my biggest supporters. They accompany me on my journey with warnings, but they are more about eating regularly, to not get a stomach ache, to consume enough water and to get enough sleep. I have been chronically lacking the latter in the last few weeks.
What is your relationship to astrology, esotericism, in short, something that is intangible but can be felt?
Superstition is the one I use the most. For Eurovision I had a special pair of underpants and I was haunted by the feeling that if I didn't wear them, everything would go to hell. Jan's mum gave me a lace clover, which I didn't dare leave in Ljubljana. I asked the stylist to sew it on my outfit as a precaution. I got a clay horseshoe from a little girl, and it went with me to Liverpool. It will seem strange to some, but I believe in energies and ghosts.
How do you strengthen your spiritual side?
Not very well. I wish I had managed to acquire more spiritual knowledge in the last year. For example, basic meditation techniques and the laws of yoga, because I am definitely not physically active enough. The feeling of being 90 years old eats up most of my spirit. My back hurts all the time. The best thing I do for inner growth is to read books. Not enough, but I'm going to get better. A little less phone scrolling and more self-reflection, that'll do the job!
Author: Tomaž Mihelič, PHOTO: VITA OREHEK
Scans and translation by: @kurooscoffee (jokeroutsubs) DO NOT REPOST!
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