#i really fuckin love it man

[scriv3lloirl]

I got struck last night with the idea of drawing my AU as the Little Shop of Horrors 1986 poster, sooo I did it! I drew Anya last night and just finished the rest now, ibisPaintX says this took 4 hours and 29 minutes.

Their placements have a reason,

Swansea as Audrey- Audrey || wants to eat them after the two purposeful victims, but Seymour and Anya are very against them getting eaten.

Jimmy as Orin- Both are abusive and die first.

And Curly doesn’t fit the interviewer really, but I thought it’d be fitting to have him up there since he’s the second death.

Also possible name for this AU? I don’t know. Hope you enjoy it, I used references for every character and for the poster itself, I’m pretty happy with how it turned out :D

I'm actually obsessed wit that Twoey design. God, wowow. This is awesome. You 100% should be happy wit how this turned out!

Am I allowed t' call m'self th' #1 Little Crash of Horrors fan? Been here since day one.

[lifemod17]

Hozier and producers celebrating the success of Too Sweet

🎥: Bekon | instagram

June 2024

and a gif of one of his peak Some Fuckin Guy™ moment

[just-null]

what’s your favorite clone and why? 😼

I gotta be that guy and say I really like them all. i loVE EACH ARCHETYPE THEY KINDA RESEMBLE

Sekido [in my head] has a mean exterior SO loud it makes you forget he's working with the others to actively protect the main body and has faith in their abilities. He gets annoyed at his younger counterparts cause he knows they're not using their full potential... I also really like how he's both very proper and improper, like a thug in a meeting or something... so cool.... Also, him taking the leader role and everyone going with it has big bro vibes.. oldest bro vibes.

cult leader loves tsundere guys.

Karaku [in my head] is the thrill seeker type who's more than willing to be the most annoying man around for the sake of his entertainment and living in the moment. He plays around rather than disposing of someone immediately like a fucking psychopath. Even if late, he knows when to get serious and when to tone down his antics. he still gets fucked over by playing with his opponents too much.. I like that he's not stupid, he's reckless. mega "cool big bro" aura.

cult leader loves shameless guys.

Urogi [in my head] is obnoxious and loud, boastful even especially when he's either screeching or talking, never entirely silent. While he does fight on his own, he'd drop everything if given an order and try his best to comply. also a troublemaker... like a younger bro who never really has responsibilities but does them when told so he can go back to doing wtv he was doing before. Like he's just there to have a good time. He's also not stupid, just excitable, then he gets cocky, then gets his shit rocked.

cult leader loves arrogant himbo guys.

Aizetsu [in my mind] is extremely sassy and gives passive aggressive vibes and prefers to deal with conflict swiftly because it's bothersome and makes him upset. He might look cute and weak, but he's scary. While he's sensitive, he's no pushover and will also cut pretty deep. He's definitely the younger brother who's trying to constantly get out of trouble by seeming like the angel.... It's also interesting because he never sugarcoats his words. He twists them in a way that makes him sound helpful and you, pitiful.

cult leader loves cute manipulative guys.

Zohakuten [in my mind] is a little hater who's most protective of everyone but, more importantly, the main body. He sees himself as a decent guy going against injustice for a man who's just trying to survive. Like a little bro who's stubbornly wrong about something he doesn't fully grasp. Also he's just so hilarious?? it was not necessary at all to insult your opponents looks then tell tanjiro to get over it cause the dead weren't relevant to him. How can someone so disrespectful come in a small package..

cult leader loves the brat trope.

Urami is pretty similar to hantengu, imo, just angrier 😔😔 not many opinions, but I do find it amusing to imagine he's very passionate 24/7

[astralzeraphias]

“he was mentally ill. this monster was a- was a sick fantasy. a product of his dementia.”

“…i saw it too. does that make me disturbed? demented? does… that make me sick too?”

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[4th-make-quail]

Daniel Molloy -> Outfits through s2

[nightmarearian]

yk, I want Bludhaven’s Nightwing and Gotham’s Nightwing to be different.

In Gotham, obviously there are. A lot more people. There, he is “the nice one” (compared to the others).

In Bludhaven? Blud-worse crime rate than Gotham-Haven, managed only by Nightwing? There’s no fuckin way.

Personally I don’t think it’s. Mainly a conscious decision or smth? Just he does more in Bludhaven and maybe ends up being generally less cheery? Or smth. He’s more willing to be (externally) tired with Bludhaven than he would be with Gotham.

Idk, smth for him to really embody the Terror of Bludhaven title yk? Nightwing is Bludhaven’s Batman; you know like, before robin and everything. He works too hard and he’s something to be scared of. He is Bludhaven’s Batman - just a bit more flippy & quippy (and a lot more friends).

[xxplastic-cubexx]

having given the trip issue a little bit to digest, Lilandra told Erik that Charles would be back and healthy in an hour and then the next time we see Erik he's on his knees in the exact same place but after night fall. whole world hunting him down after the tribunal but he's staying in that garden to wait for him and doesn't except he's truly gone till after dark. that night must have been horrible

of course Charles spends the next issue kissing Lilandra after getting the new that he might never see earth again and they are literally star-crossed lovers now

he's like a pathetic dog whats wrong with him

(The Uncanny X-Men #200: The Trial of Magneto)

[namusass]

literally every single time hyunju was on screen i was screaming "shes so HOT AND SEXYYYYYYYY" the entire time. because she's hot and sexy i love her so much i know shes prob gonna die and i wil be devastated but for now im gonna be Very Emotionally Attached to her

[nat-20s]

i think the structural nature of doctor who makes it so i cannot relate to people who are consistently obsessed with it nor can i relate to people who are exclusively casual fans the entire time. Doctor Who is one of the ultimate pieces of media that's like BUILT for having it consume your every thought for like two years and then you forget about it for a decade. And then it comes back around. But that might just be the perspective of someone who like comic book characters lol

[bamboozled-distress]

my favourite creature

[digitalcarcrash]

"go watch the passenger it's the closest thing at the moment" daughter or "i do think benson is probably fluid" son

[fatedroses]

One single fancy man gets home and wonders why his allies are still awake so goddamn late.

[fwoglett]

↓↓↓ spicy yam hours ↓↓↓

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[ahamkara-apologist]

>looks at the poor state of misraaks's health

>looks at the title of the exotic mission for this season

>looks at how bungie is building on a relationship between eido and eramis, aka the only adult eliksni other than misraaks in our current cast of characters who has extensive parental experience