#i saw a parallel here and i don't remember what exactly it was but here you go

[werewolfnat]

Yellowjackets: 1.08 Flight of the Bumblebee / 1.10 Sic Transit Gloria Mundi

[sayuri-of-the-valley]

On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):

Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?

Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?

Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.

But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.

So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).

I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.

Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?

Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?

THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.

It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.

So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭

This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).

As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).

I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")

"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)

Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.

Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.

Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words

[scarletttries]

Roman Roy x Shiv's Best Friend!Reader Headcanons (Succession Request)

Pairing: Roman Roy x Shiv's Best Friend Reader

Rating: Fluff

Word Count: 1.6k

Request: "Hi! If you’re still writing for succession, can I suggest headcanons for dating Roman while your shiv’s best friend? No pressure of course!!"

Author's Note: Celebrating his win this week, here's some headcanons for Roman Roy falling in love with his sister's best friend 🥰

- No matter how much time passes, Roman can still vividly remember the first time he saw you. It was a Tuesday afternoon, shrouded in monotony and teenage angst, sat at the dining table closely guarded by a tutor who'd been hired to make sure he got at least a passing grade to finish high school with. Despite being nowhere in sight he could still feel the oppressive judgement of his father breathing down his neck as he struggled to understand the notes laid out in front of him, the frustrations rising inside him and threatening to spill out in tears as his tutor joked that 'this should be easy!' Then the sweet sound of laughter cut through the pressure and the noise, like a windchime chirping out the loveliest tune in the middle of a storm, whipping his head around to find the source.

- It had taken two weeks of pleading and a thorough background check, but Shiv had finally been allowed to have a friend over to the house. You had been her classmate for years, but as you both readied yourselves to head off to the same college next year, you two had grown that much closer, your friendship cemented as you planned parallel lives on that first step into adulthood. Your first time visiting her stately home you found yourself pulling your school blazer more tightly around your shoulders, the echoing fortress sending a chill through you, its classy interior feeling hollow and uneasy. As you drifted through winding corridors Shiv led you into a grand dining hall, throwing her designer bag on one end of the oak table and saying you two could finish your homework here before you go upstairs to her room.

Despite the tutor's protest that Roman needed all the concentration he could muster, Shiv only laughed and set about teasing her brother for his supposed incompetence. Despite only a few months difference in your age, he looked so small to you, younger and more vulnerable, like he hadn't quite stopped being a little boy yet even as he strived to become a man.

"I remember that module from last year - don't feel bad, it took me ages to understand it all. You'll get there." You threw him a soft smile as you pulled your own folders from your bag, earning a scoff from Shiv and a hopeful look from Roman. Your gentle kindness seemed to lift his spirits and take the weight off his shoulders, the rest of his afternoon spent throwing desperate glances your way, mentally pleading for you to stick around and smile his way again.

- You and Shiv only grew closer as you shared a college dorm, more often than not visiting her during the holidays and giving her an ally in the misogynistic environment she called home. Each time you visited, Roman had grown up a little more, transforming from that meek boy to a young man who at least considered himself charming, even if that wasn't exactly what anyone else thought. You always found that no matter how confidently he drifted into the seat next to yours, catching up in easy conversation as old friends do, you couldn't help but still see a flicker of that sad, scared boy you had first met in his eyes, a part of him seeming to never really heal from whatever a childhood spent as a Roy entails.

- You and Shiv had so many milestones passed side by side, so in turn Roman was there to celebrate you with each one. It was hard to tell whether he applauded you or Shiv more loudly as you walked across the graduation stage, and when you landed on the first step of your chosen career ladder, the biggest gift basket you recieved was proudly signed 'Love, Roman.' He was there with a housewarming gift when you got your first apartment, a bouquet of flowers for every birthday, and all the while insisted he'd do the same for any of his old friends.

- His lack of subtlety made it easy for you and Shiv to deduce his true feelings, your best friend slightly disgusted by the thought of anyone dating her little brother, but the softest part of her knew you'd make him happier than anyone else could, two decades of friendship a testament to your positive impact on the lives of those you cared about. And after a few less than successful romances with big city executives who couldn't stop bragging about what they brought to the table, you couldn't help but enjoy the thought of spending more time on the receiving end of Roman's loving gaze.

- And so you put yourself out there, accompanying Shiv into the Waystar building on a Friday afternoon and giving Roman an overwhelming rush when you tapped lightly on the glass door of his office, giving him the same sweet smile you had offered him in consolation all those years ago. The advantage of a glass office was that you could clearly see the way he bolted upright in his chair, running his fingers through his hair as he awkwardly half-jogged to the door and flung it open with more force than he intended.

"Fuck, hey! What are you doing here? Do you need me to help you find Shiv?" He seemed almost out of breath as he spoke, voice wavering in pitch, trying to get a hold of himself.

"Actually I came to see you. I wanted to know if you were free for dinner tonight?"

"Like me, you, Shiv, maybe Ken?" His forehead creased as he spoke, frowning at the uncomfortable flips his stomach was executing in return for your eye contact.

"No, just the two of us? Like a date." You clarified, watching the gears turn in his head as if the request he'd so often fantasized about making didn't actually make sense when uttered aloud. Finally the penny dropped along with his jaw, his eyes growing wide and wild as he nodded in silence, unable to conjure the words he needed for once in his life. Taking pity on him, you spoke again, "Cool, what time do you finish here?" As you gestured to the desk behind him, you seemed to remind him of where he was - in his work place, in plain view, stuttering and tripping over himself for all to see. That wouldn't do.

"Uh - i'm done now. Fuck it, let's get out of here." In a singular moment of courage, Rowan grabbed the jacket he'd discarded over the back of his chair in one hand, and reached for you with the other, letting out an excitable giggle as you laced your fingers through his for the first time.

- After the most comfortable first date you had ever been on, Roman gave you no chance to get bored of him, or think about anyone else. After decades of pining, he decided that one night was enough to make him your boyfriend, quickly planning his whole life around you, and making sure an evening couldn't pass without you on his arm. His heart still hammered in his chest every time he got to touch you, but he tried to ignore that and act as if you had always been together, partly because in his head he had been yours for years, even if you hadn't been his in return yet.

- You both have to endure a lot of jabs and taunts from Shiv, although at least half of them are made with love. She makes a serious affair out of dividing up your time between her and Roman though, not willing to lose her best friend even if her brother is the happiest she's ever seen him.

- For Roman you feel like a comfort blanket at every family event, a physical reminder of the kindness he deserves and that there is someone good in this world that cares about him. When his father is especially vindictive or cruel, Roman clings to you under the table, a gentle squeeze of your hand meaning safety to his fragile inner child.

- Roman has spent so long captivated by you, desperate to be in your favour, soaking in the warmth of presence, that now he can't get enough. Given his lack of meaningful adult relationships he doesn't have a frame of reference for how he should act, or how to manage his emotions. He'll feel like a frantic teenager in love, unable to let go of your hand no matter how difficult it makes navigating a crowd, discussing moving in and plans that span 'forever' after only a few dates. It makes perfect sense for him, because you're the only person that's made him feel this way his entire life, so of course you're going to be together forever.

- Every time you plant a soft peck on Roman, he'll let out a sweet hyena giggle, before repaying you with a matching kiss, euphoric in his newfound appreciation for affection. It's not just physical affection either, although he does find himself clinging to you and begging you to run your fingers through his hair and down his back. He cherishes every sweet word you say, almost to the point that he really believes them. He rereads the texts you send him like they are poetry in themselves. His heart swells when you describe him as your partner and introduce him to your friends, not ashamed of him or your feelings, making Roman stand a little prouder in himself.

- That first moment of kindness that you showed Roman sparked a small light inside him, a flickering hope of a life of kindness and joy that he could only ever picture with you. Now getting to face that reality is so much brighter than that young, stressed, despondent boy could have dreamed.

[rey-jake-therapist]

is it really *that* delulu to consider the possibility that sauron softened her fall tho?

i was thinking, and galadriel could barely manage to stand up after crushing down from those rocks with sauron!celebrimbor. it took her several moments of crawling on the ground and catching her breath to get up and continue fighting.

(also, reddit is such an un-nuanced place. after liking haladriel questions, i get notifs from the sub, and smn made a post saying how sauron kicks galadriel's sword bc he wants her to crawl for it. but they made it so clear that sauron wants her to stop fighting and she just refuses to, lol.)

so, my point is, if she struggled so much to take that small fall (while wearing nenya), HOW could she survive falling the fucking mountain? while nenya wasn't even in her hand anymore?

+ remember how she is drowning in s1 and sauron goes down to save her? would parallel well with her falling and sauron softening her fall with his magic.

Yes, that was exactly my thought while I was watching the fight again yesterday.

It just makes no sense for Galadriel to have survived this fall, even if she's an Elf. She was deeply wounded, extremely weak ! She definitely expected to die here, because she knew exactly what Sauron had done to her, and she knew the only way to escape him was to die before he could completely possess her.

I saw people speculating that Nenya saved her, but I don't think it's possible because she wasn't wearing it, and we never saw Nenya heal anyone unless it was worn by someone. I mean, Elrond could heal Galadriel's wound because he reluctanctly accepted to wear it, aware that it was the only way to save her friend (and how did he know that? Probably because Nenya "told him".) We also saw Adar's corruption taking over his face again as soon as he took Nenya off. Besides, healing is what Nenya does ; it doesn't prevent people from getting hurt ! Or that would be easy then : just keep Nenya in your pocket and you'll be immortal... That's not how it works, imho.

So far, the only theory I read that could work, imho, is that the Valar saved Galadriel, because they want her to stick around up until Sauron is defeated. I can see that and I think it will end up being the official explanation, if they ever give one (they probably won't and it will be just another plot hole I'm afraid).

But I also think it could be Sauron, as delulu as it may sound to some. It would explain why he didn't seem devastated but only bitter, because she rejected him again despite the bond he created between them. I'm currently working on a post where I'll try to explain that even after forcing Galadriel to bind herself to him, he still needed her to make the choice of joining him, while he could have just forcefully brought her to the Unseen World. He didn't seem affected by the prospect of her death which seems kinda strange, unless of course we admit that she isn't that important to him and he doesn't care if she lives or dies, since he doesn't want to make her his queen anymore.

But then, if he doesn't care I'm really curious as to why he looked shocked and *scared* when Galadriel fell, or why he turned his hand so he could catch hers...According to this logicn he should have rather tried to catch Nenya. It was clearly Galadriel he wanted to save here, anyone who says otherwise should get an eye check because it's pretty obvious. Nenya isn't even in this shot ! And yet Galadriel had rejected him again, so why trying to save her?

Or maybe those people who say that the show also wants to deceive the audience are right, but then I'm asking again : what's the point?? We know there's no redemption in the cards, it seems very pointless to deceive us about Sauron's intentions now.

Sauron kept his hand down and looked at her as she fell, so it's not beyond the realm of possibilites that he did something to soften her fall, yeah. It would also explain why he didn't immediatly shapeshift into an animal that could quickly go down the cliff and go pick Nenya, because he wouldn't want Galadriel to die from her wound. I mean, he wanted that ring, right ?

Ah yes I read that thread from Reddit. Lmao it's so ridiculous, I can't even. He "wanted to relish the sight of her crawling"?! Really? He didn't even look at her when he did his speech about seeing her/knowing her mind ! It's very much obvious that he wanted to get some time to speak before she attacked him again. They should rather wonder why he left her sword so close to her that she could easily take it and attack him again. I think I know the answer to that : he wanted her to have the possibility to say no again and keep fighting him. It would have been sooooo easy for him to best Galadriel at this moment. And yet in the end, he always lets her the possibility to make her own choices. Did you also see that in the same thread, they claimed that he stabbed her with the crown to "calm her down" lmao? Like, they believe that it was just a weapon to him. And he kept carrying it around with him while fighting, because it was so practical to fight carrying that thing I guess... What brilliant thinkers they are.

remember how she is drowning in s1 and sauron goes down to save her? would parallel well with her falling and sauron softening her fall with his magic.

Yep ! it would also mirror the ending of season 2, where he didn't save her but let her believe she was drowning (which she was not... her face wasn't even in the water when Elrond found her, and she was pretty much alive). It would all go back full circle...

[inkblotsonmyhands]

----------------SPOILERS FOR ARCANE SEASON 2 ACT I BELOW----------------

Alright then, hopefully no one who hasn't watched Arcane S2 Act I yet is reading this. I don't know if this has already been said or not but I was (like so many others) blown away by Act I last Saturday and literally cannot wait for the next two. Full disclosure in case I get any facts wrong (feel free to correct me!!), I have never played League of Legends in my life and know no lore whatsoever outside the show.

I'm fascinated by Isha and Jinx's currently nonexistent but gradually growing relationship. First of all, if I remember correctly, we know that this child's name is Isha only because of a subtitle—she never introduces herself, and no one ever calls her by name. Jinx only acknowledges her grudgingly, and until the very last scene of Episode 3, Sevika acts like she isn't even there.

I think there's parallels to be drawn between Powder and Isha, starting with what I mentioned—both of them are often ignored by the people around them. Of course, Powder was loved by her sister and adoptive siblings and father, most of them just rarely got the chance to really show it. I don't think Sevika or Jinx particularly care about Isha at all as of now, but we don't know much about her past. There's got to be some reason why Chross's men were chasing her, and there's got to be a reason why she apparently has nowhere to go. I would guess she's associated with either Chross, another chembaron, or perhaps a figure like Vander—relevant to the Lanes, but not a chembaron. I would also guess that, like Powder, whatever familial figure she has/had is either dead or has abandoned her.

She's small (although we do not know exactly how old she's supposed to be), does not appear to have much fighting ability, was scared the first time she saw Jinx kill people, and, despite it all, seems to be unnaturally resilient. From the little I've seen, she seems to be good at hiding and sneaking around. These are more traits that seem similar to Powder's. I'd like to add that her flinching when Jinx fired at Chross's men does not necessarily mean she's never seen violence before, but that she's probably never been in the direct line of it. I also think she has some emotional attachment to her hat. That could just be because it's useful, though.

The larger case I want to bring to light, however, is not her resemblance to Powder—but how she differs. There's two scenes where I think this really stands out.

The first is the Jinx and Sevika vs Smeech fight. The setting of the fight bears some similarity to the fight Vi, Claggor, and Mylo get into against some thugs at the beginning of Season 1. Obviously, Jinx and Sevika are much more experienced than the kids were at the time of their fight, but they're also fighting against equally powered opponents. Regardless, the two fights bear a resemblance in where they take place—the streets. Powder is present in one fight mostly because she goes where Vi goes; Isha is at the other because she was following Jinx. Powder, in an act of self-defense, tries to use the bomb she made, which backfires and results in her losing the loot and, in a way, nullifying the others' victory. Isha, in an attempt to help Jinx, throws the bomb that Jinx made—successfully distracting the thug, and allowing Jinx an easy kill.

The second instance is the Jinx and Sevika vs Vi and Caitlyn fight. There's no obvious similarity here, but I think, especially from Isha/Powder's perspective, this is a very similar situation to the fight Vi and everyone gets into against Silco's gang in the warehouse at the end of S1 Act I. Assuming Isha has very little context (just like Powder did, at the time), to her, it's a very big, very scary fight of the people who are "with" her—the good guys—vs the people attacking them—the bad guys. Powder, in an act of bravery, tries to intervene with a device she knows nothing about other than the fact that it explodes—and it does explode, and ultimately kills most of the people she was trying to save. Isha, in an act of bravery, tries to intervene with a gun, something she has presumably never held before, to save Jinx's life—and she succeeds. Another interesting detail is that in Powder's case, Silco's gang, armed with Shimmer, was blatantly and dangerously overpowered—Powder brought in the Hextech, which in theory, evened the odds, or even tipped them in their favor—but still cost them the fight. The fight Isha was witnessing was fairly evenly matched—Vi and Caitlyn had more Hextech weapons, but Jinx did have one Hextech weapon, and she and Sevika had the advantage of it being on their turf. Isha intervened with a simple gun, arguably the weakest weapon on the scene, but still succeeded. Lastly, Powder's intervention was from a distance, while Isha threw herself into the action. It should go without saying that I'm not trying to put Powder and Isha against each other at all—I'm just observing the situations they got put into.

