#i proofread this actually

[ashfrommars4]

Smoking with Kazuha<3

CW: smoking,

It was a quiet evening, Y/n and Kazuha sitting on their front porch smoking. They both leaned against each other, one of Kazuha’s hands resting on Y/n’s thigh (a small part of him was tempted to give it a good squeeze). Wordlessly, Kazuha passed Y/n the blunt, watching as they took the wilting wrap and inhaled before letting the smoke exit through their mouth and nose.

“When do you leave?” Y/n asks quietly, handing the blunt back to Kazuha. “Tomorrow evening, love.” He said softly, watching as Y/n deflates slightly. Kazuha was leaving town for a bit, it was what he always did. Traveled, explored, wandered.

“How long will you be gone?”

“I couldn’t say.”

Y/n nods, gaze turning to a leaf as it slowly falls into a puddle. “I’ll miss you…” their voice comes out quietly, and it makes Kazuha swoon. To think he’d be so lucky to have someone want him to stay… it was enough to make him fall in love with Y/n all over again. “Don’t be sad, dear. I won’t be gone long. Nothing could ever keep me away from you for too long,” he whispers, finally squeezing Y/n’s thigh. He relishes the way they squirm at the feeling, a blush making its way to the very tips of their ears.

They grow quiet again after that, enjoying the time they have together. Kazuha could tell Y/n was still a bit sad, and he didn’t want his lover sad ever. “Hey, look at me,” he said softly, turning slightly to face them. Y/n, confused, looks over at Kazuha right as he leans close. “Do you trust me?” He asks, smiling slyly. Y/n nods immediately, “with my life.”

Gently, Kazuha grips their chin with one hand, his thumb gently rubbing their cheek as he stares into their pretty doe eyes. “Open your mouth, lovely,” his voice taken on a much lower, sultry tone. He takes a second to admire his lover once again before taking a hit and breathing in. He lowers his face towards Y/n until his lips are just ghosting theirs before he blows the smoke into their mouth. He leans back slightly, watching as they inhale the smoke with a startled and bashful look.

“Where did you learn to do that?!” Y/n asks, flustered beyond belief as Kazuha continues looking at them through lidded, lust filled eyes. “That’s a secret,” he says teasingly, gently pushing back a stray hair on Y/n. “Now, love, let’s make the most of this night,” he says before crashing his lips against Y/n’s.

★彡

I don’t smoke so🧍 if it’s inaccurate or doesn’t make sense then you know why. Also‼️ plz lmk if you have any requests or ideas<3 I am in a constant state of writers block :3.

[teddybeartoji]

toji sits up against the headboard of your shared bed. he's not wearing a shirt (he never sleeps with a shirt on) and he's reading his dorky little glasses (you don't call them dorky in front of him though). he's so focused on his flip phone that he doesn't notice you crawling up right beside him. snaking your hands around his middle, you peek at what he's doing.

a text message to shiu.

"kys"

...

you crane your neck to look at your boyfriend and he stares back with the most casual look on his face. "what?"

he's so serious. he's not kidding. he shuts off the phone and throws it onto the small bedside table before turning back to you. his big arms wrap around you, pulling you right into his warm chest. he looks so handsome with the glasses on.

"you're so mean. what did shiu do to you?" you fake a pout and he flicks your forehead (lovingly, of course).

"told me to come to work early." he laughs at the way you squirm in his hold, gasping and huffing at his antics. you bury your face into him in order to escape his teasing. "but y'd die if i did that, hm?"

he's not wrong. you hate when he goes to work, you wish you could just stay with him. be with him. at all times.

"whatever."

he hums ands you feel your world shake. after afew quiet seconds, you whisper into his skin. "we can go to that pancake place tomorrow then?"

"what happened to 'whatever', sweetheart?"

you hear the dumb grin in his voice and beatiful butterflies fill your stomach. "yes, i would die. can we please go to the pancake place tomorrow?"

locking eyes with him, you stare into his mossy eyes through his glasses. a birthmark greets you, inviting you even closer and closer as you admire him. he really does look good.

toji counts the freckles on your skin, the moles, the scars, and thinks about how sweet you are. he hopes you never stop being a little brat. "that's what i had in mind, yeah."

the golden lighting from the lamp beside him paints him in the most comfortable lighting. his tan looks godly and it's hard to believe that you can really call him yours. but you can. he already made s reservation at the cute little pancake restaurant. he wants to watch your eyes twinkle as you stare at the stack of goodies in front of you.

(he wants you to look at him the same way.)

(you always do.)

[cashmoneyyysstuff]

before katsuki left for his remedial classes, you tied his scarf for him once.

"oh, wait !" you exclaimed suddenly. katsuki looked at you curiously, scarf still in hand. you took it from him while he continued to watch, still confused.

you started tying the brown wrap around his neck. it has been getting colder, you thought it was cute how hard he was trying to stay in top shape. shows how much of a cool bad boy he was.

"lemme do it.." you mumbled, focused on your task. katsuki's eyes widened for a second, then he squints. "i can do it myself, dummy.." he huffs, but he doesn't make a move to stop you, especially with that look on your face. he quickly looks away shoving his hands in his pockets to hide how sweaty they're getting.

"i know that, just lemme !" you whine, he doesn't respond to you. clicking his teeth under his breath. you pat his chest once you're done. it doesn't take long, a few seconds. quick and effective, you smile.

"alright, you're all bundled up." he rolls his eyes, clearly not amused by your words and it makes you chortle. you lean up to press your lips to his, it only takes him a second before he reciprocates it, leaning into you so suddenly you have to grip at his uniform to keep your balance.

"i'm off." he breathes when he pulls away.

you nod "do your best, yeah ?" he nods back, then heads out.

it wasn't anything special. it only took you a few seconds, quick and effective.

a week later, there's a knock at your door.

"oh, katsuki !" you chirp "i thought you had your classes today ?"

katsuki stands at your door, making no move to come in. he has his usual grumpy look on his face, tilting his head slight. his scarf draped across his neck.

"i do, jus.." he cuts himself off, his eyes dart around to you, then peeking inside your room. "wanted to let ya know 'm heading off." he mumbles, ducking his head. he's grumbling so you can barely hear him, but you tilt your head when you catch his words.

"okay.." you utter wearily. you lean against your doorframe and he readjusts, shifting his weight from one foot to another with a huff.

you keep staring at each other. you're confused but he won't say anything so neither will you. he huffs loudly again, jutting his neck out to you.

"did you..need something ?" katsuki's shoulders drop the moment he hears the second part of your sentence. eyebrows furrowing. his mouth opens and closes, before he groans "s'whatever, forget it." shoving his hands into his pockets he trudges off, pink staining his ears. you roll your eyes.

"katsuki !" you call out, he stops immediately, glancing back at you slightly. you smile, walking over to him you spin him around. he's about to open his mouth to question you, but quickly closes it when he sees you reaching for the soft fabric around his neck.

you grab the ends of his untied scarf. slowly tying it for him "you'll catch a cold." you tease, tightly securing the knot. katsuki squints down at you, and when you look up at him he quickly looks away. he scoffs softly and you giggle to yourself at the glimpse you caught of his pink cheeks.

once you're done, you pat his chest. "there we go, all done." you hum. katsuki grunts, fiddling with one end of his scarf before dropping it. "thanks..'r whatever.." he leans in, "gimme' kiss." he mumbles quickly, but doesn't even give you any time to think about it before he already presses his lips to yours, you smile into it.

he looks down at your lips once more "'m off." he says lowly.

"have fun." you smile. your smile widens when he rolls his eyes with a scoff. "do your best, okay ?" he nods subtly, turning around and heading off.

