#i need to write a whole thing on that i need to sort out my takes but

[celestie0]

gojo satoru x reader | fake marriage au [18+]

in holy matriphony ch5. child's play

ᰔ pairing. fake marriage au - neighbor&realtor!gojo x nurse!reader (ft. choso x reader & suguru x reader)

ᰔ summary. gojo satoru is your extremely annoying next-door-neighbor who you're pretty sure is the most insufferable man you've ever met. given the fact that you exclusively work the night shift at a chaotic emergency dept, just got broken up with your boyfriend of seven years, and have been taking care of your sick mother ever since her multitude of diagnoses, yet somehow your neighbor is the main source of stress in your life should speak volumes. but when your mother's medical bills start to skyrocket to more than you can manage, and you learn that said neighbor of yours has the best private health insurance plan in the country, you ask him to enter a matrimonial agreement with you for the spousal benefits all in the name of saving a few hundred thousand dollars. but you'll have to see if suffering cohabitation w him is worth any amount of money.

ᰔ genre/tags. fluff, smut, angst, enemies to lovers (sort of), annoyances to lovers (that's more like it), small town romance, fake marriage, next door neighbors, lots of bickering, suburban shenanigans, slow burn, mutual pining, gojo likes to play house but you don't, hatred for the american healthcare system, gojo always forgets to mow the lawn, jealousy, an insane amount of profanity, mentions of cigarettes, depression/anxiety; btw gojo in this fic is in his mid 30s n reader is in her late 20s

ᰔ warnings. reader in this fic has a sick mother w alzheimer's & cancer so there is secondary medical angst!!

ᰔ chapter. 5/x

ᰔ words. 4.8k

a/n. helloo my ihm friends! long time no see. hope you're all doing well and thank you so much to everyone who sent me kind messages about the whole ihm gojo ex wife thing haha. i really appreciate it :) i feel more confident about my writing decisions now, and that's all thanks to you guys! anyways, i will be posting shorter chapters for ihm going forward, so sorry if some chapters have slightly abrupt endings or stuff like that. i guess my goal is to post shorter chapters but more frequently! we'll see how it works out. anyways, hope you enjoy this chapter and see you at the bottom!!

nav. ch1 :: ch2 :: ch3 :: ch4 :: ch5 :: ch6 (pending)

Ever since admitting your mother into hospice, things have been calmer inside your mind. After passing the initial wave of agony that came with no longer hearing her voice down the hall or seeing her silhouette in her bedroom as you walked past it, you realized that…a weight has been lifted off your shoulders. No longer setting alarms at the height of every other hour to remind your mother to take her medication, no longer viewing every interaction you had with her as some form of study you needed to jot down in a binder for her neurologist’s records, and no longer driving her to all of her chemotherapy appointments, only to leave them feeling like you purposefully just took your mother to a place where they sucked all the life out of her in exchange for the slim promise of giving it all back to her someday.

Maybe it was evident in the way your shoulders felt less tense as you rolled them back, tilting your neck to the side and no longer feeling the painful strain that tugs a wince onto your face. The other day, you caught yourself humming a song as you drove to work. Your skin, usually feeling cracked and dry from stress and exhaustion, now has a slight plumpness to it like before. A more youthful glow, like the version of yourself you were before your mother became sick. The version of you that so quickly deteriorated, and one you didn’t even know still existed somewhere within you. 

There has also been time for hobbies. Rarest of occasions, you find yourself sauteing some yellow and white peaches in a saucepan over medium heat in Gojo’s kitchen, humming that song once again that’s been stuck in your head. The sundress you’re wearing matches the pink of the syrup that pools at the bottom of the pan, and you feel like you’re living your cottage core dreams in this brief moment of reprieve you’ve allowed yourself to fall into.

The sound of slippers tapping down onto the hardwood floor startles you out of your gleeful trance, and you turn your neck to the right to see a pajama-clad messy-haired Gojo shuffling his feet across the open area into the kitchen with a dark black mug in his hand.

“Why aren’t you dressed??” you ask him in a panic.

“I’ll get dressed later,” he tells you dismissively as he grabs the glass pitcher of coffee from where the coffee machine was nestled up against one of the counter corners.

“You’re stressing me out. Your mom told us to be there in two hours,” you say, putting your hands on your hips in disapproval as you hear the sizzle of the peaches in the saucepan. 

He entirely ignores you, choosing to instead drag his gaze down the form of your body. “Woooow, twice this month I get to see you in a cute dress,” he comments, pouring coffee into his mug but his eyes are still on you, “lucky me.”

“Oh Shut. Up,” you sneer at him with a harsh roll of your eyes, “your fake flattery might work on the lonely middle-aged women you seduce to make a living, but it won’t work on me.”

His shoulders push back before he slumps them slightly, his brow lifting with confusion. “It’s not fake though? I mean it. You look really nice right now.”

You point an accusatory sugar-syrup coated wooden spatula at him. “You’ve just been conditioned by the patriarchy to get a boner at the sight of a woman in a kitchen.”

“What–...no–...why do you always have to say stuff like that whenever I compliment you? Can’t you just accept it?”

You cross your arms over your chest. “I refuse to be flattered by an insolent man like you.”

He sighs, setting his coffee mug down on the counter, and you watch the way the fringe of his hair hangs over his forehead as he gazes into the contents, swirling it around with a loose grip on the handle. “Is this how it’s going to be everyday? I try to be nice, and you–...well, you know, are you.”

“Well who else should I be?”

His eyes lift up to meet yours, the slightest of a cheeky grin on his face as his eyes wander down the form of you again. “I don’t know. Someone a little…softer? Like, you’ve got this really pretty dress on, and then you’re telling me off about patriarchy-induced boners. It’s a little, uh, contradictory?”

You gasp. “You’re trying to control me. I knew it. You are poisoned by the patriarchy.”

“What?”

Your eyes narrow at him. “You have this image of a perfect and cute little wife, who’s gonna wear pretty dresses all the time, and bake stuff in the kitchen, and get all blushy when you tell her she looks beautiful, and you expect her to have this soft little personality that never argues with you or disagrees with you…ALL BECAUSE OF THE PATRIARCHY!!!”

“...I–...Okay, you’ve lost me.”

You let out a hmph! noise. “Can’t even discern his own brainwashing. Sad.”

“All of this just because I tried to tell you that you look nice?”

“I know what your ulterior motives are, you creep.”