To address the elephant in the room—I am aware that Powder and Jinx are the same person, but I'm drawing a distinction here because I'm examining the similarities between Powder (young Jinx, if you will) and Isha, wondering how Jinx would perceive them (if she perceives them at all), and how that would impact her relationship with her. I have no predictions as to what that may be, but I do expect Jinx and Isha's relationship to be an interesting one, and potentially, Isha may even play an important role in changing Jinx.

One last thing, although this is unrelated to the parallels—I mentioned earlier that Sevika acts like Isha doesn't exist until the very end of Episode 3. When Isha throws herself on Jinx, Caitlyn continues attempting to fire, and Vi attempts to stop her, I believe Sevika triggers the blast, ending that altercation, largely to save Isha. When she realizes that Caitlyn won't back away, she does the best thing she can to put a stop to the situation right there.

I could draw this even further into a Vander-Vi-Powder hold parallels to Sevika-Jinx-Isha theory, but that may be a stretch, even for me.

[two-white-butterflies]

parallel lines | d. targaryen | part five

Description: An ordinary middle school teacher moves to a desolate town with her fiancee. After suffering episodes of vivid nightmares, she realizes that his uncle looks exactly like the man in her dreams.

Pairings: daemon targaryen/reader, aemond targaryen/reader

Trope: Reincarnation

series masterlist |

<< previous chapter

Man who makes a beast out of himself got nothing to lose Sold my soul long ago, nothing left to choose I'm tired, tired of singing the blues - Tired of Singing the Blues, Lana Del Rey.

"There's nothing rich people love more than free things," Jacaerys mused watching his relatives fight over freebies, some were exquisite works of art like that little Monet that his uncle brought or the jade mirror from the Ming Dynasty. "You're not going to join them," you raised an eyebrow - taking a sip of your champagne.

The younger boy stared.

"I still love my life, unfortunately." he chuckles. "We've got a very eccentric family, I hope that this isn't too new for you." Jacaerys apologized, walking you into the other room. "I don't think I know what normal is. I'm an orphan, my mother died pretty young." you admit, biting your lower lip. "Father?"

"Couldn't be more bothered to acknowledge my existence." you shrug, feeling a familiar presence behind you. "Aemond," Jacaerys greeted with hidden rigidity - the atmosphere between the both of them was tense. You were a good judge of character, and you could see that neither of them liked each other.

"Jace," your boyfriend smiled falsely.

Aemond was a shadow in his younger nephew's presence, Jacaerys the golden boy - could do no wrong. While Aemond struggled with being accepted in the school of his dreams, Jacaerys was welcomed - and he still had the nerve to decline the invitation, instead choosing to study in some stupid university in the countryside.

"It's been a while," Jace added, attempting to keep the conversation civil. "Five years? Is that how long it takes to study college?" Aemond undermined his rival. "I took a gap year," Jace turned his head in your direction, trying to put a finger on why you looked familiar.

"- toured the world, I even saw the Arc de Triomphe." the younger man smiles. Aemond says nothing in return - as if sensing the awkwardness, Jace chuckles.

"Well, I think this is my cue to say goodbye." he raised his glass, retreating into the foyer.

(Harrenhal. The Past.)

"I don't know why you keep me here. To prolong my agony?" you rasped at your older sister. Harrenhal had big rooms and soft mattresses that you could just sleep in for thousands of years. You laid in the beds in the morning, feeling tired and sucked dry of life, but in the night - you couldn't sleep.

Memories of what happened months ago came flooding back. Haunting you awake. It felt like you were standing on a pile of bodies. You turned to look at your older sister again, her eyes were once filled with warmth at the thought of you - now they were dim.

"I'll keep the windows open, if you hate your life - then jump - like that niece of yours, Helaena." she announced in a tone that wasn't sad nor happy. Your eyebrows merged into each other. Princess Helaena was dead? But you weren't bothered - you didn't know her.

A bitter chuckle escapes your mouth.

"You took my life into your own hands, to play with as you please. Now that you're tired, you want me to pretend that it was my own agency that led me here?" you argued.

"Perhaps you and I are the same." Alys responded.

"I had a dream before you were born that Aemond would come and free us, save us from our father's abuse. I know better now than to believe my visions." she turned away, slamming the door shut - leaving you alone.

Dreams were portals of the world - you could see the past, present and future in them. Alys Rivers could vividly remember the man in her dreams, his warm purple eye and long silver hair.

The Prince would come and his song will be that of Ice and Fire. From his blood would come the prince that was promised, opposite of him in temperance and demeanor - you almost wouldn't believe that they came from the same tree, but they were and the prince's breath would save them against ice.

"And when will you return, this time?" Alys leaned on the doorframe, staring at your frame that was frantically packing her bags. "Princess Rhaenyra tells that she needs my help, I can't deny her." you smiled.

"She's Queen now - and she's asking you because she needs you to fight in a war." Alys' lips turned thin at the thought of losing you. "Rumors have swirled around, they believe that she killed Harwin." she proceeded, trying to persuade you to stay.

"You told me that Larys killed our brother." you froze slightly. "I don't want you to leave, stay please - I've been dreaming about salvation. If you stay here, we'll be safe." your older sister pleaded.

"I'm never in your dreams, almost like I'm not supposed to be here. I need to save the Queen's soldiers, to ensure that she wins in this war. You tell me that her heirs are fathered by Harwin, shouldn't we protect our blood?" you inquired and your sister takes a deep breath. There was no stopping you.

"Promise me that you'll stay safe," she pleaded, handing you a small necklace that she enchanted. "I will," you promised - squeezing her shoulders as a way to show that you weren't kidding.

Like a ghost, you didn't even realize that you were sitting on the dinner table. "Columbia University is pretty hard, what did you major in again?" Rhaenyra inquires, taking a bite of her steak.

"Mathematics, it was supposed to be my pre-law course but life happened and I had to change a few things." you smiled, eyebrows merging with each other in confusion. What the hell happened? Why couldn't you remember anything before this?

"Ooh being a lawyer is the coolest. It's uncommon to see someone with Math as a pre-law, you must be really smart." Helaena adjusted her glasses and the people around you agreed. "Never in a million years did we expect that Aemond will end up with someone like you." Harwin articulated and Aemond rolls his eye.

"What's that supposed to mean?" he chuckled, trying to make it seem like a joke. "I always saw you with someone weird, like that Claire girl that does music now." Harwin quickly rebutted.

Alicent knocks on wood three times. Rhaenyra giggles, "Put some respect on that girl's name, isn't she engaged to a billionaire?" she inquired and Aemond shook his head. "They broke up." he confirmed.

"Three kids and he just throws her away like nothing."

"It is not nice to gossip," Alicent interrupts their conversation. "Gossiping is done by small-minded people." she insisted and Rhaenyra looks away. They used to be close friends, Alicent was her former-babysitter - then somehow she had an affair with her father.

"So are affairs, but none of us complain." Rhaenyra grumbled and the other woman pretended not to hear. "You're the one to talk, didn't you cheat on your ex-husband with mister hunk here?" Aegon pointed at Harwin and Daemon's eyes widened.

You know what they say - a shot of whiskey for luck, and a bottle of whiskey for disaster. "Oh my god I can't believe we're talking about this again. I didn't ruin a family and as far as anyone is concerned, Laenor was totally fine with it. Weren't you, Laenor?" Rhaenyra turned her head at Laenor's direction.

"I liked it, actually." he hummed watching the drama unfold. "Yeah cuz when you have a mistress it's alright, but when it's my father - suddenly, my mother's the fucking devil." Aegon insulted.

You took a deep breath, what were you to make of this situation.

"So you do agree, that your mother was a mistress?" Rhaenyra said smugly, Daemon bit back a chuckle. "Can we all calm down?" Harwin placed his hand in front of the siblings. "This is supposed to be my son's birthday, and we have a guest here. A little decorum would be nice." Harwin tried to decrease the tension.

"Yeah, whatever." Aegon stood up to leave. He hated his fucking life.

Shortly after Aegon's outburst, you and Aemond decided to leave. "That was the most eventful birthday party that I've ever attended." you chuckled, fastening your seatbelt.

"I can't believe that they decided to pull that shit while you were there." he complained, driving out of Rhaenyra's driveway.

"That's family, I guess." he shrugged.

"- and we're never going back." he added

next chapter >>

[kerizaret]

Hello everyone and welcome once again to my brain! Today I want to ramble a bit about

✨️ Tsukasa and Rakunosuke (Emu's grandpa) parallels ✨️

Because I feel like we don't talk about them much. Or at all actually

Now, I'm not pulling this out of nowhere. It's quite literally stated at least once, outright, in the game, that Tsukasa is really similar to Emu's grandpa (or even twice – but the other time I'm unsure 100% whether its about Tsukasa specifically, which I'll get to later). That's not to mention the other little things throughout the stories that I think similar between the two

So here's just some thoughts I've had on the topic after rewatching some events, more or less cohesive

1) Tsukasa's PXL auditon & WMS speech

Starting at the very beginning, we've known ever since the wxs main story that there's something in Tsukasa that has drawn Emu in to him already the first time she's ever saw him, at his audition for PXL, which made her hire him herself. She says "found you" at that moment, as if she's been searching for someone exactly like him. Out of all the possible candidates who applied who she might've seen, why Tsukasa specifically?

It could be just about him boasting about making fantastic shows, which of course is a part of it. But I feel like this isn't all, that there was something else that she noticed, that maybe she didn't fully realise at that moment

Then later, in Wonder Magical Showtime, after Tsukasa's motivational speech, Emu specifically thinks back to that audition and how she felt something special there. And, most importantly, she thinks it as if she's talking to her grandpa – like he's somehow tied to it, to her realisation that Tsukasa is the one

Putting aside the fact they were fighting for Rakunosuke's park, which obviously makes Emu think back to him, there's something more. Emu doesn't think anything of the sort about Rui, even though he was the one who came up with the night show, or about Nene. Nor did she mention any kind of this strong feeling/conviction about having them on the Wonder Stage in the main story

She's focused on Tsukasa, because he's the one that brought all these people together and gave them the last push they needed to fight for PXL. He's the one they listen to, he who understands what this park was all about and why they need to save it. He's standing on the stage her grandpa built, looking at all those people working here, and he's leading them, telling them this dream CAN be made a reality and it's more important than anything else

And I feel like she could have looked at that and been reminded of her grandpa a bit, with how much he loved the park he built and brought people together with the same ideals and love and made dreams come true

2) Miles

Speaking of WMS, I'm sure we all remember Miles, the sorcerer Tsukasa played in the night show in WMS, and how he was a character very clearly based on Rakunosuke. It's not very surprising it's Tsks who got this role, but it's still interesting to me. It feels like no-one else would've been able to get this character right and neither would Emu as Shao with someone else playing Miles

I won't get into what "Miles" Tsukasa says in the play, because that's just the script and not a representation of Tsukasa himself, but I do want to draw attention to the specific scene where Emu's father is watching the night show and looks at Tsukasa, then says this:

This is the first time that – i suspect – Tsukasa is outright "stated" to be like Rakunosuke. Here I say "suspected" since I'm not 100% sure of it for two reasons. One of them being that as we know, the ensekai translation is sometimes often bad. For that I looked up the original text as well as an old translation of the event on YT to check for differences

The line ends up being similar in meaning, more or less, but a bit more vague. That also ties to my second doubt though, which is that Emu's father might be referring not to Tsukasa himself, per se, but rather to the character of Miles he's playing

I feel like both can make sense, in their own way (and the event is a Tsukasa focus for a reason, too), but for here I'm throwing it more as a hint than any kind of outright proof. Food for thought

3) Tsukasa and Rakunosuke's deams

Then, as we reach Popping in my Heart! and learn more of Rakunosuke from Riley's pov, there's another interesting thing that pops up. That is, the fact that Tsukasa and Rakunosuke share the same dream

And then, that's when Emu confirms what I've talked about before – that this whole time, she's felt something about Tsukasa being so reminding of her Grandpa

So Tsukasa has all this time "carried the same spirit" as Rakunosuke – which is possibly the reason why Emu has been feeling strangely drawn to him from the beginning

4) The Wonderland SEKAI

Hey. Hey. Remember this line?

(tl by tsukasa's #3 fan on YT)

Yeah, this one. The same reason why wxs even has "Wonderlands" in their troupe name

You know what else has Wonderland in its name?

That's right! Tsukasa's SEKAI!

Tsukasa's SEKAI. A different world that's created from his feelings, that's a place born from his desire to make everyone smile with his shows. A world that just recently expanded to include plushies representing all those different shows – different worlds – wxs created as a troupe. It's a world that Tsukasa, in a way, made by himself (albeit unconsciously)

Oh did I mention the Wonderland SEKAI is also, primarily, pre-wl, a theme park? With a big ass ferris wheel and several stages and a castle and a train and a merry-go-round, a rollercoaster and more? You know, kind of just like Phoenix Wonderland? Which was built by Emu's grandpa?

Do you ever think about that? That both Tsukasa and Rakunosuke "made" their own "Wonderlands"? That the SEKAI is so similar to PXL? Because I do

Anyway. Those were the main similarities or references I noticed, but I still have some few other miscellaneous thoughts i had aside from that that I'll sum up a bit quicker

Tsukasa and Emu's grandpa both care more about the shows (& pxl) themselves and the effect they have on people to make them smile than any kind of fame or recognition

A reminder, too, that despite the movie's popularity, nobody really knew that Rakunosuke worked on "Smiley" (or that it was even a Riley Entertainment movie at all)

There's also the fact that both tsks and rknsk get stuck more on the excitement they want their audiences to feel rather than on the technical sides or worries about how it would be possible – as seen with Rakunosuke convincing Riley to include all his dreams and ideas in "Smiley" without focusing as much on the budget and all to install that wonder in the viewers, and Tsukasa doing anything to perfect his acting, and also agreeing to most of Rui's stunts and experiments and production ideas as long as it gets the audience to become more immersed

I noticed as well that they're both people who wear their hearts on their sleeves, who easily get emotional and enthusiastic, who empathise a lot with the others' emotions and struggles, becoming happy when something good happens to them

^ he cried here. And later at the fan festa seeing nene sing confidently and happily he teared up again

And also just *gestures vaguely at pandemonium event and Rui's "tsukasa's friends' happiness is his own happiness" line*. Yeah

Most importantly, Tsks and Rknsk both care so, so much about shows ending with smiles and not tears

And overall about everyone smiling and being happy. Like Tsukasa telling Emu in the main story, on the ferris wheel, that when her grandpa meant making EVERYONE smile, it included Emu, too, and he wanted to make sure she's happy as well

There's also everything with Emu, too. The way she's very clingy with Tsukasa, always throwing herself at him (not that she isn't with everyone, but she does seem to jump at him the most often)

She's also implied to open up a bit more around him – in Smile of a Dreamer, when wxs expressed their worries about emu hiding her problems, KAITO implies that its unusual she "hasn't told EVEN Tsukasa"

And it's Tsukasa who first understood that, despite how it may seem that "she always is so optimistic and says whatever's on her mind", in the end "the bigger the problem, the less likely she is to talk" (paraphrased quotes from smile of a dreamer). And also underdstood what's the most important to her and how to give her a push to voice her worries to them

It's Tsukasa who Emu first got so scared of leaving their troupe and her behind

I simply feel like Emu is aware of the similarities her grandpa and Tsukasa share and, subconsciously, trusts him a lot and gets attached to him easily

Anyway. This is just a bunch of thoughts that came to mind that I wanted to share and hear your thoughts on maybe too. I love emukasa so much they have such a great dynamic, and I feel the implied similarities between Rakunosuke and Tsukasa add a lot to that too. I'm really curious if it'll be something they'll explore more in future events. Because I feel these parallels are there for some reason

[kleinblue52]

Since everyone's playing, let me add my two cents about the Agatha All Along/Teen theories.

