#i really am open to talk about this

[bixels]

Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!

[kizzer55555]

The Vampire Aesthetic

Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.

Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.

Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.

“So where’s the vampire aesthetic?

Everyone freezes.

Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.

“Come on, I know you guys are hiding it.”

Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.

He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.

People are weird! He doesn’t judge!

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[inkly-heart]

please don’t be sad little sprout, you are loved 🌱 🖤

🌱

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[shadowqnights]

crazy how everything about mcd is so much more insane when you apply what i call the dog rule and that is when they are all dogs now in some way shape or form: an analysis.

when garroth is purebred, a hound made to serve, that does not know how to do anything but heel. he has purpose. he is sleek and well-groomed because he has to be, because he has always been tended to. a dog that falls into desperate spiral when that dynamic shifts - because who is he, without someone to follow, protect, love? a dog that becomes flea-bitten and hungry when he runs because he was never taught to take care of himself, to be his own master. he falls apart. he needs this, he knows, but what is he without someone to own him? a dog that cannot lead any kind of pack or family because it is afraid to understand the kind of animal it is if not in submission. if a parent, a teacher, he is promptly punished by his students as cruel reminder that he is not allowed to find joy in anything other than what his makers intended. a dog so desperate that it offers up its own leash to whoever will take it when things crumble - even if it means turning back to distasteful company. as long as it is held at all. time and time again, he tried to tend to the younger, weaker. he tried to feed them and lick their wounds - and time and time again, only to be mauled in turn. no more, he thinks. life was simpler when he was mindless, just four paws and a purpose. if that was what he was bred for, what business does he have pretending?

when laurance is a stray but made out of love. his coat shines thanks to the love of his family, his sister. he is sleek and well-groomed with them. the nether breaks him in, turns him a little wild. gives him cause to show teeth when threatened. when he bites, he mauls. there is something wicked in his animal eyes. he goes for the kill. when he bites, something in him wants it to hurt - whether his prey or himself, he can't tell. a part of the dog believes the suffering is natural because its maker declared it so. the pain wanes in and out like the cycle of the moon; life is unpredictable. he is braced to survive, sometimes with teeth already bared to expect the suffering. constantly on edge, pacing, waiting for the next disaster. a loyal, desperate pet that will follow to the ends of the earth - a desperation that borders on obsession. he will eat you alive, if only you would stay with him, inside of him, never leave him. never look at anyone else the way you would him. don't put him on a leash - let him choose who to lope after. his leash, in fact, is in tatters. he can't be collared. he merely follows, hungry at the heels of who fed him. his sense of duty is not of obligation but of love, a sacred need to stay at the side of those who treated him with kindness and them alone. and worse, he is burdened with the constant fear that if left untethered for too long, that obsession might turn carnal - that if wronged, he may not kill to eat and feel full, but kill merely to feel the blood on his teeth, just to feel the pain. feel something. anything. that he might enjoy the taste of his loved ones. maybe a leash is the right thing. maybe he needs to be caged. he can't bear either thought.

when they both bite the hand that fed them. when they bite each other. when they are dogs and kind of made for each other.

dante is a dog. aaron is a dog. aph is a dog. katelyn? oh you fucking guessed it. ivy. jeffory. zane. yeah. all of them are dogs. welcome to the dog rule fuckers its exactly how it sounds. are you sick of the word dog yet.

[aimfor-theheart]

on the death of skirt chasers

a small think piece on how media has been stripped of romance, sex appeal, and charm over the last 20 years using trigun and trigun stampede as an example—specifically looking at this through wolfwood and vash as a tangible way to track this evolution.

it’s interesting and also unsurprising to me that trigun stampede stripped vash and wolfwood of some of their biggest personality traits from the 98 anime, which were their love of women. to be frank— they were both dogs lol

but vash was this sort of forlorn man who, meryl, upon meeting him, adequately describes him by asking, “are you the type of man to fall in love right away and get your heart broken?” or something to that effect. and he says what, no way! and then proceeds to fall in love with the next beautiful woman he sees and gets his heart broken by the end of the episode. and we were seeing this constantly throughout the show, then even in the later movie of the early 2010s badlands rumble.

