#i need to see concept vague live

[ssssosababyyyyy]

listening to lovell. i need a single sooo bad. like omg.

[lbhslefttiddie]

im so fucking mad. why did i work so hard on this. there isnt even a single gay bitch in this image all i have is latticework and osmanthus studies

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[jouster-ari]

;

[acid-ixx]

(12/30/24) — again &. again masterlist

by the bird and the bee

ft. platonic soft! yandere batfam! x gn! neglected reader

✮ MAIN MASTERLIST ✮

— TRIGGER WARNINGS !

- lowercase writing, emotional neglect, allusions to sexual assault, prostitution & physical abuse, kidnapping, alcohol abuse, drugging, themes of depression, dissociation, vague traumatic events, mentions of murder, amnesia, other warnings would be added soon.

— SYNOPSIS !

who would have thought that living with your rich, billionaire father and endless supply of sisters and brothers would actually end up being the worst thirteen and a half year of your life?

when your mother was taken away from you at the ripe age of five, you were forced to live at the solemn wayne manor with nobody to accompany you but the butler, alfred pennyworth.

there, you learn that giving up was better than trying to gain the attention of your ever-growing family. so you left, and never once tried to look back at the decades of neglect they left you with.

but when alfred, your kind caretaker, had started leaving clues of your sudden disappearance; that's when they all take notice and then on starts the ultimate race of chasing freedom, and escaping what once was your gilded cage.

little did you know your mother's dark past manifests itself at the worst of times.

— CHAPTERS ! ; 48k+ words

00. — oh, please leave me be.

01. — because you only notice me once i'm out the door.

02. — and you don't even remember my face?

03. — i need a drink, away from everyone.

04. — mors tua, vita mea / your death, my life.

05 : 01. — a halo in the pit of darkness.

05 : 02. — to be his child is all i want.

— DRABBLES ! ; #series: again &. again

dick grayson calling you his baby bird

why now? (yan! damian wayne)

brutus (villain au concept)

brutus: out for blood

what if you were never neglected?

just a taste (yan! conner kent - suggestive)

laughter is the best medicine (yan! dick grayson, jason todd, tim drake, damian wayne)

to you, my greatest passion (non-neglected au-verse)

brutus: both arms cradle you now

bruce finding your graduation picture

how to be a heartbreaker! (yandere harem)

mea culpa (mini chapter)

conflicting comfort scene with jason todd

dialogue spoilers related to above drabble

more about jason todd and hurt/comfort

dick and his baby blue eyes

time travel au concept

sharing the same features with damian

brutus: the only fucked up thing in this world is you

cause you're takin' it like a champ, sweetheart! (yan! conner kent - suggestive)

brutus: just a burning memory (yan! conner kent)

young, just us?! (yan! young justice au)

that's my type! (yan! john constantine)

— ASKS ! ; #series: again &. again

dick's spiral into yandere-ism

leaving gotham, resenting alfred, changing last names

your mysterious identity &. conner being your love interest

dick seeing you as a child & damian's need to be your favorite

damian and his cool, matching bracelets

does dick close the door on you? nah, he doesn't even know you were behind the door

wally west as your love interest

you care now?

conner as your angry, protective bf

jason trying his damn best to be a brother to you

calling bruce by his last name only

calling alfred your dad ft. jealous bruce

how are damian and jason obsessed towards you

their nicknames for you

how bruce and damian would try to bond with you

will you still go to college after being kidnapped?

will the series have a happy ending?

why does damian hurt you? and why do you justify his actions?

the family stalks you even in-game

— INCORRECT QUOTES ! ; #a&a: incorrect quotes

yan! villains kidnapping you

hostage situation

how to become a target to the wayne family

dick and you miscommunication trope in a nutshell

— FANART ! ; #a&a: fanart

happy birthday by @luffyadolover

diary by @luffyadolover

another reason they're broke &. finished art by @oh-nowo-i-got-uwu

a take on the reader's appearance by @luffyadolover

reader trying to study ft. the batfam's endless calls &. finished art by @ghostdoodlen

reader finding bruce and damian watching a movie by @luffyadolover

again &. again mv by @luffyadolover

reader and their playlist by @luffyadolover

a comic panel by @lucioleestolie

conner and reader flying through the skies by @ghostdoodlen

when all of a sudden, i hear this agitating noise by @punpunsonny

villain au reader by @lazyemmy

a&a oc: emile by @questionthegrapevine

graduation pic, conner comfort, and mirrors by @ghostdoodlen

neglected &. non-neglected reader by @lazyemmy

jason calling you his angel by @ghostdoodlen

alfred gives you a christmas gift by @luffyadolover

— TAGLIST ! ; taglist is under construction!

@.lilyalone, @.secretomelettetroops, @.earlqurl, @.simpingfor-wakasa, @.amber-content, @.ruiroku, @.okaybutfullhomo, @.trasshy-artist, @.obsessedwithromance, @.jjsmeowthie, @.fairy-lenaa, @.ilovvmyhusband, @.6uuyuuhgy, @.plsfckmedxddy, @.lavender-moony, @.sweetheart-era, @.chemicalsandghosts, @.darling006, @.starringyau, @.samanthahanes, @.rosecentury, @.jaythes1mp, @.pi1nkl0ver, @.i-thirsty-boy, @.sharks-are-cool-l, @.silverklaus, @.samanthathanes, @.traumaramacenter, @.maddimoon, @.anxrq, @.thedarknesslord, @.h0rr0r-10ver-69, @.lazy-idate, @.cupids-pretty-boy, @.alishii, @.mel-star636, @.sitepathos, @.freakyotaku059-blog, @.dirtydiavolo, @.sunbleachedantlers, @.24hrsoflanii, @.ceramic-raven, @.une-lueur-dans-la-nuit, @.tdickensstuff4, @.thickerthanthieves, @.arlandvery, @.distressed-lezbo, @.bunbunboysworld, @.bellethesleepypotato, @.naina326, @.nebuluma, @.alliwantisadonut, @.alishii, @.kusakiguzen, @.sirenetheblogger, @.emmbny, @.ryukyuin, @.solkara, @.starsdotalk

[stevieschrodinger]

Part One Part Six

Steve wakes with a start, yelping and then immediately panicking when the bed covers feel constricting – it passes almost immediately when he realizes where he is and what woke him.

“Hi Eddie,” Steve sighs, blinking the rest of the way awake. He rubs at his crusty eyes, the bedside clock glowing three forty seven at him. Great. “What’s up buddy?”

“Stee,” Eddie says quietly, like he somehow understands the sanctity of the middle of the night, “ow. Dead later,” and then he makes a noise like a fly buzzing. Or a bee. It’s a fair attempt at a gentle ‘bzzzz’ing noise.

Steve sighs, “okay buddy lets go.”

Eddie turns at the top of the stairs and goes down them on his butt, which Steve’s pretty sure he would find amusing if he wasn’t half asleep and half annoyed.

The ground outside is cold enough that Steve hisses when his bare foot hits it, and he does a silly hopping jog to follow Eddie onto the lawn. It is a bee, and it’s moving sluggish and confused on the grass. The weathers getting colder, the time of year plus...probably it’s old?

Steve knows fuck all about bees, but he’s pretty sure individual bees don’t live for that long, and that maybe they sort of hibernate in the winter? Or something? Isn’t that what all of that honey is for?

Maybe they could bring it into the warm and give it some sugar water or something, Steve’s pretty sure he’s heard that from someone, somewhere along the line, “okay little bee guy, here we go.” Steve uses a finger to encourage the fuzzy bee onto his hand.

Steve stands; there’s very faint, and probably first of the year, patches of frost on Eddie’s tent. It hasn’t formed anywhere else, so it’s probably not that bad yet, but still, it’s chilly enough that Steve hops back across the lawn with some urgency.

In the kitchen, Steve says, “here Eddie, you take him,” and transfers the bee into Eddie’s cupped hands. He mixes a tiny mount of sugar water in the bottom of a glass, with no idea at all if it’ll help or not. The bee should probably be asleep, right? Steve can’t remember ever seeing a bee at night, so he assumes they go to bed like sensible bees.

Steve drops a tiny bit of the sugary mixture onto Eddie’s palm, right in front of the bee’s face; he drinks it, so Steve does it again. “Okay, I think we should all try and get some sleep. Eddie, you want to sleep on the couch?”

“Sleep on the couch.”

“Yeah,” Steve rubs his arms, making ‘brrrr’ing noises and generally pretending he’s in arctic conditions. He points to the door, “cold outside. Warm here.”

Eddie cocks his head, but seems to get it, so Steve takes the bee, setting it dead center on a couch cushion, and goes back to bed.

Steve wakes again at a much more normal time; blinking at the nine thirty now on his clock and thinking that is way, way better. He wonders vaguely if the bee lived, but he doubts it. Eddie will probably be sad about it; like the bird.

If that was even sadness; if Eddie even understands the concept of death. Steve has no way to know what Eddie thinks about it.

He heads downstairs; vaguely planning his day. He needs a coffee and some breakfast, then get ready; they probably need some groceries. Working opposite shifts to Robin really sucks; he hasn’t seen her once yet this week. They talk on the phone though, and she swears she's working on Keith. He should check when he goes in later for a day they both have off so they can hang out; if such a thing even exists.