First of all, I've read several posts mentioning that Teen said his mother is dead. Unless I missed something, I don't think that's the case. When he was talking about his mom seeing Alice's mother in concert before she died, I think he meant before LORNA died. Did I interpret that wrong?

So, if I'm right, Rebecca Kaplan might be alive and well. I do want Teen to be Billy. At the same time though, as soon as Nicholas' room appeared and we saw the lock of hair, I was immediately drawn to the Nicholas Scratch theories. I DON'T want him to be Nicholas, but it would make so much sense.

Right now the biggest mystery to me is that damn rabbit. There's a strong connection between that rabbit and Teen's identity, much stronger than the rabbit simply being named after Nicholas/Agatha's dead son. In WandaVision, Billy is very attached to the rabbit, and Teen is shown petting it as well. That might be a connection between the two. BUT, at the same time, Teen is shown next to the picture of a rabbit and he's also shown hopping around when he's bound. So those might be clues that connect Teen to the name Scratch. THEN AGAIN when we see Nicholas' room, his music award is shown next to the figurine of a rabbit. Which made me think... what if Señor Scratchy is actually Nicholas? Rio is supposedly Nicholas' mother as well and she spoke to Agatha in Spanish in more than one occasion. The rabbit being called Señor might be a nod to that. Maybe when Agatha tried to sacrifice Nicholas for some selfish reason, Rio intervened and made it so that Nicholas would only be (temporarily?) transformed into Agatha's familiar? I have a feeling that Rio is being painted as a villain because Agatha doesn't exactly remember what happened, but it's probably Rio who has a good reason to hate Agatha, and not the other way around.

SO my final theory here is that the rabbit is actually Nicholas. Agatha might find a way to remember about him and maybe save him from the spell he is under at the end of the Witches' Road and with the help of Rio. Teen is Billy, he knows that he's Wanda's son for some reason and he wants to use the Witches' Road to bring Wanda back, and he'll probably end up betraying the Coven in order to do that. He already has power and he's lying about his ultimate goal.

I would LOVE that storyline, not only because I want Teen to be Billy, but also because it would create such deep and moving parallels between Agatha, who barely remembers that she has lost a son, Rio, who is grieving that loss and maybe is manipulating Agatha to get to the end of the Witches' Road to get Nick back, Teen/Billy who is manipulating everyone to get his mom back and Wanda, who manipulated the whole Multiverse to get Billy and Tommy back. A finale in which Billy manages to bring Wanda back would be the perfect lead-in to a Jac Schaeffer Wanda movie.

[thelunarfairy]

JSHK Chapter 116 - Brief Analysis.

An analysis made by request.

Tsukasa's empty gaze always makes me associate his image with the entity. When he allows it to take possession of his body at times, if I can deduce that.

Even if the two cohabit in the same body, the entity still allows him to be aware of his actions. But, it seems that here, specifically in these moments, only the entity is in control.

Even though at times it seems like the boy is still here, reacting.

It made me wonder if the entity was mimicking him here. It tends to do that.

It's good to remember that the entity's voice is apparently the same as Tsukasa's, Nene and Kou said they were hearing a child's voice when they were in the red house, but Tsukasa was talking to the entity.

It's interesting, even if the entity can imitate him, it's still so artificial at times that you can tell there's "something wrong"

Now something that has always intrigued me here is about the victims. The victim who was in the current reality reacted in a similar way to those in the old reality.

I wonder, what is the real objective of this? What does the entity gain by taking full control of someone's body? What is this ability for anyway? We have obvious answers, but I want the main objective.

Why does he need so many to control? Something related to his power? If there are many "sacrifices" (if I can call it that, because technically they don't die), does he use the energy of the person he possesses for some purpose?

What is the entity's objective?

And yet, the entity shares the body with Tsukasa, the most rational one, to achieve greater goals.

He possesses his victims, but do they do anything other than randomly attack other people to possess them as well?

In the current reality, without that ritual, possession happens faster than in the old reality. The Kannagis remained sane for many years until they were completely possessed, but in the current reality, this is not the case.

It is as if in the old reality the entity's powers had already been weakened, or it was trapped somewhere.

Tsukasa simply touched Kou's hand so that it began to spread, and he was quickly possessed, as if the entity was freer to act here.

Kako said that it was a remnant of what that God once was, so he was probably already sealed in some way at that time.

It seems that the entity is stronger here, to the point that it can single-handedly possess and even temporarily change the shape of Tsukasa's body.

Tsukasa's patterns follow the same as the previous one, the "holes" that we see with some consistency. Not only in his body but in Hanako's as well.

But in the other reality, they weren't really holes, they were circular spots.

Here in the current reality you can actually see a depth, there's a hole there.

Does this still reflect on the strength that the entity has in both realities?

Well, this chapter wasn't about Tsukasa, exactly, it was about the entity and the power it has now.

Perhaps to reflect a little on how Amane was responsible for making the entity strong in this way.

A contrast between an Amane who fears Tsukasa because he doesn't believe he is the real one

and the Amane who encourages girls to perform a ritual to summon Tsukasa, knowing that they will be possessed.

So, Amane knows about the entity here.

Furthermore, we see that the entity lives in a parallel version of reality. Something we knew in the old reality, where we saw Tsukasa walking through corridors with dark windows and stained walls.

Something similar to the red house.

So here we confirm the connection between the two places.

And

This caught my attention, Mitsuba didn't feel that his hand was affected. Something similar to what Aoi felt when she touched the dark spot on the far shore.

This made me wonder, are those spots that were on the far shore connected to the entity as well?

Similar effects.

The difference is that the spots on the far shore tend to destroy, while the entity is there to possess.

Hmm… but I still feel a connection between the two things

Why didn't the entity do anything here?

hmmmmmmm…..

But before I forget

Boooy???!!!!! Hitting a 4 year old kiiid????!!!!! I know, he was defending himself, but look at the force with which he hits the kid, it looks like there's hatred here.It wasn't a defensive punch, even Mitsuba was scared.

An observation I've made before in another post, the Mitsuba of this reality never died, but he has the memories of Mitsuba 2, which is purely supernatural.

It means that Yako was right. That is still Mitsuba.

And well, we see Tsukasa playing around trying to find the two. Apparently the possessions do not have a direct connection with the entity.

The possessed girl who saw Mitsuba and Kou could have told the entity their location, even without having to communicate, but it seems that this is not something that happens.

Tsukasa's game, the ritual itself, reminds me a bit of the urban legend called Hitori Kakurenbo, it does not have all the details, but it may have been used as a reference.

And now…

Tsukasa calling out to Amane….

Was he there?

For a moment I thought this scene was a representation of Tsukasa calling out to Amane but never being answered by him.

But the look he gave Kou after he called out to Tsukasa. As if he was "getting in the way" of something.

That look from Tsukasa is the same one he uses in situations like these, when someone is getting in his way when he's doing something important. And, of course, he's about to retaliate.

I would love to put a picture of his expression here, but we've reached the limit of images.

But if you want a reference, remember the moment he looks at Mirai when she interrupts the conversation between him and Amane.

It's almost the same.

Which convinced me that something related to Amane was there… but what exactly? Or Amane himself…

We don't know his whereabouts, but he wouldn't be too far from Tsukasa.

I won't go into this too much now because I don't have many conclusive thoughts about it. Few clues.

About the Yorishiro, serving as its usual role, break/destroy it, and everything will return to normal.

So, I imagine that in the other reality, if they remove all the yorishiros, everything will return to normal.

The problem is…

what is "normal" in the old reality?

Is it living among the supernaturals that devoured humans?

Hmm…….

Kou being possessed by Tsukasa was something I already expected, I would be surprised if it was the other way around.

Teru and Akane appearing to help them is also something I expected.

HOWEVER, I didn't imagine that I would see such a surprised face from Tsukasa. When Teru appeared, Kou/Tsukasa's eyes widened, didn't he expect Teru to appear?

Interesting, it's not every day that you see a surprised Tsukasa.

And well, the entity preferred to walk away, so it probably doesn't want to deal with him now, even though it is strong, it really has no interest in getting involved with him.

Even if it was to kill Teru. Even in the old reality, Tsukasa didn't pay attention to Teru even when they were side by side.

That always made me curious.

Why does the entity/Tsukasa ignore him?

We don't even see any desire to attack Teru. It's intriguing. Something similar with Hanako, who even when he's in conflict with Teru, doesn't seriously try to kill him. Hanako usually just defends himself.

Hmm……

Strange……

And finally, Teru and Akane saying that Tsukasa was different, another reinforcement to convince us that that wasn't Tsukasa.

The same logic as Mitsuba.

Is he the real one, or not?

I don't know about you, but for me that's Tsukasa. In the same way that Mitsuba is still Mitsuba.

This is a story that shows that a person can be many things at the same time. The same good person can be bad when necessary.

Something that reminds me of Hanako.

I like how they always insist on the theme "are you really you?"

And if people will continue to love him when they find out that they can be both versions.

"Do you love all sides of me?"

Hmm……

But if that's the case, why couldn't Kako "get rid" of Tsukasa?

That's the golden question.

I like to think that Tsukasa predicted this and is just having fun.

Tsukasa knows what he's doing, he'll wait for the right moment to destroy Number One's Yorishiro.

[eluxcastar]

As I opened my tumblr, just to check if there is new Arlecchino stuff to swallow... lo and behold, I saw your post with the Arlecchino simp tags. Shot me the moment I stepped into the door right there, hahaha! May I request an Arlecchino x reader, headcanon or anything you're comfortable coming up with. The reader is thousands of years old, who got disowned by the Tsaritsa because they declined their performance in greatness for someone else's benefit and saw no worth in her/them. Could be a sibling or a friend, the betrayal stung like a bee since she/they saw Tsaritsa as a mother figure or could literally be the mother (Got kunikuzushi'd in a way, minus the puppet part). So, here's the main part - How Arlecchino would handle that person, when they meet in hostile terms. An accidental encounter, had banters and fights and eventually found strange subtle solace from each other. Could be romantic, or just obsession on Arlecchino's part because we love deranged women pls step on me with your sharp heels - anyway, since Arlecchino is interpreted as someone who won't hesitant to betray the Fatui. On her own benefit, works with the reader to mess and interrupt Fatui operations. I won't include more or else you'd be dealing a whole thesis of it. Hahahah! Good day to you~!

One of Repetition

── ୨୧：arlecchino x reader

୨୧﹑synopsis :: in a strange decision nobody quite understood but could not contest, you were dismissed from your position by the tsaritsa herself but allowed to live. you wander for some time, lost and confused, and most notably unable to escape the fatui even when you are no longer associated with them, which means an unwanted letter and an even more unwanted visit from the knave.

୨୧﹑genre :: kinda angsty

୨୧﹑content :: fem reader, reader has a pyro vision, arlecchino has a cryo delusion, reader uses a bow, capitano is not human this time, he's just a plot device too, their previous relationship is implied but ambiguous, implied age difference, reader is most often called by the title brighella, writing this spiralled me into insanity, possibly bad writing, not proofread 

୨୧﹑words :: 13.6k

hehe, I know that Arlecchino simps flock to me once they learn my requests are open. I have no idea why. maybe they're just especially desperate for food, but they linger, and I have a little collection of anons.

don't worry about how much it'll take me, I honestly enjoy writing longer works. anyway, I received a request similar to this some time ago (was it you? I have encountered that before) but haven't gotten around to completing it, so I'll be partly combining the two

here's the other request:

it's gonna provide some stuff for me to follow, and I remember exactly when I got it, so I wanted to include it for the dear anon who sent it

why brighella you may ask well that's because brighella has been described before as essentially Arlecchino's smarter and more vindictive brother and they compliment each other well. I think Arlecchino may also work for Brighella in some versions?? either way it felt right even though they're not really based off of the character brighella, they do share a few traits with him but not fully it's just a fun little parallel

I really did not expect this to be so long that it literally lagged the writing program I was using to save it and I have been staring at this for so long I literally have no gauge on the quality anymore just that it's variable because it took me so long someone send help

Her words left you exasperated, literally at a loss for words, and you struggled to comprehend the reason for it. There was nothing you could think of, no instance that struck you as prominent. Yet, somehow as one of the Tsaritsa's children, you had become what any parent might refer to simply as a disappointment, their failure—the problem child who never quite ironed out their issues. You had always been faithful to her, hopelessly devoted to the archon and her will. News such as this came out of nowhere and struck you like a hammer to the chest.

Two of her most mighty children were near and dear to her, and now the other had turned against you as he remains loyal to her. The Jester, who you once held in high regard, has turned against you. It is a bitter pill to swallow, for you must now sever ties with the one man you believed was truly deserving of serving the Tsaritsa. Your mother— your world— turns against you with him, before him, leading the way for him. 

In vain, you draw your bow to strike an arrow between his eyes, prove your strength and power as above your position, above him, but it means nothing. Your strike is blocked, and the Tsarita's Damselette Columbina moves to detain you. You believe she would not be strong enough, but you don't itch to fight ten other Harbingers. You understand that even you have a limit, and fighting what are supposed to be the strongest people in the country is not a part of that. Your honour is on the line, an honour which would tarnish not only Brighella's name but also have a ripple effect on your soldiers, men and women who fought for you and did not deserve a punishment that would result from their actions.

"Think carefully, Brighella." Columbina's warning is not lost on you, "You could remain as a hero or fight, and I will lure the creature you brought from the abyss and gut him before your eyes."

You do not want that. That creature is not yet loyal to the Tsaritsa but to you, and she will convince him he can save you. He will fall into her trap and die.

You bite your lip, trying to think of a way to escape and capture him so that you can run off somewhere. He does not deserve to die, but you can't think of anything. Not when you know how thorough these people are. There is not a will, really. There is only a has. He has fallen into her trap and is at the mercy of the Damselette. "What if I am to obey?" You finally ask the question you did not want to, surrendering in a way, though the bite has not left your words.

"I'll leave him be." Her answer is swift. She expected that you would eventually give in and only needed to wait for it to happen.

You shake your head, dissatisfied with only that as your compensation. "Not enough."

The smile on her face does not waver, thin and deceitful as ever, eyes hidden and closed, unseen behind the band of lace. "Mm. I can't bargain anything else." 

"Have him take my place." You lay your condition out firmly. There is only one to meet, and not a hard one at that. It would be easy to sway him into it, using whatever they plan to do to you as motivation. His loyalty and affection for you would make him accept it.

She ponders the situation and proposal momentarily, powerless to make the executive decision but undoubtedly keen on the thought of it all. "He believes that you are about to fall in battle to a foe and that he is going to save you."

You grit your teeth, knowing that this is her trap. Lure him to a place. It was not what you had expected, but it is no less the Damselette's style of acting. There is always a damsel, but perhaps she recognised that she would not suffice this time. She needed a better damsel for him to save; for that to work, it needed to be you. 

She needs your name, reputation, your relationship with your subordinate, melding together with her lies to make for a tale of tragedy with him as the hero.

The thought of him rushing to his death under the guise of saving you spikes your blood cold, chilling you. You're aware of her cruelty and always have been, but to experience it is different than hearing about it from her perspective. You are experiencing it from the perspective of the victim. 

His death was another factor to hold over your head, your penance, the anchor to force your compliance. Your blood boils with anger, but you cannot fight. Despite your feelings of anger and frustration, you know that lashing out will only cause further harm and pain.

There is only one thing you can do. You know you must. It's simply that you don't want to. 

But...you must. 

You must for him, that poor creature you tried to give a home to and who would never be in such a position if not for you and your ambition. 

"Then I will fall, and you will use the honour I built into him to persuade him." 

It was an honour meant to humanise him in a way, a being only able to imitate humanity. He had a mentor and something to fight for. Now you're imploring that it be used against him to burden him, but he will do well in your position.

