#i really need to finish the chapter on how to do this outline

[youre-not-a-cat-youre-a-rat]

417. Got the next "scene" bullet point down but not the "point" one. Found a promising new playlist to mine for the inspo playlist I'm making.

[ittybittyfanblog]

Error 404: (Self-Aware!AU, Sylus Edition) – Pt. 3

Summary: A LADS self-aware!AU featuring Sylus and a (now skeptical!) player. That’s it, that’s the plot. A/N: I’ve already outlined the entire thing–now it’s just a matter of writing it, so don’t worry! Even if some chapters take me longer to update, I’m gonna finish this one way or another. Promise. *fingers crossed* Tags: player!reader x sylus, fem!reader x sylus, reader x lads, self-aware!au, strong language, reader thinks she’s losing her marbles because of a certain someone

Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4 - Pt. 5 - Pt. 6

“Alright—okay, don’t be stupid,” You chant to yourself as you pace restlessly from the kitchen area of your studio, to the coffee table where you’ve set your phone lying facedown. “Just open the damn thing.” 

You’ve just arrived back at the condo a little past seven PM after a, frankly, productive–if not slightly distracted–day of running errands. You’re home, and you haven’t even got to unpacking the two paper bags (and a box) worth of groceries that were all but thrown carelessly on the kitchen counter, and already, you’re back to stressing over all the weird shit that's been happening to you.

Throughout the afternoon, you tried your hardest to resist the urge to check your phone, especially whenever you see the screen light up–whether it was in your hand or stashed away in your half-zipped fanny pack.

It’s at the most random times too, but always when you act on your unfortunate tendency to monologue your thoughts out loud. 

Sure, it could just be some random push app notifications. Text messages from the few people that hit you up on the weekends–invitations to hang out, maybe. A few newsletters you forgot to unsubscribe from, if you’re unlucky. 

But you think the timing’s far too deliberate to be purely coincidental. 

“Do I get a dozen eggs or just half? What do I even need a dozen for?” (Phone vibrates)

“Oh, hey, Indomie’s on sale if you buy in bulk. How much for a box?” (Screen flashes. Twice.)

“Who the hell is holding up the line, damn–oh, it’s an old lady. Better hurry the fuck up, grandma.” (Screen flashes) “...Sorry! I didn’t mean that.” 

“Ughhh… my tummy hurty…” (Phone vibrates) “What—” 

“Everything’s perfectly normal. Just your average, sunny Saturday! You are an independent, capable adult… who’s fucking losing it.” (Screen flashes–after a minute interval) 

Of course, you have an inkling as to what’s–or who’s–blowing your phone up; in fact, he’s never left your mind since this morning.

So presently, you’re in the middle of having a small existential crisis over what that means, for you and your sanity. No big deal. 

You puff out your cheeks for a couple of seconds before letting out a deep breath. Don’t be a pussy. I’m sure there’s a logical explanation to all of this. You’re–you’re not crazy. 

Landing heavily down in front of the low table, you finally grab your phone, hand shaking with the teensiest amount of trepidation. Not giving yourself any more time to think and second-guess, you flip it over, switching it back to Ring mode as you swipe up to see—

—a barrage of notifications; one popping up after another. 

Some of them are what you’ve expected: plain, old push notifications from banking apps, others from varying socials. There’s one from your mom. A reminder to email her the flight tickets you still haven’t gotten around to booking yet. 

And. Six banner notifications from the game. From… from–him. It’s something you’ve already braced yourself for. It doesn’t prepare you, however, for what they actually said. 

A knot grows in your chest, spreading rapidly like slithering twine as your mind tries, and somewhat fails, to make sense of what your eyes are seeing. 

Grab a dozen, sweetie. It won’t add much to the total cost, and you need that protein every morning. Cereal’s not gonna cut it. 

You really ought to lessen your sodium intake, kitten. (and) Do NOT get the box. Stop. 

Haha. A feisty one, aren’t you? 

Mmm, poor baby.

I– we can talk about this later when you get home.

Each notification contains a completely unique dialogue you’ve never seen before. A play-by-play commentary specifically in response to you— to your personal remarks from earlier, spoken out loud— that there is absolutely no way anyone could still pass this off as simply being system-generated. 

A faint ringing echoes in your ears as you slowly draw back, putting some distance between the onslaught of text and… you. You can’t seem to tear your gaze away from the screen, though. Even if the back of your head bumps against the seat edge of the sofa behind you from how far you’ve already leaned back. 

Blinking in stunned silence, the only thing you could croak out is a strained “what the fuuuck.” 

... Ping!

Still mustering the courage to face me? Don’t keep me in suspense, darling. 

The sudden message jolts you back to reality. You suck in a deep breath.

… Despite everything, you can’t help but find his nonchalant response to your gradual spiral into hysterics–because he knows–a little amusing. Also rude. But mostly funny. 

(It’s also probably just your brain’s last-ditch effort to find some semblance of control, but whatever.)

At this point, you know that you’re merely delaying the inevitable. Swallowing, you press on one of Sylus’ messages and it immediately boots up the game. 

Instead of soothing your nerves like it usually does, the orchestral background music from the loading screen puts you more on edge; your anxiety builds up to a crescendo, harmonious to the heralding of what you know will undoubtedly change the trajectory of your life. 

Dramatic, but true. 

48%... 82%... 98%...

There’s a hollow drop in your stomach when the screen–finally–reveals the familiar sight of the café. The golden ambient light enters your field of vision for a split second before your eyes flit reflexively to the man standing in the middle of the screen, whose presence commandeered your full attention.

He’s wearing his motorcycle jacket–the black one with the red and white thorn(?) accents, paired along the pair of leather pants with the iconic double zipper. Aside from the black zircon studs, he’s not wearing anything out of the ordinary. Nothing is looking out of the ordinary, actually. 

Holding your breath, you wait for the other shoe to drop. 

“Are you waiting for me to say hello? Then–” Sylus muses with an amused lilt to his voice, sauntering closer to flick “your” forehead. There’s a beat before he continues: “That’s my way of saying hello.” 

… Huh? 

That’s—this isn’t how it’s supposed to go. You… you don’t know what you were expecting, but this wasn’t it.

The man in front of you doesn’t look any different from how he usually does; the way that his… character animation (Should you call it that? It doesn’t seem right, given the circumstance, but you don’t know how best to describe anything anymore) flows is so–-so infuriatingly… normal. As if it’s just like any other day that you’ve logged in the game. 

Where did the sentience go? Why is he reciting lines he’s programmed to say? None of it adds up.

Your mouth tries to form words, but nothing comes out. With wide eyes, you helplessly gape at him. Speechless. For a moment, you feel like you’ve actually gone mad. 

A small “what’s happening?” slips past your lips. Your eyes dart across his face, trying to analyze every microexpression, any hint of sentience on him–in his eyes, in his movements. 

You find none. 

Mechanically, you exit the game.

“What the actual fuck?” You whisper-shout at nothing in particular, and maybe to the biggest cause of your current disconcertion; one who you thought… Who you were sure was—

-

-

Fuck it. It’s time to put your detective skills to work.

