#i promise its gotten better

[sc0rpain]

🎈💌🤲

eeee thank you j!!!

🎈- describe your style as a writer; is it fixed? does it change?

great question because i'm honestly not sure!! i started writing a LONGGG time ago, so it has definitely changed since then. i will say that the way i structure my writing has changed a lot-- i fucking LOVE big, sweeping, emotional paragraphs followed by one short, devastating sentence. obviously this doesn't work for all kinds of writing, but i still think that mentality affects how i write. it tends to be pretty big and grandiose, even if i'm describing a simple thing. pretentious? probably. but oh well. beyond writing itself, i like focusing on how exactly it will be read, how the words contribute to an ebb and flow. i don't think that quite answers the question, but... it's the best i got. but i will say my writing style is absolutely subject to change, and very influenced by what reading/writing i'm doing at the time.

💌- share something with us about a WIP that has you excited!!

oh man. i haven't WORKED on any of my poor WIPs in a while, but i do have ideas floating in my brain that i'm gonna write down eventually (hypothetically...). i guess my favorite of all of those is a piece called mothertongue. it's gonna be a personal reflection on how assimilation has shaped my relationship with culture and language. it'll hopefully pack a VERY emotional punch-- we'll see!

🤲- what do YOU get out of writing?

well, the act of writing has always been a lot of things to me. i started writing in middle school, not knowing that my life would go downhill very slowly, and then VERY quickly. it's always been a form of escapism, something i knew i could come back to when times were tough, something i could create for myself when nothing was going well and i had no one to talk to. without it, i don't know WHAT i would've done. but it's also evolved into so much more. it's a skill that i've honed for the last 8-ish years, that i'm beginning to see the results of. it's a source of satisfaction, of staring at long sentences and paragraphs on a page and knowing that i created and structured each one of them. and it's a source of confidence, security. not because i think i'm objectively good or better than anyone, but because i LIKE my writing. i'm happy with what i do. and i think that's where everyone should aim to be!! and writing isn't the most amazing thing all the time. sometimes i get stuck and angry and doubtful. but when i'm writing anything, beyond all the difficulty of it, i'm always proud of myself. i know that what i'm doing is the result of the work i've done in the past, and i know that what i'll do in the future is the result of the work i'm continuing to do. so really, the most important thing i get from writing is confidence. and i hope that's what every author gets out of it too <33

[meamiki]

many mirabelle’s for mirabelle's birthday :]

happy birthday to mirabelle !!!!!!

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[mirrortouchedsea]

dark. that was all he had ever known. cold, dark, damp. the boy shivers in the small room, painfully alone, only a book and his magic to keep him company. he tries not to use his magic very often, though. it seemed that the people above knew when he used it and they always always always refused to give him food until he “woke up” next, if they bothered to keep track of that. maybe this time he’ll learn their lesson. the boy whispers his spell, cur memini, and creates a small light in his fingers. this is the only spell he can cast safely, too small to be noticeable by the people above. he holds his hand over the fading book on the floor. the boy can’t read the letters on the page, but this book has pictures. he flips through it again, careful of the pages that were falling apart, admiring the figure in armor who always comes to rescue the figure in the tower, cut off from the world, just like him. the boy frequently dreams of a figure in armor coming to save him, despite the years he has spent alone. dark and cold and damp. 

the room the boy lives in, the only room he has memories of, is empty besides himself and the book. sometimes the people above would give him water and stale bread to eat, and then there was a cup and a dirty plate, but otherwise it was just the boy and the book. the boy knows why the people above have locked him away, they told him that he was a freak of nature, unnatural, dangerous. but the boy could only make lights in his palm, and that wasn’t very dangerous at all. he thinks to himself that the people above are the dangerous ones, locking away a child for something like this, but he can’t say that out loud. he doesn’t want to die again. 

the boy’s stomach grumbles and he curls in on himself, the light in his palm fades out. he longs to see the sun again, to play with the other children he can hear through the ceiling, to be normal. the people above must have decided to punish him again, though, as he doesn’t remember the last time he had anything to drink, to eat. his stomach would eat through his skin and he would still wake up the next day. why can’t he just die once and for all and be rid of the pain? why is the world keeping him here? why was he even born?

the boy closes his eyes, and falls asleep. maybe this time it won’t hurt so much. 