Columbina smiles, that thin mocking smile like she knows the secrets of this world and more. "Would he really believe that?"

The helmet. You should use the helmet to your advantage. Your subordinate's first exposure to humanity, being you, a woman in a metal helmet, seemed to last. He used to think that was what humans looked like, and he admitted as much to you as he had asked you to remove it. Your impression left an indelible mark on him that he treasures to this day. Even if he was to see you in the aftermath, he would not uncover the lie.

"He has never seen my face. He would not recognise me."

Columbina accepts that readily, and her eyes open, pools of black and white visible through the cracks in the lace over her eyes. You've seen them before, inky black sclera and inhuman patterns decorating the borders of her irises, but you can't help the unsettled feeling that makes a home for itself in the pit of your stomach. 

-

By the evening, you are stripped of your honours, titles and coat and dumped to the curb like a bag of rubbish somebody left out. There is no more fight, no more bargaining, no more arguing. Everyone has the things they want, for the most part, so you are all satisfied enough to remain amicable with each other. Without a fight, you allow the Jester to remove the fur-lined overcoat despite the cold that rushes over you once it is gone and discarded in a heap of fur and fabric on the floor with none of its previous value. 

After that comes the slow, deliberate removal of every trinket that denoted you as you. From your delusion, several gifts to your very insignia, the only thing left of you is a lone pyro vision and the clothes on your back. You've never been more thankful to not wear a standard-issue uniform lest you be made to undress and hand that over too.

That was it. Your everything.

With each piece of regalia taken, a part of yourself disappeared until you were left an empty husk of a person, your entire reason for being for hundreds of years snatched out from under you and spat on.

The Harbingers were supposed to be the children of the Tsaritsa, and this was your grand disowning. A show of power and influence over her closest children and, by extension, the ability to bring pain to her less-- to her followers. It was foolish of you to ever think you were special in her eyes for having been by her side since before the Archon War. What did it matter when she left you amongst the rest of them? The years you spent since you had hobbled into her life so tiny and cute were now reduced to a few personal belongings and a set of words that shattered your world to sharp and dangerous pieces that would only hurt you in your haste to reassemble them and string your life back together.

When you were young, your cuteness may have been your best asset: a small body with endearing quirks, the inability to walk long distances without tumbling. In this state, you required her for everything because you would only find danger in the harsh Snezhnayan winters. To even acquire your own food was unthinkable, so you were sheltered and provided with ample treats that you could nibble from the palm of her hand if that were what you wished. Anything to keep you happy and content.

Like a little trinket, she cradled you for as many years as it took you to grow, and once you were at an age you no longer needed to be cradled, she made you her loyal companion, or so you had believed. You thought her affection for you was unwavering. She was the only mother you had ever known; she is the only mother you will remember for all of eternity.

Although it may have been an exaggeration, watching the sun's gradual descent below the horizon, you could almost believe eternity would quickly prove to be a very real concept. You watch the sky darken in silence for a time. You roam aimlessly around the city, your presence still striking unease in the people from the threatening demeanour you learned to conduct yourself with as a Harbinger, even without your official attire. The only remnant of your former self is a helmet you consistently wore during every public appearance. 

You can't help your wandering mind. Did your imitation of the Tsaritsa's actions make you weak? Attempting to nurture someone in the same manner she nurtured you? You are not a god, only the former child of one. Maybe you cannot care for him and maintain your objectivity. It's possible that he has become your Achilles' heel, as you were forewarned when the Tsaritsa less than subtly suggested you eliminate him.

You cannot live like this.

No matter how many suns you watched set, you would never come to terms with it living like this. The world you once knew, which revolved around a singular governing entity and individual, has disappeared without a trace. Without a central axis to anchor it in place, your world spirals chaotically out of control, with each passing second feeling more frenzied than the last. Your head is too muddled, your brain too overwhelmed by your emotions to think objectively of the faults in your time as a Harbinger, years of your life spent that way, burying your thoughts beneath a heavy weight of despair.

You almost want to call them wasted, but that would be wrong. Without the Tsaritsa, you might've— no, would've died during the Archon War. Perhaps another god would take you in, but it is unlikely that they would have exhibited the same level of compassion and generosity as the Tsaritsa. They would not have coddled you into comfort the way she did. Then again, what if that had been your downfall? Did she ever genuinely want you to stay? Based on this...perhaps you took her kindness for granted and overstayed your welcome.

You had no right to make demands of her in your final moments as her child, acting like a spoiled brat throwing a temper tantrum. But can you be justified? Can the threat to your subordinate's life negate that? Surely a bit, but not entirely, not if her actions were in response to yours. 

Oh, even if you begged on your knees, she would not take you back now.

Why had you not done that before?

She must be disappointed that your attitude was born from her compassion, the epitome of her failures. You do not deserve to call her your mother. You took her generosity as a guarantee, thought yourself above her other children solely because you were her first, and believed you were her favourite for no reason besides your own arrogance.

You have failed the only being in Teyvat willing to show pity toward you.

-

The deepest heart of Snezhnayan forest welcomes you readily with open arms and the gnashing jaws of monsters starving for food. The forest seems to come alive with a vicious hunger for flesh. You have nothing but your vision and bow left to aid your defence. Your delusion is gone, and your subordinates are nowhere to be found to assist you. Despite this, marking your way with a trail of bodies is easy. It is just an inconvenience to have to always be on guard, but you are strangely used to it. 

The cold is numbing as the air hits your face, your fingers almost wholly without a sensation of touch and even a tingle in your toes.

You spent many missions that way, tensed and expecting violence at any moment, hardly allowing yourself to sleep, let alone relax. It feels like nothing has changed in that respect, but you know everything has. You cannot hear the large crackling bonfire or the pattering of footsteps in the snow as your subordinates come to join you, their laughter and chatter and their whispers to each other.

There is a stark silence that is deafening to your ears.

-

On the seventh night, you pass through a village on the outskirts of Snezhnaya, where you first catch wind of the news you had agreed on. The locals informed you that they had recently halted their work for half a day in your honour, believing that you had passed away. All of them are completely unaware that as they remark on the death of Brighella, they are speaking to the former Harbinger, who asks about the news under the guise of being a curious traveller. They also strongly advised you against venturing into the innermost heart of the nation. If anyone were to notice the helmet carefully secured around your waist, it might bring unwanted attention to your travels.

Though you were stripped of your insignia, you have your armour, which by some grace had been spared from confiscation. Though a seemingly trivial act of kindness, a sense of pride swelled within you as you gazed upon it. You are glad it is still yours. This armour had accompanied you through countless blood-soaked skirmishes, serving as a steadfast shield against all manner of danger. 

It is at that moment you decide to treat it as a trophy. Though there is no truth to it, you take responsibility for the Harbinger's slaying. Now, the armour which once protected you as a Harbinger will stand as a triumphant emblem of your hard-won victory over Brighella and the end of the Harbinger's tyrannical hold over the land. You know that you will keep it close, treasuring it always as a tangible reminder of the sacrifices you made to reach this pivotal moment. You slayed Brighella. You ended the Harbinger's tyranny.

If you didn't know better, you would think you were getting a little too far into it and starting to believe it yourself.

By the eleventh night, you find yourself situated in an inn, and the nights only carry on from there all the way up to the twenty-second night since your abrupt dismissal and, to the rest of the world, your supposed demise. Already, the whispers that once revolved around Brighella's defeat now shifted to speculations regarding her successor. The question was not necessarily who, but who could possibly? Her brutal reign as a Harbinger had instilled fear in the hearts of all who crossed her path and in the minds of the people, no one else could measure up to her sheer terror-inducing presence. Nobody knows what happened once they dared to fight Brighella until now. She was only the Fourth of the Tsaritsa's children, but she was the most combat-heavy, and no one wished to cross her, except for the rumoured contender for her throne, who was spoken of in hushed tones as nobody was eager to have their reverence for whoever was bold enough to reach the wrong ears.

Your achievements find their place amongst the rumours as people say that Brighella's killer stole her armour and wears it as her trophy.

Despite the slew of gossip that its patrons indulge in, you enjoy the quaintness of this bar made and run by travellers who use it like a pitstop to rest and recuperate. It is a home to them, along with adventurers and merchants who benefit from the atmosphere. The people are strangers, often reserved and eager to keep to themselves, but have immeasurable wealths of information that spill with a few drinks and a group of acquaintances who are, for only one night of pleasure and indulgence, their lifelong friends.

Among those friends buried in your own tankard of cheap ale, you laugh along with their jokes and entertain their questions like a test of your ability to lie and improvise in this tale you're making for yourself. If they have names, you don't know them. Brighella's death was a glorious battle but isolated to the hills where you were alone.

"Brighella was alone, and they were weakened by prior injury. I don't know what caused it." You mix a dash of the speculations in, downplaying your strength a tad as you're unwilling to expose too much of it. "I'm not one to miss an opportunity. When would it arise again?"

One of your new acquaintances scoffs, amused but no less aware of the dangers of doing such a thing. "And make an enemy of the Fatui?" He is a new graduate of the Sumeru Akademiya who's come to make his way through Snezhnaya for a job offer. Reminds you of someone else, minus the graduating.

"They will not miss her." You are quick to answer—too quick, arguably—as it draws a sliver of attention before dipping back under the radar as a product of your confidence. "Her 'head' makes too cute a decoration on my side to pass up stealing it."

"I wouldn't dare say such a thing. Fatuus comes here sometimes." They are the words of a Snezhnayan native raised to worship the Fatui, though he is somewhat disillusioned by their crimes and cruelty, as you've learned many are.

"Let them hear it!" Your laughter is boisterous and unabashed. "They'll see the armour anyway. They probably despise her like everyone else."

Another one of your new friends, a travelling merchant from Fontaine, interjects your ravings to add only a passing comment. It was as she had done all evening, her secrets locked up tight. "She did not make herself likeable."

"She was not meant to be likeable but a fearsome warrior." Again, the Snezhnayan man rebuttals the criticism against her as he had been doing all evening again.

"You don't have to get so far up her ass, Brighella's not gonna crawl out of her grave and thank you for it."

"You're so vulgar."

You plant your tankard firmly down on the table between the four of you, leaning over it to close the distance between you and the man. "I'm not meant to be likeable either."

Forget being only a little too into the role. You're revelling in the freedom of this new identity of yours.

Quick to disperse the tension, your graduate friend changes the topic without a hint of hesitance in his voice. "They left an underling people believe will take their place. It's a surprise to think Brighella had someone who followed them with such...devotion."

"It's strange, but not impossible." The merchant from Fontaine again, contributing nothing you weren't all already thinking.

"Could she have had a sentimental side?"

"Who cares if she had a sentimental side?"

"Upset the attention isn't on you anymore?"

Anger crosses your face, but you stifle it just as quickly as it appears. You wish their attention was off of you, really. The former you, maybe, but you nonetheless. You want to know about your subordinate. What happened to your second in command? You don't care to hear their speculation as to whether you were or were not particularly emotional with your underlings. You know the answers to all of those questions and more without their guessing games.

"Regardless of the reason, they say the underlying is much easier to swallow than she is, so maybe the position of Fourth Harbinger will change drastically if he takes it." 

"Would he really change its purpose if he was so loyal?"

"Unintentionally, perhaps."

God, these people are so dull. Just listening to them, you can tell they know nothing of the ways of the Fatui. Harbingers are not individual job positions with specific parameters. Each role is its own, and they are moulded by the person who assumes them like a character in a play, enchanting and unsettling in a horrific mix of theatrics and violence. It is what they stand for. One does not assume the role and become an actor with a script. They must improvise and act on a whim to the beat of the Tsaritsaʼs drum, their life no longer their own.

They are not whatever these ramblings and poor excuses for speculations make them out to be.

"Terribly misinformed, aren't they?" In your ear is the low voice of the Snezhnayan man holding in his laughter at the two as the scholar and the merchant go back and forth. 

You glance to your left, where he has leaned closer to you. "Repulsively," you respond curtly.

He has a faint glint of satisfaction in his eye as you seem to have confirmed something. "I thought you might've been from Snezhnaya." 

"So what if I am?"

"It was only an observation."

In the background, the main conversation continues, just as clumsy as it was before you had tuned it out in favour of drinking some more. "Does this mean he will also be named Brighella?"

Straightening back in his seat, the man swiftly interjected their back-and-forth responses to explain to them. "They receive a unique title upon their promotion, and nobody knows what it is until then." A simple enough concept to understand.

"In other words, anything but Brighella."

"It hasn't been long enough to know yet."

"It's strange. Nobody knows his name even now."

That would probably be because you never gave him one.

You considered it in the years you spent with him but couldn't find one you liked. His name was inhuman, not for your ears and not for your tongue, rendering it useless to you and every human who would hear it. The night you found him was spent crowded around a bonfire listing off every suggestion you and your subordinates could think of to no avail, as he only sat quietly by your side and said little about any of these choices, finding no familiarity in any of them. That's only natural, you suppose. 

You still haven't chosen a name for yourself that isn't Brighella, either. Your old one is well and truly forgotten, with the years eroding your memories. It had been centuries since you had been called anything else. Evidently, picking names is not your forte. 

"As far as I've heard, nobody knows what it is."

You find the mention of your subordinate has completely ruined your mood. You are grateful the creature is alive but worried the knowledge you're snooping around to find out when he will be promoted could land you in trouble. It's troubling enough to wonder if he has heard your tales through the grapevine about how you had supposedly 'killed' Brighella—his mistress and mentor—which he would not be happy about. Though you did not fear the creature before, now that you've personally trained him to understand human combat, you're not so sure you'd want to fight him. It would be a hassle. Unlike many, you do not fear the inhumanity of the Doctor or the stone wall that's called the Jester. Even the cunning Damselette struggles to do more than unsettle you, but you respect that creature's raw strength and understand that no matter what you do, it doesn't matter. You are confined to a human form, and he is not.

You lied when he said he wouldn't recognise you, however. You don't actually know if he would.

You don't know the extent to which his eyes can pick out the details in your appearance that aren't physical. Had he memorised your relative build? Your height? The way you carry yourself and your mannerisms? The thought unnerves you, but so does everything else about him.

"I'm turning in for the night." Without regard for the ongoing conversation, you declare your intentions and abruptly shut down whatever is being said at the time without much care for it. Whatever it is, it isn't important. Your unfinished drink is left behind as you make your way to your quarters.

In retrospect, you understand their eagerness to merely cover up the circumstances of your dismissal. For a Harbinger as feared as Brighella, it is easier to halt work for a mere half-day rather than attempt to contain the resulting fallout of admitting one of their own was inadequate while simultaneously preserving their tenuous hold on power.

-

Months pass before there is talk of the crowning of a new Harbinger, the people abuzz with the news and eager to know all they can, preferably before the aristocrats feel like sharing the night of the event. You considered attending the ceremony but ultimately decided against it. You may have the courage to do so, but you are certainly not stupid enough to wander into the waiting heart of the Fatui's clutches. You have waited patiently for this moment and can easily wait longer to hear the news.

No longer treating the inn like a home, you settled somewhere in the plains of another nation only a few weeks after you had first arrived there, sensing the barkeep was getting sick of you and the attention you were drawing to his otherwise obscure establishment. 

People settled there for a night, saw you were there, and word of mouth as they boasted of their encounters with you lured others who came to see you. While this influx of new customers certainly provided a boost to business, it also had the unintended consequence of driving away those who preferred to keep a low profile and valued its place as being for those 'in the know'. In other words, while you were great for a boom in business, you were bad for long-term business. 

The barkeep pushing the mora you tried to pay him to pay for another night was enough to send the message he wanted you gone, out by morning. The idea you were not to come back for quite some time was clear to you in the look he gave you.  

Liyue, on the other hand, is filled with mountains and teeming with visitors who have come to witness the highly anticipated Rite of Descension. Surprisingly, the influx of tourism only adds to the overall enjoyment of your experience. You would think that tourism would hinder your time there, but completely contrary it makes it better in a way. The locals are expecting an influx of outsiders to come to see the Geo Archon in person, and, as a result, they are not only willing to hire help for the time but also serve later at food stalls, and the place is livelier. 