[fbfh]

makey makeover - rodrick x hyperfeminine reader

wc: 1.5k

pairing: rodrick x gn hyperfeminine!reader

warnings: rodrick isn't used to being taken care of but only briefly mentioned at the end, rodrick does not know what hyaluronic acid is

summary: rodrick can never say no to you, but if it means having you straddle his lap while you use all your skincare products on him and listen to music together, he wouldn't want to say no anyway.

song recs: makey makeover - crazy ex girlfriend cast, jesus of suburbia - green day, perfect day - hoku

a/n: I started writing a kids book yesterday?? like I finished the first chapter and outline in one sitting???? it wasn't at all planned but when the muse strikes yk. Anyway I don't think it will take me as long to write so if you wanna read a chapter book about magic and girlhood and unicorns and other mythical creatures with bella sara vibes that's probs gonna be ready reasonably soon lol

tags: @yesv01 @magcon7280 @dustyinkpages @the-snake-pit @kiara7777 @inthehoneymoonwithconnorrk800 @followingthefanfiction @2220825 @Maggzsworld @xiaos_crustytoenails @ionlymadethisaccountbcihadto @strawberryjen124 @Isaentremundos @hxnbah

Rodrick likes to think he's a pretty tough guy. Between being born and raised on the rebellious messages of pop punk music, and the nonconforming ideologies of emo and other alt subcultures, Rodrick knows in his bones that he'll never let the man break his spirit. He'll never bow down to someone just because they want him to do something. He's had countless opportunities to stand by these beliefs at school and at home, and he has never - not once - come close to doing anything for someone simply because they want him to. Rodrick has been confident in his ability to never give into other people’s orders, no matter how much they demand of him. 

Until now.

“Pretty please, Roddy…?” You pout your glossy lips at him, blinking up at him and batting your doll like eyelashes, and that’s all it takes to make him fold.

“...I guess, if you really-” He’s cut off by an excited squeal from you, and he’s glad that you’re too distracted to notice him blush. Rodrick has never felt his willpower give in so fast, but as he watches you rush around your room and smile, delighted that he’d agreed, he realizes that he’d do pretty much anything you tell him too. Ben and Chris would call him a pussywhipped simp, but… no, that’s pretty much it. He chuckles a little at the thought, watching the pile of stuff grow. He recognizes nail polish and tweezers, but that’s about it.

“Thank you thank you thank you!” You say, rambling happily as you settle down on your bed across from him. “I’ve been wanting to do self care stuff but I’ve done so many everything showers and self care nights there’s nothing left for me to do on myself. But you…”

You take his face in your manicured hands, moving him around to inspect more closely.

“You are in serious need of a facial.”

Rodrick doesn’t really process what you’re saying, he just loves when you touch his face like that. 

“...Uh, yeah totally.” He mutters absentmindedly, distracted by your sweet smell. After a moment, he processes what you said, and chuckles, leaning back into your silky pink pillows. “Babe, you can do anything to me, anywhere, anytime.” 

You giggle, feeling your face flush a little as you get all your stuff organized. Rodrick runs his hands up and down your waist, fidgeting with your soft fluffy pajama shorts and big loded diper shirt you wear all the time. He sees the little burn marks and worn out hems and realizes it’s the one you stole from him. He smiles softly, loving the way you look in it even more now. His attention is pulled back to you when you push something over his face, brushing his hair back. You adjust the fluffy cat ears on the headband, making sure you have access to his whole face. Rodrick giggles a little, knowing he must look a little out of place wearing a pierce the veil shirt and fluffy kitty cat headband. 

“I don’t think my forehead has been this exposed since like, 4th grade…” he chuckles.

“That’s good, you’ll have less sun damage that way.” You smile, putting some micellar water on a cotton pad. It’s a little cold to the touch, but after a moment, the feeling of you gently wiping over his face and neck ends up being way more relaxing than he had expected it to. You throw it away, and he hears it land in your trash can with a crinkle. 

“I’m gonna mist your face now, okay?” You say, and he nods. You spray rose water on his face, and Rodrick can’t get over how considerate you are to give him a heads up like that. Rodrick smiles a little as he adjusts to the subtle floral smelling facial spray he’s used to smelling on you. He basks in the quietness of your room, opening his eyes as he watches you sitting on his stomach and looking for the next product. You hesitate for a moment. You feel like something’s missing, but you can’t put your finger on it.

“Oh,” you say, reaching for your phone as you remember. You open up Spotify, and put your favorite playlist on shuffle - the one you and Roddy share. It’s full of both your favorite songs, mostly boiling down to early 2000’s pop punk and trashy pop. It’s chaotic but really does suit you both perfectly.  Rodrick smiles suddenly as he instantly recognizes the opening notes of Jesus of Suburbia begin to play. You take out your favorite serum, jasmine and blackberry hydrating jelly, and place a few drops around his face. 

“What’s that one?” Rodrick asks, picking up another bottle. 

“Hyaluronic acid.”

Rodrick looks at the little dropper bottle.

“Does it, like, melt the flesh right off your bones?” 

“No…?” You chuckle, massaging his cheekbones and jawline with your fingertips.

“Then why is it called hydroponic acid?” He asks rhetorically, “Acid is supposed to melt shit.”

You laugh again, and he makes a mental note to sample your laughter for a song at some point in the future. He doesn’t know which one yet, but he knows it will be his best one yet. 

You rub some cooling aloe vera gel into his skin, then take out your rose quartz gua sha stone. You tap your fingertips against his chest, and he looks at you with an amused smile.

“What does that do?”

He watches you work, eyes locked on you. He can’t remember the last time he felt this relaxed and peaceful. 

“I’m prepping your lymphatic drainage system.” 

That clarified absolutely nothing for Rodrick, but he trusts you implicitly. You’re so good at so many things, but Christ, you could write a book on all that girly beauty stuff. It’s way more hardcore than people think it is. You know about all these acids and drainage systems and the pink rock thing, and even though he’s impressed, he’s not at all surprised by how good you are at all this stuff.

You begin gently gliding your gua sha over Roddy’s skin, working from his forehead down to his neck and jawline. He stops talking as you work, and it’s like you melt all of the stress out of his body through his face. He could fall asleep with you touching him so gently like this. After a while you rub some more cream into his face, then place something under his eyes that feels like thinly sliced jello.

“What the fuck?” He asks, bringing another laugh out of you. He watches you take two more of the weird jelly things and put them under your own eyes.

“They’re under eye masks.” You answer with a chuckle. “They hydrate your skin, depuff, and get rid of dark circles.”

“Huh…” he hums in response, playing with the patches as they sit on his face. 

Once you’ve used half your arsenal of skincare products on him, you peel off his sheet mask and let him sit up. You hand him a mirror, and as he sits up and stretches a little, kind of wishing you had more to do, he feels like he just woke up from the best sleep of his life. 

“So? What do you think?” You ask excitedly. He can’t help but crack a smile at how cute you are. Rodrick takes the mirror you offer him. When he sees his reflection, he almost doesn’t recognize himself. 

“Oh my god…” he says with a soft smile. He’s glowing. He doesn’t think he’s ever looked this soft and moisturized and… cared for before. He doesn’t even have any crusty eyeliner from yesterday smudged around his eyes. He can never get it off all the way, but one wave of your magic wand, and it’s gone. He laughs again, touching his cheek. He looks up at you in surprise.

“My face is so smooth…” “I know!” You exclaim in delight. “So, do you like facials after all?”

You have a feeling you already know the answer, but Rodrick looks up at you anyway.

“Yeah,” he states, pulling you in for a kiss, his lips soft and exfoliated, topped with your favorite strawberry lip balm. You think Rodrick is right, it does taste better in a kiss. After he pulls away, it takes him a minute for his brain to stop short circuiting. 

“So… uh, are we doing this again next weekend?” 

You laugh at his hopeful tone of voice, how he raises his eyebrows a little. 

“Yeah.” You nod, taking him in for another kiss. You take his hands in yours, looking at the stick and poke tattoo he got of the heart you drew on his hand in chemistry class, his little calluses from drumming. “Next week I can do something about your cuticles.”