--- 

how long has he been here? the boy doesn’t keep track of time. he knows he’s died at least a dozen times, but how long does it take for a dozen lifetimes to pass? 

--- 

a clattering on the floor wakes the boy up. the people above decided he can eat today. stale bread and water again, but better than nothing to the boy. he crawls closer to it, listening to the door. it closes and the voices disappear. where was the sound of the lock? did they forget? 

the boy scarfs down his food and water before tiptoeing up the stairs. he doesn’t hear any voices, but he needs to be careful. he doesn’t remember what the above looks like, but he needs to leave. he needs to be free. 

slowly, quietly, he opens the door. it’s dark on the other side of it, but still much, much brighter than his room ever was. he closes his eyes but keeps the door open. breathe in, and out. opens his eyes again, blinking the brightness away. pushes the door further open. steps on the hard ground outside the door. he’s so close. closes the door quietly. turns around and holds his breath. where was outside? pick a direction and go. his legs hurt. turn the corner, listen for voices. voices are dangerous, get away from the voices. whisper his spell, create a small light. keep moving keep moving keep moving. window ahead. break it? open it? is he strong enough? lift the window up. too weak. voices coming. hurry hurry hurry must get out now. whisper spell again, hand on window. break the glass and jump through it. cuts on feet cuts on legs deal with that later. voices getting louder voices shouting. run run RUN. 

the boy runs away from the building, away from his room. freedom is so close. first get to the trees, then… he hasn’t thought that far, but he will find a way. gunshots from the house. he runs faster, must get to the trees, must hide, must be free. cur memini, he whispers again, crossing into the forest. his spell can make lights and now break windows, but he needs it to protect him at this moment. run run run until the voices are quiet again. his legs are giving out, but he needs to run. he can’t die now or they’ll find him. keep running. bare feet on sticks and stones and sharp things, everything hurts but he can’t stop. he keeps running until the sun comes up. his heart beats out of his chest. 

--- 

when he wakes up he doesn’t know how much time has passed. his heart beats fast and he sits up. did they find him? he looks around. trees, rocks, a gurgling stream. he’s free. he’s free. he sighs and lays back down. how far did he run? he needs to go further. away from other people, away from anyone who might lock him up again. he sits up again and forces himself to stand and walk towards the sound of the stream. he can start there. water is important, and he might be able to get food from the little stream too. 

his first drink of the stream water is icy cold, quenching his lifelong thirst in just a few swallows. he washes his face with it, removing years of sweat and grime. he wants to sit by the stream forever if only he could, but the people will find him eventually if he doesn’t keep moving. but he allows himself a few minutes to bathe in the water, savoring the feeling of water on his skin. his stomach still growls, wanting something more filling than the freezing water of the stream, but that would have to wait. he needs to get his bearings. 

the light of the outside world is almost blinding, he realizes. the sun and the snow made it almost impossible to see anything. he should get up above the trees. can he even do that? cur memini, he says, trying to get his voice to be louder than a whisper. his feet float a few inches above the ground. he closes his eyes and says his spell again with more conviction. Cur Memini. he feels himself shooting into the air before he opens his eyes. he can see the forest stretch out for miles around him. trees covered in snow in every direction. if the old house is behind him, he should fly straight ahead, towards the forests on the mountains. tentatively, he leans forward and focuses his magic on keeping himself afloat. 

it doesn’t take much to exhaust what little magic he has, but he’s put more distance between himself and the old house and the people above now. he should be safe to rest, truly rest. but first he should find something to eat. is there anything to eat out here? something in his head tells him to look a little closer to the ground. to his left. there’s a bush full of berries. he’s never had anything but stale bread, and doesn’t know what to expect as he crushes one with his teeth. 

the sensation overtakes him for a brief moment. the berry is sweet, yet tart, and delicious. it’s the best thing he’s ever eaten and he thanks the little voice in his head for the information as he picks several more berries from the bush. the juice runs down his chin and makes him sticky, but it feels good. he feels truly alive for the first time. 

once he’s finished picking the bush clean of its fruits, he needs to find a place to rest, to stay warm. he’s shivering in the intense cold of the north, but it’s nothing he isn’t used to. the room was never very warm after all. he listens to the little voices calling out to him, guiding him towards a small cave, instructing him on how to make a small fire to warm himself up. a small rabbit brushes against his leg and he swears one of the voices is coming from it. and with the fire going, he thanks the rabbit before it hops away back into the snow. he would be roasting that same rabbit over the fire a few months later. 

