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familiarscars · 2 days ago

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Drive You Insane | Noah Sebastian 05

adult content | minors do NOT interact.

⋆ 𝐏𝐀𝐈𝐑𝐈𝐍𝐆. Noah Sebastian X psychiatrist!Reader.

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. A mysterious new patient arrives at the Grimshade sanatorium and you have been tasked with taking care of his case.

⋆ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆(𝐒). disturbing environment, violence, unconventional treatments, manipulation, questionable relationships, explicit sex and profanity.

I really need your reblog! On Tumblr, the content reaches more views and is delivered more through reblog and I really wanted more people to be able to read what I write. I'm counting on you from now on, ok?

No matter how much your fingers stirred the fork through your food, your wide eyes remained fixed on the center of the table. Ignoring the noise of the staff around you, you struggled to have a normal morning, despite the scene from the night before insisting on taking up space in your mind.

He spoke.

Noah spoke to you.

His voice low, hoarse, laced with threat… but he spoke.

Hearing his voice in such close physical proximity scrambled your senses more than the sight of the lifeless body in the cell. Not that it made the death any less shocking, but for some reason, your mind couldn’t focus on anything except the sound of his voice and the impact of his fury against your chest.

“Doctor?”

A female voice pulled you out of your daze, diverting your attention from the table. When you looked up, you met the unchanging expression of a nurse, her uniform pristine as she approached to speak to you directly.

“Yes?”

“The director would like to speak with you.”

A shiver ran down your spine in that instant, straightening your posture in the chair. Slowly, you set the utensil down on your plate. Since your arrival at the asylum, the director hadn’t even introduced himself on your first night. You had never crossed paths, and your presence had never been requested. So what the hell did he want now?

Were you in trouble? Was the asylum running out of money to pay your salary especially now, when you were still carrying student loan debt? Had Travis said something that displeased him?

Countless possibilities ran through your mind on the way up to the director’s floor and none of them seemed good.

“Excuse me.” You announced, knocking twice on the door with your fist before poking just your head inside the office.

“Come in, please.” The deep voice said.

You stepped into that office with the same fear you had felt when dissecting a body for the first time trembling hands, flushed cheeks, the suffocating dread of making an irreversible mistake.

Unlike the rest of the asylum, the spacious office was clean, well-lit, and properly maintained, making the space both inviting and luxurious. Portraits of former directors adorned the walls, and in the center stood a single desk, with a chair on either side. One of them was already occupied by an older man, his graying hair and small, time-wrinkled eyes studying you.

Dr. Steve was a renowned psychiatrist, with years of experience in the field. Despite choosing to retire in Grimshade—which, to you, didn’t seem appealing at all—he had built a respectable career. During university, you had studied several books authored by him, a reference in psychopathy, a true master of the subject.

He offered you a welcoming smile, dissolving some of the tension in your shoulders, and gestured to the empty seat before him. From his friendly demeanor, you deduced he might be a decent guy. Maybe.

“I heard you wanted to speak with me…”

“I noticed your schedule was open this morning, and I couldn’t put off this conversation any longer.” He cleared his throat before continuing. “As you’ve probably heard in the asylum’s halls, we lost a patient last night. Tom Harrow.”

“Yes… yeah, I heard.” You responded hesitantly. You didn’t want it to be obvious that you knew because you had been at Hidden outside your working hours. That wasn’t right.

“I won’t waste time with unnecessary preambles or probing, doctor, so I’ll be direct: did you notice any unusual activity?”

It was impossible not to notice the tension in his posture and how frequently he smoothed over his own fingers. He was nervous about addressing a subject that clearly displeased him.

“Why would I know anything, Dr. Steve?”

“Because when we checked the security cameras, we saw that you left Hidden shortly after the estimated time of death.” Steve stated cautiously, watching your expression closely as your mouth fell open in shock. “We’re not pointing fingers, but we’d like to understand why you were in Hidden at that exact hour, in the middle of the night.”

“I… I heard a noise and ended up getting out of bed. I followed the sound and ended up there…”

"And when you got there?" He arched an eyebrow, waiting for more details.

"He was already dead in the cell. The scene startled me, and I froze. Shortly after, Noah appeared in the hallway and told me to get out of there," you replied with all the sincerity you could gather.

The man in front of you seemed more perplexed by the fact that Noah had spoken than by anything else. First, his face showed surprise, then disbelief. He stared at you with such a mix of confused expressions that, for a moment, you doubted your own honesty.

"What did you just say?" he asked, shocked.

"That Noah spoke to me. He told me to leave Hidden."

Steve shook his head, bringing a hand to his chin and scratching it roughly.

"Have you been taking any medication?"

"WHAT?" Your voice rose, but you quickly pulled yourself together, taking a deep breath to stay calm.

"Apologies, but what you're claiming happened in Hidden is impossible. Noah hasn’t spoken to anyone in a long time. He remained silent during the university incident, in prison, during the trial… and he’s still silent here, in Grimshade," Steve stated with conviction, resting his arms on the desk. "Believe me when I say we’ve tried everything to get him to talk—I'm not exaggerating..."

He paused, watching your reaction before continuing:

"I think you may have misinterpreted things. I understand that witnessing such a..."

"I'm not misinterpreting anything, Dr. Steve," you cut him off, firm. "I know what I saw! I deal with unstable patients all the time, but I’m not one of them. I'm fully aware of everything!"

Steve reflected for a moment, his eyes fixed on the computer keyboard, on the scattered files across the desk. Everything seemed enough to hold his attention until he looked back at you.

"If you can’t believe an employee of your own asylum, then ask him!"

"We did..." Steve replied, his voice carrying a grave weight. "We brought Noah to my office early this morning. He remained silent, Doctor."

You felt your blood boil. The urge to march down to Hidden and drive a pair of gardening shears into that bastard’s neck consumed your thoughts for making you question whether it had even happened.

What if he didn’t speak?

No, no, he did speak!

Noah’s silence put you in a complicated position. Especially since everyone knew what had happened earlier in Hidden, during the patient visit how Tom Harrow had provoked you. That could easily be used as motivation for a crime as brutal as that.

If Noah wanted to get you out of his way for digging too much into his life, why resort to this?

Stupid girl. You were talking about a murderer who preferred to stay silent rather than confess to his own crime…

And to think you even considered he might be innocent.

Stupid. Stupid. Stupid.

"The purpose of this conversation was to hear your version, but I have no intention of accusing you of anything. We will continue to investigate this thoroughly."

The calm in Steve’s voice contrasted with the subtle way he still somehow framed you as a suspect. Your fingers curled under the table until your fist clenched tight.

"Apparently, I have no choice but to wait."

"I think it’s best if you take two days off to get some rest. When you return, we can have another conversation. Your patients will be under Dr. Rune’s care until further notice."

He was analyzing you.

This entire conversation had been nothing more than a careful evaluation, and in the end, he chose to believe you were delusional rather than accept that Noah might have spoken.

Your jaw tightened, but you held your composure. There was nothing you could say that would change his mind. Steve had already drawn his conclusions, and arguing now would only make things worse.

It took you a few seconds to realize your breathing had quickened.

Two days off? That was definitely not a favor—it was a disguised suspension.

"Understood." Your voice came out steady, but you felt the frustration pulsing beneath your skin.

Steve merely nodded, his expression far too neutral to be natural.

As you left the office, the oppressive weight of that conversation settled on your shoulders like an anchor. Accepting it passively was out of the question. With determined steps, you crossed the hallway toward another closed door, ignoring any possibility of interruption. Without hesitation, you opened it and found Dr. Rune focused on some papers. He lifted his head calmly, adjusting the glasses that softened the sharpness of his blue eyes.

"Hmm..." he murmured, pursing his lips. "You definitely don’t look like Mariene German."

If you weren’t so pissed off, you might have laughed at his pathetic attempt at a joke. Instead, you walked to the chair in front of him and sat down, trying to suppress your restlessness.

"I assume you already know what happened."

"Yeah. Unfortunately, the first thing I saw this morning was Noah’s face when Steve dumped all your patients on me." He rolled his eyes, sinking further into his leather chair. "When I suggested you get a hobby, I didn’t mean taking two days off at my expense."

"You think I did this?"

"Obviously not, girl." Rune let out a sigh, as if it were obvious. "But I warned you. As fascinating as he seems, Noah is treacherous. And it’s clear what he’s trying to do here."

"Frame me?"

"Don’t flatter yourself." He smirked, his usual sarcasm intact. "He just wants to shift the weight of his own guilt because between the Blackridge heir who does whatever he wants and a newly licensed psychiatrist who took this job to pay off student loans and clearly doesn’t update her wardrobe often, who do you think they’re going to protect?"

"Great. And how the hell do I prove it, if Dr. Steve thinks I’m hallucinating just because I said he spoke to me?"

Desperation crept into your voice before you could stop it. You buried your face in your hands, feeling the weight of this situation grow heavier. You hadn’t even been here a full month, and you were already at the center of a mess this big.

"During the board meeting, I insisted they talk to Noah," Rune explained, his tone as dry as ever. "Obviously, he stayed silent. But I asked Steve to investigate further, considering the circumstances. That’s the time you have to act. You need to make him speak again."

"You say that like it’s easy…" You scoffed, crossing your arms and leaning back in the chair. "That guy clearly hates me."

"And what do I have to do with that?" Rune raised an eyebrow. "I’m showing you the way—and fast—but not because I care about helping you. I just want you to take your case back and get him off my hands."

"So bitter, Dr. Rune…" You teased, feeling a slight smirk tug at the corner of your lips. "I’m sure you’ll love his company."

Rune scoffed dismissively, crossing his arms and giving you a bored look over the rim of his glasses.

"If I could get rid of the two things that have been irritating me the most lately, I’d ship you off with him as a package deal to the neighboring island."

"But you can’t," you countered, leaning forward slightly. "So tell me, Rune, how the hell do I make Noah talk again?"

He raised an eyebrow, studying you for a moment before letting out a heavy sigh.

"Good question," he muttered, running a hand through his messy blond hair. "Truth is, I have no idea. But something about you managed to do what no one else has so far. So I suggest you figure it out before Steve decides you need a psych evaluation."

You rolled your eyes, but the idea didn’t seem so far-fetched.

"The problem is, he has no reason to talk to me again."

Rune tilted his head to the side, thoughtful.

"Maybe he does," he said after a few seconds. "You were the only person who saw him in the hallway that night. And somehow, you're still here to tell the story."

The implication hung in the air, and your stomach twisted at the memory of Noah’s rough, threatening voice.

"So I should provoke him until he speaks again?"

"Or piss him off. Or push his buttons. Use your head what would trigger that response in him?" Rune shrugged. "Just don’t die in the process. That paperwork would be a nightmare, and in case you forgot… I’m busy with your patients now." He made a point of saying, gesturing to the files.

How long was he going to keep rubbing that in your face?

You let out a deep sigh and rose from the chair.

"Thanks for the motivation, Dr. Rune. It's always a pleasure talking to you."

"It'll help you more than therapy," he smirked, turning his attention back to the papers on his desk. "Enjoy your free time, take a walk."

With one last glance at him, you left the room, the weight of the situation still pressing against your chest. If there was a way to make Noah speak again, you'd have to figure it out fast. And the only way to do that... was by going back to the Hidden.

The narrow hallway of the Hidden felt even more suffocating that afternoon, with the scenes of the bloodshed still so vivid. The flickering lights buzzed, flies dancing to an inaudible tune around the yellow bulb, casting trembling shadows on the walls smeared with handprints and mud. The stench of disinfectant mixed with mold clung to the air, making it almost unbreathable. Your footsteps echoed against the cold tiled floor, each one accompanied by the thudding of your own heart.

As you neared Noah’s cell, a shiver ran down your spine. He was there, sitting at the back of the small space, his back resting against the wall, a book open in his pale hands, long tattooed fingers gently holding the pages. The dim light highlighted the sharp angles of his face and the almost insolent tranquility of his expression. As if nothing had happened. As if a man hadn't died and you weren’t there to pry a truth from him that he refused to tell.

His fingers turned the page slowly, unhurried, as if he were completely oblivious to your presence. But you knew he wasn’t. You knew that every fiber of that man absorbed his surroundings with surgical precision, every detail taken in by eyes that missed nothing.

"Are you going to pretend I’m not here?" Your voice cut through the silence like a sharp blade.

No reaction. No shift of his gaze. Just the soft rustling of paper as another page was turned.

Anger flared in your chest like an uncontrollable fire. You stepped closer to the bars, fingers tightening around the cold metal.

"You spoke to me last night." Your voice came out low, but laced with fury. "I know what I heard. I know what I saw. And now you’re hiding behind this convenient silence? What do you want, Noah? To drive me insane? Make them doubt me?"

Nothing.

"Don't you think it's unfair? Ever since I got here, all I’ve tried to do is help you. Do you really think Rune will be more empathetic? Are you eager for him to lose patience and fry your brain the first chance he gets?"

He maintained the same serene expression, eyes scanning the page, as if the printed words were far more interesting than anything you could say.

"I don’t understand why you hate me so much and, at the same time, helped me last night…"

Your heart pounded against your ribs, tension thickening with each second he refused to react. You wanted him to laugh, to mock, to threaten—anything to shatter that damn performance of indifference. But he remained there, unmoved, shadows dancing over his face, gaze fixed on the book as if the entire universe was nothing but background noise.

"Are you afraid, Noah?" You tilted your head slightly, forcing yourself not to blink. "Afraid that if you open your mouth, more than just words will slip out?"

The book stopped. It wasn’t much, just a slight tightening of his fingers, but you saw it. You felt it.

He heard you.

Silence stretched between you like an abyss, and for a moment, you thought he would finally answer. That he would lean forward and let the mask fall.

But then, without hurry, he turned another page and kept reading.

Your blood boiled.

You hated him. Hated the way he refused to play the game, how he twisted reality to his favor, how he made you question everything.

And above all, you hated that, somehow, he was winning.

Enjoy your free time, take a walk, said that idiot, Dr. Rune.

And you obeyed when you decided to spend the rest of the afternoon walking through the city. Well, there wasn’t much to be done at the sanatorium at that moment, and a car heading downtown was passing by—this was your opportunity.

Faced with the grim scenery of the trail, you found solace in the silence while the car played a soundtrack soaked in the driver's quietness. You thought, as you watched through the window, that he had remained silent throughout your entire visit to the cell, and that was, indeed, the Noah you were used to seeing in your sessions.

The night before, he had flames in place of his usual lifeless, apathetic eyes. Noah seemed to snarl with the intonation of every word he spoke, wavering between sickly protection and visceral fury. Completely different, but undeniably even more fascinating.

For a moment, you hesitated when you realized that this memory could easily fit into one of those dreams that people with repressed desires might have at night. And if…

No way! You silenced your own mind, which was about to agree with Dr. Steve. You were certain of what you had seen and heard; it was neither a dream nor a delusion. Noah had spoken to you as he cornered you against the wall, right after killing one of your patients for assaulting you.

It had really happened.

The scarce sunlight and the humid breeze carried by the sea, not far from there—if you closed your eyes and focused, you could smell the ocean clearly. You took a deep breath before continuing your walk.

The cobblestone streets were narrow, surrounded by old buildings with facades faded by time and humidity. In the island’s center, a craft fair stretched along the square, bursting with colors, textures, and scents blending in the air. Wooden stalls displayed hand-carved sculptures, rustic jewelry, and hand-dyed fabrics. The smell of incense and dried herbs mingled with that of fresh fruit and spices.

Women in long, colorful dresses sat behind small round tables covered with embroidered cloths, offering tarot readings to curious onlookers and tourists. You watched everything with interest, letting your fingers slide over the rough surfaces of ceramic pieces, feeling the warmth of aromatic candles burning on small makeshift altars. A bell tinkled as a stronger breeze swept through the fair, making the metal wind chimes hanging from the tents sway.

Leaving the fair behind, you found yourself in a vast field teeming with young people hurrying in various directions. Weaving skillfully through the moving bodies, your eyes locked onto an imposing old building further ahead. With its majestic architecture and the constant flow of people going in and out, there was no doubt—it was the local university.

Like an insistent whisper guiding your steps, you found yourself drawn inside. The endless chatter of students, the vibrant energy of that academic environment—none of it attracted you or stirred any nostalgia. The truth was, you didn’t miss university life at all. However, something there was calling your attention in an undeniable way: answers.