"be careful !" you call out, he sends you an lazy wave.

katsuki tucks his nose into his scarf the moment the outside air hits his face, he inhales and his eyebrows pinch together at the cold. but he thinks he catches a whiff of your perfume on his scarf, he thinks about your hands on his chest and he feels just a little bit warmer.

he'll get you to tie his scarf for him again next time.

[lailau7904]

So y'all have seen the Williams F1 Logo before, yeah?

well get ready, becaues I am about to ruin your day!

where does one even begin with this. i am sorry in advance. -just a poor learning graphic design student, who simply tried to enjoy their saturday evening

The Logo

For anyone that doesn't know, here's the Williams F1 Logo. Entirely unedited, copied straight from Wikipedia:

Now like many fans, I actually quite enjoy this logo. I like the modern, sharp edges of it and it's simple yet intriguiging design. It's memorable, while also easily recognizable as a W. I also really enjoy the colour choice (this, however, is entirely a personal preference.)

(entire rant under the cut. please keep reading this took years off my life span.)

How did we even get here?

Let's start at the beginning. How did we even get here? Well I, a poor poor learning graphic designer, was watching this lovely video from Mr. V's Garage about bad F1 Logo's over the past 35 or so seasons. Very interesting, I can only recommend it (but you don't need to watch the video to understand this post)!

Now, to cleanse the palette at the end of the video, Mr. V included a top 10 GOOD logos from this time span, it was very kind of him.

On P4 of this "Good List," Mr. V placed the current Williams F1 Logo, as pictured above. At first I vaguely agreed with this, believing that he probably simply hadn't noticed one of the things that's been bothering me about that Logo since the first time I saw it up close.

The first sign of Trouble

So, what is this mystery issue, you might ask?

It's simple really. You don't necessarily notice it at a first glance, but something about that logo seems off. Taking a second longer, you may notice it yourself.

No, I mean it, take a minute and go look at the logo. It looks wonky as hell, doesn't it?

Well I can tell you the first thing that I personally noticed. The arms of the W aren't in line with the bottom half, see:

(Graphic by @girlrussell who was so kind to let me use it, as it is way prettier than the one I made)

It's a crooked W. There is no good explanation for this. The rest of the font is perfectly fine, geometrical shapes.

Anyway, the good person that I am I went to point this out to my partner ( @leftneb ) who proceeded to inform me that he, infact, was not aware about this and was, quote, "never going to unsee that."

Now, the good FRIEND that I am, I, of course, proceeded to rush into our broader F1 friendgroup to make them suffer for eternity.

What's the logical next step to take? Of course, fix the logo in Adobe Photoshop, you know, as a joke.

(Disclaimer at this point, I am not necessarily the biggest fan of Williams Management Team. I enjoy ALL their drivers this season. I do NOT enjoy James Vowels. Be warned.)(Also I am aware that he probably did not have an influence on the logo)

Trying to fix it. Oh god, I was so innocent back then

Trying to fix the logo in Photoshop is the worst mistake I could've made. THE worst path to take. I could've just giggled about making my friends suffer (which I succeeded in, by the way) and moved on. Instead I ruined a perfectly good Saturday evening, and for what? I don't know anymore.

Anyway, how was I gonna go about fixing the logo in the simplest way possible? Simplest way I could come up with: slap the thing in Photoshop and put two, mirrored boxes at each side to make the sides line up. Small issue, how do I make the thing actually even? Fix: line them up at the intersecting point with the bottom tips of the W.

Here's the result:

Hey, anyone care to explain to me why in THE LORDS NAME the arms are different sized? I mean, surely they weren't before. Surely, certainly, I must've messed up.

I double, I tripple checked. I made sure everything was lined up and made sense. But no.

It just couldn't be. Something was uneven in this logo, something even deeper. Something I could not have predicted when first taking a closer look. It was at this point I realized I had messed up. What rabbit hole had I stumbled across? Certainly, it couldn't get much worse.

And that's when I noticed.

(pictured above; my genuine reaction)

There's MORE? (oh god, the top isn't lined up)

I couldn't believe my eyes. This is the PINNACLE of the sport, and THIS was the logo of one of the competing teams? I mean, yeah, we have a Visa Cash App RB or a Kick Sauber or even a MoneyGram Haas which are all terrible logos, but at least they're CLEAN. (this has not been checked. If anyone wishes to ruin a nice Saturday evening, feel free to check them and tell me how wrong I was in the previous statement!)

But you can see that there is no end in sight for this post. I'm sure you're as scared as I was at this point. By now we were sitting in VC, discussing the horribleness of this logo. I had long informed my irl's about this, who take said design classes with me. And it was one of them who pointed out the next thing that had been bothering me, but I had not been able to put a finger on up to this point.

thE DISTANCE, HOW DID THEY FUCK IT?

I'm afraid I have to confirm your fears.

Yes, those lines are the same length. According to Photoshop, they're on the same level as well, so no flunking with angles.

The gaps of the arms to the main W are not the same. They're differently sized gaps.

It was clear to us, this logo is inherintely flawed. They're subtle issues, but once you pay attention you start to notice things. It all looks slightly wonky and off centre. And eventually, you get paranoid, and start comparing other angles and sizes. And you will keep finding things. This has ruined my life.

HOOOOOW

Honestly, I don't even know what to say. Yes, yes sadly those lines, too, are the same length. Just copied over from one side to the other and layed over on the same height. I admit, they're not layed over perfectly. I was honestly holding back tears at this point. But the point still stands, you can clearly see a difference in width.

Honestly, the only way I can explain it is that at some point there was a mess up of distance or proportions and whoever was designing the logo couldn't pin it down and tried to restore the visual balance by making manual adjustments. And in all honesty? They kinda did a good job, if that's what's happened. I mean, you notice the crookedness of the arms, and then maybe the difference in height, but the rest you probably will not notice if you don't spend too much time staring at it. (like some of us) And even those issues clearly aren't noticeable to the vast majority, considering I had to go point it out to a group chat for my friends at least to notice.

what the fuck is THAT?

Now, the thing about doing this investigative work of prooving a team you dislike is worse in more aspects than you previously thought, is that you do a lot of zooming in. And zooming in means you might notice bits that yours eyes simply overlooked before, because they were too small.

Here you can witness the top of the middle point, that, for whatever reason, really wants to touch the top border of the Logo. I'm relatively certain that's the highest few pixel in the entire graphic, considering earlier chapter "There's MORE?" I have no idea why it looks like that or why they thought it was necessary for it to not end in a clean point.

I just actually have no idea how to even describe what is going on on the top of the left arm. That left hand side, again, touches the side and is therefore the most-left-pixel in the graphic. I, once again, have no idea the purpose of this. However the RIGHT hand side also makes no sense, as it is the most prominent corner in the whole logo. There's pointed corners, and rounded OF corners, but nothing that is trying to form it's own colony in a distant land that hopefully isn't this god awful logo. I hope that blob gets away. I really do. You go king.

i'm loosing my mind

Anyway, the only reason I could come UP with those weird "reachy-outy-bits" was to establish the dimensions of the logo? But if that was the case, I don't understand why they managed to keep all the other potentially border touching corners clean?

Like, look. Those are clean, sharp corners with some clearance off the borders. I have no clue why they managed it here but not with the others.

guys. please.

Backtrackig a little bit, going back to the positioning of the arms.

Do I need to mention that those lines are both the same length and the same (mirrored) angle? I really hope I don't, because I don't think I could be making this shit up. Like, once you roughly know what you need to look for it just kinda becomes easy to find.