the boy can’t stay in the cave forever though. as days turn to weeks turn to months, he worries that the people above are getting closer to him. they’ll put him back in that cold, dark, damp room again. he needs to keep moving. he has been practicing his magic, casting stronger spells, and he needs to be ready to fly. it's been long enough. cur memini he says holding his hand out. a rough stick with twigs tied to the end flies into his hand. it’s a poor excuse for what he understands is a broom, but it will work. he climbs onto it and focuses. cur memini cur memini cur memini. he lifts off the ground and watches as the branches of the trees get shorter and eventually he passes above the treetops. 

he takes a moment to gather his bearings. he no longer remembers the direction the house was in, but going up is his best bet of staying away from the people above. he laughs, realizing that he is the one above them now. after a moment, he flies into the mountains. the small voices change into bigger, unfamiliar ones as he gets further into the mountain range. they tell him to hide, to stay away. he doesn’t listen. they cannot be more dangerous than the humans he is running from. 

the boy lands, still exhausted from using so much magic, but he was able to travel further this time. that has to count for something, surely. he gathers some sticks and looks for another cave to make his home in. the caves remind him too much of the room he left, so he chooses to stay close to the entrance, close to the light that reminds him he is free. the fire keeps the animals away, but the voices are curious about the new presence in their woods. they make him curious too. he should stay in the cave tonight though and regain his energy. maybe he can get some small game to fill his stomach before settling in for the night. he listens for a rabbit’s voice, or maybe a squirrel, anything that would be small enough to kill with his hands. 

at last, a small fox’s voice is heard nearby. he wonders if fox will taste different from the other game he’s eaten thus far. he lifts a hand-sized rock and slinks out of the cave towards the voice. it takes a few minutes to find the source, but the fox is curled under a tree, shivering, hungry, just like him. the boy hesitates before bludgeoning it and slinging the corpse over his shoulders. there are more foxes. he is much more important. 

the fox is only the first animal he hunts in those mountainous woods. he spends several years in that forest and eventually humans settle up there as well. the boy, or rather, the man now, has made a name for himself amongst the human populations of the north. he is no longer afraid of humans capturing him and locking him up. they are still terrified of him, but now he is in control of that terror. the hunters that left his territory alive whispered tales of the great wizard owen who inhabited the mountains and terrorized anyone who had the bad luck of running into him. 

all of this is perfectly fine with owen. eventually his reputation will grow beyond himself, encapsulating atrocities that were impossible for even someone as strong as oz to commit, but that would be a problem for future owen. for now, he is still young and living in his cave on the outskirts of a small village and scaring hunters who stray too far from their boundaries. the wolves don’t like these visitors either and gladly listen to owen’s lamentations. it keeps his hands clean of the bloodshed if he isn’t casting the spell himself. the wolves don’t care for owen either, but they respect him. and that is enough for owen. 

the first of the unwanted visitors was a young man, someone who wanted to provide for his family. he pleaded with owen and the wolves to let him go and he wouldn’t cause any problems. those pleas fell on deaf ears though as owen looked the man in the eyes. won’t your family be disappointed, he asked almost innocently, you don’t have anything to show for your efforts. the man stammered a response, they’d rather i come back alive with nothing than die trying to find food. is that so, owen reached out for the man’s chin, the distance between their faces was almost nothing. y-yes, sir, please just let me go and i won’t bother you anymore. owen grinned. oh i’m sure you won’t be causing us any trouble again. the wolves stalked out of the woods, drooling at the prospect of tearing a piece of that man for themselves. owen snapped his fingers, and they came running forward, only to stop mere inches from the now trembling man. there was a suspicious yellow stain in the snow beneath him. p-p-please sir, anything you ask, it’s yours! then make sure you tell the rest of your little village that this forest belongs to the great wizard owen. the man ran off, leaving behind a hunting rifle and a ratty sack. the rifle would be of use, but the sack became tinder for his fires. 

despite the warning from that first man, hunters continued to enter into owen’s territory. and one after the other, they ran off screaming with their tails between their legs. this should have annoyed owen, that people would ignore all of the warnings and stories that had started popping up about him, but it doesn’t. their fear feeds into his magic power, only making him stronger, and that is all fine with owen. he is no longer a weak child locked in the damp, dark basement, and he never will be again. 

