#i need to write this too fuck my whole life

[zepskies]

Heyo! So not sure how youd even write this from a story perspective— maybe headcanons r easier idk— but! What would Current SB/Ben say to his younger self (your choice on age) about his future? Whether it be from an introspective place, him talking fondly about his future family, etc — all you boo👍 Hope youre doing well!

Hey there! Thanks, I'm doing well and hope you are too!

Strictly speaking on story/fic requests, I'm only doing full fic requests on my Patreon, but occasionally I'll be able to do a short imagine/HC when something strikes me. For example, you pose a really interesting question. I think the answer would depend on Soldier Boy/Ben's level of growth/character development.

Like, if we're talking about Break Me Down version of Ben, for example, I've actually thought about this a bit before! If he had the opportunity to talk to his younger self, let's say in the 80s (shortly before Nicaragua):

What (BMD) Soldier Boy/Ben Would Say to His Younger Self

"You just think you've got it all figured out, don't you?" Ben says, crossing his arms at his younger counterpart.

"What? I'm at the top of my game?" Soldier Boy says. He smokes a joint, blowing up smoke casually and arrogantly.

Ben chuckles. "That's what you think."

Soldier Boy frowns. "The whole fucking world worships me. Whatever I want, I get. Women, picture deals, a fucking statue in front of Vought tower-- Hell, I've got hit after hit record on the top of the charts, for fuck's sake."

Ben just shakes his head. His rueful smile irks the other guy, but not as much as what he says next.

"And you're bored," Ben says. "You've got it all... But nothing's ever good enough, right?"

Soldier Boy's lips purse, but he doesn't have an answer. Not one he's willing to voice. Ben nods in understanding.

"It's all right. One day you'll find it," he says.

Soldier Boy frowns, his brows furrowing. "What do you mean, find it?"

Ben doesn't want to give away the punchline. This guy hasn't earned it yet. Not the way Ben knows he'll need to. Otherwise, he'll never understand what it all meant. What all those years struggling alone in the dark, and what betrayal, loneliness, and pain were worth.

No, he won't give it all away. But he'll give him this, at least.

"It's the simplest thing in the world," Ben says. "You're gonna meet a woman."

Granted, the way he met you was anything but simple. The way Ben sees it now, though, it is simple.

Soldier Boy's frown fades, his face turning wry. "A woman, huh? Think I've got plenty of those. Any time, any place, any way I want."

"Not this one," Ben says. He can't help a small, reserved smile when he thinks of you. "Matter of fact, she's going to test your last ever-fucking nerve, every day of your life...but you're not gonna be the same."

Ben thinks about the life he's built with you. He thinks about his daughter, Lila, and his son on the way. Ben pictures the house in his mind--Christmases, birthdays, wedding anniversaries, along with missions gone awry, and the fights and arguments that reverberated on those walls. Moments where his temper got the best of him, or your stubbornness made you dig your heels in. All of it is worth it.

"Then one day, you're going to wake up and realize that you've got everything you need," Ben says.

Soldier Boy seems to take that in. He's still skeptical, but maybe secretly interested in the bright future lying in wait behind his older self's eyes, even though he doesn't want to show it.

"Yeah? And then what?" Soldier Boy asks, in a tone that scoffs, but Ben sees that he's serious too, and he's listening. He knows it as well as he knows himself.

Ben levels a pointed finger at him.

"All you need to do, is protect it."

AN: It's like the old Spiderman meme where he's pointing at himself. lol 💚

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[saras-almanac]

So I’ve been sitting on my feelings about the BuckTommy breakup and handling of it for a while, trying to get my thoughts in order. And after a while of thinking on it—and the recent Lou interview dropping making me feel like my feelings are valid—kind of made me want to just blurt them all out and hope for the best. So this is that.

Ultimately the entire handling of the BuckTommy breakup feels cruel. And not just cruel in an intentional way, but cruel in a casually, not even given any thought cruelty, which is worse sometimes. And to be honest, I think that’s part of why I’ve been struggling with it so much. (That and the echoes of Magicians season 4, which if you know you know).