His eyes spark a little at that, the corner of his mouth tugging up into a cheeky grin as he sets the coffee mug down onto the marble counter and he straightens his spine. You blink, watching with confusion as he crosses the distance between the two of you, to where you’re taking a small few steps backwards until your lower back presses against the edge of the island countertop. He cages you into the surface with his frame, followed by the palms of his hands sliding over the marble on both sides of you, and you feel his forearms press against the curve of your waist as he traps you in with no way out.

“S-Satoru,” you stutter, looking up at him with wide eyes, “what are you doing?”

“What do you think I’m doing?” he says, his voice deeper with a nonchalance that has you shiver, his gaze dropping to your lips when you part them slightly.

“T-The patriar–” you squeak out, but he suddenly dips his head down to kiss you.

Your breath hitches in your throat, eyes immediately closing when he moves his lips against yours, one of his strong arms wrapping around your waist to pull you closer to him and your hesitation is something that only lasts a brief second before you find yourself kissing him back. Some noise leaves his throat, deep and raw and sounding pleasantly surprised as he captures your lips more fervidly now, his hands smoothing down to hold your hips and his teeth slightly nip at your bottom lip. 

You grab a fistful of his shirt, unsure of whether you want to pull him closer to you or push him away, but the moan that you mumble against his lips only makes his grip on your hips even stronger, fingers digging into the softness through the thin fabric of your dress. 

The oven suddenly starts beeping, startling you and you pull away from the kiss with a gasp, eyes rounded as you look up at him, but his are lidded and dilated as his gaze remains glued to your lips. 

With a heaving chest, you try to push him away by a weak fist to his sternum but he’s unrelenting.

“You taste sweet,” he says, like some comment he noted in his head but accidentally voiced out loud.

“I–...” you inhale sharply, “I just ate three macerated peaches.”

“Uh-huh,” he barely acknowledges before leaning in to get another taste, but you push him away harsher this time.

His hands let go of your hips entirely, finally breaking out of that kiss-induced trance he was in, but he still remains close to you in proximity, so much so to where you can feel the heat from his body. It’s comforting almost, radiating through the soft cotton of his long sleeve shirt, and you find yourself subconsciously leaning towards him before you snap out of it too, and rock your weight back against the island countertop.

You cross your arms over your chest, hoping the flush to your cheeks isn’t showing. “Oh okay so we just casually kiss now?”

He shoves his hands into his plaid pajama pant pockets, leaning away from you slightly. “For as long as I can get away with it, yeah.”

“You are breaking the rules.”

“You never said no kissing.”

“I said no touching.”

“Ehhh kissing isn’t really touching, though, is it?”

“You sound stupid.”

“I always sound stupid to you.”

The oven starts beeping again, and you realize it’s long been preheated to the setting you had placed earlier. You slip away from him with haste, feeling his gaze on you as you press a button on the oven to turn the alarm off, and you stare at the handle for a moment or two to calm the beating of your heart down. 

Your eyes catch sight of something on the side of the fridge. A little magnet made of rubber that has the word London on it as well as the design of the Westminster Cathedral with golden accents. You recall that Gojo went on a trip to London recently, and that he didn’t bring you back any souvenirs from there like he did for your other neighbors. And you want to pretend, you want to shove it down, that incessantly childish feeling that wonders why he didn’t bring you anything back. You want to continue to pretend like it doesn’t hurt your feelings. Something so miniscule and small. But you–...well, you can’t.

You spin around to face him. “Do you hate me?” you bluntly ask.

He blinks at you. “Huh?”

“Do you, what, I don’t know, think I’m annoying or something?”

He shrugs with his hands still in his pockets. “I mean, yeah, I do think you’re annoying sometimes. But in a silly way. Like we’re just pals horsin’ around, y’know?”

You snarl at him, putting your hands on your hips and narrowing your gaze until he’s hardly even visible anymore. “No. I actually find you annoying. Like, wanna-run-you-over-with-a-bus annoying. You just have horrendous social awareness and think that everyone loves you.”

“You actually don’t like me?” he asks, like he can’t even believe that someone wouldn’t.

“Yes,” you say, “now get out of my way.” You make an attempt to push past him, purposefully knocking your shoulder into him to assert dominance but he is unfortunately much bigger than you and so all it does is make you stumble ungracefully from the recoil.

He quickly grabs your arm to steady you, and you glare up at him before yanking yourself away and then step backwards until your back hits the fridge.

He studies your demeanor for a second before taking a deep inhale, and then lets it all go in a heaving sigh. “What do I have to do to get you to lighten up a bit?” he asks.

“You really want to know?” you sneer at him.

“Yes,” he says with a slight hint of frustration in his tone.

You cross your arms. “Pay for the fucking fence.”

He blinks at you, confusion replacing whatever frustration was previously decorating his tone. “What?”

“The fence,” you reiterate with a step forwards towards him, “the one I built six months ago. The one where you laughed in my face when I told you to help pay for it.”

He leans forward. “Yeah. Because I never wanted that fence built. Like I said, it fucked up the roots on my avocado tree. You should’ve asked me before building it. In fact, it’s illegal to build a fence without joint consent of both neighboring property owne–”

“Oh my god, okay, see? This is why I can’t stand you,” you snarl at him and make another move to get past him but he easily steps in front of you to keep you from going anywhere.

With a sigh, he relents. “Fine, I’ll pay for the fence.”

You try to keep the twitching muscles of your face still as you resolutely stare up at him, pressing your lips into a thin line. Through a strained tone, you say, “No. I don’t want you to pay for it anymore.”

He lifts a brow, utterly bewildered at this point. “Huh?”

“Now it just feels like pity. And I don’t want your pity money.”

“Two seconds ago, you did.”

“Yeah, well, whatever. That was two seconds ago.”

“So…let me get this straight, you don’t want me to pitch in?”

“No. I want you to have wanted to pitch in SIX MONTHS AGO.”

“Okay but what the fuck am I supposed to do about that now?”

“NOTHING!!!” you finally snap at him, the shrill to your voice startling him slightly to where you see his shoulders jump, and his eyes are now rounded blue as he looks at you. “There’s nothing you can do about it, there’s nothing you can do to get me to ‘lighten up’ or ‘act softer’ or whatever the fuck kind of damage control you aim to achieve with me due to your pestering incessant need to be liked by every fucking person you come across. So just deal with the fact that I hate you and let me do it in peace.”