[drowmoment]

Finally made a Tav meetup image to match my Durge one, also after finally resolving my lag issues i could play a little farther into my Misfortune save (one day i will finish Act 3. It's just so much) which led to us finally being able to break Wyll's pact (yay!) but it also illustrated just how much Mizora gets bullied on her save. I imagine she absolutely loathes appearing in camp because of it.

I also finally get to introduce you to Baphomet! My third Dark Urge whom you might have seen before as a cameo in my Durge meetup art. For the longest time i barely had any art of her, but i've caught the bug i'm afraid so even if it's not a lot it's still enough for an introduction! (And more is certainly on the way)

(Can you tell i have a lot of difficulty drawing her? Because i do.)

Baphomet is a Way of the Four Elements (Fire spells only) Monk good Durge who is, on the surface, the most normal one out of the three. She was raised in a Lathandarian monastery as a star novice, the balance she was taught was what kept the Urges at bay for an unusually long time. This, however, was a double edged sword as when she finally snapped as a full-fledged Monk she was ten times more dangerous. Her killing of a Dawnmaster and several other novices led to her being banished from the monastery, and that's when she set off for the Temple of Bhaal. Yadda yadda main story stuff happens.

As a person Baphy is very stoic, being even less expressive than Tav; she's quiet and generally regarded as almost unreadable by her companions and instead lets her good actions speak for her. Internally there are a lot of things going on in her head though, most of them being her trying to grapple with The Urge. She's a very considerate person and tries to pass fair judgement to everyone, though can be lenient on those that show her kindness. She may not be good with words but she will do all in her power to support you.

[insomnya777]

hi! how do you. describe characters so you don’t just use pronouns like 37 times in a row

(Especially when characters all use the same pronouns 😭)

omg ok wait this is one of the hardest things ever. i hate using like descriptive words like "the blonde man" "the taller one" etc because it just like icks me out for some reason so usually i just use character names often and then switch to pronouns. it can still get vague or confusing sometimes so then i try to just reorder the sentence/phrase it differently

[basilpaste]

shaking myself by the shoulders. you are not going to be a pretentious asshole about music just because you like the artist. you are not going to be an asshole about it.

[arttrampbelle]

R.I.P. mortal kombat 1993-2023

This franchise is dead. And the only ones left in it are not mk fans,weebs and hype train riders. And a few survivors trying to hang on to a shred of dignity they have left and make decent content (unlike nrs. They actually give a fuck about the characters. Regardless of hcs! At least there's passion and love in the stitches and not souless corporate greed!)

Welp at least the old content is still available for now. And i have the older games n other media.

I will be blocking any kontent and blogs from the new game. So dont even try.

[battle-subway-ghost]

For the record I'm rating Mylah's couch a solid 8/10, one of the more comfortable couches I've slept on. Points off for the dust but its definitely better than whatever the fuck's wrong with mine.

[floralovebot]

I talk a lot about how different fanon!Helia is from canon!Helia but not enough but how bad it is for all the characters.

Like you have Riven going from this insecure teenage boy who lashes out at anyone who challenges him to this suave bad boy who could kill the winx. People seeing Stella as a stuck up brat, thinking that she loves Bloom more than the other winx, or that she would ever choose to be selfish in ways that hurt the other characters. Or Flora going from this fairly confident young girl who loves to meet new people and hangout with others to an introverted shy mess who never speaks up and would never say something sarcastic. Not to sound like a bitch but I really do think it's time the fandom stops pretending we're better than other fandoms and don't have Fanon Versions because we do and it's messing with y'alls perception of canon so fucking bad

[samwisefamgee]

The funny thing about constantly telling yourself that things could be worse is that sometimes. They are :)

[skid-the-mighty-poet]

[turigirl]

hfff

[the-kneesbees]

damn i really need to work on my art blog shes looking messy over there 😭

[tinakibed]

umm not drama related but you should dump your fucking bf???

i appreciate you guys looking out for me 🩷🩷🩷 pretty much everyone in my life has told me this too but unfortunately for me ive gotten severely attached and can't seem to see myself without him despite knowing it is not helping my mental

