#i never know how to tag these meta posts i write

[necrotic-nephilim]

for the ask game (3)

au where all robins develop a mental link after fighting some magical criminal of the week. what would they see in each other's minds? what secrets and repressed feelings do they discover? how would they deal with it?

for the ask game!

oooh, i love telepathic links that end up revealing secrets. especially with a family like the Batfam, who are usually so convinced they're good enough at reading each other to not have many secrets kept. so weird reveals are always fun

if i did this, i'd do DamiTim. just because of all the like, "deep dark feelings that are being hidden" for Robin shipping, DamiTim is the most fun for me. you expect DickTim or DickJay or JayTim, even DamiDick. but there's something that's so enjoyable about Damian having his feelings forcibly outted. not just to Tim, but to everyone. the way it'd be an active landmine none of them knowing what to say but all feeling each other's reactions. i honestly think Damian would try to punch somebody about it. (also, if you do a history of TImSteph where they've had sex, Damian would be directly linked to Steph's memories of how Tim was in bed, so that's fun as both something horrifying and enlightening just to screw with his feelings some more.) would they end up together? in my head probably, but it'd be weird and likely toxic bc how do you date someone you know inside out and know exactly what they think of all your flaws and what parts of you they obsess over. the answer is not very well but hey, the sex is good-

i think Jason *directly* feeling how everyone felt about his death would really rock him. he's heard all the apologies, but part of him isn't convinced there's truth to them. so to be crushed by Dick's *grief* over his death would be a come to jesus moment for him. but on the less fun flipside, you have him feeling how Dick feels about him *now*. because Dick doesn't really *like* Jason and deep down, sees Jason as a lost cause. that's his "deep dark secret". and Jason would feel and know that from the one person who he still wants to believe in him. i really do think Jason would have the Worst Time with all this, overwhelmed with everyone's intimate and complex feelings over his death. Jason is a very defensive person when it comes to his death and how reactionary he gets when other people make it about them, not him. so for Jason to have to constantly deal with that in his head, i truly do think he'd lash out a bit. the arguments. yelling at Dick and feeling Dick's guilt and snapping bc Dick has no right to feel guilty now. feeling that Tim viewed Jason as a failure. it's just a damaging mindspace to be in and man do i think Jason would take a While to recover.

oddly though, i think it'd be a good bonding moment for Steph and Jason. we really don't get much exploration of Steph and Jason bonding over dying. bc sure, Steph didn't actually die, but she *did* experience the social death where everyone believed she was dead and mourned her as such for a good while. she also felt *directly* responsible for her own death. a lot of blame falls on Steph for War Games (for the Doylist reasons of sexism but yk) and Jason feels responsible for his own death for walking into a trap. but unlike Jason, Steph had no suit in a case, no memorials, her name held no infamy. so i think she deserves just a bit of righteous fury about how dramatic Jason can be while she just has to move on bc hey, it's not like she *really* died. and she buries those feelings well, but not well enough to hide them from a mental link. and Jason, who hasn't really considered Steph before because he was so wrapped up in his complex over Tim, confronts those feelings with her. if anyone is going to know how he feels, it's going to be her. you could do it platonic or romantic, but i do think when Jason sinks to his lowest, she's the one who snaps him out of it, both with tough love and genuine compassion for his situation.

for the less serious crack of it all: they're all going to have far too intimate knowledge of each other's sex lives. everyone's gonna know Dick has fucked Slade. everyone's gonna know Jason has fucked Talia. in my heart, i believe Tim has slept with Anarky (Lonnie, not Ulysses) and everyone would *know* that too. absolute judgment all around. it's the spider-man meme of "wait you've done WHAT with WHO" and honestly, it gives a nice distraction for the more serious feelings. it's a palette cleanser they can default to. like when the fighting gets a little too serious and they're cutting too deep for comfort, someone's going to blurt out "well at least i didn't fuck Deathstroke." and the whole moment goes awry with laughter. bc i do think, at the end of it once they get through the worst of the angst, they'd be closer for it and self-aware of the ridiculous nature of all this. it's enlightening, in a way to see how they all felt about their time as Robin and the baggage/trauma they hold. even the ugliest feelings they hold for each other don't completely suffocate the fondness/respect.

that said, knowing the baggage/trauma. oof. i don't think Dick has ever fully opened up about his history with Mirage/Tarantula/Liu and now it's forced to sit in the open. Damian has never admitted the worst of being raised in the League. Tim hasn't fully faced the suffocating image of his dead father and his deep-seated want to kill Boomerang. all those ugly truths they stamp down bc well, either you're a vigilante or you're a well adjusted person, are out in the open now. and it's ugly and gruesome to force those thoughts to be shared. they all want to comfort each other for different reasons, while simultaneously not wanting their own trauma to be acknowledged. it'd be fun to see who'd instinctively react to whose trauma first. because it's an overwhelming rush of information, and you just naturally get pulled in certain directions. i think Damian would react to Dick's history of sexual abuse first, whereas Jason would be reacting to the murderous rage TIm is trying to fight off. Tim is reacting to just how much guilt Steph carries about War Games and all of it is very crunchy. there's so much they'd all have to talk about and it'd take days for them to address it all, between the arguments about the ugly parts. would they come out stronger for it? yes. but only if they didn't kill each other in the process. i hesitate to do a "and they come out one big happy family" ending, bc it's not very in canon, but i do think the bond of the Robin mantle is something special. even when the link is broken, they hold onto a freakish understanding of each other. they react and move in sync, can fight together without needing words. are they emotionally on the same page/have they forgiven each other for the worst of it? absolutely not. but they've got each other backs. it's a very much "if you called i'd drop everything to save you. but also we don't have it in us to hang out casually." bond, which i think is deeply underrated in fanfiction. sometimes, you can care about people but you have to do it from a distance.

[quinn-pop]

for the record, mk’s favorite march sister is amy

(yes im elaborating on a silly doodle i did days ago, yes this is the most unnecessary post ever, move along)

to clarify: im looking at this through the lens of greta gerwig’s little women because in spite of having seen the 1994 version my fair share of times i could tell you almost nothing about it for some reason

i don’t think this is something he’d openly admit because of her more childish scenes. she can be loud and cruel and she burns jo’s writing and so it’s easy to dislike watching her

but she also steps up. “learns her place”. ignores what she feels because she believes she has to become something. although not thoroughly explored in the movie, i gotta imagine how absolutely lonely she must feel.

see where im going with this? i think that would really resonate with him and so her character would grow on him. he’s jealous that she can express her “worst” emotions. he’s annoyed with her pettiness because it’s unreasonable to him. these are the same things he could never allow himself to do or think or feel because he has to be something.

so seeing her change hits. because he did that too. don’t get me wrong im not saying they’re the same character or anything lol but in her he sees the heart of the child he once was and the desperate, lonely person he became.

oh also dedede likes beth because he cries every time a parent or child dies in a movie

[subbmissivesuccubus]

No secrets around here ~

~~~~~~~~~~~~~~~

Thank you all so much for 1K followers <3 <3 <3 I am undeserving but very appreciative. I am working on Bully Part 3 but please have this one shot as a token of my love.

It's a story suggested by my patron! If you'd like to suggest prompts for me to write, please consider checking out my patreon (link in bio) <3

~~~~~~~~~~~~~~

Summary : Satoru and Suguru find out that their sweet, seemingly innocent girlfriend writes smutty fanfiction. They decide to make her fantasies come true while also making sure to teach her that keeping secrets from them have consequences <3

Contains : Fem reader. Established relationship. Degradation. Threesome M/M/F. Gojo and Geto being mean but with love. A bit meta.

“Dude- Suguru- SUGURU!”

“Stop yelling, Satoru.” The raven-haired man whined, rubbing a hand over his face as he was barely awake, “You better be dying if you’re calling me at 3 in the morning.”

“Oh, trust me, you’ll wanna hear what I say.”

“Get to the point.”

“Ok, so you know how every time we visit our cutie, she’s super protective of her phone?”

“…Yeah.”

“And how she immediately shuts her laptop close if we walk in?”

“…Yeah.”

“I found out why. I just sent you a link.”

Satoru hung up and Suguru groaned, looking his phone annoyance before the ding of a message received rang out. He raised an eyebrow as he read the message, the link opening upto a website called…tumblr? He was aware of the site but it never interested him enough to truly put any effort into finding out more about it. He also knew of the concept of fanfiction (thanks to a certain someone) and knew that Tumblr had a lot of creators posting their fanmade content.

But he had no idea it was…something like this.

Reader is being a brat and gets put in her place – Fem Reader X Demon Slayer men.

Where the men of One-Piece love to cum <3

Dick headcannons, a.k.a. who among the Honkai men are packing~

Suguru scoffed as he scrolled down the posts, surprised at how lewd this author was. Their writing was filthy and degenerate yet written fairly well. If he wasn’t so sleepy, Suguru was sure he could jerk off to a story or two. The comments under the posts were just as feral, people going crazy over the fanfictions, often proclaiming their desire to be with these…fictional men? He didn’t quite understand it but who was he to judge.

He paused as he read the title of a post, letting out a hum as the title hit a bit close to home.

Reader gets pounded roughly by her two boyfriends.

It was a post with thousands of notes which got Suguru curious. He clicked on the tag labelled #two boyfriends and was surprised to see several stories written by the author of the reader having two lovers and their sexual escapades together:

Reader gets both her holes stuffed with cock. Or the two boyfriends compete to see who can get her to squirt first. Reader is spanked silly and can’t sit properly for days. As punishment, the two boyfriends overstimulate the reader for hours, making her cum over and over again even as she begged them to stop.

The list went on and on and on, making the blood rush to Suguru’s cheeks at how raw and filthy and…desperate these fanfictions were.