and the 2000s are notorious for dubious, sexist comments from men who are women-obsessed. our action movies are packed with sexy female characters only existing for romance, etc. etc. we’re sort of at the tail end of it in 2010. so arguably, vash is almost worse here to me? he’s really pushy and borderline inappropriate with how stubborn he is. in a way that, while persistent in the 98 anime, he had a little more boyish charm to him and they never made him so forceful.

and then the middle and later 2010s happen where marvel takes over our action movies and romance and sex and womanizers are all but killed—originally, in reaction to the sexism. it’s important to note that the me too movement picks up in the middle and later 2010s too and becomes well-known by the end of this decade. and in response, i think we nosedive into puritanical ideas and sentiments by the end of the decade.

now we must always remember when a movement (ie feminism in this case) has a critique or reaction that catches on (the me too movement, men being pushy and overly flirtatious in our media, treating women in action movies only as sexy romance options, or showcasing toxic dynamics that subconsciously tell men to keep chasing her, even if she’s not interested) then the oppressive force (patriarchy in this case) will always transform as a way to take control again (bringing puritanical ideals back—we shouldn’t be showing sex or romance in our movies. we should not be consuming any dark content, ever. etc etc.)

i believe we killed romance and sex in the later 2010s because of an over correction of our sex-obsessed media of the 2000s—or rather, the patriarchy over corrected in order to maintain control. there were critiques of the 2000s that were valid, but like i said, the oppressive force will always transform to maintain power, so we hit puritanical beliefs again. “political correctness” if you will.

(capitalism surely has something to do with this too and it’s definitely along the lines of—be more beautiful and even hotter, but your body is not a sexual one, but a visual or capitalistic one. etc. etc. another topic, another time.)

and so here we are and we don’t really have any flirty or womanizing characters like we used to. and we see this very plainly in 2023s trigun stampede, where they have completely stripped vash and wolfwood of any of those traits.

and i sort of miss them? i think a 2023 forlorn vash who loves great and hard and gets his heartbroken would not be a bad thing—one who is effected and charmed by women, maybe rather than nearly stalking them like in the 2010 movie. i think it shows another piece of vash and that is quite literally that he wears his heart on his sleeve. and he gets hurt for it, endlessly. more than that there is a little more whimsy to him? and aching. he’s this lonely man who wants love so, so badly.

now, wolfwood in 98 version was less this forlorn chaser and more this suave womanizer. many jokes are made where vash is chasing a girl that wolfwood sorta already has if he wants her. but he’s this lone wolf who leaves everyone a little high and dry. (of course until the end—with milly —where, in a very classic lone-man way, he dies after leaving a woman with his child. the tragedy being that when he was ready to stop roaming and settle down with her and meryl and vash, he dies, thus still leaving everyone). and i mean even his appearance in the 98 version—big chested with low-buttoned shirt, shaggy hair and stubble. he looks like a 90s rockstar. he looks like your lone cowboy. he’s reminiscent of spike from cowboy bebop who has a similar charming air to him that never leads anywhere because he’s destined to be solo. the unintentional, intentional womanizer.

then the later 2010s hit and we kill the charming womanizer. (tony stark kills the womanizer. another topic, another time.)

and now in 2023, wolfwood is completely stripped of any of his sex appeal and suave personality that the 98 and even 2010 version of him oozed naturally. gone is the cool, tough, lone wolf. replaced with a sort of boy-bandish, squeaky-clean, semi villain, semi hero. he’s crass and he’s snarky and he’s supposed to be rough around the edges. but he doesn’t look it? and he lacks the charm that 98 wolfwood naturally had. which aided him when he talked to kids—he was softer. charming. people liked wolfwood, even when he was being crass. he knew how to talk to people, maybe even how to con them when he wanted.

