#i only use specific game and character names if it’s an og post i’m trying to gain traction for

[goldensunset]

i don’t even use THAT many tags but i do use a lot of special ones that are rarely used by others/exclusively used by me and lemme just tell you it makes remembering all the right tags to use on any given post quite a hassle sometimes

[liesoverthec]

OG 911 Character Details from Canon Pt 1

Hi folks! Welcome to my post of character details for fic writers or really anyone who wants to know! All of these details come directly from the show - they’re just things I picked up on watching the show on intense repeat for screen time, so the details are about as canon as they can get. Some of them, like addresses, come from an specific episode, while others are trends I’ve picked up on. If you want a “citation” for a fact let me know and I can provide one if it exists!

I tried to include a good range of information between the 7 main characters, so that it was available for anyone.

I’m going to keep making these posts every time I get enough details collected so you can find them all under “911 canon character details” in the future! I’m committed to rewatching the whole series again for the regulars’ screen time, so I’ll be making more of these posts throughout the summer. If there’s something in particular you’d like to know, let me know and I can keep an eye out for it.

Things I noticed that might be interesting character details, part 1:

Athena and Bobby live at 1810 Fallsgrove St.

Eddie lives at 4995 S Bedford St Apt 403 (Julia made this fantastic post of the layout of Eddie’s house, and I’ve spent my own significant amount of time trying to work it out, so when I say this layout is spot on, I really mean it). (I believe this is more of a duplex situation - ie he has other neighbors attached to his outside walls, but no downstairs or upstairs neighbors.)

(These two locations are 8 minutes apart, which I personally thought was vvvvvv useful if you wanted to have someone rush from one place to another - also makes me think the 118 would be close to that neighborhood.)

Chim and Maddie live in apartment 2B. It’s a one-bedroom apartment, so currently Jee-Yun is sleeping in their room with them. I’ll be curious to know if they move as she gets older or if they magically spring up a bedroom for her - I just know there isn’t one at the moment bc Albert slept on their couch first, and then when he was injured, THEY slept on the couch.

Buck has two bathrooms! There’s one immediately to the left as you walk in his front door, and then one up in the loft, off the platform. Which I thought was a large number of bathrooms for a loft since it’s such a small space, but useful for when Christopher is visiting I suppose...

The hospital they go to for personal stuff is First Presbyterian. They’ve only started featuring its name prominently this season, but it’s the same waiting room and ER they’ve been using since s2, so I’d assume it’s also in the same neighborhood, since it’s fictional.) It’s on Altamont Street.

Given that you can see the Cecil Hotel from Michael’s apartment, I’d assume he either lives on S Spring St or S Los Angeles St. Either way he’s about twice as far from Athena and Bobby as Eddie is, and in the opposite direction.

Alcohol preferences - Athena prefers white wine, but will also drink rose and red, Hen drinks red and beer but doesn’t do it socially as much as everyone else, Chim is p much strictly beer unless it’s a fancy dinner (or tequila if he really wants to get drunk), Maddie prefers white wine, Buck drinks beer or white wine, and Eddie is a beer dude, red wine if it’s a fancy occasion (this is what they choose if they have a choice like at a bar, or if they’re hosting - eg when Athena hosts, EVERYONE drinks white because that’s what she’d choose.)

Eddie does not have the Hildy coffee maker on his kitchen counter - he still has an older model that only makes coffee.

He also likes to decorate in the color turquoise! (Maybe Shannon liked turquoise so that’s what he tends to buy?? That’s your decision, there’s just a lot of it in his kitchen. Also, his laptop case is turquoise!)

Hen gets a new pair of glasses every year. (Which means she’s doing better than me, I only get a new pair when I lose the old ones 😂)

Athena has two big diamond rings, and she wears one on each of her ring fingers (Bobby has good taste). She does not wear her rings while working.

Bobby has a gold wedding band for home, and wears a black silicone ring at work.

Hen wears her wedding ring all the time, and it’s a plain silver band.

Eddie had a gold wedding band while he was married to Shannon, and he wore it while on active duty in the Army (even during the helicopter crash). He is wearing it after Shannon leaves, but he takes it off before he comes to LA. His St. Christopher’s medal is silver with a navy border, hanging on a silver chain.

Chim prefers the short sleeve uniform. He really never wears the long sleeved one.

Eddie likes soft jazz, and will play it in the background during dinner. Idk if it’s his favorite type of music, but he likes it enough to put it on.

Buck has a picture of the ocean (I think? it’s definitely some sort of landscape) in his work locker - no other photos currently. Eddie has also been seen using this same locker.

Everyone has an iPhone and if they have a computer, it’s a Mac (this one is just bc capitalism - the show is sponsored by Apple). Hen has a red phone case, and Maddie has a navy one with gold trim, everyone else’s is super boring black/navy.

Maddie’s contact for Chim is “Howie” in her phone.

In Eddie’s phone, his contact for Buck is just “Buck”.

Bobby is just “Bobby” in Buck’s phone.

Christopher’s current interests are space and dinosaurs. And gaming!

In addition to Eddie and Albert, Chim also seems to like baseball, going off the jersey on his wall.

Every time we’ve seen Buck and Eddie drive somewhere together, Buck has driven and Eddie took the passenger seat.

Both Eddie and the Wilsons have a fireplace in their living room with framed photos of their kids at various ages.

Karen is a doctor! It’s a PhD, so she couldn’t join the team as a medic, but it does make them the future Drs Wilson. Her specialization is something to do w/ physics or chemistry etc, b/c she worked on a project for JPL on Mars, so you can run with that.

Michael is an architect, and David is a neurosurgeon who can help with emergency medicine.

Work masks: Bobby, Maddie and Athena prefer masks with a loop over each ear, while Eddie, Chim, Buck and Hen use the ones with two straps behind the head. Everyone uses the two ear loop ones for personal time.

Buck sleeps with socks on.

I hope the start to this list met up to your expectations, but if you’re looking for more then it will be on the way soon! I just wanted to get this first set out (plus it was looking a little long in my drafts 😂)

Lots of love!

🐝

Tagging: @imaginebuck

[this-is-my-jaam]

I've been doing some light research on historical Chinese clothing for my version of Clan Lavellan based on my own heritage, and one thing that I noticed and love is the amount and variety of colors and patterns used. It feels very 'alive' for a lack of better words, it has a lot of character.

Another Tumblr post I came across recently brought up the current trend of color disappearing from the world. Our color pallets have become much narrower and dull. (Maybe that's why I like tie-dye so much XD)

A lot of the time, you can look at traditional clothing and name which region it hales from. With modern fashion, that's not the case a lot of the time, with it feeling rather homogenous.

Link to said post: https://www.tumblr.com/coldmaxine/692852331579047936?source=share

That is a major factor that drew me to your Dalish Redux series, but I didn't connect the dots until recently. The Dalish clans wouldn't feel homogenous, Clan Lavellan wouldn't be a straight copy of Clan Sabre, etc. So much can be told just by looking at them.

I feel the lack of color is something that plagues a lot of modern fantasy, the lack of color creates a lack of diversity. A lot of information can be gathered by appearance, and when everyone shares color pallets, a lot of subtle world-building is lost.

Like if we were to take the designs of Dalish Elves vs City Elves in DAO and II, they have some attire differences, but if you were to remove the Vallaslin, it would be rather hard to tell them apart.

This isn't to say the City Elves should have drab fashion, but their vanilla appearance is so boring.

Absolutely agree! Color and pattern are both instrumental to the development of textiles and arts and a fantastic resource in historical study. I mentioned before that patterns tend to be designed with some meaning at hand, That is something that I try to keep in consideration when making patterns for the Dalish. The base design that the og concept artists were going for seem to be aligned with the art deco movement as well as natural themes. In that sense, I decided to create abstract patterns to represent some of the in game plants that have been given Dalish names and/or have been said to have significance to the Dalish. We also already have the Vallaslin, which I use very often for reference since it is an already canon resource with significant symbolism.

My best advice on subtle worldbuilding, particularly in textile as that what I’m studied in, is natural resources. China is famed for its silk, Egypt for its linen, and Peru for its alpaca wool, etcetera etcetera. Not only that, by the richness of resources and availability play a significant role in how clothing develops.

As an example, the Ancient Egyptians loved color, but weren’t technologically advanced enough to be able to strip their linen of the fibrous outer layer, which made it extremely difficult to dye. As a result, there was a lot of white clothing supplemented with opaque stones, the most popular being carnelian, jade, and lapis lazuli. Those gems aren’t native to Egypt, but because we know where they can be found, we know who the Egyptians traded with and what was being swapped between cultures. We even know where dye moves around from based on what is and is not native to the regions using said dye. For example, there is a rare, tiny purple species of mollusk know as Murex snails. The dye was so rare and popular that only royalty was allowed to purchase it, and thus Royal Purple was born. 

Basically, try and think of cultural costume design as the natural cause and effect of resources being introduced to a society. What do the Dalish have from before the fall of Arlathan? What resources are available in the area that a specific clan is from? Based on the reclusiveness of the clan, would they have more resources from an established trade with other clans/merchants? Obviously you don’t need to go nuts with specifics, but limiting resources is a great way to give a culture character and thoughtful design.

There have been more recent attempts to really flesh out fantasy designs in more modern properties (for better or worse), but overall, clothing tends to fall back on more traditional,  western Europe aesthetics. Part of the issue is that costumes are designed with silhouette and flat color in mind rather than pattern, which would come later when the costume department actually gathers the fabrics.

City elves should definitely have developed their own unique styles based on where their alienage is (if they belong to one) and access to materials. A city elf likely wouldn’t have the time to be making their own clothing and gathering their own resources, so what would they be able to afford based on where they live? 

I will admit to being somewhat guilty of the lack of color in the modern world, but in my defense, Dark Academia is a look and half of my closet is rainbow brite colorful but I have no where to wear those outfits because I have no where to go and I live on my computer :,D Thanks for the ask!

[ot3]

i watched red vs blue: zero with my dear friends today and i was asked to “post” my “thoughts” on the subject. Please do not click this readmore unless, for some reason, you want to read three thousand words on the subject of red vs blue: zero critical analysis. i highly doubt that’s the reason anyone is following me, but hey. 

anyway. here you have it. 

Here are my opinions on RVB0 as someone who has quite literally no nostalgia for any older RVB content. I’ve seen seasons 1-13 once and bits and pieces of it more than once here and there, but I only saw it for the first time within the past couple of months. I’ve literally never seen any other RT/AH content. I can name a few people who worked on OG Red vs. Blue but other than Mounty Oum I have NO idea who is responsible for what, really, or what anything else they’ve ever worked on is, or whether or not they’re awful people. I know even less about the people making RVB0 - All I know is that the main writer is named Torrian but I honestly don’t even know if that’s a first name, a last name, or a moniker. All this to say; nothing about my criticism is rooted in any perceived slight against the franchise or branding by the new staff members, because I don’t know or care about any of it. In fact, I’m going to try and avoid any direct comparison between RVB0 and earlier seasons of RVB as a means of critique until the very end, where I’ll look at that relationship specifically.

So here is my opinion of RVB0 as it stands right now:

1. The Writing

Everything about RVB0 feels as if it was written by a first-time writer who hasn’t learned to kill his darlings. The narrative is both simultaneously far too full, leaving very little breathing room for character interaction, and oddly sparse, with a story that lacks any meaningful takeaway, interesting ideas, or genuine emotional connection. It also feels like it’s for a very much younger audience - I don’t mean this as a negative at all. I love tv for kids. I watch more TV for kids than I do for adults, mostly, but I think it’s important to address this because a lot of the time ‘this is for kids’ is used to act like you’re not allowed to critique a narrative thoroughly. It definitely changes the way you critique it, but the critique can still be in good faith.  I watched the entirety of RVB0 only after it was finished, in one sitting, and I was giving it my full attention, essentially like it was a movie. I’m going to assume it was much better to watch in chunks, because as it stood, there was literally no time built into the narrative to process the events that had just transpired, or try and predict what events might be coming in the future. When there’s no time to think about the narrative as you’re watching it, the narrative ends up as being something that happens to the audience, not something they engage with. It’s like the difference between taking notes during a lecture or just sitting and listening. If you’re making no attempt to actively process what’s happening, it doesn’t stick in your mind well. I found myself struggling to recall the events and explanations that had immediately transpired because as soon as one thing had happened, another thing was already happening, and it was like a mental juggling act to try and figure out which information was important enough to dwell on in the time we were given to dwell on it.

Which brings me to another point - pacing. Every event in the show, whether a character moment, a plot moment, or a fight scene, felt like it was supposed to land with almost the exact same amount of emotional weight. It all felt like The Most Important Thing that had Yet Happened. And I understand that this is done as an attempt to squeeze as much as possible out of a rather short runtime, but it fundamentally fails. When everything is the most important thing happening, it all fades into static. That’s what most of 0’s narrative was to me: static. It’s only been a few hours since I watched it but I had to go step by step and type out all of the story beats I could remember and run it by my friends who are much more enthusiastic RVB fans than I am to make sure I hadn’t missed or forgotten anything. I hadn’t, apparently, but the fact that my takeaway from the show was pretty accurate and also disappointingly lackluster says a lot. Strangely enough, the most interesting thing the show alluded to - a holo echo, or whatever the term they used was - was one of the things least extrapolated upon in the show’s incredibly bulky exposition. Benefit of the doubt says that’s something they’ll explore in future seasons (are they getting more? Is that planned? I just realized I don’t actually know.)

And bulky it was! I have quite honestly never seen such flagrant disregard for the rule of “show, don’t tell.” There was not a single ounce of subtlety or implication involved in the storytelling of RVB0. Something was either told to you explicitly, or almost entirely absent from the narrative. Essentially zilch in between. We are told the dynamic the characters have with each other, and their personality pros and cons are listed for us conveniently by Carolina. The plot develops in exposition dumps. This is partially due to the series’ short runtime, but is also very much a result of how that runtime was then used by the writers. They sacrificed a massive chunk of their show for the sake of cramming in a ton of fight scenes, and if they wanted to keep all of those fight scenes, it would have been necessary to pare down their story and characters proportionally in comparison, but they didn’t do that either. They wanted to have it both ways and there simply wasn’t enough time for it. 

The story itself is… uninteresting. It plays out more like the flimsy premise of a video game quest rather than a piece of media to be meaningfully engaged with. RVB0 is I think something I would be pitched by a guy who thinks the MCU and BNHA are the best storytelling to come out of the past decade. It is nothing but tropes. And I hate having to use this as an insult! I love tropes. The worst thing about RVB0 is that nothing it does is wholly unforgivable in its own right. Hunter x Hunter, a phenomenal shonen, is notoriously filled with pages upon pages of detailed exposition and explanations of things, and I absolutely love it. Leverage, my favorite TV show of all time, is literally nothing but a five man band who has to learn to work as a team while seemingly systematically hitting a checklist of every relevant trope in the book. Pacific Rim is an incredibly straightforward good guys vs giant monsters blockbuster to show off some cool fight scenes such as a big robot cutting an alien in half with a giant sword, and it’s some of the most fun I ever have watching a movie. Something being derivative, clunky, poorly executed in some specific areas, narratively weak, or any single one of these flaws, is perfectly fine assuming it’s done with the intention and care that’s necessary to make the good parts shine more. I’ll forgive literally any crime a piece of media commits as long as it’s interesting and/or enjoyable to consume. RVB0 is not that. I’m not sure what the main point of RVB0 was supposed to be, because it seemingly succeeds at nothing. It has absolutely nothing new or innovative to justify its lack of concern for traditional storytelling conventions. Based solely on the amount of screentime things were given, I’d be inclined to say the narrative existed mostly to give flimsy pretense for the fight scenes, but that’s an entire other can of worms.