Maybe the kids will come over for a movie night; Steve does now have unfettered access to all the newest releases...and is it sad that Steve’s lonely enough that he wants to invite over that bunch of mongrels? Maybe, he’s not going to think to much about it.

Steve sets the coffee going then heads into the lounge; Eddie’s curled up into a tight ball, his spine bent at a really fucking weird angle and his tail wrapped around himself; Steve knows then that he’s never seen Eddie sleep before, because he’s definitely never seen whatever the hell is happening here. It’s like a cat. Or a snake, maybe. The way he’s all curled up tight on himself; makes Steve’s back hurt just looking at him.

At the other end of the couch is the sad, still, little body of the bee. Steve stares at it, listening to the faint noise from the kitchen; the coffee pot gurgles a little.

Eddie blinks awake, unwrapping himself.

“Morning Eddie.”

“Morning Stee,” Eddie blinks sadly at the bee, and then, very gently, leans over and nudges it with a claw tip, “dead?”

“Yeah buddy, I’m sorry. But at least he was comfortable, right? Warm and...sugared up.”

Eddie hums noncommittally, watching as Steve scoops up the bee and following him into the kitchen. Steve very nearly puts the bee in the trash can, but veers off at the last moment. It feels a little wrong, throwing the little dude out; he also doesn’t know what Eddie would thinks and feels vaguely like Eddie might...judge him.

Steve heads outside and deposits him in a plant pot instead. When he comes back in, Eddie’s raiding the fridge, “pear inied. Grapes inied. Celery inied.”

Steve sighs, “I know buddy, I’m sorry. I’ll go and get more, okay?” Steve goes out to the freezer in the garage and comes back with a whole bag of frozen peas, and that seems to completely make up for it. He pours Eddie a bowl of peas, and himself a bowl of cereal, sticking a spoon in both. He downs the coffee so he doesn’t have to make two trips.

“Couch, TV?”

Eddie nods, following Steve. Eddie turns on the TV since Steve’s hands are full, and they sit side by side on the couch, Eddie very carefully using his spoon.

“Called?”

“It’s a toothbrush.”

Eddie watches from his seat on the floor next to Steve; he’s high enough to easily lean his elbows on the counter top.

“Why?”

And ‘called?’ Steve can handle all day long, but ‘why?’ has rapidly become a tricky thing to navigate.

“To clean.” Steve grins big as he can, clicking his teeth together, “teeth.”

“Teeth,” Eddie snaps back, then turns to the mirror, clicking his teeth at himself. “Eddidie clean teeth?”

Steve snorts a laugh, and Eddie looks at him, tilting his head but smiling too. Steve figures that a solid ninety five percent of the time, Eddie’s just happy to be involved.

“Okay buddy I think I have…” Steve rummages in the cupboard under the sink, “ah ha!”

“Ah ha!”

“Here you go,” Steve unwraps the new toothbrush, really, really fucking glad it’s a different color to his own. “Steve’s is blue, Eddie’s is purple.”

“Purple.”

“You got it buddy,” Steve wets the bristles of both, and then puts the tiniest little dab of toothpaste on Eddie’s before putting the proper amount on his own.

“Here you go.” Steve hands it over, and then Starts brushing his teeth. Eddie holds his own brush, watching Steve closely in the mirror before attempting it himself. His movements are slow and cautious, be he definitely gets the idea.

Steve rinses his brush under the water, leaving it running as Eddie does the same. Eddie has no trouble dropping his toothbrush into the cup next to Steve’s.

Eddie explores the bath next; all this shit must have been here when Eddie spent a night in the tub, but Steve was beaten to hell and still a little fucking high on Russian truth serum when all that was going on, so he honestly doesn’t really remember much of those first couple of days. “Called?”

“Shampoo. It’s to clean hair,” Steve tugs on his hair to demonstrate, “hair.”

“Eddidie clean hair?”

“Uh. I mean, if you want to?”

Eddie gets the cap open, squeezing the bottle carefully and sniffing the hole, “good.”

Steve’s current shampoo smells like apples, and Steve realizes what’s going to happen just as it’s too late to stop Eddie from sticking his tongue out.

Eddie smacks his lips together, looking truly disgusted, “fucking gross.”

“Hey! Language!” Steve takes the bottle from a grinning Eddie. He looks so pleased with himself Steve can’t stay mad, “damn kids,” he sighs. Eddie definitely got that one from Max, the little reprobate. “Okay, if we’re going to do this, in the tub.”

Eddie points, “in?”

“Yup.”

Eddie manages it, hoisting himself up and the flicking his tail and sliding his ass over the edge, “Eddidie in tub.”

“You got it buddy,” Steve takes the shower head down, pointing it away from Eddie while it warms up, then moving it a little onto his tail, “feel okay?”

“Warm,” Eddie reaches out to feel the water, “good.”

“Okay, here we go then.”

Eddie sits patiently, head tilted back as Steve wets his hair down and then adds the shampoo. Eddie’s hair is thick, like, insanely thick, and it takes a bit for Steve to work the lather in. The individual strands are thick too, coarse and a little wiry. The back of Eddie’s scalp feels strange too, like his skull had ridges on it; lines that all join together right at the back of Eddie’s head. You’d never be able to see it through his hair.

Steve goes through half a bottle of conditioner on him, but Eddie sits patiently through all of it, flicking his fingers through the water, even when Steve combs it through and catches on snags, Eddie’s doesn’t complain at all. He tilts his head back easily when Steve directs him to, “okay, nearly finished.”

Once they’re done, Eddie climbs out of the bath and onto a towel, sitting on the floor while Steve dries his hair; he gets the idea and dries his arms and torso himself. Steve’s so used to looking at him that he doesn’t find the lack of belly button and nipples at all odd any more. Just looks normal. Looks like Eddie.

“Okay buddy, just let me grab a shower, and then you can help me write a grocery list,” Eddie follows Steve into the bedroom, watching as Steve grabs clothes before heading for his shower. Steve clicks the lock on just in case; Eddie’s not exactly worked out stuff like boundaries or personal space yet.

When Steve comes out, Eddie’s waiting patiently, sitting on the edge of Steve’s bed, wearing his yellow sweater.

Part Eight

[mockerycrow]

Emergency Contact (1/2) (Ghost x GN!Reader)

>> emergency contact concept here << PART TWO HERE!!

Summary: Simon is your roommate, and you haven’t seen each other in months, considering Simon’s job. An unfamiliar number pops up on Simon’s phone, and answering it makes his world turn upside down.

A/N: How you two moved in together is very vaguely inspired this ghost fic right here. please give it a read! If you finish the song above, I highly recommend listening to the entire album while reading. i’m not the happiest with this, but i’m happy enough to post!

[WARNINGS: Blood and injury, traumatic events/trauma brought up, gore, little comfort, medical inaccuracies, tbh ooc simon but it’s ok.]

Eight months, thirteen days, and nine hours. That’s how long it’s been since he’s been home, since he’s seen you. That’s how long he’s been stuck on base, or thrown into a foreign country to complete some mission, or to gather some intel, or to kill someone, just somewhere, anywhere but with you.

Eight months, thirteen days, and nine hours. That’s how long it’s been since you softly asked him to stay as safe as he can, and to come back alive, and to come back with at least eight fingers. It was a running joke between you two, a way to relieve the terrifying reality of his job; as long as Simon came home alive and with majority of his fingers, he could consider it a job well done. You didn’t know much of his job, of course—only that he’s military, and he’s gone a lot. You already guessed it was a lot of classified stuff, probably down top secret government type of things. That did make you scared, though. You didn’t want the day to come, the day where people in fancy uniforms show up at your doorstep like you’re some widow. The thought of someone informing you of Simon’s death makes your stomach twist.

Eight months is admittedly a long time. Simon.. he missed you, but he’s rather die that verbally admit it, but he sure as hell felt it. He missed the way he could hear you walk through the house, the weight of the floorboards creaking up your feet. Simon missed walking by the bathroom and the air vaguely smelled your shampoo and body wash, a clear indicator you had just taken a shower. Simon missed the way you carelessly have your shoes next to the shoe rack, not even on it, and despite his annoyance of your laziness? He misses it every single time he’s away. He never really realizes the difference of living on base versus being home with you, and he’s comfortable in both environments for completely different reasons. Simon is comfortable with you because you’re safe, you aren’t associated with anyone he has to deal with on a near daily basis. You don’t scan the kitchen to see which household items could be potential bombs in the vicinity like he does. On base, Simon finds comfort in the familiarity of being constantly on alert, the need for a gun to be against his hip—it’s not the best, considering he’s in fight mode majority of the time, but it’s comforting. It’s familiar. It’s.. home, in a way.

You and Simon call at least once every three weeks—it’s not more because you’re both busy, you have your life to tend to while he has to do something like protecting an American Embassy, or sneaking into a compound to retrieve some vital information. You two talk about all kinds of things; you complain about the neighbors for the nth time, or you talk about your job, just something that he hasn’t heard about in a while. Simon.. he’s limited on what he can talk about—what he wants to talk about. It’s a bit difficult, keeping details of his job hidden away from you. He also keeps you hidden away from them; his team. Price vaguely is aware of your existence, but all he knows is your name and your phone number—someone to alert when he eventually would pass away.