2023’s wolfwood is tough to get along with. and while fun sometimes, i think it does lose this…romanticism to him? there is a softness in wolfwood that is sorta lost in 2023s version. while we get a fuller and better written backstory, we sort of lose this other aspect of him. we’re supposed to infer from his backstory and his relationship to his brother that he is a good man, just one put in a horrible situation, always had bad luck. whereas the 98 version, we saw that wolfwood was good with kids. gentle. women loved him—he charmed rowdy men, even swindled when he needed to. we saw that there was something good in wolfwood, even if he remained mysterious.

all this to say i do miss the romanticism? i do miss these men being…romantic? flirty? charming? and not even in a fangirl way but in a…humans are romantic creatures way? we are sexual beings? and romance and sex can tell us a lot about characters and their personalities.

and i think looking at vash and wolfwood in particular is a good way to track how we lost this romanticism in our media over the last 20 years—we literally see it in them, in their remaking in 2023, where they are stripped of it.

i think the mid and later 2020s will continue to return to it in some way—we already see this with the resurgence in romance novels (or these dark fantasy romance novels gaining popularity) and even fandom spaces being more “mainstream” on social media. but in late stage capitalism (and thus late stage patriarchy, racism, etc.) it looks a little like a carnival mirror of romance and sex to me.

another topic, another time. etc. etc.

[deoidesign]

Happy EDS awareness month!

I'm a webcomic artist with EDS. be aware.

EDS affects many parts of my life. I have chronic fatigue, chronic pain, and I need to use a cane! I often find myself ruminating on themes of chronic illness in my work, whether or not I am intending to include them.

I already can't paint anymore, it hurts my hands too much... Anything that requires small details or precise motions will hurt me for days. I have a lot of grief around it. But working digitally allows me to still create!

I animate, I illustrate, I get to tell my stories. I have to go slow, take huge breaks (often against my will) and recover slowly. But, working in this space allows me the grace to do this.

So, I just wanted to share a bit of my experience with my audience, and say thank you for reading my work and supporting me! It means the world to me, and I hope maybe someone in my audience feels a little more seen through me sharing this. It causes me pain, but I love myself; and that includes my disability.

[myokk]

Sebastian had a few days leave from duty so he visited Eloise😇😇

[rottengurlz]

lover, don't touch me // leave, i am a danger to you // but ooh, i hunger for you

[moeblob]

Hey so I have to inform you all because I am morally and legally obligated to inform people about this movie -

I have told you before that Clue (1985) was available on Amazon Prime and today I have even better news. I don't know when it was added BUT ! it's FREE TO WATCH (with ads) ON YOUTUBE !

Also it's my favorite movie (this doesn't matter I just have to say it).

Also also just because I found this out five minutes ago it was released on Dec 13, 1985. Which was a Friday. A movie about a board game about murder released on Friday the 13th ? Truly a move of all time.

EDIT: Someone wanted to know if you can watch it with adblock on and hey! You can! (I have watched it problem free)

[just-prime]

Tales of Squandered Potential

Oh hello again everyone who follows me for my Star Wars ranting!

So! Tales of the Empire. The Hat Man is at it again.

Episodes 1-3 : The Path of Boredom

As expected, all of the Morgan stuff was not my thing. She was boring in Ahsoka, she was boring here. The entirety of the three episodes just hammered home "this lady is angry" in a way that felt overdone because there is no arc. There's no growth, no interest, no nothing. It all just feels like Filoni trying to retroactively make his one dimensional character that gets killed off in the stupidest way possible feel super badass. However because we know that she gets killed in the stupidest way possible, everything falls flat and none of it feels earned. It also doesn't actually answer any of the many many questions that Ahsoka raised about her. She's just there, standing in front of a fire. That's all she does.

Thrawn is there for all of about two seconds, and every moment of it is painful, because here's the thing. WE KNOW WHAT THRAWN WAS UP TO AT THIS TIME!!! We have the book that explains all of Thrawn's many exploits as an admiral. This is only more evidence for the idea that Filoni has never actually picked up any of the canon Thrawn books. Which we kinda already knew, but this is all but confirmation. As I've previously said, and will continue saying, Filoni needs to contextualize Thrawn as a 100% big bad otherwise his Heir to the Empire fanfilm won't actually feel earned, so he is systematically destroying any and all nuance that Thrawn has had to make sure that new viewers only ever see him as an unredeemable evil.