[mad-hunts]

in response to the other's answer in regards to what jervis would prefer on his toast, jack simply nodded. he'd found himself at a loss for what else to say even though that was actually quite rare for him. maybe it was the idea that barton could be outside at that very moment, listening in, that made jack suddenly feel like a fog had rolled into his mind; making it so that he could protect himself without even knowing for sure that there was a threat in the first place.

barton didn't like talking about julien - he'd pretty much stowed away every single picture but one the family had with him in it, in fact. for it still hurt him too much to look at them. therefore, especially considering his father's history of not being able to regulate his moods well, jack might have to perform 'damage control' if that were the case. but crossing the bridge if he were to get there seemed to apply quite well here. so, the farceur chose to move on and it turned out to be wisely, too.

jervis did look very tense lying there with jack visibly appearing to want to curl up into himself and never come out. after going to the nearby trunk in the room, he opened it. this was done as a means to distract the both of them from succumbing to the weight of their own differing circumstances. though there was certainly a good cover reason for jack to, ❝ oh, wow. ahh... i almost forgot that its supposed to get down into the forties tonight so you might need this. its going to be cold, after all, ❞ it was also hitting sundown at that moment as well.

jack could tell by just looking through the crack in the curtains of the one window in the room. while gnawing on his bottom lip, he pulled out the plush blanket inside of the chest only to shake it out a bit. now, as jack tossed the blanket up just enough to cover jervis's body without touching him? something matilda told him a few years ago echoed in his mind during a conversation they had late at night: 'you know, i know you'd like nothing more than to get rid of all your feelings sometimes - but i hope you never change.'

jack just remembered looking up at the tent he was in that day of camping afterward, as he decided he should probably get to sleep. but it felt validating in a way he couldn't explain as well even now. because jack's first instinct upon seeing jervis was that he was struggling, so he should help him; though one could definitely say that sense of responsibility had made him suffer in the past. thank goodness sucking in a deep breath through his nostrils and exhaling could allow jack to quiet his mind then.

he tilted his head at the other's words and squinting his eyes, deep in thought. of course if jervis didn't believe in one, that was fine, but it appeared like he might. these sorts of concepts could trigger whole debates for a reason, however, as spirituality was something that jack affiliated himself with. but religion? he wasn't so sure, so he more than understood when jervis settled for saying his loved ones being at peace was simply something he wanted to believe in. with jack's sudden exit came the arrival of a much less benevolent figure, to say the least, and barton couldn't say he blamed jervis for seemingly somewhat disappointed that his son left.

jack was easy to get along with, and with just a little bit of time spent with him, he might just win someone over with his compassionate nature. barton knew this well along with the reality he had to learn other people's behaviors throughout the years to appear at least 'semi-normal.' how that was going for the doctor would often depend on who you asked, though. barton could only snort derisively at that, ❝ funny. just remember, you'd be in arkham right now if it weren't for me and my daughter. ❞ he pointed a sharpened nail in the direction of jervis as he proceeded into the room.

the same crack in the curtains jack had once looked through was soon closed with a quick 'swishing' motion. barton was personally raised with a very limited exposure to faith, as neither wesley nor winslow were particularly religious father figures. but barton could admire those who participate in it regardless of their level of involvement in it. though it could be used as a force of evil as much as it could be used for good, a lot of humanity existed in shades of gray.

so even if they were under the threat of suffering through something like eternal damnation after death... in barton's mind, it was only a matter of time before someone used a widespread thing like faith to their own advantage. and maybe this was bad of him but thinking about wesley being in such a place somewhat brought him a sense of twisted satisfaction; because at least barton would be getting a form of justice for every fearful moment wesley put him through that way. barton only blinked as his eyes trailed from jervis's face to the teacup that jack had presumably brought him.

shockingly enough, all he felt when he discovered that marty's father was a powerful figure was an incredible amount of disbelief for a moment before it fizzled away. barton was used to things getting worse even if he couldn't have seen this coming. plus, he'd gotten frighteningly good at treating human lives like this police captain's more as obstacles than actual beings. it remained to be seen which one jervis was to barton. he squinted his eyes before standing up and ultimately finding out that, yeah, he had done that too quickly.

barton felt like he was green around the gills all over again, ❝ that is one way to put it, jervis. but don't worry. you just reminded me that, although we're going to have to get creative, there are ways of getting away with it. i'd say pinning his murder on someone else might be the best. ❞ he uttered after swallowing thickly, making a 'turn around' gesture with his finger towards the other. barton talking about murder as if it was light dinner conversation said everything that needed to be said about how he felt about their current predicament.