He’s silent for what feels like a long time as he blinks at you, his bottom lip pushing up slightly in a way that suggests he’s almost impressed by your little outburst, then he takes a step forward, and in that one large stride, he’s closed any distance between the two of you. Your back is up against the frigid steel of the fridge, your heels tucked under the warm rubber at the foot of it, and you’re looking up at Gojo as he towers over you, his hands still annoyingly and relaxedly shoved into his pockets.

“Do you think it’s gonna be a problem that I think you’re kinda hot when you’re mad?” he asks you.

A small puff of air leaves your lips, like you just can’t believe the audacity, but also having him this close to you suddenly made it a little harder to breathe. “C–...Can you just be fucking serious for one second?”

His head dips down, the fringe of his hair tickling your forehead, tip of his nose slightly brushing against yours, but his gaze never falls to your lips. “You think I’m not being stupid fuckin’ serious when I say that you’re hot?”

“S–” your breath hitches in your throat, and his gaze finally falls to the lick you pass over your lips, “Satoru–”

Like God himself answered to your (cognitively dissonant) prayers, the bell rings, and Gojo leans himself away from you, straightening his spine so he can glance over his shoulder towards the door, a slight look of irritation on his face through the furrow of his brow.

You blink up at him. “A–...Are you expecting someone?”

He rubs the back of his neck. “No. Don’t think so.” He sighs before shuffling around the kitchen island and across the dining hall towards the entryway of the house, and you peer at the sight from across the hall.

When he opens the door, you see Sana standing outside, dressed in mom jeans and a t-shirt with her black Coach purse slung around her shoulder, arms crossed, and you barely register the fact that she looks pissed.

“Sana?” Gojo says, “what’s up.”

She entirely ignores him when she catches sight of you, pushing right past him and into the family room that you were currently finding solace in.

“You,” she points at you, storming right up to your personal space, “what the hell did you say to Juno when you were babysitting her?!”

“H-Huh??” you squeak out, taking a step backwards. “What are you talking about?”

“You told her to fight kids at school?!” she snarls at you, and your eyes widen.

“What?” you say, your face twisting with confusion, “I–...I never said that. I just said that she should stand up for herself if she needs to.”

Sana inhales deeply with rage, leaning back and jutting her hip out as she crosses her arms again. “Yeah, well, I had to pick her up early from school today because the principal called and told me she shoved a little girl on the playground during recess, and now she’s facing suspension.”

Gojo approaches suddenly from your periphery, standing in front of you as he faces Sana. You stand on your tiptoes to peer at her over his shoulder. “What? Why would Juno do something like that?

You hear Sana start to tap her foot impatiently against the hardwood floor, and then she turns her head away from Gojo as a slight hmph! noise leaves her throat. “The why is irrelevant.”

You poke your head out from behind Gojo and glare at her, but then Gojo turns around suddenly to look at you.

“y/n,” he says, “what’s going on?”

“I–” you start, glancing at Sana again who now has a solemn look on her face with pursed lips. You glance back at Gojo, who’s looking at you with confusion and anticipation. A heat spreads down your neck from the attention of the both of them on you, and you’re not sure what the smart thing to say is, so you figure you’ll just tell the truth as it is. “...I just didn’t want her getting bullied and thinking she can’t stick up for herself.”

At that, you see Gojo’s shoulders stiffen. “Bullied?” he repeats after you, then quickly turns towards Sana, “what does she mean, bullied? Juno’s getting bullied at school?”

Sana faces him full-on, raising a stern pointed finger between the two of them “No. Satoru. Stop. You always do this. This has nothing to do with you, so don’t even start. It’s not a big deal, let’s not make it one.”

“The fuck do you mean it’s not a big deal? She’s getting bullied at school, and you want her to just suck it up?” he asks, venom dripping from his tone. 

“It’s for her benefit!” Sana exclaims. “Jun and I have spent months trying to get her into this school! We don’t want her getting kicked out.”

“Y’know, I’m–” you stutter, “I’m gonna–...I’m just gonna go upstairs,” you say, “this seems like a family matter. I think you guys should probably just settle this on your ow–”

“No,” Gojo says, pointing to the couch that you were standing in front of, “sit down.”

You sit.

Gojo turns to face Sana again, and although you can’t see his face, you imagine he’s pissed off from the way Sana’s shoulders drop slightly and her sharp expression is cut into a more sheepish one.

“Who cares if Juno is suspended for sticking up for herself? It’s the teachers’ fault for not making sure she’s safe,” he says.

“Shoving other kids is not the solution.”

“Well if you fuck around, then you find out. Kids are too soft these days.”

“This is not the 90s, Satoru.”

You watch the back and forth between the two of them for the better part of an entire minute, feeling uneasy in the hostile environment of the room, but there’s a sense of underlying familiarity between the two, one that is recognizable amongst family. And you feel rather foreign, but then remember that, technically speaking, now that you’re married to Gojo, this is your family too.

Amongst the arguing of the adults, none of you noticed that Juno had gotten out of the car in the driveway and was now standing in the doorframe of the front entrance. She looks scared and guilty, fidgeting with her fingers in front of her, and you notice her scrapes and bruises that you tended to last week were now mostly healed. 

Gojo catches sight of her, and you see his shoulders relax. “Juno, c’mere.”

With the permission, she instantly runs towards him and into his arms from where he was crouched down to the floor in order to welcome her, and then she starts sobbing.

“I’m–hic,” she cries, “I’m so–hic–I’m so sowwyyy Uncle Toru…I’m–hic–I’m sorry mommyyyy.” 

You see Sana sigh and she makes a move to brush Juno’s tear-dampened hair out of her face when Gojo pulls her away from his shoulder by a delicate hold of her bony little shoulders.

“Juno. Listen. If people are being mean to you, then you do exactly as your auntie y/n said. You stand up for yourself. And if that doesn’t work, then you cuss at them and threaten to shove their faces into the dirt until they run away with their tails between their legs. Do you understand me?” Gojo tells her.

Sana gives you a pointed look.

“Oh, I–” you put your hands up in front of you, “I didn’t say any of that last part.”

“Do you understand me?” Gojo repeats again, and Juno nods her head slowly before she falls back into him and soaks his shirt with tears. “I’m soowwwwwyyyyyy.”

Gojo pats her back a few times to comfort her, and your heart breaks for the little girl. It’s bad enough to be bullied at school, but then to be reprimanded by your mother the one time you stand up for yourself…you can imagine how emotionally exhausting that would be for a five-year-old. 