It surprised Price when he requested access to his own file to make a change. Simon went for years without anyone in that section, leaving it blank—and then suddenly ‘[Name] [Last Name]’ is written down, along with your phone number. Simon doesn’t want to die somewhere and then you sit at home, dreading the fact that you haven’t received a call from him for over six months. Other than that, no one is aware of your existence and he wants to keep it that way. It keeps you safe, and he doesn’t want the one thing he has going in his life to be taken away from him—not like everything else has been.

No, you and Simon aren’t together. You just are the one constant he cannot allow to die. How you and Simon became close was rather funny, really—before you were roommates, you bumped into each other at the local stores, the bank, even several public spaces like parks and such. You didn’t see him too often and you weren’t aware on why, but you didn’t really wonder why either. By this point, you knew each other for a couple of months. He introduced himself as SR—not Ghost or Simon, but as SR. You didn’t bother to question it because this tall, bulky man seemed like he was trying keep himself as anonymous as possible. Without fail, you always saw him wear dark colored clothing that hid any identifiable markings—tattoos and scars, that kind of thing. He usually has his hood up with a black face mask covering his nose down, but you do know one thing—he has to have bright blonde hair. Why else would his beautiful eyelashes and eyebrows be that bright? It would catch your eye every time you’d see them. Sometimes you would see him with a beanie on and the mask, with his hood down. This wasn’t too often, as it exposed some scarring he has on the back of his neck, as well as his forehead. This also silently lead you to believe he has a tough past of some sort, which is confirmed when you run into him somewhere you never expected to—your therapist’s building. You bumped into him right outside, and you apologized profusely before looking and going silent as you made eye contact.

A silent agreement was made between you two that day, one that you could never put into words. Something in that moment that dragged you two closer together. You had been through some shit in your life, shit that had permanent effect on you, shit that you wanted to work through. It was horribly tiring, but you knew you needed to work through it—so you could live a life you felt was worth living. Simon, was on the other side of the spectrum. He didn’t want this. He never wanted to tell anyone about anything, but Price, Price fucking made him. Simon spends his days and nights plagued with nightmares and memories—he’s woken up in the middle of the night enough times to know that he needs help, but he was so adamant about not talking to anyone about it. But seeing you there? Someone who he hasn’t known for long, someone who had always greeted him with a smile on your face, laughter spilling from your beautiful vocal cords, and someone who doesn’t touch him without permission? It made him so angry and hopeless about this world. Not even you, a stranger who he sees as the best human being he’s known in a while—despite not knowing you for long—could escape from the cruel and sharp jaws of the world. You found out you two accidentally scheduled the same days, so it became an unspoken agreement to wait for the other outside of the building so you can both go in. Even when you weren’t sure when his next appointment would be, you’d be right outside of that building, waiting for him. You would always be right there, and that’s something he quickly learned.

You lost your house to a fire, everything went with the burning embers that raged inside of the 4 walls of your previous home, the structure collapsing in on itself. You had gotten out in time, and you numbly watched the fire roar, the crackling burning it’s memory in your ears. The piercing sound of different sirens were approaching, but all you could do is stand there with your phone in your hand, watching the home you worked so hard for burn to the foundation built years ago. You felt a hand on your shoulder, but you didn’t bother to turn to see who it was. Everything was going so slow, almost like a movie scene in the worst way possible. Your nostrils burned from the smell of burning wood, drywall, and installation. The hand squeezed your shoulder and you slowly looked at who it was—and was him. Simon. His eyebrows were furrowed, eyes ever so slightly panicked and it was obvious he was asking you something, but you didn’t hear him. All you could focus on was that he was here. You blinked rapidly as your eyes began to burn from the smoke and from that choked feeling going from your chest to your throat. “I..” You croak ever so slightly. You couldn’t hold it back—you quickly grabbed onto Simon desperately, letting out a heart-wrenching sob because you just lost everything you owned, every memory, every piece of furniture, everything.. but he was here. He was the only thing was wasn’t crumbling away from your grasp, the only constant. Once you clung to him, Simon’s senses were flooded with you. Fuck, your touch burned, just like everyone’s else’s but he liked—no, loved how it felt. Despite the image of a burning house in his wake making dread bubble in his gut, your sobs and touch were the only thing he could focus on. Simon hesitates for only a second before pulling you into his personal space, his arms wrapping around you and weighing heavily on your body. Neither of you spoke, he just let you scream into his chest and sob, your fists gently banging against his chest—the anger, the sadness, everything was too much. Simon knew exactly how you were feeling, so he didn’t mind the twinges of pain your hands produced. Simon was the one who helped you while you chatted with the paramedics and the police. He was the one who helped you find your words when you had none left to share, the smell of the smoke imprinted on your clothes.

Without question, Simon took you to his house. He did not have another bed set up, so he had you sleep in his room while he slept on his couch. He hated the hollow look your eyes held, the way you were delayed with your answers, the ways your hands shook. Your everlasting smile had dissipated into a wobbly frown and he.. Simon couldn’t handle it. He grabbed you some of his clothes and helped you into his bathroom, quietly telling you to take a shower. He’ll take care of your clothes. Simon left you alone, and you showered for a long time. He didn’t count, but it was over an hour and a half. Simon didn’t say anything about you possibly racking up his bill, how could he when you had just lost everything? He wanted to.. to help you, and he wasn’t sure why. Even when he found himself scrubbing your smoke and tar covered clothes in his kitchen sink, he couldn’t find an exact reason why he wanted to help you. Maybe it’s because you made him feel human when he needed to be, maybe you were the one thing that kept him coming back to this town, the one thing that kept him from completely pulling away from the civilian world. You had found him in a corner like a dog, lips curled back and snarling—sharp teeth clashing together, and without a word, you gave him reasons to trust you. Although they may not be.. normal reasons to the regular eye, but they were enough for Simon.

You’re enough for Simon. He scrubbed your clothes until his arms burned, and then some.

That’s when he found out that you too, were also someone who could not stay asleep for long. When Simon awoke with his adrenaline pumping from the muffled sound of vomiting, he had to calm himself down because he’s safe, and you’re safe, most of all. Simon isn’t sure when he began to think that way, but it’s one of the many things he’s decided to not question—which also new for him. Simon is man who demands answers, yet with you? it’s like everything naturally falls into place, which is why he doesn’t complain when your stay at his house—which you swore would only be until you gathered enough money for an apartment—turned from a two week stay, to Simon carrying in an IKEA bed frame to put and assemble in one of his empty rooms. Many sleepless nights came and went, and each and every one you spent them with each other, sitting by a windowsill together, other times spending it in the backyard and looking at the sky. Sometimes you would wake up first, sometimes it would be him. You somehow always knew when he had woken up from a nightmare, his heart pounding in his ears—until your hands grab his and squeeze, to ground him. You burn him, and he welcomes the tickle of your ever-glowing flame. A year into this arrangement, Simon finally shows you his face and he appreciates that you don’t look at him any different. He usually hates the searching eyes, trying to memorize every inch of his face—but he’s greedy when you do it. When your eyes roam over every scar and acne scar, when you point out his messily cut hair and half-assed shaven stubble, he doesnt get angry. Simon doesn’t feel suffocated by your glances. He doesn’t wear his mask at home anymore, not when you’re there.

Then Simon gets the notice about his three month leave ending soon; and he knows that you need to know about his job. Or at least, the bare minimum you need to know. In reality, it’s how much he wants you to know, but he doesn’t want to admit that. He sits you down one morning, a cup of tea in his hand and he had a mug of your favorite morning drink on the other side of the table he had bought a few weeks you started staying here. Simon explains that he has a job in the military, that he can’t tell you much, but it means he’s going to be gone for weeks, even months at a time. You’re at a loss at first, because who is going to have an extremely positive reaction to “by the way, I work an extremely dangerous job and I can’t tell you anything and I’ll be gone for a while.. Oh yeah, you likely won’t know if I die!”? Despite your initial reaction, you grow to be okay with this situation. Or, we’ll, as okay as you can be with it. You also find out that he was here for way longer than he originally is, due to his boss demanding him to take a break—AKA, “go to therapy you dafty”.

For a little over two years, you two fell into a good rhythm. A call every three weeks, him coming home and you becoming the safest space he’s ever had in his life.

Which is why when his personal cell phone begins to vibrate in his pocket during some fuck-all meeting, his eyebrows furrow. The number is unfamiliar, but the area code is not. Simon quietly excuses himself from the extended round table, taking his call outside of the meeting room. Price’s eyes follow his figure as he exits, noticing it’s his personal cell phone in his hand. Simon answers the call and presses his phone against his masked ear, muttering a low, “Hello?”

A high-pitched, soft yet serious voice filters through the speaker, a woman. “Hi, is this Mr. Riley?”

Simon pauses, and so does his heart. “Who’s asking?”