As said before, I genuinely do think that most of these issues happened in a chain-reaction. For example, the distances between the main part and the W wouldn't be as noticeable (and they do get noticeable once you start looking at it) if the angle wasn't fucked. And guess what, there's more fucked angles here! Which ALSO influence this specific area of the logo!

this is just embarrasing for you.

something something same line copied over and mirrored etc etc

It's not as visible but the angles defintely don't line up here as well. As mentioned before, these issues for the most part all influence each other. It doesn't really excuse the issues, in my opinion as a designer, because a big company like this shouldn't have these sort of issues in their logo.

So let's review;

to sum it up,

i cannot even BEGIN to explain to you how big of a fucking JOKE this FUCKING logo is. because, i thought to myself, to round the post out, hey, why not show ALL the issues i pointed out in one picture? that would round it out quite nicely, wouldn't it?

Yeah well, this logo sent STRAIGHT FROM HELL just could NOT let me rest. I had only done the lines visualizing the crooked arms in PAINT up until this point, i.e. I had only pulled both up individually. To make a nice "rounding out" picture I still had to add them into PHOTOSHOP. so i did. i pulled up the line. i mirrored the line.

THE ANGLE IS FUCKING DIFFERENT

none. and i mean NONE of my friends had noticed this before. i need you to understand that we looked at this thing with FIVE pair of eyes, and NONE of us noticed that until i thought to myself "Oh I still need to add these specific lines to have ALL the issues I pointed out in my SILLY TUMBLR POST in ONE image" and i get THAT FUCKING SURPRISE

I was PLANNING to round the post out with a statement on how obviously this isn't a serious post. Here, I even had it all written out already because I accidentally started writing it in the last paragraph:

Of course, this is nitpicking, and it's not that serious. I'm aware of that. AS MENTIONED most of these would not be noticeable if we hadn't gone specifically looking for them.

yeah, well, fuck that. i just spent two hours seething about this logo. i'm ending the post on this instead.

[kaisentine]

imagine rin snitching on you to sae about your little crush on him.

“…that was 11 years ago, sae.”

“you wanna watch big bro again?” the black-haired boy groans out in annoyance. “uh-huh!” you gleam out while smiling—flashing him with your braced teeth. you’ve been asking rin that question a lot recently and it’s starting to irk him a little bit. he isn’t stupid, he can put two and two together to compose a theory about you having something a little more than friendly feelings for his sibling. however, he can’t deny the fact that he does want to see his brother play too. that’s what brings you to the neighborhood’s field to watch the muddy-red-head kick around some stupid ball. it looks like sae didn’t seem to care about the two pairs of eyes watching him—it makes you question whether he even remembers rin shouting to him 30 minutes prior. “girl, you don’t even like soccer.” he deadpans next to you with this hands shoved into his jacket’s pockets—that is a very true statement—and the fact you don’t know anything about the sport other than playing against other people to shoot a ball into a goal. you stay silent to contemplate the answer (you’re lowkey just distracted by the way sae moves are so languid). “hey, i watch you play too!” you retort, suppressing the urge to punch his shoulder. “that’s because i ask you to,” so he’s doubling down and admitting he actually forces you to watch him play? “but last time i checked, i don’t see big bro asking you.” he finishes before sticking his popsicle back into his mouth. there’s no arguing with that so you don’t respond any further.

rin is very observant—he can tell your body stiffens whenever sae comes onto your radar even just for a second. the way you stop mid-conversation to hold your breath when he asks rin (and you but you do nawt speak) what you guys want for dinner when you stay over. rin can’t contain his laughter when his brother leaves the room. “what are you laughing about?” you sound annoyed and flattened after holding your breath—he has to hold his hand up to signal you to just wait until he’s done laughing. “what the heck was that?” he says in between chuckles. you catch onto what he means by that��� you aren’t as sneaky as you think you are, are you? “it wasn’t that funny!” you finally get to punch his shoulder in embarrassment after he makes it very apparent that you are quite obvious. despite the fact you haven’t ever actually vocalized to him that you like sae yet, you basically already have. but he’s like an ongoing court case—everybody is innocent until proven guilty.

it’s the way you refuse to go anywhere in the itoshi house unless you’re with rin. he thinks you’re insufferable when you have to insist there’s a ghost who doesn’t allow you to go to the kitchen to get a glass of water—good thing rin is an exorcist! he begrudgingly leads you downstairs only to lean against the wall to wait for you to finish getting your water. oh but if sae is also there? you crawl your way back up the stairs with rin following close behind you, whispering displeased questions. “you just said you were dying of thirst!” he whisper-shouts the moment he closes his bedroom door—he’s getting real annoyed of your antics. “not anymore…” you’re pathetic, making him do a lot just to become a scaredy-cat? “i’d rather not drag a dead body out of my room.” he alludes as if you were actually going to die of dehydration.

you can’t just (basically) live at the itoshi household without interacting with sae at least once. panic begins to set in your stomach when you hear shuffling from behind rin’s bedroom door—is it a robber? is it a murderer? oh no, it is much worse—it’s sae! you hear the doorknob twist and it’s too late for you to hide under the bed or maybe the closet… aw shit—he’s already standing there in all his glory with rin’s training bag. “oh, it’s you.” he says in sight of seeing a familiar figure on his younger brother’s bed. “where’s rin?” he asks and cocks an eyebrow when you don’t respond immediately. why did he have to go looking for him at the worst time? (which is all the time) “h-he’s in the bathroom…” bruh wtf goes through your head which you mentally slap in absolute cringe at your stutter. “oh okay, i’ll leave his bag here. bye.” he drops the bag on the floor before taking his leave—without closing the door! you’re too flushed to care about the gesture. when rin eventually does return to his bedroom, he’s met with the sight of an open door and his friend looking traumatized on his bed.

or that one time where you accidentally clung onto sae after getting an adrenaline rush from a horror movie rin really wanted to watch. you didn’t understand why sae insisted on sitting next to you on the couch when there was a perfectly open spot beside rin. “…and i’ll blow your house in!” a crazed man wielding an axe says before hacking the white door in-front of him the scene was the equivalent to actually being chased and you subconsciously gripped anything beside you which turned into full on hugging. “uhm…” there’s a voice beside you that brings you back to reality. you look at the direction of the voice then hesitantly look up to whatever you’re hugging. oh. my. word. you are clinging onto sae’s arm. safe to say rin was in the middle for the rest of the movie viewings.

“can you just admit it?” rin grumbled after a match with another school. “no idea what y’er talkin’ ‘bout!” you sing-song happily while extending your hand to give him the water-bottle he asked for. his movements halted, the towel on top of his head being left there to rot. he looks at you like he hates you for saying that, he snatches his water-bottle like it’s a crime for you to even be holding it. the man in-front of you is absolutely tired of your bullshit that he has tolerated for at least 3 years. “admit it right now.” he’s a lot more serious and anticipating an answer—more than any other situation he’s asked you in. “legit, no idea what you’re talking about.” there’s a lot of things you do need to admit, like how you still need to admit that you’re the one who added the vinegar in his soy sauce… “you like big bro, don’t you?” he bluntly states. “w-what makes you think that?” you stutter like the one time sae directly spoke to you. “everything.” it’s disturbing how much rin means to you that you actually finally admit your feelings.

it’s like you’re the 3rd child of the itoshi family, being at the airport to watch (the love of your life) sae depart for another country. there were tearful goodbyes which you wanted to relate to but you couldn’t because then it would out you for liking him because you never really talked to him anyway. he was exchanging goodbyes with each of his family members—his dad, then his mom, lastly rin. okay… why’s he looking over to you… “it’s okay to cry over this, i know you’ll miss me.” he winks, his stupid bangs actually looking good for once—it feels like every blood cell in your body is rushing to your cheeks and ears. “why’d he say that…” you turn to rin who is beside you after sae turned his back towards everybody for who knows how long. “i told him.” he blurts out. “RIN!!!!”

your feelings were definitely not resolved that day. you still have silent beef with rin for him outing you, you didn’t even know he snitched until he told you! the last time sae was in the country other than for u-20, he had a really bad comeback with rin—making you ice over your affections (not an effective way for getting over somebody btw).