What I mean by cruelty is just the lack of any real effort or care put into this storyline, one that they had previously been handled with so much care and concern and were praised (rightly so) for at the time. It’s the way they introduce this Tommy as Abby’s ex thing, which makes hardly any sense at all, but also feels cruel in the intention of laughing at the invisible string of fate theory between them. It’s they way that they’re 6 months anniversary and not only have they not talked about this, but Buck (Evan Buckley) didn’t get him a gift that feels cruel because that feels so wildly out of character for him. It’s the way they had the break up play into some bisexual stereotypes at best and inherently biphobic at worst by having Maddie suggest Abby turned him gay or that Buck needs to “explore” things to figure out what he wants or that Buck “Doesn’t know what pond to jump back into” of it all. (Not to mention the comments from OS about wanting Buck to fuck—which I’m not getting into because I didn’t read it and as a bisexual woman, don’t feel the need to go and try to find something that might upset me more.)

All those reasons are why the breakup itself is cruel to the characters, but it’s also cruel to those of us watching, and especially to anyone and everyone who loved and/or related to the character of Tommy, who we see walk away much much worse off than when we found him. It’s the way the story (intentionally or not) is framing it like a romcom break up – make up – pining storyline which they apparently are not doing according to interviews. It’s the way they didn’t give any sort of closure to Tommy for the character or for the audience.

There’s a reason that people lose themselves in stories—it’s because they follow certain rules and contracts. It’s expected that stories do not match up to real life because while things don’t have bigger meanings in life or they don’t work out according to plan, in stories, everything happens for a reason. Because that’s the whole point of what you’re consuming. And along with that, emotional moments are meant to feel cathartic in a way, at least eventually, because you were able to see the bigger picture, to feel the finality to things, and to really understand what’s being said and what’s happening. This breakup does none of that and actually seems to have been included and rushed for shock value and that to me, is just shitty, lazy writing.

If you were going to break them up and have no desire for any sort of reunion or closure, why not make it intentional? Tommy could be the one who wants marriage and kids and settling down and Buck internally freaks out because theoretically he wants that but maybe it’s too soon and as much as Tommy loves Buck, he’s not going to wait around and hope that Buck feels the same for him because he’s been hurt too many times like that. Or Tommy could be leaving for another state because he’s no longer going to be a firefighter or needs to go for family reasons or gets a job at a different station that he applied for ages ago and he has everything all set up and isn’t going to ask Buck to leave his entire life for Tommy, so they decide to breakup even if it hurts both of them. In either of those cases, it’s sad and devastating, but at least there would be some closure to it and understanding of it for both the characters and the audience and some peace knowing that at least these two are going to be moving toward happiness in whatever way that means for them.

Instead, what we have, is a hail-mary last-second breakup that comes out of nowhere and feels abrupt and crappy in the way we leave Tommy specifically because we might never see him again. And that is the crux of the issue. Because the way this was written, the understanding is that they are going to get back together or reunion or at least have that final closure conversation—because that’s what happens in stories. We see this type of surprise breakups, breakups where they issue is they love each other too much and are afraid to go further (Athena/Bobby and Maddie/Chimney to name two examples we saw in universe) only to eventually fight to be together and realize that if they don’t take a chance they might never know how amazing it is. So the fact that it’s set up to follow this same path while nearly every interview is telling the opposite, again demonstrates that casual cruelty as well as an inherent failure on the writing. If you have to go in interview and explain what it is you wrote or are telling, then you have failed as a writer. It’s really as simple as that.

This breakup doesn’t feel set up or foreshadowed, it just feels like they added it on because they didn’t want to do anything more with it? And that feels incredibly crappy as a decision to so many people who related to Buck and Tommy and them coming out later in life and all those other things. I’m rambling and on my phone and feeling a lot of things that I can’t fully express right now, but the long and short of it: If this was always intended to be the final time we see Tommy, this breakup is even crueler than intended.

[treedaddymcpuffpuff]

Imagine being kidnapped by Tom Ludlow.

Hi anon. This got out of hand. I’m sorry. CW: mentions of child abuse/dark humor concerning it, rape/noncon fantasies and details. I write from a place of my own trauma, and it gets a little fucked up. If you don’t like dark fics, or are triggered easily, DO NOT READ THIS. Violence, bad cops, SA. Tom Ludlow is not the bad guy in this, though.