He honestly regrets asking that in the moment—one part of him genuinely wishes he never answered this call, and the other part of him is glad he did. “I’m a nurse from Northern Manchester Community Hospital, you’re written down as [Name]’s emergency contact. They’ve been a victim of a hit and run situation, sir. They’re alive, but they’re in the ICU.” The nausea that suddenly bubbles inside of his guys, the stomach acid mixed with whatever he had eaten previously, threatening to travel up his esophagus, burn every inch and then exit with a horrific sound. Simon’s head began to spin—he’s your emergency contact? A hit and run, you were fucking hit?? By what, a car? A pick-up? A semi? God, Simon has seen the most horrible, gruesome, fucked up shit you would ever see in his entire life, yet he isn’t sure if he can handle the image of you spread out in a hospital bed, with one too many tubes circulating around you. His mind plagues him with intrusive images, ones he never wants to actually see played out. Fuck, his head hurts. It feels like someone is physically shoving a knife into his chest and twisting it, like God is laughing at him and playing with Simon’s pain for his own gain. How could he not think that, especially with everything that has happened to him? His friends, his family? His old CO? The fucking abuse he endured??

It’s like Simon lost his hearing for a moment, because he cannot bare fucking losing you, too. There’s a vague ringing in his ears, almost like there was an explosion and he stood too close. And then suddenly every sound comes rushing back to his eardrums, and everything suddenly everything is so fucking overwhelming. “Mr. Riley?” The nurse calls over the phone, her tone laced with worry. He clears his throat and when he speaks, he sounds wrecked, which he fucking hates. “I.. I’ll come as soon as I can.” Simon hangs up, not giving the nurse a moment to speak. He drops his phone and if he doesn’t sit down, he’s going to fall over like a tree that’s been cut down. Simon lets out a shaky breath, trying to ignore the way his stomach is screaming and twisting as he puts a hand on the wall, and he crouches down. It’s the first time he doesn’t look around to see if anyone is watching his sudden display of emotion. When he’s suddenly rocked with the feeling of home at work, especially with the news that you’re fucking injured—he’s overwhelmed and twisted all over the place. Simon finds himself stumbling back to his barracks.

Price finds his way to him after Simon never returns to the meeting. He knocks on the door, but his knuckles pause before they can knock against the door for the third time as he discovers the door is open—which is very, very, odd. He slowly opens the door while calling for Ghost, and is met with the sight of Simon shoving some of his clothes and belongings into a duffle bag, as well as his military travel documents. “Ghost?” Price questions, who stopped in his doorway to watch Simon lose his mind while packing. Simon doesn’t respond as he practically rips his phone charger out of the wall and stuffs it into the bag, zipping it up. He slings it over his shoulder and he turns around, pausing when he sees Price. Simon’s eyes tell everything he’s feeling—that something’s happened, something bad, and he needs to leave. Price bites his lip and quietly exhales, his fingers rubbing at his chin. “I’ll approve your leave. Just shoot me a text of how long it needs to be, yeah?”

Simon makes sure to note to send Price a thank you of some sort, because within the next two hours, Simon is boarding a plane, heading for Manchester, wearing some black clothing, a jacket, a black face mask, gloves, and his beanie. The entire time, he could not stop thinking about you—and how you could possibly die before he got there to send off his final goodbyes. Is that something he would actually want to do, though? See you in the hospital, knowing it’ll be the last place you’d ever be alive in? Go home, see how you left the house exactly as you left it? A house, but without his home in it? Simon stares out the airplane window blankly, his hands curled into fists, and his nails would be digging into his palms if he didn’t have gloves on.

He couldn’t lose you. Not like this.

The next part for Simon, it’s a blur again. Got off the plane, got his luggage, provided documentation, blah blah blah—he didn’t give a fuck about any of it. His focus was you. He didn’t bother to stop home to drop his stuff off, he took an Uber straight to the hospital from the airport. It was a fairly expensive Uber too, but he could worry about the costs of everything later. It took another half hour to get there.

His heart began to hammer in his chest as the sight of the hospital’s signs began to pop up on the road, the anxiety taking hold in his stomach and his head begins to hurt again. Simon quietly thanks the driver, tips them, and exits the car with a swiftness once they pull up. Simon walks through the main entrance’s sliding doors, going up to the desk. A woman behind the counter hangs up the phone, murmuring a goodbye, and then she looks at Simon with her pretty blue eyes. “How can I help you, sir?” She murmurs sweetly, noting how anxious he is. She can see the sweat on his brow line. Simon clears his throat, his voice rumbling in his chest when he speaks. It takes everything in him to not yell at this innocent woman and get thrown out. “My.. My name is Mr. Riley, I was called ‘cause my friend is here,” Simon manages to push out. “[Name] [Last Name].” The woman turns to her computer and clicks the couple of buttons and types a couple of words and holy fuck, Simon just wants to go to your wing already—“Ah, yes, I see you’re listed as their emergency contact,” The woman grabs a sticky note and writes with a pink pen your room number and elevator floor, handing it to Simon. He barely gets a “thank you” out before he nearly jogs to the nearby elevator. Fourth floor, room 283. Fourth floor, room 283. Fourth floor, room 283—it’s the longest minute long elevator ride in his entire fucking life.

Simon changes face masks whilst facing the wall, and then he finds your room number—and his heart is beating out of his chest. There’s cops standing outside of your room who stop him from entering. Simon’s anger flares up so quickly, he nearly makes a scene until a doctor exits your room. She’s wearing her usual blue scrubs, her coat, and she’s dawning a N95 and some sterile gloves. She’s holding a clipboard. “Mr. Riley?” She questions, holding the clipboard close to her chest. Simon nods without hesitation, and she responds, “I’m sorry, but due to the nature of this case, you’ll have to provide some identification for me and these officers.”

Usually, Simon would hesitate—he gives anyone outside of his team the bare minimum, hell, he only introduced himself as SR until he knew you for a while. This time, he takes out his military ID and shows it to the officers. He ignores their looks of surprise, and ignores the murmurs that come from them. Simon puts his ID away and he holds back the urge to shove them out of the way as he glares down at the doctor on accident. “Come in,” The doctor opens the sliding door and steps into the hospital ICU room with him. Simon follows behind her and he immediately smells the sickening smell only the ICU gives off. There’s a small wall blocking his view from you that he hasn’t past, and he can already hear the machines working. A heart monitor, a ventilator, combined with other machines he doesn’t know too well. The doctor flips through the papers pinned to her clipboard. “They were hit by a vehicle of some sort, the scene suggested they were walking home from the local corner store. [Name] has multiple broken bones and fractures, a punctured lung, a fractured jaw and internal bleeding. They lost a lot of blood at the scene.” Simon doesn’t respond as he slowly walks forward, and he finally lays his eyes on you. It’s.. traumatizing, to say the least. You were never supposed to be in a hospital bed like this, hooked up to machines he can’t even name. He slowly walks over to you, dropping his duffel bag somewhere on the floor. He doesn’t care to look where. Simon barely pays attention to what the doctor is saying—his hands tremble as he stands by your side, his heart thumping harshly in his chest. Fuck.

He drags over one of the chairs next to your bed. Simon takes off one of his gloves slowly, and then he tears the other one off in a frenzy. He feels so unlike himself, so.. different.. human. He reaches over to your hand and his fingers grab your wrist, so gentle as if you’re glass. Simon presses his fingers against your pulse point, counting your heartbeats despite the monitor. The thumping under your skin makes it more.. real. Feeling you, your heartbeat, your warmth and your skin—it’s comforting. Simon clears his throat and fights the urge to vomit once a gain, watching your chest rise and fall, produced by the ventilator.

He moves his hand to intertwine with your fingers and he uses his other hand to feel your pulse. Simon closes his eyes, muttering the beats per minute under his breath.

At least you’re alive—you’re here, you’re alive, and you’re with him. And that’s all he asks for.

tags;; @alwaystired--neversleeping @handsomeunderwear-art @indefenseofkara @kaysav608 @1-is-loneliest-number @rosee-sensuelle @kitty-satan1 @k4marina @rahmown @royalty-purple @bowtruckleninja — if you are not tagged, it’s not allowing me :-)

[writingwithcolor]

How can non-Jewish writers include Jewish characters in supernatural stories without erasing their religion in the process?

Anonymous asked:

I have a short story planned revolving around the supernatural with a Jewish character named Danielle (who uses they/them pronouns). Danielle will be one of a trio who will be solving the mystery of two brides' deaths on the day of their wedding. My concern with this is the possibility of accidentally invalidating Danielle's religion by focusing on a secular view of the afterlife. At the same time, I don't want to assume that Jewish people can't exist in paranormal stories, nor do I want to use cultural elements that don't belong to me. So, how do I make sure that Danielle is included in the plot without erasing their Jewishness?

Okay so to start with I think we need to ask a question about the premise: what is a secular afterlife? I’m not asking this to nitpick or be petty, but to offer you expanded ways of thinking through this issue and maybe others as well.

A Secular Afterlife

What is a secular afterlife? To begin with, I get what you mean. The idea of an afterlife we see in pop culture entities like ghost media owes more to a mixture of 19th-century spiritualist tropes drawn from titillating gothic novels than to anything preached from the pulpit of an organized house of worship. Yet those tropes--the ominous knocking noises from beyond, the spectral presences on daguerrotype prints, the sudden chill and the eerie glow, all of those rely on the idea of there being something beyond this life, some continuation of the spirit when the body has ceased to breathe. For that, you need to discount the ideas that the consciousness has moved on to another physical body and is currently living elsewhere, and that it was never separate from the body and has now ceased to exist. Can we say that this is secular?