maybe it was because he was still feeling a lot of malaise, but no part of it bothered him in particular. the doctor was more worried about jervis becoming queasy because he accidentally saw the scars where he'd stitched on yves's arm to his own body, ❝ uhh, just in case you didn't get that, turn around. i'm going to change my shirt. ❞ once that was done, barton slipped his current bloodied one over his head only to replace it with the other. he slumped down in the chair to the table opposite of jervis and looked over the tarot cards laid out before him.

barton, too, knew how to interpret them. ❝ what were you two planning on doing with these? a 'past, present, and future' reading? because i can do it while my son's gone for you. ❞

Jervis gave the barest of shrugs as he glanced at Jack through his bangs, the quiet rhythm of their breathing, the slow drip of the IV, and the faint shifting of the cards against the tabletop the only sounds piercing the air. "Either one sounds perfectly agreeable. I defer to your good judgment." A ghost of a smile, pale and wan, tugged at his mouth for an infinitesimal moment.

Call it the lingering pangs of paternal instinct or projection, whatever you felt was most appropriate, but some flicker of warmth—worry mingling with concern—stirred within Jervis' breast; softening the veneer of exhaustion and discomfort that clothed him like a second skin. Like an invisible cancer that had latched onto him, draining his vitality—a slow-acting poison decades in the making; only this time, the source was external, a reflection of Jack's own unease radiating across the space between them.

Jervis drew in a shallow breath, feeling the tightness in his chest not as his own, but as if their nerves had blurred and grown entangled. He tried to focus, willing his own breath to steady, his hands to unclench. A low chuckle escaped Jervis' chapped lips at Jack's query. The medications in his IV coursed through him, cold and prickling, sending a frisson over his skin as goosebumps rose in response. And yet, somehow, it eased the deep ache within him, dulling the edges of both pain and nausea. He could feel the weight of his discomfort receding, just slightly, as though the medicine were smoothing his raw nerves; coaxing him toward a delicate, unfamiliar calm.

Not quite like ketamine.... not like the cozy, blithesome feeling that coursed through his veins with each dose. Even when most of his prior consumption of the drug hadn't been consensual—thick enough to cut his teeth on, it ensured small pockets of blissful ignorance hardening into a dissociative shell, like callus. (God bless those poor, ministering angels at Arkham... only a trace of spite and animosity there, rage bleeding with sorrow at how his autonomy and consent was completely ignored, snatched... one wrong move, and he was left cowering in a crumpled heap, or otherwise dead to the world... but now? Would the scales be tipped, if they managed to drag him back there? He wasn’t sure he wanted to know that answer.) If Odysseus and his crew had been desperate to escape the Lotus Eaters only to stumble unwittingly into the clutches of Polyphemus, Jervis felt quite the opposite.

For better or worse, the ketamine had left him numb to everything.

The pain, the grief, the anguish that tore gouges in his heart and mind; lacerated his psyche to shreds, in conjunction with the ECT. Somehow, he compartmentalized it... gravitated to the cannabis as an alternative upon his discharge, once he'd regained his center of gravity and emerged from his self-immurement; the fractures left by his losses and lessons grinding him to the bone. Everything it cost him and what he'd earned in exchange. Simon. Arabella. His time in Ireland. Sylvie. The flood. Alice.

The lengths he had gone...

And so Jervis chuckled; the sound dry and hollow, barely touching his eyes. He met Jack’s gaze, his expression tightening as he mulled over the question, tasting the irony in it.

“An afterlife…” he murmured, his eyes drifting. Thoughts and memories broke the surface like apples bobbing in a bucket: Simon and Stephen putting aside their differences over the blessing at Passover; his and Arabella's quiet, but spirited discussions of Heaven and the saints and catechism, the differences between the Old and New Testaments as they strolled along the shoreline. Stories of the witch trials in Ireland, of John Calvin and his legacy in Scotland.

All the old beliefs he’d grown up with circled back and hit like a tidal wave, tied as much to memories of family as to the concept of religious faith itself, all its beauty and diverse forms, yet it left him feeling frigid now. For a little over three decades, he'd told himself that he could appreciate the mythology of it all, even found it strangely comforting at times, but belief? That had always been a different thing entirely.

