#i opened the book and i was like
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karl-von-moor-official · 2 years ago
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Wie viele Charaktere sollen vorkommen?
Schiller, wie er "Wilhelm Tell" schreibt: Ja.
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egophiliac · 2 months ago
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buckle up lads we're going BACK INTO THE BOOK
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#art#twisted wonderland#twisted wonderland spoilers#lost in the book with nightmare before christmas#hajimari no halloween#(the origin of halloween huh) (oooh)#why yes i did wake up way too early to watch the stream and will have no memory of drawing this later#anyway THE MAGIC BOOK IS BACK TO EAT US ONCE AGAIN!!!!#this does make things make a lot more sense if it doesn't have to. y'know. actually take place in the established world#like how jack and sally are apparently just gonna be THERE as themselves WHY NOT#i'm certainly not complaining mind you#scully looks like he's gonna be super adorable and i love him already#spooky scary skeleman who just goes :O a lot and is excited for halloween#he seems like he might actually be more of a fusion of jack and sally? or maybe i'm just reading too much into it#still getting jazzy vibes off of him though. is not scully j graves an incredible jazz musician name.#does this open up the possibility that the last time we went into the book there was a sexy anime boy stitch just offscreen the whole time#...maybe some things are best left uncontemplated#god everyone in this event looks fantastic i'm so glad i saved up some keys after all#a little sad that there's no lilia but you know what the fact that a halloweentown malleus exists is still pretty dang good#and sebek's hat is SO tall#the biggest hat for the loudest boy#i hope oogie is here too i need him and jamil to meet#i need jamil to be faced with a guy who's just a bunch of bugs standing on each other's shoulders in a trenchcoat#i am not coherent right now i just needed to get this out before i go pass out again
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blueboyluca · 1 year ago
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“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”
— Melissa Holbrook Pierson, The Secret History of Kindness (2015)
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ronanlynchbf · 1 year ago
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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posalis · 5 months ago
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"You can only be jealous of someone who has something you think you ought to have yourself." Margaret Atwood, The Handmaid’s Tale
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trans-axolotl · 2 months ago
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also in regards to that last article about varied ways of thinking about psychosis/altered states that don't just align with medical model or carceral psychiatry---I always love sharing about Bethel House and their practices of peer support for schizophrenia that are founded on something called tojisha kenkyu, but I don't see it mentioned as often as things like HVN and Soteria House.
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ID: [A colorful digital drawing of a group of people having a meeting inside a house while it snows outside.]
"What really set the stage for tōjisha-kenkyū were two social movements started by those with disabilities. In the 1950s, a new disability movement was burgeoning in Japan, but it wasn’t until the 1970s that those with physical disabilities, such as cerebral palsy, began to advocate for themselves more actively as tōjisha. For those in this movement, their disability is visible. They know where their discomfort comes from, why they are discriminated against, and in what ways they need society to change. Their movement had a clear sense of purpose: make society accommodate the needs of people with disabilities. Around the same time, during the 1970s, a second movement was started by those with mental health issues, such as addiction (particularly alcohol misuse) and schizophrenia. Their disabilities are not always visible. People in this second movement may not have always known they had a disability and, even after they identify their problems, they may remain uncertain about the nature of their disability. Unlike those with physical and visible disabilities, this second group of tōjisha were not always sure how to advocate for themselves as members of society. They didn’t know what they wanted and needed from society. This knowing required new kinds of self-knowledge.
As the story goes, tōjisha-kenkyū emerged in the Japanese fishing town of Urakawa in southern Hokkaido in the early 2000s. It began in the 1980s when locals who had been diagnosed with psychiatric disorders created a peer-support group in a run-down church, which was renamed ‘Bethel House’. The establishment of Bethel House (or just Bethel) was also aided by the maverick psychiatrist Toshiaki Kawamura and an innovative social worker named Ikuyoshi Mukaiyachi. From the start, Bethel embodied the experimental spirit that followed the ‘antipsychiatry’ movement in Japan, which proposed ideas for how psychiatry might be done differently, without relying only on diagnostic manuals and experts. But finding new methods was incredibly difficult and, in the early days of Bethel, both staff and members often struggled with a recurring problem: how is it possible to get beyond traditional psychiatric treatments when someone is still being tormented by their disabling symptoms? Tōjisha-kenkyū was born directly out of a desperate search for answers.
In the early 2000s, one of Bethel’s members with schizophrenia was struggling to understand who he was and why he acted the way he did. This struggle had become urgent after he had set his own home on fire in a fit of anger. In the aftermath, he was overwhelmed and desperate. At his wits’ end about how to help, Mukaiyachi asked him if perhaps he wanted to kenkyū (to ‘study’ or ‘research’) himself so he could understand his problems and find a better way to cope with his illness. Apparently, the term ‘kenkyū’ had an immediate appeal, and others at Bethel began to adopt it, too – especially those with serious mental health problems who were constantly urged to think about (and apologise) for who they were and how they behaved. Instead of being passive ‘patients’ who felt they needed to keep their heads down and be ashamed for acting differently, they could now become active ‘researchers’ of their own ailments. Tōjisha-kenkyū allowed these people to deny labels such as ‘victim’, ‘patient’ or ‘minority’, and to reclaim their agency.