Juno sniffles, rubbing her snot all over the cotton of Gojo’s shirt, and then pulls her face away to rub at her eye with a weakly closed fist. “I–hic–I just…I just wanted him to feel–hic–the same hurt.”

“Huh? Who?” Gojo asks.

“The boy,” Juno says, “the one that shoved me today.”

“It was a boy?!?!?!” Gojo yells. “Alright. That’s it. I’m grabbing my bat.”

“Satoru.” Sana deadpans.

Sana and Gojo continue to bicker about the ethics of threatening five-year-old boys with baseball bats, going back and forth about how Gojo wasn’t actually going to do anything but just wanted to instill fear (he’s lying), while Sana isn’t exactly sold on a single pacifist thing that he says, and you sigh, because you realize you’ve become invested in one of, what you feel like will become many, of their family quarrels.

Juno sneaks around Gojo’s legs and comes up to you while the arguing is taking place in the background, and she gently taps your knee as you’re seated on the couch. “Auntie y/n,” she whispers.

You rub an eye crustie from her face and then hold her hand in yours. “Yes?”

“Thank you.”

“Mm? For what?”

She smiles at you, her cheeks pink and flush from crying but rounded now in glee. “My mommy and daddy spoke a lot today at home for first time in long time because of me. Because I listen’ded to you. Thank you.”

Your eyes narrow. “What do you mean by that, sweetheart?”

Why wouldn’t Sana and Jun be on normal talking terms? What does Juno mean that it’s been a long time? What exactly was going on at home?

“Juno,” Sana’s voice interrupts your thoughts, her arms crossed across her chest, “c’mon. Let’s go.” She points a stern finger at Gojo. “Seriously. I mean it. No baseball bats or rodent traps involved. I’ll talk to the teachers and sort something out.” She glances at you, that strict look on her face now dissolving into one of pure exhaustion. One you can imagine only a mother can face. “See you later at dinner, you two.”

Juno runs up to her mom and grabs onto her outreached hand, and you see Gojo ruffle her hair as she walks past him, her giggles ringing in the air, and then he sees them out the door. 

The air is awkward, at least to you, the second he closes the door, and when he turns around to face you, your body stiffens up.

He leans back onto the front door, crossing his arms over his chest. “Thanks,” he says, “for telling Juno to stick up for herself.”

You blink at him. “Well. I don’t feel too great about it at the moment, to be honest.”

He sighs. “I just think that Jun and Sana are raising her to be…kinda meek. I wish they’d teach her to be more confident and take up space.”

“Mhm,” you nod. Because you agree. Little girls need to learn how to be that way at a young age, because the world is seldom very kind to them.

“Well, what you said to her is what I would’ve said to her anyways,” he says.

You roll your eyes, standing up from the couch and heading back into the kitchen to presume your work on your peach cobbler. “I never told her to shove kids’ faces into the dirt. But, uh, sure, I guess so.”

You see Gojo enter the kitchen too in your periphery, but you don’t give him any glance or look or attention. From what you can see as you stir around your macerated peaches in a Pyrex bowl, he’s leaning against the island counter about three feet away from you, his hands shoved in his pockets, and he’s watching you. A slight warmth radiates in your cheeks, but you attempt to ignore the nerves by being hypnotized by the pink syrup that pools at the bottom of the bowl.

My mommy and daddy spoke a lot today at home for first time in long time because of me. Because I listen’ded to you. Thank you.

An unsettling feeling takes over your senses. It could be the past few years you’ve spent walking on eggshells around your mother, or the way you’ve become so keen to her energy as a way of staying on top of any shift in her symptoms, any single sign of disease progression, any clue that she wasn’t getting better. Any clue that she wasn’t doing okay. And you feel a sense of dread, because that skill, you realize, has now made you aware of similar circumstances in the people around you.

Not to mention, you are a child of divorce. You know what that fear feels like.

You just want to know if Juno feels safe at home.

“Hey, um…” you start, turning slightly to finally face Gojo, your eyes hesitantly flickering up to meet his gaze, “when was the last time you saw your brother-in-law? And with Sana?”

He raises a brow at you. “I just saw them last weekend for one of Juno’s dance recitals.”

“Ah…I see,” you say. You purse your lips together. 

Right. Kids say things all the time. They believe in Santa Claus and think that blueberry pancakes are called blubbery pancakes. And they sometimes read too into things, and they sometimes read too little. Surely, things must be okay. Maybe Sana and Jun had had a little argument with some stubbornly thawing cold shoulders, a demeanor that was noticed by their child, and now things have resumed to normal. That was normal. Part of every family. “That’s good to know…” 

You turn away from Gojo to stare back down into the bowl of macerated peaches again. With a furrowed brow, you close your eyes tightly to try to shake the chilly feeling in your bones, and you feel better when you open them again. The slightly numb sensation in your hand dissipates and you have enough dexterity to mix the peaches around in the bowl.

“I wonder what news they want to share with us over dinner,” you say, to quell the awkward silence.

“Hm?” Gojo hums, and you see him turn around face the counter now, hovering over the bowl of raw crumble topping you had mixed together, prodding at it with the wooden spoon. “Oh, they’re moving.”

Your head snaps to look at him. “W-What?”

“Yeah,” he nonchalantly affirms, scooping up a spoonful of the crumble. “They wanted to up-size, and move a little closer to the school that Juno’s at. I found them a nice place about an hour from here on the outskirts of the city. They just signed the papers a couple weeks ago.” And then he shoves the spoon into his mouth.

“Oh…wow,” you say. “Okay…”

“Damn,” Gojo says with surprise laced in his tone, "this is really good.” He’s staring into the bowl in awe and then scoops up some more crumble with a spoon.

You blink at him, irritated that he’s eating all your ingredients without even asking, and before you’ve even finished your dessert. It’s like he was born to piss you off.

You walk up to him and yank the bowl away, “Gimme that.” Then you pull it into the divot of your waist possessively and glare at him. 

He sighs, and then says something out loud that you’re sure he meant to keep in his head:

“I’ll get used to it.”

.

.

.