People notice you less as you blend into a crowd of people who don't belong, and you slip under the radar.

You have no interest in the Rite of Descension nor the Geo Archon, and most of your time is spent outside the Harbour.

Wangshu Inn is still within Liyue but at a considerable distance from the Harbour, a mid-point between there and the border to Mondstadt. It is quieter, which is neither good nor bad, and home to some very understanding owners who ask so few questions it almost alarms you. Nonetheless, you crave respite from the chaos and theatrics you were revelling in as a reprieve from the stress you were under, wondering how you would live your life now. At one point, you relished being hailed as a hero by many, but it soon became overwhelming, and you found yourself trapped in the clutches of Brighella once again.

Whether by design or happenstance, your identity had begun to consume your life again, and if you wanted to have any hope of living outside of Brighella, then that had to stop. And so, you sought out a place to lay down your burdens and unwind, leading you to where you are now.

You arrive your old self, and despite clinging to it since your travels had begun, you remove every piece of your armour for what you intend to be a long time and leave it all neatly arranged for when you eventually return to it. You feel compelled to finally don the fresh outfit you acquired during your journey through Fontaine. Admittedly floor-length dresses and extravagance are not your style after years of being cooped up in a heavy suit of armour, but there's something alluring about trying out a new look, especially when it involves pants that don't weigh more than a third of your body weight. Besides, you always kind of liked them anyway, just...not yet. Now seems like a good time to dip your toes in.

You almost don't recognise yourself when you finally see yourself in the mirror. Perhaps you got too used to seeing a metal helmet staring back at you and a suit of armour for a body, but the fresh air against your skin and lighter clothes feels...good. 

For the first time in a while, you feel free.

The new outfit is making you giddy, too giddy for your taste. You don't recall having such an innate pep in your step, only one that felt deserved, but this different. While you typically associate a sense of satisfaction with having earned it through hard work or perseverance, this newfound exuberance seems to come from just existing in your new clothes. You are happy just because even if there is nothing to feel happy about. It's as if the simple act of wearing them has given you a boost, despite not having accomplished anything significant. It doesn't even seem like you made much progress toward becoming yourself when you lay it all out on paper. You bought clothes and wore them, that's it. 

Something about it feels so much like yourself. The freedom to stray from what you thought you were until now, something you hadn't dared to try before.

One thing you like about Wangshu Inn is how it serves even people who aren't staying there. The ground floor overlooking the water is designated as almost a kind of restaurant. People filter in and out to be served, stay for lunch, meet with friends, and take breaks from their missions. It is meant as a place for travelling merchants, but you find that is not all its patrons see in it.

You are not nearly as sociable as you were in the Snezhnayan bar you were at, but this seems more manageable anyway.

"If you've come looking for work, the Adventurer's Guild may have a place for you." A suggestion from a merchant who struck up an idle conversation with you for some reason sticks with you. You can't say why, but you imagine a product of boredom.

"They accept anyone?" Your surprise is evident in your tone, as you thought they might have tighter restrictions.

Just as in disbelief fact as you are, he shrugs, "As long as you've got enough power to back yourself, a friend of mine said they'll accept anyone."

That sounds far too good to be true, at least for your taste. "And it doesn't matter where you come from or where you go?"

"Adventurers are known to get restless in one place for too long."

"I see, and you can just go up a--"

"Excuse me, miss." You don't remember hearing that voice, but you recognise the attire when you turn your head just enough to be met with the sight of a cicin mage standing before you impatiently awaiting your attention. The top half of her face is concealed, as is customary, but there's no mistaking the unkind smile that tugs at the corners of her lips as you meet her gaze.

Has she come for retribution? 

Despite your fears of having to make a mess, the woman reveals a letter that is sealed with wax and extends it towards you, expecting you to receive it sooner rather than later as she waves it slightly as a form of incentive. "From the Damselette," she adds.

"What could the Damselette want with me?"

"Perhaps a warning." The words slip by, quiet but noticeable, immediately catching your attention. You raise an eyebrow at her. She's slowly unveiling her contempt at your presence; you're very aware of that fact. You are not familiar with her. It is unlikely that she ever worked under your command. However, it is possible that she might've held a certain level of regard, which has since turned to hostility as rumours of her arrogant killer run rampant. "I don't know. I'm not privy to those things."

Your eyes glance over her from head to toe in thought, scrutinising her for any indication of where her animosity came from. However, there is nothing that gives away her motives. You break your gaze away from her and glance down at the letter in your hand. "I suggest you get a better hold of your tongue. They don't like it when you're rude to their guests."

Her smile does not waver. "You are not a guest." She states that fact with glaringly false politeness.

"Everyone who recieves correspondence from a Harbinger is a guest."

You suppose you can't fault her disdain when all is said and done.

From somewhere tucked away in her clothing, she pulls what appears to be a knife from your peripheral vision and points it at you, but you look up to find it is only a blunt letter opener balanced in the palm of her hand, waiting to be picked up.

"I was ordered to stay until you had read the letter to deliver her your response."

Just as she believes you are a murderer, the letter addresses you as such. Your lies have reached her ears. Moreover, she is playing along with them.

You expected threats and unfair deals, but it is only an update on what is happening regarding your position, the reassurance that they have not violated the terms of the agreement made. A half-hearted apology and an excuse. Preparations set them back, supposedly.

While you imagine preparing not only a funeral but a ceremony to announce the next Harbinger does take time, it would not take this much time with how prepared they were to kill you off in the first place. It was a planned betrayal.

It just looks better if they don't appear so prepared.

For whatever reason, perhaps your consolation prize for enduring her shameless lies, she shares a secret with you. As you casually scan the letter with little care for its contents, your attention is immediately drawn to the heart of the matter. It's the very subject on everyone's minds and all that anyone speaks of. 

Il Capitano. His name is Il Capitano.

Personally, you would not have picked it, but that does not mean that you hate the name. Quite the opposite, in fact, as you have to admit that when you envision the name paired with his face, it suits him well. She ends the letter promising that she will 'take good care of him', though you know that your respective ideas of those words do not align or even coexist in the same universe. There is an unmistakable discrepancy between her intentions and your own, and you don't like it.

"Come back to us, Brighella. You can watch everything you wanted in person."

-

You won't go back. It's a trap.

Irritated, you find yourself back in the heart of the country where nobody lurks, haphazard in the way you fire your arrows at every creature that dares to disturb your sense of peace. It's hard to focus, and you don't bother trying. Liyue is not the same as Snezhnaya, with open plains broken up by rocky mountains. The creatures are mostly the same, and all die the same, hilichurls and geovishaps running rampant and shot down into piles of meat and rocks.

It doesn't matter how loudly you shout, as there's nobody around to hear it. You could scream, cry, and throw a tantrum all you want, and it won't matter. Even if you throw yourself at the ground and bang your head into the dirt, nobody will see it.

This is all pointless. You will never escape. It will never matter how far you roam or how fast you run.

Why did you think you could? Had your brain melted from your head?

There is no other side. There is no salvation. You are owned from the day you're brought in until the day you die, but why? Why did they want to bring you back to Snezhnaya? What was the point? You are out of the way now, hardly causing trouble for them. Despite this, everything seems to be running smoothly, even with the liberties you have taken in your new role. Was that it? The reason they wanted you to see?

It must be. There is no other reason to risk exposing the lie otherwise. Unless it was to tarnish the Fatui's reputation.

You refuse to believe it is something as innocent as wanting to see your request honoured. Nothing is innocent within the Fatui, not an action without hidden intentions or motives. Centuries of watching their misdeeds from the inside, which always go unpunished and unchallenged by anyone except the powerless commoners, have taught you that there is always an ulterior motive lurking behind their actions.

Not to mention it came from Columbina.

You must've spent three days out there before finally returning to Wangshu Inn, dirtied by the elements and craving something to eat, like a child's insatiable desire for sweets. The dead of night provides a cover for you to take a dip in the water beside the inn in an attempt to rinse the dirt and sweat off of you. It dawns on you that your new clothes would've been ruined if you hadn't had the foresight to change before venturing out again. In that moment, thoughts of the Fatui and the memories evoked by your armour flooded your mind, and you didn't want the same thing to happen to the clothes that had made you so happy from the moment you put them on.

It feels childish how you cling to these things.

A part of you just can't help it, torn between holding onto the memories that define who you believe yourself to be and starting anew with a clean slate. Neither can win. One is stuck on the past and what little you have of it, and the other wants to abandon all of that and start completely fresh.

The half-compromise you are trying desperately to make work by accepting that what's gone is gone while keeping your armour close to your heart is obviously not working. The thought of discarding it pains you too much to actually do it, plagued by the urge to melt it down to scrap metal while also being overwhelmed by the knowledge you will regret doing that as soon as you see the mess that would be left of it.

Your new clothes make you happy, so you need more new things to make you even happier, right? If new means you glean happiness, then more new is what will help you move past all of this deliberation in your head.

Clothes were a given, and...maybe a haircut? Yeah. You should try cutting your hair and decide on a name for yourself that isn't Brighella. Something you want, a name you like, that you can look at yourself and see that person reflected in a mirror. The person you think you are supposed to be when you look past the expectation that has been instilled in you.

That merchant you spoke to mentioned the Adventurer's Guild might have a place for you. What if you should be helping people instead of hurting them? What if you only did that to please the Tsaritsa?

In the background of your thoughts, you walk yourself back to your room at the Wangshu Inn and collapse onto your bed, thinking. Though you are exhausted, you cannot bring yourself to sleep for one reason or another. You make excuses for yourself just to ignore the glaring root of the problem you know is there but refuse to acknowledge. The problem isn't really how hot or cold the room is or the texture of your blankets and how much you dislike the humidity in the air. Something else entirely is keeping you from rest.

Your hair isn't the problem either, or your clothes. Even your lack of a proper name really doesn't bother you. They're only the illusion of change you're using to cover up how truly lost you have become now that you have to think for yourself.

How long have you been alive now? Centuries at least. You can't even live independently after that long? No. No, you can't.

You are so lonely, you are lost, you are confused. You need company, you need guidance, and you need purpose. How are you supposed to live? Where is the person who will tell you what to do every day? 

You have to make that choice yourself? You can't do that. You've never done that. 

The thought of even something so basic scaring you so severely brings you to a weakness you never realised you even possessed. Fear surges through the very depths of your being, an unfamiliar sensation that you find unsettling. You don't like it, but it's an impossible feeling to push down and ignore. Over the years, you had quietly collected your shortcomings into a neat little jar and pushed it aside, out of sight, away from your conscious thought, as if pretending you were invincible. 

What would you have done if you had gotten to Capitano? Make him decide?

He can't. He's not human. He doesn't know enough to decide. You've only made him just like you, a fearsome man until he's abandoned and vulnerable like you have become, and then he'll be pathetic and helpless too.

Nothing came out of any of your efforts, did it? It couldn't have possibly. Even with every attempt you made, it was always doomed to fail.

-

It turns out that the Adventurer's Guild was more than happy to take you in, in a way. They put you right to work. It helps to take your mind off of things if nothing else. It's mindless work, able to tune out everything in your brain and run on auto-pilot. You take to this life so well it scares you, completing your tasks with so little trouble you wonder how this isn't more popular, even if some are arguably unnecessary. If only you were good at proper cooking, you might get rich from the tens of requests for certain dishes. 

You're irresistibly drawn to the combat, right back to the heat of battle where you feel truly alive. In all you've had to question, your love for the thrill of fighting has never been up for debate. You're unsure whether it's the adrenaline or something else, but you don't care to know, either. You don't concern yourself with such questions. It's not important to you why, so long as you find comfort in it. It's the one thing you cannot be robbed of. 

A hard day's work is always rewarding.

"Make sure you be careful today." A fellow adventurer is quick to catch you before you can wander off for your next quest, smiling and unbothered despite his words. You've never met him, but he speaks as if you have.

Something about the bond of adventurers is so reminiscent of the Fatui.

You turn back to place your full attention on him rather than the grilled tiger fish you had acquired out of curiosity about the taste. "Why's that?" You're not too bothered, expecting him to tell you that it's dangerous out there, the Abyss Order existing and all.

"The Fatui are restless."

His words catch you off-guard, light in tone as they are. In outward appearances, he's mostly unbothered, while the hairs on the back of your neck stand on end.

You try to grasp your bearings just enough to speak. "They don't do that for fun." Something about it is just as shaky as you expected, unable to fully mask it, but you figure he'll blame it on nerves.

"Harbinger, apparently." He doesn't draw attention to your demeanour, so neither do you.

"Which one?"

"Dunno."

It's probably Columbina. Maybe you pissed her off when you shot the messenger. Yeah, she probably wouldn't appreciate that. When you did it in a fit of anger, you expected her to find it funny after coming to your senses.

"Hey. Something wrong?"

You startle as you realise he had been speaking that whole time, and you just weren't listening.

"Sorry?"

"I said it's weird that they'd be up and about so soon after the newest was officially promoted."

You deadpan a little, realising it wasn't something of actual value, just a misconception that the greatest powers that be in Snezhnaya aren't spiteful enough to hate each other just as much as they hate everyone else. "Not really. They're not particularly sentimental."

"They don't even care to go out drinking for their own?"

"They hardly know how to tolerate each other." You realise your slip of the tongue too late, seeming too familiar. That's a problem. He barely draws attention to it, only making a strange face.

"Well, whatever the reason, work doesn't stop for them."

In silence, you agree and continue your day as if you really believe that.

-

As you wrap up your work for the day, you feel a sense of pleasant exhaustion wash over you. It struck you as strange that nobody was out in the wild, even the usual fatuus you avoid. Something about it was uniquely eerie. It dawns on you why he came to the conclusion that the Fatui were 'restless'. They must have retreated into the city to prepare for the impending arrival of the Harbinger destined to disrupt the small peace you had found. The sudden influx of fatuus in Liyue would make it seem like they are increasing in numbers nationwide when in reality, they are just moving.

You're not going to let it bother you for now.

Somewhere in the back of your mind, you know you have promised yourself that repeatedly and have found it to be a lie, but you mean it this time. You're familiar enough with the workings of the Fatui to know that they don't like to leave sectors alone for too long, and Liyue had spent a fair time before your dismissal unchecked. 

Even at night, you remain unbothered when you wander Liyue for a time, looking for something to do and notice what he was talking about.

Many of them are fussing more than usual, meaning that chances are it's too late to inhibit the process of this Harbinger arriving. You could turn tail and run, scurry off to the other side of Teyvat and settle in Fontaine or even Natlan, but you like it here.

You sit in the heart of Liyue, listening to a speaker tell his stories. You know you shouldn't linger, but you tell yourself you can for just a little while longer. It reminds you of the past, filled with Liyue legends you remember hearing about as news at the time they took place. The fact these tales are now old enough to be suitable for a speaker's recitation as 'legends' is a grim reminder that maybe you're older than you realised. Your early life is now from the time of legends. You can push that feeling aside to focus on the nostalgia of hearing these stories.

Beside you, you hear the chair move but don't budge from looking to see who it is, assuming that all other chairs are taken or that it's an adventurer who got curious, possibly even the man you had spoken to earlier about all of the Fatui--

“Reminiscing, Brighella?”

You recognise both that voice and that name and go stiff, eyes finding her before your head can even turn in her direction.

In front of you—or rather, across from you—the Knave sits upon the other chair at your table as if she was always supposed to be there, seemingly at ease, but you know better than to assume her guard is down. Arlecchino has always had an icy composure, though she can be hot-headed at times and can lose her temper when provoked. It's not surprising that she was able to track you down, even without knowing what your face looks like.

She turns to you leisurely, unhurried. "I came to look for you since you missed the ceremony." It sounds like a greeting the way she speaks those words. You suppose it is one, really.

Ah, maybe you should've been worried after all.