The students seemed completely immersed in their own excitement, laughing loudly and exchanging playful banter as they walked toward a grand mansion. You followed them without drawing attention, just observing. The deep red jackets of the young men and the uniforms of the cheerleaders made them easily identifiable—probably members of some victorious team. The reason for their celebration, however, did not concern you.

When they finally stopped in front of the mansion, you lifted your eyes to the grand facade. The banners hung proudly bore a name you recognized instantly: Naughtiness. Given the size of the house and the way it stood out among the others along the street, it was easy to assume this was the most influential fraternity on campus.

Seizing the opportunity, you followed one of the students inside. The moment you crossed the entrance, you were met with utter chaos. The place was a complete mess—furniture out of place, bottles and cans scattered across the floor, the strong smell of beer clinging to the air. Bodies of drunk students were sprawled across the sofas and carpet, while a microwave beeped incessantly somewhere in the kitchen. Deeper inside, a dark-haired guy held a cigarette between his fingers.

"Hey!" he called out, breaking your analysis of the scene. "What are you..."

As you turned, you noticed he was staring at you intently, frowning and rubbing his eyes as if he needed to make sure he was seeing correctly. Instinctively, you glanced down at your own clothes, checking if there was something wrong with you, but everything was normal.

The guy approached slowly, still with an expression of mild perplexity and suspicion.

"Can I help you?" he asked.

"Good afternoon, how are you?" You kept your tone polite, forcing a discreet smile. "I’m a psychiatrist—more specifically, a forensic psychiatrist—and I’m investigating a case related to a patient in treatment."

He seemed genuinely intrigued, which made you relax a little.

"He studied at this university and was part of Naughtiness. I’m sure you know who I’m talking about..."

The guy pressed his lips together for a moment before responding.

"Noah Sebastian."

The name came out with a perceptible weight, and you hesitated for a brief second.

"I’d like to understand better how he behaved around here."

The guy took a slow drag from his cigarette and exhaled the smoke leisurely, as if carefully choosing his words. He scratched the back of his neck before finally giving a small nostalgic smile.

"Everybody loved that guy." He chuckled lightly, shaking his head. "It was impossible not to like him. He had this thing... a natural charisma, you know? He’d walk into a room, and within minutes, everyone would be laughing or paying attention to whatever he was saying."

You frowned slightly. That wasn’t exactly the image you had of him.

"So, he was popular?"

"Popular?" The guy raised his eyebrows as if it were obvious. "He was the heart of this fraternity. He was always bringing people together, organizing legendary parties. But it wasn’t just that. He genuinely cared about people. It didn’t matter if you were a senior or a lost freshman wandering the campus—Noah made sure to include you. He had this way of making you feel special, like you mattered."

That description contrasted with everything you knew about him now.

"And what about his behavior? Did he ever show signs of being aggressive or manipulative?"

The guy looked offended by the suggestion.

"Never." He shook his head. "He was the one who broke up fights, not started them. If someone had too much to drink, he took care of them. He was the kind of guy you called when you needed help, not when you wanted trouble."

A chill ran down your spine. Something didn’t add up. The Noah he was describing was completely different from the Noah you knew now.

When he turned and motioned for you to follow, you noticed the name "Patrick M." embroidered on his jacket. Walking beside him into the access room, you were met with shelves filled with sports trophies won by the fraternity. The walls were decorated with photographs of members gathered together, and your eyes quickly found a picture of Noah. You almost didn’t recognize him.

He looked... happy.

"He was our best player—wasn’t captain for nothing," Patrick commented, handing you a framed photo of Noah wearing a red uniform and holding up a trophy.

"Were you guys close?"

"Close enough. He was always surrounded by people, which made access to him a little harder," Patrick replied with a shrug. You set the framed picture back on the table. "And to be honest, I don’t think his father liked him hanging out with just anyone."

"His father?" You raised an eyebrow.

"Noah didn’t usually follow orders, but the old man had this obsession with lineage, only associating with people of the same status—rich people nonsense."

There was a slight trace of disappointment in Patrick’s tone. Even though he tried to hide it, it was clear he held some resentment.

"And did he care about that?" You asked, crossing your arms while analyzing the photo again.

Patrick let out a short, humorless laugh.

"Not exactly." He twirled a cigarette between his fingers, deep in thought. "But I think, deep down, he always knew his father had a way of influencing his decisions."

You frowned, leaning slightly forward.

"What do you mean?"

Patrick sighed, resting against the dark wooden table behind him.

"Noah was... hard to read. Sometimes, it seemed like he didn’t care about any of that—he did whatever he wanted, surrounded by friends, playing, drinking. But other times... it was like something was weighing on him. He’d disappear, become quieter, more distant."

A chill crept up your spine.

"And no one ever questioned that?"

Patrick chuckled again, but this time, the sound was more bitter.

"Around here? Everyone idolized Noah. He was charismatic, popular, talented. Who would care about what was behind all that?"

The silence that settled between you was broken only by the distant sound of loud music coming from another room in the fraternity. You shifted your gaze to the trophy shelf, feeling that something was there, hidden beneath the perfect image.

"And you?" you asked, turning your eyes back to Patrick. "Did you care?"

For a moment, he didn’t respond. He simply looked away toward the picture on the table, where Noah smiled, standing tall among the other players. Then, finally, he murmured:

"Honestly? No."

Right.

"Did Rachel care?"

"Absolutely. They had a relationship that seemed normal, happy. They’d been together since high school, and he really seemed to love her, which is why it was so shocking to find out that…" Patrick paused, carefully choosing his words. "That he had the courage to do what he did."

He watched you for a few moments longer. His gaze wasn’t hostile, but there was doubt in it—a peculiar fascination, as if he were examining you under a magnifying glass.

"Have you ever seen her, doctor?" The question sent a shiver down your spine.

The case file didn’t include any photos of Rachel. With no internet access, looking her up was impossible, and up until now, not even a local newspaper had provided you with an image.

"No… I’ve never seen Rachel before."

Patrick took a few steps back and opened one of the cabinets. Among the trophies, there was a pile of disorganized photographs. He picked out a specific set and started flipping through them. With each image he passed, a strange sensation pulsed in your ears. Sweat gathered at the nape of your neck, your body grew warm, and the space around you seemed to shrink.

Then, he placed a photograph in your hands.

Your eyes blinked several times, unable to process what they were seeing. This had to be a mistake. Your fingers slowly traced over the smiling face of the girl clinging to her boyfriend.

The girl who was identical to you.

⭑ @bloody-spades ; @iluvmewwwww75 ; @anarchydomainglory ; @foliosgirl ; @lacy1986 ; @chey-h ; @supersquirrel1996 ; @zozaline ; @just-randomm-stuff ; @do-it-jakey-baby ; @flowery-mess

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apollabarnes · 19 hours ago

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that was us part three

quick author's note: originally i wrote this series to coincide only with abby's appearances, so i didn't try and cover the time between abby leaving los angeles and coming back during the train derailment — however, since i've continued writing this series i've realized that what i orginally wrote had a lot of backstory that only existed in my head, but that was very much flavouring the rest of the story. i didn't write the tommy and abby interactions at the hospital as the first time they'd talked since he moved to harbor but all of that backstory stayed off the page. this is part of me trying to correct that, and i'm editing parts one and two to cover more of it. also, i know the hospital is originally part three, but this is sneaking in between chapter two and three (i'll update it on ao3 when i'm at my actual computer and not sneaking onto tumblr during work hours)

a tag for @leashybebes who asked to be tagged if i wrote any more of this!

abby's mom dies and she falls apart. she barely makes it through the funeral, buck holds her together while she's sorting through all of her mom's things and it's just. suffocating. her mom's passport is the last straw — how many things did she put off, thinking there would be more time before she got her diagnosis? how many things has abby put off? she loves being a dispatcher. she loves la. buck is the best thing that's happened to her in close to a decade. there were so many things she was planning to do before she tore her rotator cuff. then it was rehab, trying swimming again, quitting again — pushing off all things she'd thought about doing since she was a kid. tommy had helped with that, given her somewhere safe to recover while she licked her wounds, and still she'd put things off. put them aside and shoved them down and promised herself later, later, later. it's later and she still hasn't done even one of the things she wanted to do when she was younger.

she's going to start with her mom's old travel itinerary. abby packs a bag, buys an airline ticket, tells buck she's leaving. the thought of trying to sublet her apartment or sell it is just too much to deal with right now, so she offers him the apartment because he hates living with his roommates and she's certainly not going to be using it. she tries to be as gentle as she can. abby was stuck for a really long time and buck's the one that got her unstuck. it's a gift she's a hundred percent certain he has no idea he gave her, and she doesn't have the words to thank him for it, so she's gentle instead. buck deserves gentle. he deserves better than her, but she doesn't say that either. he wouldn't take it as the compliment she means it as.

it's a cliché to say that she can feel her heart break when he drops her off at the airport, but clichés become clichés because they're things that are true and universal.

abby sits in the airport lounge and waits for her flight to be called. she very quickly gets bored and pulls out her phone, staring at it. if she texts buck now she'll just turn around, let herself get stuck again. she'd like it, too. she wants to try. she can't stay. she scrolls through her phone contacts, stops on tommy's name. snaps a photo of her drink and the departures screen behind her.

guess who's going to europe?

since when do you text?

apparently phone calls are for fossils.

he didn't actually call you a fossil, did he?

no, of course not, but he's a texter. so. i am too now, i guess.

europe, huh? and a guinness to get you started. so you're headed to ireland.

how'd you guess?

your mom mentioned it a few times. really loved a good brogue and pierce brosnan.

she did, didn't she?

yeah. i'm really sorry, abby. about your mom and the fact i couldn't make it.

thanks. any recommendations for when i'm over there?

i'm more of a desert guy, hang on. i've got an idea.

what is this, a group chat? wait, abby texts?

why is everyone surprised that i text?

sal, abby's looking for places to visit in europe.

hey, sal.

head to italy. stop. eat. come home.

sal, jesus. i was hoping you'd be a little more useful.

well, no, he's got a point tommy, i do love pasta.

jesus, fine, stop — gina says hi, by the way. abby, i've been informed by your ex you're going to ireland first.

someone's got to keep you on track, sal.

you've already got the gift of gab since you're on the phone all day, so you can probably skip the blarney stone. there's the giant's causeway. and all the travel magazines try to rank the castles, but they're all neat.

didn't realise you'd spent so much time in europe, sal.

well, gina's the expert (and dictating some of this to me) but hey. she took me over for our honeymoon and we hit the highlights.

we're both very impressed, sal. how long are you going to be in europe, abby?

i don't know. until i get… inspired.

is the baby hotshot coming with?

i hate it when you two call him that.

we could have used his name if you'd ever given it to us.

and have you track him down at work and crack jokes? i don't think so. abby stares at her phone for a long moment before texting again. no, he's not coming. we broke up.

he broke up with you after your mom died?

forget cracking jokes, we'll track him down at work and break his leg.

thank you for the offer, i think? but i was the one that broke up with him.

why?

was the sex that bad?

because i'm going to europe and i don't know when i'm coming back?

gross, sal. abby, if this kid was really into you, he would have waited.

don't listen to tommy, abby, he's still half-hung up on this girl that dumped him ten years ago.

sal!

abby gets a solo text almost immediately from tommy, promising to dunk sal's head in the nearest toilet the next time they're in the same place. she laughs to herself, startling when the announcement for her flight comes crackling out of the overhead speakers.

that's my cue, gents. sal, just because you and gina wish tommy would move in doesn't mean you have to project that feeling onto us.

he's just so much better at folding laundry than sal ever is - gina

i'm not running away, we got a call. but i'm really embarrassed to know all three of you.

#that was us #abby clark #tommy kinard #sal deluca #abbytommy

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brujc · 3 hours ago

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I find it so interesting that we don't have much Akane info on the new TL!! Makes lot of room for personal interpretations!

Akane and Aoi were definitely still in touch in this new TL but their relationship must've been veryyyy different without the whole confection/rejection and constantly-tip-toeing-the-line-between-ambiguous-and-romantic-relationship dynamic going on.

First of all, Aoi really changed in this world from the changes it indirectely induced in her life : being Teru's acquaintance and having the "engaged" status made her way more..let's say open? Sincere? A lot less well-guarded! She doesn't seem to have as much weigh on her shoulders and yknow she's just more honest!

She just seem overall more willing to express her emotions instead of hiding them! And more straightforward (through this whole new TL arc).

Then, we have a probably very big change in Akane's attitude towards Aoi. With her engaged status, she isn't "available" anymore and he surely didn't do all the "courting" he did in the original TL, not when she is bound to be with someone else (maybe he did when it just started but must've stopped way before the current point in the story). Aoi probably didn't really indulge him either : she had to make her mother happy after her dad left, she couldn't afford to let her down, couldn't let her feelings make the act break.

Then, Akane's public display of affection is probably gone too since Aoi and Teru have to keep up the appearances of a happy couple at school- him interfering too much would create rumors and stuff.

So yeah no constant affirmations of his undying love, no confessions, no rejections either. Just...feelings that are definitely there for each other from what we've seen of Aoi's POV but cannot be acted upon.

No Akane constantly rebuilding himself around her either tho. With that gone, he probably acted more like his "usual" self (the blunt, still intense Akane) around her then. Just his casual personality. (Makes me wonder how he joined the student council in this timeline! Probably not to make Aoi swoon for him this time? What else could there be tho..)

So to me, new TL Akane and Aoi would have a bit more distant relationship, but with much more.."themselves"(?) behaviour around each other than in original TL (not to say they weren't already but..I can't quite pinpoint the word I'm looking for haha. I see their relationship as much less sweet and soft and more down to earth and doomed one. More toned-down/ yearning romantic than romantic romantic).

I like to think they used to hangout really often when they were kids, playing in parks like in that one flashback from Aoi, talking to each other through the balcony and meeting at houses...At the start of the engagement Akane was maybe angry? He tried to find some solution to break it off and used to drag Aoi into secret meetings and plans work-throughs to get her out of it. Aoi would think with him, watch him work, smile with him and let him hope, while knowing in the back of her mind that he didn't stand any chance. Inevitably, they grew apart by the years, still longing for each other and wanting something ,but knowing they couldn't have it. This time, they weren't meant to be, or maybe they were, but the ropes fate tied to their hands made shoulders brush and touches linger but forbid them from getting anything more. Anything they wanted.

I like to think that they both are salty about the situation and occasionally take jabs at each other when they feel particularly frustrated. That there's an omnipresent tension between them whenever they interact. There's that acknowledgment of their feelings for each other they both know are there but well that goes unsaid cause what can they do about it anyway?

Sometimes they let their sadness show. They let the other see how much they wished for better circumstances. They're silently confort each other, they act close and let themselves dream a little... And then back to square zero, up again is the wall that separates them, the wall that doesn't let him tell her, the wall that doesn't let her tell him, but is cruel enough to let them dig through it and hang on to that hope. Maybe one day, he thinks; at least one day..she whispers, as they silently dig and dig and pierce holes in that thick, thick wall, never big enough to go through, never small enough to ignore. Two fools dreaming about what could've been, hands bloodied and bruised and dirty but with a miniscule dent to the other side and that's enough to make them continue. Cause they're too stubborn to let go.

So, when they come across each other they exchange proper greetings, they talk politely and if chapped fingernails and poorly masked cuts are seen, that goes unsaid.

Sometimes, they let themselves indulge. Because in reality, they're as much builders as they're diggers . And this old construction of theirs isn't as thick as they like to pretend. It isn't thick enough to stop their heart from aching. Never thin enough to make them give up on it. Too much to stop them from digging into. Built on the most unsteady grounds , it is bound to crumble again and again and again. And foolish as they are, they let themselves dream a little before putting the bricks back on. Truly, what were they if not dreamers?

And so, they drop the act. It not like they were ever acting anyway : never did they try to deny what they had for each other; they just had to tone it down cause what else but problems would that bring if they didn't?

She calls him "Kane" and he calls her "Ao", the nicknames a mockery of their situation, their actual status that will never be more than "Akane-kun" and "Aoi-san" , their linked fingers a bitter joke and the couple on that big screen dry, cruel, irony of the worst kind.