[end of chapter 5]

a/n. it feels so strange to post such a short chapter bahaha hopefully the ending isn't too abrupt. but hope you enjoyed! i'm so sorry ab the slow burn in this series aaa but i can try to assure you that it'll all be worth it hopefully lol i'm really excited for what i have planned for this series!! alsooo sorry if there are errors or anything, i'm trying to spend less time editing since it really stalls me n leads to writer's block lol. hope to see you in the next one :) much love! - ellie

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[bohemian-rhapsody-in-blue]

I’ve been thinking about this a lot. I realize it’s sort of connected to this chart:

This was a chart that puts into visual terms a system used by US President Dwight D. Eisenhower to decide what to prioritize and do when, and is supposed to help increase one’s productivity. I think Stephen Covey also used it in that Seven Habits of Highly Effective People book that my school was obsessed with for some reason. You can put Tasks You Need/Want To Do into each box, depending on how urgent and important you deem them, and then that will—y’know, in theory—help you decide what order to do them in.

Tim Urban of Wait But Why (he also has some bullshit “enlightened centrist” and Elon Musk-fanboy opinions I don’t agree with, but I love his series of popular posts and TED Talk about procrastination) suggests in this post that procrastinators’ matrices tend to look more like this:

We tend to live in Quadrants 3 and 4, avoiding Quadrant 1 until it’s absolutely necessary and we’re sent into a panicked frenzy of productivity. But the trick to this is, if you think “oh, clearly what I’m doing to procrastinate is my passion, so I’ll pursue that instead,” it turns from a fun, desirable Q3 or Q4 task into an undesirable Q1 one. It might be the exact same task, or similar, but now it’s urgent and a responsibility and people expect things of you and that’s scary…so now you’re avoiding the task you used to love!

OP seems to have experienced this with art, where it started as a Q4 task (doodling in class, to avoid the Q1 task of learning about Henry VIII) or Q3 task (updating their webcomic on a regular schedule) to a Q1 task when they made it their career. I’ve gone through it with writing: fanfic or random cracked-out stories I write just for myself? Fun! I wanna! My senior thesis, which is literally the same thing, writing short stories? Oh no, now it’s an assignment, and that’s to be avoided.

And like OP said, this means procrastinators are rarely just sitting idle, and they are getting stuff done! Even if it’s not urgent stuff, or stuff that looks important to you right now, it is stuff that is getting done. Of course, what this Q3 or Q4 stuff is can range from “mindlessly scrolling through Instagram” to “working on a successful webcomic and letting your creativity flow.” The other day, I found some free Latin textbooks online and found that I was doing the exercises in them as a means of procrastination—I was literally teaching myself a dead language instead of doing the psych homework I was supposed to be doing. My brain is broken. (Of course, if I actually took a Latin class, I’d probably start procrastinating on doing the exercises for THAT too…)

I don’t know what the conclusion is here—doing a Q1 job I hate to save mental energy for Q3/Q4 stuff I love? I don’t want to never try and seek credit, payment, etc. for things I love to do for fear that they’ll become Q1 things and I’ll start hating them. I don’t know, I’m only a college undergrad here. But I thought OP brought up a very good point that I’ve actually been using for a whole as a framework to look at my procrastination, and I thought I’d provide an alternate visualization that’s helped me too.

i feel like i had a massive breakthrough with understanding in hindsight how adhd has affected my relationship with art, and i sat there for about an hour just like

[c0n-fus3d]

𝚂𝚑𝚎 𝙻𝚒𝚔𝚎𝚜 𝙰 𝙱𝚘𝚢.

(Older!Powder x fem!reader)

I'm sorry but I finished ep 1 of act 3 and had to write this to get my emotions out about ekko and powder being a thing in an alternative reality bcz just RAHHHFHSHEHSHHS my gay ass is crying (no offense to the timebomb shippers, you do you!! If you like this that's cool💪💪) ENGLISH ISN'T MY NATIVE LANGUAGE, IF I MADE SOME SPELLING MISTAKES I'M SORRY ALSO SPOILERS FOR ACT 3!!

Warnings: uhhh just angst, mostly angst, this is for my girlies who might be feeling the same

༺ღ༒ ༺ღ༒ ༺ღ༒ ༒ღ༻

You've always liked Powder, every since you were kids, and still when you are teenagers.

Their was always something about her. The way she made the most creative inventions, the way she always seemed to have some sort of spark in her eyes. Her laugh, her hair, her eyes, it's hard for you to explain the feelings you have towards her.

You knew the way Vi's death was heavy on her, you could see that with the days, and soon years that came after. You we're always trying to be there to support her, make her feel a little better. You gave her space when she needed it, and we're there for her when she needed you the most.

And then there was Ekko.

You never hated Ekko, you 𝙙𝙤𝙣'𝙩 hate Ekko. he was a good guy, you got along with him. He was around Powder nearly just as much as you we're, maybe even a little more. When you were around Powder, he wouldn't take long to show up as well. You didn't mind.

But you couldn't deny that you we're jealous of him, of Ekko. The way he charmed his way into Powder's heart over the years. With his sketches, ideas, personality, kindness and understanding. You wanted what him and Powder had as if what you already had wasn't enough for you. You could see the way she looked at him, how 𝙝𝙚 looked at her the same way.

You often wished it was you instead of him. You try to forget about your jealousy, push it asside. You try to push your jealousy and selfishness asside, keep everything natural between you three. But it got harder and harder the more time went on.

Ekko has been acting strange recently, or at least that's what Powder told you. How he 'seems not to remember anything' and how he says these things about how in a dream her and Vi we're completely different. You noticed yourself too, how he was more around then usual. You assumed it was because of his project or whatever.

Now you find yourself here, on the dance floor in the last drop. Inventions around you everywhere as music and colorful lights fill the bar. You look into the crowd, trying to spot Powder. It took you a whole 5 minutes to finally spot her, but to no suprise, Ekko was there. On the dance floor, with her. Dancing together to the beat of the music like it was just the two of them. You tried to move your eyes away from the sight, let them be happy and together. But the jealousy ate you from the inside out, this all just left a bitter taste on your tongue. It all got so overwhelming so quickly, so you decide to leave the place before you explode and do something stupid.

So you decide to go out to Powder's little Hideout for now and go back once you've cooled down. You look at the massive invention across the room, stunned as fuck how they made this. You don't want to pay too much attention to it though, so you continue walking through the massive space before sitting down in front of the small memorial that Powder made for Vi.

You lighten the place up before just.. Sitting there. You sigh, looking at the picture sat on the desk. Vi always knew you had a thing for Powder, she always encouraged you to tell her how you felt. Whenever the situation was on your mind, you'd go here. You'd talk, like she was still there. Because to you, she was. To everyone, she still was. Now wasn't any different, you talked about what has been going on recently. With Ekko, Powder, and everything else.