“so?” he’s condescending. the absence of his bangs make you realize how much more grown he looks now. however, the thing that you really take note of is his eyes. sure, he’s grown more into his face but the way his eyes are half-lidded and no longer the bright annoyed ones make you really question everything.

gosh—literally every time he speaks to you, you just can’t make up the words. that ‘that was 11 years ago, sae’ was probably all your confidence for the next 11 years to come. “a lot can happen during a decade.” you push through to retort, clutching the bag that hung lazily over your shoulder. out of anywhere, he chooses to confront you like this—after a game?

“i didn’t even say it myself, that was rin!” you defend yourself, not letting yourself give into his advancements. he steps forward and you know he’s shorter than rin but fucking hell… “i changed a lot, didn’t i?” it’s a rhetorical question—he knows you can tell. it’s like he was testing the waters because when you don’t respond but you don’t react violently either, he continues, “i’m not stupid either. you don’t think i couldn’t tell?”

which event was he referring to? what if he was referring to when… oh not now. “okay, so what if it was true? that doesn’t mean i like you anymore.” you scramble around your thoughts to find words. “too bad, i still like you.”

ugh, i waited this long.

ALSO I JUST WANNA THANK EVERYONE 🙁🙁🙁 thank you guys for 100 followers :)

[nyancrimew]

queer confession: i played 50 hours of deep rock galactic in the past week

queer confession: i did 90% of the german translation when the game first came out and my writing style choices in german probably still somewhat define that language experience

[abbysbasement]

#RUNONS

Kittygirl!Reader x Mommy!Abby

The one thing Abby loved was that you always kept yourself soft, warm, and pliant for her. When she was wound up too tight, you'd pad across the couch to roll out on her lap, and she'd lay a thick, heavy palm on your back, petting down your shoulderblades to the base of your spine, fingering between your cheeks to grab a handful of soft, supple ass.

Your head would perk up, lips all soft, drooly and parted, eyes pearl-round gone, in the special place, just how she liked it. She made quick work of your boyshorts, unceremoniously tugging them around your knees before slicking up a finger through your juices.  Her hands were calloused, thick fingers pushing through the gummy ring of your cunt and exploring you deeper, as your hungry lips grabbed on for dear life. Her other hand fumbled with the buckle of her belt, pulling it from the loop. You winced instinctively, yet she dropped it chattering to the ground as she released her belt loop. From it, the blue of Abby's thick cock sprang forward, catching you in the chin. You whined, and she used her free thumb to part your lips, craning your head to the tip.

"Gotta glaze it up for me kitty, else 's gonna hurt goin' in."

Puppygirl!Reader x Owner!Ellie

Ellie loves being high around you, calls you her little stress ball. Plops you down in the center of her thighs, just boxers and a bra separating skin from skin, and draws in gently as her fingers pad around your body. Soon, you're toppled over onto the bed, Ellie squatting down to drag your panties to the side and deposit a spit slick finger into the warm, tight, and wet between your legs.

"Fuckin' like that baby? Know you do."

Her tattoed knuckles grazing down your lips, your neck and momentarily caressing the globe of a breast before hooking into your collar and pulling you forward, ghosting trails of ivory smoke into your little mouth.

"Good girl... pretty baby."

Her eyes were low and dark, taking you in in the dim light like a vulture taking in a freshly lain corpse. The shutters of her teeth bruising your neck and thighs, taking in the pieces of you greedily. Plunging your finger into your mouth to hastily, lovingly suck, cleaning off the spend with your soft tongue. Whatever she wanted, you let her have, and that's why she needed you, that's why this worked.

[bandtrees]

the thing about curly is that it feels like a copout to describe him as "too nice" but i think that really is the situation with him. i feel when talking about him as a leader there's a lot of talk about the anya and jimmy stuff but i feel not a lot about the parts that show his passiveness causing problems before then.

most notably, that he let daisuke aboard a ship not made for five people, and that he told the others about the layoffs before he was meant to. both very well-intentioned, interpersonally Nice things to do, that were welcome as a friend who cares about the crew, but less so as an authority figure who's supposed to have a spine about those sorts of things.

he's not really thinking about the repercussions for revealing this information, or the impact it'll have on his crew's mental states in the months they have left for their last haul, because in his eyes - and this is something he tells both anya and jimmy - they'll Get Through It Together. curly is someone who reassures the people around him a lot in his dialogue. he cares a lot about people but does, in fact, care too much, and when it comes down to it, he can't do much except care.

an important thing to note with the anya situation (specifically in contrast to the "curly only cared about jimmy" take i see around) is that curly does reassure her, and i think did genuinely believe what he was saying when he told her everything was going to be okay and that they'd figure it out together. it's just that he also told those things to jimmy, and when you're a person as passive as curly, if you don't put your foot down people are going to weasel in and use that as an opening.

curly was a good friend, but not a good leader. there's only so much that reassurances without tangible action can do for someone in the state anya was in. he likely let daisuke board because he felt for and liked him, disregarding the fact it was literally unsafe for him to do so because of the pod situation. he told the crew they were getting laid off because it felt right for him to do so, he acted as a "friend" and not as a "leader".

and this is really cool contrast to jimmy, imo, who has no sense of compassion and is quick to take impulsive, ruthless decisions he expects praise for by sole virtue of being hard. jimmy would rather mouthwash someone's open wounds and force another to commit cannibalism than mercy-kill them - because someone dying under his care means he failed, and he can't have that, and so he will drag out their suffering for as long as humanly possible. he can't actually face the consequences of his actions.

both of them have this mantra of "i can fix it" without actually fixing much of anything - however i think curly differs in that he's a compassionate person who doesn't mind being on the same level as his crew (for better or worse), meanwhile jimmy can never shake the title of "captain" and the inflated sense of importance it gives him and that he projects onto curly. curly cares but doesn't act, jimmy acts but doesn't care.

BUT - i think a really interesting thing here too is how they act in the immediate danger of the crash. jimmy hides with his hands on his head, catatonic, while curly rushes in to try and salvage the ship even when it'll endanger him. jimmy is unable to face the gravity of what he did, while curly - even if he's not a good captain socially - is willing to put himself in danger to fix it. it gives the impression that while curly can't raise a hand against other people, he's willing to go down with his ship and put others before himself.

and putting others before himself is his entire relationship with jimmy, no? curly's dialogue with his crewmates is very reassuring, with a generous "we'll fix it together" attitude (see his patience with daisuke in the foam scene, and how he offers to do jimmy's psych eval when anya doesn't want to (compared to how jimmy would likely handle those situations, as we see when he yells at anya when asked to do tasks for her)) - BUT i would argue it's even moreso apparent with jimmy.

curly's povs, in my mind, offer the views on characters we don't see from jimmy's perspective, as jimmy cherrypicks scenes to paint anya as incompetent, daisuke as stupid and spoiled, swansea as mean and unstable - with curly, we see anya is gossipy and likes to joke around, daisuke is willing to fix problems by himself even if he struggles, et cetera. and with curly, we see, in how he talks to and about jimmy, he's very... concerned for him? and walks on eggshells around him.