Still. They let their hands squeeze tighter together, their knees brush gently on the sofa. She doesn't acknowledge it. He doesn't either. And like countless times before, he almost leans in and closes the gap, weren't he wasn't painfully aware of the singular bell displayed on her neck, hauntingly - almost supernaturally glowy, matching with a bracelet he definitely didn't want to think about, especially now.

He leans back and he's sure she caught him. And just like every other time, she turns doesn't say a word, caught up in her thoughts. Just like every other time, he saw a glint in her eyes when he got closer that seemed to yell "Will you do it this time, coward?". And he just knows his own coppers mirrored this. Will I do it this time? That was a funny question, because it was pointless. Because he knows he won't. He wants to - to break that damn line they set up in the sand ever since her mother started requesting for them to see each other less. He wants to let her do what she wants, walk off of that road they built for her. Heck- he wants to be selfish for once. But he knows that he will regret it in the end because what would this do but hurt them? Getting a glimpse of freedom made the ache hurt more and he couldn't bear causing her to be in pain. In the ends he just wants her to be happy.

" My, my, you can't do that to an engaged young-woman, 'Kane ♥" she said after some time. But there was no mischief in her tone and her eyes were oh so sad. It made his heart clench.

"...Right." he answered. I wish you didn't have to be, he wanted to add. He didn't.

...They were truly one of a pair, holding on to this ambiguous relationship for far longer than they should've when rings and shrines and electric blues were in the picure.

But when he looked at her, he knew he could never have it any other way.

Three words hanged heavy on his tongue. He found it hard to let them out, but it was no surprise : ever since this engagement, he forbid himself from ever pronouncing them. He turned his gaze back on her.

I love you, he thought, as he picked a brick back up.

Okay omg I slept and here is an afterthought I forgot to add to this

Og TL Teru knows about new TL Aoiaoi than us! I'm curious about how this discussion went...Yep that's it I was supposed to include it in a cool way but whatever

Trying to get new timeline info to write the fic and i'm dying i have NOTHING on new timeline Akane

I guess Akane becoming depressed/distressed about Aoi engagement happen in the New Timeline too?? Aoi at least doesn't seem surprised by it, just... sad.

She still calls him Akane-kun so they must have contact still?? So how do their convos go, it must be so awkward, save me. And where does Teru fit into all of this? i want to explode-

#tbhk #what the fuck was that #why did I start writing something midway #Please don't mind me omg just my mind making me yap #3 AM thoughts yknow #lowkey doesn't have anything to do with the og post anymore #I don't even know if that's how I want to think of their new TL relationship #Just posting it cuz I wrote it for like an hour #I do find them being doomed yearners that can't give up cool tho #Some colder interactions with each other and more tension!!#About Teru...I bet Akane still has some kind of rivalry going on with him #I mean he's still in the stud.council and Teru being engaged to Aoi and all #I like to think they're more like casual friends than whatever they are in OG #Casual “friends” with some anemosity on Akane's end! (And Teru knows Aoi likes Aoi so he teases)#Can't help but be really interested in them tho #minamoto treu #akane aoi #aoi akane #late night thoughts #yapping

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bwat5-blog · 20 hours ago

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A Look At The "Nothing Character" Who Broke Our Hearts: Isha

**Spoilers For Arcane**

I must say, there was a time not so long ago that if someone were to tell me there was a whole tag devoted to the hatred of a cute, tenacious, brave little girl character who died tragically trying to emulate her hero, I would have found the idea completely insane. However, since becoming a part of our little community....

Before we get into this a bit let me say, I am not formally educated in writing/literature/creative story telling or any of that. So what I discuss and list will as usual be the research I could find on my own with sources provided. I know for a fact through some of my interactions on here there are some very educated people in this area, so if any of you see this and care enough, please chime in! I'd love to learn more.

What Is The Complaint?:

"Isha isn't a real character!"

"Isha did nothing except get blown up!"

"Why was this kid even in the show?"

"Isha's only purpose was to give Jinx a reason to be happy then take it away!"

You get the idea. Overall people seem to hate the character because they feel she really wasn't one. They see her as being more of a singular plot device with no real information or depth given and not having any real purpose. While it is true we don't learn a ton about her, I completely disagree as to the worth and impact of her character on the story. In doing some digging, I came across the following term:

Catalyst Character-

Per Reference.com: "A catalyst character, also known as a catalytic character, is the character in a story who causes the protagonist, or main character, to move toward some kind of action or transformation. This character is usually the person that spends the most quality and influential time with the protagonist."

Okay, rather or not you agree or think it matters I'd hope at the least that that explanation is fairly clear. So moving forward, why do I think this applied to Isha? Because she is in all aspects a MASSIVE agent of change in the narrative. I understand not liking her. That is totally individual. But to imply she didn't matter is complete and utter nonsense.

The Ventilation Chamber Battle:

The brawl between Vi and Jinx has come to a head. Vi sits atop Jinx with one gauntlet around Jinx's throat and the other poised to kill her. Jinx is telling her to do it... she's glad that Vi is the one who is going to end her. When out of nowhere Isha leaps between them pointing a gun at Vi. '

Concrete Impact:

Stops the fight cold

Jinx immediately screams no betraying her actual fear for Vi's safety

Snaps Vi out of the fight where it appears she was quite possibly pulling back her hand to finish the fight

Isha's presence is what makes Vi get in front of Caitlyn's rifle leading to their separation and what occurs for them afterward.

Jinx clearly is "seeing" Vi again for the first time when Vi leaps to stop Caitlyn

2. Life With Jinx:

We return to Jinx after the time skip. It turns she has been living quietly in hiding with Isha since the battle. She is staying out of the bloodshed, focusing on her relationship caring for the young girl. She seems more at peace than we have seen her the entire series, even declaring "Jinx is dead" when Sevika comes to demand she get involved.

Concrete Impact:

It's strange to say for something I list under concrete but just the obvious and clear effect she has on Jinx herself. We see it expressed in many ways, such as Jinx saying Isha reminds her of Powder, Jinx saying she doesn't want to screw up what she has with Isha when in Silco's office, and so on. I feel like we could do an entire analysis post on Isha's effect on Jinx mental/emotional state but that is for another time.

The fact that Isha is masquerading as Jinx during the occupation is HUGE. We have to remember, Jinx is not actually getting involved at all before the events of the rally. The people of Zaun have made her their symbol because of what she did, and because Piltover has made Jinx their symbol of why they are doing what they are doing.

It is only because Isha went to the rally and got arrested that Jinx rejoins the fight.

3. Jinx Comes To Stillwater:

Isha has been arrested along with a large group of Zaunites during the rally. Sevika limps back to the hideout and tells Jinx who is immediately extremely upset. We see her seriously glitching in full for the first time since the time skip. She and Sevika mount a rescue mission, and because of Isha. Jinx rejoins the game since the occupation began.

Concrete Impact:

Without Isha being taken Jinx doesn't get involved which quite literally changes the trajectory of the entire story. Meeting Vander again and everything that stems from that would be impacted which quite literally could effect every character in the story. It is too much to list or "what if".

4. Reuniting The Family:

In the wake of meeting Vander and rescuing Isha, Jinx goes and finds Vi in the fighting pits, telling her what she has found and together with Isha they set off on a journey to find him. Leading to the all-too-short reunification of their family, with their newest member of course.

Concrete Impact:

Of course to state the obvious, they wouldn't be here if it were not for any of the things we have already been over.

When Jinx and Vi start to fighting, once again it is Isha's involvement that stops it cold.

Seeing Jinx's care for Isha is what helps Vi start to see her sister in a new light.

It is Isha's bleeding from getting whacked that draws Vander to them. Vi immediately leaps to save her life and Jinx can see the Vi she knows is still there as well. Also being thrown into Vander's path like that leads to his regaining control and the scene we see above.

5. The Commune:

After their family is reunited Vi, Jinx and Isha take Vander to the commune to meet with Viktor. Hoping his healing gifts can save their father. Of course, it all ends in soul rending tragedy with Vander losing control and Isha sacrificing herself to save her new family during a Noxian attack.

Concrete Impact:

Isha brings Jinx's gun. Without the gun the plan to save Vander could have gone a hundred different ways.

Isha pocketed those stones. If she hadn't done so once again it is impossible to list all the ways that incident could have changed in the end.

The impact on the story from Isha's sacrifice is so far beyond "making Jinx sad" it is mind-boggling. It stops the attack in its tracks. Without Vi getting injured saving Jinx from the explosion, Caitlyn and Jinx may have never found even that microscopic bit of common ground between them we see. There is so much more and that is to say nothing of the impact on Jinx mentally/emotionally

Conclusion:

So again this is not a true deep dive or anything. And I do understand the complaint that we really don't ever learn a ton about her. But I absolutely do not understand or agree with the complaint that she is meaningless/unimportant/inconsequential to the story. Her actions and presence drive a massive amount of change in the course of season two, and without her it very likely could have all ended quite differently. To close, below is an English translation of Isha's farewell posted to reddit for you to enjoy. (I have no way of knowing if it is accurate so if not forgive me).

Child, don’t fear the thorns; walk barefoot, And you’ll find something precious. Look at this darkened sky; see how beautiful the fireworks are. There’s no need for so much sorrow. People flourish and wither, But even stubborn rocks and debris will bloom.

Part the mountains, Let her see me. Tell the stars, Hurry and shine on me. Blow away the dark clouds, With a stroke of blue. Even if the world is full of desolation, We can look up and see the moon.

While we still have the hearts of children, Even as lone blossoms among millions, we must bloom. Don’t be troubled or sad. Don’t forget: Even if tears fall, we must keep running, Run to where even time can’t find us. Be the birds that soar at the edge of the sky.

Part the mountains, Let her see me. Tell the stars, Hurry and shine on me. Blow away the dark clouds, With a stroke of blue. Even if the world is full of desolation, We can look up and see the moon.

Don’t keep searching; Just give me a hug. Let’s quietly forget, For this is good enough for me.

#arcane #arcane season 2 spoilers #caitlyn kiramman #vi arcane #caitvi #jinx arcane #vi and jinx #isha arcane #vander arcane

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metamorphiacreations · 3 days ago

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I'm so full of hate right now. I keep seeing Beast x Ancient everywhere. And then there's... Burning Spice x Golden Cheese Cookie.

I have seen some ATROCIOUS stuff. Like someone said that Burning Spice Cookie would propose to Golden Cheese Cookie, ON THE SAME CLIFF HE TORE HER WINGS OFF. WTH.

I'm just... So mentally tired lmao. I'm very close to leaving Tumblr.

I just wish the Beasts never existed. I hope Ancients and Beasts say something so vile to each other that it's wrong to ship them.

thats...so horrendous! what the fuck is wrong with people.

i genuinely dont know what to say. im sorry that all this is probably taking out a lot of the fun of this game for you. i know im fucking tired of it too.

i am a little happy that ive become,,,a sanctuary of sorts for other people that are also sick and tired of this but my question is when the fuck did shit like this become so normalized?????? and the excuses for it are just as dumb. "im not romanticizing the abuse!" yes you are actually, "this is a redemption au!" so close! they dont want to be redeemed and thats actually really important part of their characters as beasts, youre writing ocs!

obviously i cant stop people from shipping otherwise so easiest thing to do is block the tags. and then block the people ajdjdjd

GoldenSpice, BurningCheese, MysticCacao, DarkFlour, Shadowvanilla, Shadownilla, Vanilla Milkshake, PureMilk. i think thats all of them if you need the tags to block

i know it feels hard but you can still enjoy the game without interacting with the fandom. i do fully hope all this bullshit doesnt drive you away from the game entirely, anon.

#the pony!! she speaks!!#cookie run #cookie run kingdom #shadow milk cookie #pure vanilla cookie #golden cheese cookie #burning spice cookie #mystic flour cookie #dark cacao cookie #im lowkey considering going back to my hero stuff for a while tbh #it is genuinely exhausting to see all the beasts x ancients stuff #im glad ovenbreak is quiet

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tikosblogg · 11 hours ago

Text

Who Am I? Chapter 2

Warnings: smut (not with Noah), the sex is consensual but she’s not really into it. Idk don’t read it if that bothers you.

A/N: sorry it’s short 😭 it’s so hard to find time to write cuz of my job. I hope you still enjoy tho🥲❤️

Not long after the awkward interaction , we walked back out, and watched bad omens take the stage. “I gotta make a call, don’t run off.” Ryan leaned down, leaving a rough kiss to my lips, making me scowl before walking away.

Nothing about ryan was ever gentle. It was so irritating. I found a spot with a clear view of the stage, so I could watch the set. Finally getting to watch them in person was a dream of mine, and I’ll be damned to let anything ruin it.

The bass vibrated through my feet, a primal thrum that resonated with the energy of the crowd. They were owning the stage, having had me as well as the crowd mesmerized. Noah was a force of nature.

He worked the stage, his voice growling with intensity. I stood on the side, nodding along to "Dethrone," softly mouthing the lyrics. I’ve been a fan for years, their music a deep comfort. Especially with my unfortunate shitty upbringing. Ryan, didn’t quite understand my obsession. He hardly likes my own music.

I started cheering with the rest of the crowd. As they moved on to the their next song. During the intro to "The Grey," Noah’s gaze swept across the stage, landing on me. For a fleeting moment, our eyes locked. And then he smiled, before continuing his strut across the stage.

My stomach twisted. It was just a smile, a simple sign of acknowledgement. But it made me feel strange. I tore my gaze away, my body buzzing, just as Ryan’s hand grabbed mine. “Let’s go,” he growled, his voice low and dangerous.

He didn’t wait for a response, yanking me away and down the narrow hallway. The music faded, replaced by the pounding of my own heart. He steered me towards the bathroom I’d used earlier, the harsh fluorescent light of the hallway doing nothing to soften his expression.

He slammed the door shut, the sound echoing in the small space. He shoved me against the cold, tiled wall, the impact stealing my breath. “What the fuck was that?” he demanded, his eyes blazing. I rolled my eyes, at his rough hostility. Nothing new. “Nothing, what the hell is your problem?” I mumbled, completely exhausted from his constant outbursts.

“Don’t lie to me, Alice,” he sneered. “I saw him looking at you. I saw how close you two were earlier too. What the fuck was that about?” His accusation hung in the air, thick and suffocating. I wanted to explain, to tell him it was nothing, a moment of shared appreciation for the music. But it didn’t matter. It never did.

He made a disgusted sound, his eyes raking over me with a possessiveness that felt more like ownership. Then, before I could react, he surged forward, his mouth crashing down on mine. There was nothing gentle or loving about it, not like the soft touches I always craved. It was a brutal claiming, a desperate attempt to reassert his control.

His lips were hard, his teeth nipping at me, bruising and demanding. I tasted anger and insecurity. I kissed back anyways, for my sake. I haven’t been touched in months, and I can’t handle his shitty attitude anymore tonight.

He pulled away yanking me from the wall, and shoving me against the counter. His movements were rough, and my heart began to race.

Without a word, he wasted no time ripping my shorts and fishnets down my thighs. I gasped at the material burning against my skin, but before I could speak, he had already shoved himself deep inside me.

His thrusts were rough and primal, I couldn’t do anything but hold on for dear life. I finally relaxed around him, feeling myself get wetter. I moaned as he filled me up over and over, his dick hitting that perfect spot. His hand reached around, large fingers gripping my throat.

He pulled my head back to look at him through the mirror. “Whose fucking pussy is this?” He growled, his hips slapping against my ass harder. I could feel myself getting closer and closer to the edge, as he squeezed tighter. “Y-yours.” I groaned, as he released my throat. “That’s fucking right. Don’t forget it.”

Just as I was about to tip over the edge, he thrusted into me one last time, before pulling out. “What the fu-“ my words were cut short as he grabbed my hair, forcing me down to my knees. He angled my face up towards him, as he pumped himself a few times releasing on my face.

When he was finally finished, he let go of my hair tucking himself back into his pants. He grabbed a few paper towels out of the dispenser before shoving them into my hands. I looked up at him, my eyes filled with anger. It’s not usual for him to get off, and leave me hanging, but this wasn’t for my pleasure, it was a punishment.

He kneeled down so we were face to face before speaking. “Don’t forget your fucking place Alice. I have no problem reminding you.” Our faces were only inches apart. His eyes bore into mine, dark and unyielding.