You try to play off your emotions as if you're completely unfazed by her presence. It's the only way to maintain some semblance of control. "Did Columbina not like my gift?"

"Oh, she rather enjoyed it." Arlecchino maintains a similar composure, knowing approaching you in public means employing subtlety as much as it means she's less likely to be attacked. "She felt it was just the kind of gift you would give."

"I try my best not to disappoint." Your response is less enthusiastic than you might like, a hint of nervousness infesting your brain and refusing to budge.

Despite this, she doesn't notice, not outwardly. Really, that means nothing, as you are very aware of how good her poker face is. "Il Capitano hasn't stopped speaking about how much he'd like to kill you. You don't want to disappoint, do you?" When you were waiting for her to speak, those weren't the words you expected to hear, but somehow you're not fully surprised either.

"I see, so my lies reached even his ears." 

You thought as much.

"I think you'll be quite surprised when you see him." Her reply is so cocky that you almost scoff at her.

"Who said I would be seeing him?" You try to match the audacity she had to make such a remark.

She turns to you rather casually for the words she speaks, an odd tone you can't quite place, lacing her words half like mockery. "You miss him, don't you?"

It's that question that makes you snort and turn away as you realise that her negotiation and persuasion skills are abysmal for such a cunning and intelligent woman. "Not enough to become foolish enough to trust someone whose title denotes them as dishonest and untrustworthy." You always wondered about that, really. "A name like 'the Knave' really isn't subtle."

"Funny." She doesn't laugh or even smile. "I believe yours was something close to 'bother'."

You lean back in your chair, testing it slightly as you push the front legs off the floor as a means of entertaining yourself through this frankly dull conversation. "Then I suppose we're both living up to our names."

She remains silent for several seconds, pondering her next words. You can see her fingers rub against the wood of the chair as a distraction. 

"The others told me it was pointless to try to bring you back."

"They were right."

"You won't come back for any reason?"

"I know a trap when I see one."

"Of course."

Silence, again. You don't care to break it, either. You came to hear the stories, and you really would like to continue that rather than listening to her voice, but she's not making it easy.

"Is that all now?" Your voice shows your impatience more than you might like, but you realise it may work in your favour if she senses she's annoying you.

For the first time in a while, she smiles faintly to herself. "For now. Your answer is abundantly clear." She appears to concede, if only for a little while

You let the chair land back on all of its legs and lean your elbow on the table. 

"Are you going to get out of that chair?"

"No."

"And why is that?"

"It's comfortable."

The urge to roll your eyes brims in your mind, but you stop yourself. You don't want to give the Knave the satisfaction of knowing something she is already well aware of. Besides that, you don't want her to know that you really don't want her here in any capacity. Arlecchino's presence is never a good thing.

You let out a tentative breath as you consider your next words quite carefully. The wrong thing might have Arlecchino never leaving you, and the right one might drive her back to Snezhnaya if you're lucky. You shift your whole body to face her. "You just arrived from Snezhnaya, I take it. What do you want to eat?"

She eyes you suspiciously, scrutinising you for any sign of trying to fool her into consuming poison or making herself sick. "You're feeding me now?"

You pretend you don't notice her intensity. "Well, you're not leaving. It would look strange for me to order food for myself."

Again she smiles to herself, a light mockery that's cautious and testing, easing herself into accepting your offer. "I wasn't aware you cared so much."

"You could starve if you'd prefer." You turn away as you speak and don't look back, shifting yourself back in your seat to be front-facing.

There's a quietness between the two of you, both waiting for the answer to your proposal. You have an inkling Arlecchino will accept, but you don't know with her. She never seemed especially pleased by the times the Jester would convene you all over meals and such, ending up in fights and bickering. She never fought with you, however, so perhaps it's different. 

"Order whatever you like."

You find yourself looking intently at a list of the options on the menu. It's quite a lengthy list. "Mm..." Even though it's just a false invitation and you're doing it to be courteous, you can't say you aren't enjoying the thought of picking out a meal and sharing it with her. Despite your removal from the Fatui's affairs for some time, you'd be lying if you thought you weren't at least a little curious. "Jade Parcels...and maybe Jade Fruit Soup? But Dragon Beard Noodles sound good too..."

Becoming slightly irritated by your indecision, Arlecchino looks across the table to where you are sitting deep in thought. "Is it that complicated of a decision?"

You spare her only a glance before returning to looking for something she would enjoy. "I have to pick something you'll like, don't I?"

Soup is more challenging to share than noodles are.

With that, your decision is made, and you settle. Despite yourself, you are somewhat restless in thought. Arlecchino's lack of contribution is slightly frustrating, but it sounds like she'd be content with anything. You're not sure if your choice is the correct one, but you believe you picked something to the best of your abilities that is easy, even to a foreign tongue. As far as you know, Arlecchino is from Fontaine. You've never eaten like this with Arlecchino to know her tastes or dietary restrictions.

"Jade Parcels and Dragon Beard Noodles. Sound good?"

"It'll do."

"Good. I'll go order it, then."

Arlecchino must be surprised that you returned, as she doesn't seem too thrilled. She never really does, but there was a disappointed glint in her eye right up until you walked in front of her to get to your chair. 

It continues until you get the food, and Arlecchino finally stares at it with an overwhelming sense of dread, left with an intense feeling of apprehension regarding whether. You appear not to hesitate, though this arrangement isn't quite what she had expected. Arlecchino had thought you would order enough dishes that you wouldn't have to share, but you seemed to understand it in a way that meant you would be eating from the same bowl.

You notice her hesitation almost immediately, yet your vexation with her arrival makes you unwilling to acknowledge that you know the reason, a deliberate miscommunication on your part. "Mm. I didn't think this through." Your words seem to make her perk up as if you will free her from her awkwardness by asking for another bowl. "You probably aren't used to using chopsticks, are you? Not many dishes that need those back home."

She knows you're toying with her, that sweet smile from across the table hardly hiding your true intentions. Arlecchino waits, watching to see what you will do next, as she looks back at you with a scowl. 

Her eyes do not leave you as you wordlessly collect a Jade Parcel and present it to her like you are patronising her with this action. Your feigned kindness, this supposed benevolence of you offering to feed her like a child, no doubt hoping she'll back down and excuse herself completely. 

She won't let you do that and have the satisfaction of seeing her back down. She won't allow you to break her facade of acceptance.

Though you circle the food in front of her slowly, only a motion with your fingers trying to convince her or make her as uncomfortable as possible, Arlecchino continues to stare for several more moments. Eventually, she musters the courage to relinquish some of her pride.

Arlecchino leans in slightly, just enough to open her mouth and take a bite from the food you hold out for her. Despite the circumstances that led to this moment, she can't help but acknowledge your good taste. Arlecchino couldn't possibly eat another bite that way, though. Not being fed by the woman who is now her adversary just to avoid her 'winning' in the situation, but admitting she is willing to let you get under her skin is not an option either.

She must treat this situation differently, as if you are merely feeding her out of obligation to her rather than because you have your own motives.

It hardly stops her from enjoying her portion of the meal from the chopsticks you share with her. At some point, it finally occurs to her that you only hold one pair, leaving her set untouched despite feeding her. You had been feeding her with the same set you ate with the entire time, and while you were well aware of that, it hardly seemed to alarm you as much as it alarmed her.

Your biggest disappointment was being unable to get rid of her that whole time, watching her readily accept whatever you tried to use against her. Watching a Harbinger practically bow their head and obey you, however, fuels your consciousness. It's like eye candy to think back and realise you did that.

It's another one of your quiet defiances against the Tsaritsa. You wonder how far you can take it.

As you stand from your seat, you stretch your arms above your head until you hear a faint pop as all the tension in your back relaxes. "I don't imagine you'll be leaving anytime soon."

"No. I have plenty of business outside of you." It's not a lie. She's got a lot to do in Liyue even without your presence, but you're a priority. 

You lean back over your chair, a mischievous little look on your face. "Do tell."

"You know that I can't do that." She's not amused by the attempt, either.

You straighten back to your usual height and brush it off in moments. "Unfun. I thought your loyalty to the Tsaritsa could be won over easily." 

She scowls. "Not by you."

"I see. You have standards after all."

She chooses to ignore your comment. Up until now, you have had quick-fire conversations, sometimes interrupted by a silence that drags on. This is no exception.

"Capitano truly believes you are dead." Arlecchino realises when she has caught your attention, and that time is now. She notices how your head tilts towards her ever so slightly, and your head raises. "For a time, he grieved, but it didn't last long. He has become fixated on the idea of revenge ever since he heard that Brighella's killer was running around boasting about their achievements with the authentic armour to support their claims."

Suddenly it makes some small amount of sense in your mind why they would want you to come back exactly. Capitano won't stay put forever. If he's stuck on vengeance, he won't rest until he exacts it. You weren't thinking about how much your stories would piss him off at the time.

When you spend an extended period of time silent and seemingly disinclined to answer, Arlecchino continues. "I want to show you to him."

You have subjected him to human emotions he's not equipped to deal with. Rightfully, you feel horrible like more of your failures are being wrenched from your corner and dumped out into the open for all to see. It doesn't matter that you're in Liyue, where nobody knows the two of you. You don't want them to see either. 

"He wouldn't want to see me." You don't think she really wanted to hear those words when you finally speak. Her expression gives it away. "He should enjoy his position without my interference. I've ruined his life enough."

"You've given him power and status, he should be grateful for that--"

"No. He shouldn't." You don't even wait for her to finish. She hasn't even realised it yet. Not the way you've been forced to. That power is a detriment, not a blessing. Why should he want that? "I thought that way as well, but now I…I don't think my choice was the correct one."

Arlecchino was not expecting to evoke your vulnerability, shallow as it may be for now. "What choice?"

"To bring him back from the abyss." 

From a purely objective perspective, taking in Capitano was the cause of everything. Arlecchino presumably thinks of it in the way you don't want her to, that you regret taking him in because he ultimately ruined everything for you, causing your world to fall apart. You don't. You wish you hadn't dragged him down with you.

Now Capitano still dealing with the consequences of your choices. He was perfectly satisfied where he was and would've remained that way had he not been caught up in your plans. It was your arrogance that made you think Capitano would prefer to come with you. At no point in your first interaction had he indicated he was displeased in his circumstances, only hostile because humans were so close to him. It is an understandable thing, considering that humans were a foreign concept to him and potentially posed a threat.

"Because he overtook you?" 

There it is.

Despite her words, she appears to have dropped her irritated expression and the impatience in her words and actions. You are finally speaking, and she won't lose that opportunity to an avoidable break in her temper.

"No. No, nothing like that." You try to find the words to explain it, even knowing she likely wouldn't understand it in her current position. You doubt she could ever comprehend it with how she treats her loyalty. "It's more like… Off the record, though I was cherished for many years, even I eventually became disposable. I have left Capitano in the hands of the person who caused that, and now I have damned him to the same fate."

Arlecchino is silent in thought, mulling over your words with great care. The tone of the conversation shifted right under your noses, and with it, so did her demeanour. She became relaxed in a way, though you imagine no less guarded than she always is. "I fail to see how your performance declined. In fact, you are more necessary now than you have ever been."

"I see." In your head, that means she's on your side to a degree. "So you believe that my termination was a mistake?"

"A grave error at best." Her words only confirm the way you thought of it. "Even if you had declined in performance, the people have begun to question more than ever, which sabotages the political landscape of Snezhnaya for those who care about it, the same people who stood idly by while you were ousted. Those who oppose the Fatui are pushing the notion that we must be weaker than we appear, because if even Brighella could die, then what does that say for the rest of us."

Though you wish you could say that concept was inconceivable, the idea that those fighting for reform would seize upon your demise as a means to spur change. It's not shocking that everyone else has been called into question, either. Though it is easy to push the role of frontrunner onto the Director, his duty is mainly administrative, as is the case with many high-ranking positions. His wrath is quick and brutal, and sparse. Dottore is too busy with his disgusting hobbies, and Columbina must remain in the light as a figure they can cling to. That leaves the position of Fourth as the one who is publicly the most violent and ruthless, which used to fall to you.

"I see. Is that why they want me to come back?" You don't expect an honest answer as you ask that question, half anticipating another play at your heartstrings.

"No." 

Frustratingly, she doesn't elaborate.

"I'll only agree to return if Capitano is free to do as he wishes."

She scoffs, somewhat returning to her brash attitude. "Even if I could make that decision, we're well past the point where that's a possibility."

You know that she's correct in that.

Still, you can't stop the sight you let out. You knew the request was wonderful in theory but inconceivable in practice, but asking never hurt anyone. "Then what do you want from me? I take it that though I'm only a stagehand, my part in the theatre is not yet over."

"Is that how you see it?"

"Answer my question."

"Execution."

You pause at her answer.

"Execution?"

You're not even sure you heard her correctly. The execution of who? Brighella has already been put to death, and Capitano has barely warmed his seat among the Harbingers. Nobody left in this is worth killing, given the precarious nature of the Fatui's support in the aftermath of Brighella's murder. It was already unstable, and now things are just worse, with no better word to describe.

You doubt they made the decision lightly.

"Execution. Your execution for the murder of Brighella and crimes against the state."

Your nerves instantly spike again, and your guard is higher than ever. At any moment, you could need to draw your bow and fight her because even though you're unsure of how to treat this life, you're not ready to give it up. No foe has scared you before, and neither will the prospect of rebuilding from square one.

"I see, so you've come to extradite me."

"You read my intentions horribly. I'm impressed you managed to make it so far like that."

You furrow your brows in annoyance. "Then what?"

"The values of the Fatui no longer align with mine." The assertion draws your attention more than anything else. You have always been aware that she is unconcerned with the ideas of loyalty and honour, which you can't fault her for. Abiding by the code of honour the Tsaritsa instilled in you left you here.

You may be completely wrong, but she was so vague and doesn't seem to be waiting to say anything else. "Is this your way of telling me you're deserting the Fatui?"

"No."

"Then what?"

"You so happen to be someone I like." 

You're startled by that as well. As far as you were aware, the decision to do nothing in the face of your dismissal was unanimous. You thought Capitano was your only remaining ally. Even if she's the lowest ranking, that is not indicative of power in an objective sense but of authority. In a sense, she is the new 'you' of the Harbingers, as she always was to a degree. 

Blame for the disorder is shifting in your absence to her.

"Because I cleaned the messes you now manage?"

"Because you aren't cowardly and fixated on politics but inhibited by them. You are a model of what is right." You can't say you follow what she's saying but allow her to continue. "Pulcinella and even Pierro refuse to travel abroad, always making excuses to shirk their jobs when faced with danger in order to comfortably remain in luxury. From the day I joined, you stood out to me in that way."

You raise an eyebrow at her, unimpressed by whatever she's trying to do right now. "Are you trying to flatter me into coming back?"

"I was telling the truth." She doesn't look impressed, either.

You feel a little embarrassed by that, suddenly feeling as though you really had responded quite rudely to an innocent statement. "Hearing a person idolise me is strange," you admit.

"It's not idolising." Her correction is sharp.

"Sounded close enough."

Silence again, as with the pauses scattered around the rest of your conversation. You aren't catapulting the topic into something of great interest or progressing, and neither is Arlecchino. Her lips press into a thin line trying to hide any cracks and stifle any emotion that slips through.

"I admire you."

You did not realise such a thing was possible, really.

"I thought you may have remembered the times we shared and think fondly of it, but perhaps not. We fought once- maybe twice- before. We drank together. Nothing else."

To end that statement with 'nothing else' as if to reduce every conversation, interaction, hour and experience to ashes is thoughtless at best. You didn't remember either instance in which Arlecchino believes you fought and still don't, though you try to now that you have come to find it apparently happened. If it did, the chances of you actually remembering is slim to none with how your memory is. It's not that you forget things quickly, but that minor events slip through the cracks in your frankly chock-full memory.

"I don't remember them, I'm sorry."

"I didn't expect you to."