And I know that there are a lot of you out there who are holding out for the possibility that this is all a misdirect by Thrawn! That this is all part of his grand plan to go back and help the Ascendency, and that he's lying to everyone about his intentions. But the sad truth is that Filoni doesn't give a rats ass about anything other than cartoonishly evil Thrawn which means we're never getting Eli, or Karyn, or Hammerly or any of the characters from the six fantastic canon books that Timothy Zahn so lovingly created. That was made very clear with Filoni's prioritization of Admiral Pellaeon, who for those who don't know is actually in the new canon Thrawn books too! He wasn't just left behind in Legends, Zahn brought him back into canon too! But again, being the Legends fanboy that he is, Filoni doesn't care about where Pellaeon should be canonically, so instead he's just shoehorned into the episode for no other reason then Filoni likes him.

Episodes 4-6 : The Barriss Content

Soooooo, why didn't Barriss get a full fucking season to herself??? I get the idea behind the 15 minute episodes, but it really makes it hard to tell any sort of cohesive story. It works far better as a snapshot of a couple of days in someone's life. So unfortunately, while I did enjoy them, Barriss's episodes felt really rushed and I found it really hard to tell when things took place. How long was she at the Inquisitor training center? Was it a day? Was it a month? Really would have been interested in actually seeing the inner workings but it all has to get brushed over in favor of her becoming an Inquisitor. A seemingly intentionally not named Inquisitor which makes me feel like they've run out of early Inquisitor names. Unless there's a trial period before you get a proper number? I don't know it was just one of those things that niggled at me. Another thing that niggled at me (which was also mentioned by the wonderful artist @stealingpotatoes, go give her art some love) is that her design is kinda boring as fuck? Like, you have Birdy-Mc-Skullface right there with such a neat design and yet all Barriss gets is a motorcycle helmet with very slight voice modulation.

But I digress. The fact that Barriss commits herself to the Inquisitorium via a ritualized fight to the death, and then goes "wait, the red light saber wielding, all black wearing, Darth Vader serving inquisitors aren't here to help people?" before immediately bailing is so funny to me. This girl cannot for the life of her commit herself to an organization without becoming disillusioned within 1-3 business days.

I'm not sure how I feel about it all being about Lyn? I was very much rooting for her to totally die in the ice shafts instead of what felt like a very last minute redemption arc?

Though speaking of the last episode...HOLY SHIT OLD BARRISS IS FUCKING HOT. *coughs* Excuse me. Anyway. I would have loved to see more of what happened in between eps 5 and 6. Seeing how she and the jedi kid escaped the planet, and where the two of them did after than in the very hostile Empire would have been a facinating story watch play out. Also, who is this female friend that Barriss is referring to when she sends the child away? Is it Ahsoka??? If it is...WHY WOULD YOU NOT SHOW US THAT REUNION??? Like I get the whole point of this is to set up Barriss to make the jump to live action like every single other Filoni character is curseddestined to do, but also you've had people waiting years to find out what happened to Barriss and it feels like they burned their biggest story possibility on a throwaway reference. Did she find Ahsoka? Did Ahsoka find her? When did they find each other? Was it pre-Rebellion? Was it after Ahsoka was already functioning as Fulcrum? Given that we now know the Fulcrum name originated from Anakin, did Barriss recognize the name and seek this mystery person out? I don't know it just feels again like more wasted potential.

Final Thoughts

Fuck this animation is good now! Can we get a new writer?

Like, even for the shit I was annoyed by, the entire show just looks fabulous. It makes me really really wish that ANYONE other than Filoni could make content in this style. Let the writers of Jedi: Fallen Order and Survivor do a Merrin episode or a baby Cal episode. Or the people doing The Acolyte, let them do Tales of the High Republic! Let anyone other than Filoni have a chance to create within the world of Star Wars animated content.

[catgirlkirigiri]

Encountered the sketch for this again after three years and dropped everything to finally do it the justice it deserved

@circle-of-fire

[brynnmclean]

saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:

First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.