2. The Visuals + Fights

I have no qualms with things that are all style and no substance. Sometimes you just want to see pretty colors moving on the screen for a while or watch some cool bad guys and monsters or whatever get punched. RVB0 was not this either. The show fundamentally lacked a coherent aesthetic vision. Much of the show had a rather generic sci-fi feel to it with the biggest standouts to this being the very noir looking cityscape, which my friends and I all immediately joked looked like something from a batman game, or the temple, which my friends and I all immediately joked looked like a world of warcraft raid. They were obviously attempting to get variety in their environment design, which I appreciate, but they did this without having a coherent enough visual language to feel like it was all part of the same world. In general, there was also just a lack of visual clarity or strong shots. The value range in any given scene was poor, the compositions and framing were functional at best, and the character animation was unpleasantly exaggerated. It just doesn’t really look that good beyond fancy rendering techniques.

The fight scenes are their entire own beast. Since ‘FIGHT SCENE’ is the largest single category of scenes in the show, they definitely feel worth looking at with a genuine critical eye. Or, at least, I’d like to, but honestly half the time I found myself almost unable to look at them. The camera is rarely still long enough to really enjoy what you’re watching - tracking the motion of the character AND the camera at such constant breakneck high speeds left little time to appreciate any nuances that might have been present in the choreography or character animation. I tried, believe me, I really did, but the fight scenes leave one with the same sort of dizzy convoluted spectacle as a Michael Bay transformers movie. They also really lacked the impact fight scenes are supposed to have.

It’s hard to have a good, memorable fight scene without it doing one of three things: 1. Showing off innovative or creative fighting styles and choreography 2. Making use of the fight’s setting or environment in an engaging and visually interesting way or 3. Further exploring a character’s personality or actions by the way they fight. It’s also hard to do one of these things on its own without at least touching a bit on the other two. For the most part, I find RVB0’s fight scenes fail to do this. Other than rather surface level insubstantial factors, there was little to visually distinguish any of RVB0’s fight scenes from each other. Not only did I find a lot of them difficult to watch and unappealing, I found them all difficult to watch and unappealing in an almost identical way. They felt incredibly interchangeable and very generic. If you could take a fight scene and change the location it was set and also change which characters were participating and have very little change, it’s probably not a good fight scene. 

I think “generic” is really just the defining word of RVB0 and I think that’s also why it falls short in the humor department  as well.

3. The Comedy

Funny shit is hard to write and humor is also incredibly subjective but I definitely got almost no laughs out of RVB0. I think a total of three. By far the best joke was Carolina having a cast on top of her armor, which, I must stress, is an incredibly funny gag and I love it. But overall I think the humor fell short because it felt like it was tacked on more than a natural and intentional part of this world and these characters. A lot of the jokes felt like they were just thrown in wherever they’d fit, without any build up to punchlines and with little regard for what sort of joke each character would make. Like, there was some, obviously Raymond’s sense of humor had the most character to it, but the character-oriented humor still felt very weak. When focusing on character-driven humor, there’s a LOT you can establish about characters based on what sort of jokes they choose to make, who they’re picking as the punchlines of these jokes, and who their in-universe audience for the jokes is. In RVB0, the jokes all felt very immersion-breaking and self aware, directed wholly towards the audience rather than occurring as a natural result of interplay between the characters. This is partially due to how lackluster the character writing was overall, and the previously stated tight timing, but also definitely due to a lack of a real understanding about what makes a joke land. 

A rule of thumb I personally hold for comedy is that, when push comes to shove, more specific is always going to be more funny. The example I gave when trying to explain this was this:

saying two characters had awkward sex in a movie theater: funny

saying two characters had an awkward handjob in a cinemark: even funnier

saying two characters spent 54 minutes of 11:14's 1:26 runtime trying out some uncomfortably-angled hand stuff in the back of a dilapidated cinemark that lost funding halfway through retrofitting into a dinner theater: the funniest

The more specific a joke is, the more it relies on an in-depth understanding of the characters and world you’re dealing with and the more ‘realistic’ it feels within the context of your media. Especially with this kind of humor. When you’re joking with your friends, you don’t go for stock-humor that could be pulled out of a joke book, you go for the specific. You aim for the weak spots. If a set of jokes could be blindly transplanted into another world, onto another cast of characters, then it’s far too generic to be truly funny or memorable. I don’t think there’s a single joke in RVB0 where the humor of it hinged upon the characters or the setting.

Then there’s the issue of situational comedy and physical comedy. This is really where the humor being ‘tacked on’ shows the most. Once again, part of what makes actually solid comedy land properly is it feeling like a natural result of the world you have established. Real life is absurd and comical situations can be found even in the midst of some pretty grim context, and that’s why black comedy is successful, and why comedy shows are allowed to dip into heavier subject matter from time to time, or why dramas often search for levity in humor. It’s a natural part of being human to find humor in almost any situation. The key thing, though, once again, is finding it in the situation. Many of RVB0’s attempts at humor, once again, feel like they would be the exact same jokes when stripped from their context, and that’s almost never good. A pretty fundamental concept in both storytelling in general but particularly comedy writing is ‘setup and payoff’. No joke in RVB0 is a reward for a seemingly innocuous event in an earlier scene or for an overlooked piece of environmental design. The jokes pop in when there’s time for them in between all the exposition and fighting, and are gone as soon as they’re done. There’s no long term, underlying comedic throughline to give any sense of coherence or intent to the sense of humor the show is trying to establish. Every joke is an isolated one-off quip or one-liner, and it fails to engage the audience in a meaningful way.

All together, each individual component of RVB0 feels like it was conjured up independently, without any concern to how it interacted with the larger product they were creating. And I think this is really where it all falls apart. RVB0 feels criminally generic in a way reminiscent of mass-market media which at least has the luxury of attributing these flaws, this complete and total watering down of anything unique, to heavy oversight and large teams with competing visions. But I don’t think that’s the case for RVB0. I don’t know much about what the pipeline is like for this show, but I feel like the fundamental problem it suffers from is a lack of heart.

In comparison to Red vs. Blue

Let's face it. This is a terrible successor to Red vs. Blue. I wouldn’t care if NONE of the old characters were in it - that’s not my problem. I haven’t seen past season 13 because from what I heard the show already jumped the shark a bit and then some. That’s not what makes it a poor follow up. What makes it a bad successor is that it fundamentally lacks any of the aspects of the OG RVB that made it unique or appealing at all. I find myself wondering what Torrian is trying to say with RVB0 and quite literally the only answer I find myself falling back onto is that he isn’t trying to say anything at all. Regardless of what you feel about the original RVB, it undeniably had things to say. The opening “why are we here” speech does an excellent job at establishing that this is a show intended to poke fun at the misery of bureaucracy and subservience to nonsensical systems, not just in the context of military life, but in a very broad-strokes way almost any middle-class worker can relate to. At the end of the day, fiction is at its best when it resonates with some aspect of its audience’s life. I know instantly which parts of the original Red vs Blue I’m supposed to relate to. I can’t say anything even close to that about 0.

RVB is an absurdist parody that heavily satirizes aspects of the military and life as a low-on-the-food-chain worker in general that almost it’s entire target audience will be familiar with. The most significant draw of the show to me was how the dialogue felt like listening to my friends bicker with each other in our group chats. It required no effort for me to connect with and although the narrative never outright looked to the camera and explained ‘we are critiquing the military’s stupid red tape and self-fullfilling eternal conflict’ they didn’t need to, because the writing trusted itself and its audience enough to believe this could be conveyed. It is, in a way, the complete antithesis to the badass superhero macho military man protagonist that we all know so well. RVB was saying something, and it was saying it in a rather novel format.

Nothing about RVB0 is novel. Nothing about RVB0 says anything. Nothing about it compels me to relate to any of these characters or their situations. RVB0 doesn’t feel like absurdism, or satire. RVB0 feels like it is, completely uncritically, the exact media that RVB itself was riffing off of. Both RVB0 and RVB when you watch them give you the feeling that what you’re seeing here is kids on a playground larping with toy soldiers. It’s all ridiculous and over the top cliche stupid garbage where each side is trying to one-up the other. The critical difference is, in RVB, we’re supposed to look at this and laugh at how ridiculous this is. In RVB0 we’re supposed to unironically think this is all pretty badass. 

The PFL arc of the original RVB existed to show us that setting up an elite team of supersoldiers with special powers was something done in bad faith, with poor outcomes, that left everyone involved either cruel, damaged, or dead. It was a bad thing. And what we’re seeing in RVB0 is the same premise, except, this time it’s good. We’re supposed to root for this format. RVB0 feels much more like a demo reel, cutscenes from a video game that doesn’t exist, or a shonen anime fanboy’s journal scribbling than it feels like a piece of media with any objective value in any area.  In every area that RVB was anti-establishment, RVB0 is pure undiluted establishment through and through.  

[terra-fatalis]

Aerith & Marlene: a special bond

Marlene Wallace is a little sweet 4 years old child and Barret’s adoptive daughter.

The strange interaction between Aerith and Marlene in Chapter 12 of the Remake raises the mistery: what kind of information did Aerith share with this kid? And, more importantly, why?

This scene brought up a longstanding question too: is Marlene a Cetra?

I don't presume to have an answer! I have no idea about what the devs have in mind for this character. With this post I'll just try to highlight all the elements that showed the bond between Aerith and Marlene in the FFVII compilation.

Key Art

Since the early concepts of this character, Marlene’s been represented holding a flower. Nothing really strange, if it were not for the fact that flowers in Midgar are true rarety and are mainly related to Aerith.

Marlene is in Barret’s key art. The picture is more or less the same both for the OG and for the Remake and it depicts Barret and Marlene staring at the flower bed in Aerith’s church, even if this specific scene has never been showed in any entry. 

Final Fantasy VII

In the OG Tifa asked Aerith to rescue Marlene from Seventh Heaven before the collapse of Sector 7 plate. They spent a relatively short time together, but Marlene became immediately very fond of Aerith and never forgot her.

The player could find again Marlene with Elmyra, while Aerith had been kidnapped by Shinra. Marlene told Cloud that Aerith liked him and she got really angry if he didn't answer in an interested way (”Stupid!”). But if he answered in a positive way she was also aware that it was the kind of information that could hurt Tifa (”I won’t tell Tifa”).

If the player had the date with Aerith, Marlene recognized her voice and, later, Cait Sith said she got really sad when she came to know about Aerith's death.

Marlene appeared again at the very end of the game where she perceived Aerith's presence when the Lifestream started to erupt from the surface of earth to reject Meteor.

On the Way to a Smile

Marlene appears also in the novel On the way to a smile, especially in Case of Tifa. She is described to be a very sensitive and mature child:

It was Marlene who noticed the changes in Cloud (...) Marlene was an observant child, sensitive to the grown-ups’ moods.

Maybe Marlene thought Tifa wasn’t listening when she said in a small, lonely voice, “Cloud and Tifa aren’t getting along”.

This would mean nothing if taken out of context but I think it fits the continuity of her character development until Advent Children, the entry where she is openly depicted to be a little copy of Aerith.

Advent Children

At the beginning of the movie Marlene is the narrator that resumes the events concerning Meteorfall, the Lifestream and the battle against Sephiroth. 

She has the same hairstyle and pink ribbon as Aerith, and her white outfit slightly recalls Aerith’s dress from Crisis Core. Her skirt and socks are decorated with floral motives. 

She behaves like Aerith: she is blunt, encouraging and she always sais what she thinks

Her room is full of interesting elements:

There’s a pink sleeveless dress in a corner

There are various pictures of flowers hung on the walls and a vase of Aerith’s flowers on the windowsill

There’s a picture of a church and the photo of the flower bed in Aerith’s church  

(Yes I know, the quality of the images is really bad. I’m looking forward for the 4K version of the movie in June).

Marlene has sort of a healing role toward Denzel, since she takes care of him when he has Gestigma symptoms (in the movie and the novels) and she is the only child who has no Geostigma. The Remnants seem to understand that she’s different from the other children and they keep a close watch on her

When she arrives at the church she tends the flowers like Aerith used to

When Loz’s going to kill Tifa she distracts him throwing a globe of Materia that looks exactly like White materia

She senses where Cloud has Geostigma (he has a puzzled look when she askes if it hurts, as if she wasn’t supposed to know it)

When Aerith intervenes in the battle she can feel her presence (in the Japanese version she sais お姉ちゃん, which means “older sister”).

Final Fantasy VII Remake

In the Remake Aerith meets Marlene in the same way as she did in the OG but this time Tseng finds them immediately at Seventh Heaven (I’m not sure if this is meant to be a relevant change or just a revised and more realistic way to show the scene, all we know is that the Whispers didn’t intervene). Despite this change something “strange” happens between them anyway...

Marlene, who was crying frightened, immediately calms down and hugs Aerith again. She notices that she smells like “their flower”, to which Aerith answers:

as if she already knew they won’t spend much time together in the future. 

Before Barret and the others leave to save Aerith from Shinra, Marlene tries to warn her father saying he should help Aerith but she can’t explain the real reason. 

And dulcis in fundo, at the end of the game, Marlene, once again, can perceive the “presence” of someone. In this case it’s her daddy calling her name.

And that’s all for now! 

I have no idea how the story is going to develop in the next entries of the Remake, but maybe it is not so wrong to think that this young character will have a more important role in the future!

[rawliverandcigarettes]

Our discussion on turians made me wonder: how do you imagine the culture of the Salarian Union? (I'm sorry, you probably talked about this elsewhere, but I was too lazy to look for that, if so feel free to refer me to that post.) I find that there are surprisingly little elements about it in canon, though there are a few hints, like the fact that the planets in the Pranas system all have modern names, the previous names having been discarded, presumably, because they evoke "bygone superstition"?

Hello! Sorry I took some time. I actually rarely packaged my thoughts on salarian culture in a digestible way, so you gave me a great opportunity to give it a recap! I will go more indepth in the future for sure, but I might do a lil' overarching presentation of my general thoughts.

First, I have written an exploration/explanation of some of my headcanons regarding salarian reproduction, and it can be found here on Ao3: https://archiveofourown.org/works/18872515

It is sliightly out of date and I need to do a pass to adjust some of my thoughts, but I still go by the general idea.

I also agree that there is very little things in the OT canon. I think there might be slightly more in Andromeda maybe, but I still haven't played the game so who knows!

I even believe the games kind of give up on salarian culture past ME1, where they are arguably given the most importance; we get more depth to it in ME2 through the sole and lonely perspective of Mordin; and in ME3 they are barely worth more than somewhat cheap antagonism and a couple of questionable jokes. Even right now during the promo of MELE, I felt like salarians keep being characterized as weird-cute-gross, and more like the butt of a joke than people. Even the promo for Director Tann in MEA had this "haha you get a role for a mass effect character and you thought you'd be sexy and cool TOO BAD" vibe to it, which makes me think part of the devteam (or at least the marketing side of it) don't think too highly of their very own space frogs :'(((

But to get on my actual thoughts (under the cut and the nice gif, because it won't be as long as it could be, but it's still somewhat long):

So first off, I'm trying to keep in mind how indescribably huge the Salarian Union is: we're talking about a conglomerate of planet-sized communities, moons, artificial stations, plus appendages in every large-scaled, cosmopolitan communities in Council space and possibly beyond. Just like it would be hard to talk about any united "human culture", I think the same could be true for any Mass Effect species --even though, for the sake of both narrative convenience and the tendency for globalization once communities get connected and break down communication barriers, shortcuts have to be made (and that helps make Points, and I like stories to have Points so yee).

For this reason, I have identified organizational tendencies within these communities, based both on baseline of natural grouping emerging off salarian biology (clan-based structures with matriarchal figures) and where I speculated breakdowns would happen in the modern, multicultural setting of the ME universe. To brutally over-simplify: there would be the "traditional" political organization of Sur'kesh (that I will briefly cover later), the "colonial" style (a derivation of the Sur'kesh style with more centralization), and the growing influence of ultraliberalism creeping from Council space back unto these communities, creating a myriad of variations depending on how much the communities are willing to adapt to production being controlled by corporations.