"I just.. Don't know what to do, I know I'm supposed to be happy for them.. Ekko is a great guy, a-and if they become a thing, I'll be fine with it but.. Theirs this voice in the back of my mind that just doesn't seem to go away.." You groan, your head in your hands as you thought for a moment.

You knew you couldn't hide your feelings forever. If Powder wasn't going to feel the same way towards you, you might as well tell her what you've been feeling all this time. Just for an answer, a yes or a no. Anything. If she didn't feel anything as well then at least she'd know.

"I'll tell her, tonight. Like you always wanted me to do.. I'll.. I'll get this over with, okay? For you."

You found yourself walking back towards the last drop, but then you see Powder, going in the direction of what you knew to be the place where Vi always took her to. So you decided to follow.

If only you weren't blind enough to see Ekko walking along with her.

You climbed up to the place, heart racing in your chest as you tried to think about the things you could say. Your mind was running a million miles and you tried desperately to calm your nerves.

You we're finally gonna do it, you we're gonna tell her how you feel.

But just as you nearly reach the top, you see her. And Ekko.

Their kissing.

In front of your eyes.

Your heart dropped, hope that you knew was useless in the end shattered as you saw the image.

Wrong fucking timing. You stood there, frozen in time before quickly getting out of there. Trying to hold back the tears that we're threatening to fall.

She likes Ekko. She only likes Ekko. It was never you. Not in childhood, not in teenage years.

She likes a boy. That boy.

Your not that boy, and for now, you had to live with that.

You we're never going to being the one kissing her. It was always going to be him in the end.

[lemon-russ]

In my late night writing stupor I; 1) used the wrong dividers on the morty fic, I reopened it aghast to see that vague circle shape was not death gaurd but black legion. Please disregard. And 2) I forgot to tag @squishyowl for it 😭

I REGRET NOTHING ELSE

There were discussions. I now am expanding the Otome Cage Morty fic to have Lore because I'm insane and I GUESS it's getting me to write again so. We roll with it.

PREQUEL TO THIS

Mortarion x F!Reader (Pt. 0)

CW: None for this specific thing. Many for the linked one. Many for the future of whatever this is.

TAGS (If you guys do not want to be tagged in whatever this is lmk 💀): @sleepyfan-blog @undeaddream @scriberye @lisikk @moodymisty (<- except you, you get no rest /j)

Your hoe hits the dirt with a soft thud, the thick warm air of sowing season opressing your lungs. You sigh and lean on the tool, wiping sweat from your brow as it threatens to sting your eyes.

Same as it ever is, you have been tilling the field for three days straight in preparation to sow the grains that will feed you another long winter. Your back aches, your arms tire, but worst of all is the humidity as your lungs try to wring oxygen from the air.

Your sister calls your name, and you ignore her a moment, catching your breath. But the next call is sharp and panicked. You turn to look for your sister, but are stopped dead when you see the sky.

Your life, until this moment, has been a cycle of doldrum. Wake up, feed the animals, feed yourself and your sister, do whatever seasonal chores were required of you. Today that was till and turn soil, sometimes it is irrigate the crops, sometimes harvest, maybe darn your garments or weave.

Nothing in your life so far could prepare your brain to process what it currently was desperately trying to parse into your synapses.

A… thing. A building? A construct of some sort, hangs in the hazy sky. Sat there like a cloud, but sharp and pointed and menacing. Whatever it is, it screams predator.

You fall backwards into the softened soil, primal fear gripping your heart. Everything you know screams “wrong, danger, flee” as smaller constructs fall away from the main one, like the large flying insects you chased off of growing season crops.

An alien noise, deep and bone rattling, approaches from the sky behind you. You scramble around to see another small construct coming right for your field, kicking up dirt and debris. You have to cover your ears to muffle the painful thudding sounds it makes.

It settles onto the ground, and mercifully it stops screaming. You wonder if it is hunting, should you run? Where is your sister? You need to find safety from these beasts-

The belly of the thing cracks open and falls to the soil, shaking the ground, and you freeze again.

Something human shaped, but wrong and hard and large, steps out with a heavy thud onto the ramp. It’s terrible face is partially made of metallic plates, with two cylinders that belch thick gasses as it breathes. It seems to be wearing clothes- you think you see human eyes under a hood- but you can’t begin to guess which parts are shell or exoskeleton and which are clothing.

It does have eyes, you realize as the cloudy green things lock onto you. Have you been staring this whole time? You need to run, your body screams, run, run, run-

It makes a noise that sounds like speech at you, and points. It’s… trying to communicate? It barks the clipped noise again and snaps its fingers at you.

Your baffled mind reels, overwhelmed by the onslaught of new information. You point at yourself.

“M- me….?” You squeak out to it.

It thuds across your field, heavy shelled body sinking into your freshly tilled dirt, ruining several days of effort, before coming to a stop in front of where you sit. It peels back its upper skin- Oh, it was a hood- to reveal shockingly human adjacent features. Shoulder length silver hair, pale and cloudy green eyes, and ashen white skin marred with cracks and scars.

It speaks at you again, the sound mechanical and muffled by its gaseous breath. The smell from its cylinders is unlike anything you’ve ever experienced, acrid and sharp and foul, and you recoil from it as its attempt at speech spits the smoke at you.

The being- person?- hesitates, and sighs. To your horror, it hooks its thumbs under the metal plates of its face and pries them away, revealing a human-ish lower face. Its cheeks are gaunt, and its mouth cracked in a sickly way, but at least it is now human looking enough for your brain to process what you are talking to.

A man. Almost.

He starts speaking again, but is overcome with a coughing fit. He turns away, coughing a sickly rattling sound out, and instinctively you clamber to your feet and step towards him. Is the air foul to him? You’re sure this massive man, already a foot in the grave if you’d ever seen it, is about to keel over right in your field. He holds up a hand to stop you, and retches something vile into the dirt.

You grimace. Not because of the sick, you were plenty familiar with disease and the death rattle of a creature’s last breaths, the poor thing, but whatever he is producing actually sizzles when it hits the dirt, and you’re pretty sure you’re going to have to dig up the soil this man touches when he finally dies. That’s going to be a lot. He is REALLY big.

Surprisingly, he catches his breath, and surprising more, when he turns back to you, his pallor is slightly healthier. He takes a deep breath, rolls back his shoulders, and speaks again, much more clearly. Unfortunately, it is gibberish.