His phone dinged, a message from Satoru which reminded the black-haired man of how he wound up here to begin with. So there are some smutty fiction online, but what does it have to do with you? He could only come up with one conclusion but…that couldn’t be it. Right?

Satoru <3 : Did you see all the two boyfriends fics?

Me : Yeah. You’re not saying that…she wrote all of this, are you?

Suguru waited with bated breath as the three dots danced on his screen, Satoru typing out the answer. You were someone who refused to even curse in daily conversation! There was no way… He choked as he got a response, Satoru simply saying:

What do you say we show our baby how much better her real boyfriends are?

~~~~~

“Boys!” you whined as Suguru and Satoru stuck close to you, one on either side, “I’m trying to cook here!” “We’re not stopping you!” Satoru said with a pout as he placed his cheek on top of your hair, “We just wanna be close to our baby. Is that so bad?” “Exactly.” Suguru purred as a hand came up to wrap around your waist, pressing himself close to you, “Is loving you such a crime?”

You rolled your eyes at their theatrics. One thing worse than having one dramatic boyfriend would be having two. Not that you were complaining, of course. How on Earth could you be upset over having the two most powerful sorcerers be your lovers? It sometimes felt like a dream- that these two had fallen in love with you and were over by your place for a domestic night of homecooked food and movies. They were more clingy than usual, a hand or lips always on your body at all times. You caught them exchanging glances with each other once in awhile but you simply ignored it. It wasn’t the first time your men had this telepathic communication going on between them. As long as they weren’t planning on pranking you, you decided to simply focus on the meal you were cooking.

“So, babe,” Satoru purred as he placed a kiss to the crown of your head, “You’re on Tumblr a lot, right?”

You scoffed, “You know I am. Why’d you ask? You finally wanna join?”

“I sure do!” he responded, “And if you had told me about all the porn that was on that website, I would have joined sooner.”

“Porn?” you repeated, confused, “What are you talking about? It doesn’t allow-”

“All of that smutty fanfiction- I was up all night reading them!”

You froze, hoping that the two of them didn’t notice. “Oh, uh, yeah there’s a lot of that.”

“And, you know, we found this…writer.” Suguru said, his voice dripping like honey as his hand ran up and down your waist, “Who writes the most…filthy things. Degradation, spankings, brat taming, not to mention threesomes between two men and a woman. Kind of similar to us, right?”

You gulped, trying to focus on your food even though your mind was running a mile. Did they know? How did they find out? You were so careful of your things! You always made sure to have an eye on your phone and laptop so how did they…

“Well, only the threesome parts.” Satoru said, “We’re not nearly as kinky as the people in those stories. We could be, of course, but we wouldn’t want to scare our baby with how…intense we can be, right?”

“Of course.” Suguru purred, leaning forward to kiss your temple, his lips soft against your skin, “Our sweet princess is so innocent and vanilla. How on Earth can we treat her like the girls in those smutty, dirty stories? We have to make love to her like the Queen she is. There’s no way our baby would like to be punished or have her pussy filled until she’s bred.”

“Exactly.” Satoru said, noting the way your breathing was quickening, smiling as he saw your ears turn red, “Unless…there’s something she’s not telling us.” You gasped as his hand trailed down your back, making you shiver before it landed on your ass. You mewled as he grabbed a cheek harshly, his fingers digging into your plush skin, both of them so close to you that you could feel their hot breath against your burning face.

“So, sweetheart.” Suguru said, a twinkle in his eye as he turned off the heat of the stove, gently taking your utensils out of your hands, “Anything you’d like to share?”

You gulped, Satoru squeezing you greedily and making it difficult for you to form sentences, “H-How did you find out?”

“Well, I might have peeked at your phone when you left it unlocked yesterday.” Satoru confessed, “I wasn’t planning on looking but when I saw the notification of someone begging you to write more of your threesome content, well, curiosity got the better of me.”

“Our baby has such naughty fantasies,” Suguru said, not giving you a chance to respond “But she kept it all to herself like a bad little girl. Why didn’t you tell us?” he leaned down to nibble at your ear, loving the cute yelp you let out, “Did you think we’d judge you?”

“I- I don’t know…” you mumbled, face so red it felt like steam was coming out your ears, “It’s…embarrassing- ah!” Suguru moved downwards and kissed your neck, his teeth digging into the sensitive patch of your skin, making you cry out loud. Satoru pouted before he let go of your ass, only to swing his hand down and give your butt a sharp slap, making you yell loudly.

“We could have been fucking you like the dirty slut you are, but instead, we held ourselves back because we didn’t want to scare you off.” Satoru growled, his hand making its way to your hair, grabbing a handful before he pulled harshly. You gasped as your head was tossed back, your boyfriends face looking down on you as his grip on your hair continued to be tight and unforgiving.

“Every time we fuck you- we’ve wanted to go wild.” Suguru confessed, his large hand slipping into your shirt, making you shiver as he touched your bare skin, “So next time, just be honest and save us the trouble, hmm?”

“You’re going to make it up to us.” Satoru said, leaning down to kiss your lips, a quick peck before he pulled away, a dark look in his eyes, “Get ready. We’re making those fantasies come true.”

~~~~~

Your hands trembled, instinctively tugging at the handcuffs that held you tight against the headboard. The cool metal dug into your skin, showing no signs of letting up. Hands handcuffed above your bed, naked as the day you were born, you were at the mercy of your two men and they made sure of that.

Suguru giggled at your cute little yelp as he increased the speed of the vibrator, his grip of the wand tightening before he pressed it down harder on your clit. You screamed around Satoru’s cock, the man’s dick shoved down your throat, making you gag. He was practically straddling your head, knees on either side of your shoulders while Suguru sat between your spread legs, their eyes greedily taking in your nakedness.

“Yeah? You like that?” Satoru asked, looking down at you with a teasing grin on his face, sweat dripping down his brow. He was naked, veins throbbing in his arms as he gripped onto the headboard tightly, rolling his hips into your face, groaning at the sensation of you trying your best to take his fat dick. “You like that vibrator on your slutty little pussy, don’t you? Hmm? Like having my cock down your throat?” he asked, pausing his thrusting for a second to fully press his cock deep inside you, laughing as he felt you gag loudly around him.

“Oh, she loves it~” Suguru purred, dick aching in his boxers (wearing nothing but his underwear) as he ground the wand vibrator against you, mercilessly attacking your clit, “Her cunt is dripping~”

“Poor baby~ You must be so pent up since we’ve been making love to you like you were a princess. Guess we have to fuck you like a whore, hmm?” Satoru asked, biting his lower lip as he started thrusting into your mouth again. His muscles tensed, tossing his head back to moan as your sweet little tongue lapped at the underside of his cock, his heavy balls pressing against your chin every time he thrust.

“Stay. Still.” Suguru said with a click of his tongue as one arm gripped onto your knee tightly, the other still torturing you with the vibrator, “Keep moving your legs like that and I’ll punish you.”

You whined, your sounds taken by Satoru’s member, your body getting overstimulated. With a fat cock down your throat and Suguru playing with your pussy, you couldn’t help but start trembling, trying to push your legs together to give yourself a break from the onslaught on your cunt- but Suguru was having none of that.

He ignored your yelp as he pulled the vibrator away, taking away your pleasure so suddenly. But you barely had time to process that as he raised his hand and brought it down on your pussy, giving it a harsh, tight slap. You screamed from the pain, the vibrations of your mouth making Satoru moan as Suguru started spanking your pussy again and again. Slap after slap rained down on your cunt, the raven-haired man holding one leg tightly by the ankle while pushing away the other with his knee, truly keeping you spread as he spanked your pussy.

Your whole body writhed from the pain, the stinging sensation of Suguru marking your puffy pussy lips red. Your hands struggled against the handcuffs even more, your torso tossing and turning, Satoru giving you some mercy as he gently pulled his cock out of your mouth.

“Sorry! Fuck- I’m sorry- I’m sorry!” you pleaded through your gasps and coughs, and crying as Suguru slapped your cunt so hard it made you dizzy for a second, “Please- no more!”.

“No more what?”

“No more spankings- P-Please! Please don’t s-spank my p-pussy!” you begged, ears turning red from the embarrassment. You heard Satoru giggle above you, the man clearly more sadistic than you ever imagined as he tugged at his member, enjoying the scene of his best friend breaking you down perfectly. Even him touching himself right in front of you was torturous, your eyes homing in on the precum dripping out of his red tip, his cock covered in your saliva.

“I thought you liked it, baby.” Suguru said, taking some mercy on you as he gently rubbed your cunt, easing some of the burn, “Your characters get their pussy’s spanked so often. Don’t you feel bad for them if it hurts so much?”

“I didn’t- I didn’t know.” You sobbed, “It hurts- fuck- but it hurts so good!”

“Fuuuck Baby!” Satoru groaned, gripping the base of his cock tightly, his face red and excited, “Almost came from that~ I love seeing you look so pathetic for us.”

You whimpered, turning your face to feel Satoru’s warmth as he gently wiped a tear away from your eye. Suguru chuckled, leaning down to place a kiss to your cunt, your skin hot against his lips. Your back arched as he ran his tongue up your pussy, the man groaning as he tasted your slick, drinking you down like a drug.

“Oh~ I want a taste of that pussy too~” Satoru purred before he changed his position. Your eyes widened as he turned around, adjusting himself so his cock was once again over your face only now, he was facing your pussy in a classic 69. “Open up, princess.” He said, smirking as he pushed his cock into your mouth just as you opened your lips, “Suck my cock while we- oh yeah- play with this pussy~”

Satoru grabbed the back of your thighs, holding onto you tightly as he dipped his head between your legs, Suguru moving out of the way so his friend could mouth at your pussy. You squealed around his cock, the man already starting to thrust as he wrapped his lips around your clit before he sucked harshly. “Mmmph- fuck yes~” he moaned, lightly picking up the pace as he once again started fucking your throat, “This pussy is so fucking tasty~”

He opened his mouth wide and started flicking his tongue on your clit, letting out a lewd sound as he tortured your sensitive bud with his tongue. Not one to sit idly by, Suguru allowed his friend to tongue your cunt while he gently slid a finger inside you.