If you’re a big girl, a tall girl, a girl with a lot of muscle or fat, you probably haven’t been picked up off the ground since you were very young.

You question your femininity because of it, along with a whole lot of other shit that society decides to push on you for not having a traditional feminine figure…whatever the hell that is.

You often take on a more protective, mothering or masculine roll with your smaller or daintier or gentler friends. You don’t look down on them at all—or envy them too often. Some people just carry a unique tenderness that you wish the world had more of. But every little rainbow or sunbeam needs their strong protective cloud, and you mostly gladly, sometimes reluctantly take on this role.

You will never be a meek, kind, delicate person. It’s just not going to happen. You don’t want it to happen. You’re pretty comfortable with your role in life. It’s just…sometimes…and this is probably something that everyone craves in vulnerable moments…you want to be the one getting protected.

It’s just kind of exhausting, always being there for everyone else. As much as you love it, and you do, it can also really drain you.

The duality of man is that we can be more than one type of person, and want different things. You know this. But…it’s hard as hell to admit you want to be taken care of. Because doesn’t that ruin your tough facade? Your strength and independence? Doesn’t that let everyone know that you’re just putting on an act to cover up who you really are—a weak, sniveling girl?

That’s why you bottle up, keep things to yourself, regard the world cynically and humorously with a lazy shrug of your shoulder. You act like nothing gets to you, like you are a stoic guard at the queen’s gate, like a big mastiff on patrol of your sheep.

When you do wear an emotion, more often than not it’s either sarcasm or…anger. Like tonight, when some guy won’t leave your friend alone at the bar.

She’s visibly uncomfortable and attempting escape from the creep following her around. She’s too nice to tell him to go away, but you’re not, and you have had to put yourself between them way, way too many times.

“She’s not interested,” you tell him.

He sneers at you. “Yeah, yeah I know.”

Except he fucking doesn’t, because ten seconds later he’s smacking her ass when she stands up, and you’re punching him in the mouth.

He hits you back, and it feels like a slap from a two year old, but it startles your fight or flight, and before you know it, your vision is blurry with rage and your fists are flying.

The security guards have to pull you off of one another and haul you outside to where the police are waiting with cuffs.

“He was harassing my friend,” you tell the guy who’s chaperoning you.

“Her ugly ass is just jealous cuz nobody wants her!” Screams scumbag from down the sidewalk.

Wow, you’ve never heard that one before.

One of the cops grabs him by the collar and says something that appears to be stern with his finger pointed at his face.

The guy looks visibly shaken after that, and he specifically avoids looking in your direction again.

The ballsy officer, probably in some sort of supervising position by the looks of it, gets to you next, and you have to crane your neck up to look at him.

You expect anger, but his face is neutral as he pulls a pen and paper from his utility belt. “Hello, ma’am, my name is officer Ludlow with the LAPD. You mind telling me what went on here tonight?”

You tick through the list of events as best you can, trying not to paint yourself as innocent (because with the way you beat on him, you’re definitely not), but making sure he knows what a fucking reprobate you were up against, and he scribbles it all down diligently.

After you’re done, he flicks his chin at the officer standing next to you. “Reed, let her go.”

They uncuff you, and you roll your arms, testing the circulation and rubbing out the raw red marks on your wrists. “Thanks,” you tell the lead officer. “You mind if I go back in and get my friends? There’s only three of us and I’m worried about them…”

“I can’t let you go back in,” officer Ludlow says, “but give us their names and descriptions, and I’ll send Reed in for them, alright?”

You nod, comply, and a few tense moments later Abby is running out to wrap her arms around your shoulders, smearing her glittery tears and pink blush on your jacket.

You hug her back, picking her up a little bit off the ground with the ferocity of your relief, and look at officer Ludlow over her head. “Thanks,” you tell him.

Tye, arriving from the thicket of people at the entrance a few moments later, immediately wants to know what happened.

She, however, is interrupted, by the asshole down the sidewalk, still in cuffs. “Hope you think of me when you see that handprint on your cute little ass tomorrow!” He calls, and Abby turns away, choking on a sob.