More so: Gothic literature, as the name suggests, draws heavily on Catholic imagery, even when it avoids explicit references to Catholicism. Aside from the architectural imagery, Catholic religious symbols permeate the genre, as well as the larger horror and supernatural media genres that grew from it: Dracula flinches from a crucifix, priests expel demons from human bodies, Marley’s Ghost haunts Ebenezer Scrooge in chains. The concepts of heaven and hell, and nonhuman beings who dwell in those places, are critical to making the narratives work. 

The basis also draws from a biblical story, that of the Witch of Endor. The main tropes of Victorian spiritualism are present: Saul never sees the ghost of Samuel, only the Witch of Endor is able to see “A divine being rising” from wherever he rises from, and her vague description, “I see an old man rising, wearing a robe,” evokes the cold readings of charlatan mediums into the present (Indeed, some rabbinic sources commenting on this assert that this is exactly what was going on).

While neither of these views of its origin define the genre as the sole property of Catholicism--or of Judaism for that matter--it would be hard exactly to categorize them as secular.

A Jewish Perspective on ghosts

However, it’s not the case that ghost media is incompatible with Jewishness, assuming that it doesn’t commit to a view of heaven and hell duality that specifically embraces a Christian spiritual framework. 

Jewish theology is noncommittal on the subject of the afterlife. The idea of a division between body and soul in the first place is found in ancient Egypt, for instance, earlier than the earliest Jewish texts. In Jewish text it’s present in narratives like the creation story, in which God crafts a human body out of earth and then breathes life into it once it’s complete. It also appears in our liturgy: the blessings prescribed to be recited at the beginning of the day juxtapose Elohai Neshama, a blessing for the soul, with Asher Yatzar, expressing gratitude for the body, recited by many after successfully using the bathroom. 

Yet it’s not clear that this life-force is something separate than the body that lives beyond it, until the apparition of the Witch of Endor. The words we use to describe it, whatever it is, evoke the process of breathing rather than that of eternal life: either ruach (spirit, or wind) or neshama (soul, or breath): neither is a commitment to the idea that it does--or that it doesn’t--go somewhere else when the body returns to the earth. 

Jewish folklore, however, leans into the idea of ghosts and other spiritual beings inhabiting the earthly plane (and others). Perhaps most famous is the 1937 movie The Dybbuk, in which a young scholar engaging in kabbalistic practices calls upon dark forces to unite him and his fated love, only to find himself possessing her body as a dybbuk. It appears that he is about to be successfully exorcized, but ultimately when his soul leaves her body, hers does as well. 

More relevantly to your story, a Jewish folktale inspired the movie The Corpse Bride. In the folktale version, a newly-engaged man jokingly recites the legal formula he will soon recite at his wedding, and places his ring on the finger of a nearby corpse--a reference to a time when antisemitic violence is said to have gotten worse not only at Jewish and Christian holidays as it does still to this day, but around Jewish weddings as well. The murdered bride stands up, a corpse reanimated complete with consciousness, and demands that the bridegroom honor his legal obligation. 

In the movie, the bride gives up her demand willingly: her claim on him is emotional rather than legal, and she finally accepts that he has an emotional connection with another person, that he doesn’t love her. In the folk tale, the dead woman takes him to court to decide whether their marriage is legal, since he spoke the legal words to her in front of witnesses as is required, and the court rules that the dead do not have the right to make legal demands on the living. In this version, the moral of the story is that a legal formula is an obligation; that when he jokingly bound himself to the corpse, he not only disrespected the dead but also the legal framework that structures society, and by so doing risked being obligated to keep his side of a contract he never intended to enact. 

This speaks to the ways that a Jewish outlook can differ from a Christian-influenced “secular” one. Christian-influenced cultural ideas can often focus around feeling the right thing, while Jewish stories will often center on doing the right thing. Does the Corpse Bride leave because she realizes she is not the one he loves? Because she--or he--learned a valuable lesson? Or because she loses her court case? It’s not that the boy’s emotions are irrelevant to the story--the tension, the suspense, the horror of the story takes place primarily within the boy’s emotional landscape--but emotions on their own are not a solution. The question “should he marry her” can be answered emotionally, but “has he married her” can only be answered by a legal expert, and once it has been the deceased bride may not have changed her emotional attachment to him, but she no longer has legal standing to pursue her claim. 

Centering legal rectitude over emotional catharsis isn’t a requirement for having Jewish characters in your story, but it’s worth thinking about what is and isn’t universal, what is and isn’t actually all that secular. 

Meanwhile, back at the topic:

Where does any of this place Danielle?

Well, unless you’re positing a universe in which Christian or other deities or cosmologies are confirmed to exist (See Jewish characters in a universe with author-created fictional pantheons for more on that topic), there’s no reason why they shouldn’t be perfectly fine interacting with whatever the setting you’re building throws at them. 

My wishlist for this character and setting runs more to the general things to consider when writing fantasy settings with Jewish characters: 

Don’t confirm or imply that Jesus is a divine being. That means no supernatural items like splinters of the cross, grails, nails, veils, etc. There’s nothing particularly powerful or empowering about this one guy who lived and died like so many others.

Don’t show God’s body and especially not God’s face, or confirm that any other gods or deities exist, whether that’s Jesus, Aphrodite, or Anubis, or someone you made up for the context. 

Don’t put Danielle in a position where they’re going to play into an antisemitic trope like child murder, blood drinking, world domination, or financial greed. If you have to, name it and let Danielle express discomfort with or distaste for those actions both because Jewish values explicitly oppose all of those things but also because Danielle as a Jewish character would be painfully aware of these stereotypes as present and historical excuses for antisemitic violence. 

Do consider what Danielle’s personal practice might look like. What does Danielle do on Shabbat? What do they eat or refrain from eating? What are their memories of Jewish holidays and how is their current holiday observance different than their childhood? I know I say “Jewishness is diverse” on every ask, but it is, and these questions--which also underscore how very much Judaism is rooted in one’s actions during this life--will help you develop how Judaism actually functions to inform Danielle’s character, even if you don’t spell out the answers to each of these questions in text. 

Do let Danielle find joy, comfort, and identity in their Jewishness not just in contrast with Christianity but simply because it’s part of the wholeness of their character. I know the primary representation of Jewishness is a snappy one-liner in a Christmas episode followed by the Jewish character joining in the Christmas spirit, blue edition, but make room for Jewishness to inform how Danielle approaches the events of your story, or why they decide to get or stay involved.  

-Meir

Hi it’s Shira with some Jewish ghost story recs written from inside–

When The Angels Left the Old Country by Sacha Lamb (deliriously good queer YA Jewish paranormal, mainstream enough that it’s got a good chance of being at your local library and won all kinds of awards)

The Dyke and the Dybbuk by Ellen Galford (sorry for the slur, warning for a paragraph of biphobia in the book but it’s an older book. I read this right before my divorce so my memories are super fuzzy but it’s about this modern day lesbian who gets possessed by the ghost of a different lesbian from hundreds of years earlier in Jewish history.) Nine of Swords Reversed by Xan West z’L of blessed memory - another queer Jewish paranormal.

The general plot is that two partners are struggling with how to be honest with each other about the effect disability is having on them. It’s got a very warm and fuzzy cozy vibe but kink culture is central to the worldbuilding so if that isn’t your vibe I didn’t want you to go in unaware.

The Dybbuk in Love by Sonya Taaffe. I don’t remember the details but I remember loving it, it’s m/f and romance between possessor and possessed.

I wrote a really short one called A Man of Taste where a gentile vampire woman and a Jewish ghost/dybbuk get together.

~S

[chrollogy]

SIGNED: LOVESICK FOOL #01

iwaizumi hajime x f!reader

next | masterlist

synopsis: You decide to try out the university confessions page as an anonymous submitter to write a vague paragraph about your feelings for Iwaizumi—oddly enough, students following the page seems to be hooked in your confession.

chapter content warning: college au, fluff, oikawa appearance :3, reader is helplessly in love with mr iwaizumi hajime, not beta read.

word count: 2.3k

notes: divider: cafekitsune. sorry this came a bit late >< i fell asleep LMAOOOOOO

Falling in love has always been a weird concept. One day you wake up, and feel completely different towards a certain someone who you swear you only love platonically; your heart starts to race faster whenever you’re in their presence, mind formulating a million different thoughts on how to act normally until it loses its meaning, suddenly becoming overly self conscious of one’s appearance, and always wanting to look your very best whenever they’re around—the whole package.

Unfortunately, you were all too familiar with this.

As though in a romance movie, the whole world slowed down as your eyes landed on the person before you, anything, and everything faded into nothing—a mere whitenoise behind the rapid pounding of your heart.

Iwaizumi’s hair gleamed beneath the sun’s afternoon rays, long lashes ghosted over the apple of his cheeks, rosy lips slightly puckered in concentration. You remembered it like yesterday—the strong aroma of roasted coffee beans, the light chatter of other customers in the café, the warm blanket of sunshine, the heart-stopping eye contact.