[novlr]

I have a bad habit of never finishing writing I start - I work hard on a story, make it to 3/4 of the way through, then lose passion for it and start something else. I know the key to overcoming this is discipline, and I’m trying very hard to make myself keep going with my current story that I like very much and spent so much time researching and outlining, but it’s a struggle every day to make my writing goal. Any advice for how to re-ignite writing spark or how to push through to the end?

We can lose our drive to write for a lot of reasons. It often indicates a growing maturity as an artist — you understand the craft better and your own (current) limitations better, and so you begin to feel overwhelmed in a way you didn’t before. It can also be that external anxieties are getting in the way or simply that you’ve lost interest in your current project. 

Hope is not lost. Read on for some tips on reclaiming your writing spark. 

Shift gears

Sometimes, all you need to reignite your writing spark is to engage your brain in a different way. If you’re struggling with your novel, take a break and try writing a poem or a piece of flash fiction. Or, you could try drawing sketches of your characters, a map of your story’s world, or some possible outfits for your climactic battle scene (it doesn’t have to be good. No one’s going to see it). 

The trick is to stay creative but to approach your work from a different angle. 

Change location

If you’ve been trying and failing to write at your desk, surrounded by crumpled up dreams drafts and last week’s candy wrappers, you may be suffering from an environment with stagnant energy. Try taking yourself on a writer’s date: go to a location that fits the tone of the project you’re working on (lux hotel lobby, seedy theatre bar, the wilds of a nearby park), and see if that gets your creative wheels turning. 

Dress [in]appropriately 

In Writing Down the Bones, Natalie Goldberg has a chapter called “Blue Lipstick and a Cigarette Hanging Out Your Mouth”. By this she meant, “Use outfits and props to step outside yourself and get a new perspective”. You might find it helpful to have a special “writer’s sweater” that you only wear when you’re writing or to dress like someone confident and cool enough to smash writer’s block in the face. 

Do some soul-searching

What’s really going on here? If the above tricks aren’t doing it for you, there may be some bigger issues at play that are inhibiting you from connecting to your writing spark. 

Write letters

I’ve written about the restorative powers of letter writing before, and I’ll mention it again: handwritten letters are a great way to get the words flowing. You don’t actually have to send them when you’re done (although you can if you want to); the recipient doesn’t even need to exist. Simply by putting your thoughts down in a low-risk way, you’re unclogging your creative pipes. 

Join a writing group

There’s power and accountability in numbers. You can find writing groups online, through community centres and writers centres, or by sticking a flyer up in a bookshop and starting your own. There’s even a Novlr writing community on Discord where we share tips, struggles, and just generally talk craft! By inviting other people into your writing practice, you’ll have some support and encouragement to keep you going. 

Find your writing spark with writing prompts

The internet is awash with writing prompts. These can be a helpful way to get something down on paper and stretch out your writing muscles. Whether it’s a premise, an opening line, or a character study, writing prompts can give you a gentle, creative push and even inspire new work.

Experiment with found structure

If writing a traditional story feels like pulling out your own teeth, try a found structure story. This means using fictional “found material” like shopping lists, calendars, to-do lists, ticket stubs, banking records, and so forth to create a narrative. 

Here’s an example: Imagine a week in which a bride-to-be prepares for her glorious wedding, is left at the altar, rages in misery, and ultimately emerges healthier and stronger. Now, write her shopping list for each day of that week. How does it change from beginning to end? How much emotional detail can you communicate to the reader through the items that appear on these lists? This can be a fun way to create a story without the anxiety of writing it.

Set a petty life goal

I am a proud champion of the value of pettiness as a motivator. There are plenty of noble reasons to write: to share powerful stories, to help readers in need of healing, to inspire others to write stories themselves, and to draw attention to important social issues or minority identities. 

There are also some really inane and selfish reasons to write: to become more famous than your ex, to appear on TV and make your ex regret everything they’ve ever done to you, to have your book made into a movie and receive casting consultation rights and pitch your favourite actor in the lead role and allow them to take you for coffee as a thank you. But the thing is… these are the motivations that are really going to pull you out of the dirt when you need it most. Find the silly driving goal that really gets under your skin and hold onto it for dear life. 

Forgive yourself

Many writers experience a lot of shame when they aren’t writing as much as they feel they should. Needless to say, this shame only makes the writing harder. Allow yourself the space to take some time when you need it, process your struggles, and return when you’re ready. The page will be waiting when you get back. 

[physalian]

You don’t have to pay for that fancy worldbuilding program

As mentioned in this post about writing with executive dysfunction, if one of your reasons to keep procrastinating on starting your book is not being able to afford something like World Anvil or Campfire, I’m here to tell you those programs are a luxury, not a necessity: Enter Google Suite (not sponsored but gosh I wish).

MS Office offers more processing power and more fine-tuning, but Office is expensive and only autosaves to OneDrive, and I have a perfectly healthy grudge against OneDrive for failing to sync and losing 19k words of a WIP that I never got back.

Google’s sync has never failed me, and the Google apps (at least for iPhone) aren’t nearly as buggy and clunky as Microsoft’s. So today I’m outlining the system I used for my upcoming fantasy novel with all the helpful pictures and diagrams. Maybe this won’t work for you, maybe you have something else, and that’s okay! I refuse to pay for what I can get legally for free and sometimes Google’s simplicity is to its benefit.

The biggest downside is that you have to manually input and update your data, but as someone who loves organizing and made all these willingly and for fun, I don’t mind.

So. Let’s start with Google Sheets.

The Character Cheat Sheet:

I organized it this way for several reasons:

I can easily see which characters belong to which factions and how many I have named and have to keep up with for each faction

All names are in alphabetical order so when I have to come up with a new name, I can look at my list and pick a letter or a string of sounds I haven’t used as often (and then ignore it and start 8 names with A).

The strikethrough feature lets me keep track of which characters I kill off (yes, I changed it, so this remains spoiler-free)

It’s an easy place to go instead of scrolling up and down an entire manuscript for names I’ve forgotten, with every named character, however minor their role, all in one spot

Also on this page are spare names I’ll see randomly in other media (commercials, movie end credits, etc) and can add easily from my phone before I forget

Also on this page are my summary, my elevator pitch, and important character beats I could otherwise easily mess up, it helps stay consistent

*I also have on here not pictured an age timeline for all my vampires so I keep track of who’s older than who and how well I’ve staggered their ages relative to important events, but it’s made in Photoshop and too much of a pain to censor and add here

On other tabs, I keep track of location names, deities, made-up vocabulary and definitions, and my chapter word count.

The Word Count Guide:

*3/30 Edit to update this chart to its full glory. Column 3 is a cumulative count. Most of what I write breaks 100k and it's fun watching the word count rise until it boils over.

This is the most frustrating to update manually, especially if you don’t have separate docs for each chapter, but it really helps me stay consistent with chapter lengths and the formula for calculating the average and rising totals is super basic.

Not that all your chapters have to be uniform, but if you care about that, this little chart is a fantastic visualizer.

If you have multiple narrators, and this book does, you can also keep track of how many POVs each narrator has, and how spread out they are. I didn’t do that for this book since it’s not an ensemble team and matters less, but I did for my sci-fi WIP, pictured below.

As I was writing that one, I had “scripted” the chapters before going back and writing out all the glorious narrative, and updated the symbols from “scripted” to “finished” accordingly.

I also have a pie chart that I had to make manually on a convoluted iPhone app to color coordinate specifically the way I wanted to easily tell who narrates the most out of the cast, and who needs more representation.

—

Google Docs

Can’t show you much here unfortunately but I’d like to take an aside to talk about my “scene bits” docs.