You’ve always had anger issues. Usually, in adulthood, they’re pretty easy to tame down. Not in this circumstance, not when you see Abby shaking and crying, looking as defenseless as a baby mouse.

Unbeknownst to you, because your sight and sound have been marginally narrowed to one person who needs his face bludgeoned in so hard that he finally shuts the fuck up, the head officer has already signaled for them to haul this guy into the back of a police car.

You’re not sure how you cross the distance between you and him so fast—you’re built for endurance, not speed—but suddenly your fists are connecting with his flesh again, and there’s a lot of yelling and pulling and finally your feet leave the ground and your knuckles leave his face.

It takes you a minute to realize you are being carried away—that your feet are not on land—and you look up at the person whose arms are currently wrapped around you.

Like mentioned before, it’s been a long, long time since someone has picked you up and you’ve lost your center of gravity so quickly and so thoroughly. Like a startled animal, you fight to try and get back to the ground, more out of shock and adrenalized fear than anything.

You don’t mean to scratch or bite the nice officer, you really don’t.

Ludlow just sighs at your resistance, like he could be doing something much more important right now rather than manhandling you into the back of a squad car like you’re an ornery kitten rather than a formidable opponent.

You are silenced into shock the whole way to the police station.

They put you in the waiting room sans cuffs, and you’re not sure how much time passes until a heavy presence plops down on the plastic chair next to you.

“Fuck,” is the first thing you say to Ludlow. “My friends…”

“They’re safe. I’m giving them an escort back home.”

He gives you some room temp water, and after the fear wears off, grants you enough time to come back to your good senses. You look at him sheepishly, with your head tucked down. “Sorry, he was a fucking creep.”

Ludlow nods. “I get it, hopefully I can get you out of it with a slap on the wrist.” He hands you some tissues from his breast pocket. “Wipe that blood off your face.”

You didn’t realize you were bleeding, so it’s a shock to finally feel the ache of a bloody lip and bruised cheek and see the paper come back crimson streaked.

After a few long moments of silence, you say, “I feel like an asshole.”

He shrugs, leans back, grins over at you. You fight the urge to flush at his crooked smile. He’s a handsome man. Sometimes you like those. “Asshole, no. Dumb, maybe. He could have really fucked you up.”

“I handled myself just fine.”

“Your split lip will disagree tomorrow morning. Lemme see.” He holds out his hand, as if for you to rest your chin in, and you’re not sure what brain malfunction gets you to comply. You are not a good listener by any means, especially for men in positions of authority or power.

Maybe it’s sexist, maybe it’s unfair. Spend your whole childhood getting the shit taken out of you by a man that’s supposed to love and care for and protect you, and then decide what’s fair and what’s not.

He whistles low, turning you this way and that with a tenderness you don’t expect from calloused, bear paw hands with knuckles like golf balls. “I’ll give it to you, you’ve got balls. Bigger than most men I’ve met.”

Your mouth betrays your tough girl facade, and lets a tiny smile hike up the edge despite the stinging pain that follows.

Officer Ludlow gets you out with a slap on the wrist—aka a misdemeanor—just like he said he was going to. You tell him thank you about ten million times for saving your ass, and for offering to give you a ride back to the bar to get your car.

“I’ve already put you out too much tonight,” you tell him. “I’ll get a Taxi or something.”

“It’s a Saturday night,” he says, jangling the keys in his beater pocket. “By the time you get to the bar, you’re gonna be towed. C’mon.”

You open the back door of his charger, but he shakes his head and, instead, opens up his passenger seat for you to slide in.

It’s about now you’re starting to get a funny feeling in the pit of your stomach, like something is off about this interaction. You’re not one to trust easily, and getting in the car with a complete stranger, although one in uniform, is out of character to say the least.

Your radar has really been fucked up tonight. By the alcohol, the scumbag, the being arrested, the bruising and tearing of your knuckles. What a way to end it, you think, if Ludlow is a bad guy.

The funny feeling in your guts that you decide to ignore this one time? It turns out to be right. And as Tom Ludlow starts driving up through the deserted hills, in the opposite direction of the bar your car is at, you almost want to burst out laughing at how stupid you are.