Iwaizumi called your name a total of three times until you finally broke free from your trance; everything flooded back the moment your name slipped past his parted lips for the third time—as though suddenly reeled from a freeze frame.

You remembered blinking at him, letting a heartbeat or two pass before asking him what he needed, though, Iwaizumi’s words entered one ear, and left the other; you were more focused on the way his plush lips moved with every word spoken, mind wondering what it’d feel like against your own.

That night, you tossed, and turned beneath your ivory blanket; mind a complete mess, and heart an even bigger mess. You just didn’t get why you had to catch feelings for Iwaizumi out of all people.

It wasn’t necessarily a bad thing, never but everything between the two of you has been strictly platonic ever since—hell, you both even had a fair share of past relationships; you felt indifferent when Iwaizumi introduced his first girlfriend to you but now, just the thought introducing another woman made your stomach churn uncomfortably.

Realising that bottling up these feelings was a foolish thing to do, you scoured your mind for anything, and everything just to find some kind of release from all these unsaid thoughts. You were close to giving up, and retire for the night until a random thought popped into your mind,

Seijoh University Anonymous Confessions.

The unofficial page was undoubtedly popular amongst the students of the university, it served as a freedom wall where one was given the ability to express anything, and everything to fellow students behind anonymity; ranging from harmless rants about the meal prices all the way to heartfelt messages, you name it.

Submitting a confession was easy, all one had to do was fill up an anonymous form linked on the page, and wait ‘til moderators post it for everyone else to see.

You’ve always just been an avid reader of the confessions, a mere pastime in between lectures, and study breaks. It was interesting to see other students’ perspective, and thoughts in the campus you all shared, serving you a reminder that despite being in the same environment, everyone experienced things very differently.

Though, the only constant factor in everyone’s university lives was the confession page, even yours.

Despite the page ensuring full anonymity, it was still nerve-wracking to turn your feelings into words, your thumbs shook as you typed each letter into the anonymous form. You knew Iwaizumi would eventually see this confession despite only reading from the page from time to time, you just hoped it was vague enough for him to not notice—he was smart, and usually pieced clues together like it was nothing.

Surely out of all these students submitting confessions to this page everyday, Iwaizumi wouldn’t know, right?

The next few days consisted of refreshing said page, and waiting for your confession to pop up. “You’ve picked up your phone at least ten times in the past two minutes, what’s so interesting?” Oikawa’s dulcet voice pulled you into reality, your torso unceremoniously jerked away to shield your phone as he attempted to take a peek at the device in your hand.

The former narrowed his eyes at you but before he could throw a sly remark your way, Iwaizumi let out an annoyed sigh which gained yours, and Oikawa’s attention.

“Oikawa, if you’re bored, go bother someone outside the study room.”

The brunette playfully rolled his eyes before standing up to stretch, a small yawn slipping past his rosy lips. “Alright, I’m going to get some snacks. Anyone want any?” He grabbed his phone off the table before shifting his gaze between you, and Iwaizumi who only shook his head in silence, completely preoccupied with an assignment.

“Can I come?” “No, go scroll on your phone.”

Oikawa stuck his tongue out, not letting you protest before leaving the study room. The sound of the door clicking echoed throughout the walls of the study room, a deafening silence engulfed you, and Iwaizumi; for you, the silence was awkward, for him, it was completely normal.

If your heart were to pound any louder against your chest, you were sure he would’ve heard.

You randomly flipped through the pages of your textbook, trying to make yourself look busy. God, you couldn’t get more awkward than this. A flurry of overly self-conscious thoughts flooded your mind—would he think I’m weird for flipping too many pages? Fuck, am I reading this paragaph too fast? Is my posture okay? Oh god, I haven’t looked at a mirror all day, do I look fine? Is my hair messy?

Small, sharp prickles kissed down your body as heat engulfed you out of nowhere, cheeks warmed, and palms sweaty. You let out a sigh, nails digging into the skin of your nape, attempting to relieve the annoying itch.

“You okay? You seem very stressed lately.” Iwaizumi pushed his laptop screen halfway down to get a better view of you, he was slouched far into his seat, arms propped on either side of his laptop. His gaze met your own, deep emerald eyes boring into your very core. With a racing heart, you turned your mind upside down for an answer,

“Yeah . . I’m fine. Just tired is all.” Mentally cursing yourself, your nails harshly dug into the hearts of your palm—your voice came out small, and airy, not really convincing but whatever. If Iwaizumi caught your little white lie, he didn’t press on, instead returning a subtle dip of his chin before shifting his gaze back onto the laptop before him.

Sounds of soft keyboard tapping, and the low hum of the wall clock accompanied the deafening silence, you sat there twiddling your thumbs like a dumbass as if you weren’t supposed to be studying.

Iwaizumi wasn’t even doing anything yet here you were, warm faced, and as stiff as a board, if only he knew the effect he had on you. It was beyond embarrassing, really, how he was able to have this effect on you with little to no effort but then again, this was the Iwaizumi Hajime, of course it made sense.

For the first time in forever, you silently wished Oikawa came back as soon as possible—each second passed without a word spoken between you, and Iwaizumi, and you could really use the brunette right now to diffuse the growing awkwardness on your side.

As if the heavens answered your prayer, Oikawa came striding past the door, a bunch of snacks tucked neatly beneath his arm, and torso; you’ve never felt happier seeing him but you weren’t about to let anyone know. The brunette held his phone with his other hand, brown eyes concentrated on the device,

“Have you guys read the new confession? The page just posted it a couple of minutes ago.” He set the snacks on the table, and slid one your way before sitting down.

That’s right, just like you, Oikawa was also an avid reader of the university confessions page as though it was the morning newspaper. You couldn’t really blame him, the whole concept of it was interesting, plus, some confessions were rather strange but fascinating, nonetheless.

Iwaizumi wordlessly shook his head, not sparing a glance at his friend, you, on the other hand, felt a sudden wave of panic wash over your body. Did they finally post your confession? You squirmed in your seat, trying to act nonchalant, and completely normal about the situation at hand, “Mmm, no, not yet. Is it that interesting?”

Oikawa let out a low hum, an amused smile plastered on his face, with the way his gaze shifted back, and forth across the screen of his phone, he seemed to be reading the newest confession. The expression on Oikawa’s face did nothing to relax your nerves, he looked like he was enjoying every bit of the post—surely, you didn’t put much detail into it for anyone to piece it together or did you?

You expected the brunette to answer a simple yes or no along with a little explanation like he always did whenever he brought up the confessions page but apparently, he decided he’d read it out loud without you or Iwaizumi even asking.

Oikawa cleared his throat, “Here, I’ll read it out loud,” 

“Oh god. Never in a million years did I think this would happen to me but lately I’ve noticed that every time I see him, my heart starts racing. I can’t act normally around him anymore and he just looks so handsome whenever I see him. It’s hopeless, I know but some part of me wishes that my feelings are reciprocated. I don’t blame myself for falling in love because he’s such an amazing guy. He’s my everything, he knows that but he doesn’t know I don’t mean platonically. Sigh.”

As your friend read deeper into the paragraph, you slouched further into your seat, cheeks burning like the sun, and embarrassment engulfing your whole body. That was your confession. Fuck, you just wanted the floor to swallow you whole right then, and there.

Your eyes darted between Oikawa, and Iwaizumi, scanning their expressions—the former obviously had a smug smile on his face while the latter looked indifferent; the same old deadpan expression he’d worn since the start of your study session.

As if to make things worse for you, the brunette spoke up again, “It’s gaining quite the attention only because it's such a juicy confession, and students are trying to find out who’s in love with their best friend.” Oikawa chuckled, turning off his phone, and resting his palms behind his head.

What the fuck. How was your confession gaining more attention than the others? Last time you checked, yours was just a typical love confession, something all students have seen hundreds of times on the page, nothing special.

“W-what? Why? Why is it gaining attention?” Your tone came out more panicked than intended. Upon realising this, you awkwardly cleared your throat, and took a sip from your water bottle to help your nerves calm a tad bit before speaking up once again, “What’s so interesting about it, anyway?”

Oikawa shrugged, “Just a typical love confession but I’m not going to lie, it’s always interesting whenever someone has feelings for their best friend.”

Grabbing the snack Oikawa gave you earlier, you hastily opened the bag, and popped a chip in your mouth. Yeah, maybe eating something will calm your nerves.

This time, it was Iwaizumi’s turn to speak up, “Mhm. I’m guessing everyone’s just curious about it, maybe many can relate. It’s not easy being in love with your best friend.” He finally looked up from his laptop, dark emerald eyes shifting from Oikawa to you.

His gaze lingered a little too long for your liking which caused your brain to short circuit. Before you knew it, all you could do was listen to the sound of your yearning heart, fingers curling around the chip packet as your grip tightened.

You sucked in a breath, and averted your gaze from Iwaizumi, staring at the contents of your chip packet, “True . . I feel sorry for OP, especially since it's a long term friendship.” At least your voice didn’t come out shaky this time. Iwaizumi only nodded, he seemed to be in deep thought, whatever the reason was, you absolutely didn’t want to know.