Despite her words, there is a faint bittersweetness to it, the realisation you are insignificant to the person you aspire toward being like. Somewhere, even if she is aware it was always not only a possibility but highly likely, it still feels like a letdown, the fragile hope you might remember her strength. You only remember her drunken and all too enamoured by you to think properly. It is foolish of her to feel that way because you have battled many foes, and expecting you to remember all of them, let alone your underling, is unreasonable.

"You still haven't answered my question." Changing the topic, you take the opportunity to try to direct her back to what you asked in the first place. "Why are you really here?"

"The Jester gave me permission to pursue you, believing I would attempt to convince you to return to Snezhnaya after Columbina failed." As Arlecchino begins to explain, it slowly begins to make sense as the pieces fall neatly into place. "However, I have no interest in appeasing the wants of dignitaries who care only for their comfort."

You don't want that either. It's just a repeat of Capitano. "Do you understand how dangerous what you're doing is?" It's an attempt to remind her, but Arlecchino's unwavering expression tells you that reminders are unnecessary and unwanted.

"Yes, you were removed for less." She only confirms it for you. "Dottore is of the opinion that you will be forgotten, as are several others-" you imagine singling him out has something to do with them fighting all the time- "but that is simply impossible."

"Times change. You would be surprised how many things we thought would never be forgotten that humans have completely lost all knowledge of."

To her, that concept may be harder to swallow. Arlecchino has never seen the centuries roll by as you have and isn't as familiar with what does and does not remain. Even the greatest gods fell in the Archon War, and most humans cannot name any but the seven Archons. It is natural to forget and progress. The past is meant to become speculation and theory.

"I won't allow that." Abruptly she stops, though her sudden words startle you somewhat with how intense they are. That kind of illogical thought process is natural, maybe. You can't really say. "They could remember."

You shake your head in response, a firm denial before she's even begun to try and sell you on the idea. "There's no need for them to remember."

"There is every need."

"People don't glean the same admiration you do for someone they see as a tyrant."

"Then evoke fear!"

"Enough." You did not expect to have to put your foot down so harshly but do not hesitate to. "I won't entertain this."

Arlecchino grits her teeth at how easily you let go. Even though you are obviously not acclimated to civilian life, you refuse her offer that would allow you to return to Snezhnaya in a potential position of power. It is yet another failed step in the many she expected to have to take to convince you.

"Then let me hide you until some time passes."

"I'm not a precious treasure." She ignores how you roll your eyes at her, completely withdrawing how emotionally available you had managed to be. She can't let her anger take control of her again. "I can handle myself thank you very much." 

You sense she will not be giving up easily.

Even if you could convince her to leave you to your devices and that you would be fine, you doubt she would accept that. However, you have a feeling she knows you intend to disappear after this conversation. You have no idea why else she would pour her heart out in an attempt to make you easier to keep hold of. If you leave, you hold the advantage.

"I cannot continue to defend your honour while you stand by and allow them to do as they please with your name."

That doesn't worry you too much when you've been contributing to it since leaving. "Then give up. Let my name be tarnished."

Arlecchno's anger finally begins to boil over despite her efforts to contain it, rage spilling from the cracks in her composure. "You cannot have forgotten everything we did together."

"Of course I have not forgotten that." Your words are more fuel than suffocation to the growing fire.

"Then accept my help and stop being so stubborn."

"There's no need to."

She grabs you by your arm before you can step away, and you can feel a chill in her hand seep into your skin, likely a byproduct of her delusion. It doesn't hurt, but it doesn't match well with how warm you are most of the time. "You would be willing to pretend you don't wish for normalcy to avoid confronting the Tsaritsa?"

"If I return to Snezhnaya, I will die." You lay it out as directly as possible, without an if, but or and. There's no room to debate this because the outcome will not change. Even if the two of you decide you're best friends, nobody else will see things that way, so it's pointless to pretend you don't see it as it has to be.

Arlecchino finally appears to consider your words more carefully, remaining silent again, but you do not interrupt her this time. You shift your focus to the icy hand still touching you and begin to channel what little you can of your vision without drawing your bow to warm her. You hope she doesn't notice it, not wanting her to find an ulterior motive in it.

"Then it is unavoidable."

You don't quite understand what she is saying until she removes her hand from you to place something on the table you shared.

Suspiciously, you eye the item as you wonder about the significance of abandoning it beyond the obvious, but you don't want to acknowledge that option. "You'll need your insignia if you wish to return." You needn't remind her of that, but it is a prompting statement.

Arlecchino shocks you with her next words.

"I'm remaining with you."

You stand in stunned silence for several seconds, replaying them over in your head. Remaining with you. She doesn't mean that, does she? This is another of her persuasion tactics, right? She cannot actually go through with this. "You're what?"

"I'm not going back to Snezhnaya."

That only confirms your fear, the chill of it rushing to the core of your being and lighting your nerves up with an icy cold. Maybe that's just the hand touching your cheek.

"You can't. You shouldn't. You should stay there."

She makes an odd face at you, half understanding of your plight and the other confused about why you care so much about what she does with her job. "In that place you curse yourself for leaving Capitano?"

"It's a comfortable position." You try to reason that way with her, pointing out the inarguable benefit.

"I don't care for comfort."

You scramble to find another reason, something else to make her give in and pick it back up. You have not gotten anything you attempted to get this night. Arlecchino didn't leave and is, in fact, intent on leaving the Fatui to continue that.

"I don't care to waste my time pandering to people who do not value what I provide for them, all the while relying on it."

That's not a reason you wish to say, but it is. It is a very real reason. You can see it in how the Fatui regards your circumstances that they have never found enough value in the mountain of work you took on. If they had, you wouldn't be having this conversation. She's right, you realise, she realised what you could not.

"Even if you do not allow it, I would be able to follow you." It's a strange thing to say, but maybe she was trying to convince you. Her arm falls back to her side.

You shake your head. "Humans tire."

"I won't be too slow."

It's different for her. Arlecchino doesn't hulk around a bulky suit of armour and a helmet to conceal her face. It is open and well-known. There will be places she can't ever travel to again. Her life will be this and nothing else, while yours will eventually become something else, as it was always supposed to. Even if you don't want to now, you will move on and find a new sense of self. She may never.

"There are grave consequences."

"I know."

"You may never know peace."

"I can live with that."

"You--" 

--will question everything you have ever known. That was what you were about to say. You again come to a realisation that clears things for you. It's different. Arlecchino has not spent her whole life dedicated to serving the Tsaritsa, only a few years at best. You spent centuries. It is no wonder that she could give it all up so easily. Arlecchino only had one foot in the door in the first place.

The realisation dawning on you this way is daunting.

"...Fine. I will accept that." Though you thought you would struggle more, you also understand that it is useless to do so.

"A good choice."

The act of conceding can bring about a sense of relief and comfort. Conceding feels nice, in a way. It is a respite from constantly controlling everything to be exactly as you wish. It allows you the freedom of simply acknowledging the reality of a situation and accept that it may not align with your ideals, even if you don't necessarily like it.

You don't want Arlecchino to accompany you for her sake, but accepting that she will not share your fate of being humiliated can bring about a sense of peace. She will live however she pleases, and that means she may not want for the same future you received. Having a free will allows her to leave.

Slowly, you try to recover from the shock of the situation. As you take in a deep, quivering breath, you begin to steady yourself and attemt to process all that is unfolding.

A single question comes to your mind, a relatively simple one but significant enough to matter greatly.

"What is your name?"

CROSSPOSTED ON AO3

[ca-suffit]

I have a kind of dumb disorganized question. Do you think we’ll revisit the reasoning for the San Francisco memory alteration in season 3? I might be just missing something but I don’t think there’s actually an established reason for Armand altering Louis memory? I tend to think we’re all in alignment that Armand made the edit for both Louis and Daniel, (again showcasing how the power dynamics in Loumand are kind of deceptive - Armand is just much more powerful than Louis both socially in the world and as a vampire) but I’m just not sure what the reasoning is?

I saw a kind of interesting post out in the wild proposing that Louis actually did ask Armand to alter that memory and while I think that’s interesting in the abstract, I can’t divorce the race/power dynamics angles that would call into question (delegitimizating what Louis has been through). Which brings me back to, for a number of reasons I do think the intended read is Armand erased the memory from Louis’ mind without his knowledge. But I’m back to the question of why? It kind of seems like Loumand is in the same spot before and after the mind wipe to me, is there another layer here I missed?

I think we'll learn more about it somewhere in the show as it progresses, yes, cuz it's too big of a mystery to leave unanswered.

this is sort of an aside before I get into it, but I keep thinking of the extent of these powers. we don't know a lot about it still. armand seems aware that recollection is possible, bcuz he's not ttly surprised when he sees that daniel and louis have remembered stuff. so I think it's interesting why he chose that moment and not others and I'm still piecing together thoughts about it as a whole.

anyway tho. this is potentially a headcanon as my answer, so remember that bcuz I'm def not trying to say this is "the" answer. I have no idea fr.

armand's "explanation" in 2x6 could be a whole post itself but that's sort of ot so I'm just going with what the "truth" was otherwise for so long. let's look at the phrasing of it.

armand doesn't forget that louis thought daniel was "fascinating." he also didn't forget what louis said it meant for their relationship that he stay alive. if we consider that armand has awareness that memories might partially or fully return, placing himself as responsible for seeing the "fascinating" qualities in daniel first and "saving" him from louis makes him look better than what rly happened. without the actual audio from that time period, neither of them prbly would have remembered the rly "bad" parts. I'm gonna guess armand knows this too as he's shown unwinding tapes (I know they're not *the* tapes but still, the visual is there for a reason....alongside editing claudia's diaries too) and obviously this part of the interview was *not* kept to the og version anyone had access to that he was aware of.

assad said in an interview (sry I forget which one rn) that armand is thrown off when he speaks to louis about turning madeleine. when louis kisses him and then walks away, like he could walk away at any moment from the whole relationship and be fine without it. armand in the show says he'd be "nothing" without louis. I'm not sure when it starts exactly but there is a point where armand puts himself in the position of always knowing what's "best" for louis. it's a subtle manipulation and not what louis was used to from lestat. it gives the illusion of being cared for by someone who loves u instead of being controlled. armand knows that louis thinks he's boring so he has to do something to create a world where he isn't....or at least where louis thinks highly of him for *something.*

I always saw a lot of daniel paralleling jonah in this. both of them live to old age even tho their existence is painful to some of the most powerful vampires who could have killed them in a second. killing either of them would drive the wedge between them (lestat and armand) and louis even further tho, and they both know that. it also won't fix the issue. ya ok so jonah *did* have more of a history with louis before that moment than daniel did but it's still the same thing of "why do u feel this for someone else and not me? what is wrong with *me* that we don't have this?" especially cuz both points of interest are humans compared to vampire partners. lestat prbly kept tabs on jonah his whole life too.

so that's as much as I've had thoughts on this anyway. idk if it helps.

oh also ia and I don't think louis would ask to erase anything either. this is a man who keeps pebbles in his ankles to remember claudia's death. louis is so full of catholic guilt that there's no way that man would ask to forget *anything* that hurts him.

[lopposting]

yet another theory on carlo's death, more of a quick one though.

something that was brewing in the back of my head for a while that I cut from the other post, I deliberated for a while on whether or not it was worth posting.

[TW for content under the "keep reading" cut. I have also tagged as much. Keep safe, and read at your own discretion!]

reiterating from a previous post, a really interesting detail:

Carlo looks SO unhappy in almost every single appearance he makes.

When we look closely at his expression in the painting, it's not just a sullen expression. at first I thought he was staring back defiantly, which I still think is true; but the more I look closely at it, the more actually sad he looks (remembering that the mom may have died around this time)

and in the sand memories, in one he is a distressed child asking for his father, in the next two he is practically despondent (head in knees). He is extremely withdrawn.

more ways the story casts doubt over the bad ending

the final shot is of him smiling, which we're supposed to see as uncanny. like almost the antithesis of who we saw carlo is supposed to be.

So, again, from the earlier post that I cut: I started to think that we're only shown the stalker memory because this is the moment that lead to Carlo's actual death.

Why is him being rejected by the stalker so important?

What exactly about that moment lead to his death?

Then I had a sudden idea.

Did Carlo commit suicide after being rejected?

Suicide theory

After feeling orphaned through abandonment by his father, and losing his dreams of ever becoming a great stalker; [and perhaps contracting a disease that would guarantee a painful, slow, and lonely death] Maybe that was kind of the final straw for a clearly troubled young man?

And then the nameless puppet (carlo) attempting to destroy his "own" heart -  the act of self-destruction?

Getting real dark here... 

but maybe THIS is actually why Carlo’s full memories and ego couldn’t be resurfaced? Because ultimately, he chose to die?

[although, technically sophia chose to die as well]

and if Carlo did indeed take his own life, how would he have done it?

...

To be honest, I ended up feeling like this theory wasn't super valid, but it is still kind of interesting to me, from like a thematic viewpoint. Again, there's also Sophia and the idea of her being "kept alive against her own will", and then the parallel with "Carlo" in the box.

and then also him saying "I don't care if an old man like that kicks the bucket" [in the korean script] which is dually interpretable as, "That old geezer... couldn't be bothered (with death)[죽어도 상관 안 해]", as in "I wouldn't care if *HE* died" or "he wouldn't care if *I* died". [it's "죽어도 to die (if) - 상관 to care - 안 해 does not" in korean, to be clear.]

Also, there's why carlo's death is even such a mystery in the first place, it's like the story itself is so hush-hush about it, when ultimately - it doesn't matter. they could've just said it was the disease and be done with it. maybe because it involves something kind of taboo? IDONTKNOW

[randomreadingtimewithtsuki]

Touya x Childhood friend! reader

Part 3

Here, take a look at Part 4!

You can find Part 1 and Part 2 here!

Tsuki's note: Kind of two POV? Oh not proof read.

------------------------------------------

Some years went by. You never quitted the habit of visiting Touya's grave and he couldn't find out exactly when you would come around - you visited at random days.

It was thanks to your busy schedule, classes almost the whole day added with house chores. Because you had a schoolership, you could be found at the public library most of the time.

Most of the time you walked through the main street, but whenever there was a main event it would get awfully busy, so you went through the parallel street.

It was a lot more empty and it had access to the back of a shady company, so you usually powered walked there. Today was one of those days. You were rushing to get to the library when you heard a loud noise - something hitting metal?

You looked to your side and a little bit in front of you the wall came down in a blast. You were hit by the impact, feeling immediately dizzy.

The time you took to open your eyes again, you saw a villian laughing with a few bags in hand.

The smoke behind him made you feel even more dizzy, perhaps it is his quirk? You felt something went streaming down your face, as you touched it to see what it was the villian took notice of you:

" Hey, you, care to come along? I-"

His voice started to fade more and more. Definitely his quirk. You passed out.

The next moment you came to yourself, you were still very drowsy, but you could still tell someone was caring you.

You were scared, but you couldn't stay awake for long. You came to yourself again, when you were leaning on a wall.

Someone was near you. Someone with a dark cloak / hoodie and a white shirt. Your sight was blurry and you were terrified. What was the villian wearing again?

You felt teas bubbling on your eyes. It was then you felt a hand on your head:

" Hey, crybaby, it will be fine. You are ... well, don't cry"

Upon hearing that voice you saw turquoise eyes:

" Touya?"

You couldn't see clearly, your sight was still blurry and your head felt foggy. But you felt that person flinch:

"... wrong person"

It's all they said, before they got up and left. You tried to hold on to them, but you were too out of it to properly lift your arms. You blacked out again.

Next time you came to yourself, you were in the hospital. The doctors explained that you were victim to a villain that had a sonifer quirk. Lucky someone called the heroes and you were found safe and sound.

You asked about who called for help. The staff said it was a civilian man working nearby.

You asked about the villian, the doctor said they were caught. Good, you thought to yourself.

As soon as you were left alone, you couldn't help but wonder, who called for help? It couldnt be the person who patted your head, could they?