I was rendered mute by a cocktail of anger and frustration. I could feel the heat rising in my cheeks, the pulse of fury echoing in my ears. How had it come to this? A man I once considered a partner, someone who stood by my side during the highs and lows of my fucked up life, was now threatening me like I was some kind of errant child.

When he stood back up, the air shifted. I watched him walk toward the door. He paused and turned, his gaze lingering on me. “Clean yourself up,” he ordered. “We leave in 20.” And then he was gone.

I stood up on shaky legs pulling my shorts and fishnets back up my thighs.

I caught a glimpse of myself in the mirror. I looked like a wreck..smudged makeup, sticky face, disheveled hair. Hurt turned to anger as I turned the sink on, letting the water run until it was cold against my skin.

I grabbed some soap, scrubbing at my face, my reflection a blur of black washing away.

My makeup melted down my cheeks. The sound of water splashing filled the silence, but it couldn’t drown out the humiliation that wrapped itself around me like a shroud.

“What are you doing?” I whispered to myself, the echo of my voice bouncing back from the grimy tiles. I had fought so hard to carve out my place in the music scene..hell even in the world itself. This night had been a victory, the crowd was phenomenal, the lights were bright. But here I was, in this wretched bathroom, my feeling of happiness tainted by Ryan’s shitty attitude.

Once I finished washing my face, I reached for more paper towels. I dried my skin, the rough texture of the paper a stark reminder of the harsh reality I was living. My hands trembled slightly as I tossed the damp towels into the trash bin. I took a deep breath, trying to gather the shreds of my shattered confidence.

What was it about Ryan that had enamored me so completely? He was charming, charismatic, a refreshing aura of energy that had swept me off my feet. But all that had morphed into something darker, a controlling asshole that stifled my spirit. Just like my parents.

I just stared at myself. Anger, and exhaustion flickering in my eyes. I wasn’t a victim, not anymore. This is my life. I have fought tooth and nail for every stage I had performed on, every audience that had cheered my name. When will he realize that.

I took one last glance at myself in the mirror, and turned off the sink, and stepped out of the bathroom, my heart pounding in my chest.

The stale cigarette smoke curled around my face, as I watched Jett wrestle our amp into the back of the van. Ben was meticulously coiling cables, his brow furrowed in concentration, while Ryan, ever the asshole, directed their efforts with a clipped tone. The air hung thick with the dust and sweat of the festival. "Need a hand, Alice?" Ben asked, glancing up from his tangled mess of wires.

"Nah, you guys got it," I replied, taking another drag, a smile tugged at my lips. We killed it tonight. We felt like we were finally breaking through, the energy from the crowd was undeniable.

Suddenly a voice cut through the air.

"Hey!"

I turned, along with the rest of the guys, and saw Noah, walking towards us. A tall, lanky dude with long hair, trailed behind him. Jolly. They’re a huge, influence to us and our band, and seeing them in the flesh, and actually playing alongside them still gave me a little jolt of excitement.

Noah grinned, and greeted everyone with a friendly nod."I really liked that solo you did." He fist bumped Jett, and gave Ben a nod, "your drum fill was sick. You guys did amazing." Then, his eyes locked on mine.

I smiled, dropping my cigarette and stomping it out. "Thanks, You guys too."

"Appreciate that," Noah grinned. He paused, before looking to jolly, and back to us. "So, look, we're having a little after-party type thing up on the rooftop of our hotel. Just something chill. We wanted to extend the invite." He rattled off the name of some fancy hotel downtown.

My eyes immediately darted to Jett and Ben. Their faces were lit up like Christmas trees. We’d been grinding for years, sleeping in cramped vans, eating gas station food, and dreaming of moments like this of being welcomed into the inner circle. This felt like validation, a sign that we were finally being recognized.

I opened my mouth to accept, already imagining the good time we’d have hanging out with THE Bad Omens, but Ryan's voice, sharp and dismissive, cut me off.

"We're good. We have shit to do tomorrow."

The air instantly thickened. The excited buzz from Jett and Ben evaporated. My own elation fizzled, replaced by a familiar sense of frustration and resentment.

Noah's smile faltered, but he recovered quickly. "No worries, man. Just thought I'd offer. Maybe next time."

He nodded at Ryan, then gave me one last, look before turning away, Jolly shuffling awkwardly behind him.

They disappeared into the throng of leaving festival goers, an uncomfortable silence settled over us.

"Seriously, Ryan?" I turned towards him, my voice tight with annoyance. "What the fuck?"

He turned to me, his expression unreadable. "I’m fucking tired Alice, and I have shit to do other than babysit your drunk ass all night.”

"One drink wouldn't kill us," Jett mumbled, avoiding eye contact.

"Yeah, Ryan. We could have networked," Ben added, equally subdued.

Ryan rounded on them, his voice rising in pitch. "Networked? You think schmoozing or fucking rockstars is going to get us a better record deal?" His eyes cut to me with that last statement, and I couldn’t stop the scoff leaving my lips. He’s fucking mental.

I stepped forward, my fists clenching. "It's not fucking like that Ryan and you know it! It feels like we're finally being accepted. We busted our asses tonight! We deserve to celebrate! We deserved that moment".

"Yeah well I’m your fucking manager, and what I say goes."

I’d had enough. “And I’m your girlfriend! Do you ever think about what I want?”

"I don’t give a shit Alice! I'm doing what’s best for the band!," Ryan retorted, his voice laced with exasperation. "Do you know what kind of people are at these parties; those guys are bad fucking news, I know it!"

"Doing what’s best? By doing what? Keeping us from having a good time? From making connections? From being treated like real artists instead of nobodies?" I spat, my voice trembling with anger. "You're not doing what’s best for us, Ryan. You're just fucking controlling.”

The stale hotel air hung heavy, thick with the ghost of previous occupants and cheap disinfectant. I tossed my bag onto the ridiculously floral comforter, the zipper screaming in protest as I wrestled out my pajamas. My muscles ached, a delightful reminder of the amazing set we played.

But now, that high was plummeting, dragged down by the ever present weight of Ryan “forbidding” us from going to the after party Noah had invited us to. With some bullshit excuse. As if being a woman in rock wasn't hard enough, I had to constantly fight to be seen.

I glanced over at him as he heaved his bag onto the bed. He was already heading for the bathroom, the door clicking shut.

I flopped onto the bed, grabbing my phone and mindlessly scrolling through Instagram. The feed was ablaze with posts from the festival. People were talking about our set, praising my vocals, complimenting Jett’s insane guitar riffs, and even acknowledging Ben’s solid drumming. A warm feeling spread through me, a sense of validation that Ryan rarely offered.

30 minutes later, the bathroom door swung open. My fingers froze on the screen. Ryan stood framed in the doorway, but it wasn't what I was expecting. He was dressed in black jeans and a tailored leather jacket. His hair, usually casually tousled, was meticulously styled. He looked like he was about to step onto a movie set, not into bed for the night.

My stomach clenched. A cold knot of unease tightened in my chest.

"Where the hell are you going?" The question burst out before I could filter it, laced with a bitterness I couldn't quite suppress.

Ryan rolled his eyes, the dismissive gesture slicing through me more sharply than he probably intended. He patted his pockets, checking for his phone and wallet. "I’m meeting someone important."

The words were like a slap in the face. "You tell us that we can’t go to a small after-party to celebrate our show tonight, but you’re gonna run around town to meet with someone 'important'?" My voice rose with each word, frustration bubbling to the surface.

He sighed, as if I were a particularly annoying child. He turned towards the door, his back to me. "I don’t have to explain anything to you. I know what’s best for us, and that’s that."

“Seriously?" I scoffed, sarcasm dripping from my words. I pushed myself off the bed, my bare feet slapping against the carpet. "Or best for you, Because it sure as hell feels like those are two very different things these days."

The air crackled with tension as he finally turned back to me, stalking towards me until we were almost chest to chest. His eyes were cold, hard chips of ice. "I said I don’t have to explain shit to you. Now go the fuck to bed. I’ll be back in a couple hours."

He stood there, radiating an aura of control and dominance that I hated, that I was starting to resent more with each passing day. The familiar fear pricked at the edges of my anger. I wanted to scream, to lash out, but something held me back. Years of conditioning, of being told to be quiet, to be agreeable, to not make a scene.

I shook my head slowly, disbelief warring with hurt. "Who are you meeting that's so fucking important?" The question hung in the air between us, heavy with unspoken accusations.

His jaw tightened. "I told you. It's none of your business."

Without another word, he turned and walked out, the door slamming shut behind him with a resounding thud.

For a long moment, I just stood there, frozen in place, the silence amplifying the hum of the air conditioner. The anger, simmering beneath the surface for months, finally boiled over.

Fuck that.

I grabbed my phone, my fingers flying across the screen.

Me: get your asses ready. We're going to that after-party. Meet me in the lobby in 20.

I didn't wait for a response. I ripped open my bag again, pulling out a pair of ripped black jeans, a vintage band tee, and my leather jacket. Adrenaline surged through me, washing away the fatigue and replacing it with a fierce sense of defiance.

I stormed into the bathroom, slamming the door behind me. The hot water pounded against my skin, cleansing not just the sweat and grime of the day, but also the lingering feeling of being controlled, of being diminished.

As I dressed, my mind raced. Who was Ryan meeting? I didn’t have the answer, not yet. But I knew one thing for sure: I wasn't going to let him dictate my life anymore. I had a voice, a talent, and the right to make my own choices.

I glanced at myself in the mirror, my reflection staring back with newfound determination. My eyes, usually soft and yielding, were now hard and bright.

This wasn't just about an after-party. It was about taking back control. It was about reclaiming my own power.

I grabbed my phone and headed out, leaving the oppressive atmosphere of the hotel room behind and walked towards the lobby.

Jett and Ben were already waiting, grinning like mischievously.

"Took you long enough," Jett said, slinging an arm around my shoulders. "Ready to party?"

"Born ready," I replied, a smile spreading across my face.

Taglist- @lacy1986 @theanarchymuse95 @lyschko666 @rumoured-whispers @pathion @alwaysfightforwhoyouare @xxkatsatwatwafflexx @chey-h @dontwantthemoney @lilsugacubeot7

#noah sebastian #bad omens #badomensimagines #noahsebastiancult #bad omens cult #noah sabastian smut #imagines #bad omens band #bad omens smut

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greenleaf4stuff · 1 day ago

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Hi and thank you for the tag @gauntletgirlie! <3 The tag game is a wonderful idea, but I want to spread the posivity both ways. So um - I will do it my own way. Aka, I will give the person who tagged me compliments and also compliment the people I am tagging. That way everyone in this post gets the positivity they deserve I feel like. <3

@gauntletgirlie: You already write so well for someone who has just shared their own writing for the first time; I love the way you wrote Adar's and Celebrimbor's dynamic in your silverscars fic, the way Adar tried to keep his distance and Celebrimbor gently but insistently got closer to him and coaxed him into giving into his desires; you had me sitting there like "ohhh I wish this continued" and "I hope she writes more!" after I finished reading <3

Now for the people I am tagging (absolutely zero pressure to respond btw! I mean it! I am doing this because I want to, not because I expect anything in return!):

@plotdesigner Your lore and world building for the uruk is absolutely stunning and wonderful an I love every little detail I learn about them in your fic(s); I love the way you alternate POVs between characters and manage to give them distinct, individual voices and rich inner lives, even going the extra mile to write Adar in the 2nd person POV; you have a lovely way of weaving in little bits of humor that feels very adequate for the circumstances and also humanizes the characters a lot!

@themalhambird Your Adar/Finrod fic had some very well-developed OCs that were very distinct and interesting to read about, each had their own individual voice; the pairing wasn't something I thought I would be interested in but I finished the little fic before I knew what had happened; the way you wrote the interaction between the main pair was sweet and heart-wrenching to the point it made me emotional (I mean that as a compliment!)

@thephoenixandthecrocodile I love the dynamic between Adar, Celebrimbor and Narvi, they all have their strengths and weaknesses and complement each other very well, I love how you give each character weaknesses and humanizing elements that make them so very relatable; I think it is so cool that your first fanfic is a multi-chapter one and already goes on for so long - that is quite the feat! (and that your 2nd is also multi chapter and finished! Congrats!); I'd love to see more of the way your throuple develops Mordor together, the concept of a dwarven/elvish/uruk construction sounds so cool! and also what their relationship will be like in the future!

@gingeragenda The one fic of yours I read (Adar/Balrog) took a concept that should have been difficult to pull off and made it seem effortless; the interaction (cough) between the two was very sexy; despite the fact that the Balrog got sent out for rather sinister purposes, there was a tenderness that I did not expect between the two characters that I quite enjoyed while reading!

@wowstrawberrycow I love how you want to give Adar good, soft and cute things always, it makes me feel all warm and fuzzy inside; I loved the dynamic between him and Gil-Galad in your AU fic, how Gil is taking care of him as best as he can and is a rock for Adar; love the worldbuilding so far, despite the dire circumstances, there is hope shining through and the two are fighting so hard to carve out their happiness. It's really fascinating!

I think I as a writer I am somewhere between "good most of the time" and "every so often I have a good line" tbh; my lovely readers, mutuals and friends on here make me feel like I am a very good writer (TYSM!) while I myself would tend to believe I am...okay? Maybe? If I have a good day. ^_^'

Writing compliment for myself...I manage to write and share my works despite a lot of self-doubt, anxiety and perfectionism? Does that count?

I want to do a compliment exercise. I got the idea from a poll I saw.

First, vote on this poll:

Now, reblog and tag 5 writers that you would want to see do this (no pressure, of course)... and in your CAPTION (not tags), give 3 compliments to the person you reblogged this from's writing. In your TAGS (not caption), put what your answer was.

Give yourself at least one writing compliment too, while you're at it.

If you reblog it from me, don't worry about doing the compliments since almost none of you have actually read my writing (if any of you have 😅).

If you really want to do the compliments for me, you can compliment something else but it isn't necessary when reblogging from the original source.

Let's get a compliment/positivity/love thread going. ❤️

#sorry if this seems like a criticism towards OP or anything of the sort I swear I do not mean it that way #i just thought it would be nice to give positivity in either direction so everyone gets their praise even if they already did the game #or don't get a response to their own tags or sth <3 #tag game #writing game #reblog game #addition #long post #mine

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sunburstsandmoonshadows · 3 days ago

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hi question about painting!ford-- does he like,, inhabit any paper lying around basically? or just any flat surface?

bc like ford chilling on a notebook page ranting about something and stan just closing the book to shut him up just popped into my head and made me chuckle

mabel would draw him little scenes and shit to hang out in (also that begs the question-- if he is on a surface with art already on it, can he interact with it? like picking a shittily doodled flower for example)

I've been imaging that a cursed handcrafted Ford would be the same size as his normal self and wouldn't really change from that, so maybe not hanging in notebooks exactly. He could hang out on the wall to complain, or make himself into Stan's painted shadow on the floor if he liked, though.

His movement depends on where in space he is.

Painting: He started out in a framed painting when first cursed. Probably just a recreation of his study or lab. He can move around this space like it's real and he exists in 3d space within it. Other paintings don't quite work like that for him.

Surfaces: he can get out of the painting and move along flat surfaces like he's been painted onto them. You know Legend of Zelda: A Link Between Worlds? That, basically. This does mean he can get literally anywhere if he wants, since even a small crack in a wall or in a doorframe means he can slide into places.

Paper: Soon after he got cursed and got out of the painting, Mabel struck upon the idea of him Flat-Stanleying (Flat-Stanfording) around if she cut out a piece of paper for him to exist on. It turned out a success, and he can exist on a 3d plane like that, though breezes topple him pretty easily. They probably started out with printer paper and ended up giving him a card-stock base to exist on later.

Yes, he could move things that are painted near him! This is hard to describe, but I imagine he couldn't take a painted object and move it forwards or backwards in perspective, just up, down, left, or right. Like moving an image around on your computer screen. He could do something like write with a drawn marker Mabel doodles for him, though. He promptly starts writing down notes on his curse on the walls of the Shack and Stan gives him hell for it.