^^^ after jimmy has pivoted a conversation curly was having about his life to be about his insecurities, and curly takes the bait and reassures him.

in general, he seems wary of jimmy as someone who will blow up if not reassured.

and he talks to, and about him, like he's taken on this quasi-therapist "responsible" role for him. he has this very... mental health-centered way of talking to jimmy - we'll fix it together, one day at a time, hey i believe in you, etc. which gives me the impression of, and this happens very often, a very trusting and overly-empathetic guy who's been roped into a relationship with someone whose safety and actions have been made his responsibility.

(i obviously don't mean this to woobify curly, or to diminish the game's commentary on rape culture, but rather to express that there's more to curly's behavior around jimmy than "shitty men cover for eachother".)

and i think one of the ultimate tragedies of curly's character is that, in the end, what jimmy projects on him -

-was true. this is how curly thought, before he was forced to come to terms, via experiencing jimmy's abuse of him, witnessing anya's suicide and the others' bodies, that jimmy was a monster who was never going to care about curly the way curly cared about him.

but, because jimmy views curly, now disabled, as a complete blank slate because he physically cannot speak for himself, jimmy continues to project upon him the dynamic that did exist between them - no matter the horrors he puts curly through, because if curly let him get away with it then, he'd let him get away with it now, right?

and when curly didn't put his foot down when it mattered, he now no longer can - and so jimmy's words, as long as he's as unable to speak for himself as he was back then, will be in his mouth forever.

:(

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[ironunderstands]

Sunday’s worldview sucks, his outlook and perception of himself and others sucks… and that’s why he’s so interesting

In honor of his drip marketing releasing tonight (or maybe yesterday for you depending on when I get this out), I’d like to talk about why I think Sunday’s beliefs and perspective is very, very flawed and how his own biases rather than the actions of those who oppose him are what led to his downfall.

Sunday is entirely responsible for his own failure, and that’s exactly why he’s incredible.

This contains mentions of leaks and spoilers for the Penacony quest line… you have been warned

To start with, oh my lord do Sunday’s preconceived notions kick him in the ass. 

I think the best example of this is his conversation with Dr. Ratio in which Ratio pretends to betray Aventurine, selling out his plan to Sunday. Now, what’s incredibly interesting about this exchange is that Ratio doesn’t fully lie to Sunday once in this exchange, rather he says half truths and makes vague statements which Sunday himself interprets as being in support of him. 

Take what Ratio said the whole, “A scholar knows their position and wouldn’t forsake it for the sake of petty pride.” In retrospect, we know this line is actually referring to Aventurine- aka Ratio is saying he’s not just going to sell him out to Sunday for the sake of information about the Stellaron (which he would get anyways if the IPC attained Penacony, plus Mr. Incredibly Dedicated Knowledge Spreader probably has other means of gaining it then through The Family). 

However, since Ratio answered the invitation Sunday gave him, Sunday assumes that Ratio is on his side, believes his cause is righteous, and that he won Ratio over with offering him information about the Stellaron, therefore making that previous statement of Ratio’s null, because Sunday interpreted it as, “convince me this is worth my time + prove to me you’re correct,” when it really meant, “there is no way in hell I’m about to sacrifice my friend to you, and there is nothing you could offer me to make me do so you crazed lunatic.”

But why did Sunday not weigh the options? Why did he unquestioningly believe his perception of the situation was the correct one?

Well- partly it’s because Ratio and Aventurine were doing their damndest to make it seem like they hate each other and that their plan was going off the rails.

But the more important part is that even without Ratio saying a word or even accepting the invitation, Sunday already believes he’d be on his side. 

Let me demonstrate this through Sunday's perspective:

I am a righteous person, I am doing the correct things, my worldview is the correct one. Dr. Ratio is also a righteous person who seems to be doing the correct things. Therefore, since we are both on the side of good, and Aventurine is clearly not on that side considering his status as Stoneheart and his negative relationship to Ratio, then Ratio will naturally want to be on my side. After all, the good guys work together, do they not?- and together will vanquish this evil villain.

This perspective is a simple one, but Sunday’s unshaking belief (up until the end of 2.2) that he is 100% in correct and in the right, that any and everyone who he also perceives to be in the right (like Ratio) would believe/side with him without truly needing to be convinced. Sunday doesn’t come out the gate offering the Stellaron information- he only keeps it as a backup just in case. 

However, this is complicated because Sunday is also not an idiot, and he’s extremely paranoid, so he’s going to make sure that the way he views the world is 100% correct on the off chance he’s wrong which could foil his plans- which is why he invited Ratio in the first place. Nevertheless, this isn’t him hunting for new perspectives, but rather him desiring to prove himself right again, which is a bad thing because Sunday is very much not right. 

A perfect world is a perfect pris- *gets shot*

Reference that approximately 2 ½ people will get beside, Sunday’s ideology that he is fully confident in.. sucks. It sucks ass, it’s terrible, and let me explain.

I’m not going to try going over all the little intricacies to how the dreamscape works because I a) don’t know and b) don’t particularly care because they aren’t relevant to the argument I will be making- which is that Sunday’s ideology is inherently flawed and immediately falls apart under scrutiny.

Essentially, he desires to create the perfect fake reality, enveloping the whole galaxy in Ena’s dream and fulfilling their every desire and whim within it, with himself as the sacrifice to allow it to exist. The seven rest days, no illness, no pain, no challenge, you get the idea. 

And, this perfect world paradoxically sucks ass because of its perfectness.

Improving society is great, eliminating hardship is great, increasing quality of life is great.

But declawing reality itself- absolutely not.

I’m going to try to explain this through my favorite strangely specific anecdote- the process of obtaining diamonds in Minecraft.

Stay with me now.

You essentially have two options- go out and mine them yourselves the hard way, which takes hours, gives you less diamonds per the amount of time spent on it, and likely with you exhausting some of your resources like food, torches, and tools which you will need to replenish.

Or.

You can just.. get them from creative mode or commands, and you can get as many as your heart desires.

However, despite the fact that option one is harder, gives you less diamonds and takes significantly more time, I, as well as hopefully you, would pick it every time (at least in a survival world, although honestly idk why you would even need pure diamonds in creative).

And that’s because the first option is rewarding. 

You did not earn the diamonds you easily and magically summoned into your inventory, there is no struggle, no journey, no challenge to it, therefore it feels entirely unremarkable, as compared to the feeling you (hopefully) get from mining diamonds, which makes you happy because you earned it. Yeah, it was harder, but the process itself is fun- the anticipation of not knowing when you’re going to find them, if at all, the danger, the fighting and digging and mauvering you will have to do in the process.

And with this unconventional example, the fatal flaw with Sunday’s ideology is revealed- it’s boring. 

It’s boring as shit.

Yeah, for the first few months or even years it might be enjoyable- having everything you could ever want served on a silver platter. However, humans are a) inherently a bit greedy and b) desire challenge, and this scenario fulfilles neither of those things. Naturally having everything means your desire for more can never be fulfilled, leaving the wanter forever unsatisfied, whereas in the real world, things are truly out of your reach, meaning that even if you never end up getting them, they are still a tangible thing just out of reach… as strange at it sounds, we like being tantalilus-ed more than you think. After all, if what you want is so easy to get, you will never run out of things to want, and eventually that gets draining. 

Continually, if everything is easy, if everything is just right there whenever you want it- existence itself no longer has stakes. 