I headcanon the culture, however, to be at once: very collectivist yet an oligarchy (because dalatrasses have a right to power by virtue of existence basically), extremely eugenist to the point of having created literal, biological races that are genetically distinct from each other and cultivated to remain as such by some clans (and therefore can be very cruel towards the disabled/the imperfect at birth too), misandrist (I believe being a male salarian from a shitty clan/baronny is one of the lower forms of political existence that can be in this universe, hence why their lives in the working force are so goddamn disposable), but also designed to protect its members and have the community take care of their basic needs (so homelessness is almost not a thing, or at least used to not be a thing). I also believe the culture to be consistently young and vibrant, with lots of energy (for better and for worse). And during the time of ME, to be under economical and social duress (even gender duress!) as it sits at a crossroad regarding its future, and everyone has a lots of ideas on what this future should look like, including people gawking the outside with economical or political interests in the outcome (this basically the plot of The Empire of Preys, which is technically a prequel to Halfway Home but will be written after HH because I love chronologies that make sense and are easy to understand :) :) ).

So concerning the OG, Sur'kesh style: I have contorted a weird economical/diplomatic/land planning system into quasi-existence, that is based around a unit called the "symposium". This is a *relatively* young system in their history (still milleniums old, it really solidified in the middle of the Rachni Wars as a reaction/adaptation after several waves of imperialism that didn't really look like ours but had the same effect of flattening local cultures into a more aggressive semi-ethnostate), but central into dividing resources, workers, affect. I will not go into too much details because this is quite complicated, but these are basically commitees that will take democratic decisions among its members, based on how many clan members are appointed in both this symposium and and adjacent symposiums that might be helpful to this one --it's a system explicitely based on bribes and social influence, and getting the partial control of key symposiums is absolutely essential for Dalatrasses to maintain the influence and relevance of their respective clans. It's also a system that has, traditionally, very little use for money (it exists, but as a token of exchange that doesn't carry inherent value --if you have only access to money as a clan, you are basically worthless and won't get access to good matches or good symposium seats, or at least you used to until capitalism knocked at the doooooor and that kinda fucked things uppppppp and the society is not recovering and the gaps are getting extreeeeeme this is the plot of TEOP basically).

Oh and on the subject of the transition to more capitalist values and the decay of clans that cannot keep up, I wrote The Leftovers a couple of years ago, which talks about a young dalatrass-to-be discovering she might be sterile, right here: https://archiveofourown.org/works/15854244

I have a ton more things to say on the subject (and salarian culture as a whole), buuut this is getting quite long already haha.

And in regards to your question: I headcanon that salarians from one specific continent -that then became the "cultural norm" over imperialism and complications- were confronted, in a continental way, to a huge hurricane that led to incredible floods and then stagnant water and diseases, which really soured their relationship to water that was previously quite holy. This led to a very bitter enlightenment; their "Renaissance" came out of spite against nature rather than anything else, and a lot of previous ideas were abandoned for a time -then reclaimed, then abandoned again, then warped... It's complicated. :D

[enderspawn]

dream smp asagao au, aka the very specific high school au

also aka the post thats very self indulgent for me and maybe 3 other people.

in short: its a dsmp high school au based on the game asagao academy, where everyone is part of a gaming club and compete against one another in tournaments. more in depth info about the AU/Asagao itself, as well as more info about the plot and roles of the AU itself.

Asagao Academy Basics

So to start, let’s cover the basics: what is Asagao Academy. ….well, an old Youtuber dating sim game (which, despite unfortunately including some fairly questionable CCs, IS still really good and well written and I recommend it) But what is it for AU purposes?

Asagao Academy is a highly elite world-wide boarding school set in Japan for those who are either rich enough to afford it, or those skilled enough to get scholarships. Within the game, there are two main clubs: Normal Boots and Hidden Block. They’re both gaming clubs, and joining is seen as super exclusive since they’re ALSO the most popular people in the school.

The two clubs compete with each other in various tournament events with specific categories. For example: Satch (from NB) and Jimmy (from HB) both compete in the “Tech and Invention” category, where they have to create/invent something related to gaming and have it judged at the event like a science fair. Meanwhile, Jared (from NB) and Wallid (from HB) both compete in “Dance” aka DDR and the person with the highest score wins.

The other categories featured in game include: Puzzle games (like Bejeweled or Tetris), Video Game Trivia, Pinball, Retro Platformers, a three-person fighting game, and 100% completion speedruns. So tldr; the categories can be kind of fiddled with and be whatever you want them to be, because even the original ones are pretty wack.

Also, there’s no rules against competing in multiple categories— in fact, most of the HB members in game do! It’s more about balancing time and practicing for them alongside school and other activities.

The winner of the competition is the team/competitor(s) with the most total wins.

Another thing to note: despite competing as clubs, they’re all actually pretty good friends. It’s all lighthearted and fun in the end, hell the leader of the opposing club even helps the main character join the main club just because he wants a decent challenge.

Speaking of… the main character! Hana Mizuno! I don’t have any current plans to include her in this AU (a la new dating routes), but I wanted to mention her for a few reasons.

For the main reason: her hair. Even as soon as she shows up, Mai (her best friend and roommate, who can break the 4th wall) immediately calls her out for her hair for looking like a main character which as we learn… isn’t an exaggeration. She’s literally a born protagonist, thus being born with naturally pink hair and a tragic backstory. Not only that, but other people are also born protagonists with pink hair as well— she isn’t an exception.

About the AU -- Revolution Era

A few things to note: in this au, when I first drafted it I… wasn’t looking to include 20+ people. I cut a lot of characters, but instead working with the idea that they’re still THERE, they just… don’t compete? Either they aren’t in the club and are just friends with the members, or they’re members who just don’t compete professionally. It’s nothing personal against those CCs and tbh as times goes they may get added more, but for now they’re just in the BG vibin.

It covers a really basic retelling of s1 for most of the planned au. It starts with One Club: the Dream Team. Members include: Dream (sophomore), Sapnap (sophomore), George (junior), Wilbur (junior), Eret (junior), and Fundy (freshman).

For reasons, possibly just as a goof or spite towards their American counterparts, Wilbur declares independence from the Dream Team and makes his OWN gaming club: L’Manberg. He takes Eret (a close friend from his grade) and Fundy (the freshman he immediately adopted) with him, causing the two teams to be 3v3.

But Wilbur’s got a dastardly surprise up his sleeve: TOMMY, HIS YOUNGER BROTHER (bc I am nothing if not a dedicated crimebros stan), AND TUBBO. They’re both too young to actually attend Asagao yet, but theres no age rules in the actual competitions so its fair play. They’re Wilbur’s secret weapon. After all, a 5v3 where the team with the most wins wins the competition? That’s a massive advantage.

… we all know how this goes though don’t we. Wilbur’s day be so fine, then BOOM, Eret betrayal 😔

In this case Eret feels it’s a LITTLE unfair to blindside them like that, plus Dream promised to make him the Leader of the Dream Team and, yknow, that kind of stuff DOES look good on resumes, so…

TLDR; Eret rejoins the Dream Team crew, as well as informing them of Wilbur’s plan with including Tommy and Tubbo and becomes leader. They’re still letting Dream and Co. basically actually do the leading, they don’t care that much, the title is just nice. L’Manberg cusses her out and promises to hold a grudge, but it’s all in good fun. After all, they’re just teens goofing around and playing. The clubs are again 4v4.

Dream tells the L’Manberg club that they can separate, sure… under one condition. They have to win the competition. If they lose, they have to rejoin the Dream Team club.

L’Manberg accepts, but come competition day… they lose. Tommy outright challenges Dream post awards to a speedrun competition for L’Manberg instead. …which Dream professionally competes in, and Tommy DOESN’T.

He loses, but he puts up a good fight despite having little to no actual practice put in, so Dream “grants” L’Manberg their “Independence”. (In this au, instead of being like… weirdly obsessive over Tommy, it’s a lot more “he sees himself in Tommy and wants to support/mentor him” and a “friendly rivalry” kind of deal bc its a damn HIGH SCHOOL AU)

So L’Manberg can be it’s own club! …Next year, when Tommy and Tubbo actually attend, since Wilbur and Fundy aren’t allowed a two person club.

About the AU -- Election Era

SO time skip! Congrats, everything up to now has been BACKSTORY. It’s now the next school year, with two main clubs (I’ve tried to keep them fairly balanced, which is why not all CCs are featured, sorry!)

Dream Team club:

Dream - junior

George - senior

Sapnap - junior

Eret - senior

Punz - junior

BBH - senior

Awesamdude - junior

Ponk - junior

L’Manberg club:

Wilbur - senior

Tommy - freshman

Tubbo - freshman

Fundy - sophomore

Schlatt - senior

Quackity - junior

Niki - sophomore

Jack - sophomore

(Also fun fact! Their grades are loosely based on the CCs actual ages! …Except Fundy, who got Baby-fied to fit the “Wilbur’s Kid” joke, and Eret bc it fit better to be the same age as Wilbur I thought. Oops HEKANDNSN)

So, for whatever Reason (listen this was an au I made in like one night when plagued with brainrot, it’s not all figured out), L’Manberg holds an election. Maybe it’s related to Wilbur wanting L’Manberg to be meaningfully different from Dream Team, maybe it’s a joke, idk!

…. SOMEHOW, Schlatt wins. Which ticks off Wilbur a lot. It’s his damn club, and the whole point was to avoid Americans, tf?? The two start to feud a lot and it threatens to split the club entirely via ppl taking sides. Worse, it means people aren’t practicing for the competition.

All while this is happening, there’s a new intrigue building. Dream catches word of an infamous player in the area, someone known to win entire competitions against teams of people all by HIMSELF. A man with bright bubblegum pink hair called Technoblade. That’s right, literal universe-assigned protagonist Techno. If Dream could enlist him, there’s no doubt in hell they’d be able to beat L’Manberg.

L’Manberg hears of him too and works to try and enlist him as well, so he basically gets courted by both clubs trying to get him to play for them to mixed results. He’s pretty chill vibin by himself, so what’s in it for him? (….I don’t know, remember how this is a WIP au I worked on once?)

Eventually, a teacher named Phil (who’s been the honorary sponsor of the L’Manberg club) gets pissed at Schlatt and Wilbur’s fighting and bans both from competing (aka this AUs version of them dying). Which fucking SUCKS for L’Manberg. They’re now going 6v8 with a wildcard player who’s undeclared on which side he’ll join, if at all.

… honestly, that’s as far as I got. Theoretically, Techno joins L’Manberg to reflect Pogtopia and they win. I never had plans to go into s2 due to its darker theme, but there are definitely changes that could (and might?) be made for the s1 plot just so it flows better.

I already had to shift Wil and Schkatt’s “deaths” to fit, unless I were to have them LITERALLY make a new club. Maybe Schlatt uses his power as Club President to make them work with Dream Team (to the point it basically merges the clubs). Sure, they might be guaranteed to win now but it removes the competition and fun as well as the spirit of OG L’Manberg. So then Wilbur rebels and makes his own club AGAIN, calling it Pogtopia with the intent to get L’Manberg back. Then Techno, intrigued with this group of like 2-3 ppl going against a team of like 13ish people, decides to join them. Idk! Alternative possible plot based more closely on s1 I guess!

I’m gonna add a list of characters in full with their age, their club, and what they compete in (if it’s already brainstormed, most ppl are unknown) below

Character List

dream (DT) - junior - speedrunning

george (DT) - senior - coding/tech and invention

sapnap (DT)- junior -

eret (DT) - senior -

wilbur (LM) - senior - rhythm game/guitar hero-esque

tommy (LM) - freshman - (possibly pick up speed running during election arc?)

tubbo (LM) - freshman - chess

fundy (LM) - sophomore - coding/tech and invention

schlatt (LM) - senior - he never actually declares what he plans to play and then gets banned anyway, aka no game kekw

quackity (LM)- junior - dance

niki (LM) - sophomore -

jack (LM) - sophomore-

punz (DT) - junior -

bbh (DT) - senior -

awesamdude (DT) - junior -

ponk (DT) - junior

technoblade (SOLO) - junior - multiple categories

FINAL BIT

here’s some scraps for ppl who know Asagao already as well as small bits I didn’t bother to write up any further

- Karl, much like Mai, is ALSO aware of the 4th wall and has time travel powers because of it.

- Purpled (undecided if he’s a solo player like Techno or has his own team he competes with that’s not a formal club) plays Literally Bedwars in competitions

- Callahan is the Dream Team club sponsor, Phil is L’Manberg’s club sponsor

- Karlnapity is real and canon bc I say so

- both for balance/laziness, every person only competes in one category. also bc it makes Techno that much more Protagonist-y that he does

- I made this AU in like February man idk I’m just vibin

- Fuck I never even included Ranboo huh

[askaceattorney]

Dear Asexual-Deesasters,

Mod Edgeworth: 

If you want to know the answer to that question, go to this link.

Dear Skibot99,

Co-Mod: I’m fairly certain it was The Mod, but I don’t know for sure.  He actually had another one before it, made from an old Ace Attorney musical animation.  I haven’t been able to locate that video, unfortunately, but here’s the old banner:

Ah...  Those were good days.  Good days.

Dear Dawsongfg,

Co-Mod: It’s fine.  Besides, it won’t be too long before those letters are accepted, so maybe we’ll hold onto them until that time.

Dear skibot99 again,

Mod Edgeworth: The Lost Turnabout hands down. All logic is thrown out the window the moment Phoenix had amnesia. It’s clear the Judge knew something was wrong with Phoenix, so why didn’t he call for a recess or check on Phoenix? Not to mention Wellington was annoying. He’s probably the only character I would be hesitant to play as when answering letters, if only because he was so unbearable.

As for Turnabout Ablaze, I do agree that it is a drag to get through in the end, though the entire game of AAI was boring, aside from the game mechanics. As a case by itself, I wouldn’t put it as my least favorite, if only because I did get some funny parts out of it.  It also contributed to the overall story, whereas The Lost Turnabout could just be taken out and it wouldn’t effect the overarching plot.

Co-Mod: I’d probably have to go with Turnabout Big Top.  I honestly couldn’t figure out the part where you have to present Max’s poster without consulting a walkthrough.  Why couldn’t we just present Max himself?  Besides that, the ending was largely underwhelming -- the murder weapon was hidden under Acro’s blanket the entire time, but instead of seeing a screenshot of it there, we just have to imagine it.  Maybe it was a filler case, but that was no excuse for it to end so poorly.  Not to mention one of the witnesses was a literal puppet.

It’s hard truth, Trilo.  Live with it.

Dear skibot99 and Anonymous,

Mod Edgeworth: I… think I heard from her when the localization of DGS was announced? I know Mod Kristoph and Mod Maya introduced themselves when I came into the group. There’s a third person, but I only heard from her once. As for what’s going on with her… I don’t know.

As for the flooding the inbox, it’s fine. I won’t promise a letter or two won’t be deleted, but we may make an exception and I’d hardly consider 4-5 different letters flooding the inbox. However, I do highly suggest lowering your letter sending to no more than three a day to prevent deletion of your letters. The only time I’d say your letters are flooding the inbox is when you’re sending 10-20 of them, especially of the same letter, and we have to scroll down for a while to get to the next letter. We will only choose three out of that pile and delete the rest.

And yes, we do have a few that send us 10-20 of the same letter to multiple characters in the span of five minutes. Geez.

Co-Mod: Mod Paups has had to remain absent for personal reasons, and sadly, has recently communicated to me that she wishes to leave the blog entirely.  Thanks for all you’ve contributed to this blog, Mod Paups, and best of luck in whatever you do next!

(Referenced Letter)

Dear mungeondaster,

Mod Edgeworth: Since I answered this one, I shall answer your letter.

(^ Why do I always use this sprite? ^) Actually, the localization never specified if Manfred Von Karma was born in Germany or not. In fact, we never knew the German part until Justice For All when Franziska Von Karma was stated to have flown all the way from Germany. It never specifies any reason for this and fans were quick to jump to the conclusion that it means the Von Karma family were German, which… isn’t entirely true? Manfred Von Karma never said he lived in Germany and, for all we know, Franziska could’ve lived in Germany to study law or something.