Here is a real and very earnest and totally not a joke concept sketch:

#chatty #Anonymous #handcrafted pines #gravity falls #by nature of being forced into 2 dimensionality i imagine painted curse subjects have a lot of weird rules governing them #dare i tag this my art? i guess i do #my art #ask

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mirai-e-jump · 12 hours ago

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Bakuage Sentai Boonboomger Photobook: Don't Stop the BoonBoom Main Cast Member Interviews (translations and other pages below, very long post)

Publication: February 14, 2025

Iuchi Haruhi (Taiya Hando)

-Taiya cranks up his mood without showing emotion-

Everyone wrapped up filming together. At the time, it really didn't hit me. I think it was about two days later that I actually felt it……

Over this past year, I had a routine that I set up for myself, where the day before filming, I'd reread the script for corresponding scenes, and always make sure to do a final check before going to sleep. However, I guess that's come to an end. Now that filming is completely over, I feel alittle sad, as I can actually sense that Taiya's fading away.

Regarding Taiya, when I look back, the first thing I was conscious of was raising my mental age and trying to play my role as a calm character. However, if I made him too cool, he'd be too similar to Chasshiro, so instead of expressing his emotions, I'd crank up parts of his mood……I put great value into those kinds of things while acting.

The first scene we filmed was for the first episode, where Taiya buys the luxury brand store. I remember I didn't know how to move in relation to the camera's position, and was just trying to figure it all out. Not long after that, I had the opportunity to film my Boonboom Change, and when I put on the Boonboom suit for the first time, I had the feeling of, "I'm a hero!" The other thing I remember well was post recording with Director Nakazawa's team during episodes 1-3. At first, I held back my voice in order to keep it in line with Taiya's character, but when Director Nakazawa told me to "make it much more louder," I realized that it was "okay for him to be in high spirits after the Change." That became one of the opportunities for me to broaden my perspective of Taiya Hando.

I'd been going out to eat with the other members since fairly early on, but as filming progressed, it was exciting to see the number of friends increase one by one. The first climax for the five Boonboomger members was in episodes 8 and 9, when Taiya rushed over to them and said, "This is the most…," to which the other four replied, "Cranked up." It was an unforgettable, passionate scene. I think this moment slightly changed the way Taiya interacted with everyone.

Also, the presence of Yu-kun, who joined us halfway through, was a big deal. Until then, I had always thought that the right thing to do was to act according to the image the professional Directors or Cameramen had in their minds, so I had never thought of acting based on my own initiative. However, when I watched Yu-kun, he'd constantly make suggestions like, "I wanna move like this, but what do you think?," and I saw the course of things change, as those on set would respond with, "Alright then, let's go with that!" That's when I started reading the script with the thought of, "As one of the people creating this show, I also have to get involved on set!," and my attitude once again changed alittle bit.

-A dream filled ending typical of Boonboomger-

In episode 24, I was also happy to have my special skill of playing the guitar put to good use. As a matter of fact, during our first meeting, the Producers asked me, "Do you have any special skills?," to which I answered, "I can sing and play the guitar." That's when the Screenwriter's desire to "write about Taiya's first love" was incorporated, causing the episode to materialize. The script doesn't go as far as to depict what happened to Mahiro Sensei, but I wanted to understand it in my own way, so I talked to the Director and Producers before I went into it, and I even imagined what kind of feelings Taiya would be having and wrote them down in a notebook. The subject of the story was painful, but the shoot itself was fun. Taiya's a character who I had a hard time getting into, but by depicting him during his childhood, I think I was able to dig deeper into my role.

I pushed myself to the limit towards the very end of Boonboomger and lost about 5kg, which caused some concern as my face began to look really hollow (bitter smile). Still, as a result, I was able to get into it and concentrate while playing Taiya. The scene where he conveys his feelings to the other four during episode 45 was very memorable. In the completed footage of episode 37, a flashback scene was inserted, the one where child Taiya hears sad crying in the next room, and I was there to observe the filming of that scene. I wanted to internalize Taiya's feelings, so I asked and was allowed to sit in the same spot after they filmed it. I performed the scene with the other four in episode 45 with that in mind, so I was able to convey Taiya's feelings clearly.

I liked the last scene in the final episode. I thought the reversed situation was good, as it concludes with us five who protected Earth leaving for space, and Sakito, who had said that he "abandoned Earth," staying behind. For me, it was a conclusion that I would've never imagined. I was really excited while filming our participation in the BBG, and being able to say the line "Let's get cranked up!" at the very last moment will always remain in my heart. I believe it was a dream filled ending, one truly typical of Bakuage Sentai Boonboomger.

Hayama Yuki (Ishiro Meita)

-I aimed to play a role that anyone would think was cool-

For my role as Ishiro, I first talked with BoonBlue's Suit Actor Yoneoka Takahiro-san about how I wanted to "make him a cool character by any means," and so we decided to aim for a role that anyone would find cool, from his gestures and posture, to his pose when he changes into BoonBlue. Going along with that, his passionate side also came out around episode 6. The Director in charge of each episode enjoyed those playful parts and would tease me about it, so by also adding in some adlibs myself, I think I was able to broaden the range of my role. Yoneoka-san gave an energized performance in the Go-Onger episode, but by seeing that, it made me feel that although Ishiro's a spy of the underground, he was longing for something "sparkling," and I feel that it further expanded my role.

The first time Ishiro's past during his spy era was depicted was in episode 14. It was an episode that showed Ishiro's cool, cranked up appearance, but I felt that if I didn't establish a solid "foundation" here, it would affect how he was seen in the future. That's why I was so fired up to film the flashback scene. I also received tons of motivation from Miu-chan in this episode. Miu-chan has an extensive acting career, and above all else, the ways she delivered her lines were very convincing. The sequence of events that leads to Ishiro being stunned as she says, "You want to protect the place that's important to you, right?!," is a scene that everyone needs to watch. Up to that point, Ishiro had kept abit of a distance from everyone except for Taiya, but I think this was the first time he was willing to approach another member of the team.

The next spy story was in episode 29, which features a scene where I Boonboom Change while fighting against Gong Grumer, and I challenged myself to doing action, which isn't one of my strong points. Also, I was paired up with Sakito. Compared to the other three, he had a greater sense of distance from Sakito, but since they suddenly got involved right from the start, it was difficult trying to figure out how I should treat him. Also, when Sakito says, "You didn't grow up well, huh?," he responds with, "My parents did the same work I'm doing. You can figure out the rest." It's a line that expresses Ishiro's dark past, and he tells it to the person he was most distant from. It was an important moment that brought the two of them closer together.

Episode 37 had alot of action scenes, and I believe I was able to get them done with the support of Action Director Watanabe Jun-san and Yoneoka-san. I think that different people have different interpretations of the relationship between Ishiro and Naito Konomi-san's Sutea, and although we watched each other's performance on set, we never really compromised on things. I hope everyone enjoys speculating on that point. On the opposite end, Director Hayama Koichiro gave me easy to understand examples of how the fake Ishiro would fight against Taiya, which helped me better visualize his image. What's more, for the action scenes involving Taiya, Haruhi stayed with me countless times until I memorized how to do them, which was very helpful.

-If you grab hold of your wheel, things will become clearer-

From episodes 43-47, I think some of you may have been on edge watching Ishiro's actions. Still, since Taiya said in episode 37, "I can tell just by looking into his eyes," it was properly foreshadowed. Although Ishiro pointed his gun at everyone at the end of episode 43, it's important to note that Taiya's reaction at that moment wasn't captured. This was Director Nakazawa Shojiro's goal, as this detail wasn't in the script, but since he and Taiya trust each other without needing to say anything, he purposely left out Taiya's reaction. As for myself, I think that the role Ishiro played during the very end was a great one. Mira's marriage is an homage to the first episode, and his return in episode 47 along with his partner, Boonboom Marine, made me feel "cranked up" when I read the script.

The wrap up for actors was the final roll call during the final episode, and we were all able to finish filming together. Each person's name was then called out on the spot, and everyone would cry. I was determined not to cry, but when they called my name, Producer Kuji Yoshito-san and Director Nakazawa came into my sight, and I couldn't stop crying……I'm not entirely sure if I was able to speak coherently then, but I was truly overwhelmed with emotions in that moment.

The theme of Bakuage Sentai Boonboomger is to "take control of your own wheel," and while it may have looked as if Ishiro had sold his soul to the Hashiriyans during the very end, I believe that he was able to steer his way down the path of victory by taking the wheel in his own way. In reality, things may not always go as planned, but if you grab the wheel without abandoning your beliefs, I'm sure something will become clearer. For us actors, we'd be beyond happy if you could take away such a message from our work.

Suzuki Miu (Mira Shifuto)

-I tried to be conscious of "Mira's feelings" when performing in the second half-

After filming throughout the year, I did have some vague concerns in the beginning, but I'm really glad that we were able to get through it safely without any major accidents or problems occurring. Also, after a year of working with the same staff, I realized just how much fun it is to work together as "friends" to create a production.

As for my role as Mira, I was told that she doesn't "take a backseat to the main character," but is instead the first character that the viewers can emotionally attach themselves to as the story progressed. I knew that if I didn't carefully act out Mira's growth throughout the year, it would appear rushed and unconvincing, and by extension, the story wouldn't hold up. In the beginning however, Mira was presented in a fairly fun way. In the script, her screams were written as "Piyaaa!" (laughs). That was one of the reasons why up until about the halfway point, I was more conscious of how she was being seen from the outside instead of from the inside. However, in the latter half, I tried to play the role with "Mira's feelings" in mind, rather than thinking too much about "how I want her to be seen." In that regard, there may be a big difference between the beginning and the ending. I was also happy that Director Nakazawa Shojiro noticed that and said that "I had changed up my performance quite abit."

In the very beginning, it was fun being teamed up with Chasshiro in episode 6. I think Mira's someone who can be paired up with anyone, but Mira seems to be the only one who can make teasing Chasshiro look amusing (laughs). Even in the scene where we follow Jou, I had alot of fun filming and discussing the details with Yuki-kun, such as how we'd hide ourselves by retying our shoelaces and hiding behind a telephone pole.

Episodes 8 and 9 was the first crisis that the Boonboomgers faced, and the atmosphere on set was tense and different compared to the previous episodes. During all this, I think it was just like Mira to vent her feelings towards Taiya at the end of episode 8 with, "Why would you do such a reckless thing?" However, I could understand the feelings they both had, and condemning someone for something you're not aware of was pretty difficult to perform. I thought it'd be bad if she came off as being too confrontational, so I played the role hoping to convey Mira's honesty.

-I love how everyone in Boonboomger lives their lives to the fullest-

There were multiple main episodes for Mira, such as episodes 14, 20 and 31, but episode 36, in which I performed with Mori Hinami-chan, is the most memorable. When she learns that Aki, played by Hinamin, had given up on her dream, she speaks her mind by saying, "It's frustrating….that unlike how Taiya is with Boon-chan…..I can't make her dream come true." I had discussions with Director Watanabe Katsuya about that scene, and I thought about it alot myself. Mira's story began with her easygoing personality in the first episode, but up until then, there were very few scenes depicting her being worried. Mira's usually cheerful and in high spirits, so I wondered, "Would it be okay to show her being worried?," but I think it's her worries that really show the strength of their friendship.

Also in this episode, there's a scene where I Boonboom Changed without the helmet, so I also played the last scene where the mask was equipped. I was advised to pull my chin up in order to look cooler, but I was pretty scared since my field of vision was limited and I could only see my feet. Still, I ran as hard as I could, hoping that I'd look cool.

I think the major event at the end of the show was the development of Mira's decision to get married, which was depicted in episode 47. To be honest, I had something that was worrying me as the story was unfolding, and I talked to the Producers about it. Even though she became a Boonboomger in the first episode and was working hard at her part time jobs, I wondered, does Mira have any big dreams in her life? They created this development based on that. I wanted Mira to have a dream, but instead, it's Mira's strong desire to help the people in front of her that helped her grow so much. I took this as a message that the staff had prepared for my sake. During the actual shoot, after she decided to get married, there was the line, "This is how I'll grab hold of my wheel," and just looking at everyone's faces made me cry……I believe that this performance came out because I'd been building up my role as Mira and trusting everyone.

Based on the title, many of you may have thought that Bakuage Sentai Boonboomger was a cheerful and upbeat production. I myself am one of those people, but with six people, there were six different lives, and now that it's all over, I strongly feel that the appeal of this show was that "each and every one of them overcame their struggles and became stronger." For myself personally, I have always and will always love the way everyone in Boonboomger lives their lives to the fullest.

Saito Ryu (Jou Akuse)

-I was surprised at how similar I was to Jou Akuse-

When I was in elementary school, I served as class president and was known for being a rather serious type of person. However, I wasn't serious at all, as I had more of a clumsy side in comparison (laughs). That's why when I first learned about Jou's setting, I was very surprised at how similar he seemed to myself. Also, my own father is a firefighter, so I felt a sense of familiarity towards his role as a police officer, as they're also civil servants. That being the case, I thought, "If I just honestly express all the feelings I've had over the past 19 years of my life, I might be able to become Jou Akuse." During the beginning, I went into filming with those types of thoughts in mind.

Jou's real role began in episode 5, but the first scene we filmed was in the first episode, where he gets wrapped up in one of Wedding Dress Grumer's dresses. It was fun to see his clumsiness immediately come out, but Director Nakazawa Shojiro had told me, "It's fine to make as much noise as you'd like." At the time, my performative skills were still lacking, so I was abit confused. I now have the confidence that I can make things more interesting (laughs).

I put alot of effort into the fight scene against Darts Grumer in episode 5. I knew from the moment I read the script that the action leading up to my Boonboom Change was "an absolute must." During filming, Darts Grumer's Suit Actor Imai Yasuhiko-san lent me his support by saying, "It's okay to go all out," and under the passionate direction of Director Watanabe Katsuya, we filmed with my entire body getting covered in sand and dust. That day, I went home and shampooed my hair about six times, but sand kept falling from my head (laughs), and even when I rewatch it now, I can see just how much strain I put on my body. Director Watanabe also helped me out alot in the episode where I'm paired up with Mira, but I think episode 5 was the starting point for me as Jou.

From the moment we met, I became good friends with the other cast members. We didn't have many opportunities to meet until episode 4, but after episode 5, I think we were able to join up smoothly from episode 6 onwards. I was happy to finally be able to film together with everyone.

In episode 6, he immediately gets involved with Mira and Shiro Senpai, and I was also grateful for all the opportunities after that where Jou played a bigger role, such as in the Kaseki Grumer episode, the candy detective episode where he teamed up with Genba, and the baseball episode. What's more, they were all crazy episodes (laughs). Especially for episodes 21 and 23, the one in charge of them was Director Kato Hiroyuki, and he's the kind of Director who'll constantly incorporate alot of funny things, so I also had alot of fun while getting into a playful mood. In episode 21, there's a scene where I interact with Genba in my afro hairstyle, and I thought it'd turn out funnier the more serious I performed it. I took these kinds of things into consideration when I performed.

-I cried so much during the wrap up, that I was teased by everyone around me (laughs)-

Episode 40 was the episode where I myself felt a sense of accomplishment. After episode 15 aired, I received feedback from various people telling me that "it was good," but it was thanks to Director Hayama Koichiro, who brought out Jou's appeal, that I as an actor felt the desire to show off even more of my performative range. This time, episode 40 was naturally made possible thanks to Morichi Natsumi-san's wonderful script, and Director Nakazawa and Cinematographer Kamiaka Toshikazu-san's strong tag team, but I could personally feel the growth I had made up to that point, and the line, "There's no such thing as a 100% perfect hero," went viral on SNS, with the great response from those around me also giving me confidence.

Filming for the last chapter progressed at a good pace, and it felt like it went by in the blink of an eye. During this time, what surprised me was Chasshiro's betrayal and Boon-chan's defeat. I had only heard alittle bit about it beforehand, but when it was time to read the script, I was shocked and thought, "Are you serious?!" And then, Jou quit being a police officer, and in episode 46, he was confronted by his senior officer played by Takada Masashi-san……I didn't expect things to turn out this way, so I had abit of trouble trying to wrap my head around the situation. It was as big of a situation for me as it was for Jou. In the end, the five of us left for space, so I interpreted it with, "I guess he's on temporary leave for the time being?"