“Look at that. My finger went in so easily, baby.” Suguru said as he gently thrust the finger in and out of you, “This isn’t enough for you, is it?”

You whined around Satoru’s cock, unable to respond. But they understood. Suguru slid a second finger inside you, the slick sound of your cunt parting for him echoing through the air lewdly. Your eyes rolled to the back of your head as he curled his fingers inside you just right, pussy gushing from the sensation. Satoru was still licking at your clit, giving your bud the occasional nibble to keep you on edge.

“Oh, you like that, don’t you?” Suguru asked as he watched Satoru lick you up, his own fingers drenched, your juices dripping down, “Cock in your mouth as we play with your pussy like you’re our little toy~ Our sweet little fuck toy we can use?”

Your toes curled and your muscles tensed, opening your throat up as much as possible as Satoru mercilessly face fucked you, his balls slapping against you as he chased his pleasure. The metal of the handcuffs dug into your skin, your fingers clenching around nothing as you were driven closer and closer to your orgasm.

You were so close you could taste it, your mind descending into nothing but pleasure, the two men perfectly breaking you down into the slut they know you are. You fantasised about them as you wrote your fanfiction and for it to actually be coming true- you didn’t know how to handle it.

You were so close- so close! Your body tightened and your pussy clenched around Suguru’s fingers, the familiar sensation of an orgasm making itself known. You already knew this would be one of the strongest climaxes you’d experience and it almost scared you. But you were ready. You wanted this. You needed this. You needed them!

Your moans picked up the pace, getting louder and louder around Satoru’s cock, still obediently sucking him off as your body trembled. You were gonna cum! Cumming- cumming-

Only for them to stop.

You let out a scream as Satoru pulled his cock out of your mouth, both of them able to hear your shouts. You arched off the bed, your body trembling from the sudden absence of pleasure, your legs kicking at the mattress like a toddler as you writhed on the bed.

“Why? Why- I was so close- so close!” you sobbed, tugging at the handcuffs in a desperate attempt to touch yourself, only for it to be futile.

“Aww, poor princess.” Satoru cooed, kneeling over you still, his cock dripping your saliva back onto his face lewdly, “did you really think it would be that easy?”

“We’re going to edge you all night.” Suguru said, finally undoing his boxers before pushing it off, getting completely naked, “It’s your punishment for keeping your sluttiness a secret from us.”

You could barely muster up a protest as you were distracted by Suguru’s cock. His cock was just as beautiful as Satoru’s- long, thick and oh so delicious. He took your breath away everytime he got inside you, his skills rendering you a whining mess.

“If you try and cum without us knowing,” Suguru said, knowing your body like the back of your hand and well aware that you were close to your orgasm, “You’re going to be in a world of pain. Now come on. Beg for it.” He started teasingly slapping your pussy with his member, each strike making you twitch, “You know how to beg, right? Your characters beg so sweetly in your stories- I’m sure you can do it too~”

You gulped, mouth drooling and pussy trembling, their hard cocks right in front of you but refusing to get inside you. “P-Please.” You pleaded, feeling a rush of shame overcome you by uttering the word. “Do better than that.” Suguru said, his hand now on his member and lightly stroking it, showing you what you were missing out on. “I- Fuck- I need you! Both of you!” you said desperately. “Keep going~” Satoru purred, his tip just a hairs breath away from your lips, also close to orgasm, “what do you need?” “I need- fuck- I need your c-cocks!” you begged, tears in your eyes as you shamelessly conveyed your desires, “I need you inside me- I need you to fuck me!” “Good girl.” Suguru said, groaning as he finally- finally- started to push inside you, “And remember. No cumming.”

You tossed your head back, eyes rolling to the back of your head as Suguru started spreading you apart, inch after inch burying into your sopping cunt. It was a delicious sensation, his cock stretching you out wonderfully, his thick cock giving you a nice burn. Suguru hissed as his dick was enveloped in your tight wetness, the texture of your pussy walls hugging it perfectly. His balls clenched and he knew he wouldn’t last long- the feeling of finally being able to treat you like the kinky slut you were driving him to the edge. They don’t call him a pleasure dom for nothing.

Without even saying anything, Satoru took advantage of your open mouth to jam his dick back inside your mouth, laughing at the surprised yelp and loud gag you let out. “I’m close baby~” he moaned as he was surrounded by your addicting heat again, “Make sure you drink it all when I cum down this slutty mouth pussy~”

They both started to fuck you mercilessly at once. And all you could do was lie there and take it. Suguru made you wrap your legs against his waist, leaning into you as he started pounding your cunt, balls slapping against you each time he thrust into you. Your pussy was so wet and hot- the sensation like a drug as he pounded you, his cock slamming against your cervix with each thrust.

“Fuck- I love this fucking pussy!” he groaned, tossing his head back as he mercilessly pounded you, chasing his pleasure, “So perfect for us- so greedy and desperate- want to fucking ruin you!”

“Mmm~ I can’t wait to fuck this slutty cunt~” Satoru said between moans, fucking down on your mouth as a hand came up to spread apart your pussy lips, giving him a perfect view of Suguru fucking your hole. “Pass me the vibrator, will you?”

You yelped, knowing exactly what he had planned as Satoru got a hold of the vibrator, switched it on before he placed it against your clit. You screamed around his cock, body thrashing at the overstimulation. The toy rubbed against your clit, the speed on the highest setting, making your vision blurry as he assaulted your sensitive bud.

“Fuck- oh yeah- that’s fucking great!” Suguru moaned, the vibration of the toy giving him added pleasure as well, “she tightened around me so much- fuck- slutty little pussy!”

You were in heaven and hell. The two men were using you in such a filthy fashion, making your body tremble from the intense pleasure. Suguru was fucking you so perfectly, his cock hitting your g-spot every time he thrust into you, your pleasure heightened by Satoru playing with your clit. He’d use the toy or sometimes even lean down to lick at your clit again, his hair brushing against Suguru’s abdomen every time he thrust forward. They were both so desperate and horny for you and it was amazing.

But, every time you were close, they’d stop.

You didn’t even need to say it- your moans and your body language was enough for them to know when you were about to cum and every time, without fail, they’d ruin your orgasm. Suguru would pull out and Satoru would stop playing with your clit, opting to slap your pussy and call it a ‘bad cunt’ as he took your climax away from you. Suguru once pinched your clit so harshly you swore you blacked out. Once they thought you weren’t going to cum, they’d get back into it.

“Oh baby!” Satoru moaned, finally reaching his climax. He forgoed the toy and instead focused on fucking your face, wanting to cum, “I’m close! Yes! Yes! Oh you naughty little minx! We’re going to have so much fucking fun with you!”

Your eyes rolled to the back of your head as you got pounded from both ends- your jaw beyond sore. With a few more thrusts, Satoru finally came. He tossed his head back and moaned loudly, his cock lodged as deep as it could go inside you. He started to cum down your throat, giving you no choice but to drink it all up. You could feel his balls clench against you as he came, his hot seed pouring down your throat, warming you up from the inside.

“Ohhh yesss!” Satoru moaned, his body shuddering as he gently thrust his hips, milking his balls of every drop, “That’s it- oh yes~ That’s a good slut~”

You gagged around him, struggling to breathe and to drink down his cum, happy to have given him pleasure but distracted by Suguru still pounding into you. You were waiting for Satoru to get off of you and give your jaw some peace but…

He once again got his face close to your pussy, resting his elbows on the mattress and his chin on his hands as he stared like a pervert as Suguru fucking your cunt.

“Enjoying the show?” Suguru asked with a laugh, his body running a bit hotter at Satoru staring.

“Mmhmm,” Satoru said with a smile before he addressed you, “Keep cockwarming me, baby. Get me hard again so I can fuck this pussy next~”

Oh. Oh God.

“Fuck- I’m close!” Suguru groaned through gritted teeth, “And she’s close too- I can feel it!”

“Yeah?” Satoru asked, rolling his hips in a circle as he leisurely enjoyed your mouth like it was a fleshlight, “Should we let her cum? She’s been such a good girl for us.”

You whined around him, feeling like this entire night was you whining, trying your best to beg around Satoru’s cock in your mouth. You could feel him grow harder inside you, the sadist loving the fact that he made you so pathetic.

“Nah.” Suguru said, sweating as he pounded you mercilessly, “Not yet.”

“You hear that, baby?” Satoru asked, “You better not cum~”

You sobbed, tears pouring down your cheeks as they decided to continue torturing you.

“You gonna cum inside her?” Satoru asked his friend, knowing him well enough to know he was about to cum. “Fuck- I want to so fucking badly but- I don’t think she deserves it yet!”  “Awww, the poor thing. She has such a huge breeding kink too!” “I know. Fuck- I’d love to dump inside this cunt and breed her but- fuck- I still think she needs to learn her lesson! Naughty little sluts who keep things from their boyfriends gets fucking punished! Oh fuck- yes- cumming- I’m cumming!”

With a shout, once again denying you your orgasm, Suguru quickly pulled out of you with the intention of finishing on you. “Fuck- Satoru!” Suguru moaned as the white haired man suddenly grabbed his member and started jerking him off. Satoru laughed at Suguru’s moans, his hand almost a blur as he jacked off his best friend, aiming the tip right at your pussy. In a matter of seconds, Suguru let out a loud moan as he came, tossing his head back as the pleasure hit him like a truck. He trembled as ropes and ropes of cum shot out of his cock, his balls clenching with each pump as he came all over your pussy. He stained your cunt white, making you whine as all of that cum wasn’t pumped inside you.