It’s what it says on the tin, an entire doc all labeled with different heading styles with blurbs for each scene I want to include at some point in the book so I can hop around easily. Whether they make it into the manuscript or not, all practice is good practice and I like to keep old ideas because they might be useful in unsuspecting ways later.

Separate from that, I keep most of my deleted scenes and scene chunks for, again, possible use later in a “deleted scenes” doc, all labeled accordingly.

When I designed my alien language for the sci-fi series, I created a Word doc dictionary and my own "translation" matrix, for easy look-up or word generation whenever I needed it (do y'all want a breakdown for creating foreign languages? It's so fun).

Normally, as with my sci-fi series, I have an entire doc filled with character sheets and important details, I just… didn’t do that for this book. But the point is—you can still make those for free on any word processing software, you don’t need fancy gadgets.

—

I hope this helps anyone struggling! It doesn’t have to be fancy. It doesn’t have to be expensive. Everything I made here, minus the aforementioned timeline and pie chart, was done with basic excel skills and the paint bucket tool. I imagine this can be applicable to games, comics, what have you, it knows no bounds!

Now you have one less excuse to sit down and start writing.

[oliffee]

Princess OC: The Bottled Ship

This is just my thought process on my stp oc, bottled ship! Long ramble under the cut for those who are interested.

Bottled ship initially came from an idea of another concept titled 'The Beacon' in which the princess acted as a way point luring the player towards her.

A beacon similar to a lighthouse. Earlier concepts for the cabin was that it was placed in a desert, but with the lighthouse idea I thought a lake or sea would be more fitting. So, the cabin was placed on top of a small island within a vast lake instead of an empty desert.

So, you got a big expanse of water, surely the princess has to relate to that right? What if princess but fish leviathan? Something so big yet confined to some place so small. Like a ship in a bottle, the bottled ship.

Initially drew most of the concept based solely on vibes hahah. So how bottled ship would fit wasn't really a priority.

But! after doing some thinking, i think i have a rough outline on what the route might look like in chapter one.

I would say you get her after fighting her with the knife but fleeing at the last second. As usual she bangs the door and threatens you to let her out. TLQ falls asleep and awakes with the door still closed.

You and the voices aren't quite sure if the princess is still alive, so the narrator urges you to finish your job and slay her.

You see her slumped on the wall, from the base of the stairs you cant really see her clearly. So you are prompted a choice, either get closer to investigate or leave her.

Leaving would get you to the nightmare as she creeps behind you and freezes your insides.

Investigating closer would lead you to an ambush attack as the princess attempts to wrangle the knife away from you.

As you plunge the knife into her heart, in a moment of sheer defiance she takes the blade out and stabs you too.

Essentially she had lured you into a trap and somehow the ambush had worked for her, albeit ending badly.

There's 2 ways this chapter would end; either you fight her and she swallows you or you could throw the knife into the water to earn her trust.

Bottle wants to be free and knows the cabin is far too small for her. She will then guide you to a plug at the bottom of the basement floor, where both of you will drain all the water from the room.

After all the water is gone, you are left with the faceless princess holding onto a very small and fragile bottle. Both of you exit the cabin.

This one has hidden a part of herself, seeming approachable to you, a clever creature with a trap lying in wait. She no longer needs to hide. She will make for a cunning heart.

[suzukiblu]

I am unreasonably excited for the next chap of think pink… the genuine care peeking through the layers of horny is so nice… get treasured idiot

yeah turns out I accidentally wrote another 2k of it in the past two days and also might need to add some new tags next time I post, wHOOPS! Current chapter word count between finished prose and outline: 18.7k. Current percentage of chapter COMPLETED: . . . uhhhhh, MAX thirty-five percent, lbr, hahaHA.

Why I am I like this. Why are WORD COUNTS like this.

But yeah Kon is just doing his bestest to Not Get Weird about this threeway and is about to get SO WEIRD about this threeway, I gotta tell ya. But also it's going to be entirely Tim's fault how weird he gets, so like, inevitable occurrence really, can't be helped! Really can't be helped! Just straight-up unavoidable, in fact!

( Bernard in the background: man comphet is a hell of a drug, huh you two.

Kon: what's "comphet"?

Bernard, giving him headpats: pretty sure you'll figure it out by Monday, buddy. )

[inexplicifics]

Hiya! I was wondering if you’d been having any luck making the Cats Among Wolves bunnies cooperate lately? If not, that’s cool. Plot bunnies are not the most cooperative creatures, but I figured I’d ask. I was also curious about what the writing process usually looks like for you if you were willing to explain it a bit. Do you tend to jump around between projects just following the inspiration, or do you write out at least a whole scene or chapter before letting yourself move around? How many times do you usually send a fic to Rose for betaing before you feel ready to release it? I always find different people’s processes so interesting.

So Cats Among Wolves is mostly not cooperating at the moment - I am weirdly low on Brain and the bunnies are not doing long-form very well just now. But here's a snippet from the Cedric & Axel fic:

Fuck, this is good, Cedric opines, sipping greedily at the soup Gaetan is holding for him. “The old Wolf knows his way around a kitchen,” Gaetan agrees, nodding. “I think I gained most of a stone the first winter I spent here.” “You needed it,” Eskel puts in. “All you Cats are too damn scrawny.” “Wolves are just absurdly big,” Gaetan sniffs. “And what are Vipers, then?” Eskel - teases. And Gaetan is grinning. Axel has never seen Gaetan so relaxed around an alpha before. Not even Cedric. But there’s not even a hint of tension in his littlest brother. He’s utterly unafraid. “Vipers are mostly perfectly normal sizes, Letho’s just special,” Gaetan says cheerfully. Letho smirks.

As to my writing process - oh gods, it's like a pogo stick. I often have eight or ten docs open, and I create a new WIP at least three times a week. (I am very easy to plotbunny. And I am surrounded by enablers.) I write until I get stuck and then I go to something else. Sometimes, if something really grabs me, I can get a whole longfic out in a week; sometimes I have to come back to it again and again until it clicks. My personal feeling is that as long as words are ending up in a row, it's all good.

I don't outline. Outlines kill fic for me. Once I've written down what's going to happen, why bother writing it again? Even for something like MBtT, I had the very loosest possible sketch of the plot and the desired relationships. I also can't estimate how long a fic is going to be to save my life. I thought MBtT was going to be 50K. I have to very deliberately keep from putting plot into things like prompt fills and flash fics, because once I've added plot, that fic isn't getting done in less than 10K.

I usually send the fic to Rose when it's completely done, and then do a pass through it once she's left comments, fixing all the plot holes she finds. Then she checks my work and I put it in the posting queue.

One thing I have found that helps me is that I color-code my docs. Blue is in progress, purple is ready for beta, and green is ready to be posted. It makes it easier for me to track things visually.

The other thing that really helps is cheer-readers. Because I try to only post finished fics, sometimes I'll start wondering if what I'm writing is really any good. Rose and Twist and Ray have all been wonderful at Encouraging me enthusiastically to keep going, and suggesting directions when I get stuck. Cheer-readers are great and I encourage writers to find them if they can.

Hope that was interesting!