The Assistant Director made the necessary adjustments to our schedules so that everyone would be able to be together for the wrap up. The night before the last day of filming, I cried all alone at home due to feeling lonely, so on the very day of filming, I thought I'd be fine since I cried ahead of time. However, when I saw the face of BoonBlack's Suit Actor, Shige-san, I couldn't help but cry. I was crying so much that everyone around me jokingly said, "You're crying way too much!" (laughs). Over the past year, there were times where I was guided gently, and times where I was guided strictly, but I was truly happy on this set.

Soma Satoru (Genba Bureki)

-From being a Procurer with a detached position to becoming friends with the Boonboomgers-

When it was decided that I'd be playing the role of Genba Bureki, I was told that, unlike the other members, I'd be "playing an alien." However, since I didn't know the reason why he was always licking lollipops or the beliefs that he held, I had to make detailed adjustments all the time while thinking, "I guess it'd be alright if I did this much." It was around the time we were filming the Summer film when I learned about the developments for the second half of the story, and I thought that his feelings toward Nicola, who was invaded by Hashiriyans, were different from everyone else's, so I was conscious of those expressions in my performance.

In the beginning, I didn't have much to work with, so I was trying to figure out how to say distinctive lines such as "Seems like you're in trouble" in a way that felt right to me. There's abit of a suspicious, older feel to him, and I thought it'd be great if I could add some expressions that were unique to Genba. The first thing we filmed was the scene in episode 2, when he receives a job request from Taiya. From episodes 1-6, he had watched them from a detached position as a Procurer, so I was very happy when we were ready to film episode 7, as he joins the Boonboomger's as their friend.

In episode 10, I was able to do some action before his transformation. I was confident in my athletic abilities, but the movements done by BoonOrange's Suit Actor Ono Yukimasa-kun, who showed me some examples, were amazing, and while I felt alittle overwhelmed, I tried to do my best. Ono-kun and I would both always talk about "how we felt during this part," and I was always amazed by the action I saw during post recording.

His destined rival Disrace appeared at the end of episode 26, and he left Boonboomger in episode 27. There's a scene where he says, "That's why I'm giving up my front row seat," and as myself, I definitely didn't want to leave, but at the same time, he doesn't want to involve his friends any further, so……it was quite difficult for me to perform. After that, I didn't get to see everyone as often as I would've liked to, and there were also no good opportunities to go out and eat together. That's why when he returned in episode 33, I was so happy that I couldn't help but talk nonstop with everyone on set (laughs).

During filming of episode 33, I almost cried when I said the line, "This is the place where I belong," and I was also deeply moved when Taiya asked, "What has the Procurer procured for us?" to which I answer, "Myself, of course." The scene where all of us perform the Boonboom Change also suddenly made me feel that "having friends is great." I was personally grateful for the fact that both episodes 27 and 33 were done by Director Nakazawa, as I was able to make progress while consulting with him.

-One thing remains for Genba, that being his important mission to retake planet Bureki-

I also enjoyed being together with Sakito during the soccer episode. We're both from Shizuoka, and I'm a Shimizu S-Pulse supporter, so because of this connection, we were invited to participate in an event by Shimizu S-Pulse in September. As for the drama, he clashes with Sakito, and well, fighting doesn't bring them closer together, but because they both love soccer, it seems like they let out more unnecessary feelings than usual. They had clashed before in episode 32, but I think they were finally able to work out their differences in this episode.

I had the feeling that the "end" was gradually approaching during the final stages of filming, but in the final episode, when their transformations are cancelled during the battle with Spindo, as we were filming the scene where they stand up while conveying their feelings, the feeling that "it was finally coming to an end" suddenly hit me. Here, Genba says, "In this universe, that's what we call love," but combined with the location, which captured the sunset, and the atmosphere on set, it made me get more into it.

The ending was a beautiful conclusion, but as for Genba, he still hasn't retaken planet Bureki. Because there's still an important mission left to do, it didn't finish with a happy ending, however, they were able to defeat both Grantu and Spindo and save Earth, so it was still a big step in the right direction.

Now that it's all over, I feel alittle sad since I no longer have to spend time thinking about the next day's shoot. Looking back, I really didn't know what I was doing a year ago, but I'm here now thanks to all the fans who supported me, and over the past year, through the feedback I received at events and on SNS, I was motivated by the fact that I was involved in a production that was loved by so many people. I'll work even harder so that everyone who got to know me through Bakuage Sentai Boonboomger will see a different side of me. I look forward to your continued support!

Miyazawa Yu (Sakito Homura)

-I was able to gain experience both as myself and as Sakito Homura-

When I "encountered" Sakito at the audition, I felt that he was so similar to me, that I thought, "If I fail this, I don't think I'll ever have a chance in any tokusatsu production." Once I entered filming, I was very happy to hear that Director Hayama Koichiro said on set that he had "wanted to film Miyazawa as Sakito." When he makes his entrance during episode 16, I played the role with the impression that he was an overly self conscious perfectionist, but as things continued with episodes 17 and 18 being done by Director Kato Hiroyuki, I was able to bring out more of his weaknesses.

During the joint reading session before I went into filming, the Director and Producers said that they wanted me to "act in a childish way," but I was thinking of taking my performance in a slightly different direction, so the most important thing was being able to create Sakito on my own terms. Also, I think that by looking for places where I could be abit playful on set, I was able to gain experience both as myself and as Sakito Homura.

Episode 41 is an episode that I'm deeply attached to, as I was able to incorporate my special skill of playing soccer. The "Pulse Ace" that appears is a play on Shimizu S-Pulse, but I used to be a member of Shimizu S-Pulse's lower division when I was in middle school, and I was deeply moved by the collaboration event between Boonboomger and Shimizu S-Pulse that took place during the broadcast. The story was rich in content, with its appropriate comedic feel, our passion for soccer, and my pairing with Genba, so I think the viewers enjoyed it. Among other things, the scene where Genba and I pass the ball to each other with napalm exploding in the background had to be done in one take, so I had a fairly long discussion with Satoru beforehand. It was quite difficult even for experienced players like us, as there was gravel everywhere we stepped, and the unique shape of the Boonboom suit's shoes made kicking the ball feel different, but fortunately, we got the OK with our very first attempt. In terms of the story, his clash with Genba reminded me of the sumo episode, and I also thought it was typical of the younger Jou for being so straightforward and acting as their middle man. That scene was effective because of Ryu's careful performance, and I thought it turned out to be a very good scene where you'd naturally think, "If Jou said it, then it must be right."

-The final scene where Sakito remains on the Earth personally gave me goosebumps-

After the soccer episode and Christmas episode, the final stages of the show had some dramatic developments, but episode 45 was the one that I put the most effort into. Bundorio stopped functioning, the Boonboomgers were split up, and Taiya was mentally out of it. During all this, Sakito and Byundi confront the Hashiriyans together……It was a hot development, as the man who abandoned Earth now fought to protect it, but in playing Sakito, I saw it as a "fight to protect his friends." If we go back to episode 18, Sakito said, "I just wanna protect my only friend and his family," but I believe that episode 45 encapsulates the change in his feelings from that point on. This episode was directed by Director Hayama, who also did the episode where I first appeared, and the scene where I pushed my way through the crowd and shouted, "You guys…didn't the Boonboomgers save you?!," was a direction given to me by the Director, so I myself also wanted to live up to the trust he put in me.

In the final episode, I felt the team's unity as they defeated Spindo, and I also thought it was wonderful that everyone's individual scenes were properly depicted. I hope that you were able to feel that high level of unity. And, the final scene where Sakito remains on Earth personally gave me goosebumps. When I first read the script, I thought, "Uwah, this is seriously good!" Living on Earth, the number of people he came to love steadily increased, and it seemed to match up with the way Sakito lives his life, so I'm satisfied with it. I felt that there was nothing wrong with the performance I had been doing, and I can only thank all the staff members for preparing and directing such a conclusion.

The last scene we filmed was our final roll call. This was the end of filming, but the show was still going on, so to be honest, I didn't really feel it. However, when the time came for them to address me, I couldn't help but tear up when I saw the large number of staff members.

I had been involved since episode 16, and was very excited to be in the position of shaking things up as the additional member, and I feel that the feedback I've gotten in regards to that has been good. The show itself will remain even after the broadcast is over, so we'd all be happy if people said, "Boonboomger was great, wasn't it?" We don't know yet if there'll be an anniversary project in the future, but I hope that Bakuage Sentai Boonboomger will remain in the hearts of all the fans forever!

Handwritten Messages

Iuchi Haruhi

"What was the most cranked up scene that you performed as Taiya Hando over the past year?" The scene in the final episode where everyone says, "This is the most cranked up!"

"What did you think was the "coolest part" about Boonboomger (or Taiya Hando)?" The parts were he wouldn't ignore!

"What part of Taiya Hando's "costume" or "weapons" did you think was cranked up?" The tool design of the weapons!

"A word to Taiya Hando!" LOVE

"A word to your Boonboomger friends!" I'm glad it was the six of us…I had fun. Thank you!

"A word to all the fans!" Thank you so much for your support over the past year! I look forward to your continued support!

Hayama Yuki

"What was the most cranked up scene that you performed as Ishiro Meita over the past year?" Bakuage 29's action scenes.

"What did you think was the "coolest part" about Boonboomger (or Ishiro Meita)?" His activities as an Informant.

"What part of Ishiro Meita's "costume" or "weapons" did you think was cranked up?" His three piece suit and necktie that would change every episode. That you could turn the Boonboom Handle with just one hand!

"A word to Ishiro Meita!" I love you.

"A word to your Boonboomger friends!" Ishiro had trouble fitting, so thank you for looking out for him!

"A word to all the fans!" Thank you for your cranked up support!

Suzuki Miu

"What was the most cranked up scene that you performed as Mira Shifuto over the past year?" Episode 36's helmetless running scene.

"What did you think was the "coolest part" about Boonboomger (or Mira Shifuto)?" That she worked hard for the sake of someone else instead of herself.

"What part of Mira Shifuto's "costume" or "weapons" did you think was cranked up?" That you could hold Boonboom Handle's Rod Mode upside down (it's dangerous, so good children shouldn't imitate that!)

"A word to Mira Shifuto!" Mira being cheerful gave me tons of energy! Thank you :)

"A word to your Boonboomger friends!" I was really happy with the six of us! We're forever friends!!!

"A word to all the fans!" I wouldn't have made it this far without everyone's voices of support. Thank you so much!

Saito Ryu

"What was the most cranked up scene that you performed as Jou Akuse over the past year?" My first transformation.

"What did you think was the "coolest part" about Boonboomger (or Jou Akuse)?" Getting dirty.

"What part of Jou Akuse's "costume" or "weapons" did you think was cranked up?" His police uniform.

"A word to Jou Akuse!" You're an honourable man!! Make sure to zip up your fly properly!!

"A word to your Boonboomger friends!" Thank you for the past year! Sorry for when I acted out of line 🖤

"A word to all the fans!" Thank you for your support over the past year! I look forward to your continued support.

Soma Satoru

"What was the most cranked up scene that you performed as Genba Bureki over the past year?" When after leaving once, he reprocured himself through his friends.

"What did you think was the "coolest part" about Boonboomger (or Genba Bureki)?" With every episode, his friends became the embodiment of "taking control of your own wheel."

"What part of Genba Bureki's "costume" or "weapons" did you think was cranked up?" His fluttering costume made action scenes look more attractive.

"A word to Genba Bureki!" I'm glad you returned to Boonboomger!

"A word to your Boonboomger friends!" Thank you for trusting me and waiting for me ^_^

"A word to all the fans!" Thank you so much for always giving us tons of support!

Miyazawa Yu

"What was the most cranked up scene that you performed as Sakito Homura over the past year?" The six person transformation in Bakuage 48!

"What did you think was the "coolest part" about Boonboomger (or Sakito Homura)?" Honestly gaining control of your own wheel!

"What part of Sakito Homura's "costume" or "weapons" did you think was cranked up?" All of it!

"A word to Sakito Homura!" Sakito Homura! Enjoy living a chaotic life on Earth!

"A word to your Boonboomger friends!" Claim absolute victory in the BBG!!

"A word to all the fans!" Thank you for your support in Bakuage Sentai Boonboomger over the past year! It was the most cranked up year!!

The Heroes Cranked Up Roundtable A long roundtable discussion with the six cast members who played the heroes who protected Earth. They'll talk about their memories from the past year, as well as bombshell stories that can only be talked about now?!

-The six cranked up members have gathered-

"First, please tell us about the relationship between the six of you after spending about a year together."

Hayama: In the beginning it was just Satoru-kun, but the older members were extremely reliable.

Suzuki: Yeah.

Hayama: We got so used to it, that we slowly started to develop a habit of screwing around with them (laughs).

Soma: That's right (laughs).

Hayama: Still, I think it's because they both allowed us to do that that people have come to say, "Boonboomger had some great vibes."

Iuchi: That was a big part of it.

Miyazawa: Y'know, I'm not sure if we've forgiven you yet (laughs).

Soma: Right?

Hayama: Even in this interview, we can talk about how we mess with them, so in that sense, Satoru-kun and Zawa-nii are the greatest.

Miyazawa: I suppose so (laughs).

Suzuki: The youngest members, Haruhi-kun and Ryu-kun, are both 20, while Zawa-kun is the oldest at 29 years old, so the age difference between us is the kind where you wouldn't normally have many opportunities to interact so closely. However, I still think the reason we were able to get along so well was because we were together for a year.

Miyazawa: Normally, I'd be concerned about both sides of the situation.

Iuchi: You were cautious.

Hayama: He was, wasn't he?

Soma: In the beginning, Zawa-kun didn't get involved with us at all for some reason.

Miyazawa: That's because there's a generational gap between us (laughs).

Iuchi: I felt the same way too. At first, it was the age difference, and since I went to an entertainment high school that didn't have any club activities, I rarely had any opportunities to interact with my seniors.

Miyazawa: And yet now we're like family.

Soma: We've even been asked, "Are you guys related?"

Suzuki: During the wrap up, the staff had said, "You guys look like relatives."

Miyazawa: It made me realize that even though there's a 9 year gap between us, we become friends.

Hayama: Of course, we weren't just playing around, as Zawa-kun drew a clear line when it came to work, and I really received a ton of inspiration from him. The only exception is Soma-san (laughs).

Soma: So that's how it is, huh? How strange (laughs).

"I see, so this is how you "tease those older than you" (laughs)."

Soma: Even though Hayama-kun and I go out to eat together pretty often…

Iuchi Hayama Suzuki Saito Miyazawa: (laughs).

"Did Soma-san and Miyazawa-san have to worry about anything when dealing with the younger members?"

Soma: I was the oldest of the original five, so I didn't want them to view me as "scary" (laughs). I wanted them to be able to be carefree, so I aimed to create a "Buddha" like appearance, someone who was accepting of everybody (laughs). By the way, we're being interviewed right now while eating our bentos, and Ryu just stole my tamagoyaki……

Saito: He won't get mad at all if I take it from him (laughs).

Soma: No, no, I told you tamagoyaki is my favorite, c'mon now! This is how they mercilessly tease us (laughs).

Iuchi Hayama Suzuki Miyazawa: (laughs).

Miyazawa: I joined in the middle of the show, but after it was decided that I would perform, I searched up information on who I'd be working with. That's when I was like, "They're all younger than me!" (laughs).

Soma: I get that. You were shocked, huh?

Miyazawa: However, I still thought that there was only one person "below me."

Soma: Who? Ryu maybe?

Miyazawa: No, like you, I'm from Shizuoka. That's why I thought you'd be the first one I talked to (laughs).

Suzuki: Did you think you'd have a better opportunity with Satoru-kun since you're both closer in age?

Miyazawa: Yeah. It's because even Miu-chan and I are about five years apart.

Soma: That's true.

Miyazawa: Before we became friends, I wondered if we would even get along.

Suzuki: Usually, when there's that much of an age difference you're like, "Where do we start?"

Miyazawa: I've also said this elsewhere, but at the same time I was having my costume fit, Miu-chan and Ryu came running to the makeup room and excitedly said, "Uwah, so this is Violet!" At that moment, I felt that everything would be alright. Or, perhaps what I mean to say is that I was the one who took a step back (laughs).

Suzuki: That's right! In another interview, Zawa-kun had said that he was grateful for the two of us closing the distance between him, but just recently, when the topic happened to come up in a private conversation, he said, "To be honest, I was abit put off at the time" (laughs).