Now, the OG does give us more specific detail on this, being why I answered this the way I did. In the OG, both Von Karma’s were born Japanese, but lived in America or at least have an estate there. It specified that they were originally born in Japan, which would be translated to LA, California in the localization. While using the OG canon isn’t normal here, I will use it, if the localization doesn’t specify things. In this case, it never specified if the Von Karma’s were born in Germany or if Manfred Von Karma lived in America. Since he had to wait out the Statue of Limitations for DL-6, we can assume he lived in LA for 15 years or more. That means he’s American.

I am still getting the hang of writing letters, but I try to stick to canon as much as possible. If you believe we’ve made an error in our letters, feel free to let us know, but also show proof, if we go against canon. We’ll be sure the letter is sent to the right mod or else fix it.

Dear  Bluedragoncody,

Mod Edgeworth: I... don’t know how to feel about that.

Also, I accidentally deleted your previous letter before this one when trying to post it on here. I’m so sorry about that. If you could remember it, would you send it again?

Co-Mod: I’ll just respond to this with an old classic:

Dear Aceattorneyismyjam,

Mod Edgeworth: I-I’m not a pro! I accidentally deleted an important mod question from bluedragoncody, because of my inexperience. Oof! Again, so sorry!

Granted, I am good with digital art and writing essays, but I’m still trying to get the hang of being a mod here. Believe me, I do get corrected on several mistakes I do here. I can’t really call myself a pro just yet. I’ve only just started becoming a mod here last month lol

Dear Dahlia,

Mod Edgeworth: I thank you for your support of this blog and my essay. Manfred Von Karma is also my favorite villain and someone I do feel is underestimated as a one dimensional villain. I think people hate him so much, because of how he ruined Miles Edgeworth’s life without looking at the bigger picture. They focus on the bad things with their black colored glasses without dissecting Manfred Von Karma’s character as a whole. 

One thing I love about this blog, even before becoming a mod, is that no one here ever portrayed Manfred Von Karma as the one dimensional villain. He can be snappy at times, but as proven in many of our previous letters, he’s also portrayed as being calm when threatened, polite at times and absolutely loves his wife and children. Yes, he’s a terrible person, but that’s what makes him so interesting. He’s a bad, evil person that does good things from time to time. It doesn’t justify any of his horrible deeds, murder included, but it does make him human.

Co-Mod: I’m...going to assume you’re a different Dahlia.  (I’m grabbing a Magatama of Parting just in case, though.  I’m sure you can understand.)

Anyway, thanks for being such a loyal follower!  This blog’s been through a lot of changes since it began, and since I joined it back in 2017, so I’m glad it’s still a good source of enjoyment for you.  I’ve seen all sorts of cringe by now, by the way (some of which I wrote myself), so don’t worry about it.

I’m also glad that the characters still sound like themselves and not like us.  The hilarious personalities and quirks given to them by Capcom’s writers, as well as the humanity in so many of them, make them easy to relate to, and thus fairly easy to mimic.  I may have said something like this before, but I see myself in a lot of them -- in Athena’s fear of inadequacy, in Apollo’s desire for justice in a world where it’s hard to find, in Sebastian’s confusion about where to go next after his world falls apart, and possibly even in the von Karmas’ desire for perfection.  I of course identify with their positive feelings as well -- Phoenix’s smugness when he gets things right, Athena’s joy after pulling off a victory in court, Adrian’s pride after her self-confidence is restored, etc. -- but there’s something about the struggles they face that make them easier to relate to, on top of being that much more awesome in the end.

Unfortunately, I can’t promise anything about this blog continuing on in perpetuity.  For one thing, I don’t plan on being around forever (I’m fairly certain the other Mods don’t, either), and for that matter, there’s also no telling how long Tumblr will be around.  All I can promise is that I’ll give my best while I’m here, and that the love from you and everyone else who shares it here is sure to be what keeps us going.  Thank you for your contribution!

Dear TurqouiseJavelin,

Mod Edgeworth: Hm... not bad ideas. Though, we mods choose our own mod names under the condition that it doesn’t match anyone else’s mod name.

Co-Mod: What Mod Edgeworth said.  Choosing the name “Mod Athena” may or may not increase your chances of being hired, though.  *wink, wink*

Dear Anonymous, 

Mod Edgeworth: Actually, Gregory was stated in the Autopsy to have died by a gunshot. However, you do bring up something interesting. If Gregory Edgeworth realized he was dead and last remembered Robert Hammond strangling him, he wouldn’t think “I died by the shot of a gun.” Since the Detectives weren’t aware that victim had died unconscious, they’d assume the victim would recall being shot and killed. This makes me wonder if Gregory Edgeworth was channeled, but never brought to court to be cross-examined.

There are still holes, but I do like your aspect on DL-6.

Co-Mod: Dang...  No matter how many times you come back to this game, there’s always something new to think about.  I honestly hadn’t considered those details about Yanni Yogi’s trial.  Your explanation makes the most sense to me, but there’s one other possibility regarding Gregory’s testimony -- he may have chosen to lie about who murdered him in order to protect his son from a murder charge.  That’s all open to interpretation, of course, so your guess is as good as ours.

It’s a good thing we’re not actual defense attorneys, huh?

-The Mods

[katara0524]

Impromptu Ramblings about the NEO:TWEWY Demo

In case y'all weren't aware, I've been a pretty big fan of TWEWY for a couple years now, and with the sequel coming out next month, the excitement I feel for this game is greater than ever :) I played the Demo for the first time yesterday, and following a couple views of some livestreams of others playing it, I felt like sharing my (very ramble-y) thoughts prior to the release of the full game. This post WILL contain spoilers for both TWEWY and NEO:TWEWY, so if you want to avoid those from now on, please block the tags: #twewy spoilers, #ntwewy spoilers, #neo twewy spoilers, #ntwewy, and #neo twewy ^_^ Oh, and if you wanna keep up with any other posts I make about my experience with this game, please refer to the tag "kat plays neo twewy" :)

-First things first: I have not watched the Final Trailer and I don't plan on doing so to avoid spoilers, especially after the pre-release era of KH3 where a lot of the later trailers spoiled a lot of the endgame content. That being said, I've seen some minor screenshots from the final trailer including what many believe to be characters from the original TWEWY, namely Shiki and Joshua. That is all I know about the Final Trailer and I would very much like to remain as blind as possible going into NEO :)

-The very first cutscene was quite ominous in the sense that this game is likely going to be about "changing fate" (a recently common theme in Squeenix games, which I do appreciate), perhaps leading off from the end of A New Day in the OG and trying to stop an Inversion of Shibuya. Also worth noting that A New Day had similar aspects in which the main character experienced "future visions" of tragic events, although in A New Day these events were not able to be changed, while in NEO it seems like one of the main "powers" our protagonist has is specifically to rewrite these events and avoid a "bad ending." Very interesting indeed!

-I really like the revamped comic book style dialogue scenes, it's much more fluid and modern, which is an excellent direction for the series to take!

-I would love to have an actual PokemonGO knockoff of Final Fantasy creatures, please Squeenix that would be incredibleeeeee

-Also the LINE stickers??? Are so cute???

-I would just like to point out that Fret is an absolute treasure throughout this entire demo, he's hilarious and I will protect him with my life

-UHHHH don't like that Fret picked up some Reaper Pins just out of nowhere.....or the fact that they're apparently popular all over Shibuya.............did y'all not learn anything from the OG game or what lmao

-Okay so when I first got the "curry or ramen" scene and heard NPCs talking about the new curry place replacing the old ramen place I became IMMENSELY distressed that Ramen Don was totally cut from the game because....well, Ramen Don is a King okay?? But I'm glad to learn that no, he didn't fall off the face of the earth, he's still in business and he's the one opening the curry restaurant lolol. PHEW, crisis averted!

-.....I don't like the sudden appearance of a Wall Reaper and being able to read NPC thoughts. Wtf happened when they left the ramen place??? Are they playing the Game alive somehow?

-Okay so I have my own theories about this "Swallow" character and what they're up to but considering this is only the Demo and I still Have No Idea What's Happening, I'm just gonna say that I think Swallow intentionally led Rindo and Fret to the Crossing so they could join the Game. I mean, add in the fact that Swallow still communicates with Rindo during the Game and you've got yourself a suspicious character right there lol

-"Hey they're shooting off fireworks!" Fret honey that's not fireworks oof (see also: "*laughs* I'm in danger")

-WOOOOOO way to traumatize Rindo right off the bat like that LMAOO

-The visuals for the intro are VERY GOOD, the song is pretty decent until it gets all "screamo" (which I absolutely cannot stand sorry lol)

-Shoka is every Customer Service employee ever and I respect that

-Susukichi went from being "meh" to "WOW THIS GUY IS FUN" in the span of 10 seconds and I also respect that (he is also built like an Absolute Unit which is hilarious)

-The Wall Reapers (and just Reapers in general) seem.....way nicer and more helpful this time around?? Like in the OG the Wall Reapers were SO RUDE gfhjgjdfkhn and yeah I'm sure we'll get some like that but the juxtaposition of the first Wall Reaper in the OG compared to the first one in NEO is insane.

-The puzzles are quite a bit more entertaining this time around even if it's generally the same "fetch quest" formula lol

-"Rindo's Group" way to go Fret HFKJDGHSDFKJ mans really left the default name in there lmao

-OKAYOKAYOKAY so to those who aren't aware I am a MASSIVE SIMP for Sho Minamimoto, he's my absolute favorite and I think about him daily. HIS INTRODUCTION IS. INCREDIBLE. I LOVE IT SM.

-GOD hearing him actually SPEAK FULL SENTENCES is just SO SURREAL I love this sm

-Also the remix of his theme???? NEO TRANSFORMATION????? IT'S SO GOOD????????? It's like gone from a Boss Theme to a more triumphant sounding theme and I am HERE for it (every version of Transformation is just INCREDIBLE and getting a new one is even better)

-I Love Him, Your Honor

-Also idk how exactly but it's kinda weird seeing Sho in the OG vs NEO, cuz while he's mostly the same Insane Math-Obsessed Catboy, he's.....calmed down quite a bit?? Like OG made a whole point of how poorly he cooperates with others (not to mention just being completely unhinged and trying to kill everyone), whereas here in NEO he's......actually kinda working with others??? HELLO???? Sir what happened to you and Neku during those 3 years I would love to know all about it

-I guarantee you Sho is still probably scheming shite and will likely pull some total insane BS later down the road, and I am very much looking forward to that. Also, is he looking for a certain Pin or something??? Cuz he keeps talking about different Pins and even mentions "this is just another Psych Pin" like he's actively looking for a Pin to do something with. Maybe it also has to do with the "latent powers of Players" thing he mentioned as well??? What is this dude UP TO oml (also is he in contact with Neku at all?? they're both technically fugitives at this point right?? WHAT HAPPENED AFTER A NEW DAY I AM BEGGING YOU)

-I seems like Sho ALSO has an idea of what's going on in this specific game (even if he won't admit it straightforward). Per his quote "The game's 142,857. Factor it out," he's essentially saying, "This game is a neverending cyle, figure out how to get out of it" (or at least that's what I got from his "cyclic number" nonsense lolol)

-I do like how Sho mostly stays out of sight until he's needed for a battle or assisting with a mission, that's kind of on par with his whole "uncooperative" quirk from the OG, plus he might literally have to stay out of sight of other Reapers and Players considering he's likely breaking the rules of the Game (not surprising considering him and Neku broke practically every rule in the book during OG)

-The nicknames for Sho- I can't- They're so FUNNYYYY GFHJSDFKJ

-He goes from being called "Pi-Face" and "Tabooty" in OG to "Mr. Minami" and "M-Teezy" in NEO LMAOO

-(Wowee I just realized I've been mostly talking about Sho oopsies sorry y'all, this is what I meant by thinking about him almost daily he is THAT much of a fav of mine ghfkjsd)

-Okay RIP Fret and Rindo for not getting literally ANY explanation as to how the Game works OOF, that is kinda cringe that whoever gets the Pin earns points, not whoever erases the Noise (which like I understand but also URRRGGHHH I WANNA SEE THE SQUAD SUCCEED)

-"I should be going home now it's getting late" Oh you sweet summer child-

-Also love the mention of parents in this game???? KH you could learn a thing or two from TWEWY (poor Rindo's mom fhgjkdh)

-KUBO IS HILARIOUS I SUPPORT HIM AND HIS GROSS FACE (also thank you Final Trailer thumbnail for spoiling my suspicions about him very cool smh)

-Kaie is a LAD I also support him, go King type those funky texts I believe in you

-FRET PLS STOP SCANNING FHGJKSDHKJFGHFKJ he's like me when I scan in OG during Weeks 2 and 3 and see Taboo Noise coming after me ghfjdshfj

-Also Rindo can you stay off your phone for TWO SECONDS ik you're trying to figure things out but Fret is a jelly boi and I don't want him to be upset with you my guy

-Sho being an actual sorta mentor to the kiddos?? Who are you sir this is so unlike you ghfgskj what happened to the guy who tried shooting children in the face 8 times over LMAO (granted he's probably just using them but it's still nice to see him actually cooperating and sharing knowledge with the kiddos aaaaa)

-EYO EIJI OJI THE TIKTOK INFLUENCER IS BACK LMAO

-hgjkfshgkjf "we aren't glorifying capitalism on my watch" THATS SO FUNNY TO ME GFHJFSDGHJKS (also an all-orange ensemble is disgusting you deserve jail for one thousand years fkn Cheddar Goldfish Cheezit ass woman)

-WICKED TWISTERS NAME DROP EYOOO we love to see it

-gfhsgjf Poor Rindo embarassing himself for the sake of the Game that's incredible

-R e t u r n t o M O N K E. That is all.

-Dialogue during boss battles is HELLA cool i love that

-HHHHH THE KANON SCENE MADE ME A N G E R Y FRET STOP SIMPING MY GUY says the girl with a Literal Simp Encyclopedia and simps for pixels on a screen daily

-Can't wait to see the other Reapers :eyes emoji:

-CAN'T WAIT TO SEE NAGI MY BELOVED YEAHHHH WOOOOOO AAAAND that's about it for the demo lolol, I absolutely CANNOT wait for next month, this game is gonna be INCREDIBLE holy hell Prepare for more simping, more screaming, and more vibing from Yours Truly :) I fully intend on sharing more general thoughts like this on both Tumblr and Twitter so it's not just reblog-retweet-reblog-retweet with the occasional comment fhgskjd

If you wanna witness my insanity up close and personal I have a Square Enix Discord server called Sea Side Dreamers! You can look it up on Disboard, or you can add me on Discord @Katara0524#9244 for a direct link :) We have topics about Kingdom Hearts, Final Fantasy, NieR, and ofc TWEWY (as well as other topics!), so if you want some good ol' chaos and chitchat, you're more than welcome to join!

[sso-montana]

Of Dark Riders, Soul Riders and Nihili

As stated in this wonderful post by @pandoricexplorer, the Soul Riders, specifically the Moon and Sun / Star and Lightning circle stabilize each other. The work in balance, being most powerful when working together because of their differences. They compliment each other e.g. the heat/light of the Sun and cold/shadow of the Moon and the healing of the Star and destruction of the Lightning.

But what about the Dark Riders? Those are supposed to be the opposite of the Soul Riders. Not in a balance oriented kind of way, but as darkness trying to overshadow light. I always wondered which Dark Rider was the opposite of which circle, especially since the books made things more complicated and some clearer. In this poste I'm exploring exactly that concept and a little theory of mine regarding Nihili. The Soul Riders will be referred to as SR and Dark Riders as DR from here on. Spoilers for the books, obviously.

Starting with Jessica, she is the easiest to tell. Her powers are linked to shadows and darkness, making her the the opposite to Anne’s light. This has always stayed consistent throughout SSL, SSO and the SR books. Pretty straight forward. Additionally, her powers are a lot like Linda's, who can, for example, hide herself or others in the shadow of the Moon. Seeing those two going against each other would be an interesting fight, but I digress.

Katja, for one, was assumed to be the opposite of Linda. Considering how they changed her in the books and altered her look, I believe she works best as the opposite of Lisa. In the books it is stated that as soon as she is around, the room gets extremely cold. Her aura radiates a sense of death which is also very well portrait by her ice powers. Ice is cold, unforgiving. It can kill easily. The perfect contrast to the healing and life that the Star circle represents. 