[jayparked]

hi everyone 💛 i know i recently did a poll about fake texts vs fics and the results were NOT EVEN CLOSE LMAO

i love that everyone loves my fake texts and appreciate how well they've been doing, but i will be taking a little bit of a break from them 😔 im a bit burned out from them and although i have a lot of ideas saved in my drafts i cant bring myself to finish them on that note, i have quite a few fics in the works that i will be posting within the next few weeks/months that i'm excited to share with everyone :) here's some sneak peaks 💛 pls let me know what you think! disclaimer: all works will be nsfw so mdni special shoutout to @sungbeams for making two of these banners for me 💛 ilysm talented wench

best friends to ???? / sunghoon x female reader / oneshot

synopsis: you find out your best friend has been a long term pornhub subscriber and you cant help but send him a teasing text about it. but after seeing his most watched video, you cant help but suggest ruining the friendship and acting out your favorite scenes together

current word count: 1.5k

estimated word count: 10k

estimated release date: tbd

preview:

“Why do you think I haven't been able to keep a girl around for more than 3 months? Because it’s clear how obsessed with you I am. They were only just placeholders, anything I could do to try to get you off my mind while pretending it was you begging for me every night, pretending it was you screaming my name as I fuck you.”

college au / jay x female reader / oneshot

synopsis: the new transfer student has been eating up all the new attention he's been getting, but you couldn't care less. and that only makes him more desperate to get to know you

current word count: 5.4k

estimated word count: 15k

estimated releaste date: tbd

preview:

“I just did that stupid ‘drop all your books in front of your crush and see if they help you pick them up while you also try to pick them up and your hands graze against each other and you look into each other’s eyes’ thing and you just stared at me like I was an idiot but joke’s on you because the person who did pick them up is way cuter than you and I. think. I’ll. be. dropping. my. things. around. them. more. often.” Jay’s animated staccato tone throws you off and quickly sends you in a fit of laughter as he stands there with his arms crossed and his chin turned up towards the sky. “You wanted me...to pick up...your books...cause I’m...your WHAT?” You laugh harder, clutching your sides as you double forward.

office au / enemies with benefits to ???? / jungwon x female reader, ??? x female reader / smau with written parts

synopsis: things between you and your enemies with benefits agreement has to come to an end. not only to keep the peace at the office you both work at, but to actually give you somewhat of a chance at finding true love

current progress: 5 chapters outlined

estimated chapters: 30+

estimated release date: tbd

preview:

“-Don’t ask me again,” he sits up quickly, your head moving back while he readjusts his body to lean over you slightly, one hand hovering just millimeters next to your cheek, “please, don’t. Not unless you mean it. Not unless you really want me.” His voice is wavering as his eyes flick from your own down to your lips, then back to your eyes again. His pupils are shaking, searching deeply in yours for any hesitation, his breath shallow and slight as he waits for your response. “I need you, Jungwon.” “Fuck,”

established relationship / sunghoon x female reader / oneshot

synopsis: newly married, you and your husband love creating your own...unique traditions

current word count: 6.4k

estimated word count: 10k

estimated release date: tbd

preview:

"So, how is this a tradition? Are we going to be making sex ornaments every Christmas?" It's not so easy to keep your tone nice and steady. You don't know if you should laugh, be turned on, embarrassed, oh who are you kidding? You're definitely turned on. The photo in the ornament is one worthy enough for the Pinterest aesthetic boards— you on your knees with Sunghoon's cock halfway down your throat, mascara tears dribbling down your cheeks as they hallowed around his member. "The tradition," Sunghoon's voice is silkier than silk itself and the low rumble in his throat is enough to shoot an intense wave of arousal throughout your body, "is that we fuck and take a polaroid, and put the polaroid into a clear see-through ornament to commemorate the experience."

office au, fake dating / strangers to lovers to ??? / sunoo x female reader / oneshot

synopsis: after you and your coworker sunoo are both dumped by your long term partners Heeseung and Karina (who end up dating each other), you're tired of feeling sorry for yourself and decide to get back at them just in time for the Valentines day office party they're hosting

current word count: 10k

estimated word count: 15k

estimated release date: feb 14th

preview:

You move in like you’re about to kiss him, but stop short just as your lips barely brush against his. “I don’t like playing games,” you whisper, showing your teeth as you smile. “Funny,” Sunoo murmurs back, grabbing onto your hips and flipping you around until your ass is flushed against his crotch, his tie still laced between your fingers, “Didn’t seem that way when you asked me to play along with your little scheme.”

♡ masterlist

[wrongcaitlyn]

hey guys! so. i really really really hate to do this, but i've been thinking it over for the past few weeks and i've decided that i'm going to take a short hiatus from tyt. and by SHORT i mean that i will 100% no doubt be returning to this on the first sunday of january (jan 5), and will only be taking november and december off!!

reasons for this are quite a lot, both for the benefit of the dear reader verse and my personal life! just to briefly summarize:

college app's. i really need to prioritize these, and though i'll definitely be finished by early november, it will be taking up a lot of my time

arcane. this seems like a silly reason, but i'm an editor as well as a fic writer, and i just know that the arcane s2 release will consume my brain. i want to allow myself to fully enjoy the season release and not stress about also writing a fic so that i can edit to my heart's content :)

both of those are happening in november, but in december i will be having finals and will leave for a trip for two weeks!! as we all know (*cough* my summer vacation) i am not the best at balancing both writing and vacation, and again, i don't want to stress myself out too much on what is meant to be a vacation

other fics! i still have two unfinished fics, and i'd like to finally get those done instead of having them lingering over my head for another five months lmao

but the main reason is for the overall quality of dear reader and its upcoming one-shots!!! a whole lot of stuff is about to go down in the upcoming chapters, including several one-shots that detail other parts of the universe. according to my outline, in the next five chapters of tgol, i will also be posting 4-5 one-shots in the dear reader series (yes, two of those include the pollen lore!). i want to be able to do those stories justice, and the one-shots do tend to take a longer time to write than the tgol chapters just because i'm usually writing from new pov's and outlining a whole lot of extra plot (especially in those pollen one-shots - they're going into a completely different time period and i want to be able to confidently say i've put enough time and effort into them to be proud of them! i've been hyping the pollen lore up for quite a while now and i want to do them justice!!)

so yes. that's quite a lengthy explanation lmao but i'm justifying it to myself as well because of how much i adore tgol and don't ever want to accidentally abandon it <3 rest assured that i will be using the two months to hopefully get ahead of my outline and ensure a concrete posting schedule when i return! but for now, i will obvi still be active on here (as well as insta and tiktok, if you guys are interested in arcane content) to answer asks and ramble about tyt!!!

[bebewrites]

I promise I searched your blog, but how do you (specifically) zero draft? The post that showed up in a search of your blog was like, bullet point writing whatever is in your head for the.wip, which I think is v cool and would help me finish lofm! So I'm curious how you do it!

Oh yes, okay! I don't think I've actually explained it anywhere, but I love talking about this.

what is a zero draft?

The great thing about a zero draft is that you can pretty much make it whatever you need it to be. For me, I was having a hard time with the middle of my story. I've started and stopped this wip so many times, always getting hung up at the same part as I approach the middle. I've always had a very clear picture of the beginning and the end, but never how to get all the way through from point A to point B. My original outline had things in brackets like [character growth] and [plot stuff], but what does that mean!?

My goal was to get all the way through. So I opened a blank document, started at the beginning, and literally rambled and talked my way through the entire story. I didn't write real prose. It was all stream of consciousness. It was me describing what happens in the story as if I was telling it to a friend. The zero draft was my rubber duck. This was my brainstorming document. I used common vernacular and slang and abbreviations. There are bullet points, numbered lists, sidebars where I rambled about a scene I completely forgot to mention in a previous section. Lots of comments about things I need to include in the next draft. Literally anything and everything I thought of went into the zero draft.

A zero draft can be as long or short as you need it to be. Mine ended up being around 40k words. But I've seen other people say a zero draft is 10k to 20k words. It's really up to you! And when you feel like you've covered enough of the story to move on to the next draft.

And you don't have to go about a zero draft the way I did! Recently, an author I love and follow on instagram (Casey McQuiston) shared in their stories that when they were writing their most recent book, they zero drafted each chapter before they wrote it out. Casey said that because of this, it was first time they didn't have major edits and rewrites afterwards. So if you find yourself needing a little more structure and sense of where you're going, I think a zero draft could be super helpful!