Asshole, no. Dumb? Fucking definitely.

You test his door handle and he snorts at you; like he’s saying, you think I’m that stupid?

“Doesn’t hurt to try,” you grumble, sizing him up from the corner of your eye, deciding whether to fight or flight or just give up now. He’s thin, but he’s broad. Tall. Not lanky. He won’t be easy to push over. You’ll have to bite, claw eyes out, rip his hair from his head. Make sure he doesn’t pull that shiny pistol out of his belt before you can jump on him.

You could do it right here in the car and risk barreling over the steep hillside on your right. You could—

“Hey,” he says, calmly, capturing you too easily from your violent thoughts, “it’s alright, I’m not gonna hurt you.”

A part of you wants to believe him, or maybe just believe there’s still some good in the world—some good in men. Hell, maybe leprechauns exist, too. You never know.

He looks sideways at you when you giggle in response to these reassuring words, as if you’re the one who’s fucking psycho. “I’ve heard that one before.”

He makes a pensive sound, air puffing from his nostrils, switches gears as the incline increases. “Daddy beat you up?”

Well, fuck it, might as well share all your sob stories if this is really happening tonight. “Uncle, actually.”

“Sorry,” he says, and you hazard a glance over to see if his face matches his empathetic tone—it, surprisingly, does. “He still alive?”

“No.”

You must be violently shaking to compensate for the repression of a panic attack, because his still, steady hand on your shoulder pauses the tremors. “It’s okay,” he assures, like he’s trying to soothe a crying kid. You have to admit, his voice is a cool ointment for hot nerves, even if he’s the reason for them in the first place.

The brain has a funny way of dealing with things like this. There’s about a 30% chance his intentions are raping you, because with his looks he could get any lady in the city of lights for free, but rapists and molesters rarely think about physical attractiveness when it actually comes down to the act. Psychologists say it’s more about the power trip for them. And, at least, if he is going to fuck you, he’s not exactly the worst man that you could pick to do it.

At least he’s hot, is what it boils down to. Because you’re a disgusting degenerate. Because your coping skills are a ticking time bomb, a broken record, stuck back at the part of your life where you had to start liking the way uncle Eddy touched you to deal with the shame and the despair of it.

Officer Ludlow’s gonna pick you right up off the ground again, slam you into his backseat, tug your pants and underwear down in one go. He’ll make you beg him to fuck your pussy instead of your unprepared and untainted ass, use his spit as lube, rub his meaty fingers over your puffy lips and taunt you when his saliva encounters your slippery cum. He’ll smack your ass for liking this, leave big red handprints, whisper in your ear that you’re gonna remember him, not just tomorrow, but for weeks after he gets done working your cunt. That he should kill you and leave your body out for the flies, but he wants you to live just so you can feel the way he destroyed your pussy.

The charger slows to a halt out in the sticks, and you have no idea where the fuck you are or how long you’ve been driving. The night is thick black soup in a boiling pot, and his headlights cut through it meagerly. It’s enough light to see what’s happening ahead, though, and when you look over at him curiously, he is grinning at you.

The man from the bar who assaulted your friend is in cuffs, an officer on each arm holding him in place. You don’t feel bad at all when you notice his swollen lip and purple temple, but you do wish you would have gotten more hits in.

Lucky for you, Officer Ludlow has you covered.

“Do you want to hit him?” He asks, unclipping his seat belt. “Or do you wanna watch?”

You blink a few times in response, not sure what to say to this brutally kind gesture. This man who barely knows you is helping you exact revenge against his own brethren. You’ve never been so…flattered.

“Don’t tell me you’re attempting to grow a conscience?” He teases.

“I wanna hit him.”

To your disappointment, Ludlow is not a total savage. He lets you get 3 or 4—it’s hard to remember the exact number—good hits on this dirtbag, and even wraps your knuckles up in a cushiony flannel from his back seat beforehand. His only rule is, “stay away from his ugly ass face. I don’t need him coming back to the station more fucked up than it already is.”