“Oh~ Look at all that cum on this pretty pussy~” Satoru moaned, letting go of Suguru to instead pet at your pussy, his fingers rubbing the cum into your skin before he collected a bit of it on his fingers to shove inside you. You gasped, body still on edge, your mind a mess of pleasure and humiliation as Satoru stuffed his friends cum into your pussy. He took some mercy on you and pulled his cock out of your mouth, enjoying your gasps and moans as you took in deep breaths, choking on your own spit as he got off of you.

“Please!” you begged, crying and you voice hoarse, “Please- Please let me cum! I need it! I’ll do anything!”

“Shhhh, relax, princess.” Suguru cooed as he and Satoru switched places, the white haired man settling between your legs with his cock hard once more, eager to fuck your cunt. You whimpered and cried as Suguru lied down next to you, his dick still hard and ready for more as he leaned down to kiss you, a sweet moment among all the depravity.

His hand gripped a breast, squeezing your boob as he kissed you, slipping his tongue into your mouth and making your body tingle from the sensation. He finally parted just as Satoru slipped his dick inside you, smiling as he watched your eyes water and your jaw drop from the sensation.

“Don’t start crying already, baby.” Suguru said, watching as your body started to bounce up and down from Satoru’s thrusts, Satoru immediately fucking you in a fast pace, “We’ve only just begun~”

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[horrortember]

Calling all lovers of darkfic, grimdarks, creepypastas, and scary stories! I had yet to see a monthly writing event themed around horror, so I made one! The event will occur in September, so you have plenty of time to get ready.

If you feel like participating, tag your fills with #horrortember2024, and I'll reblog as many as I can! Fanfic is strongly encouraged, but original fiction is accepted as well. And, depending on how many people join, I'll post a list of completionists or participants at the end of the month!

A written list of prompts is under the cut:

1. AND THIS HAS ALWAYS BEEN WHAT I DESERVE, FOR MY TEETH TO JUST FALL OUT: body horror, parasite, gore

2. BUT THEY SAW SOMETHING THAT’S REAL: pretending to be human, identical, visceral

3. WHO’S AFRAID OF THE BIG BAD WOLF: vampires, zombies, werewolves

4. IT’S ALWAYS BEST WHEN THE LIGHTS ARE OFF: music, silence, echoes

5. BURIED ABOVE THE GROUND: dust, overgrown, forgotten

6. WHAT HAVE I DONE: losing memories, possession, cursed

7. DREAMLESS SLEEP: sick, survivor, injury

8. NOW ONLY DOGS WILL FOLLOW ME: cannibalism, eaten alive, maggots

9. HAVE YOU HEARD THE STORY OF THE RABBIT IN THE MOON: meta, cosmic horror, forbidden knowledge

10. WE DIDN’T GO IN THERE ALONE: hunted, solitary, darkness

11. YOU CAN’T RUN FROM ME FOREVER: obsession, yandere, overpowering emotions

12. I WEEP AND SAY GOODNIGHT, LOVE, AS MY ORGANS PACK IT IN: doomsday, apocalypse, certain death

13. WHAT DO YOU KNOW: nightmare, prophecy, inevitable

14. I CAN MAKE THE WORLD SEEM SLOW: polaroid, motel, record player

15. DON’T KNOW WHO I AM ANYMORE: doll, reflection, facet

16. NEVER SHALL WE DIE: immortality, decay, cyclical

17. WHAT DID YOU BURY BEFORE THOSE HANDS PULLED ME FROM THE EARTH: oops, self-made monster, playing god

18. SHE’LL SAY SHE LOVES YOU, EVEN THOUGH SHE ONLY WANTS TO STEAL YOUR SOUL: haunting the narrative, inseparable, devotion

19. ARE YOU ALIVE, AM I AWAKE: chills, hallucinations, paranoia

20. IN THE RED, YOU’RE BETTER OFF DEAD: hunger, craving, unconventional needs

21. HOW DO I BREAK YOU BEFORE YOU BREAK ME: unreliable narrator, serial killer, manipulation

22. THERE IS NO END: help isn’t coming, final girl, trauma

23. LIFE CAN BE LIKE A DREAM: gone wrong, descent into madness, distrust

24. HEAR THEM LAUGHING UNDERNEATH: hollow, below the surface, remnants

25. I’LL SAY GOODBYE SOON: timeloop, lesson learned, consequence

26. NO CURE IS COMING NEAR: animals, rabies, primal fears

27. WHY DON’T YOU LET ME BE FREE: hanahaki, soulmates, trope inversion

28. AND THEN HE STARTED LAUGHING UNTIL HE CRACKED HIS JAW: butterflies, roses, sunshine

29. WHERE LIFE IS BEAUTIFUL ALL THE TIME: man-made, perfection, out of place

30. YOU ARE CALLED TO THE TREES: climb, descend, mass migration

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

[olderthannetfic]

oh MAN, im genuinely at the edge of a mental breakdown whenever the femslash numbers discourse resurfaces, like at this point it just elevates my blood pressure, i dig my nails into my thigh, and i go to one of my trusty fandom friends to complain about other people's complaints. i ship pretty much across the board without preference for gender combo, altho by virtue of my favourite character archetype niches being occupied by men, i end up with comparatively mostly m/m and m/f with only the occasional f/f. almost all of these end up being rarepairs with at least one supporting or minor character that are eclipsed by whatever juggernaut ship the fandom prefers but never compels me. im used to looking into a ship tag and come up with less than 100 works, most of the times it's less than 50. does this annoy me on the odd occasion, be it because i think X/Y is so much more cooler than uh, A/B that the fandom is obsessed with? sure, but i see no reason to rain on people's parade - i just mute tags and mentions and seethe in silence or private DMs. i write for my unpopular rarepairs, i reblog stuff posted in tags and cheer in my own tags, i chat with people who are also into it, and get overjoyed whenever there's a new fic in the AO3 tag (or elsewhere) that I can read. to me, the femslash situation feels very similar - you like the ship between two blorbos, there's enough fan made stuff for them to fit in the shell of a hazelnut, and 80% of the fandom will swoon over the two people who you personally couldn't give two fucks about even if someone paid you. and shoutout to the people who DO make the fan stuff, the art, the fic, the meta, the discord servers, who request and put up prompts in fic exchanges to inspire others... but by god, if the whiners aren't the ones who dominate the conversation, which i wouldn't mind as much if they'd do ANYTHING besides whine. no, they will scream and shout about how the "yaoi empire" needs to be taken down (how about you just move to FFN? Wattpad?), but then it's either obnoxious nitpicky fucks who haven't posted a single fic in their entire miserable life, or it's m/m shippers who are Not Like The Other Fujoshis and got, uh, i dont fuckin know, 30 works for hockey RPF and 10 for two guys from The Terror who canonically interacted like two times under their belt while they mostly blog about the guys from Interview with the Vampire. they want God, everyone's mother and all the slash shippers on Hedy Lamarr's world wide web to prioritise femslash but don't practise as they fucking preach, tear the work of the people who DO indulgently write about gay women, and think they're oppressed because no one will write exactly what they want. the code for AO3 is for free - unionise along with your fellow femslash enthusiasts, beat the drums really loud, open those google docs, and get some shit started! granted, you're unpleasant cunts and will probably go "actually, no boys allowed in here! get your boy cooties away from this forever!!!! if you like men fucking, go back to ao3!" which will inevitably drive people who like f/f as well as m/m away, so you might be doomed to fail but in the words of that adorable little kitten poster: hang in there!

--

[tamelee]

pls bottom naruto is disgusting stop drawing this ooc cringe

Eh? And it hadn't even been a full day.

Anyway, do you know what this means?:

It means… that I don’t give a damn about your whiny gibberish about this top/bottom bullshit, because it sounds incredibly silly. (And wrong because I draw both?)

It’s fine to have a preference, good for you (I have one too!), but if all you care about between a character-dynamic is the single notion which establishes a rule within a fandom that demands only this particular dick in only that particular booty and nothing else, while dividing yourselves between "us and them" while seeing the people who like the same exact characters as your "enemy" and treating them as such— well, 

I have nothing to say to you, I couldn’t care less what you think about me and I don’t know you. 

But for the sake of other creators who are often a target also, some which I know quit because of this… there is a little something I'd like to say about these servers:

You don’t think I (we) know what is said in there and by who? 👀 That your rules of "what is said on here stays here" with a bunch of people online that you don't know, is actually respected? Why do you think I never join any. And bet your ass that I'm not the only one. This constant fighting between NS/SN is such an embarrassment for this fandom, seriously. I hope you realize that.

Because, instead of encouraging a (new) creator to share something about the characters you claim to love (for fucking free) you go off chastise them for not “doing it right”/“your way”, pretending it's some unspoken commission no one knew of or was paid for. Instead of being happy there’s still so much creative contribution for characters from a story that ended years ago, you go complain under fanfics and dishearten writers, often grinning away with your little server-“friends” and make fun of work someone poured their heart in. Or, you huff, puff and breathe fire as you make plans to cancel them out of pure bitterness, to the point (especially new) creators are too scared and dispirited to ever share anything again. It's easy to do anonymously, aye? And if you think that doesn’t affect their lives and sends them right back into a crestfallen pit of dark hell because it prevents them to do/share the single thing in life that gave them a bit of joy, then...

Congratulations; you’re a heartless bastard.

And you, as a fan, did yourself dirty too.

Do you know how many people don’t want to share anything at all for this fandom because you people leave comments, tags, asks, tweets constantly complaining about an incorrect portrayal of the (in your opinion) only acceptable dynamic, like a bunch a brats? Do you? Because I’ve talked to quite a few of these discouraged creators, they have to hope for the best and pray they’re spared from your scrutiny. I receive it from both sides every now and then.