The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.

If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?

At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.

In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.

One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.

[perilegs]

i know astrology is fake but i'm not too keen on how a lot of people on this website seem to be clowning on it as a hobby a bit too hard. i swear the woman who thinks it's neat how she and her friends with the same sun sign are all similar isn't trying to say that you are who you are born as and there is nothing you can do to change it. it's a hobby. an interest. what happened to finding meaning and joy in the small things. does it affect you if someone enjoys tarot reading or crystals. does it make you upset someone has interests that they enjoy.

[fernsnailz]

i love reading your sonic loreposts i was wondering if you could please explain archie charmy to me, i have heard stuff and i am so curious but i am not a comics in general kinda person. the lsd poisoned friend or the brain damage literally just anything that happens to him your pick

hi anon i’m just going to go over everything that happens to archie charmy pre-reboot so i hopefully never have to talk about it after this. i'm sorry i'm so so sorry

Archie Charmy is subject to a lot of controversy and discussion because despite his limited role in the comics, he goes through some of the most batshit insane character and plot beats in the whole series (and that you’ve already mentioned). I’ll be skimming over some of the more boring parts, but the wild stuff I'll go pretty in-depth with.

I’ll also be attempting to explain WHY all of this happens to Charmy Bee of all characters, taking into account the context of the story, what was happening behind the scenes in the writer’s room, and even comic trends in general. I want to try and keep away from the very reactionary “wow archie sonic is sooooo crazy” discussion that happens around this stuff and hopefully provide a little more useful analysis. i talk about comic PSAs for a while so be warned

There are some very, very important content warnings that are coming with Archie Charmy lore: warning for non-consensual drug use and overdose (specifically LSD), child death, genocide, implied ableism, memory loss, implied age regression, breif homophobia mention (not related to charmy)

this is going to be a very long one. charmy lore under the cut

INTRODUCTION - CHAOTIX

Charmy Bee’s first appearance in Archie Sonic is in the Knuckles’ Chaotix special, which adapts the first game he appeared in. This issue introduces the entire Chaotix cast (six new characters) in a mere four pages, so Charmy doesn’t make much of an impression other than “bee who likes to explore and adventure.” He lacks that annoying little brother personality that he has in most Sonic media, and he’ll often speak with language that feels extremely out of character for the Charmy that most people know.

This is because this version of Charmy is based off of his character description from the Knuckles’ Chaotix game manual. Despite the series being based off of the video game franchise, the Archie Sonic writers were often given very little information about upcoming game releases from SEGA when they were asked to adapt them into the comics. Often they had to go digging for the canonical materials themselves - for example, the only way they were able to adapt Sonic Adventure into the comics is because Patrick Spaziante (one of the comic’s artists) had a Japanese version of the game that he bought himself. They had no English translation and zero guidance from SEGA, so they had to attempt to piece the story together without SEGA's help. This was the case with most of the game adaptations, and it was honestly a miracle that they had access to the manual for Knuckles’ Chaotix at all.

There’s just one problem: the manual for Knuckles’ Chaotix describes a version of Charmy that is very, very different from the one we know of today. It describes a 16-year old that is… sophisticated?

(sorry for the low quality, there aren't many images of the manual. also fun fact, there was no age for Charmy listed in the original Japanese manual)

Charmy's differing age and personality will lead to many, many problems, as the writers decided to give the “sophisticated” Charmy darker stories. This brings us to the Knuckles the Echidna mini-series.

The Knuckles mini-series is. Bad. Charmy Bee is certainly there for the first few issues (as are most of the Chaotix), but he doesn’t get much focus until issue 13.

I don’t know how to put this in a way that doesn’t sound extremely blunt: This is the issue where Charmy’s best friend overdoses on LSD and dies.

PART 1 - MELLO

Charmy's best friend is named Mello Bee. This is his first and last appearance in the series.