Of course you don't have to have a zero draft, and if you've got a good sense of the plot and character arcs, you might not need one. But it can be a great way to brainstorm and figure out those things if you need to!

[ohcorny]

hey corny. so i always see people recommending to outline their story before starting it, but could you talk a little bit more about what that means? what is an outline and how do you structure one? how long are the ones you write, depending on the project? do you focus on plot beats or feelings? how specific do you get? can u recommend any readings for learning more?

up front i don't have any resources for this, only experience. and outlines feel like one of those things where it's like... there are a million ways to do it and the way that works for me might not work for you. i have a friend who writes out all his ideas on index cards and that, for me, is insane. but he's also a better writer than me so who can say what is right or wrong.

anyway an outline is essentially a sketch but for a story. you go through the whole thing, start to finish, and figure out what goes where and what happens when. the idea is that this is the stage where you work out all the big picture stuff and make sure it all fits together, now, and not after you've drawn twenty pages and suddenly go "wait shit that doesn't work" and have to do it over. it is much easier to delete and rewrite a paragraph than to redraw several pages.

doing anything more, ie including dialogue or feelings, depends entirely on how useful that information is to you at that point in the process and whether the purpose of the outline is for your own guidance, or so somebody else can tell what you're trying to achieve.

this got really long with multiple examples

here is an excerpt from the original outline i used to pitch Hunger's Bite to publishers. this one had to be polished to a professional standard, because somebody else was going to read it and decide whether they wanted to give me thousands of dollars to tell this story. (also several of the details are no longer accurate. for instance it now takes place 9 years earlier lmao)

this paragraph represents the first eight pages of the book. the final book is 264 pages long, and the outline was 12 pages of paragraphs as dense as this one.

it establishes where we are, who's there, and what they're doing. i describe their conversation, but i don't commit to the dialogue. i will occasionally include snippets of literal dialogue, but usually only if it's Important Dialogue, or i just don't want to forget a good idea i had while outlining. it's not expected at this step.

an outline written as part of a pitch to a publisher should tell the whole story, with all the important details, and leave nothing ambiguous. they need to know the tone, shape, and the arcs. no secrets! all the spoilers. outlines for yourself should do this too, but outlines for others need to be as clear about your vision as possible. again, an outline like this exists for the purpose of getting you paid thousands of dollars. you should write it like that.

in comparison, here's an excerpt from the outline i wrote for revisions to my WIP prose novel, so i could show it to my agent (who already read the draft) to be like "do these changes sound good?" i'm not selling it to anyone yet, just making a guide so i can have a conversation about it. so it doesn't need to be neat, it just needs to be functional and clear. the first chapter was entirely new stuff. the second bit was just writing down what was already in the chapter that existed.

i have historically been very bad at outlining things when i don't think i "need" to, and only wrote this one after having written like 60k words of the book without any overall plan. i gave what i had to my agent for feedback and then sat down and figured out how i could apply it. it's made the whole revisions process significantly less daunting. now i have a checklist for things i need to do! this one was a paragraph or two for each chapter, with the ones that needed a lot of rewriting given a bit more detail.

lastly, here's a bit of the outline for the first roger crenshaw book. i was the only person who had to see this, and since the story was planned to be very short i didn't have to worry about a whole lot. as long as i knew what was supposed to go where, it would work. honestly it's not a whole lot different from the previous example.

this one was like five paragraphs and it did the job, and this story was like 15k words. you only need as much or as little as will actually help you on the page.

basically if you take nothing else from this, it's that there are multiple ways to write an outline, that it does not need to be perfect if you're doing it for yourself, and that it only needs what you think is important (unless it is for other people. then it should have everything). and also it's a good idea to do it earlier in the project than after you've written 60k words or drawn--jesus christ i got up to 12 chapters in never satisfied? it's amazing i didn't quit sooner

[quotidian-oblivion]

I desperately need further information on

BRUCE WAYNE WRITES FANFICTION AU (batfam)

🙏 i beg

Writer ask game

😂 Fair enough! I'm desperate to start writing as well! (Along with my 60 other wips-)

So this bwwf au, i've talked about it before but i'll talk about it again and no one can stop me mWAHAHAHAHAHHAHHAHA

Because its a crack AU. As you can already tell. Its a crack multichap AU which i find so so hilarious. I've written part of the first chapter already.

I've finished coming up with the outline, it just needs to be written. Currently, in the planning stage, it's 15 chapters in total, but it might increase or decrease as I write it.

SO. WHAT HAPPENS IN THIS AU:

We start off a relaxed Brucie sitting in his office secretly writing fanfiction because he has found it to be therapeutic somehow. To get all these feelings out through writing, not needing to speak it. He writes about Gotham vigilantes and some other superheroes as well like Superman, Wonder Woman, Green Lantern etc. He's going okay because it's just a chill thing, but his writing's gotten so popular bc he can absolutely nail characterizations and create the most brilliant plots that his works are some of the most kudoed works ever! Until... Until he gets a suspicious comment.

And then it spirals from there! It looks like half the super community, all his children and even the rogues were reading his fanfics! He knew he was popular but he didn't just how much popular. BOOM! Cue one by one, Bruce finding out exactly who was reading his fics and getting increasingly paranoid. Bruce getting so paranoid that he calls Clark and now Superman's involved in it too while hiding it from Lois, Kon and Jon too. Villains like Kite-Man handing themselves up because the fanfics touched their hearts. Ra's showing up and slapping Batman bc his fanfics shipping Batman with Catwoman broke Talia's heart. And... Oh no. Not the press.

And! And! I'm doing a really cool thing with it which involves all my lovely writing friends and the people who are reading it!

The fanfic's gonna have snippets of "Bruce's fanfics" in some chapters written by my friends! Bc Bruce's style is different to mine and I want to make that separated and clear, I'm not going to write any of Bruce's fics (except one)! It's gonna be my friends!

And! And! There's gonna be a comment section snippet too where I'll ask commentors to leave a comment on "bruce's fic" which "Bruce" will reply to!

It's gonna be big and it's gonna be crack and dw it's not gonna be cringy in a neg way, i made double sure of that, and it's gonna be FUN! :D

[writingquestionsanswered]

How come I managed to get an outline done for once for the sole purpose of getting me to finish a chapter but I just can't get myself to finish that chapter?

Chapter Outlined, Can't Write Chapter

It happens. Outlines go only so far... you still have to flesh out the scenes as you write them... figure out the dialogue and the blocking. It's sort of like you can plot your trip route on Google Maps, but you still have to actually drive from one point to the other.

So... when you have an outline but are still struggling to actually write:

Problem #1 - You Don't Have a Way In

Having a chapter outline usually just means you know what generally (and importantly) needs to happen in the scene, the general order those things need to happen in, and some things like the scene's purpose, your character's goal, etc. But this is sort of like having a set of instructions that say, "Go to building. Go inside." Okay, great... but how are you specifically getting inside? Are you going through the front door? The back door? Climbing through a window? Landing on the roof in a helicopter? Tunneling in through a basement wall? So, before you can actually start writing, you need to figure out the specific way you're getting your character into the scene. A good way to do this is to go to the first important thing that has to happen in the scene, then rewind from there. What is your character doing in the moments before that? What has to happen in order to put them into that place in that moment? Is there anything unique about the circumstances or location you can focus on? Try opening up some of the books on your shelves and look at the ways different chapters begin. It will start to give you ideas for how you can open your chapter.