Saito: That's harsh (laughs).

Miyazawa: It's because of how energetic you kids are.

Iuchi: You're always saying that.

Suzuki: We're all energetic.

Hayama: Right, we tend to hear that alot.

Miyazawa: That's how it is now, but in the beginning I had the feeling of, "How should I deal with them?"

Iuchi: At first, I felt like I had to talk to them as adults, but Satoru-kun and Yu-kun were the ones to bring a stop to that. That's why I'm very grateful for them.

Soma: In our group chat, Haruhi initially used a large amount of emojis, which made me think, "Ah, he's being cautious" (laughs).

Iuchi: Ah, I didn't realize you had seen right through me (laughs).

Soma: I noticed it from the very beginning.

Suzuki: I see. He did use a large amount of them.

Miyazawa: Is that so? I would've liked to have seen that.

Soma: By the time Zawa-kun joined us, he was no longer doing that.

Suzuki: It's because you "brought a stop to that," remember?

Hayama: (he looks at Miyazawa-san) And here I thought you were a good guy.

Miyazawa: Hey!

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: To begin with, our generations are so different, that I don't know what's popular. People of my generation would do stuff like go to karaoke.

Soma: Yeah. Things like what's popular and fun among today's youth.

Miyazawa: I had no idea about TikTok or anything like that (laughs).

Soma: You know, the way people say TikTok now is with an intonation! (laughs).

Miyazawa: Eh, it's that true?

Soma:……that's how it seems.

Miyazawa: However, it was a completely different story when I entered the set. I was conscious of the fact that it was our place of work.

Soma: There was a clear distinction in the way you'd switch.

Miyazawa: Right, which is the most important thing!

"Do you have any painful or difficult stories that you can only talk about now?"

Iuchi: What's okay to say? (laughs).

Saito: Ah, I was late once.

Suzuki: Wha!

Iuchi: Do you feel remorseful about it?

Saito: I do.

Suzuki: I don't know what to take away from this.

Soma: Just let it play out (laughs).

Saito: However, I made it in time for the shoot itself.

Miyazawa: No, no, that's totally normal then (laughs).

Saito: When you've been doing something like this for a long time, you inevitably start to slack off, huh?

Suzuki: You can't say that about yourself! (laughs).

Iuchi Hayama Soma Miyazawa: (laughs).

Iuchi: What was abit difficult for me during filming was not using my bike. I didn't ride it throughout the filming period because I didn't want to cause trouble if I had an accident. Besides, with it being my first time living in Tokyo, I thought I'd be fine without a bike, as there are tons of trains in Tokyo. However, once I started living there, I found that there were many places that would take too long to get to if I used the train or bus, but could be reached pretty easily by bike. I'm alittle disappointed that I couldn't even go out and have some casual fun (bitter smile).

Saito: That was a model answer!

Miyazawa: Is it okay to talk about what was difficult for me?

Hayama: The Boonboom dance?

Miyazawa: No (said firmly).

Hayama: Not that, huh?

Miyazawa: Sakito's hair style.

Iuchi Hayama Suzuki Saito Soma: Yeah (they fully agree).

Miyazawa: Every time I went to a shoot, it would become coarse and stiff. After filming, I would have to go home and wash my hair because of how difficult it became.

Suzuki: After filming would finish, we'd say, "Let's all go out for a meal!," but only Zawa-kun would go home and take a shower before rejoining us.

Miyazawa: That's because if I left my hair as it was, my hat would look like it was floating.

Iuchi Hayama Suzuki Saito Soma: (laughs).

Soma: That being said, I had trouble with my hair too.

Miyazawa: What was the case for Satoru? It must've been with your Burekiian form.

Soma: Yeah, it was when I transformed into my Burekiian form.

Hayama: Putting on the makeup too.

Soma: That's right. What's more, my skin is fairly tan.

Saito: Sure is.

Soma: So, I had to apply whitening cream in addition to getting my makeup done. I also had to wear cat eye contacts, but if I blinked even slightly, they would immediately rotate. That's why it was very difficult for me to perform close up shots in that condition.

Suzuki: You wouldn't blink.

Soma: Still, they'd eventually also fall out if I didn't blink for a long time.

Miyazawa: Your contacts fell out countless times.

Soma: Yeah.

Hayama: What comes to mind for me was the action. Exercise has never been one of my strong points, and there were a few times where I just couldn't keep up. To be honest, that was really tough.

Soma: No, no, you were really cool!

Hayama: Really?

Suzuki: Yeah.

Soma: Like in episode 37, you were amazing, don't you think?

Hayama: Well, in any case, I was just desperately trying to keep up.

Suzuki: You seem to have good reflexes.

Miyazawa: And he can dance. Me on the other hand, I'm no good at dancing (laughs).

Hayama: Wasn't it quite difficult for Miu-chan to get into costume?

Suzuki: That's right. There were so many part time outfits, so I remember having to get my costume fit for almost every episode (laughs).

Hayama: You went in to get your costume fit all the time.

Suzuki: Also, my legs were very cold.

Hayama: I had a feeling you'd say that.

Suzuki: Especially during Winter (bitter smile).

Hayama: And, those weren't even the worst ones. There's the wedding dress you wore in the final episode.

Suzuki: Yeah.

Hayama: You had to have the staff help you when you moved.

Suzuki: I couldn't move without my attendants.

Hayama: "Attendants" (laughs).

Miyazawa: It really seemed like that.

Suzuki: Also, I couldn't sit on a chair, so when filming stopped, I had a blanket laid out on the floor to sit on until my next turn.

Saito: You were like a princess!

Suzuki: The dress looked like it was floating as it spread out on the floor.

Saito: She often called upon us (Saito-san and Hayama-san) and gave requests like, "Please get me some sweets" (laughs).

Iuchi: She simply couldn't move.

Suzuki: (speaking like a princess) "Excuse me, can you fetch me a drink?"

Miyazawa: She's totally a princess now (laughs).

Suzuki: Another challenging thing was that this production has shorter shots so that smaller children watching wouldn't get bored. In scenes where we convey our feelings, they weren't that long and involved a series of cuts, so we had to raise our emotions pretty intensely, which was difficult. If I had to put it another way, I think it really strengthened our responsive skills.

Hayama: That's a good way of putting it.

Suzuki: You get it though, right?

Hayama: Yeah, I know exactly what you mean.

Suzuki: Zawa-kun had a difficult time with that at first too, right?

Miyazawa: I'd usually start from one or two of my previous lines, but if I thought that it'd still be too difficult, I was allowed to start from even earlier.

Hayama: Yeah, you'd do that.

Saito: Everyone's talking about something serious…

Soma: Ryu, do you have anything else since your story about being late didn't work out?

Saito: Yeah. I play a police officer, so it was quite difficult putting on all that equipment. It was pretty heavy, and there's a proper way of putting it on, so I had to make sure to check it every time. I thought this was to be expected by all the people who actually work as police officers.

Soma: Oh, that was a good story you just gave!

-Looking back at each memorable scene-

"From here, we'd like to ask each of you to pick one person at a time and name a performance or scene of theirs that left a lasting impression on you."

Soma: I guess Haruhi should be first, right?

Hayama: I think I was the closest to Haruhi's Taiya, but when I met him as fake Ishiro in episode 37, the performance Haruhi gave was completely different from what I usually did with him, and I thought the detail in how he differentiated his role was amazing.

Suzuki: The expressions Haruhi-kun showed were really great, as his emotional range swings between the line of difficult and exceptionally good. The facial expression he made at the end of episode 24 also conveyed his delicate feelings.

Iuchi: Thank you very much.

Miyazawa: I still love the, "Let's all hurry!" line he says in the final episode.

Suzuki: That was great too!

Miyazawa: All I can say is that it's like you can see the very moment he switches.

Suzuki: It gives off a similar feeling to when your body trembles with excitement, you close your eyes, and then shoot them open, right?

Miyazawa: Right, it's like that kind of switch.

Suzuki: The scene in episode 45 where Taiya loses sight of his own wheel was really impactful. It's like he was performing with his soul.

Miyazawa: I'll never forget the one on one performance I did with him in episode 18. It made me think, "So this is the man called Taiya Hando, huh?" That scene is still fresh in my mind.

Hayama: (to Iuchi-san) Were you nervous?

Iuchi:……I was (laughs).

Saito: There was a scene that I really liked, the musical scene with Itasha was in the Christmas episode, right?

Soma: Yeah.

Saito: At that point, Taiya makes a face that's like, "Eh?," looks around, then sits down without saying a word, and that made me burst out laughing.

Iuchi: That was entirely Director Kato's direction.

Saito: It was hysterical.

Iuchi: This is especially true since Taiya's not the type of person to do something like that.

Saito: I desperately wanted to say, "Don't just sit there in silence!" (laughs).

Soma: It would've been even funnier if he responded to it with something like, "That was cranked up!"

Suzuki: Yeah, like in the Toilet Grumer Limited episode.

Saito: Yeah, that happened.

Iuchi: That's where I tried to play the version of Taiya that Mira had in her mind (laughs).

Hayama: That was alot of fun.

"Next, what do you think of Ishiro Meita's Hayama-san?"

Iuchi: My favorite scene is in episode 14, when he relies on Mira. Ishiro had always operated in his own world, but Taiya also had the desire to draw him into everyone world, so Taiya felt happy when Ishiro was able to rely on Mira, someone he had come to love. I had read the script beforehand, but when I saw the broadcast, I was moved all over again.

Hayama: That was also made possible due to Suzuki-san's help.

Suzuki: No, no, that's not true.

Iuchi: But it was just the two of you!

Suzuki: Of course, when we were filming that scene, I thought, "Yuki-kun really likes acting." In the aquarium scene in this episode, when Chasshiro shows his annual pass, I (Mira) try to take it, but he quickly pulls his hand back. He was the one who suggested we do that with, "How about if we improvise like this?"

Hayama: All while I acted like a brat (laughs).

Suzuki: I felt that I wasn't capable enough when imagining things that weren't written in the script. That's why Yuki-kun's suggestion made me think, "That could happen!"

Miyazawa: Yuki's really serious, huh?

Suzuki: Yeah, I get him.

Miyazawa: Over this past year, he'd be thinking about the character of Ishiro Meita more than anyone else, and whenever he'd talk about his performance, it was always, "Ishiro's this, and Ishiro's that" (laughs).

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: There were times when Ishiro would fool around, which I thought would've been difficult, but Yuki was able to express it in his own way. My favorite scene was in the final episode, right before he leaves Earth. He happily says, "An Informant in space, I like the sound of that.

Soma: I also thought he looked happy when I watched him.

Miyazawa: He'd been separated from the Boonboomgers for quite some time, so I think he might've felt bad about it. By doing that performance, I could really feel that he had come back as Ishiro.

Hayama: I'm grateful.

Miyazawa: It was "the best of Ishiro."

Hayama: I'm glad to hear you say that.

Soma: Personally, I liked it when Chasshiro got teased by those around him. Like in episode 40, when Itsuki-kun said, "I want to be a cool hero like BoonBlue," Mira and Jou's reaction was to look at Chasshiro and say, "Cool?" (laughs).

Suzuki: I liked it when Mira pinched his cheeks.

Iuchi: Yeah.

Hayama: That was in the final scene of episode 37.

Soma: It was fun to watch scenes where Chasshiro "comes down" from a stressful situation, as I would think, "Ah, so this is how it's being done this time."

Saito: Yuki-kun mentioned earlier that he's not good at action, and looking back at our first action practice, I could sorta sense that he was having a hard time. However, the action with Gong Grumer in episode 29 was really cool. He must've practiced alot, but it was still captivating. After that, in episode 37, he did action scenes for both Ishiro and the fake, and I felt like he had come a long way with all the moves he was able to do.

Hayama: You sound like a parent (laughs).

Saito: I'd like to mention that I've rewatched your boxing action with Gong Grumer about six times.

Hayama: Eh?!

Suzuki: Amazing, you've got a fan.

Hayama: Ryu, thank you~ (laughs).

Saito: No, I was just curious about the moves you were doing.

Hayama: I guess everyone was looking at different parts. This is the first time I've heard all of that.

Iuchi: You're embarrassed, huh?

Hayama: I am. Ryu should be the first one I treat to some gyudon, don't you think? (laughs).

Suzuki: For me, it was probably when he was paired up with Mira in episode 14. It's the scene where Chasshiro's desperately struggling to keep Reizoko Grumer from going to the aquarium. I had never seen Chasshiro with such intense passion before. Mira had already transformed, so the first time I saw him like that was during post recording, but it was Yuki-kun's acting that really got me into the mood during recording.

Hayama: It was all thanks to the Screenwriter (laughs).

Suzuki: You looked happy (laughs).

Miyazawa: He was all smiley.

Suzuki: And, I know I keep saying this, but when Chasshiro talks to Mira face to face like a normal person in that episode……seriously, his visuals were just too good.

Hayama: It was both an Ishiro episode and a visual episode.

Soma: Visual episode he says…..(laughs).

Suzuki: And, I guess he was really fired up since it was one of his main episodes, as during filming, he made constant efforts every morning to get rid of any swelling (laughs).

Hayama: You didn't have to bring up that part! (laughs).

Iuchi Saito Soma Miyazawa: (laughs).

"Now for the next turn, we'd like you to talk about scenes featuring Mira Shifuto's Suzuki-san."

Soma: Speaking of Miu-chan, she was a monster during post recording.

Suzuki: Eh? What?

Saito: He means to say "you're very skilled."

Suzuki: For real? That makes me happy!

Saito: How is it that you're always able to skillfully match up your voice?…..

Suzuki: Yay! (laughs).

Hayama: Another thing is the straightforward way in which she communicates. In episode 14, when she said, "You're so stupid, Chasshiro!," I could really feel Mira's energy just from watching the footage, and I felt that there was alot to learn when it came to making emotional outbursts like that.

Suzuki: That makes me happy.

Hayama: I learned a…alot!

Suzuki: Don't stutter at the best part! (laughs).

Hayama: (laughs).

Soma: Yuki-kun mentioned emotions just now, but I liked Miu-chan's part when we spoke our lines one by one before defeating Madrex in episode 9.

Suzuki: When I say, "That's what it means to take control of your own wheel!," right?

Soma: Yeah. Your eyes sparkled, and your line was filled with emotion, so that moment really grabbed me emotionally.

Suzuki: Everyone's injured makeup looked good too.

Soma: That combined with the atmosphere of the setting sun made it even better. Towards the end of the show, when Mira makes up her mind to get married, Me, Sakito and Jou were on the receiving end of things, but we were also greatly helped by her. It was easier to do our performance since we could understand Mira's feelings.

Suzuki: That makes me feel good (laughs).

Iuchi: My favorite Mira scene, and the one where I also thought Miu-chan helped me out, was in episode 45. They had created a rather dark scene in regards to Bundorio's shutdown, and I went into the scene worrying about how to go back to Taiya's usual self within the 30 minutes we had. However, thanks to Miu-chan's performance, I was able to bring Taiya back to his energetic self.

Suzuki: Heh~ I didn't know you felt that way.

Iuchi: Taiya saying, "Thank you, I'm glad you guys are my friends," followed by Mira's genuine look of relief on her face as she said, "You've finally regained control of your wheel," was very comforting. That put me in a better mood as we faced the final episode, so I really feel thankful for that.

Suzuki: No, no, I wouldn't have been able to cry if I hadn't seen the look on Taiya's face. I feel the same way, you really helped me out.

Soma: Are you reciprocating your love to each other?

Suzuki: That's not it (laughs).

Miyazawa: It's the result of their synergy.

Suzuki: That's it!

Miyazawa: I don't have any specific episodes in mind, but rather, when I think of Miu-chan, her persuasive words come to mind. I especially felt that in Mira's main episodes. I think it's Mira who connects the Boonboomgers together, and I think she had a big influence on the production.

Suzuki: That makes me happy.

Miyazawa: What I also thought was interesting was that when I saw Miu-chan on set, she would adjust the number of steps she took in order to match the camera's position.

Suzuki: Yeah, I did that (laughs). I'd usually be good with three steps, and then I'd just say my lines from around there.

Miyazawa: Seeing that up close, I thought of her as a very hard worker. Mira's good balance was likely the result of Miu-chan's hard work.