Mello started feeling strange on their return trip from Happyland, a sketchy theme park that recently reopened under new management. Charmy isn't sure why Mello died, but Constable Reminton (essentially the sheriff of Echidnopolis) reveals that there have been a series of cases similar to Mello's - cases where people were suffering from… Lemon Sundrop Dandelion poisoning.

The Chaotix go to Happyland to see if they can find the source of the poisoning, but what they don't know is that it's actually laced into the food. The manager of Happyland, Renfield T. Rodent, has been lacing the park's chili dogs with LSD in hopes of making everyone addicted to them. However, the amount of LSD he's been putting into the food is too much for most people to handle. This is probably the most insane paragraph I've had to write for one of these loreposts

Unknown to the Chaotix, they all start eating the chili dogs during their investigation (except for Julie-Su and Knuckles, who is absent) and start tripping balls.

Continuing the story into issue 14, Charmy’s LSD trip reveals that he’s actually the prince of a bee colony and has been running away from his responsibilities as a member of the royal family.

Charmy is knocked out for the rest of this arc as he goes through his trip - they have to operate on him and some other stuff happens I guess (Julie-Su gets thrown off of a roof, Knuckles fights some guys in a desert, Vector is a misogynist, stuff like that). At the end of issue 15, Charmy learns from his trip and returns to his family, temporarily leaving the Chaotix to return to his royal duties. Mello's family and his all mourn Mello's death and bury him back at their home.

So. What was the fucking point of all that

In the long-term, Charmy returning home to his family essentially writes him out of the story for a while. Knuckles the Echidna issue 15 released in 1998, and Charmy doesn't really return until 2001. While I'm not entirely sure what the reason for this was, there were so many members of the Chaotix that I honestly think this was an okay decision.

However, there's one very important question left to answer: Why was LSD and a drug overdose included in this arc at all?

When I first read this arc, I had a burning thought that I couldn't get out of my mind:

PART 1.5 - wait is this an anti-drug PSA?

(if you want to avoid me talking in-depth about the abilities of LSD and my ramble about comic PSAs for a while, you can skip to PART 2 where I continue the Charmy lore)

Comic PSAs (Public Service Announcements) and propaganda are a fundamental part of the medium’s history, whether it be to aid their country’s war efforts, give health information to their readers, or warn kids about the dangers of drug abuse. While a comic being used as a PSA isn’t inherently a bad thing, it’s usually VERY obvious. One of the most interesting ones I've found is a PSA that features Green Lantern debunking misinformation about the AIDS crisis. The image quality isn’t great, but the comic doesn’t hold back when talking about how the AIDS crisis is spreading homophobic ideology - if you read this, you know it’s a PSA and you know what message it’s trying to send. Sometimes propaganda can be subtle, but PSAs are usually loud.

(cw: homophobia)

This is why anti-drug PSAs are so common and so remembered - they’re over the top, they’re blunt (lol), and they have a very specific message they’re trying to send. For example, there’s an issue of New Teen Titans from 1983 that introduce a character called the Protector to teach kids about drug awareness where the issue literally starts with the Teen Titans in an auditorium telling kids about a dangerous drug. This issue also includes some bad trip imagery, and it’s uh… honestly i kinda love this

Anti-drug PSAs usually don’t work for this very reason - showing how a drug affects fictional characters can increase interest in the substance, and a single superhero telling someone to stop smoking is not going to break someone’s addiction.

So. Is Knuckles the Echidna issues 13-15 an anti-drug PSA?

Probably not, but if it is it’s doing a fucking terrible job of it

Some of the main factors of a PSA are the information it's presenting, the opinion it wants the consumer to develop, and the bluntness of its presentation. While this part of the Knuckles series is certainly over the top, the rest of these factors are really muddy. First, anti-drug PSAs usually don’t create a fake drug to replace the one they’re advising against. An anti-weed campaign will just tell you that weed is bad because that’s the opinion it wants you to walk away with. So when Knuckles issue 13 introduces a substance called “Lemon Sundrop Dandelion” and never actually refers to it as LSD, it’s less of a message about “drug bad” and more just a sly nudge and wink that goes “hey you see that? yeah, that’s drug.”