Tōjisha-kenkyū is based on a simple idea. Humans have long shared their troubles so that others can empathise and offer wisdom about how to solve problems. Yet the experience of mental illness is often accompanied by an absence of collective sharing and problem-solving. Mental health issues are treated like shameful secrets that must be hidden, remain unspoken, and dealt with in private. This creates confused and lonely people, who can only be ‘saved’ by the top-down knowledge of expert psychiatrists. Tōjisha-kenkyū simply encourages people to ‘study’ their own problems, and to investigate patterns and solutions in the writing and testimonies of fellow tōjisha.
Self-reflection is at the heart of this practice. Tōjisha-kenkyū incorporates various forms of reflection developed in clinical methods, such as social skills training and cognitive behavioural therapy, but the reflections of a tōjisha don’t begin and end at the individual. Instead, self-reflection is always shared, becoming a form of knowledge that can be communally reflected upon and improved. At Bethel House, members found it liberating that they could define themselves as ‘producers’ of a new form of knowledge, just like the doctors and scientists who diagnosed and studied them in hospital wards. The experiential knowledge of Bethel members now forms the basis of an open and shared public domain of collective knowledge about mental health, one distributed through books, newspaper articles, documentaries and social media.
Tōjisha-kenkyū quickly caught on, making Bethel House a site of pilgrimage for those seeking alternatives to traditional psychiatry. Eventually, a café was opened, public lectures and events were held, and even merchandise (including T-shirts depicting members’ hallucinations) was sold to help support the project. Bethel won further fame when their ‘Hallucination and Delusion Grand Prix’ was aired on national television in Japan. At these events, people in Urakawa are invited to listen and laugh alongside Bethel members who share stories of their hallucinations and delusions. Afterwards, the audience votes to decide who should win first prize for the most hilarious or moving account. One previous winner told a story about a failed journey into the mountains to ride a UFO and ‘save the world’ (it failed because other Bethel members convinced him he needed a licence to ride a UFO, which he didn’t have). Another winner told a story about living in a public restroom at a train station for four days to respect the orders of an auditory hallucination. Tōjisha-kenkyū received further interest, in and outside Japan, when the American anthropologist Karen Nakamura wrote A Disability of the Soul: An Ethnography of Schizophrenia and Mental Illness in Contemporary Japan (2013), a detailed and moving account of life at Bethel House. "
-Japan's Radical Alternative to Psychiatric Diagnosis by Satsuki Ayaya and Junko Kitanaka
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lunian · 10 months ago
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made a couple of posts about Astarion being hilarious gremlin but never made a collection of Gale's silly talks?? I should've fixed it
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mommyashtoreth · 7 months ago
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The thing abt Crowley that I think is missing from a lot of fan content is people like. how do I word this. people like him so much that they're not willing to make him do things they find unlikable. Crowley's demonhood is usually represented in fan stuff by him like, doing bad things to bad people, people who "had it coming" one way or another, which I think works in serious contexts but is just no fun if you're trying to match the tone of the source! Crowley comes up with and does things that are objectively annoying and unpleasant and that's Fine. It's hilarious. We all need to make peace with the fact that Crowley would play Instagram reels loud as hell on the train, she'd be in front of you on line at the drug store paying with exact change, she'd show up to your baby shower with one of those toys that make a bunch of noise, she invented the leafblower. Etc. These jokes write themselves they're so easy and they're always funny and I want to see more of that sort of energy
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obsob · 2 years ago
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despite, despite, despite!!
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cherryysundae · 4 months ago
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the people that say sqq doesnt love binghe after the book is done are so interesting to me like this man is constantly horny for binghe, would rather die than let binghe be sad for more than 3 seconds, loves to do literally anything binghe asks for, teases binghe not because he enjoys his reactions but because he genuinely loves having fun with him, acts like he hates it but he actually loves pda, explicitly talks about how binghe makes his heart race, and that is after they get together cause before when he was about to die he thought it wouldn't be as bad if they died together... like that man is obsessed with lbh as much as lbh is with him
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lazylittledragon · 3 months ago
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hi i'm unw el l
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yutaan · 17 days ago
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Papercraft commission of Sheena and Zelos from Tales of Symphonia! This one was quite elaborate with all the flying costume elements, cards and lightning magic, as well as interesting facial expressions and poses; I had SUCH a blast putting on the game soundtrack and getting down to work!
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egophiliac · 1 year ago
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this is all I can muster right now, too busy having my brain absolutely melted by the September schedule, what is happening
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So I may have got The Book of Bill and it has me in a slight tiny itty bit of a death grip hyperfixation where all I've been able to imagine is his pathetic toxic ex ass
This pathetic triangle has once again parasitically wormed his way into my brain after years of absence
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Also he totally would try and gaslight Ford and say he probably just lost the shirt when he stole it if ever asked where the shirt went
Ok so I could've put a ton of things in that last, panel, so I did, with some joke suggestive ones as the last two below the cut
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I'm going to explode him with stock video explosions a bajillion times over
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saglaophonos · 1 year ago
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this is what its all about. at the end of the day
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marblerose-rue · 1 year ago
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click for better quality!
fire alone can save our clan. bye! *sound of lps feet clacking away*
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