And that’s the problem, because much like how a story with no stakes is extremely hard to find compelling, a life with no stakes feels boring at best and downright pointless and meaningless at worst.

I’m just saying, there is a reason why the Nihility was such a strong presence and problem in Penacony.

Anyways, like with the diamond problem, a lack of stakes means that nothing you do feels rewarding, because you didn’t truly earn it. 

Which is where the Sunday’s idea of a “perfect” reality falls apart, because the most enjoyable reality for humans to live in is not one literally devoid of any possible flaw.

So why does he believe in it? When it’s so clearly flawed?

Well, it’s because Sunday doesn’t think a better alternative exists.

The world made you this way.. and you chose to continue what it started.

I’m sure I don’t need to repeat the story of the Charmony Dove all over again because trust me, we’ve all heard it before. Nonetheless, it reveals something important both about Sunday’s personality and his ideology- he’s fundamentally a defeatist.

He doesn’t believe that there is any alternative for the dove, that it could ever be able to fly again with its deformed nature, so instead of being “cruel” and letting it “inevitably fall to its death,” he’d rather keep it in a cage all its life where it has no freedom, but at least it would he alive and “happy”.

And this is where his defeatism reveals itself- Sunday doesn’t believe reality itself can get better because improving it when there are so many factors and things out of your control is hard at best and impossible at worst. Therefore, he resorts to creating an escapist, false version of it- a perfect golden cage, because constructing that is far, far easier than trying to help the dove fly again. 

The universe has endless possibilities, if Robin and Sunday had tried hard enough, they probably could have found a solution. Sure, they were both children, so the capabilities necessary to even attempt that were likely far out of their reach. However, it was still possible, but Sunday doesn’t believe in possibilities- he believes he’s right above all else, which is where that stubbornness and arrogance comes into play again.

Sunday doesn’t think better solutions than his exists, and he believes everyone would could possibly stand in his noble way are either villains, or horribly misguided; so it’s his job to show them the light.

This is why he lets the Express Crew + Firefly try to change his mind- Sunday wasn’t actually interesting in shifting his perspective, or really what they wanted to say. Rather, he just wanted to let them say there peace, because well, Sunday’s a good, righteous person (at least from his perspective), and good, righteous people listen to others. Good, righteous people will let these poor, ignorant souls offer their foolish words before exposing them to the harsh truth- or at least that’s how Sunday sees it. 

Moreover, this also explains his arrogance. If he believes his worldview is the sole correct one, then why listen to anyone else? He’s this world's savior, or at least he’s been raised to believe that- so why not relish in it? He enjoys punishing Aventurine, enjoys the bastard who stood in the way of Sunday’s plans, shrinks away in “defeat” and get what he “deserves.” Despite how miserable it sounds, Sunday also takes pride in having to be a martyr to bring about his beautiful dream. The belief that he is a selfless, good person is a selfish desire of his, even if a genuine one, and it’s what leads to his downfall.

Sunday could have actually listened. He could have reevaluated his loss to Aventurine and realized it was not through the others clever deception, but through his own biases. He could have actually taken the Express’s and Firefly’s advice. He could have looked for other avenues to help the people he truly does care about. 

Despite Gopher Wood’s manipulation- Sunday’s decision to go forward with the pain is entirely his own, because he truly believes- even with all the evidence for the contrary- that he is correct.

And that’s why he fails. Not because of the Express. Not because of Ratio. Not because of Aventurine. Not because of Gopher, or even the rest of The Family.

No, Sunday fails because he is flawed, and he is wrong, and he is the arrogant, selfish and biased one, and his worldview is wrong.

So what now?

This might have seemed like I think Sunday is pure evil and irredeemable, but I think it’s quite the opposite.

He has very good intentions, and he does genuinely care about it the well being of other people around him. He gives Aventurine a chance to prove his innocence, even if he never intended on changing, he does listen to what the Express + Firefly have to say. He pauses when Robin shows up, as she’s the one person (until the very end) he’s actually willing to accept the perspective of. The whole reason he ended up here in the first place is because Gopher Wood twisted Sunday’s good intentions into a fatal arrogance and utmost belief in a flawed worldview. 

However, what really sells me on Sunday’s goodness is when eyes widen at that final moment, the light draining from him as he realizes he is wrong. 

And once Sunday realizes he is wrong, those flaws that bind him can finally be examined and improved upon, as they all stem from that worldview he no longer believes in. 

His whole life, Sunday has been enacting out someone else’s plan for him, even if he’s come to internalize it over time, at the end of the day- it was never his, and without it, he’s empty.

Which is exactly why the only place he can go now is the Express, and the only thing left for him is redemption and growth.

Dan Heng is right- Sunday has a noble soul, and now that he has stopped believing in himself, he’s no longer shackled by the past either. Improvement or utter demise (in a likely nihility-flavored manner) are his only options remaining.

I understand a lot of people want to see him become a Stellaron Hunter, but imo, that just does nothing for him. He’d still be following someone else’s path/script, and Mr. I Will Sacrifice My Whole Existence To Become The Sun To Illuminate These Wandering Souls probably wouldn’t be so on board with the whole.. terrorism part of being a SH. Like yeah, they are our friends (kinda), but they absolutely kill innocent people and cause millions of dollars in property damage to people who don’t deserve it. 

Also, being on the Express Just Makes Sense. This is a game about choices, a game about accepting the mistakes of your past, but not letting them define you in order to move on and forge a better future for yourself and others- with the Astral Express + Trailblaze as a concept being the literal embodiment of it. There’s a reason when you switch to the Trailblazer’s POV in stories, it includes Kafka’s most important words to us- “When you have the chance to make a choice, make one you won’t regret.”

Therefore, I hope the choices Sunday will make in 2.7 are ones he’s proud of, and I can’t wait to see how exactly they get him on board with the crew, because there still is a LOT of development he needs to do before then. 

Anyways, thank you so much for reading, and if you have any thoughts I’d love to hear them. This was a stream of consciousness mess, but I hope it was still valuable nonetheless! Also if you are reading this on the day it was written, I hope we don’t get disappointed by his drip marketing!

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[girlsdads]

https://www.tumblr.com/girlsdads/762007245755170816

It looks like daniel is peeing

em!!! you put this in my brain and i promptly had a crisis, so of course i had to give Max that same crisis, and somehow this became 1.3k 🫡

cw: (consensual?) voyeurism, romanticized peeing

Practice gets red-flagged early on. Max doesn’t see who is in the barrier as he slowly passes, just knows it isn’t Daniel. He’d been assured of that down his radio almost instantly, though he hadn’t asked. He thinks it must be team protocol to tell him this, that it’s not his teammate in the totaled car. Still, Max flushes bone-deep, feeling too exposed, too obvious. Feeling like they know, everyone must know, his brain turns to goop around Daniel and he never catches himself in time.

He trails Daniel to his driver’s room anyway, knowing how it looks. Daniel grins over his shoulder at Max, starts skipping ahead, makes Max chase him. Warmth blooms in Max’s belly. He may be always following behind Daniel, but Daniel is always looking back.

Daniel shrugs his race suit off his shoulders, lets it hang open around his trim waist. The humidity has stamped dark patches on his white fireproofs where he’s started to sweat through. Max closes the door behind himself and stands there awkwardly, trying to think of something to say that will make Daniel laugh, trying not to make direct eye contact with Daniel’s sweaty armpits, lest he shove Daniel against the wall and stick his nose there.

What happens instead is much, much worse.

Daniel is making a beeline to the bathroom, thumbs hooking into the elastic over his flat pelvis. Max’s vision tunnels, the air in the room seeming to close in around him with a swoosh.