Then there’s the problem that there isn’t really much of a lesson to be had from these issues regarding drug use. Yes, Mello dies horrifically of an overdose, but most of the cast is able to walk off the trip like it’s nothing. Charmy needs to be operated on, but the doctors literally treat it like it’s fucking NOTHING

he's literally talking about how he told a patient that couldn't afford surgery to go to the butcher like HUH?????

In fact, Charmy’s trip seems to help him in the long run - he’s forced to face his past, and eventually returns to his family because of the literal guilt trip he has. It’s a fundamental part of his character arc.

This isn’t to say that I wish these issues were explicitly drug PSAs - I bring all of this up because these issues were released in 1998, in an era where the anti-drug movement was arguably at its peak. The people working on these comics would KNOW its content is similar to and even promotes the anti-drug movement. While I don't consider these issues to be an anti-drug PSA, they can definitely serve as anti-drug propaganda.

With this in mind, considering Knuckles the Echidna as a form of propaganda really opens up how utterly terrible these issues are. These comics can be genuinely harmful pieces of anti-drug propaganda because the way they use LSD to advance they plot is untrue to how the drug actually works and relies entirely on fear mongering. While LSD can be laced into other substances like drinks, it probably wouldn't last long in cooked meat - LSD usually degrades at higher temperatures, and telling comic readers that they need to be afraid of LSD-laced fair food is fucking stupid and likely based on false urban legends. Not only that, but Renfield T. Rodent’s plot to addict everyone to his LSD chili dogs is also fucking stupid because LSD is not considered an addictive substance. It can be extremely dangerous at high or multiple doses, but LSD does not normally lead to compulsive use.

I don’t talk about all of this to be a cinemasins guy or to nitpick a comic from 1998, and I also don't want to imply that PSAs can't spread lies and misinformation (anti-drug PSAs famously over-exaggerate things). I bring all of this up to show an ineffective and possibly dangerous use of something that could be considered anti-drug propaganda. Spreading blatantly untrue information and placing false fears into a reader’s mind is truly incompetent on the writer’s behalf, especially considering that this comic was targeted at kids. And that’s not even mentioning that there’s barely any moral to all of this. There’s no lesson and they never talk about this again.

Do I think this was all intentional on the behalf of the writers? I have no idea. I have no goddamn idea what they were thinking with this one, and I honestly don't think much thought was put into this arc at all. Maybe this was a strange attempt to make a Sonic-themed anti-drug PSA, maybe they were just inspired by the drug PSAs of their time when writing this, or maybe they just did not care. I don't know man. Anti-drug propaganda is stupid and it doesn't work and these comics drive me crazy

alright enough of that. let's talk about genocide

PART 2 - SAFFRON

don’t worry this part will be shorter (cheering and clapping)

Like I mentioned a while back, Charmy is essentially written out of the story for a while after the Mello incident. While living in the Golden Hive Colony, he reunites with another friend, Saffron Bee. Saffron becomes Charmy’s girlfriend, and they’re together for basically the rest of the comic. Usually if Charmy shows up, Saffron is there too.

(image of Charmy and Saffron I stole from... the Shipping Wiki??)

They eventually return to help Chaos Knuckles, a green version of Knuckles who is uh. Kinda going through it. Not much important Charmy lore needs to be discussed here, but some of his actions do eventually lead to him creating a genocidal villain that will cause many problems later. Don’t worry about it.

Things are quiet for a while for Charmy and Saffron. That is, until Eggman attacks their colony and wipes out most of its population.

Charmy and Saffron are the only survivors we see from the Golden Hive Colony. Eggman transforms the colony into a new base and traps its residents in an invention of his called the Egg Grapes - basically, he puts Mobians in these little pods that sap all of their life force, powering his empire. Most people do not survive the Egg Grapes.

The two bees return to join the Chaotix for a little while, and the rest of the Chaotix confirm that the Golden Hive Colony and its residents are truly gone. Espio destroys what’s left of the colony so Eggman can’t use it as a base, and no other survivors from the colony are found.