Again, congratulations: you’re the reason there’s less chance of you getting what you want in the first place. 

Do you... really not realize?

The more you squabble with "your enemy" (lol) the more it affects the "us" you care about while the rest of us just bask in the glory that is SNS/NSN and couldn't care less about what you think/have to say. So, keep everyone else out of it and go mope elsewhere.

But, between you and me? There are better ways to share what you think is right. Make something yourself, because what's stopping you?

You’re perfectly capable, it doesn’t have to be art or a fic, maybe there’s just something in the story that you really enjoyed— write about it. Make a meta. Post the panel, show the moment that determined your undying love for this single dynamic and why— whatever.  Because, wouldn't it be nice having someone encourage you to create something you like? 😬 Especially because you and your server feel so strongly about it? And then you don't have to depend on others either?

Wouldn't it be nice?

Well?

Hm!?

Try it, ffs.

[neyafromfrance95]

what's wrong with haladriel tag today? everyone is spreading hate or getting baited by the antis. doom and gloom. only a few posts are of the shippers goofing or discussing the ep in a way that doesn't feel like the show ended haladriel for good.

yeah, idk. i try to not scroll down the tag nowadays. i finished the episode and it was fine to me. i understand everyone's complaints and frustrations as i myself wished for sauron to see galadriel being in captivity at least (and my main issue is galadriel's shortened screentime), but i feel like we might be overreacting a bit and ruining our own shipping experience?

what saddens me the most is that i don't see the fan creations getting appreciated. the shippers would make great gifsets, edits, art - no reblogs. write fics - no comments or kudos. maybe the fandom is still small but i look at the stuff from s1 and it had so much more interaction and encouragement from other shippers.

even the metas from s1 aren't all about "when will celeborn appear and can galadriel be shipped with sauron when she is married to celeborn?" it seems like haladriels didn't give a f about that forced discourse back then and were just wholly enjoying the ship.

as i've said, i think elrond kiss is not the worst thing for haladriels. it might indicate that celeborn won't be introduced (yet), so galadriel won't have to "go back to being his wife". elrond/galadriel won't turn any more romantic than this, at most it will be ambiguous. and they might be testing the waters for how the audiences react to canon divergence. if elrond can be galadriel's jacob, why can't sauron be her edward?

listen, so many of the most iconic ships have never kissed or were never officially a couple. if the dynamic is shippable then why stop shipping just bc a season doesn't go exactly as the fans wanted it to go in their wildest dreams? we still have s3, there still might be the mind-palace communication explored in s3. after all we know the whole show was inspired by the idea that sauron ever so gropes to see galadriel and at some point galadriel closes the door on him but he still allows her to roam his mind freely!

+ this season still was like a continuation of sauron and galadriel mirroring each other, it confirmed that galadriel has feelings for sauron and that sauron is obsessed with her. there is still one ep left where this slow-burn build-up is supposed to climax.

my point is, let's try to be more positive? and being positive isn't necessarily confined to being delulu. it means creating fan content or hyping up fan creations, it means taking what we get in the episodes and dissecting it with passion, engaging with analysis, having fun!

i have been in many other fandoms and i know that a fandom can't be longevous if it's sustained on frustration and negativity and discourse 80% of the time.

for what's it worth, let's let the creators know that we want haladriel, not that we hate the show the same way the lorebros hate it. yk?

[cripplecharacters]

hi, i want to write about/draw/generally create post-canon content for a character. specifically, a character who survived being lit on fire right before the end of the book (as in, we dont see how the fire effected him in the longterm, as the story is cut off pretty much as soon as it is put out). however, of note is that hes the main antagonist of the story (a spree killer to be specific). ive seen a lot of discussion from burn survivors and other people with fds that you shouldnt be writing evil characters with burn scars or other fds due to the harmful messages that perpetuates, and i want to know if that applies here as well? should i not portray him with scars from the fire, since he is never portrayed with them in the original material? or should i give him scars, as it is the very likely result of him surviving the fire (although not explicitly stated, the way hes described immediately after the fire is put out indicates that he probably has 3rd degree burns over most of his body)? thank you for your time

Hello,

in this situation you have essentially 4 options;

Don't portray him with the scars. Yes, realistically speaking, he would have scars. Obviously. But 95% of action characters should also have some sort of permanent disability from getting hit on the head over and over, and yet they don't. Characters will get brought back from the dead after getting crushed to pieces and still be able-bodied, I really wouldn't get hanged up on whether an injury's outcome is realistic.

He initially has scars but they heal up. Again, realism doesn't really matter. Just throw some first degrees on him and call it a day.

Give him the scars and have the only burn survivor be the most offensive stereotype that's out there. It is what it is, you can't write your way out of a burned spree killer.

Give him scars and introduce another character who's not a murderer (or other big stereotype). If the character survives his burns, he's visiting a burn unit (burns are a life-threatening injury, he's not going to just go home after this). That's where new burn survivors are stored and 99.9% of them are normal people. I don't know whether you will be adding new characters, but even just adding a regular ass person who happens to be a burn survivor would make it better. If you don't want to add anything then I guess it's more complicated, maybe the (presumably good/less evil?) canon character who lit him on fire/put out the fire also got caught in it and got burnt too?

As you can guess, option three is the worst. If you decide to do that one, I'd consider not acknowledging the character as a burn survivor in the meta context. I wouldn't go anywhere near something tagged as "#burn survivor rep" if I saw a spree killer mention anywhere. It's just not what anyone is looking for when trying to find stuff featuring burn survivors. Spare us.

There's no one good convenient way out of this I think, you have to sacrifice something to make it work - either realism, potential disabled readers, or plan for the story. The advice above is just my take on what you could do here.

Hope this helps,

mod Sasza

[tonydaddingham]

I’ve been having this doubt ever since season 2 came out (I should probably solve it by doing a tumblr poll but I don’t have enough followers for the answers to be significant so I thought I would just ask).

So to the point now: did people actually cry about the ending? (talking abt good omens here ofc). I’ve seen so many posts, both from around those days and still now, where everyone says how it made them cry/sob/just sad in general, and I’m too autistic to understand if they mean it literally or not.

Personally I haven’t cried but then I’ve never been a very sensitive person so I’m not a fair judge. I can understand how the ending is heartbreaking (believe me, as a queer person brought up in catholicism, the story really resonates with me) but I don’t feel the sadness myself.

That being said, I would love to know if this is truly different for other people, if it actually made them emotional in the way they mention in their posts or if it’s more of a common used exaggeration.

oh anon my love idk if im a big enough blog to get any kind of decent reach but i'll give it a go, i'd be interested to know too!!!

i know ive exaggerated my reaction on here (iirc i didn't cry at the confession/kiss/leaving for heaven parts - but definitely felt a huge Sad about it... plus frustration, incredulity, anger etc), but i have absolutely cried when writing meta about it, or daydreaming how they'd talk it out in s3 (these characters are healing something in me lmao)

rb for sample size etc etc

[guardian-angle22]

911 Lone Star Fandom Memories

Thank you to everyone who tagged me! I think this is everyone: @lemonlyman-dotcom @herefortarlos @goldenskykaysani @heartstringsduet @she-walked-away @rmd-writes @welcometololaland @toomanycupsoftea @thisbuildinghasfeelings

Friendships

I'm a very shy, anxious person when it comes to social interactions and Making Friends as an Adult is Hard! so the people who put in the effort to reach out to me and seek out a friendship really means so much to me. Y'all know who you are.💜

But even the people in fandom I don't talk with regularly, I always look forward to everyone's tags on my sets or reading the fun meta posts, the fanart, the fics, the liveblog posts. It really feels like we're all a little group of friends in this fandom and it's been a really fun experience. And I can't wait to continue to milk these characters for all they're worth with y'all for the foreseeable future despite the end of the show!

Gif-making!

I taught myself how to make gifs right around the premiere of season 3. I never thought I would be making gifs, but this show was so special to me and I just wanted so badly to have the ability to highlight and talk about the things that I loved. And even though I had no idea what I was doing when I first started, no idea how to tag or caption things properly, everyone was so kind and lovely about everything I was making.

Baby Guardian's first few gifsets were all from an ig live with Brian, Julian, and Ronen talking about the upcoming season 3... and that live still holds a special place in my heart simply because it was the first content I ever worked with ... and omg I had no idea how I was making it harder for myself by using such low quality footage. 😂

(I mean, damn, these are rough. But 🥰🥰 they make me so happy when I see them to see how far I've come and also how much I love this cast)

Speculating & Reacting

My memory isn't the greatest for specific events, but it's been such fun in this fandom when new bts pictures, episode synopses, Ronen/Rafa photoshoots, spoiler clips, etc would drop. Everyone on the feed going wild making fun guesses at what might be happening or everyone reblogging the same tarlos pictures a million times.

Fandom is so fun when you don't get every episode dropped at one time to binge so instead you have time between episodes to speculate and have the previous episode simmer and that in between time in fandom has always been such a joyous thing to experience.

Specific Moments

The Proposal Aftermath, Ronen coming out publicly, The Tarlos Wedding Celebration Event (the first gif prompt event I ever did!!), the Group Rewatch, That time half the fandom became LA Dodgers fans.

~

🏷️OPEN TAG! I'm doing this very late, so I feel like most people have probably already been tagged or done this. But if you haven't yet, please do! This was fun. Thank you @thisbuildinghasfeelings for coming up with this. 💜

[scoobydoodean]

I was wondering if you, as a Dean fan have opinions about the different writers? Mostly because I see a lot of Dean fans really strongly dislike Dabb for some reason and I don’t really understand why. I’ve never seen a concrete explanation beyond “he can’t write Dean/doesn’t understand Dean/actively hates Dean” but with no examples as to what he does that’s so bad. And I see this in every shipping lane. I don’t have a strong opinion about him as a writer one way or the other.