Jervis' mind tugged him back to reality. He could sense Jack’s curiosity pressing at the edge of his own awareness, a secondary presence so strong it was almost rendered a physical form. "That's.... a complicated notion, from where I'm standing.” He let out a slow, careful breath; curled his fingers back around his necklace as he dissected the question. “But... yes. I'd like to think our loved ones are at peace."

He could map it all in a dozen lines, right down to his own lived experiences, the rules he tried so hard to follow, the ideals that always seemed to warp and fray. There was karma, consequence, perhaps even the lingering shadows of what people might call a curse. But the idea of any higher being calling the shots? It gnawed at him like an old wound. And so Jervis looked back at Jack, almost apologetic, the faint sting of an old ache flickering beneath his words.

He was spared from elaborating with Barton's sudden appearance; lurking on the threshold like a wraith. Poor Jack's confidence and ease withered like a hapless petunia caught in the dead of winter. A few quiet words of dismissal and a pat to the shoulder were all that heralded the reluctant, leery departure of his one potential ally in the wolf's den.

'As phantoms frighten beasts when shadows fall.' Jervis sighed, slowly pulled himself into a sitting position, looked Barton in the eye; as well as he could, anyway, with the lingering gray spots and his missing glasses still impeding his line of sight. “Maybe we each make our own heaven—or our own hell.”

Perhaps that was petty or harsh of him to say out loud... though that was the truth of the matter. Jervis didn’t need religious belief to drive him, after all; he needed only his own peculiar code, that precarious balance between curiosity and cynicism, and the sense of duty he still felt for a daughter who had deserved something far more stable, more secure; safer than the patchwork life he had known. Whatever his flaws, his faults, some small part of him still respected the right to believe—what faith meant to others; its power to inspire, to build, to destroy. The cause and effect of human history, the double-edged promises of faith. And maybe that was the root of it: faith could be a tool, a guide, a balm.

But then the stark, often bitter truths he’d learned through survival would come rushing back. Besides, he reckoned, Barton likely wouldn't give a damn about any of his prior train of thought. In any case, on the topic of hell, Jervis never pictured the vast, cavernous expanse of fire and brimstone that Jonathan Edwards had once preached about in the summer of 1741. No. Hell always conjured up fevered images of a frozen lake in the deepest, darkest part of the center of the earth, untouched by light and warmth and life—the last of Dante Alighieri's nine circles.

'I sometimes think we must be all mad and that we shall wake to sanity in strait-waistcoats.'

He was torn from the thick mire of his thoughts, yanked back outside his mind as if caught in a sudden hurricane at Barton’s next revelation. Jervis shut his eyes, pinched the bridge of his nose, then reached for the cup of tea Jack had brought him. The liquid within was a warm, golden amber—like sea glass he’d once collected as a child in Bermuda, or the bits Alice would gather along Gotham’s coastline on their rare visits when she was little.

How simple those days were...

"Well." Jervis' voice was completely flat, his brow creasing with incredulity and disgust. Barton’s outline weaved and blurred before his eyes like a will-o’-the-wisp. No more, no more… no room, no room. He felt completely hollow. "Trading one problem for another, are we?" His scarred knuckles bulged as his fingers curled around the delicate porcelain; his grip hard enough to produce a faint, foreboding crack.

He would weep, if he had anymore tears left to shed over their predicament. For Marty and his partner, for the trouble Jack and Matilda had been brought into by association… but none for himself or Barton. He wasn’t certain he was worthy of it; and Barton had no qualms over their actions, he’d freely admitted it at that bistro earlier. Jervis’ hands tingled, as if they were still covered by the bloodied gloves he wore when he dispatched the driver in order to retrieve Alice’s rabbit, wielding his hatpins on pure impulse; there was no premeditation involved, but there was no discounting how surgical his actions had been in their efficacy with each targeted nerve cluster and artery. He wasn’t indulging in self-pity, oh no… nothing so shallow or solipsistic. Not like that at all. Just a pure ant mill of growing dread and horror and regret, one that couldn’t be encompassed by words alone.

His teeth sought the gouges in the corner of his mouth from where he’d previously bit himself in the throes of his nightmares, worrying at the cuts till they began to sting anew.

‘Despair has its own calms.’