“I… don’t understand…” you say, shuffling on your feet.

He tilts his head as you speak, then nods. “Ah, you do not speak gothic here. That is fine, I think I know this language too.” He responds, his voice deep and raspy. “Tell me little peasant, who are your rulers?”

You frown. “I… rulers…?”

He rolls his eyes, “Yes, do you have that? Is there a person who makes the rules you all follow? Someone who runs your country or whatever you have here?” He says, gesturing around you.

“I…. no? We all just live our lives, farming mostly….” you say, starting to feel lightheaded. This shelled man came out of a flying beast and now is asking if you had, what, a parent?

He sighs, pinching the bridge of his scarred nose. “That makes things less convenient.” He grumbles.

Suddenly he is scruffing you by the back of your tunic, and you yelp in surprise. You hear your sister scream and run away, calling for the neighbors down the way. The massive man holds you up so you are face to face with him as you squirm and grab at the cold hard hand.

“I am here to bring this planet back to the rule of my Father, The Emperor of mankind. And you-” he stops to cough into his shoulder, “-Are going to tell me what I ask for without argument.” He said between wheezes.

You fight through the confusion and anarchy in your mind to think about the situation you are in as logically as possible. A giant man from the sky in a screaming beast, who speaks your tongue, wants to own your land- what is a planet- and has you grasped in one hand like a stray kitten. And apparently he intends to bring you along as he does whatever it is he is doing for his father, who, presumably, is another large and strange man who could crush you in his fist like a locust.

You could fight, scream, run. Hide until your sister returns with help, hope this man is too sickly to give chase for long. There is a side door to the root cellar, if you could get out of his hands in time maybe….

“Okay.” You squeak out.

He raises a brow. “Okay?” He asks.

You nod quickly. “Okay.”

A very, very faint smile cracks across his weathers face. “….Okay.”

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate him and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment", the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgement that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss or hurting in any way in that moment. But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people, and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating or fearing or cursing him he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out, to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him, for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating, of course he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance. If GITW proved anything about Odysseus it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive, Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness.

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place, one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[professeurm]

so, uh, I do this thing when I'm bored or need to calm myself and that's telling myself a story. typically i do fics and in my head unless im completely alone. yes, I love talking to myself

these stories goes on and on, like i flesh out a whole plot and everything. it might as well be a whole book and sometimes it helps me get pass a trick part in a fic im writing or helps me work out the plot. it also sometimes gets written down because I'm like "this worth writing down"

this going to be long. read if you dare 😂

now the reason why I'm telling yall this is because my best buddy, @the-torchwood-magician , got me hook on Malcolm Merlyn. We both love his character and would talk for hours about him like we're teenagers in heat 🤣🤣

we also both love Ianto Jones and I honestly do not need explain why 😂. They introduce me to a ship, which I had no clue it existed, that consisted of Malcolm and Ianto. Even introduced me to a few fics and let me tell yall, I'm interested and hook.

My current story I'm telling myself consist of the pair, where Ianto gets hire as Malcolm assistant (similar to how Felicity is Oliver assistant) and Malcolm is suspicious that the young man is perfect for the job, even perfect for a higher position. Which shocks him because either something isn't right or the guy is just really smart for his age and modest.

He hires him anyway because of his genuine curiosity and Ianto fits in quickly. He works hard and efficiently, even knows what Malcolm needs before he asks him. Malcolm grew fond of him, appreciate his contribute to the company and him. Though that didn't make his suspicions go away so he did a background check. clean records so he had to go old fashion, but little does he knows Ianto isn't the one to share or talk.

yes, this a love story. a slow one in matter of fact

they're relationship won't have a label. this is because I'm pulling a James Wilson, which is Ianto is convinced he's straight but he's still in the closet and in denial despite having feelings for his boss/friend. Also Malcolm heart belongs to his dead wife so he's sort torn between that and his new boy lover.

this won't have a happy ending... letting yall know. I'm like a rabid dog when there's a happy ending, but there will be a twist in the end. basically a cliffhanger

question is... should I put this on ao3..

[seastarblue]

Incorrect Quotes Tag!

thanks for the tag, @ominous-feychild !

Rules are to use this generator with your characters!

Last time I did the cast of AGGTRH, so today… Interwoven!

Very Long so under the cut!

———

Kaiden: My goal is not to be the best, but to inspire someone enough to one day surpass me.  Felix: YOU CAN'T JUST SAY THAT EVERY TIME YOU BEAT ME AT CONNECT FOUR!

~~~

Li Hua: I’m gonna mix a can of Red Bull with seventeen shots of espresso in a fishbowl and then chug it while Kids by MGMT plays in the background so I can perceive twenty-three spatial dimensions and fight my own soul.

~~~

Harper, watching Noha: Ah yes. The mysterious and beautiful Noha, so demure…  Harper: …I wonder what sort of melodic sounds this wonderful being makes?  Noha: *screaming*

~~~

Felix: This is a safety pin.  *cuts off end*  Felix: It is now a danger pin.

~~~

Evangeline: But that place is haunted.  Noha: Ghosts prey on fear. Just be confident!  Evangeline, marching into the haunted house I AM NOT SCARED! I AM NOT A PUSSY!

~~~

Kaiden: When I get murdered, can you make sure I become an unsolved case?  Harper: wHat?  Kaiden: I want to be on Buzzfeed Unsolved.  Harper: Can we go back to the part when you said "when I get murdered"?

~~~

Felix: Guess what number I’m thinking of.  Mehri: 420?  Felix: No, that’s really immature of you. Someone else guess, and please take this seriously.  Li Hua: 69.  Felix: Yeah it was 69.

~~~

Mehri, texting Harper: Harper there’s a moth on the outside of the bathroom door can you get rid of it?  Mehri: Pls hurry because I’m going to cry  Mehri: Harper  Mehri: Harper  Harper: Harper is dead. You’re next. Love, Moth.

~~~

Kaiden, explaining why they are not allowed to cook: I put the noodles in the pot and put the pot on the stove and turned the burner on high. Turns out you don't put noodles in marijuana and I almost burnt the whole house down.

~~~

Kaiden: Hold the fuck up.  Felix: Excuse me?  Kaiden: I said hold the fuck up.  Felix: Kaiden: I’m the fuck up, hold me.