Those were the easiest. From now on, things get a bit more tricky.

Going on to Sabine, she was always thought of as the opposite of Alex. Looking at the books, I wouldn't say that anymore. She caused the infection of Linda's wound, causing foulness and sickness to spread. Now, it would be easy to just look at that and say she's the opposite of the Star circle. But considering the bigger picture, I wouldn't say that to be true. Since her powers aren’t as straight forward as the first two, let's start with how she's portrait. When it comes to her powers, Sabine is always shown as wild, beastly, animalistic. Taking this into account, the Moon circle would make a lot of sense. The moon is something pure, calming. It affects the tides, basically water, which also represents cleansing and life. This calmness, this pureness works really well as opposite to the sickness and the wildness that Sabine represents. 

Lastly, we have Nihili. We haven't seen her yet, neither in game, nor in the books or anywhere else, so we don't know much about her. I consider this part more like a theory of mine than anything else, so take it as you wish. It once was mentioned that she was supposed to be the opposite of the Star circle, but since that would be Katja, and the others are also all taken, that leaves only Alex as an option. Now, this might seem a bit strange since there are a few possibilities when it comes to opposite of Lightning, and this might seem far fetched, but hear me out. I might be a bit biased her because of Star Wars and Darth Nihilus but oh well. The Lightning circles main power is, of course, shooting varying types of Lightning. Lightning is hot, bright, it's an output of energy and an expansion of hot air. Her OG name was Elise before the Team changed it for seemingly no reason, but maybe there was one. Nihil, for one, means out of nothing/nothing. Usually things like emptiness, voids or coldness are associated with that. The most logical explanation so would be that Nihili can use some sort of Void power. Voids are cold, dark spaces that suck in whatever comes near them. Works pretty well as opposed to the bright, hot expansion that Lightnings are. Now, this would very much make Nihili one of the most, if not the most dangerous and powerful DR. This can be a very good reason as to why she causes discord and chaos within in the DR, as stated by Darko. It would also be logical that Mister Sands would wait to use her until everything else is ready and prepared, using her as some sort of trump card against the druids. Nihili’s appearance, if she ever appears, could then very well indicate that the final battle is close. She could be an incredibly dangerous and interesting character if this theory is true.

Please keep in mind, this is just a personal headcanon/theory of mine. If anyone would like to add or share their perspectives on this, I’d love to hear those!

[theexecutionerssong]

SKAM FRANCE BTS MASTERPOST

This is a master post of BTS anecdotes told in interviews, at cons, screenings and on social media. Don’t click the read more if you don’t want to lose some of the magic. I know sometimes knowing too much of how a show was shot can ruin it. Also, it’s very obvious that there was more promo starting around season 3 than for the first two seasons, don’t hold it against me. Feel free to message me if you think of something else as I must have forgotten a ton of things.

CASTING, REHEARSALS, BTS IN GENERAL

Skam France had the rights for the 4 seasons first but had to follow the original script almost to a T for the first 2 and if the audience was big enough then they would be allowed to distance themselves from OG

Skam France casted actors that were as close personality wise to their characters as possible, which made it easier for the cast to identify with their characters and made the friendships developping between the characters more believable since it was also developping off screen

They were not allowed to cast underaged actors who would have been closer to the real age of the characters due to the long hours of the shooting conditions

Most of the actors come from theatre and many had no or little previous experience with shooting for a camera before

The cast isn’t allowed to watch the clips before they air.

Most of the clothes they wear in the show are their own.

During rehearsals of the first seasons, Philippine went to the board with everyone’s names on it and wrote something funny next to Zoe’s name and wanted to send it to her but she messed up and published it on her ig stories, leaking the entire cast when it was still supposed to be a secret.

Lula’s first reaction when she got the script and “met” Daphné was “oh no I’m scared. I just want to slap her, she’s insufferable”

Assa almost didn’t audition for two reasons: the casting call didn’t specify they were looking for a woman of color and French casting calls almost always say whether they are specifically looking for a black woman. If it says nothing then they are usually looking for a white person. She thought she had no chance because of that. Second reason, after accepting the casting call, she did some research and found out OG Sana was from the Maghreb and she’s not. But her agent convinced her to go through with it, the only thing the skam france team wouldn’t negotiate was that they wanted a Muslim actress. There was no way they would have casted a non muslim actress/actor for Imane and Sofiane.

Skam France was the first TV show on French TV to have a black muslim  woman wearing a hijab as a main character

Paul, Robin and Axel knew each other before shooting, they’d met in Avignon.

Coline was still in her last year of high school when she shot the first two seasons.

Niels is the one who came up with a raccoon as Eliott’s spirit animal

They shoot about 15 minutes of usable content per day which is impressive (it’s usually 2-3 for movies released in theatres, 5-7 for TV programs)

When France TV told David the first two seasons were a success and they were renewing the show, he gave them a list of things he wanted to change so that he’d agree to come back to direct the next seasons, including a different camera, renewing the writers team (they included Niels), storylines, the ig content, etc. The new camera they got was a SONY Venice which allows them to play a lot with the focus/blur ratio and the cold and warm undertones, which made a major shift in the visual quality of seasons 3 and 4 compared to the previous 2.

David named Eliott after his son.

Having the teaser from Eliott’s POV was David’s idea. It’s the first remake to have a clip from the French Even’s POV

The bus stop from season 3 is fake, it doesn’t exist. It wasn’t even shot in Paris itself but in Saint Ouen.

Maxence didn’t watch OG - besides the towels in the bathroom clip - because he wanted to create his own Eliott without being too influenced, and he didn’t watch s1 and 2 of skam france either because he wanted Eliott to discover the characters without knowing their backgrounds.

Maxence wasn’t supposed to audition. He wanted to be done with his acting school before shooting anything but the head of the casting team came to watch a public class at his school and asked him to audition for Eliott at the end. David and Niels knew right away he was the one. Niels watched the audition tapes and was very impressed with another actor but within the first 3 seconds of watching Maxence, he knew it wouldn’t be anyone else. Maxence met Axel after the 3rd call back and they clicked right away. He’d broken his foot two days earlier so he was in crutches. They watched Even’s manic episode and had to improvise a similar scene but had to do with the crutches. They also went for a drink before shooting and they talked for hours, their connection was instantaneous. 

When he learned Maxence was cast, Axel went on his instagram and saw the model pictures and thought he was way too hot with the abs and everything and he himself would look like a potato during the nude scenes next to him. So he got a coach and for 3 months he trained and got on a very strict diet. He was disappointed that there were no shots where you could actually see his abs properly in Skam. He had also said months before that he had gotten a coach because before they started shooting seasons 3 and 4, he had met up with Marilyn to get advice on how to carry a season and she had told him to get a coach otherwise he wouldn’t be able to keep up with the pace. So what is the truth?

It leaked that Maxence was casted in July 2018 because someone on a Korean website recognized his shoes in an IG story from when he’d been spotted at the airport months earlier but it was kept mostly under wraps. Then his and Lais’s names leaked too a couple of months later but most people hadn’t seen his face before the trailer.

David asked Axel and Maxence to give up their phones and social media during the couple of months they were shooting to be really focused and not get distracted by the outside world and they mostly did. Axel bought an mp3 to still have music, he wrote “LUCAS ♥” on it with a white out pen. He created a playlist for Lucas, including songs like Run Boy Run and I love you by Woodkid, and To Build a Home by the Cinematic Orchestra.

Maxence’s process to get ready for a shot: he does yoga and dances a lot in the morning. he puts music on and paces a room while picturing himself standing on the edge of a cliff and if at some point he feels like falling and loses his balance, it means he’s got it. He asks that all the scripts he gets be printed on the right side of the page and on the left he takes notes about what the character is feeling through 7 different states: love, hate, fear, power, vulnerability, sex and i hate myself for not remembering the last one. To play a scene properly, you have to conjure up 4 states to create one emotion. He loves that David respects his method and is able to adapt to every member of the cast’s method. He also uses his body as a tool, for example if his character has to feel lonely or unsure, he will curl up into a ball for an hour without moving and then he’ll be in the right mindset because his body is telling him he’s isolated. That’s the method he used for Eliott, he created “lost scenes” that weren’t in the script, moments in between scenes with Lucas, to get more into Eliott’s mindset.

Maxence wrote a letter to Eliott, drew a picture of him, and spent hours adding notes to the script about his personality before even trying to get into his mind. 

There was a contest for the drawings in season 3. Maxence participated but didn’t get picked. Jeanne Lelièvre did!

All the social media content for seasons 3 and 4 were shot on the same day in December 2018 which is why you can see heavy winter clothing even when the content was published in May. For season 3, most ideas were Axel’s, and Maxence said no to 90%. 

While shooting for seasons 3 and 4, Axel was also on stage every night for theatre

To prepare for his role in s3, Axel watched CMBYN, Moonlight, and The Office 

They received more feedbacks from international fans than French ones at first. It was even a private joke between Niels and David, there were no comments in French on Youtube. Then the piano clip happened and David’s phone went crazy with notifications. He was in the editing room with Jérémy and the buzzing from his phone was non stop. They banned phones in the editing room after that.

Skam France owes part of its popularity to how accessible the cast and crew are, either on social media or IRL, with 6 entirely free events organized to get the fans and the cast and crew to meet, watch episodes together and have Q&As during seasons 3 and 4.

Skam France shooting locations have become extremely popular for the fans to hang out at and leave little mementos, to the point that the mayor of Paris has asked the team to pick completely untraceable locations, or make sure they are not in Paris itself for the next seasons

Skam France was the first remake to get renewed for 2 (possibly 4?) original seasons

Alexia and Daphné were supposed to have their own seasons they but couldn’t get the green light from Norway. He got the idea for Arthur’s story quite quickly after but they had to rework the scripts for seasons 5 and 6 a lot. Robin talked to David about his addiction to video games and how it could be a potential theme but in the end David chose deafness instead.

SEASONS 1 AND 2

It was Coline’s idea to make Alexia bi. There was a scene when Alexia mentions an ex boyfriend and she asked David “why wouldn’t it be a girl?” and his only reaction was “Ok. What’s her name?” and that’s how bi!Alexia was born.

It was also Coline’s idea to give Alexia’s colorful hair. She later regretted it because she had to bleach her hair twice to get the blue to stay and it fried her hair.

Assa’s worst memory of shooting s1 and 2 is when the girls have to carry Daphné, she kept dropping her and was afraid of hurting her.

Marilyn and Lula ruined the scene when the girls are having breakfast all together when they are on the countryside because they couldn’t stop laughing over carrots and the crunchy noise it was making. It was the last day of shooting and their nerves were all over the place.

SEASON 3

The first scene in the common room didn’t hit them that much, they didn’t realize the impact it would have because the whole shooting was just David yelling at them to look at each other then stop then do it again then stop etc

Nobody realized how big of an impact the “Moi c’est Eliott” line would have and then when they watched the clip, it was obvious.

The check de gang wasn’t scripted, it was Paul’s idea to make it a running gag. David wasn’t sure about it but after doing it just once, he was sold. Basile tripping over the bench was also Paul’s idea but he didn’t warn anyone he was doing it so Xavier started laughing and the camera was shaking so bad that they couldn’t keep it and had to reshoot the scene. They noticed during the editing process that Robin also tripped at the same time in the background during one take so they had to keep that one. 

Lucas playing the piano was Axel’s idea even though he didn’t know how to play properly. He sent a text to David at the end of June with different ideas for songs and David picked the most difficult one. He then practiced anytime he could until they shot the scene in october. It took him two months to learn it completely and then a little more to make it look easy.  (Niels later said it was his idea and that Axel was a cheeky little shit). Maxence had never heard Axel play the song before that moment so Eliott’s reaction is genuine. He didn’t think he’d manage to get in the right state of mind because the apartment was too small for the whole team and they were all very cranky, it was 3 am, but the moment he heard the first notes, he forgot all about it and was completely amazed.

The infiltration party: David asked that Basile pushes Daphné a bit, like shoves her out of the way when they have to run, but they hadn’t had the time to rehearse anything. After a couple of takes, Paul pushed Lula a bit too hard and she fell on her knees quite hard. He felt so bad because he never wanted to hurt her and they all had to take a half an hour break because her knees hurt. David after that was like OKAY NO MORE STUNTS EVER.

Axel got mad at the makeup department because the two lines on his face were not on the same place when they shot the outside scene and then once inside. He got so angry he could have cried that they wouldn’t believe him. So during the shooting he looked straight at the camera and wiped them away with the back of his hand to force them to draw the lines properly.

The first kiss scene: they had been shooting for 12 hours. It was raining intermittently all day so the team had to pack up the cameras often and wait it out when it was too much. They ran 4 hours late. They had a fake rain machine but no change of clothes so they could only shoot once. Below the bridge is not easily accessible, it’s a long path from the gate, so they used ropes to get things up and down from the bridge. They only had one shot. They had already shot kissing scenes but David was always telling them it had to be more passionate and kept yelling at them to use more tongue so for that shot they gave it their everything on the first (and only) take they did. 5 minutes later they were shooting the Remember scene.

They shot all the scenes in the colloc on the first week of shooting. Minute by minute was shot right before Samedi 9h17. They had to restart shooting samedi 9h17 four times because something wasn’t working between Axel and Maxence, they were clumsy and stressed. After taking 5 minutes to themselves with David to remind themselves of how pivotal the scene was, Axel and Maxence said they were ready and they shot the opening scene that made the cut.

The Phase de latence clip : Axel and Maxence felt like terrible actors because they had already shot all the big very emotional scenes and this was a bit tamer since Eliott doesn’t show much emotions. They felt that way about all the scenes shot in the school.

The Fête de trop clip: They shot the fight with the guys 8 times but it wasn’t enough for David until Robin slapped Axel on the 9th. After that they shot Chloé yelling at Lucas. Axel was still out of it due to the slap he’d gotten earlier that he hadn’t expected. At 3am, they finished with Lucas injuring his hands. Axel cracked the metacarpus in his hand and only told David two days later.

Leo has talked about the coming out bench scene and said Yann took it a bit too far and was too dramatic, he was like “i don’t know if i can say that… but c’mon… I mean. C’mon… that’s your best friend… who cares if he didn’t tell you right away, he had bigger problems on his mind, right?”He would have done it differently.

The “viens on n’en parle pas” scene was shot in 50 minutes in the middle of the night on the second day of shooting. Marilyn and Axel’s emotions were briming under the surface so it was one of the easiest scene to shoot.

The hardest scene to shoot for David in s3 was the intervention clip. It was the second day of shooting, the 4th clip of the day. Axel’s first take was not good enough and David was scared it would set the tone for the season. He had a stern talk with Axel. Thankfully, they shot a second time and it was the right one, everyone on set was crying and Axel was completely drained.  

The scene where they go get the couch from the creepy place is the one they shot last for season 3.

The paint scene: they only had one try. Axel and Maxence hadn’t shot together for a week, David had done it on purpose and they’d missed each other. It was shot on a Friday at the exact time it was supposed to happen IRL. The whole thing lasts 14 minutes long. David took their pants off because they were slipping too much. Xavier almost stopped filming he was like “is he serious? did he just take their pants off??”. They shot a part when one of them slips on the ground and the other follows but that didn’t make the cut. There were 25 people on set, everyone in a suit to protect from the paint, but Axel and Maxence forgot everyone and just got lost in their characters. When David yelled cut, Axel and Maxence didn’t hear him and kept making out. David had to separate them. Then they all were so happy that they yelled their joy but then saw all the people who were behind the camera, and everyone was crying, like they had witnessed something too intimate. They showered for an hour, emptied 2 bottles of soap and even then it wasn’t enough, Axel still had paint running down his neck at a party that evening. The music used on set was Dreamer, the Khlar remix. Maxence was upset it wasn’t the one they ended up using in the clip, it felt like a betrayal because it “wasn’t the song they had made love to”.

Maxence fought with the costume department over the briefs he was wearing in the paint scene, because they had shot the PONI scene first and he could remember which ones he was wearing for the PONI scene and he wanted to wear the same ones. He was sure people would notice.