Back in your dorm, you couldn’t help but check the comments under your confession, and as Oikawa stated earlier, majority of it were students tagging their friends on the post, and trying to find out who’s in love with their best friend. Some also gave sound advice about the situation which you appreciated, though, you didn’t know if you were really ready for a face to face confession with Iwaizumi.

Weirdly enough, the unexpected attention gave you a bit of confidence now that you were looking at it from another perspective. Earlier, it felt like a complete nightmare with how much other students were invested in your sad lovelife but now that you’ve calmed down, it was reassuring to see others give blind support, and words of encouragement.

Safe to say, there was still a hint of community between students despite everyone fighting their way through the semesters.

Plus, everyone seemed to await your next confession post, so who were you to deny them that? After all, you couldn’t really talk about it with anyone else, why not share it with the student population behind anonymity?

As expected, not only did your confession gain more traction within the next few days, but friends from classes you’re taking have also been talking about it. Though you couldn’t really comprehend what was so special about your submission, your feelings felt nothing but valid. Suddenly, it didn’t really feel like much of a crime being in love with your best friend—running away from your feelings was never an option but you’d be lying if you said it didn’t once cross your mind.

A million thoughts from students floated throughout the campus regarding the confession; ‘I wonder what their best friend is like?—he must be a really amazing guy.’ ‘I’m kind of curious as to what the person behind the confession is going to do next.’ ‘Heh, what if this confession is actually meant for me?’ ‘When will it be my turn?’

You’ve heard it all.

Despite everyone’s attention on the post, you just really wished that in the back of Iwaizumi’s mind, there was a pressing thought telling him the confession might be for him.

—

comments under the post:

—

tags: @stunie @akumakitsune21 @boosyboo9206 @khfviq @avis-writeshq @elliesndg @1929sleepdeprived @wakashudou @lillycore @viscoolreal @lialia3945 @softpia (drop a comment/ask if you wanna be tagged! make sure to turn your mentions on :3)

affiliated with @houseofsolisoccasum & @the-all-stars-network !

© chrollogy 2024 | don't plagiarise, repost or steal my header.

[ckret2]

I have a public service announcement! No one's done this lately so it's not aimed at anyone specific—but that's why I'm posting now, so it doesn't single anyone out.

It's true that, in-universe, Bill's said he's apathetic about what gender humans see him as. But you and I aren't in his fictional universe; we're in the real universe.

And out here in our real universe, when someone discovers that a guy they've ONLY ever referred to with he/him pronouns actually has breasts under his shirt? If that person is a conservative, they might start calling this man "she." If that person is more progressive, sometimes they start calling him "they." Like they'll respect that he's trans but refuse to respect that he's transmasc.

And because we live out here in the real world where I'm sick and tired of watching this happen, I'm also sick and tired of watching it happen to characters I write with he/him pronouns. Because multiple times I have had readers—nominally pro-LGBT readers!—start calling a he/him character I write "they/them" the second I headcanon him as transmasc or give him physical traits associated with AFAB bodies, in spite of the pronouns they see me use for him.

You've never seen canon call Bill anything but he/him. You've never seen the guy who invented Bill call him anything but he/him. Except when I write from the perspective of a character who literally DOESN'T KNOW they're looking at Bill, you've never seen ME refer to my specific interpretation of Bill with anything but he/him pronouns.

(And not to get too serious over cartoons, but—if you can't get a character's pronouns right after seeing me use THOUSANDS of he/him pronouns for him—a character whom you were INTRODUCED TO with the correct pronouns and whom you likely ONLY called by the correct pronouns for years, right up until the moment you saw him drawn with tits & hips—if the mere knowledge of his anatomy is enough to completely overwrite every single time you've seen & heard his pronouns used—then I worry about how y'all would talk about an IRL transmasc guy if you could see immediately that he's AFAB and only hear his pronouns once.)

Knowingly using the wrong pronouns doesn't magically become woke when it's gender neutral wrong pronouns. Stop ignoring the only pronouns you've ever seen me or the show call Bill. Do not misgender the silly cartoon triangle in my inbox & comments.

Thank you.

I'm GRUDGINGLY more flexible on calling Bill the wrong name, since I know sometimes y'all need to differentiate whether you're talking to me about the vague concept of canon Bill or, specifically, the copy of Bill undergoing the events in my fic, and using his in-fic "this is the name used by PEOPLE WHO DON'T KNOW WHO HE IS" nickname is convenient for that.

So, yeah, if you HAVE to, you can call Bill another name. But please know: 1) I dislike that; 2) I'd rather you only do it in contexts where it's necessary for clarity; and 3) even if you're calling him the wrong name out of grammatical necessity, it's still the wrong name.

[tillsfan]

a dive into Till’s feelings regarding Ivan and Mizi!

ivantill’s whole thing is being INSANELY complicated. i am a full on believer that they have mutual (unrealized) feelings, but i think the word “love” is definitely too vague to properly describe what they have. vivinos said a “deep LOVE/HATE” relationship for a reason.

i think till both genuinely feeling love for ivan yet hating him at the same time is absolutely reasonable. ivan has pushed and pulled till his whole life. till never felt secure near ivan, as much as he cares about him. but, ivan was always there. till felt comfort with ivan’s presence despite the lack of security he gave. till heavily valued ivan’s opinion, getting upset when ivan implied he didn’t see till as a friend. he trusted ivan enough to attempt to run away with him, and he potentially would have spent the rest of his life with ivan if they actually escaped.

i while love mutual love ivantill as much as the next guy, saying their feelings were 100% romantic is wrong. their emotions towards one another being so raw is something that defines them, which is why it’s difficult to put their mutual feelings into a specific box.

another thing we need to take into account is that neither of them know what love really is. they inhabit a world that isn’t MEANT for humans to love. they were never taught what love is and how to feel it. this is part of the reason they could never develop properly. they live in a world where the concept of romance and relationships aren’t properly established between humans.

but, i do believe like they could’ve had a chance under different circumstances. they were a slowburn that was never able to properly develop because, again, they lived in a world that didn’t allow them to, and they both ruined things for themselves. ivan had a huge tendency to self sabotage because of his severely low self esteem. he convinced himself that his feelings were shallow, and projected that onto till through his actions, confusing and distressing the latter. in addition, till was avoidant of the reality in front of him, ivan. due to till feeling such a lack of security with ivan, and never being able to understand ivan, he avoided intimacy with him altogether. till also just has a fear of intimacy in general. there was a significant amount of miscommunication between both parties.

in addition, saying that till didn’t love mizi is just. false. he dedicated all of his life to her, she was literally his muse. he loved her in his own way, even if he had to put her on a pedestal to do so. yes, he didn’t know anything about her as a person, but that doesn’t mean his feelings weren’t real. saying he never truly loved her undermines so much of his character.

mizi was till’s coping mechanism, yes. he adored her from a distance. he liked the idea of her and not her as an individual, but that doesn’t make his feelings any less real. he loved and cared for her. we saw how torn he was after mizi disappeared in round 5. he almost DIED because of his grief, before ivan ‘saved’ him. his feelings towards her were as authentic as they could be for someone who kept everyone at a distance.

while you could say till’s love for mizi isn’t inherently romantic, the same can be said for ivantill. nothing stated in the patreon confirmed what EXACTLY till felt towards mizi besides her being a fantastical figure to him. and his “love” towards ivan doesn’t HAVE to be romantic (even though i believe it is), it could very much be platonic. vivinos is purposefully vague with what kind of love each character feels because, as i said, feelings aren’t something that can be properly established in this universe.

hope u guys enjoyed my rant Yay 🌹

[lets-try-some-writing]

what if cybertronians haven no sense of taste?? What if one of the kids ask what energon taste like and they got no idea in what they’re talking about???

While I don't think that's canon, I LOVE the concept.

Cybertronians don't taste as humans do. They recognize energon and not energon and that's about it. They can sense bad energon, highly charged energon, and low quality energon through sensors, but it's not exactly taste. It's moreso the ability to feel when their tanks are not a big fan or what they are consuming or note how fuzzy their processors seem to be after a drink. It's a lot of guesswork, but after having spent so long associating with organic species, Cybertronians learned that tasting meant sensing fuel quality (at least that is how they translated and promptly associated with the word).

With that in mind, seeing humans care so much about "taste" is a befuddling thing. They aren't unused to the concept, and so seeing the kids argue over it wasn't out of the ordinary. Bots argue over fuel quality occasionally due to differences in sensitivity. It's when the kids start actively swapping their food or otherwise choosing poorer quality food over the higher quality stuff that the bots become VERY confused. Why a greasy hamburger over the salad and steak right there? According to human nutritional stats, humans need the things in the latter meal more than the former.

Optimus vaguely understands the idea of taste since Primes of old engaged in a million and one vices, including various mental augmentations to experience partial organic sensation. So he has a loose grasp on the concept and can understand that food is a sort of drug as well as nutritional source. But the rest of the team? They do not understand in the slightest. Why choose the gummy worms over the watermelon? Why the fries over the perfectly healthy ham sandwich?