You get him in the stomach, the ribs, kick him so hard in his dick that you feel the hard pelvic bone underneath. Maybe it’s only a couple hits, but you make them count. And when you start to ache, or get tired, all you have to do is remember the tears smearing Abbie’s pretty glitter eyeliner down her face.

If he does say anything to you, you don’t hear it. Or maybe he really doesn’t, because Ludlow stands behind you like a watchful wolfhound the entire time, and then escorts you back to his car with a heavy arm over your shaking shoulders.

“Good job,” he praises, seeming very amused and unaffected by this whole ordeal while you are trembling, soaked with sweat, panting like a hooker in a fur coat. “It’s alright, he had it coming. Hey, hey, hey, look at me.”

You do as he says, momentarily escaping your fury in favor of his calming voice and soft black eyes.

“You did amazing. Lemme see the knuckles.”

He takes your hand in his, and you notice the size difference first, and then the warm, damp, pleasant heat second.

There’s been a lot of firsts tonight: someone’s hands being larger than your own (big lady hands should’ve been your nickname in highschool), being picked up off the ground past the age of 7, a man going out of his way to do something nice for you—because your brain decides that’s how it’s going to frame this scenario whether you like it or not, as some fucked up little date on Tom Ludlow’s dime.

You feel safe with your hand tucked into his and the heat of his skin and the cozy intimacy of being belted into his vehicle. You feel grateful that good men still exist. You feel…tight, twisted up in some deprived box of longing you’ve made permanent home in.

You leave the sanctuary of your comfort zone, and have another first, as you cross his center console and kiss a man on his mouth.

For a moment where you feel like your heart is suspended on the edge of a very tall cliff, he freezes. This stiff resistance immediately makes you want to pull away, but, before you can, he wraps his hand around your chin and pulls you deep into his mouth.

Arthur from college, Monica from New Orleans…Hell, even Uncle Eddie—they have nothing on Officer Tom Ludlow with his big, slick tongue and muscular lips.

It’s so good you can almost ignore the fresh sting of your split lip.

He sucks your bottom lip between his teeth, and murmurs a laugh when you give him a low groan for the effort, then takes your angry little grumble and dampens it with his renewed fervor. His hands remain gentle and chaste on your face, your neck, your shoulders, even though there is nothing gentlemanly about the way he devours your mouth. He does not push for more, does not hold you down with those big hands that absolutely could if they wanted to.

You set the pace, you pull him closer, you push him back when you need to gasp for air.

He licks the taste of you from his tilted, beautiful lips. “You have to breathe through your nose, honey.”

“Sorry,” you say, crossing your arms over yourself, pressing back against the door, away from him.

His lazy smile droops. “Are you alright?”

”I just…Can you take me to my car? If not I can—“

The thick start of his engine cuts you off.

The car ride back is silent. You think about turning on the radio a few times, but don’t want to cross more boundaries than you already have. Luckily, he flips it on for the both of you and you’ve never, ever been so happy to hear Metallica.

When he parks, cutting the engine off in the nearly deserted garage, the tension between you immediately peaks, sizzling like vinegar on baking soda. He wraps a long limb over the back of your seat, looks confused—vulnerable for such a big, scary man, and he makes your heart twang a lonely cord.

He seems almost boyish, when he asks if he can take you out sometime.

And you want to say yes. Every feral primordial part of you does, anyway. But then there’s the rational part, the one that should and does win most of the time. You’ve already snubbed that part too much tonight, so you politely decline Ludlow’s offer, and with your traitorous heart padlocked and chained back into your breast cavity, you say goodbye to the nice officer.

[laswells-ashtray]

New here but already in love with the way you write Price and Nikolai, so I have an idea for you.

I saw the hybrid COD idea and was thinking about how Price would never show his wings to anyone except those who keeps close(his boys, Laswell, Mac, etc), but he only shows them one because the showing of both wings is something reserved for significant others, which is something John thought he’d never have.

Cue Nikolai coming in and turning his whole life around, and now they’re sitting in one of John’s favorite quiet places and having a drink when the dragon hybrid gets up suddenly and turns to face Nikolai, a look of content and bliss in his eyes as he stretches his wings to their full height and show them to the pilot in all their glory.