“What are you doing?” He hears himself ask, stupidly.

It’s obvious what Daniel is doing. He’s shimmying his hips side to side as he nears the toilet, wiggling the Nomex down. He’s left the door wide open. He stops and smiles at Max, blinding. “Gotta drain the snake, as they say.”

Who is saying this other than you, Max wants to shoot back, knows he should match Daniel’s cheeky tone, rib him a little then leave the fucking room like a normal person. He hears the wet pop of his own bottom lip dropping open, feels the weight of the words against his larynx, but is struck completely dumb watching Daniel pull out his flushed, soft cock.

Max has of course seen Daniel’s dick before, it would probably be more weird if he hadn’t, like he was purposely trying not to. But the handful of other times have only been glimpses in his periphery, nothing like this. Like this, close range and staring openly because Daniel knows Max is there and still he didn’t close the door, Max can see everything.

The double-stacked waistband of his briefs and fireproofs is tucked up snug under his balls. Max can see where the dark, stubbly hairs are starting to grow back, on his sac and around the base of his cock. Daniel has joked before, about manscaping, but to see the evidence of it like this is dizzying. Max wants to go to his knees and pull each ingrown hair free with his teeth.

Daniel holds himself loosely in his left hand, the ruddiness of his shaft clearly visible through the gaps between knucklebones. The head is peeking out past the circle of his index finger and thumb, fat and flushed a little darker than the rest of him. Even soft, his cock looks heavy and full. Max’s mouth floods with saliva and he sucks it back with his cheeks pinched in, hoping Daniel won’t hear the wet slurp.

His skin feels hot. He’s stuck like an ant under a magnifying glass in the sun, his insides incinerating as he watches an arc of piss flow from the gorgeous tip of Daniel’s cock, noisily splashing into the bowl.

Daniel groans, his chin bobbing down toward his chest like someone cut the string that was holding his head upright. Piss hisses out of him, harder now, like he’s pushing it. It is so loud and the walls are thin—anyone lingering nearby must be able to hear, to know. Max wishes he could put up a forcefield, shelter them both inside where only Max can hear the sounds Daniel’s body makes.

It is all over so quickly. The stream trickles to a stop and then Daniel is shaking off the last little dribbles before he’s tucking himself away. Max feels a pang in his chest like grief—he hadn’t finished mentally cataloguing every angle of this moment, needs the image 3D printed into his brain so he can remember forever. Daniel will probably never speak to him again after this, will certainly not let Max anywhere near his bare cock once he turns and sees—Max is hard.

Daniel is shrugging back into the shoulders of his race suit and Max is standing there tenting his own, mortifyingly obvious. Max braces for whatever awkward joke Daniel will try to make to mask his disgust, as he faces Max finally.

He watches Daniel notice. He watches his eyes go slightly bigger and rounder, watches his jaw tick like he’s going to drop it. His gaze feels like a physical weight. Max’s dick throbs once, twice. There is no way Daniel cannot see.

Daniel says nothing, in the end. He smiles at Max, easy as anything, as if Max isn’t a complete freak of nature with a boner from watching his teammate take a piss. He even claps Max on the shoulder as he passes on his way out the door, doesn’t seem to catch how Max sways, knees wobbly, under his touch.

And then Max is alone in Daniel’s driver’s room. Alone and hard and—fuck, a realization burns through him—Daniel didn’t flush.

Max lurches forward before he can stop himself. His foot catches on some part of the floor and he stumbles, nearly going to his knees right there in front of the toilet.

It should be mostly clear, with how they are supposed to be staying hydrated, but apparently Daniel is not doing a very good job. Max has to steady himself with one hand on the wall as he stares down into the bowl, dazed. The water is tinged an unmistakable yellow. It hits Max viscerally, that Daniel has bodily functions and that he did one of those right in front of Max, was comfortable enough to not care if he saw. It’s unbearably intimate in a way that Max can’t think too hard about or he’ll forget how to drive his car, probably. He thinks, wildly, that he wishes he could live inside Daniel’s body, surrounded by all the microscopic things that make him him. He wants to kiss every single one of Daniel’s cells and thank them for keeping him alive.

Even more wildly—he wants to massage his bladder from the inside, tell it he’s sorry it had to get so full, that Daniel should never have to hold it for too long, that he could always if he cannot wait tell Max to go to his knees, and Max would, anywhere, tip his head back and open up for everything Daniel has to give—

Max rips his layers off, feeling frenzied. Elastic stretches around his thighs as he squats lower, his cock now leaking bare over the bowl full of Daniel’s pee. He had foregone underwear earlier, the crotch of his fireproofs now absolutely soaked through with precome. It will be cold and sticky around his cock and balls when he gets back in the car, he will have to drive again and feel it and he will think about Daniel and his dehydrated piss and the sound he made when he let go—

Max comes, shaking, aiming his cock so that it splatters into the bowl, milky white swirling with yellow. Max and Daniel together, like it should be always.

[typing-catastrophe]

I have been so cooked for this man lately that I need to talk about him— I genuinely think that with a ADHD/autism/AuDHD partner Ford takes notes on your stims and quirks, even before any serious relationship. Just little things like “waves hands when excited :)” and “prefers baggy sweaters” just like a little way of understanding you better 🥺💖

yesss definitely! as an AuDHDer who stims a lot myself, this is everything!! jfskhfshsk

--------------------------------------------------

"Aaaahhhhh oh myy-" the rest of what you were saying was incomprehensible because the words slurred together in an excited squeal. A gleeful expression upon your face, you waved and shook your hands in front of your body, then pressed them over your mouth, to stifle another squeal.

Ford smiled to himself as he watched you from the other side of the room, where he propped his notebook open to scribble something down.

"Heeyyyyy Grunkle Ford, watcha got there?" Mabel's voice rang out right beside him.

He snapped the book shut and whipped his head around.

"Mabel!"

"Waves hands when excited." she cited what she had just read, "Were you talking about-"

"No, I was certainly not!" Ford said, while his cheeks started to turn a deep red colour.

"Are you suuuure? Because to me it looks like you diiiid." she said, a cheeky grin on her face and dragging some of the vowels.

"You are mistaken, dear child. Now, if you'll excuse me, I've got work to do." he excused himself and stood up, holding the notebook close to him.

Without letting her get another word in, he moved past her and made his way into his study.

There, he propped open the notebook to the page he'd just added a new note onto.

- likes to hum when no one is around - seems to prefer more loose fitting clothes. possibly because the don't restrict movement as much - will subconsciously play and fidget with any jewellery they're wearing - sorts and eats their food in a particular order - would rather not eat at all than something not appealing - skin irritating clothing causes great discomfort. remove tags!! - wants to talk but holds back. encouraging them has positive effect - avoids eye contact but will look at faces when the person isn't looking at them - do not touch without warning and do not force contact! expressed great discomfort to me after being forced to physical contact by someone else - repeating phrases and noises (quite endearing) - easily startled by sudden and loud noises, as well as irritated by high pitched ones, almost too quiet to hear - shows behaviours similar to felines. has stated that they would be delighted to posses the ability to purr (he would be delighted too)

Ford smiled as he looked up and leaned back. He really hoped Mabel hadn't seen too much, otherwise she might figure out how interested in you he really was. And we wasn't sure if he was ready for that.

For now he would be very much content continuing to dreamily gaze over at you and notice all the little things, so he could understand you better.

Maybe one day he could work up the courage to ask you out.