The way they talked to you, the words choice and the head pats - it all reminded you so much of Touya.

But it couldn't be. After all he was gone. But that person's eyes had the same color. The voice was so different and skin, it looked almost purple.

As you day dreamed about it, you didn't hear a knock on your door. Suddenly it flew open with a voice booming with worry:

" Y/N! Are you ok?"

You felt your soul leave your body. You heard a thousand of sorry's coming from no other than Fuyumi.

She said she was worried sick, when you didn't answer the phone she panicked.

You had a little bit of a hard time to calm her down:

"I am fine! Really, I will heal just fine!"

She frowned:

" You have stitches on your head!!"

Well, yes. But it will heal. As you told her what happened, you realized you didn't remember much. You didn't know what the villian was wearing, or what he said nor where you were left. So you decided to not mention the stranger who patted your head.

Perhaps you imagined it? Being drowsy could have made you see things right? So you just left it at that.

Alas, you were right. You did see Touya.

The boy knew the route you usually took, not like he followed you around - he only walks around the area a day or two in the month. He does the same with Fuyumi - he just absolutely hated that took that narrow parallel street route.

This day, was a day he decided to walk by there. After all there was a street festival going on and it meant you would take the detour.

He didn't see you anywhere and was about to walk away when he heard a noise - noise like something had exploded, perhaps glass breaking too?

Touya got worried about you. What if you were there? He quickly made his way there and he found a Villian talking to someone on the floor.

Someone awfully familiar, with blood running down their faces, eyes hazy, the arm supporting the body was trembling - you, you were there:

" Hey, asshole"

The villiam turned around to be met with blue flames. Touya left them there burning and scream. He walked over to you, checking if you were OK.

Despite the big gush on your head, you were OK. Just sleeping.

He scooped you off the floor, a little amazed how you did not wake up with all the screaming.

As he carried you to the other end of the street, he couldn't help but think this was the first time he touched you in years.

The first time he was actually carrying you. You looked so grown, your child like face was almost gone.

Touya found a spot with a workers close by and placed you on the floor, leaning on a wall:

" don't worry I will keep an eye on them too"

He looked for something to toss over and to make noise. He, himself, would not call the heroes. So his best bet was some of those people.

As he found something and tossed it, sucefully breaking a window close enough to them, he glanced back at you.

A single was running down your face, your eyes were hazy:

"Hey, crybaby, it will be fine. You are ... well, don't cry"

Almost like an instinct, Touya was patting your head. An old habit. But seeing you in such state made him want to wipe away your tears, the other hand being half away to your cheek:

" Touya?"

He flinched. Eyes widen. Touya didn't expect you to recognize him, opening and closing his mouth, what should he say? But he was cut off of his daze when he heard the workers coming:

"...wrong person"

He got up in a hurry and left. Heart racing. You recognized him. How? His hair was now black, his skin was burned, his voice deeper.

You were giving him a headache.

[clockworkbee]

Love how Holly Black takes the most obvious and typical plots from fairytales and then twists them in her books, only to then end them at some absolutely cliché scene 🤌🏼

I am sorry, which ones? I cant see them in Holly Black books

Hmm. Okay.

I’ll start by clarifying (for you, anon, and anyone else who comes across this post) that when I say fairy tale, I don’t just mean the Beauty and the Beast category, I also mean those children books like Goldilocks and Pinnochio etc. as well as the many stories I've never read but heard from my dad or grandmother in my childhood (in urdu—not that they’re relevant in this post) and I’ll tell you why I thought so/saw (see) it as quoted in your ask, but just because I did doesn’t mean everyone would—and this isn’t to convince you either (but it low-key is, lol)

SPOILER WARNING: the books mentioned in this post may or may not contain minor/major spoilers about the plot but do include more information than the synopsis so if you haven’t read Holly Black’s books and would prefer knowing as little as possible before going in, I think it’s best you save this post for later <3

The Folk of the Air: My first books by the author were tfota, and the world, plot, and characters were quite refreshing to read, but then on my first read, when I read about the prophecy and the curse within the series, it hit me that within this ‘faerie’ story was an aspect of the ‘fairy’ ones, kinda like ‘beauty and the beast,’ ‘a cursed prince turned into a frog,’ or another that's mentioned in the 3rd book, but then, the way to break the curse was not so typical in my opinion, and I loved that. And of course there’s the famous parallels between Jude and Alice from Alice in the Wonderland; a human girl in a fantasy land where she doesn’t belong. (If you’re interested, you might like how it’s shown here by @rosiethorns88 and the third and second last paragraphs written here by @sensenoi unless you’re interested in reading the whole post, that is) As for the cliché ending here, I think those cheesy, happy dialogues in tqon are exactly that.

The Darkest Part of the Forest: in this standalone (which I wished so hard that I’d read before tfota), there’s a prince who’s banished and (I think, can’t remember, sorry) also cursed to sleep. So again, this was like Aurora sleeping after pricking her finger or Snow White after biting the apple, however, the way to wake up that prince wasn’t his true love’s kiss and he doesn’t love the person who finally breaks him free either, so I kinda liked that twist; the boy getting the prince instead of the girl. (You know, like a change of perspective in a fairytale retelling such as Maleficent’s pov showing love instead of hate for Aurora, I guess)

The Modern Faerie Tales (Tithe + Ironside): the story of a faerie raised as a human finding herself lucky enough to earn power over a royal faerie. For this ship, there was this storyline of ‘win your love by completing a quest’ and that’s what felt fairytale-like to me. Only, it was a bit twisted because faeries can’t lie, and that made the quest tricky.

The Modern Faerie Tales (Valiant): In this one, the ship and the insta-love were kinda it (fairytale-like), but then there was this scene where the girl almost lost the one she loved and the way she tried to delay that happening and then saved him was what actually hit like a Faerie fairytale to me.

The Stolen Heir (duology): sooo, I loved how the story started with a girl wishing for more in her life, wishing for magic, and then in a way, having that wish come true, only it’s a Holly Black story so of course magic only mostly brings horrors instead of sparkles, leaving one of the most common messages/warnings from fairy tales, ‘be careful what you wish for.’ I also loved that our fmc was made of sticks and snow, which again, is something I’d heard before in a fairy tale as a kid (I think it’s also mentioned in a grishaverse short story, the witch one? I don't actually remember, but yeah.) The twist added here was that, unlike those stories I heard where a girl who was made this way could be unmade by other people just as easily ‘if someone did this or that,’ (or maybe it’s still a part of the books, I can’t recall), Holly made Suren extremely powerful and almost invincible, and I loved that a lot. (Also, I didn’t see the Snow White story stuff here until I read this post by @of-the-way-and-wildflowers , but after reading it, I definitely do see it, and absolutely love it!) The cliché ending here, I suppose, is the way Suren came back?

I hope you got from this the answer you were looking for, anon. I don’t think I ever made a post on how I see fairy tales in these books before, so thanks a lot for this ask!

—bee 💗

[kerryweaverlesbian]

"Soulless!Sam? Interesting. In my universe (Universe Prime, because it's the real one) we call him Sam's Husk. I think in Universe B they call him Sam's Shell, 'Verse Third he's UnSam. You don't want to know what the Omegaverse calls him. Trust me, it's-

"Oh fuck, I'm running out of time a bit, uh, I wasn't planning to spend my time in your universe talking exclusively about WB's Supernatural but I don't know many fans back home- oh, it's the CW here? Interesting! Anyway, uh, here's the transdimensional megabomb, in order to stop the evil Dr Bananula - she's evil because, ah, don't have time, just trust me, I promise - you need to set it off in exactly 24 hours in the nearest empty field, and that will join the riftwave of all the others and knock out her power for a solid month which will be long enough to- ah, whatever! you don't need to know. What you really, 100%, absolutely need to remember is, see this green wire? You have to..."

*The inter-dimensional traveler from, apparently, Universe Prime, who appeared in your room with an urgent message 45 minutes ago, saw that you were watching Supernatural, and did not stop talking about it the entire time until the very end there, dissipates from view, presumably back to her own universe. The transdimensional megabomb she had been holding disappears with her.*

[johanna-swann]

It's been a few days, I've had time to sleep on it and I changed my mind. The season 7 finale was the worst finale yet. In short: The entire thing felt super rushed, there was next to no emotional payoff, the main plot made no sense and I was underwhelmed / confused the whole time.

The end result, where the characters are at right now, the position from which they will start into season 8 I'm happier with than last season (goodbye forced heteronormativity), but the way we got there was... not good. (Long review under the cut. Like, long review. I have a lot of thoughts.)

Just as in 6x18 the pacing of that episode was all over the place. There was this main plot that they teased us with, the "whatever is going to happen? are they all going to survive? what will the consequences be?" and then halfway through the episode that big mystery was resolved and there were no consequences.

I remember the bridge collapse last year was super underwhelming because they just rushed through the incident in a way that gave us no time to even worry about the characters much. Buck finally was put in a position where he had to assume leadership and then that lasted for exactly the time it took him to get to Hen and once she was awake, she took over as acting Captain. Nobody was hurt so badly that we had to assume the worst. That one earthquake victim showed up which was supposed to be meaningful I guess, but it just felt random. (I doubt most viewers even remembered a random victim from 4 seasons ago. I sure didn't until someone else pointed out it was the same actor.) And then the danger was suddenly just over. The "big dramatic disaster" took up less than 20 minutes and there were no consequences. There's a reason why 6x18 only made 99th place out of 106 episodes on imdb.

7x10 repeated those very same mistakes all over again, but worse. In this case the two big questions concerning the main plot were "Who committed the arson?" and "Will Bobby be okay?". Both questions barely had to be asked at all because 1) it was very clear (and not at all a plot twist as some early reviews suggested) that Amir was innocent and the generic Latino drug smuggler cartel (loved that btw, who came up with this bullshit) was involved. 2) this is 911. The main characters don't die. The least I expected though were some heartfelt moments between the rest of the team holding each other up, people sitting with Bobby and talking to him, maybe some parallels to last season when we had a similar situation with Buck.

Instead it takes almost 10 minutes until the other characters even figure out something is wrong and we proceed to focus heavily on Athena who's going rogue again and keeps critical information from her Captain because she wants to take revenge personally. She then threatens an innocent civilian with her service weapon while off duty which - as we learnt in 2x08 from none other than Athena herself - under California law is an assault. Well done 911, a show who has previously criticised Cops abusing their power but keeps writing stories for Athena to do the exact same thing. Wtf.

Anyway, my point was that we spent so much time following Athena around on her nonsensical quest for revenge that we barely even have scenes with Bobby in the hospital. Once the generic cardboard cutout cartel is dealt with it turns out that Bobby despite having been without his own heartbeat for 14 minutes, despite having been seizing and on a ventilator last we saw him, despite the Doctor being unsure if he'd wake up at all is actually just fine. Perfectly happy and healthy even. Okay. My bad for expecting something more here I guess.

Bottom line, the main plot around the arson was very straight forward (I don't know which part here was supposed to be considered a plot twist and using Amir as a very obvious red herring twice just seems lazy), had little emotional impact and "the big showdown" was very anticlimactic. Basically the same things I also criticised about the last season finale and I don't think it's a coincedence that 7x10 is the second worst rated episode as of right now. At least the bridge collapse made sense.

One storyline they (temporarily) wrapped up rather well is the one around Mara and Henren. This will be picked up again in season 8, but for now we know Mara is in a safe place, she can have contact to the Wilsons and it might also evolve into Madney discussing having another kid in the next season. I don't feel bad waiting 3 or 4 months for how this continues. However I still think that they should've waited with the plot around the council woman for season 8 maybe. Have Henren take in Mara, show them growing together as a family, show Mara slowly opening up to them. But season 7 had so much personal drama going on already, maybe if they had pushed the incident with Ortiz, her son and her revenge plot to season 8 it would've helped keeping these last few episodes more grounded. They still could've shown Mara struggling to fit in in her new home and all of that.

Madney didn't have much going on this season. The wedding episode had its moments of course, but those were contained to the confines of 7x06. Now they've taken in Mara and there's potential to build on that, but nothing that has been explicitly teased at yet.

The Eddie/Kim Doppelgänger plot was just unhinged. It was sort of fun and I enjoyed it in a way that I also enjoy Doctor Who, Umbrella Academy or Legends of Tomorrow when they go off the charts again with their weirdness levels, but did it really fit into 911 as a show? I don't know. It's also not exactly clear yet if they're going to bring back either Marisol or Kim next season. And like, I get it. Tim Minear regrets killing off Shannon, but for the love of god just stand by your mistake. She's dead. It's been 5 seasons. We already had a plot where Eddie realised that he can't date just to give Christopher a mother figure, we already had an arc where Eddie realised that if he starts dating again he has to do it for himself, we've had scenes where Eddie admitted he was angry with Shannon for wanting a divorce, for leaving or that he still misses her sometimes, we've seen Eddie and Christopher keep up traditions to mourn her together (visiting the grave, smores). I get that grief doesn't follow a specific timeline, but still. Can we please just move on already.

Also I don't understand why they had Christopher move to El Paso. Eddie's parents are both retired, they could've stayed in LA to support Christopher instead. Chris is probably a lot closer to a bunch of relatives they have in LA than he is to his grandparents too, what about Tía Pepa? I'll be honest, even if I was in a bad place and my kid was angry with me, I would not let my 13 year old who impulsively and in the middle of the night called his grandparents (who have a history of manipulating Eddie into giving Chrisopher to them) move over a thousand kilometres away, away from his school, his friends and all the other family members he's close too. There are other options. (Also why was Buck there? He was in the room, but that's about it. Again, my bad that I had the expectation he'd be there for a reason.)

Then we have Buck and Tommy. Nothing much going on here either. I get that keeping Tommy around for 7x09 and 7x10 was a bit of a last minute decision, it was probably difficult to schedule filming with the actor etc. But that doesn't stop other characters from talking about Tommy. Instead we still barely know what's going on. Are they officially boyfriends? How do they spend their time together, do they have a hobby in common? How long have they been dating? They're still cute, but it seems a little superficial.

Which brings me to a big issue: The timeline. What the fuck is going on with the timeline? I don't even mean the obvious mistake with Tommy leaving the 118 "5 years ago". But Henren are talking about adoption and according to my research adopting a foster kid takes at least 9 months. The cruise ship disaster happened "last march". What? What is going on? How much time are we missing here? Have Bucktommy been dating for a year now and we don't even know? How long was the Eddie/Kim thing going on? Then again, if we're missing an entire year, wouldn't Buck have been with the 118 for 8 years instead of 7 as Bobby said? I am so confused.

Another thing that has been mentioned before is that season 7 barely felt like a procedural drama. It was so chock-full with the characters' personal drama that it felt more like a soap at times. How many calls did we even have this season, especially in 7b? Episode 6 was the wedding, I only remember the abduction case from ep. 7, ep. 8 was Bobby begins once again, ep. 9 only had a montage and no specific calls and ep. 10 didn't have any calls at all. Hopefully this change will be reversed in season 8 when we get more than 10 episodes again.

Only thing left to mention is the "cliffhanger" with Gerrard. Is it really a cliffhanger though? Doesn't feel like the stakes are high enough to call it a cliffhanger. They're stuck with an asshole for a Captain, getting rid of him will be an important storyline in season 8, but it's also not as dramatic as they're trying to make it seem. A big part of the reason why Gerrard's 118 was so bad back in the begins episodes is that Chim and Hen felt isolated. They didn't have back-up against Gerrard, nobody helped them or spoke up for them. That is very much not the case this time. They all still have each other and Gerrard will not stick around forever. It will suck, but it also doesn't seem like a death sentence.

In conclusion: Most of the finale was just plain bad. Not cleverly written, not well balanced, not emotionally rewarding, not planned out enough. There's little positive I can take away from this episode. Some storylines weren't explored enough, others did get the necessary screentime and still made no sense. Not all of these mistakes were made just in the finale, some have been happening for most of season 7. Let's hope for a better season 8.