I'm exploring this more as I rewatch the show (currently on season 6) so I'll speak mainly from that perspective on my most recent thoughts. I am not a big fan of Dabb or Loflin, but have tried to be fair about things so far when talking through each episode. I am a fan of "Alpha and Omega"—it's my favorite finale (it's also... a finale for a season Carver started as showrunner? So I don't know what the implications are there as far as storyboarding). Also points for having demon Dean stab a guy through in 10.02.

I'll focus on the negatives you asked about in this post, but in the links you'll find me moving the narrative this way and that toward much more charitable readings... I think. (I do have a tag #dabb disk horse which you can either peruse or blacklist at your leisure). What I can tell you is something almost always strikes me as a off about Dabb/Loflin episodes so far in this rewatch in terms of character work.

Dabb/Loflin's first ever episode was 4.06 "Yellow Fever". In the aftermath, Kripke felt the need to release a definitive interpretation of their episode to the public, stating, "Dean is not a dick... he's a hero." The whole episode toyed with, to an extent, the idea that all the victims of the MotW were bullies. You can take this other directions—for example, queer meta, or meta about Sam as the real bully. However, the story a lot of fandom latched onto was that "Dean is a jerk and deserves to be humiliated and punished for that" which obviously didn't make Dean fans watching live in season 4 happy—and this theme of Jerk!Dean continues into their next episode, "After School Special", where they once again parallel Dean with a bully literally nicknamed "Dirk the Jerk" by Sam, and throw what I think is transparent shade at Kripke's issued statement from before the Christmas break (post here)... or maybe they mean to throw shade at the Dean fans who got angry. In this episode, they also make illusions to Dean wanting to have sex with barely legal high school cheerleaders, which also did not ingratiate them to Deanfans at the time. I said on my last rewatch, "In After School Special, Dean seems more unlike himself than any episode ever in the history of Supernatural up to this point" (post explaining that here). I carry similar sentiments about portions of 5.06 "I Believe The Children Are Our Future". Yes—I am aware of performing Dean meta. I just... feel like they try a little too hard. It feels hamfisted—desperate. To the point it doesn't feel like Dean anymore sometimes. In 5.06, they also have Dean (guy who is generally very protective of kids) suggest to Jesse that he'd be good to have in a fight???? I can see how they got there, but again—it just feels... off. The last episode I rewatched that they authored, 6.04 "Weekend At Bobby's", also leaves a bad taste in my mouth—not in what it's trying to do with Bobby or what it's trying to do on a meta level—but once again, with dialogue from Dean that just makes me think "he would not fucking say that" (post here). I think looking at all of these, you can probably see deangirl ire toward Dabb has a long history. It's been around as long as he's been around, whether he deserves as much ire as he gets or not.

I haven't circled back yet on this rewatch, but Dabb and Loflin also penned season 7's "The Girl Next Door"... do I need to say anything specific? Maybe I'll just link my entire #amy tag. What narrative did they want you to get from that episode? Who the fuck knows. And that's often the problem:

When you watch various episodes I've mentioned, you can work around to a meta that tells you something different than you might at first think the page conveys—something hidden and maybe contradictory. The thing is... you could also... not do that? And that wouldn't be so bad, except that sometimes the two narratives you can most easily grasp completely contradict each other. "After School Special" can be an episode that points to Sam's envy of Dean and John deep down and foreshadows Sam becoming a bully, but on a meta level, it also just as easily says Sam becoming a bully is somehow Dean's fault, and Sam is some poor captive baby. Dean is a creep and a bully and a cheater but we should all coddle him because he saw his mom die when he was a child and he's sooo sad. "Yellow Fever" can be a queer meta story and might also foreshadow approaching Bully!Sam in 4.14, but it also very much does call Dean a jerk (should we take that seriously? should we not?) and implies Dean should be punished for the outcome of three decades of reality-bending torture. Even if it's a queer meta underneath... it's just as easily one about how closeted men should be humiliated for cowardice or how being closeted turns you into an asshole.

Jumping way ahead, I have to mention 15.10 "The Hero's Journey" just because. Yes, it is full of jokes and Garth goodness, but also tries to sell you the story that nothing about Sam and Dean is real, to a degree that feels like you are being flipped the bird for ever watching this show. And again—you can make meta that it's all a ruse! But is it? Or is Dabb actually just telling you to go fuck yourself? Like he totally wasn't when, after the SPN finale when fans were Not Happy™️, he tweeted a sign reading, "Don't feed the baboons"? Yet again—we play into the motif of the "hero" who isn't a hero at all but some pathetic loser who deserves to be publicly humiliated, bookended with Dabb's opening episode in his opening season. I'm not saying that's what it is on purpose—but I am saying you can make these arguments easily, and that leaves me consistently annoyed with Dabb for being fucking sloppy and leaving me to deal with some of the most insufferable meta imaginable that carries little support outside of episodes written by Dabb or the Dabb/Loflin writing team.... Yes—I am in fact saying that Dabb and Loflin's hamfisted episodes (regardless of their intentions) are largely responsible for some of the most insufferable, loathesome fandom metas about Sam and Dean's relationship around.

Look at 5.16 "Dark Side Of The Moon", and 7.08 "Time for A Wedding!" and 8.14 "Trial and Error", 11.17 "Red Meat", and 15.20 "Carry On". Along with 4.13, while they might or might not say something deeper or contradictory on a meta level, on a surface level, every single one of these episodes sows the narrative that Dean is needy and clingy and needs Sam more than Sam needs him—something I intensely disagree with for a multitude of reasons... but I'll just link this. Many of these episodes also follow a surface level narrative of "normal life obsessed Sam" (and here I'll link my entire #sam the hunter tag and #in which sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea). When I look at this episode list, I also don't find it at all difficult to believe that Dabb wanted Dean to die in the finale. There is nothing at all shocking about that. And yes—you can argue he's pointing to the opposite—that this fate should be subverted and that's what makes 15.20 the dark ending, but I think you can just as easily argue that yes it's a dark ending and yes Dabb has always dreamed of this ending. A "tragic" ending where Dean dies and Sam goes on to have a white picket fence... while also leaving you little hints along the way that maybe it's all a big ruse because how could he not? He never has to explain anything. Someone else will pick up the story and make it make sense. He's already fucked off to piss all over fans of Resident Evil.

That said, when I mention what I feel is off character work, I mainly mention Dabb/Loflin episodes from my recent rewatch, which suffer from the two of them being newer to the series (coming onto the writing team in season 4) and also leave questions about whether, perhaps, they had conflicting ideas about characterization. Was Dabb the one penning these lines? Was it Loflin? Was it both? Did they trade out who took the lead? I didn't really say anything negative about "Sam, Interrupted" or "Jump the Shark"... (though "Sam, Interrupted" also calls Dean "codependent") who wrote those? Is it possible that the messiness of the meta comes down to two writers at war? I have to imagine though, that they got along, or else they wouldn't have written together for four fucking years. If they didn't get along...? My mind always comes back to their first solo episodes, right after splitting up in season 8. Dabb's first solo episode is "Hunteri Heroici"—the only episode to lend any perspective to season 8 Sam's reasons for abandoning everyone—paralleling him checking out with Fred's catatonia, which Sam has to save Fred from. It is the only episode that lends Sam sympathy in the early part of the season. He follows it up with "Trial and Error"—where Sam promises to save Dean from suicidal thoughts. Loflin's first solo episode is what I would regard as the most scathing solo episode commentary on Sam in the entire series—"Citizen Fang". Then he writes again right after Dabb's "Trial and Error"—penning "Remember The Titans" where Sam tells Dean to get over the promise Sam so passionately made in Dabb's episode and face reality.

This is why we're exploring this rewatch.

DISCLAIMER: Now I just devolve into bitching because I'm writing at 3AM. Proceed at your own risk.

It seems like these days, everyone demands an explanation for disliking Dabb (something about some sort of destiel battle... I don't know what that flamewar is and I don't give a damn tbqh.) I guess I've just been wondering what's actually so great about him. Because it feels like people have overcorrected to basically acting like he's god's greatest gift to mankind. People point to how meta his episodes can be, but I think other writers easily best him on that front on multiple occasions (particularly enjoyed by me so far on this rewatch: 3.10 "Dream A Little Dream Of Me", 4.04 "Monster Movie", 4.12 "Criss Angel Is A Douchebag"), and without leaving their meaning so up in the air that you don't even know what the hell they were actually trying to tell you because there are two different completely incongruous narratives you could just as justifiably claim were the intended one. Some people may find that duality praise-worthy. I don't. I find it sloppy—and when I add in mediocre character work, I just land on the side of him being, at the very best, mid.

Add him in as showrunner, you have... at least two of my least favorite seasons (13 and 15). Add that he's a one-trick pony in terms of the Sam and Dean conflicts mentioned above that he continuously rehashes rather than come up with anything new or fresh, and the same conflicts between Dean and Cas being played out until they both die (shut UP I'm not talking about canon destiel as the alternative—I am literally just asking for more diverse conflicts). I can't say I understand what I''m supposed to find so impressive.

(Before anyone so much as breathes this near me, Berens also sucks and I am going to tear off your nose hairs if you start bringing him up as if disliking Dabb for some reason means wearing rose colored glasses about Berens. Berens can eat a whole cactus raw over "The Trap" alone.)