Problem #2 - Not Inspired/Excited

Having your chapter outlined doesn’t mean is a good first step, but if you're not feeling motivated to actually write the chapter, it will harder to write it. Try doing some fun exercises to get yourself excited about the chapter. Do a mood board or playlist for the chapter. Save some character and setting inspiration photos on Pinterest. Do an interview with your character that takes place after the scene/chapter to get their take on what happened and what they feel about it.

Problem #3 - Something Isn’t Working

Stories are like a house of cards in that one misplaced “card” can bring the whole thing crashing down. Sometimes you lose interest because an earlier element or event didn’t quite work. You can feel in your gut that something’s not right, so your brain interprets that as losing motivation. It’s not really that you’ve lost interest in the story… it’s that you’ve lost interest in the dead end path it’s on. Go back to the previous chapter or two and look for something that’s not pulling its weight. It could be an unnecessary character dragging the story down, a subplot that is cluttering up the story or drawing attention away from the main plot, or a scene/scenes that don’t add to the story. It could even be a combination of these things. If you can find it and fix it, your motivation may return.

Problem #4 - You’re Distracted by Other Things

If you sit down to write and you’re busy scrolling through facebook, texting with friends, and singing to the radio, you’re probably not going to get much done. Try blocking out thirty minutes (or whatever amount of time you can afford) and dedicate it entirely to writing. Shut down social media and other tempting apps/sites. Turn off the TV. Put your phone on silent. Tell housemates not to bother you. Put on soft music without lyrics, and focus solely on writing. If you find your mind starting to wander toward other things, yank it back and focus on your story.

Problem #5 - You’re Lacking the Physical/Mental Energy to Write

Whether you’re sick, not getting enough sleep, super busy, depressed, or in a bad mood, not having physical or mental energy can make it hard to write. Do what you can to bring your energy up as much as possible, both physically and mentally, and you may have an easier time writing that chapter.

I hope something here will work for you!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

LEARN MORE about WQA

SEE MY ask policies

VISIT MY Master List of Top Posts

COFFEE & COMMISSIONS ko-fi.com/wqa

[pygmi-says-hi]

writing tips - editing!

my favorite circle of hell.

I think for me personally, the moment I learned how to edit productively, I felt my writing skills improve as a whole. The idea around editing is that it's getting rid of 'all the bad stuff' which I don't like for a number of reasons.

Firstly, editing is just making it look the way you want it. You mixed all the paints, you prepped the canvas, you sketched the outline, and you're adding the finishing touches.

And...it doesn't have to be scary!

Firstly - I wanna talk about Microsoft Editor, Grammarly, etc

They suck. Sorry those of you that love trying to get a perfect writing score on grammarly, but the AI just sucks. It doesn't understand tone, artistic influence, social context, or anything that makes your writing unique and interesting.

If you are in the habit of blindly accepting any 'suggestions' your software throws at you, stop. get some help.

Not only is this not helpful (because truthfully some of the suggestions are wrong) but it doesn't teach you how to analyze and critique your own writing for improvement. If grammarly says 'change this sentence to blah blah blah instead of beep beep boop' and you don't actually look at it...you could erase something that was fine to begin with! maybe I wanted beep boop vibes instead of blah blah vibes.

The computer doesn't know that. It also doesn't know that you intentionally made that a run on sentence to convey building tension. Or that milque toast is actually how you spell it, not 'milk toast'.

You need to build your editing skills. Think critically about why that sentence should change, if reasonable. Read your paragraphs and think "does this convey the tone, message, and have a reasonable length? Great! next paragraph."

if this process seems way too big and long and intimidating, let's figure out a plan.

there are a billion ways to edit successfully. As you work, you'll find a rhythm.

First - don't do too many steps at the same time.

Writing and editing at the same time doesn't work. If you do that, you'll get an uneven draft (aka half of it is polished for publishing and the other half is steaming garbage) and you'll slow your roll. Write first, edit later.

Word vomit is not always the way to go.

There is such a thing as bad brainstorming. I think the term 'brainstorming' is misconstrued as being something like 'put every idea on the page' when really it's about throwing down all the ideas and then weeding out the bad ones.

Mountains before molehills.

Get the big editing out of the way first. This means the umbrella stuff. is the plot sensible? does that dialogue need to be shifted? Is this chapter too short or too long? Do I like the general voice/tone? then, start with the pretty sentences and formatting.

If you get too attached to a paragraph because you spent so long on the symbolic subtext, you'll be less willing to potentially delete it, even if it's useless.

Get some friends to help!

Share it with peers or beta readers. These people will read it from an audience perspective and give you advice from their experience. Sometimes the writer brain gets in the way of the reader brain and you can't tell the difference.

hope this helps!!

[ohmyeyesmyeyes]

IT'S NEVER OVER - PROLOGUE (sept. 2005)

summary: if anyone asked sid, he wouldn't say that he liked pittsburgh more after meeting nat. no, that would be absurd.

warnings: short and sweet! (none)

a/n: hi, hello! am i posting this without having finished it? yes. i don't know how long it's going to be but i'm slowly chipping away at it and i'm pretty excited about it. it might even be my favourite series thing i've done so far, and weirdly my first one? i've had the entire thing outlined for months but i've been too busy to even think about posting it, so...here you go! i can't promise posts for this will be regular because the chapters are so long, but i'll try my best to keep you posted! hope you enjoy (a series mastrlist will be out soon too so you can get the gist of where i'm at in the entire process) xo

sneak peak | pinterest board

(It started with music, but Nat didn’t know that.) 

It was a total accident, a random encounter that Sidney couldn’t possibly have predicted – one that, without exaggerating, changed his life to an extent. On a whim, he’d decided to go into that coffee shop he’d walked past everyday for the past three weeks, and it was also on a whim he actually made it to the counter to order an uncharacteristic coffee – he was newly eighteen, being pulled in all sorts of sports-diet directions, the confinement of which kind of irked him, so to him, buying that coffee was a subtle rebellion.

It was also a complete accident that he’d wandered off to the right after taking his coffee from the counter, instead of left, or forwards, or even backwards.

Sidney wasn’t one to believe in fate or destiny: he believed those terms were too magical – they alluded to some other worldly forces coming into play, and he liked to stick to facts. Coincidences. Accidents. Nevertheless, he did find it almost inexplicable, the way that his life hurtled into a completely different route after a mere forty minutes inside a coffee shop that he’d just spontaneously decided to make a trip of. He couldn’t quite get his head around it all.

To him, it was a coincidence that he’d walked past her table. A coincidence that she happened to be blaring the only song he’d been able to listen to for the last four days. He’d barely made it three steps past her before he froze. 

She was wearing those over-the-ear headphones, the ones with orange sponges from the 80s, plugged into the iPod that had come out a few years back. He recognised it because everyone that had one in his high school before he left never shut up about it. Sidney admittedly did own one at the time, but he never really felt the need to show it off  – it was much easier than lugging around a cassette or CD player with songs burnt in.

The song still had him halting in his tracks and turning around, his body much further ahead than his brain because he had to steady his mug of coffee; his sharp actions had the liquid almost sloshing over the edge, but he managed to catch it just in time.

He wouldn’t have done either of those things: stop and turn, if it had been any other song he’d heard. He was just so taken aback by it – the exact, precise song. 

The girl at the table didn’t pay him a single dime of attention when he froze, despite the fact that his hip was practically nudging her table. She wasn’t even looking in his direction, her eyes gazing out of the window on her right, skipping over empty faces as people walked past. It was clear she was supposed to be doing work of some sorts: there were textbooks, novels, and flashcards scattered across the entire table, a pencil case half emptied with pens strewn all over. She had a pen clutched in the fist she was resting her chin on, not caring for the study cards at all – entirely enamoured by the view. 