At first, Nikolai is stunned because- it had taken damn near years to get this powerful captain to trust him, to be around him, and to learn to love him, and now all of a sudden on a warm evening he’s showing off his wings to him of all people?

Needless to say he’s stunned and immediately wraps John in his arms, large form surrounding the dragon’s easily despite his own large size.

Aaaand.. yeah! That’s all I got.

Awwww, that's so fucking cute and very John, to do it without any warning.

John, watching Nikolai discuss the mechanics of a heli: I need this man in my life forever and I need him in my bed without the next two hours.

I think touching a dragon's wings is a big nuh-uh unless you're someone close to them, or a medic because God forbid John go a single mission without getting fucking injured.

Kate has felt them because despite having a master poker face, John could tell she was curious and he trusts her completely. He just took her hand and rested it on her wing, because she's Kate she asked him if he was sure and he nodded. She ever so gently trailed her fingers across his wing and hummed approvingly. "They're nice... Sturdy." "That stops being a good thing when you clobber them off of something."

The boys have all felt one of his wings. It's grounding for Simon when he needs it, Gaz treats it as something precious; being allowed to feel a dragon's wing is a unique experience and Soap is more often that not the one to tell John that he needs to visit the medic because he's a little scratched up.

MacMillan has felt his wing because John has always been a reckless arse and back in the day, Mac was the only one he'd let patch it up because the medics at the time were a bit too heavy-handed and it was either that or John tried to do it himself. He can't twist at the right angles to patch up his own wings. He has a habit of always injuring the right one, too.

Nikolai? Nikolai spends his mornings lazily drawing the shape of a heli against John's wing when they're in bed together in the morning and the other wing is wrapped around him. He does it so often that John knows just from the touch that it's a heli. "Again?" "You complained when it was a penis." "...You're right, carry on."

Nikolai drapes a blanket over John's wings because Soap joked that if they did it then they could make Price look like Batman and Nik's curiosity got the better of him.

He wraps tinsel around the tips of one of his wings at Christmas just to see if John will let him away with it, John does. And John will, every time.

[changelingsandothernonsense]

Wip Whenever

Hey guys it's 43 minutes into Thursday and i'm line arting. I managed to get some writing done too so like both? Tagged by @skyrim-forever

Tagging @nyarevar @thequeenofthewinter @saltymaplesyrup @firefly-factory and anyone else interested. Tumblr's being glitchy. 0 pressure as usual <3 Right, arts

Working on some pre-oblivion era Josh since I talked about it so much yesterday. Almost done lining. And a bit from chapter 15 of Sleepers Awake

“B’vehk! Would you calm down!” The stranger yelled, sitting up straighter, “You’re gonna hurt yourself!”

“Yeah, go fuck yourself!” Teldryn yelled, “Where the fuck is my shit!”

The mer sighed heavily and pointed to what looked like a carved, Cyrodiilic-style chest in the corner, just behind where Teldryn was sitting, “Easy, easy there. I put your things in that chest there for safekeeping while I patched you up.”

“You…what?” Teldryn grumbled as he looked down at himself. He was wearing a clean, loose linen shirt that was far too big for him. A fresh bandage had been wrapped around his torso, the top peaking out from under his loose collar. He was still wearing the same trousers he’d thrown on earlier that day, though they were caked in ash…at least the sections that hadn’t been covered in armour, anyway. He was missing his shoes.

“It’s unlocked if you insist on putting that armour back on, sera,” the older mer sighed, “You will find, however, that it’s a bit warped in places. I’d suggest getting it repaired when we arrive in Ald’ruhn.”

Teldryn felt his stomach lurch, panic setting in as his heart struggled to remain steady. He was already later for this meeting than he had any right to be and now he was making the whole situation worse! Cosades would have his fucking head for sure after this!

No, no, no, no!” He found himself scrambling towards the chest in the corner, pain shooting through his side as he started frantically tossing the chest’s contents about the caravan. He gasped for breath as his heart raced, feeling like blades against his ribs as his fingertips tingled. He had to get off this fucking bug! His life depended on it.

“Hey, hey. Slow down there.”

Teldryn felt a hand on his arm and he twisted towards the mer, watching as he dodged Teldryn’s left fist.