The first scene Maxence ever shot was the PONI scene. 

The boat scene was quite special. It was a big moment for Maxence, he was extremely nervous, so David reduced the team on set as much as he could. Maxence got upset at Axel for being too present during the scene. Being used to a theatre stage, Axel is always a bit over the top, eating his ham with a flourish, stuff like that, but this was supposed to be Eliott’s big scene. Maxence asked for a break and told David that if Axel didn’t tone it down, he’d kill him. That also got resolved quickly. 

The Remember Me scene: the priest is Lula’s dad. Lula and Niels both make a cameo in the church. They forgot to warn Axel that a car was coming when he’s running so his reaction is genuine. He was running so fast, the minivan with the camera couldn’t keep up so they shot it twice. They shot Lucas finding Eliott under the bridge just after shooting the first kiss. Maxence only had 4 minutes to get into the right state of mind which was extremely challenging and during that time he had to change his clothes, dry his hair and redo his makeup. Axel wasn’t feeling very well, he was exhausted after having shot 4 clips that day, but David told him he could do it so he ran on the path to the bridge harder than ever (David thought he was going to hurt his sinews) and when he fell to his knees, he was close to passing out, you can actually hear when he says the first “t’es pas tout seul” that he’s about to throw up / can’t breathe properly. They only shot that part once and after it was done David told them they should hug each other because what they had just done with Lucas and Eliott was precious and a moment to remember.  

There was supposed to be a scene after the Remember scene but it was cut. Eliott is sleeping, Lucas brings him food and starts reading his book and then Eliott wakes up. They say hi, Eliott is confused about the time it is, it’s already late afternoon. He says he needs to leave, but Lucas tells him no. He keeps saying he has to go, he has to go to his parents. Lucas tells him it’s fine, they’ve been warned of where he is. But he says he’s got to leave anyway. Lucas asks him why he keeps insisting he needs to leave and Eliott tells him he just doesn’t want Lucas to see him like this. Lucas tells him he doesn’t mind. Then he starts teasing him, saying Eliott just wants to leave because he doesn’t want to own up to the fact that he lied to him. Eliott is confused. Lucas reminds him that he’d said there was no way he would ever be able to sleep next to a guy that hot (on the boat) and yet here they are actually taking naps. So Eliott must have lied to Lucas about finding him hot. Eliott says he’s an idiot and Lucas tells him that at least he’s not a liar at that what matters is that he is his idiot. “Congrats, you’re now the owner of an idiot… more or less hot” Eliott tells him he’s won and asks what they should do now. Lucas answers that they should start by saying hi properly and they kiss, and when they pull back they just look at each other whispering “salut”. Axel said he was upset at David for cutting the scene because it was so soft and intimate, he called him when he watched the episode to ask why he cut it, but it would have been too repetitive with the following Lundi 17h21 clip.

Lundi 17h21 is the second clip Maxence shot. Lucas’s “T’es beau quand tu rigoles” wasn’t scripted, Axel changed the script, he was supposed to say something about liking seeing Eliott smile.

The Je t’aime scene: the first shot they did was the most emotional one, it was one of the hardest scenes emotionally for Axel. He was crying so so much, he had tears and snot everywhere, and Maxence was just wiping it away so tenderly that David thought about keeping that shot but the snot was REALLY disgusting so they didn’t keep it. They shot it a few more times, except that then Maxence had to leave. So the shot of Lucas saying Moi aussi is actually to David. Axel said it didn’t feel weird because he does love David so it felt true.

SEASON 4

Assa sat down with the team before they wrote anything for the season and told them her whole life story. It lasted 4 hours and she cried when reading the script because they had included so many things she had told them, it felt like her and Imane were one.

Making Assa dance was Philippine’s idea. David asked her what she thought about when thinking of Assa, something that was really her and Philippine said “Dada, you should see her dance”

Moussa and Assa knew each other before since they had filmed together 5 years prior, a movie in which they already were siblings. They feel like siblings in real life.

The worst clip to shoot was on Lais’s first day of shooting, it was the bus clip. The shooting conditions were terrible, there was too much noise, and the crew was tired from having shot the 3 bus stop clips from season 3 earlier that day. David was convinced there would be nothing to save and they would have to rent another bus but the team worked their magic in post prod and it turned out amazing.

They shot the scene with Imane, Lucas and Eliott in class the day after Halloween. Maxence was at a party the night before and lost track of time. He had to take a taxi straight from the party to the set at 6am and showed up in full zombie costume and makeup.

Charles come back: it had been cloudy and raining all day but the moment the camera was on the girls’ faces, a ray of sunlight appeared and the wind blew in their hair, making it a real dramatic moment. Too good to pass on, it’s the shot they kept.

The fight between Lucas and Eliott that we vaguely hear in the background was just gibberish. Axel and Maxence hadn’t prepared anything and Axel just ended up shouting at Maxence things like YOU LIED TO ME BEFORE ABOUT LUCILLE YOU MIGHT BE DOING IT AGAIN ABOUT SOMETHING ELSE and Maxence NO I WOULD NEVER - BUT YOU DID - NO I WOULDN’T - YES YOU DID - NO and they kept going in circles so David was like “guys…. please, you might want to start screaming about something else or this is gonna sound very repetitive” but in the end we can barely hear anything so it didn’t matter much

When Alex comes to pick up Emma to go to the cinema, Assa had a break down and couldn’t stop laughing, hiding under a blanket and making all the girls laugh too with her. David had to scold them a bit to get them to stop.

Lais also ruined a clip by laughing for 15 minutes straight, it’s the clip at Imane’s house when they talk about the fair. It was the longest 15 minutes of the crew’s life. 

The oui oui song during Daphné’s birthday party wasn’t planned, the team just lost control of the cast. Axel started it and everyone followed. The cast are actually terrible extras. They are too dramatic and noticeable in the background so party scenes like Daphné’s birthday were a nightmare to shoot. 

Assa and Laïs rehearsed the Unknown dance clip every chance they got between every take, everyone kept tripping on them in the corridors.

The last sequences they filmed were actually the last clips at Imane’s house for the Eïd. Axel isn’t in the last shot because he had to leave for his play. He actually ruined the very last clip of season 4 by shouting his goodbyes to David from across the corner.

SEASON 5

The auditions for season 5 and 6 were held in June. Lucas was spotted through his youtube channel and asked to audition. 

Coline learned sign language by herself after an initiation class with the whole team. She started signing in July and has been practicing ever since. Robin took a one week class in September and then kept practicing by himself and with the D/deaf people on set. David and the rest of the team also took an initiation class.

Robin doesn’t like water and was anxious about the scenes in the pool. David got in the water with Xavier, Robin and Winona to reassure him and direct them better. They limited the number of extras around the pool because of that.

The place where Eliott works is where David used to work when he was younger.

Coline wrote a song for the season

They couldn’t leave the mural in the high school so they took it off the wall (it wasn’t actually painted on the wall itself) and cut it into pieces. There are a few pieces framed on the walls of Lucas and Eliott’s flat.

[thejudgingtrash]

Last but not least: PJO hot takes part IV!

Alright my dudes. I think we’re still in this game for one final round. Anyway here’s wonderwall. And Part 1//Part 2//Part 3!

Percy had actually knowledge about the Greek myths. He didn’t waddle in blindly. Where did y’all even get that?

The new possible Irish myth saga will be PJO 3.0 aka Magnus Chase 2.0 aka The Kane Chronicles 1.2.

Riordan already got the names of gods of that possible saga wrong

Riordan‘s Asian characters only know bitch or bland mode, huh

Stop babying Annabeth for fucks sake. Seriously

How the fuck did Sally afford several private schools for Percy when they were poor as fuck? I guess Gabe had to have a some somewhat decent job but then again playing poker/being a gambler and stealing from your stepson ain’t a cute move

Hazel should’ve been Thanatos‘ kid. To break the classic 12 Olympian mold (yeah Hades/Pluto technically isn’t one but he’s still team major gods) and also to throw the damned Hitler/Pluto aesthetics away

Did any of the kids break their limps or get permanently disabled at some point? Or do they just... die (and mostly stay dead)? I forgot

Where can the kids at Camp Half-Blood actually sneak off to fuck? Percy is legit the only one to claim his own shit as his love bunker. The rest is just fucked I guess or has first hand traumatic pre-college experiences

”Percy cursed“. Literally why, Riordan. Let the kid say fuck. He has earned the rights to do so a long time ago

Did I mention that people lack of basic reading skills in earlier takes? Anyway. Here’s another reminder!

Tbh the gods are egotistical fucks and have killed people for the fuck of it. I don’t see Poseidon being even close to okay with Sally marrying Gabe or Paul

I still don’t understand why Frazel is a thing

Most of you don’t understand how movie production works but that’s okay. Just know that everything inside your head will never be realized and there will be drastic cuts and additions to the books (again)

The electronics not working thing doesn’t even make any goddamn sense? Hermes is the god of the Internet. Does this mean that demigods can use the web just fine but simply can’t call each other? This really came back to bite Riordan in the ass now did it? Wouldn’t it make more sense to use old means of communication once you’re trying to reach more important/godly people or electronics fail in an accute situation?

Turning everyone heteroflexible creates the image that you’re simply liking a character for the fact that they are LGBTQ and not the character itself, just saying. More representation sure, but that itself isn’t a personality trait and shouldn’t be the main focus of a character unless it’s really defining in the story line (Nico‘s arc partially for example)

Tbh, HOO should’ve been aged up mentor Percabeth protecting CHB, with the rest of the gang fucking up Greece with aged Reyna + Nico perhaps. I might post an outline on that AU someday (someone should remind me about that tho)

On one hand you have in depth discussions and people diving into the matter and talking about every nook and cranny and on the other hand people are more then just fine with stereotyping and deflecting. Whut. Okay

Why are people shipping the lie that is Jasper/Jasiper

Stop romanticizing the gods

Dark!Percy is just a cheap way for you to turn Percy into an overpowered asshole and that’s that tea

Being in a relationship isn’t a personality trait, my dear shippers

Riordan‘s timeline is off because the coke rush didn’t last that long

The wasted potential of everything past PJO makes me want to cry

Percy’s fatal flaw isn’t stupid, Riordan just didn’t flesh it out properly which is why there were no real repercussions. A fatal flaw is supposed to be hindering you and not a compliment

The fact that adult people still can’t take jokes about their favorite characters is fucking insane part II

Why the fuck did the Stolls get tossed aside? Bruh. The potential? The stigma as a Hermes kid? They trying to redeem their cabins honor? Imagine one of them as a prophecy kid in HOO (and they’d switch and swap to confuse everyone)? Yes??

Every single one of you that essentially is team poc!Percy because he had a rough upbringing deserves to get slapped. Poverty, abuse, a single parent, etc. doesn’t equate to being poc?!?!? Smells racist just saying

Turning Hazel into Nico‘s sister was cheap af

Stop romanticizing and down playing the myth aspect. Tragedy is essential and will haunt demigods. Thank you, next

Also stop babying Percy

Let’s be honest none of those fuckers make it to college

Annabeth Chase is fucking WHITE part II. She’s not biracial, she’s not ”exotic“, she’s certainly not fucking black. She’s white with a little hint of a tan. That still makes her white. Do you really want to turn her into Ariana Grande 2.0? A fucking botched orange? This is your Annabeth aesthetic? Artists get it fucking right unless you state that you portray her as [spraytan headcanon] which is still fucking cheap let’s be real. Orange Annabeth isn’t part of the kulture

Regardless of the reception of the PJO movies, I’ll never forgive you people for letting Logan Lerman aka the OG white boy™ flop. Throw Tom “lipless but okay booty“ Holland and Timothée ”I missed a few meals“ Chalamet the fuck away!

Tbh a less romanticized version of the camps would’ve been more interesting. I’m still put off by CJ (and also the fact that CHB is a summer camp), but had there been more fights and actual deaths that had happened around the camps due to training, etc. you would’ve understood immediately why demigods dipped before the age of 18. The antithetical nature of sweet summer camp and people dying left and right would’ve been amplified

Did Reyna at some point in time even have the time to breath with all of the shit that went down? Her life is simply 24/7 stressful. I get that she wanted to bounce and no longer be in a tiring and demanding position but the hunters ain’t it sis

It’s okay to admit that fanon artwork or fanfics don’t deserve the webspace they are wasting. But phrase that probably in a nicer way

PJO Calypso wasn’t annoying. HOO & TOA Calypso on the other hand...

Alex Pettyfer would’ve been a better Luke Castellan but Jake Abel did an okay job

Percy isn’t an idiot. You are one for believing so

Riordan corrected the stance that Muslims don’t shower during Ramadan (literally how in the fuck did he come up with that in the first place?!) in upcoming MC books. Can he use the same energy to rewrite HOO tho??

Luke’s portrayals in SoM and TTC were straight up trash

Historically accurate PJO would’ve been everything

Monsters can detect demigods by smell. Camo wouldn’t do jack shit ffs

Jason is still bland and making jokes/pointing that out is more than okay

Omfg accept the fact that characters can have multiple facets all good and bad. Reducing them to one specific trait makes them boring and bland. Also it stereotypes

Getting mad over the fact that Clarisse has a boyfriend is still fucking insane

Not everyone needs to be a fanfic writer or an artist, a theorist or someone that analyzes everything phrase by phrase. As long as you’re in the fandom to enjoy works & discussions and remain on the saner side of the spectrum you’re good. You’re valid. Don’t forget that.

Not wanting to stay in a fandom and merely enjoying some of the fruits/benefits as in art/fics/headcanons is also super valid

PJO Reddit, Tumblr, IG and Twitter are a cesspool of chaotic mess and straight up trash but Tumblr > Reddit >>>>>> IG >>>>>> Twitter

Tbh: just try to enjoy a decent book series. It’s all not that deep

[sillyfudgemonkeys]

i havent been here in a hot second is there a reason for the makoto hate specifically? like the rants go back to p5's writing issues but the spite for makoto seems very specific did she kill someones dog in one of the spinoffs or what?

You're all good. So here's the thing, she did kill my dog-I'm joking.

When I say “I’m the residential #1 Makoto Hater” it’s a joke, partially cause it probs looks that way (and probs cause it might be true, who knows if you could quantify hate then maybe I’m at the top of the leaderboards 8U but you can’t so we’ll never know). But I’m saying it at as a joke, to own myself and everyone here that knows what I think of her, rather than wear it as a badge of honor or some silliness. It’s just a “oh haha yeah there goes Silly, dunking on Makoto again! She’s basically Makoto’s #1 hater haha oh she’s so silly.” (so please don’t look too deep into it, I just want to have fun).

Anyway, me hating Makoto isn’t new, but I do hold a similar ire towards Futaba, Goro (tho I have camaraderie with his fans, I relate to their struggle in terms of my own brown hair and red eye fav and Atlus screwing them over u_u I may hate your fave but I respect you and will be in your corner), and Yukari (as well as Chloe from LiS if you want a non-Persona example). Makoto might be talked about more because 1) She hits my buttons that much faster (Futaba/Goro are more like a festering wound, and when I talk about them it’s hard to pick a starting point), 2) Her fans tendency (early on in the fandom) bringing her up frequently.....was a bad combo with #1 (overexposure+pushing all my buttons really fast=disaster). Obvie not blaming her fans, but it was hard to curate how I was able to curate my content online (esp with gaming news websites calling her “best girl” when showing off a figure announcement or some BS when I just want to know what new games have been announced >.> I can do without you trying to start a waifu war in the comments Siliconera -_-)

Anyway, I think I’ve made my reasons for hating her very clear (you just have to search her name on my blog and you’ll get a ton of essays I’m sure, too many to count). And a lot of it is the failure of P5′s writing. “So it’s just the writing you hate, not the character.” No. Because that doesn’t make sense. Except under certain circumstances (which I’ll provide examples of below with Luke Skywalker), you can’t separate the writing from the character. The character IS the writing, the writing IS the character. If you can’t hate/dislike the char because “of the writing” then you also can’t love/like them either. The character and the writing/writing choices for that character are connected. The writing embodies that character. They are the same.