Bulkhead and Wheeljack believe it to be some sort of dominance thing. The weaker humans get the least valuable fuels while the stronger and wiser ones get the healthier stuff (they worry greatly for Miko and her never ending yoinking of the sweet things). Ratchet believes it to be a flaw in the human genome that never fully resolved itself and so just lives with the agitation of watching the children squabble. Bumblebee and Smokescreen have largely taken to observing to try and get it (they do not get it in the slightest). Ultra Magnus is of the opinion that humans are just dumb and that's why they choose the shiny food over the healthy food. Arcee secretly thinks there may actually be something to the unhealthy stuff for humans to flock to it so much.

She may or may not have a little board of research she's done into big dairy and other large food corporations. She knows more about human food than she is comfortable with and has only confided in Optimus about the horrors. He too lives with the knowledge of what humans eat and wallows in it in the dead of night sometimes.

[nonbinary-vents]

I know this is such a doomer kind of attitude but I genuinely cannot stand it when people go around talking about the ‘silent majority’ when it comes to Jew hatred. There’s two main problems I have with this statement

— Sure, these people might support Jews now, but it’s probably safe to say the majority of people in the world have deeply ingrained biases against Jews. Those biases are easily exploited, easily brought out, and easily radicalised into rabid hatred. See: large swaths of leftist spaces, who honestly seemed like sleeper agents with how fast they openly admitted raping Jews is a moral thing. There’s also the issue of a lot of these silent majority people not supporting Hamas or believing in the Aryan race or thinking that Jews have no culture and we’re just stealing it from everyone else, but still tolerating those ideas being held in other people— it shows that these people neither understand nor care about the gravity of these views, which then makes those precious biases much, much easier to show

and

— The entire point of the silent majority is that they are silent. Sure, they might chat with their Jewish friends about how bad things are, they might express sympathy in private, things like that. But when push comes to shove, when Jews are being actively murdered wide scale, they don’t show up. They leave us in the dirt. They watch quietly as the Gestappo drags their neighbours away. They look away politely as their Dhimmi shopkeeper is beaten in the street for walking on the wrong side of the pavement. They close their blinds when their friend is tied to the stake and burned alive

I know it’s comforting to think of this vague concept of the silent majority, but it’s not actually reality. I know it sucks feeling like you need to have your guard up all the time (and you don’t, just be careful), it’s going to suck a whole lot more if you put yourself into a false sense of security. The silent majority are not our friends. The silent majority are not there for us. The silent majority don’t care. We can’t just live in a nebulous idea of people who quietly tut to themselves whenever they see someone saying ‘glory to the resistance’ or ‘Jews are trying to taint the Aryan race’, we need to focus on the tangible reality, and the people who are actually present

I think this is also why I, and so many other Jews, absolutely love non-Jewish allies. There’s something so indescribably amazing to see people in this world that’s been so horrible to us standing up for us, listening to us, helping us. Allies go through a lot of shit from others because they care about us, I’ve seen it so much— they’ll get vicious hate for just associating with Jews. And they still do it. They still stick with us. Because they care, and it’s just so wonderful

Spread the love to non-Jewish allies, you are so amazing. And to the silent majority, I hope you can become the help that we desperately need

[specialagentartemis]

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[kitkat13001]

｡𖦹 ⏾ ˚｡⋆ 𝚍𝚒𝚍 𝚢𝚘𝚞 𝚔𝚗𝚘𝚠 𝚝𝚑𝚎𝚛𝚎’𝚜 𝚊 𝚝𝚞𝚗𝚗𝚎𝚕 𝚞𝚗𝚍𝚎𝚛 𝚘𝚌𝚎𝚊𝚗 𝚋𝚘𝚞𝚕𝚎𝚟𝚊𝚛𝚍?

>> tomura shigaraki x reader

>> brief mentions of injury and canon-typical violence (vague, nondescriptive), based on this post and lana del rey’s song ‘let the light in’, divider by @/anitalenia

for as long as tomura can think of, he never really feared death. against all common sense, it never really felt like a possibility. he’s the symbol of fear, isn’t he? it can’t be game over until his mission is complete.

it’s seemed that way for so long now. this game of life in his mind, with his expendable lives and missions to complete. 

and then you came waltzing into his life, worming your way into his heart with that stupid smile on your face and fierce conviction in your eyes. 

and suddenly he had something to lose. 

it was a distant worry in the back of his mind as he held you in his arms late at night. but when you were injured on a mission, lying unconscious on the street a few feet away from him, it was the only thought on his mind. 

it’s still pressing on him now, even though he can feel the warmth of your body against his, the rise and fall of your chest as you breathe. 

it seems like everything’s going too fast lately, like time’s slipping through his fingers. it’s only a matter of time before he’ll have to undergo the procedure and go through with the plan. he knows you’re worried, even though you haven’t told him as much. he can tell by the way you look at him when you think he’s not paying attention. like he’s going to vanish into thin air at any second. 

he doesn’t blame you. in all honesty, he looks at you the same way.

you’re the only good in life. he’s always known that, but seeing you hurt only cemented the notion in his brain. it hits him just now, like a ton of bricks. it’s you. 

he doesn’t know how long he’s got left. but he knows that he wants to spend it with you.

“marry me,” he murmurs, lips brushing your temple as he speaks. the words leave him before he can stop himself. marriage is a concept completely foreign to someone like tomura. it doesn’t mean anything to him. it’s not something people like him get—or deserve for that matter. but he doesn’t care. the selfish devil that lives in his chest wants to hold you close, keep you with him until your time together is up for good. 

“sure,” you mumble in reply, voice thick with sleep as you toss around in his arms. your eyes are still closed. 

just like that. you’re handing him the rest of your life on a silver platter. without thinking. without opening your eyes. no marriage certificate (fuck the government), no ring (you never liked jewelry that much anyway), no vows, no party, nothing borrowed or blue. just you and him for the rest of your miserable lives. 

“dance with me,” he says, giving your hand a gentle tug. 

“aren’t you just full of demands today,” you reply wryly, peeking one eye open and flashing him a coy smile. 

he tugs on your hand again, face pinching into a teasing pout. “c’mon, if we’re getting married we need a first dance.”

“first and only,” you snort, gesturing to your broken leg, propped up on a pillow and wrapped in a cast. “on what leg?”

he huffs, pulling you both into a sitting position. “i’ll carry you. just dance with me, okay? first ‘n only, i promise.”

“fine, fine. whatever my husband wants.”

oh. that’s new, he thinks. this absurd feeling like a hundred butterflies in his stomach. it’s so unlike him. he’s many things, of course. evil legacy? yes. murderer? for sure. criminal? absolutely. but husband? that’s something he never thought he’d be, not in a million years. 

he’s careful as he hauls you up, balances your weight against him and props your casted foot on top of his. 

he’s slow and gentle as he sways to the faint music kurogiri left playing on a record somewhere in the back of the bar. he takes in the feeling of you in his arms, indulging in this moment for as long as he can. just you and him for the rest of your lovely, miserable lives — however short they may be. 

this is a little all-over-the-place, and probably incredibly self-indulgent, but what else is new? i couldn’t get the scene out of my head. also the dancing scene is twilight coded like at the end of the first movie when edward dances with bella at the prom w her broken ankle, please someone tell me you know the one 😩

[adorkastock]

wait, you have aphantasia? do you (or your followers) have any tips for navigating aphantasia as an artist? i have acquired aphantasia due to a TBI and i am trying to relearn How To Do Art. have yet to figure out how i need to adjust my process to accommodate because i keep trying to do things the way I used to and getting frustrated when it doesn't work. Obviously everyone's process will be different but i'd love to hear if you have any ideas.

Oh dang first of all ♥ that is a BIG change to have to deal with. So ♥♥♥ First. THIS WILL BE LONG I GUESS I DONT KNOW HOW TO BE CONCISE ♥ I can assure you can still make art with this new, less picture brain. There's loads of artists with aphantasia and while many of us have had it our wholes lives and had no idea, I am certain we can help give you advice to keep your art going. I will say up front that I started making pose references because I found that my drawings were a LOT better when I worked from reference. Turns out I guess I don't have any head pictures so ??? This explained a lot! I wish I knew how my brain stored info if not visually because I know when I used to draw a lot especially when I drew a lot from life, my figure drawing dramatically improved and I got pretty good at coming up with stuff on my own without references. I guess these would be my tips and I hope people jump in, especially if there's anyone else that's an artist who was a visualizer and is not now. 1) References are your friend! HOARD THEM. Don't be afraid to MAKE them. Take lots of photos, save art that does things you like for inspiration, collect lots and lots of visuals outside your head. 2) Even artists who can visualize often seem to report they cannot always reproduce their head pictures the way they want to. When I have 'an idea for a drawing' it's like a concept in my head. It's kind of just words and maybe some vague composition but again - not sure what it is just know it's not visual. So I gotta THUMBNAIL. A lot of times when I wanna work out what an idea is I just have to doodle a bunch of little versions of it til I go "yep, that's it, that's the one." Basically when I see it I know it's right but I have to see it externally to "see" it. Every piece I make (even my hair bows) I can't really *see* until it's there in front of me. I guess that means this part's advice is: draw little versions of things to work out visual problems on paper rather than in your head. If anyone else has things to add please please do!