[gffa]

I made the mistake, after episode 7 of the acolyte, to look through the tags (I’ve given up on Reddit for sw discourse lol) and there are so many bad takes out there. It’s like people watched a different episode. I’m glad there are some good meta takes from people like you, or I’d be lost! I think nuance is dead in fandom and people just can’t see things as more than “Jedi Bad!” When there’s so much more nuance than that. Were the Jedi perfect? No! Of course not. That would be so boring. If all Jedi were always perfect, SW would be dull. It’s because they aren’t perfect that they are so compelling. That they try to do the right thing, even if it doesn’t always work out.

A quote that came to mind by Teddy Roosevelt: “It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”

Anyways, thanks for your continued good meta and cultivating a nice pro-Jedi space!

Hi! I hear you, it can be tough going into the tags sometimes (and I've given up on both Reddit and Twitter for any kind of discussion, I just do not have the time/energy for that when sometimes I still have to fight for my life on Tumblr) but I will say that the best remedy I have for that is to start posting the content you want to see! It's so satisfying to write down your thoughts just to have fun in your own space, I don't need other people nearly so much because I'm having a great time just making myself laugh or cry over my faves or nerding out over worldbuilding. It's a bonus that I've collected a bunch of really great people around me, both ones I vibe with and ones who are chill when our vibes don't match and we disagree on stuff. I've been having an absolute joy of a time after episode 7 of The Acolyte because I've seen some great posts, I've had some hilarious conversations, etc. And part of that is just. Letting go of a lot of fandom. I'm a lot more relaxed about the Star Wars media I consume because it's not Lucas' Star Wars, I can take or leave it as I will and, most importantly, I don't need the Jedi to be perfect to be good. So much of my need for the Jedi to be perfect once upon a time came from that any little mistake they made, ones that were completely reasonable, ones that were simply just "didn't solve everyone's problems instantly", ones that were present in other characters who were allowed to just be instead of being raked over the coals for it, and how fandom would use those as a bludgeon against the Jedi. And that wasn't fun! So, instead, yeah, the Jedi are flawed, because any character ever is allowed to be flawed. The most cinnamon roll character ever is flawed and that's okay. Luke Skywalker is flawed. Padme Amidala is flawed. Bail Organa is flawed. Yoda is flawed. Obi-Wan Kenobi is flawed. Mace Windu is flawed. Ahsoka Tano is flawed. Leia Organa is flawed. Han Solo is flawed. Lando Calrissian is flawed. Ezra Bridger is flawed. Kanan Jarrus is flawed. Hera Syndulla is flawed. And on and on and on. If those characters can have flaws and be seen as good, well, then that's how I'm going to proceed with my Jedi faves, too. Oh, Mace wasn't bending over backwards to smile and be soft when he was having the worst day ever? That's what you're bringing me to show that he was bad actually? Babe, please, Luke started out as whiny and annoying and he's amazing, so Mace is amazing, too. The Jedi were in a no-win situation, not fighting would mean people would die, fighting meant compromising themselves, they had to make a choice, there was no third way out, there was no secret magical answer in Star Wars, so they did what they could to the best of their ability. And it's not on them to fix everything in the galaxy, they're peace-keepers who were drafted into a war, they're not the whole of the government, they're not there to be social service agents, that's not who they are or what they're equipped for. And yet they still tried to help whenever they could. Everyone fucks up sometimes and that's okay, it doesn't suddenly mean they're the real villain all along, because otherwise they would have to be literally be perfect to be "good" and that's just bad writing imo. Ultimately, just take a break from scrolling through the tags if you can and join me in writing your own stuff, it's hard at first to get the words to come out the way you want them to, but with some time and energy put into it, I've found it to be so much more rewarding. <3

[catras-breakup-song]

how do you feel about the whole "you always wanted more" line that got cut? at first i was wondering why they did that because adora didn't want more until it made me think "huh, what if prime was just running on catra's memories and didn't actually know adora?" but i'm curious as to what you think

OH MY GOD I AM SO GLAD YOU ASKED THIS. i am such a sucker for the cut STC script. back in late 2020 & early 2021 i had a twitter layout based on “that little spot on the roof that only they knew about” because S3 is my favorite:

even better, i have another old twitter fancam saved from around that time too that used that screenshot of the script in the beginning. it was by the username yoosene but is now long gone, so i reuploaded it to imgur here (the hands part, i’m going insane…)!

anyway, as for interpretations, it was absolutely to manipulate & guilt-trip adora. i recently saw someone say (i don’t remember where though, sorry) that he was torturing both of them by setting up that nasty fight against both of their wills and had planned to kill catra all along — despite saying he wouldn’t right after she rescued glimmer and was imprisoned for it, in my opinion there was an unspoken “yet” even though he did technically say that word but you know what i mean; “you will be of use to me, and then everyone from your blighted planet, including yourself, will be destroyed.”

that’s the thing about what the show was trying to convey through her stay on prime’s ship via glimmer’s desperate pleas, isn’t it? her illusion of power was only ever temporary. once she no longer had anything of value to serve, what would she be worth? how could she have genuinely believed that he wanted to save her, of all living beings, from the curse of humanity & will of consciousness? what makes one individual different to an omnipotent god compared to countless others across the universe throughout space and time? i truly believe that he was subtly mocking her when he talked of her being “exalted, raised up above the other wretched creatures of [her] home world.”

i was actually trying to find another five by five takes quote about this, because mentioning them is always an obligation for me, but surprisingly i didn't really find anything about how catra had worked her way up to prime's recognized single subordinate (only that moment of reflection afterward, which is just this entire short video), and was under the false impression with a cocky & confident attitude that her position meant something for her safety & survival; i'm mostly referring to this moment:

the horde's the horde...even in space. as long as i'm of value to horde prime, i've got a place in this world. i can work my way up here, just like i did before.

actually y’know what… i’m going to tag @horde-princess because this is starting to dive into religious meta which is like… her whole gimmick thingy. we would be blessed (pun intended) to see your take on this writing that never made it to the show, if you haven’t given it already!

now this is veering too far off from the original point after getting sidetracked. the tone of those quotes in the alternate script is (fake) pity, and horde prime was entertained by the struggles of mere mortals. to make adora a failure of what she represented would surely force her to give up she-ra to him, because what would even be the point anymore of living up to expectations if she couldn’t save catra first & foremost (that’s something that she struggled with since initially leaving the horde over three years ago due to how catra made her feel about supposedly breaking their childhood promise… but it’s a story for another post)?

i don’t doubt that your thought process is at least partially right too though, anon. prime didn’t read adora’s mind thoroughly at any point, so it’s entirely possible that he just read off catra’s intense feelings of abandonment & betrayal. that being said, if he really did see all as he claimed, maybe he was able to recreate an objectively accurate collection of events and knows what really happened and what the intentions behind certain actions were. i also wonder if catra secretly knew deep down that adora’s defection wasn’t directly about her but just couldn’t admit it until she had time to deeply reflect on it during “corridors.”

i’ll leave this messy, unorganized post with an amazingly relevant gif set made by an editor whose work on here i really enjoy:

as i said a long time ago, you just had to be there on november 19th 2020 when that excerpt was released because the hype was crazy!

[raayllum]

Hi. I don't mean this to be confrontational at all and apologize if I come off that way. I'm asking purely out of curiosity.

I feel like I rarely see you post any TDP critical takes or engage with TDP critical takes made by others unless you're rebutting those takes. I believe (unless I'm mistaken) you even said once or twice before that you have the "tdp critical" tag blacklisted. I was wondering if there was a particular reason for that. Whether you were just uncomfortable posting anything negative regarding the show given that you're primarily a fanblog or maybe you simply lack takes that are actually critical of the show or for some other reason.

It's absolutely fine if you don't want to share or engage with criticisms of the show. I was just curious why for such an active blog that's even existed since the very beginning of the series I see most exclusively positive takes shared regarding the show by it.

Not confrontational at all! TLDR at the bottom because I'm sorry in advance for how long this is.

It's because of 3 main things:

1) It's my blog so I only really engage and focus on (to the best of my ability) takes that I agree with. Occasionally I rebut more critical takes, but most of my stuff I post is things I wanted to write regardless (like my "why Callum made his choices in 7x02" meta) and then discourse came after I'd started writing the thing privately, but it was still a topic I thought was fun to explore. If people posted critical stuff that I agreed with, I'd probably reblog it, but it has just yet to happen, and I'm not too interested in generating it myself (more on that in a second).

2) I have a background as and was trained to examine things like an English major; I also tutor/teach humanities and literary analysis (and a surprising amount of math) for a living. This does not by any means make me an authority, but it does mean I approach stories from a very specific good faith lens that I think the majority of fandoms in general just... don't? Or at least seem not to, as far as I can tell, but maybe I'm wrong; I don't know what's going on in anyone else's head. (This also does not mean that anyone who's an English major has to or should think this way, or does; this is just how I personally internalized further what I learned from my degree and how it aligned with what I'd already been inclined to do with stories since like, childhood.)

What I mean, therefore, at least (and more elaborate thoughts on it here in terms of the perspective I'm coming from) is that because of my lifelong inclinations of 90% of the time Enjoying Canon / my background, I typically go into stories assuming two things: first, that the story is exactly what is supposed to be; and two, if something doesn't work or make sense to me, I assume first that I'm wrong, and I go looking for reasons about why the story would do this before I pass judgement on it. This can apply to character beats / characterization, execution, plot, etc. just about anything. This doesn't mean that the story can't be 'wrong' (or 'bad'), just that it's never my initial assumption.