-------------------------------------------------- thank you for reading <3 reblogs are appreciated

[cashmoneyyysstuff]

your boyfriend has a little habit of being sort of..spacey. or at least he looks like he is.

despite his..ditzy and aloof appearance. shouto is very acutely aware of his surroundings.

especially when you’re in said surroundings.

he’s walking along the hallways with his friends, they’re chatting about everything and nothing, school and about the results of their last test. shouto doesn’t feel the need to interject, happy to simply listen and respond when he’s spoken to. except his mind is also kind of elsewhere at the moment because even in there he’s looking for you.

no matter what he’s doing, shouto todoroki has a piece of you in his mind. if his friends are worrying about their test results he’s perfectly fine, cus he studied with you. the letters he sends to his mom talk about his daily life, with little details about you sprinkled in. his father is trying to coerce him into coming to his agency again, shouto thinks it’d be a lot more enjoyable if you were with him.

you’re not with them right now, because mr. aizawa had asked you to send in some papers to the teacher’s lounge. you said you’d catch up with your friends as soon as possible and shouto’s listening, he really is. but he’s also scanning the crowd hoping to catch a little glimpse of you.

“what about you, todoroki ?”

shouto blinks, hearing his name come out of his freckled friend’s lips as he blinks at him expectantly with a smile. ochaco and iida also seem to be awaiting a response.

okay, so maybe he hadn’t been listening as well as he claimed..

“i’m sorry. i didn’t catch that last part, what were you saying ?” he asks bluntly, midoriya doesn’t mind and he repeats “i was asking you how you think your test went.” he chirps, shouto hums thinking about the question.

“i studied well for it, so i think it went well,” his friends hum, iida congratulates him for staying focused on his academics, waving his hand around in chopping motions.

and of course, shouto is always looking for you, so nobody’s surprised when he adds “yn also helped me study, so i think i’ll be..”

everyone is surprised though when he suddenly trails off. and without another word shouto walks ahead of his friends further down the crowded hallway. the lack of “oh, give me a second.” or “ i’ll be right back.”, the lack of anything stuns the three students so hard they freeze into place. they wonder what could’ve made him speed off in such a hurry, until ochaco gets a good look and points towards the dual haired boy.

ah, shouto’s found you.

you’re surprised to see him, your eyes widen “oh, hey sho !” he returns your greeting, his face hasn’t really changed from an outsiders point of view, but he leans in towards you the moment the words leave your lips and his whole face has gone soft, almost pudgy when you smile at him.

“i didn’t except to see you, you scared me !”

he blinks at that, shock settles onto his face as he bows his head in shame “i’m sorry, i didn’t mean to..” simple, but earnest and it makes you melt.

“oh no, no ! you just popped up outta nowhere and it surprised me is all, got nothing to be sorry about.” you reassured, shouto’s expression changes and he returns, nodding happily.

“i missed you.”

you snort “i was gone for at most 10 minutes, shouto.”

“it was 11 minutes. and i missed you during that one extra minute, too.” if he had a tail, it’d be wagging at the speed of sound the way his face brightens when you laugh. you call him unbelievable and a small smile grows on his face

he’s just about to ask if you need help with your bag when you suddenly wave behind him. at your friends, who all share a sort of teasing, but also absolutely not surprised look.

oh, woops..

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

[First] Prev <–-> Next

[airenyah]

Episode 6: FadelStyle vs. Beginnings and Endings

In the past one and a half-ish weeks we've discussed at length just how good the last scene at the diner is and how Style drawing tears on Fadel at the rock concert was foreshadowing to Fadel ending the episode crying real tears. What I haven't seen discussed yet, however, is how that ending scene is actually a counterpart to Fadel and Style's conversation after the rock concert. And I think that makes the scene in the diner even more poignant. And it also makes the scene at the rock pub even more painful as well. Because they are basically the same scenes, just flipped. And I desperately need to talk about it or else I'll explode.

Part 1: "Tonight I am very happy"

In this scene Style knows something that Fadel doesn't: This will most likely be their last chance to be happy together like this. Tomorrow Fadel will go on his mission where the police will be waiting and then Fadel will be taken away from him.

But Style already loves Fadel, he is already worried about him and he really does not want to lose him. So he keeps trying to subtly talk Fadel into staying home from the mission and spilling the beans about the mission so he can explicitly ask Fadel not to go. But Fadel keeps his mouth shut. And as happy as Style is together with Fadel this evening, he is also very upset. He doesn't want the night to end, but there's no way around it. For Style this is a goodbye.

And for Fadel? Fadel went from I'll tell her this will be your last job to Ruerat is the last jerk we have to kill. After that, we can live however we want. Even in this episode, right before he goes to the concert with Style, Fadel tells Bison "Once we’re done with Ruerat, I’ll talk to Mother again", when Bison says it's time for them to quit. Fadel is on the same page as Bison now. Ruerat is their last victim and after that Fadel wants out. For Fadel, this is the last night where he's still stuck in his hitman life, but once he is done with his mission the weight will be off his shoulders and he can finally truly be with Style. For Fadel this is the opposite of a goodbye.

In the words of my mother: For Style, when the night is over life will end. For Fadel, when the night is over life will begin. Style is ending something and Fadel wants to begin something.

And another thing my mom pointed out is how they're standing in front of a pink sky:

And at what time of the day is the sky pink? Either at dawn or at dusk. The beginning of the day or the end of the day. And for Fadel this scene is only the beginning of the day while for Style this scene is the end of the day.

Part 2: "I think I already love you"

In this scene Fadel knows something that Style doesn't: Style has played him, has made him lower his protective walls, has made him fall for him only to turn around and betray him.

Style told Fadel he hoped that Fadel wouldn't get any more scars and yet here Style is, stabbing Fadel right in the heart and jeopardizing his life. Here Style is, bursting Fadel's bubble that he's finally started daring to dream about, a dream of a future where he wasn't lonely, a future where he was happy and himself with someone, Style, by his side. Style is a danger to him. Style can't stay. As happy as Fadel has been together with Style, he needs to let go of him. For Fadel this is a goodbye.

And for Style? He has just spent a full week worrying sick about Fadel after his mission went wrong and went completely MIA. Style has likely (definitely) spent a week checking the restaurant every single day for any sign of Fadel's return, not giving up hope of seeing him again. And then Fadel is back. Style is overjoyed. The heavy metal concert wasn't their last day together, Fadel is pulling through on his promise to have many more nights like that with each other. The concert may have been the end of the day, but now against all odds a new day has come. For Style this is the opposite of a goodbye.

And so we're left with the exact opposite situation from what we had at the concert: Fadel is ending something and Style wants to begin something.

Conclusion

These two scenes go together, they're flipped parallels of each other.

At the concert Style is internally saying goodbye to Fadel because he thinks their relationship will be over when Fadel gets arrested at the mission and the police take him away. At the diner Fadel is internally saying goodbye to Style because he thinks their relationship is over now that he "knows" that none of it was real on Style's part since in reality he was working with said police.

At the concert Fadel is truly happy, because once his mission is over he'll talk to mother and when he's managed to convince her that him and Bison will be out, then Fadel can go and start a new life, a new future with Style. At the diner Style is overjoyed because he thought he was about to lose Fadel, but Fadel has come back and now Style gets a second chance at a future with Fadel.

At the concert, Fadel is happy and he can tell something is kinda off about Style ("What's wrong? You act like we’re not going to see each other again."), but he has absolutely no idea that Style is in the process of bidding him farewell. At the diner, Style is happy and he can tell something is kinda off about Fadel ("You were just calling me out for being affectionate. Now you wanna be romantic?"), but he has absolutely no idea that Fadel is in the process of bidding him farewell.

It's brilliant writing, really. And both scenes are flawlessly performed by both boys.