~~~ Kaiden, shakily: Please, just tell me what the book is about. The plot, please.  Lloyd, reading an annotation on the cover of a book, unfazed: A subversive masterpiece. A deep and touching story. New York Times Bestseller.  Lloyd, now looking directly at Kaiden: Go fuck yourself.

~~~

Harper: *Takes a sip of milk and gags*  Harper: Oh my god, is this expired?  Harper: *Takes another sip of milk*

~~~

Lloyd: I have no respect for Santa. Don’t sneak in through the chimney and undermine my authority by bringing my family presents. Walk in through the front door and fight me like a man.

~~~

Kaiden: *casually taking four stairs at a time*  Evangeline, falling behind, taking two stairs at a time: Fuck you fuck you fuck you fuck you fu-

~~~

Lloyd: You’re alive.  Kaiden: No need to sound so disappointed.

~~~

Aleksi: I’m afraid of clowns. There, I said it.  Noha: Aleksi, if you don't like clowns, why are you hanging with Felix?

~~~

Li Hua: The only thing keeping me from running away and hiding from society for the rest of my life is spite. I could disappear forever, but there are some bitches whose downfalls I have yet to witness, and I wanna be around when that happens.

———

no comment these are all canon 😌

Tag Game List! Lemme know if you’d like on/off <3

no pressure ofc:

@sableglass @dioles-writes @ash-thedrawer @allaboutmagic @paeliae-occasionally

@astor-and-the-endless-ink @vsnotresponding @nightlylaments @glbettwrites

@thebookishkiwi @verdant-mainframe @threedaysgross @fifis-corner @bamber344

and as always, open tag!

[real-fire-emblem-takes]

Been thinking lately about learning romhacking and animation exclusively because I need to bring to life this class idea that I have bouncing around in my head. I NEED a gladiator class. I have so many ideas. Would be swords/lances, based off a mix of murmillo/hoplomachus gladiators appearance wise to account for that. And I need to lean into the bit that this is like, all a huge spectacle or whatever as much as possible. The crits would have the crowd cheering, maybe the thumbs down(/thumbs up? we actually don't know which one was kill and which one was spare), some kind of flourish from the gladiator and a fancy bow. Absolutely maximize the bit. Even with class skills. For example, here are a few I've thought of (idk if they're good, they might be dogshit. this is all very conceptual):

Crowd favorite - for each ally 2-3 spaces away (NOT adjacent, there must be space between the glad and the ally), grants +2 hit/avo (max +20). if a lord is in the crowd, also grants +3 atk. grants +10 hit/avo while in the arena, but cannot obtain normal crowd bonuses.

Underdog - when opponent's current health exceeds unit's current health by 75% or more, grants +10 avo, +25 crit

Entertainer - (damage of killing blow/3)% chance to obtain gold on kill. also grants lck% chance to obtain 50% more gold from the arena.

Fortune favors the bold - grants lck +5 when unit initiates combat with a 1 range weapon

Don't touch me - grants +10 avo when foe initiates combat from long range while unit has a ranged weapon equipped

The verdict - this is more of a joke one, but hear me out. It would be a combination of bane and lethality, where bane is a thumbs up and lethality is a thumbs down. is that funny? i think that would be funny

The general idea is that this is a very flashy but kinda risky class that's more for fun than to be a super strong combat unit, but can be situationally strong?

most of the stylistic inspiration comes from the gladiator in for honor. Their whole personality is that they're very showy, with things like the recovery of a successful skewer sometimes having an extra flourish or how a lot of their win animations and emotes tricks of some sort. if I'm being honest though, it's mostly the executions (specifically carpe ventrem and fun & roses, where you can hear the crowd cheering. look them up if you feel so inclined).

Anyways thanks for reading my attempt to write down some sort of cohesive idea for this class I want to exist. Tell me if you think it sounds cool or if you hate it idk

👀

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[liquidstar]

a friend who'd wait :)

[july-19th-club]

favorite type of villanous characters are the ones whose motivations boil down to

like they dont even have to have any stakes in the broader situation. they just have take pleasure in destruction

[thelovers-thedreamers-and-me]

the downside to being a sitcom neighbour sort of person is that when rough things happen and emotionally fuck u up a lil bit, it also sounds completely made up

[blackjackkent]

Me> [struggling to unravel a very annoying UI bug]

My brain, entirely unprompted> H E Y. IF JAHEIRA HAD USED SOME MORE MINOR VERSION OF THAT RITE OF THE TIMELESS BODY ON RASAAD TO EXTEND HIS LIFESPAN, IT WOULD RESOLVE THE MORE FINICKY TIMELINE ISSUES ABOUT RION BEING THEIR KID.

Me> ...ok? I didn't ask right now but thank you for working that out I guess.

[afniel]

Maaaaaaaaaaaan, come on.

(the post has ended up in the tags btw. I am not changing this and I need you to understand that it is just me talking to myself semi-publicly)

[dimiclaudeblaigan]

Honestly though, this (what Ashe is pointing out) is exactly why I don't think GW could possibly end well. There's no "talking it over" after all the bloodshed (especially bloodshed started by them, and especially bloodshed started by them that didn't have to happen).

The way the narration leaves it "open" too at the end of GW just comes across as "it failed". It feels like... a kind of pointless story?

And I know some people might think that since Dimitri personally isn't as deeply affected by losing Matthias and so might be willing, that's still no good if his people and closest allies aren't. Rodrigue and Sylvain wouldn't be so forgiving, and I do think Dimitri would follow suit because that's his father (Rodrigue)'s closest friend and one of his own closest friends' father.

Add that to the fact that they have Sreng to deal with still (and I imagine sooner or Sylvain would figure out that Leicester had a hand in provoking Sreng to attack Faerghus) on top of losing Matthias and I imagine all the stress and aggravation wouldn't bode well for Leicester as far as Claude's thinking of things working out goes.

I just really can't see where GW goes afterward that would be "good" or works in Claude's favor at all. Maybe that was the intention and it was meant to be a route with a completely tragic ending, but apparently there are players who think it would end well and whatnot and I just can't see that happening (both from Faerghus' end and from Adrestia's end, the latter of which Claude discussed within GW itself).

If their intention was for a totally tragic ending, like yeah, I can see that... but as always the writing muddies the waters to make it sound good while something bad is happening. It keeps trying to have a positive spin on bad things as if they're just afraid to commit to a fully bad ending.

[raytm]

with my mental health tanking as hard as it is I’ll probably only be writing low energy stuff for a while.