Now I said there was an exception, and that’s....”different writer/director,” tho it’s not ALWAYS the case (sometimes the new writer really gets the original writing, like Saito for MM.....they are very good at emulating the clusterfuck of P5′s writing). P5′s writing is the original basis for Makoto’s character, that’s her. You can’t separate it from her. Same thing with say....Luke Skywalker from the OG trilogy, that’s him. But then we get to the sequel/Disney trilogy, new writer/director....and yeah that’s a mess (from what I understand OG trilogy=Hopeful and tries to see the best in people, 2nd Disney=Cynic and tried to kill a child, 3rd Disney=Hopeful again for some reason). There’s character development, then there’s just straight up changing the character just cause you need them to be this now. 

*writes how this can apply to Persona spinoffs but deletes because I was getting too off track* Look at me exercising control. It’s probs best I save that for a meta after I’ve replayed all the spinoffs again.

But....if you want me to boil down my issues with Makoto, I hate the message we get from her. I hate the lesson we learn from her. What is supposed to happen vs what happens.  It’s supposed to be about a girl who is blindly following authority and becomes disillusioned with it after being burned by it, on top of “immense pressure” she has as well, and then comes to our side (we know this because Atlus told us). We don’t get that (we know this because we saw the execution). We get two adults, yes TWO ADULTS, one of which is her sister and wants her to do well in school (but isn’t like.....a tiger mom about it, because Sae can’t be TOO horrible because we need to like her later), who in retrospect seems very busy with her job (which gives Makoto freedom), but also feels burdened by her younger sister (in which she has one shitty slip with her and then NEVER again). And the other is a dumbass principal who asks a really strange and stupid task for Makoto that snowballs into bullshit. That’s IT! THAT’S IT! That’s all we get from Makoto and “authority.” Strawmen. We don’t really get much of her personality either (I’m not saying that cause “she’s cardboard” I legit just.....don’t get her? Like I don’t get enough of her to get a solid foundation, you get me?) Like as the player, what we see of her is she’s just studying in the library (Kamo arc), then the principal calls her in, she mentions the rumors about Kamo, he asks her to look into the PT in exchange for a recommendation (to which she’s surprised and says thanks, not no, she looks like she’ll accept JUST BASED ON THAT) but before she can even say Yes (OR NO) he threatens Makoto with her sister, to which Makoto hardens and then agrees. Then she acts like an asshole and yadda yadda stuff happens.

But if she’s supposed to blindly follow authority, she’d say yes, but then they don’t let the character breathe so she can make the “wrong” choice because the Principal goes STRAIGHT to threatening her.......so now the message is muddled, or really it’s non existent. The whole Sae thing is a nothing bag too, it’s just family drama. Her sister is, no HAS to be absent a lot for her work, just so Makoto can have the freedom to be a PT....which means....it hurts her lack of freedom and other stuff associated with Sae being a big pressure on Makoto’s life. You know, I’ve said before they’ve squandered Sae, and that Makoto’s presence really harmed Sae (iirc it was this post). But at the same time, how they handled Sae really screws up Makoto’s character. Neither are allowed to breathe. Neither are allowed to make a true, horrible choice...and then learn from it. They aren’t allowed to have an actual arc. Altus played it safe, took choice away from them, didn’t want to take risks with either character and have meaning. Instead we just have this nothing contradiction thing dicking around until they join our team. 

What really sucks about that....is we got that with the Kamo arc. With Anne, Ryuji, even Yuki and Shiho. Kamo was manipulative, and his manipulation caused people to make....not the best choices, all out of a means to survive. Ryuji physically acted against Kamo, and he got his leg broken, team disbanded, and outcasted. Anne was trying to protect Shiho’s position on the team, which lead to her almost getting harmed by Kamo, Shiho getting harmed, her not seeing the truth about what was going on around her, and she didn’t tell Shiho (because she didn’t want Shiho to think she didn’t get on the team for her own merits), and so on. Shiho didn’t tell Anne what was going on because she wanted to protect Anne from Kamo (and was afraid Anne would, very much blame herself), and her and Yuki and the rest of the teams helped keep quiet about Kamo so they wouldn’t be next on the physical chopping block. This isn’t me blaming them, this is me showing their choices, their attempts to fix their (hopeless) situation, to help themselves or others, and the dramatic irony being it just made everything worse. BUT, even tho Kamo was the real one to blame, each character is aware of the actions that were made, and the consequences of each action (esp Anne/Ryuji/Shiho). And in their CoOps, they identify this, and take strides to learn from it so it doesn’t happen again. That’s an arc. That’s character development. They were allowed to make errors, mistakes, decisions that negatively impacted themselves/other’s. We see a solid foundation of their character from the get go, and how it changes over that small time. We don’t get that with Makoto. The group is like solid concrete to Makoto who is like shifting sand. 

Sorry got a bit off topic, anyway, I hate her message of boasting about her fighting ability but she only harms her friends (outside of shadows, but that’s not special) WHILE ALSO being a damsel that needs someone else to rescue her! I hate how when she gets called out, she wants to drop it, and gives gaslighty apologies, even tho she really ROYALLY screwed lot of people very badly. I hate how she demands us to help, only to literally be a detriment to our investigation. I hate how she gets to fly off the handle without repercussions (despite needing to be cool calm and collected for her job, especially since she miraculously can do that when needed so what the hell????). I hate how the text has her be shitty, say shitty things, be bad at her job, but will turn around and reward her time and time again. 

Sure she doesn’t break the lore like Futaba, or unravel P5′s plot like Goro. But as a character with a message attached to her, even ones that the creators surely overlooked (I’m sure they didn’t intend for her to only hit her friends), it’s simple but very annoying. Fast and easy to see, doesn’t require me to think of P5′s lore as well as the grander Persona lore. Doesn’t require me to dig through text for Goro bread crumbs and then unravel the entire basis of the P5 plot thanks to him. Makoto is easier to get into, it’s smaller scale and more personal I guess. 

[aislingyngaio-games]

FF7: The Lifestream Sequence Myth

There seems to be a very popular fanon theory that Aerith was the one who protected Tifa when she and Cloud fell into the Lifestream, and at first glance, it seems completely reasonable. After all, Aerith is the last Cetra. Anything Lifestream-related must surely be because of her, right?

Except no.

Not everything about the Lifestream can be controlled by Aerith. She’s a half-Cetra who did not even know much about her heritage until literally the last minute when she finally gathered her courage and summoned Holy. Part of the reason she went with the team post Midgar was because they were chasing Sephiroth, a self-professed “Ancient” and Aerith went along with them specifically because she wanted to learn more about someone who claimed to be an Ancient, and to also learn about herself and her heritage. (That’s why, even after all the psychological torture she endured from Hojo, she still went up to ask him about Sephiroth and the Ancients at Costa del Sol)

And quite frankly, the only source one can quote that seem to think Aerith was the one who did it was “Maiden who Travels the Planet”, which is non-canon fanfiction at best. (who on earth would believe it’s canon when Crisis Core exists and is actually an official part of the Compilation?)

Riddle me this if you believe it was Aerith protecting Tifa during the Lifestream sequence:

1) What about Cloud?

So if Aerith was capable of protecting Tifa’s mind when she and Cloud fell into the Lifestream, why not Cloud, first when he went under at the Northern Crater, and then again at Mideel with Tifa? Throughout the OG, because of the nature of the game back then, the player was meant to build a connection to Aerith via the controlled main character - in this case Cloud - so as to render her death as shocking as possible. It cannot be denied that Cloud is at least as dear to her as Tifa is. So IF she was in fact the person who protected Tifa while she was in the Lifestream, why did she not at least do the same for Cloud (and I’m not even talking about healing his shattered psyche here, simply a matter of mako poisoning protection)? You can’t tell me she did nothing when Cloud fell into the Lifestream, but the moment Tifa fell in she’s like “BITCH NO TIFA MAH BAE IM COMIN”? The answer is, she didn’t for either Cloud or Tifa, whether it was due to her inability, inexperience, or...

2) Aerith’s Role in the Story

The last Cetra is a heavy title to bear for anyone, let alone one that’s only half-Cetra brought up as a science experiment and not taught any single bit of her own culture. But that’s the role Aerith had to fill, that of saving the forest, not the trees. Of saving the world, not the individuals. The implication of the ending sequence in the OG, the bookend of her face, is that she somehow rallied the Lifestream and persuaded them to intervene to save the Planet, the same Planet that activated the WEAPONs when Meteor was summoned, the same Planet who sent the Lifestream up to counter Meteor even while risking giving Mako poisoning to the gazillion people in its path (this isn’t even counting the Geostigma presence in the Lifestream that even the Lifestream didn’t know about until too late), because fuck it, this is the Big Red Button moment if there ever was one. In this role, it would be completely selfish of her, who has this great destiny that only she can fulfill, to be distracted from this all-important duty to go meddle in the fate/wellbeing of a single individual. She was working full time to persuade the Lifestream to intervene and fight Meteor, because Holy was not enough. As cold as this sounds, her role as the last Cetra does not allow her room to care about individuals over the greater collective (especially as she was literally flying by the seat of her pants in trying to hustle the Lifestream to do SOMETHING). Tifa (or even Cloud) should not be more important to her than the rest of humanity, or indeed, the world. That is not her story arc.

But if not Aerith, who was it?

The answer lies in the Under the Highwind scene:

“But when we were in the Lifestream, surrounded by all those screams of anguish, I thought I heard your voice... sniff... you probably don’t remember this... But deep in my heart, I heard you calling my name... Or at least I thought I did...”

“Yea... at that time I heard you calling me. You were calling me back from the stream of consciousness in the Lifestream. After all, I promised. That if anything were to happen to you, I would come to help.”

It was Cloud who saved Tifa in the Lifestream.

GASP. BUT HOW IS THIS POSSIBLE?

It states it right in the dialogue. Because they called out to each other. Because shorn of everything else, shorn of the secrets, of doubts, their hearts cried out to each other. Tifa called out to Cloud, and Cloud found and pulled Tifa’s consciousness into himself to protect her. Further proof can be seen in the fact that, after Cloud’s psyche was reunited, and Tifa was all “You had us worried!” he began to spaz again very briefly, which led Tifa to ponder “This is the Lifestream isn’t it?” meaning Cloud was STILL being affected by the Lifestream even after his mind was healed of its shattered psyche, while Tifa showed no reaction to the Lifestream because Cloud was still protecting her consciousness even then, an especially obvious difference to when Tifa was shown to be overwhelmed by the voices in the Lifestream before she was pulled into Cloud’s mind. (If it was Aerith who protected Tifa, why didn’t she protect Cloud from the effects of the Lifestream here too?)

“Let’s go back. Back to everyone.”

It was Cloud, not Aerith, who protected Tifa in the Lifestream. The Lifestream sequence is so powerful because there is literally no one who could have saved them from themselves except each other. Their bond was unbreakable, indissoluble, even in the Lifestream where people’s consciousness dissolve after they die, when they “return to the Planet”. The source of the same strength of will that allowed Grunt Cloud to motherfucking yeet Sephiroth into the Lifestream with his own sword was what anchored him in the Lifestream - Tifa. They acted as each other’s lodestone in a sea of memories, of consciousness. Nobody else could have connected them if their bond wasn’t strong enough. It was them, together, that enabled them to find and protect each other. Not everything is about Cetra magic, for the human heart, it can be argued, is the most powerful and magical of all.

[segadores-y-soldados]

Original post: http://segadores-y-soldados.tumblr.com/post/178514582600/bootypheasant-bootypheasant

Making a separate post so that the OG posters don’t have to deal with my ramblings, lol.

For reference:

If you are going to cite the image, please reblog or like the post from Bootypheasant, or reblog or like the original post from Crimsonsalutations.

As for my ramblings:

I’m not 100% on the Francis thing, but I’ve got nothing else to refute it.  According to Chris Metzen, “Jack Morrison” was derived (both parts) from John Wayne’s name: Jack for “John”, and Morrison from Wayne’s real name, Marion Morrison.  Morrison also conveniently overlaps with being etymologically derived from St. Maurice, the patron saint of soldiers.

I would also personally lean towards O Negative as his blood type because this makes him a universal donor.  Given Jack’s role as the sole medic on the original Overwatch Strike Team (Ana did not have her biotic rifle yet), this physical attribute could have potentially saved the lives of his teammates during the Crisis (though emergency blood transfusion is very risky and would have been a last-resort effort).

It also pairs well with Gabriel’s canon blood type being AB Negative.  Gabriel can only receive blood from other Rh negative carriers.  AB Negative is the most rare blood type that we have statistics for: only .6% of the U.S. population has it.

Given Gabriel’s SEP-era transformation into Reaper and his resulting condition, it is not improbable that SEP actually deliberately put an O Negative, possibly medically-trained soldier like Jack Morrison in his squad.  Gabriel’s SEP condition, his shotguns, and the tactics surrounding these were likely incredibly expensive for the program and the military, and giving him all the “resources” he might require was possibly a priority.

Jack specifically enlisted to participate during the Crisis, and he also specifically joined the Soldier Enhancement Program to increase his own abilities.

However, Jack himself notes that other things interfered with Gabriel’s (and his own) ability to be a strategist and commander. 

Jack to Lena: “They were willing to try anything.  Commander Reyes and I... Well, they tried everything.  But politics, mismanagement, egos... At the end of the day, Overwatch was the only way to win that war.  But we had to be given a chance.”

While the majority of this article has either been retconned or refuted by both in-game canon sources and Blizzard dev statements (see the Jeff Kaplan “These guys loved each other” and “Gabriel Reyes was Jack Morrison’s partner” audio clips), it should be noted that some parts of the article are still relevant:

Reyes, a hardened and highly respected veteran, grew up about as far from rustic Indiana as you could get—the sprawling urban melting pot of Los Angeles. Despite their differences, the two soldiers became friends. Their decision to join Overwatch together would change the world, for good and for bad.

This does not actually conflict with what Jeff has said more recently:

No, these guys loved each other - like, they’re best war buddies.  And in a lot of ways, Reyes was relieved that Morrison had to have the more political role.

This is combined with the increasing evidence that Jack was not only aware of Gabriel’s “Reaper condition” but likely facilitated his ability to use it, in Overwatch, Blackwatch, and possibly “beyond” (in the current Recall era).  Jack willingly following Gabriel to Overwatch - knowing that there was the high possibility he was committing himself to being a frontline soldier, the future Strike Team’s only medic, and possibly Gabriel’s sole medical lifeline in an emergency - shows the increasingly detailed atmospheric and environmental storytelling being constructed in Overwatch.

This is not to make Jack’s decision to follow Gabriel somehow more noble or stoic than Gabriel’s own decision to leave the U.S. military for the U.N. task force.  Rather, I personally think it shows a deep level of trust between both characters, and likely that the decision to leave for Overwatch was 100% mutual.  From the very outset, there is the implication that their relationship is borderline symbiotic, in an almost literal way - which is something they carried on with for decades afterwards.

To add onto this, Junkenstein’s Revenge, which occupies the unique space of being effectively a “canon AU” to Overwatch, has shifted the relationship between “The Reaper” and “The Soldier” over the last two iterations.  Dracula Reaper and Immortal: 76 share a deliberate design element that appears to imply a closer relationship between the two than initial gameplay roles show.  Popular “fanon” puts Immortal: 76 as Dracula Reaper’s human thrall, which is a popular trope in the concept of vampires.  This may not necessarily be canon, but the design element does seem to give it some support.  There’s more speculation on that here.  In the story of Junkenstein, The Reaper (Gabriel) was a former ally of The Soldier (Jack), The Alchemist (Ana), The Viking (Torb), and The Lord of the Castle (Reinhardt), paralleling the original Strike Team.  “Something” happened to him - a number of lines imply that The Witch (“Evil” Mercy) cursed him into becoming The Reaper - and of the four original Heroes (76, McCree, Hanzo, and Ana), The Soldier shows a good deal of empathy for the Villians:

McCree: You ask me, you pump something full of these chemicals, electricity and whatnot, that’s not a man - that’s a monster. Soldier: Maybe so, or maybe they’re not as different as you’d think.