My search for reasons/answers also does not mean that I'm going to magically be able to deduce reasons, or that any reasons I find are objectively correct and/or intentional or have to work for anyone else; sometimes I can't find the reasons (which to me is my biggest indicator that a story is not for me or no longer for me). Sometimes I find the reasons and it still isn't 'good' or is still not my preference (a good example would be when I thought a TV show randomly paired 2 characters together that I was a not a fan of in their s4, and I still don't like them together, but when I got to S5 I was like "Oh yeah, for plot reasons, of course you'd pair them together, that makes perfect sense") but I know I'm giving things a fair shake. I'm engaging with the story as is, which is my primary interest, not necessarily what I expect or even want the story to be. No piece of media promised to be my ideal; I entered in the story contract of being along for THEIR ride and gauging if the loop-de-loops are a thing I'd enjoy, but they're not going to (nor do they need to) tell my story to be 'Good'.

I've shipped things or enjoyed ideas that would 100% make a story worse if it was canon, and I didn't want them to be canon! I didn't need them to be, either. I'm interested in learning, growing, and adjusting with whatever is presented to me, and if I can't do that (or am no longer enjoying doing so) then it's time for me to go. This doesn't mean I never approach stories from a lens of 'here's what they could do better' (I'm not a big fan of She-Ra or The Owl House, which are both notoriously popular, and I have Thoughts on both of them; I can talk all day long about how structurally broken but fun Frozen is, or how poorly butchered the Star Wars sequel trilogy is) but that's usually when a story has a persistent flaw to me on a structural or overarching basis—consistent tonal issues (which I don't take seriously even for shows like Shera that I think have them, because I'm the adult choosing to watch stuff made for children so of course the tone's not for me) or broken lore, ableist/racist writing, or too many underdeveloped characters or retcons. A single scene, episode, or season (depending on the percentage of the show it is, if it's a full third or something than yeah that's more of an issue)—depending on the severity of the fumble—is probably not going to be enough for me to be pissed about it.

Part of this also stems, I think, from giving stories the grace that I'd want my own to receive some day, but I digress.

I also know from my experiences as writer is that sometimes the choices I (or a story has made) won't work for everyone, wasn't made to work for everyone, and what I dislike about a thing is 100% a choice that the author was making On Purpose that they love, and well - it's their story, isn't it? So holding space for "this is how I subjectively feel, this is what I think the story was trying to do, here's why I feel it didn't quite hit that goal, or did have the pay off to set up (just not in the manner I'd predicted" is like, important to me to all hold simultaneously as separate things that can occasionally overlap.

3) As stated before, I do have critiques—quite a few, actually—for TDP (a few I've briefly touched on here before, such as its lack of female-female relationships) but generally speaking I've never seen anybody else have the same ones.

Part of this is undoubtedly because I don't go looking, but I've also been in the fandom for 6+ years and have seen a Lot of critique for the show to the point it all gets redundant/recycled (hence the blacklist because I've never agreed with any of it) and I do think—not all—but a lot of is just... not that well founded in the text or just not very well expressed, which makes it harder to understand where people are coming from. I've written before about different types of fandom critique (vague/assumptive vs more specific critique which I think is more communicative/productive) but I know for myself, my critique is going to be Consistent for the whole show and specific about why I think what I think. If something bothers me in one season, I'm gonna meticulously check to be like "is this in other seasons? did it bother me then? if so, why or why not?" and if I'm not being consistent on that basis in terms of where and why I'm levelling critique, that's gonna change my mind.

For example, I think S6 repeats a lot of dialogue / ideas, sometimes almost if not directly back to back in scenes, and sometimes in exceedingly similar ways, particularly at the Starscraper sections of the story. For example, Kosmo explains that "on every moonless night, a blizzard rages and shrouds the heavens" and then Kosmo repeats the exact same information like 7 minutes later in the exact same way: "for centuries on every moonless night, a blizzard rages and shrouds the heavens." And it would be one thing if these repetitions were like, in different episodes, because not everyone is going to binge or watch the previously on, and you gotta get audiences caught up. That's why Karim and Miyana have a similar discussion/repetition in 4x08 and 4x09 respectively, but we're in the same episode in S6, we like Just learned this. I don't necessarily know what information we'd put in the 2nd instance with Kosmo instead (maybe highlighting his desire to see the stars, foreshadowing that he'll be timeblind further?) but I've looked for a reason for the repetition, and while I think it's a cool idea for Kosmo to have a tendency to repeat things as a character quirk / set up his affinity for being timeblind (because to deal with alternate timelines is to deal with repetition until things branch off) it's not a satisfactory reason for me.

Or like, S2 has my least favourite pacing in the show, because while I adore the flashback episodes and they're really fucking important for theme (my number one fave thing!!) they do cause the middle of the season to more or less grind to a halt in terms of the main storyline when 2x04 was already more of a transition / filler episode (which we needed after the Moon Nexus arc, 2x04 is one of my fave eps in the season, but it would typically be a transition episode to move us into a new plot section of the story, & that's not quite what happens here, so the pacing drags a lil).

But I don't think season 2's pacing is bad. I don't think 6x04 is a bad episode or that Kosmo is a poorly written character. It's just not my personal preference, and I think I'm a lot more cautious about using that metric (my enjoyment, my preferences, how relatable it is to me, etc) to discern how "good" a story is quality wise. A story can be a great story even if there is nothing relatable in it to me or if it makes me deeply uncomfortable, because art can exist for a lot of different reasons and my limited-ass white western perspective or personal story preferences is not the be-all end-all. I think TDP is a beautiful example of rejecting punitive punishment, and I've gotten more pro-abolish prisons as I've gotten older, but some of my own works have characters who chase revenge and that's the portrayed as the right thing to do, because not everything has to line up perfectly or have a singular way in which to align. It's interesting to explore a variety of viewpoints and that's the whole reason I write.

None of this means I never use my personal preferences or enjoyment as a metric, but that's usually when I'm making recommendations to people or just talking about my personal feelings, and I don't tend to lean on those much when it comes to Analyzing a story other than a jumping off point of "Huh this scene made me emotional, I wonder why? [examines the narrative for set up and pay off]". Cause I think I do, ultimately, consider myself a meta blog, and that's always been my #1 in fandom ever since I got into fandom at 12 years ago, that's what I love doing and engaging in.

If people wanted to have Actual Discussions of "this character beat felt ooc" and they could present their evidence from the text (similar scenes where a character responded differently or something or whatever), and I could say "oh, interesting, that felt in character to me because of XYZ" and I would present my evidence for the text, and we would go back and forth both having a good time before probably respectfully agreeing to disagree, I'd love to engage just for the discussion, I love character and characterization analysis. One of the most fun times I ever had was arguing both for and against the "S4 Rayla is a fake/illusion" theory before the season released because it was fun to consider and counter stuff. I have one friend who's also autistic and back in university we would just swap contrarian story viewpoints for like, an hour on something we had both read, and it was the best. (That friend loved the end of Game of Thrones, which like no one fucking liked, and also has S4 and S7 as like their top 2 TDP seasons, which isn't even true for me, god bless their soul.)

But I would say at least 70-85% of the time when people are critiquing a thing, while it might be coming from a consciously analytical standpoint, that's not what they want to express or that's not how they express it (or at least, not in a way that I can personally understand). They want to vent, and I've definitely done that before with stories myself, I get it. Sometimes a story pisses you off and you just gotta vent. But I'm not going to engage with someone who's venting unless I agree, and if it becomes clear that they are after I do engage because I think maybe they're not venting, and then they are, then I'm just gonna leave 'em in peace. I hope they're having a great time / get whatever they need out of the process.

I also just... am not going to post things I don't agree with. I'm not gonna pretend to have critiques I don't. If I have a critique on... anything that I felt was worth posting about, I would. I don't think I do. Like, I walked out of S4 feeling so happy and excited and content with the season as a whole, MUCH more than I felt when first walking out of S6 or S7, but like I process that shit privately and now I really do like those seasons, so? Yeah.

I think a lot of my disdain for Heavy constant critique comes back to like, I remember being like 13-14 years old and being so excited to come onto tumblr and find out what the ATLA fandom was analzying, because it's in many ways the show I reverse engineered literary analysis from (Katara-Azula was an early, apparent, and favourite foils dynamic of mine, for example) and there's so many lovely things about it. At that point my fandom experiences had been like a really small fandom of a show that wasn't that good but we loved it for what it is, and HTTYD, which had a very thoughtful thriving community of analyzers, and they would debate episodes and ideas in a very friendly manner even if they didn't always agree. So getting on ATLA tumblr and seeing nothing but hate for so much of the show for miles, and seeing so much hate for all the specific things that I loved the most, and that were the most meaningful to me and that I was stupid or childish to like or enjoy or get excited about them, broke my heart honestly. And I just never want to be that or potentially contribute to that for anyone else; I really don't. And at a certain point, if your critique does align with the majority takeaway, you gotta ask yourself if you wanna or really need to toss your hat in the ring and if you'd be adding anything to it, because sometimes we don't all need to comment on every single particular XYZ thing has commented on (no I didn't like the Crowlord jokes in S4, I don't like his character in general, he's also barely in the show, my dislike does not matter to me; the story uses him for comedic relief, he objectively fulfills that role even if he doesn't subjectively work for me, it is small potatoes, I'd rather focus on the more interesting, more prominent things that I love).

TLDR;

Thus far, every time TDP has done something I went ??? about, I've found a reason + one that worked for me, or it's small enough that it's a nitpick. If I don't love all parts of canon, then I stop enjoying it, and if I stop enjoying it, I leave the fandom. If I'm in the fandom, then I love and appreciate all parts of it, even if things may not always necessarily align with my preferences. I'm interested in seeing what the story is doing and focusing on that with my blog, my primary interest is not based in what I want it to do (not saying that's where anyone who does critique the show is coming from or that it's lesser to do so, this just how I'm conceptualizing the difference in mindset, but maybe I'm wrong about where the divide is or what the mindset is). 90% of the time whatever the show does I end up liking more or finding more interesting anyway, and I've also never had anything align with my specific brain more than TDP has. Kinda simple as that, in some ways.