Suzuki: Thank you!

Saito: This might overlap with Zawa-nii, but while I think that each person had their own main episodes, Mira would be right there next to us.

Iuchi Hayama Suzuki Soma Miyazawa: Yeah!

Saito: When you pair up with someone like that, the explosive power is incredible. How would you describe it? Like an amino acid??

Soma: Something like an umami seasoning that makes everything taste better?

Saito: Ah, that's it! If you don't add it in, it's somewhat tasteless, but with it, I'd say it adds depth and takes it up a level. That's why I think Mira's presence was of great help to our team.

Hayama: Thank you for being an amino acid.

Saito: Thank you amino acid.

Suzuki: I did my best as an amino acid! (laughs).

"Next should be Jou Akuse's Saito-san. What does everyone think?"

Iuchi: What I'd like to mention with Jou is his injured makeup for the baseball episode. The makeup artist told me that a role like Jou's is one that's really deserving of injured makeup.

Hayama: That's true.

Iuchi: The way he got covered in dirt, was sprawled out on the ground, and yet still stood up was really cool.

Suzuki: You know it!

Iuchi: As for Taiya, he's happy to watch Jou's growth, or to put it in a slightly weird way, he likes seeing Jou get dirty (laughs).

Saito: Hahahaha (laughs).

Suzuki: It's kinda nice when Jou gets dirty.

Hayama: It's great.

Iuchi: It looks great on film, doesn't it?

Hayama: Going along with that, I guess I'd pick his first Change in episode 5. The scene where he crawls while still standing his ground is really memorable, don't you think? Boonboomger consists of a group of people who hold various beliefs, but among them, Jou possesses an honest sense of justice, and I think that was most strongly portrayed in episode 5. Watching him on set, I honestly felt like, "Ah, he's a hero."

Miyazawa: I think that out of all the characters in Boonboomger, the one who was closest to their role was Ryu, and there were countless times where I felt that he really linked up with Jou's honest character.

Iuchi: Yeah

Hayama: There were.

Miyazawa: Especially when he was trying to appeal to something. There was something about it that would just resonate with you. The same goes for the Keytarou episode, the scene with Itsuki-kun in episode 40, and the scene against the police squad in episode 46.

Hayama: Episode 40 was especially good!

Miyazawa: When it comes to tearful episodes, I think that most people would pick the one where Genba leaves, but I'd cry every time there was a Jou episode.

Saito: Eh?!

Miyazawa: No, it was frustrating how Ryu's performance made me cry.

Iuchi Hayama Suzuki Soma: (laughs).

Miyazawa: Still, it really touched my heart. I really think that only Saito Ryu could've played the role of Jou Akuse. He's also really good at action. He moves his body well.

Saito: That makes me happy!

Soma: For me, it's the part in episode 28 where he Boonboom Changes while running into the fight against Neon Grumer.

Saito: Yeah, I was filmed wearing a maskless Boonboom suit.

Soma: That maskless facial expression, and the intense passion conveyed through his lines. I guess you could call it a "feeling of hitting the right mark." Zawa-kun mentioned it too, but his honesty resonates with you as you watch him, which is exactly in line with Jou, but I think is the same for Ryu too.

Suzuki: I talk about it in every interview we do, but my pick is always going to be episode 15. His crying face at the end when he took down Kaseki Grumer was heartbreaking, and there's also the scene where Jou makes up his mind.

Saito: It was when he said, "I'll take him down!"

Suzuki: Yeah. Despite feeling conflicted, he said he'd fulfill his duty as a police officer. That was also bittersweet. It was a scene that was really painful to watch.

Saito: My performative skills were still pretty rough during that episode, so I had alot of trouble with it. I think Director Hayama helped me alot in that episode.

Miyazawa: It's usually Jou who gets caught in the middle of a dilemma, don't you think? I guess expressing that is also quite difficult to do.

Saito: Yeah, it was. Every time I'd wonder at what point the conflict between what he wanted to do, what contribution he'd make as a police officer, and what decisions he'd make as a hero would alternate.

"What are some of the most memorable scenes involving Genba Bureki's Soma-san?"

Miyazawa: What should we do?

Suzuki: There's really nothing to say, right?

Soma: Why~?!

Hayama: I guess there's nothing in particular.

Soma: Well, guess I'll head home early then (laughs).

Iuchi Suzuki Saito Miyazawa: (laughs).

Iuchi: Alright then, I'll start! I also like the scene in episode 27, where Genba leaves Boonboomger, but I've talked about it in many other places, so I'll name another scene. I recently had the chance to rewatch the clip of his first Change in episode 7, and I thought the whole sequence of movements, starting with the line, "I'm gonna accelerate you guys," and then raising the Boonboom Change Axe to then pull out the Boonboom Booster was incredibly cool.

Iuchi Suzuki: It was when he said, "(speaking in unison like Genba) Let's take control of the wheel of being Boonboomgers together!"

Saito: A key point is the part where he bounces his hand alittle.

Soma: You were paying attention, huh?

Iuchi: Furthermore, in Genba's case, he isn't characterized by his quick decisions, but by his slippery movements instead.

Soma: Was that……a compliment?

Iuchi: Huh, you don't get it?

Hayama: You're saying his movements are sexy, right?

Iuchi: Right, right, sexy!

Suzuki: Genba's movements had some sex appeal to them.

Iuchi: I could feel his mature sexiness, which is exactly in line with Genba. I felt that again when I rewatched it.

Miyazawa: For me……yeah, I think it'd be the part where he's sucking on a lollipop in the opening credits.

Soma: Why?!

Miyazawa: Sorry, that just sorta came out.

Soma: That's going way too far (laughs).

Miyazawa: That was just a joke (laughs), Genba and Sakito were involved in many scenes, so I had many opportunities to talk with Satoru, and I found him to be a really passionate guy when it came to his performance. In particular, he kept the alien setting a secret. That was the most surprising thing.

Suzuki: Eh, you knew from the start?

Soma: I knew about his real identity, but details like him being an heir of planet Bureki and the Hashiryan invasion came later.

Suzuki: Eh~. Still, you knew from the beginning that he was an alien.

Soma: Yeah, I knew.

Saito: So that's how it was.

Suzuki: Did everyone know?

Hayama: No, I also didn't know.

Soma: I think I mentioned it to Taiya along the way.

Iuchi: I only overheard alittle bit about it.

Suzuki: Heh~!

Miyazawa: Not only did he keep that a secret, but he also kept a clear plan in mind and made sure to express the way Genba "should be" in each and every scene. What was particularly memorable was the expression on Genba's face at the end of episode 26 when he saw Disrace. I thought that he had really brought out the best of everything he had accumulated up until that point. I'll never forget it.

Hayama: From there, Genba left Boonboomger and suffered for awhile, but in the beginning of the next episode where he had come back, Genba had a really refreshed look on his face (laughs).

Suzuki: I noticed that~!

Hayama: I once again thought that that kind of carefree vibe is unique to Genba Bureki.

Suzuki: It was that scene, where the camera pans from his legs to focus on his facial expression.

Hayama: Right. Also, Satoru-kun's scripts were amazing. I could catch a glimpse of them from the post recording microphone next to me, and they'd be completely red. This of course varies from person to person, as I myself am the type who doesn't write many notes, but even so, I was impressed by his enthusiasm to learn.

Soma: I'm just prone to worrying (laughs).

Hayama: They were so red, that it makes me want to post a photo on SNS so that everyone can see.

Iuchi: You really pay attention to the smallest of details.

Saito: Regarding the scene in episode 33 where Genba returns, the Action Director of "Kamen Rider Gavv," who I had the opportunity to speak with at the studio, highly praised it by saying, "The expressions on Taiya and Genba's faces as they stared at each other were really good."

Soma: Eh, really? Should I move over to Gavv's set now?

Iuchi Hayama Saito Miyazawa: (laughs).

Suzuki: Please stop (laughs).

Saito: I'd like to bring up the scene in episode 15, where Jou and Genba talk. At the end, Genba mutters, "A lonely dinosaur, huh?…," and at the time of filming I thought, "What is this line?" When I look back at this scene now, the kind, lonely, and indescribable expression on Satoru-kun's face really hit me.

Suzuki: For me it'd also have to be episode 33, but it's for the scene between Shirabe-san and Genba. I felt like he poured out everything he had been holding back up to that point.

Soma: That's something I discussed with Director Nakazawa Shojiro.

Suzuki: On another occasion, the Director told me, "I told him that it'd be more like Genba to hold back there," but finding the right balance must've been very difficult, right? Mira is someone who can show her emotions, but he won't be the same Genba if he shows too much, and if he holds back too much, it'll seem like he's lost his humanity. After hearing that story, I rewatched the second half of episode 33, where he comes back to us, and was convinced as I thought, "So that's the reason." Something will make his heart tremble, but he won't shed tears, and I think that's appropriate for Genba.

Iuchi: Come to think of it, Yu-kun mentioned his identity being revealed, but is it okay if I add something quick?

Miyazawa: Go ahead!

Iuchi: At a later date, Satoru-kun told me why he only revealed it to me, that being, "I think Taiya would've already noticed." Just hearing that…no, he really thinks about the details of details.

Suzuki: That's Amazing!

Soma: Not at all.

Iuchi: What's more, at that time, the details hadn't been worked out yet, but when I read the script for episode 27, Chasshiro asks, "Did you know?," to which Taiya replies, "I had a feeling he wasn't an Earthling," so it was just as Satoru-kun had predicted.

Suzuki: I see!

Iuchi: Satoru-kun is amazing, even though it wasn't his role, he thought Taiya already noticed.

Hayama: How do you even think that far ahead?!

Iuchi: Right? It's really amazing.

Soma: It's embarrassing.

"Finally, there's Sakito Homura's Miyazawa-san."

Hayama: After all, he has the longest acting career out of all of us, so I was always inspired by him.

Iuchi: No, seriously. With that being that case, it'll be hard trying to narrow it down to just one thing.

Hayama: My favorite scene was without a doubt the one at the beginning of episode 29. I had created my performance to a certain extent and took it to the set, but then Sakito started doing moves that I would've never expected (laughs).

Suzuki: You were like, "Wait, this isn't what I had in mind!" (laughs).

Hayama: That's how I felt. Still, I thought that if I became intimidated here, I'd lose to Zawa-kun, so I tried a variety of things on my own. I think it was one of the opportunities for me to grow as an actor, and it's a scene that left a very strong impression on me.

Miyazawa: If we were at the Deliverer's garage like normal, you could imagine what you'd be like, but with filming on location, you don't really know until you get there. In my case, I was pretty much doing things in the moment.

Iuchi: When I got involved with Yu-kun, that's where I'd really learn something. If I'm not mistaken, the scene where we're all talking and having fun in the final episode was also changed on set.

Suzuki: Eh, is that true?

Iuchi: I talked it over with Yu-kun, and he asked me something along the lines of if I wanted to be the "first to respond," but with Sakito, I thought words were unnecessary, so I just tapped my fist against his chest and said, "I'm counting on you" ……I said that just before the take, right?

Miyazawa: That's right.

Iuchi: I really liked the look on Sakito's face in that scene, and thanks to that, Taiya felt like, "Now Earth is in good hands," and even though it was done on the spot, Yu-kun responded perfectly in his performance.

Miyazawa: I think I was able to respond because there was something about Haruhi's performance that resonated with me.

Soma: Even without any lines, Sakito was able to convey the message he wanted to say. That was also the case with the sumo episode, and I learned alot from watching it.

Miyazawa: I'm grateful.

Soma: Genba himself isn't a character with many lines, so when he was silent, I would just look at everyone's expressions, but even in those moments, I felt that Zawa-kun had a wide range of performative skills to draw from.

Saito: I was impressed by his interactions with Byundi. He was constantly talking with Suit Actor Takada Masashi-san, as well as BoonViolet's Tsuta-san, but seeing him talk all the time, even when the cameras weren't on, taught me how to approach acting.

Miyazawa: I'm sure this is true for everyone, but this was the first time I interacted with a Suit Character and performed a role together with a Suit Actor. With that being the case, I think we each had our own ideas of, "What I'd do if I were you," and I wanted to present a character that matched that of BoonViolet, and by extension, Sakito Homura.

Suzuki: Sakito has a childlike charm, a presence that makes everyone tremble easily, and a unique sex appeal, and while we were shown various sides of him, there's a sense of unity that made him look like a proper individual. I think that's what Zawa-kun put into consideration when playing the role of Sakito.

Miyazawa: That makes me happy. Let's all go out for yakiniku next time.

Iuchi Hayama Saito Soma: Yay!

Suzuki: We've been waiting for that!

Miyazawa: Ah! Is that what you guys were after?! (laughs).

-The six people who finished Boonboomger-

"I think it's time we conclude, but we'd like to ask each of you one last time for your thoughts on the past year."

Iuchi: It was fun.

Hayama: It was, wasn't it?

Suzuki: Wait, wait, hold on (laughs).

Soma: Isn't that too short?

Suzuki: It is!

Saito: Well, it is true that it was fun…

Miyazawa: No, stop, speak one at a time, let's do this properly.

Hayama: We got along well with each other over the past year, and I of course hope that we can continue to be friends, but when I see the five of them, I feel like I've learned so much as an actor. In that sense, what was great about being a Boonboomger was that I was able to gain some really good experience for my future acting career by working together with these five people. I realize I'm talking seriously now, but I'm truly happy that I got to meet these five actors.

Suzuki: I'm truly happy from the bottom of my heart that I was apart of these six, and I hope that even after 10 or 20 years have passed, our current relationship will continue. They're my best friends.

Hayama: If something ever happens, us five will be there for you.

Suzuki: That's reassuring!

Saito: Miu-chan summed up everything just now. I thought the same thing after finishing filming, but I think it was actually a good thing. I would've hated it if any one of us was missing, and I honestly feel that the hard work we all put in over the past year was well worth it.

Suzuki: It's kinda sad that it's over…

Soma: On the very day of the wrap up, I think I was relaxed, as I thought, "Ah, it's over~," but when we actually wrapped up, I was so overwhelmed with emotion, that it surprised even myself.

Miyazawa: It was more than you were expecting, huh? I'm surprised.

Soma: Over the past year, I really saw alot of what I liked about everyone, and it was also really exciting when Zawa-kun joined us halfway through. I really think that the balance between these six people is outstanding, and I think we became such a great team because of all the wonderful qualities everyone has. Thank you so much!

Suzuki: Encountering you all and the time we spent together was irreplaceable, and it'll stay with me for the rest of my life.

Miyazawa: I arrived along the way, where I ended up joining a team already consisting of five people, but they were five truly charming people. We got along well in the drama and in our daily lives, and there was so much that I learned from them, so I want to be the first to say how grateful I am that we were able to do this together for a year. And, while this may be the end of Boonboomger, I hope that each one of us will take the experience we've gained from this production to the next level, and that one day, when the time comes for "all these members to gather," we'll already be capable of aiming higher and attract the attention of many people. That's why I hope you'll still support us and continue to carefully watch over us.

"And now, we'd like to ask Iuchi-san for some closing remarks."

Iuchi: Is it alright if it's abit long?

Hayama Suzuki Saito Soma Miyazawa: Of course!

Iuchi: Boonboomger was my first drama job, and I played the main role of Red. Super Sentai productions are a team effort, so I didn't want to get too worked up about being known as the star or leader. However, in interviews I was often asked, "What's your enthusiasm as the leader?," and in the beginning, I'd go into the set being 90% anxious and 10% excited. Also, I'm the type of person who values spending time alone, and while I don't know if there were moments where they didn't think well of me, everyone accepted me for who I was and treated me in a really kind and friendly manner, so I have nothing but gratitude for that. Recently, I've had more opportunities to hear people say to me, "You've grown in the past year," and while I think that's only natural due to how I interacted with people on set and how the staff guided me when I didn't know anything, the most important thing was that I received so much from everyone I performed with. That said, I do think I've grown over the past year. We were all talking about it before this interview, but even after it's over, I sincerely hope from the bottom of my heart that we can get together regularly afterwards to talk about casual things and spend time together. Finally, I have a confession…….I came to Tokyo by myself for this job, and these five are the first friends I made! Let's continue to get along well!

Hayama Suzuki Saito Soma Miyazawa: That makes us happy!

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