“Hey! I’m not here to hurt you!” The other mer said, his voice painfully soothing, just as it was back on the ship, “Calm down!”

“I can’t go to Ald’ruhn, I was just coming from there!” Teldryn cried as he yanked his right arm from the mer’s admittedly lax grip and reached for his cuirass, “I need to get off this thing. Now!”

“You want me to let you off Ara in the middle of a damn ashstorm? Are you crazy?” The other Dunmer yelled in reply. Finally! He’d roused this soft-spoken fuck’s personality.

“I was already stuck in an ashstorm you stupid fuck!” Teldryn growled as he struggled to tighten the lacing on his cuirass, “I’ll figure it out!”

“You’ll figure it out. Hey?” The other mer taunted, raising an eyebrow, “You know, I didn’t take you for a complete idiot but then again...”

Teldryn stared down the larger mer, who had now moved back to his original seating position, “An what’s that supposed to mean?”

He shrugged and reached for what looked to be a shard of scrib jerky and took a bite, “I mean you’re planning on wandering the ashlands this close to nightfall, in the middle of an ashstorm with armour that’s too damn broken to withstand the storm. Either you’re a dim one or—”

“It’s better than the damn alternative,” Teldryn grumbled as he pulled on his boots, wincing as the thick leather rubbed against a bandage that was wrapped around his shin, “I’ll take my chances.”

The older mer reached for his arm though hesitated when he saw Teldryn pulling away from him. He exhaled, his shoulders slumping already, “Alright, where are you heading.”

“Where am I?” Teldryn shook his head, “None of your fucking buis—”

“Hey! I’m not your enemy here!” The Dunmer growled, “I am actively trying to help you! How are you not getting that?”

Teldryn opened his mouth, closing it again as he failed to think of a reply. It was true, whatever his intentions, it wasn’t to hurt him. Gods! He’d had ample opportunity and the most he’d done was touch him. If anything, Teldryn was the one who was posing a threat. He was still just as easily startled as he was on that night back on the prison ship. Just as ready to lash out. Just as paranoid of strangers when he was feeling vulnerable and by the gods, he was feeling pretty fucking vulnerable! Whatever had attacked him out by that estate had really done a number on him. His armour was warped to the point of uselessness, and he was nursing more than his fair share of wounds by the looks of it. He’d perish overnight in the wastes if he tried to brave them now, though it was likely he wouldn’t last much longer anyway with this last fuck up. He’d have to be on his best damn behaviour just to convince this contact of Zainsubani’s to still take him as a client. No one was gonna wait around for hours for him to get his shit together. Especially not some stranger who apparently took bastards like him to points in the Ashlands all the time. Zainsubani made him sound no-nonsense and like…professional. It made him nervous, this whole thing made him nervous…

“Maar Gan.”

[dubacheryking]

*slams my hand on the table* JASON GETTING RAILED BY NO LESS THAN THREE (3) MEGA HUNG AMAZONIAN MILFS RIGHT THE FUCK NOW

[shima-draws]

Grips my shirt and tears it apart so that all the buttons go flying and SCREAMS I love Law and Cora so much what the FUCK!!!!

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[july-19th-club]

favorite type of villanous characters are the ones whose motivations boil down to

like they dont even have to have any stakes in the broader situation. they just have take pleasure in destruction

[lunar-wandering]

head hurty

[tenrose]

People nowadays are so used to get what they want from TV writers that when they are wrong they throw tantrums like toddlers.

[chai-en-kaadhale]

sent scary email brain is now stewing with every single possible worst outcome that could possibly come of this im going to have a stroke

[buthappysoverrated]

How's that troublesome WIP going? And how's life - had any good cups of tea lately?

currently contemplating going into the computer and strangle every single character in this show

[seventh-district]

several days and 15 thousand words later, i am relieved to report that the suffocating urge to Write Something has been sated and no longer has me in a chokehold

[widevibratobitch]

im so fucking mad at myself at my mother at her dead husband at god fucking knows what. "concentrate on yourself" well i cant can i. now more than anything i should and i cant. losing my fucking mind istg

[girlthativealwaysbeen]

my sister called me and kept asking excitedly that what's happening in my life and