This is a cheeky reference to SEP.  Consider the semi-canon interaction between Ana and Soldier: 76:

Ana: For a man of your years, you’re looking pretty good, Jack. Soldier: 76: Well, all that stuff they pumped into me has to be good for something.

Considering that Soldier: 76 is getting a new (probably) Legendary skin for Junkenstein 2018, I’m interested in seeing how this “canon AU” evolves.

I have my fingers crossed for a “SEP Soldier: 76″ skin (with a legible dog tag) for Archives 2019 - the demand among fans is high enough, and he is the last member of the original Strike Team missing a Crisis-era skin (Reaper has “Soldier: 24″, Ana has “Horus”, Reinhardt has “Crusader”, and Torb has “Ironclad”).  It isn’t a matter of if, but a question of when.

[fycarmensandiego]

My thoughts on the new show

It’s not really a proper review because how would I even do that, so here are my various thoughts, somewhat collected! (This is long as hell, fair warning.)

General thoughts:

Le Chevre and El Topo are definitely a couple. I’m so glad other people in the tag are seeing this too. My first inkling was when they were hugging each other after graduating, but it was Carmen’s comment that they only ever work together that really got me like “oh they’re gay.”

Speaking of gays, Dash Haber (Countess Cleo’s courier) is one. His voice is so gay-coded, I knew this one immediately. Not crazy about him being an antagonist (even among antagonists), but he amused me, so he’s good.

Even if they have the same names, these are different characters. The exceptions here being Carmen, the Chief, and possibly Julia. This isn’t a Tomb Raider: Legend case of putting characters in different situations and slightly changing their personalities, or even a Tomb Raider 2013 case of radically changing their personalities to coincide with their new paradigms. Chase, Zack, Ivy, and the rest are really entirely new characters that simply share their names with past characters. It’s almost as if the names are references to the past shows and games than ties to those characters.

For the most part, they even have different designs. Zack is certainly the most radical change, but even the most similar have some changes. Prof. Maelstrom isn’t nearly as stocky as his namesake, and while Dr. Saira Bellum has wild hair like Dr. Sara Bellum, it’s a strange shape as well as a strange color, and her skin is darker.

This isn’t the first time something like this has happened in the franchise, either. Minnie Series from Where on Earth is apparently a totally different character from Minnie Series from the original Where in Time game. Adventures in Math changed a lot of the characters’ designs and backstories: some, like Jacqueline Hyde, still had the same core, but others, like Jane Reaction, are so different they have to be considered different characters. And then there are all the different iterations of the Chief: old white guy, middle-aged white guy, middle-aged Black gal, hologram, presumably white guy shrouded in mystery...

I will say that as a result of this, I was disappointed with Zack and Ivy. Not because this Zack and Ivy are bad characters, but because Where on Earth Zack and Ivy are my favorite characters in the franchise after Carmen, and I was looking forward to getting to see them, or at least characters resembling them, again. But, it is what it is.

I get the Kim Possible comparisons, but they’re not where I’d jump first. There are similarities: both are action shows with deliciously OTT villains (though the VILE gang wish they were as effortlessly iconic as Drakken, Shego, and Señor Senior, Sr. and Jr.) and similar art styles, and Player/Wade is a fair comparison. But I have to say I’d never have thought of that comparison if I hadn’t seen it here on Tumblr, perhaps because KP was rooted in Kim and Ron’s daily lives (Sailor Moon-style), whereas CS is rooted in its overarching plot (Chuck-style).

I do agree with another comparison: Coach Brunt and Countess Cleo, and Eartha Brute and the Contessa. I saw a post in the tag earlier today that brought this up, and while I hadn’t thought of it - probably because the Where in the World show is one of the parts of canon I’m least familiar with - it seems legit to me. I had wondered why these two were seemingly born out of nowhere, when the other three had their names and likenesses drawn from Where on Earth characters. (Shadowsan seems to me to be based on Suhara’s design and, to some extent, personality, with Shadow Hawkins’ name.) The specific theory that post espouses, that it’s a legal issue, seems possible to me. Although the World villains did appear in other Carmen media, I know WGBH and WQED own the copyright to the show, though they licensed the franchise from Brøderbund. So I have no idea what the legal tangle is behind that show, and I imagine it’s very complicated.

Speaking of WGBH: I wonder if Zack and Ivy being from Boston is an incredibly subtle reference to its location there.

I have mixed feelings about the art style. It is great in still shots, but I found it a little hard to watch as animation for very long.

I don’t ship anything – yet. Julia’s clarification of “travel partner” is certainly ripe for shippy implications, but for me there’s really not much on a personality level to ship her and Carmen at this point. (Likewise Carmen and Ivy, or Carmen and Zack.) I could definitely get behind Julia having a crush on Carmen, the way I feel OG!Jules certainly does.

As to Gray... he was plainly asking Carmen out / hitting on her when he gave her his card. But even on the way to the date, she insisted she saw him as an older brother figure. Like with Julia, I could potentially get behind it in future, but I’d have to see it developed further. There’s also the matter of him trying to kill Carmen, which I’m not crazy about... Carmen’s forgiven him since he was under orders from VILE, and his mind-erase courtesy of Dr. Bellum has given him a fresh start, but it didn’t change who he fundamentally is as a person, and that person made the decision to join VILE and ultimately to agree to kill Carmen. But I’m not totally anti-Carmen/Gray at this point.

(In re Carmen’s sexuality: I have always felt strongly that all of Carmen’s previous incarnations were ace/aro, but this Carmen? The sapphics have claimed her, and I’m here for it. I’m fine with her being gay, bi, or pan. I’m fine with her being acespec and/or arospec, or not.)

I was surprised by the violence. Scenes of literal attempted murder would never have made it in previous shows or games! In fact, a lot of the melee combat wouldn’t have. The franchise hasn’t always been totally non-violent - Ivy whacked the occasional villain around on Earth, and ThinkQuick and Stolen Drums both required the player to destroy VILE robots, the former featuring robots with personalities - but I don’t think it’s ever been shown in such detail as the combat scenes in this series. I don’t have a problem with it, exactly, but it was a little jarring.

Things I didn’t like:

The educational moments were utterly didactic. I guess you could say the same about Earth, but I feel like it integrated the education into the plot better, and it certainly made the educational moments more fun by working jokes into them. Meanwhile, this show is taking the Stolen Drums approach of info-dumping for two minutes and then moving ahead with the actual plot with no attention to education thereafter. To go back to my favorite video game (I warned y’all), fucking Tomb Raider: Legend did a better job integrating education with action. And it’s not even supposed to be educational!

Stop trying to make “caper” happen. It’s not going to happen. It’s a perfectly good word to use from time to time, as it always has been in canon, but for “The ____ Caper” to be every episode title, and for it to be used at every opportunity in the script when “theft” or “heist” or another word could have been used just as easily gets annoying. The thesaurus: it exists. Also, it’s so overused that at a certain point I started thinking of the culinary garnish instead of a crime. (And I’ve never even eaten capers. I don’t think I’ve ever even seen them in person.)

I’m not crazy about the newly established genesis of Carmen’s name. Having her grow up with no name but “Black Sheep” makes me feel uncomfortable tbh, and while I like the significance of her choosing her own name, pulling it off a hat label seems cheap. And out of character for someone as thoughtful as Carmen.

Some of the villains seemed like real cultural stereotypes. Thankfully, it was not nearly as bad as Adventures in Math, or we’d literally have had Le Chevre saying, “Hon hon hon, baguettes!” but Shadowsan and Paper Star in particular made me uncomfortable as they felt like very stereotypical “Japanese” characters. The same could be said of Coach Brunt, who while not a stereotype of any marginalized group, was definitely a bit one-note. Coach Beiste, but evil and Texan.

Cross-language misspellings. Namely, Shadowsan and Le Chevre should be Shadow-san and Le Chèvre, should they not? The omission of accent marks has always been one of my major bugaboos, and while it’s not the first time the franchise has done it, it still annoys me. Shadow-san’s missing hyphen annoys me even more, since the hyphen indicates that other honorifics could be used, and in fact, it would (if I understand correctly) be more appropriate for his students to address him as Shadow-sama or Shadow-sensei while his peers call him Shadow-san.

I felt some real misogynistic undertones to Tigress. In a show that otherwise is quite female-forward, it irked me that of Carmen’s four classmates, only one is a girl - and she’s the one who becomes Carmen’s rival. And then for that to continue throughout the series, setting her up as the mean girl to Carmen’s good girl (in many ways, the Regina to Carmen’s Janis Ian), really bothered me. I certainly don’t think female characters have to be perfect, or expect perfect representation, but it feels like Tigress’ development just was not done mindfully, and instead they let themselves fall into misogynistic tropes. It’s not like you to pit women against each other, etc. etc.

The ages and timeline confused me. Carmen seems to be in her late teens or early twenties throughout the main part of the series (I saw a post that mentioned she says she’s 20), yet she was clearly still a preteen or young teen when she stole Cookie’s hard drive. Since Cookie’s delivery is an annual event, its information shouldn’t last Carmen those several years to grow up.

By a similar token, Player seems to be the same age in the flashbacks as in the present day. As a result, he seems a little older than Carmen to start, and a few years younger to conclude. It messes me up. Not least because, not gonna lie, I want to be sure it’s okay for me to be so gay for Carmen.

Things I liked:

The references to previous canon. Along with the aforementioned names, we have:

Rita Moreno’s cameo! (Please, please, God, give us another Rita cameo and cameos for the rest of the Earth cast next season.)

Mentions of punning names. This was delightfully lampshaded with Gray’s original codename of “Graham Crackle” and the subsequent drags from his classmates. And while most of the other characters didn’t get punning names, one of the two who did was Rita’s character, Cookie Booker, the bookkeeper - or, indeed, book-cooker.

The very meta plot point of Carmen getting her outfit by stealing it from Cookie, voiced by her previous incarnation’s voice actor.

Frequent utterances of “Where in the world is...” or “Where on Earth is...”

Tigress’ name, a reference to an Earth episode where Carmen faces a new rival. I don’t know if the Duchess plotline was also a deliberate reference to this episode, or a subconscious one, but it’s so similar that I can’t think it was total coincidence.

I’m thinking “the cleaners” are a reference to the Ick brothers, the janitors from World and USA 3.0.

Carmen is ginger. I have a significant bias for redheads. (I dye my hair red and am only half-joking when I call myself transginger as well as transgender. Heaven on Earth-era Belinda Carlisle is one of my major style rolemodels.) Carmen suddenly being auburn for the first time just makes her even more endearing to me than one would have thought possible. Plus, Ivy and Zack both being redheads? Iconic.

Carmen is also gorgeous. Now, unlike some of you, I have never previously been gay for Carmen; she’s always been more of a big sister figure to me. Instead, as a kid, I was gay for TV!Jacqueline Hyde, Ann Tikwittee, and Ivy, in that chronological order. But the moment I saw this Carmen with her hair up in the trailer, I was a goner. And in her cocktail dress at the charity auction, or her black catsuit at the end of episode 9? I thirst. There were several other points as well where I was just like, “Oh my god, she’s so pretty.” Yes, darlings, I am very gay.

That choker. Most fashionable thing Carmen’s ever worn. Fight me. We love a stylish queen.

Player has a fidget spinner. And it’s only seen briefly, which to me says it’s an everyday part of his life, not something they threw in to try to seem cool... Which in turn allows me to point to something and headcanon that Player is autistic. He’s also known mostly by a username, and spends most of his time working on his special interest, and doesn’t seem to be one for socializing in traditional ways. We love an autistic prince. (Also, this makes him in some ways a male version of my girl Futaba from Persona 5. Again, iconic.)

(To be clear, especially since it wasn’t in my little self-introduction the other day, I’m self-diagnosed on the autism spectrum. So well-written characters being autistic is really fun for me.)

Player is from Niagara Falls, near where I live (I’m on the outer edges of the Buffalo/Niagara Falls MSA), while Zack and Ivy are from Boston, where I’m moving next month. Totally personal to me, but I’m so delighted. Now, granted, Player is on the Ontario side of the Falls rather than the New York side, but still. (Hell, who can blame him for not living in Niagara Falls, NY? It’s a hellhole.)

The VILE leaders stay iconic. Countess Cleo’s crush on Zack in his “Duke” guise is hilarious and adorable, and Dr. Bellum’s obsession with cat videos? Legends only.

Paper Star is generally fantastic. It’s actually too bad for me she’s a villain, because I find her super likeable. Her tendency to hum/sing to herself is also really endearing, and she’s another one who’s easy to headcanon as neurodivergent. I really hope we get more of her, and more of her outside combat and the daily business of villainery, because she’s easily my favorite of the VILE crew.

Tigress is also awesome. Yeah, the female character bias is real, but she’s def my second-favorite, which amplifies my annoyance at the aforementioned misogyny. To be honest, though, part of it may be that she’s basically Amanda Evert, my girlfriend from - you guessed it, folks! - Tomb Raider: Legend, with purple lipstick.

Zack and Ivy met Carmen while casing a donut shop. This is so delightfully silly, and I adore it. Like, who the fuck robs a donut shop of all things? I feel like it could’ve been a reference to them being fat, maybe one that was meant to be developed further but ended up on the cutting room floor? On that note...

The fat positivity is real. Zack and Ivy are still able to move around and are even somewhat athletic; the Countess crushes on Zack; and nothing negative is said about their weight (except the potential implications of the donut shop). I love this.

Carmen and Jules’ conversation. As I said above, it’s not enough for me to start shipping them, but I love that Carmen casually addresses her as Jules rather than Julia. It’s so much like when people I don’t know well call me Soph instead of Sophie, which I always love because it connotes that closeness. Moreover, since Julia’s previous incarnation / namesake was almost always called Jules, and was Carmen’s former detective partner, I feel like there’s an implication that Carmen coined that nickname and it became her primary moniker. It’s just so good, and shipping or no shipping, I really hope we get more interactions between them next season.

The voices are good... mostly. Maelstrom is definitely the one I was most impressed with, as his voice has a lot of character while still being easy to understand. Liam O’Brien was doing a great Tim Curry impression there, but much less egregiously campy and therefore more believable. Sharon Muthu was also fantastic as Dr. Bellum - not as fantastic as WOEICS!Sara’s voice actor (Candi Milo?), but then, who could be? And Kari Wahlgren’s performance as Tigress was snarly perfection.

Gina Rodriguez is a big departure from Carmen’s typically low-pitched voice, but she’s perfectly fine. I never sat up and went, “Wow, what a performance!” but I can’t find any fault with it either. Finn Wolfhard as Player is obviously cross-promotional stunt casting, but surprisingly, it’s also perfect casting.

On the minus side... Zack and Ivy. Part of it is that their accents are so ridiculous that it’s distracting (see above Tim Curry comment). Part of it is that, at least to my ears, the accents aren’t believable - I thought they were supposed to be from Brooklyn until they mentioned Boston. I actually don’t fault the VAs for this, as they both have moments where I got the sense they’d be capable VAs for the characters (and I know Abby Trott is talented as I loved her in Tales of Berseria and Nier: Automata), but rather the voice director(s) who pushed them toward those performances. I feel like if the direction had been different, I’d have liked Zack and Ivy a lot more.

That plot twist. I truly never saw it coming. I suspected that Coach Brunt was not, in fact, the one who found Carmen, but I’d actually thought it might have been Prof. Maelstrom. The extent of Shadowsan’s revelations was a big surprise to me. Kudos to the writers for pulling that off.

Conclusion:

It’s not the series I expected. It’s not the series I hoped for. But it is one that I enjoyed, both on its own merits and for revitalizing the franchise. As I said last night, it is a hell of a feeling to have new Carmen content in 2019 (that’s actually getting attention), and for it to be really good content is a relief.

If anyone else wants to share their thoughts, either one-on-one or with the rest of the community (as it were), please do! I’d love to talk more about this series and this franchise and the thieving queen of my heart, Ms. Carmen Sandiego.