So. yeah what the fuck

Archie Sonic is known to have a LOT of characters - I’ve talked about the sheer number of echidnas the series has before, but there are a lot of characters that have massive extended families. The arc where Mello died introduced like eight new bee characters, but most of them were background characters that didn’t need to stick around.

Most people cite writer Ian Flynn’s debut to the series as when a lot of these unneeded/background characters were written out or killed off, and I agree since one of his objectives as a writer was to tighten up the story. However, the trend of “Archie background characters getting killed off or written out” started a little bit before he joined the team. There’s the destruction of the Golden Hive, and many echidnas in this arc suffer from the horrors of war - a number die off after Charmy and Saffron rejoin the Chaotix. yeah it's kinda fucked up

This is the second major arc where Charmy has lost people close to him - first Mello, and now his entire family and kingdom. The same goes for Saffron - they only have each other left. I mean the Chaotix are also there but still, trauma is trauma

How could it get any worse?

PART 3 - CHARMY

Remember how Archie Charmy is based off of the Knuckles’ Chaotix manual? The one that said he was sophisticated and 16?

This is about to cause a few problems.

At this point, it’s around 2007. The Knuckles’ Chaotix manual is terribly outdated, and most versions of Charmy within canon are 6 year-old kids. Charmy is known to be the annoying comedic relief, which is the exact opposite from how he’s portrayed in Archie Sonic.

So when SEGA asked writer Ian Flynn to change Archie Sonic to be like his video game counterpart, the solution was uh. well. it could have been handled better

Like how he obliterated the Golden Hive Colony, Eggman’s next target to destroy is Knothole, the city where Sonic and the Freedom Fighters all live. It’s a surprise to all of the residents, and he manages to teleport most of the population into his Egg Grapes. Before Sonic can save them, Eggman singles out Charmy to be used as an example of how the Egg Grapes work.

Sonic and friends manage to get Charmy out, but not before the damage is already done. In the limited amount of time the Grape sapped his life force, Charmy’s memory was partially wiped and personality changed forever. After this, Charmy has very little memory of the Golden Hive Colony at all, only seeming to remember Saffron and his friends. His becomes much more child-like, similar to his game counterpart.

the fucking sigh i just sighed

For clarification, Charmy is still 16. The only thing that was altered was his mind, with the intention to make his personality more in-line with his goofy video game counterpart. The problem is that giving a character brain damage to turn them into a comedic relief character is fucked up and unintentionally ableist.

This is something that writer Ian Flynn identified pretty early and openly regrets (I’m not sure what the source of that statement is, I’m assuming an episode of Bumblekast but I’m don’t know which one. I’ll edit this if I find it). Because of this, he mostly kept Charmy out of any comedic situations for the rest of the series. Charmy has a very limited role in the series after this until the reboot, only appearing sporadically and in one Sonic Universe arc. When he does show up, his childish demeanor is usually met with the patience of the Chaotix and their sad expressions.

Although the intention was to make Archie Charmy more like his game counterpart, in practice I honestly think this action only made Archie Charmy even MORE distant from his game character. From the Egg Grape incident to the reboot, Archie Charmy’s trauma never leaves my mind and leaves me feeling strangely hollow.

CONCLUSION - WHAT THE FUCK

I find the Archie Sonic series unfathomably fascinating. While I love the series, I can’t deny that most of the events I went over are poorly handled by the writing team and leave the series with such a strange legacy. With Archie Sonic, it’s often incredibly easy to see the biases of the writers and how they affect the characters and stories, leading to some genuinely fucked up moments that could have easily been avoided in my opinion.

Archie Charmy was really one of the characters that got it the worst, but it's honestly so strange that all of this happened to him specifically. The fact that all of this shit happens to a silly little bee is so, so Archie Sonic to me. Charmy is such a simple character to understand - he's a funny kid who's kinda annoying and hard to handle. So when I look back and see the 3,000+ words I just wrote about Archie Charmy... fucking hell why did i do that

In conclusion. I am sorry and do not become a comics person

thanks for reading if you got this far. as always let me know if i need to tag any other content warnings or if there was anything i got wrong! alright good night tristate area