Sidney followed her eyes. There wasn’t much to look at, just a street, and her chair was directly facing the side of a retail store, clothes and mannequins displayed in the window. 

In hindsight, Sidney didn’t really know what compelled him to do what he did next.

He couldn’t tell if she was bored and just looking out, not paying attention to the music flowing into her ears, or if she was just so absorbed in what she was hearing that she couldn’t physically bring herself to think about her work – that she’d tuned out the outside world entirely.

What caught his attention the most was the crease between her brows. It drew him to look straight at her; an alluring combination of chestnut hair and pale eyes – though not too pale that they made him uneasy. She was also probably the only person in the establishment that was around his age.

She had impeccable music taste, if he did say so himself.

Yet, he couldn’t shake the inkling that this girl was wholly feeling the brilliance and soul-crushing heartache of Jeff Buckley’s genius – and he found himself hoping she was.

That was why he cleared his throat and took a small step to the other side of the table. He threw a quick glance over his shoulder, noting that the cafe was pretty busy, so he knew he could at least try to get away with what he was about to do.

He made sure to tilt his head up, because the hat covering his face would be nothing short of slightly suspicious in a public setting, and it wasn’t until he purposefully knocked into the chair that she flicked her eyes to look at him.

He held his breath, a moment when all they did was look at each other, until the crease in her brows disappeared and she reached to pause her music on her iPod, slowly sliding her earphones off so they rested around her neck. 

“Hi.” 

His assumptions had been correct. She was around his age – her voice was deeper than he’d originally anticipated – and when he found himself slightly closer than before, he was able to make out that she was studying for her SATs. 

It was September.

“Hi.” He replied, forcing a smile that he hoped would convey the apology he felt for intruding on her personal time and in her personal space. Her clutter was all over the table, and he knew that if she was hopefully as kind to strangers as he hoped she’d to be, that it would be somewhat of a hassle to shove some of it away, “I’m really sorry, but there aren’t any other tables free. Would I be able to–”

“Oh, sure.” She interrupted, immediately going to reach to sweep a space clear for him over the other side of the table. Sidney watched with a mildly amused gaze; she didn’t seem to care for the way her flashcards seemed to mix themselves up, or the way her textbooks snapped shut and she lost her page.

She flashed him a welcoming, slightly embarrassed smile as she piled the books on top of each other, and before Sidney knew it, he was sitting in the chair opposite, accidentally knocking their knees together in the process, and sipping from his coffee mug. He fought to maintain the thankful smile on his face, despite the utterly bitter taste of the coffee that seemed to fester on his tongue.

No wonder he’d never tried coffee before, it tasted like dirt.

The girl broke a small chunk of a muffin off, a smile breaking out on her face as she fought a small laugh.

Sidney blushed, “I’m not a big coffee-fan.” He reasoned, shrugging.

“I can tell.” She pressed her lips together momentarily, looking down at the plate before turning her attention back to him. Sidney felt stunned at the colour of her eyes. He’d never seen grey eyes before, but hers seemed to balance more on the green side – only when the sun struck the side of her face, they turned a watery, clear blue. There was also a tinge of brown thrown in there.

What was that called? Heterochromia?

He felt his mouth dry, and before he could stop himself, he was taking another sip of his coffee, this time managing to control the urge to wince, “Thanks for letting me sit here.”

She shrugged, gathering the flashcards and lining them up, “It’s no problem. Sorry for the mess.”

He let his eyes wander over the books once more, the green ‘SATs’ letters jumping out at him, “You got an important date?”

The girl swallowed, not entirely understanding what he meant. That crease formed between her brows again, and she opened her mouth to question him, but Sidney beat her to it, a finger pointing at her stack of books. 

She sighed, “Not entirely, they’re at the end of the school year, but one of my teachers gave us an assignment to get some study material done early.” 

Sidney couldn’t say he understood her stress – it was something displayed across the planes of her face; evident when she looked rather tiredly at the stack of books, and hesitated at the flashcards, before throwing them to the side. She folded her arms across the table, then switched so that her hands were interlocked in front of her.

She looked as though she didn’t quite know what to do with herself, and Sidney couldn’t tell if it was because of the presence of a stranger, or if she was already feeling some sort of academic guilt for throwing her attention away from her studies for a couple of minutes.

He saw her jaw clench, and at that observation, the thought that maybe he was paying a little bit too much attention to her crossed his mind, so he turned his focus to the cup of coffee. He was beginning to feel its effects; his knee was shaking softly under the table and he could feel an influx of energy spark at his fingertips. Or maybe it wasn’t the coffee at all.

He hadn’t thought about hockey for five minutes.

He saw her turn her face towards him out of the corner of his eye, and he looked up, “What about you? Are you in school, or…?” She trailed off, her eyes skimming over the logo that had flashed itself from the safe and unzipped confines of his hoodie. 

He felt his heart quicken at having been caught, worried that perhaps she’d shout out who he was – if she knew – across the entire cafe. He remained optimistic; she didn’t seem the type.

He cleared his throat, “Not anymore.” For some reason he hesitated. He could play off the logo as merchandise – he could be someone other than Sidney Crosby, the New Rookie of the Pens – or he could be honest. When he looked back at her, there was a challenge in her eyes, and Sidney knew then that she already knew who he was. “I just got drafted to the Pens for my first NHL season.”

She sighed, “Can I tell you something?” 

Sidney furrowed his brows, his mouth tilting down in a smile. He was new to the whole ‘local celebrity’ deal, but this by far, is probably one of the least impressed reactions he’d ever had. She clearly knew he wasn’t in school, but had still taken the kind courtesy to ask him the question, despite the futility of it.

He nodded. 

“I only know one Pens player.” Then she pointed to something out of the window, “That banner has been staring at me every week for the past three months.”

Sidney huffed a laugh, thinking she was joking, but followed her finger anyway. He was immediately faced with a street corner, tens of people walking past each other – he could even make out their voices if he concentrated hard enough, and it took a while to figure out what exactly she was pointing at, until his eyes settled on a billboard at least a block down.

He’d been told that for press reasons, the Pens had come up with the idea of a way of promoting him as a player, and a ‘person of Pittsburgh’, by plastering some action shots of him – still staged – around the city. He’d neglected to look up lately, fearing that if he did, he’d be faced with some images of himself, but he hadn’t escaped that entirely.

The billboard was small, and he wasn’t the only player on there, either, but he saw it nonetheless. 

When he spun back around to look at her once more, the only thing that came out of his mouth was, “There’s two other players, not just me.”

She shrugged, “I was talking about Sergei Gonchar.”

Sidney felt the blush colour from his chest to his cheeks as he slowly put his hands over his face, consumed by humiliation. He felt himself smile into his hands when he heard the girl huff a snicker. He’d had quite a few people as of late kissing up to his ego, and apart from his teammates, she was the first one to really deliver a considerable blow – and he was thankful for that; that at least someone still had the ability to look past who he was and tease him like he was a normal person. He was aware of the irony that lay there.

He gathered himself, unabashedly removing his hands and displaying the creeping blush for her to see, and sticking his hand between them, “Sidney Crosby, rookie center for the Pittsburgh Penguins.”

She rolled her eyes, not commenting on the state of his cheeks, her smile fading slightly but still remaining, “I was joking, I know who you are.” She took his hand in hers, gripping it tightly, “Nat Brooks. Student.”

Sidney swallowed, his blush remaining for other reasons, and pulled his hand away, flexing it under the table, “Is Nat short for anything?”

“Natalia.”

“‘S very pretty.” He mumbled, and she smiled sweetly.

“Sidney’s very pretty, too. It suits you.”

Something clenched in his chest.