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fettuccin-e · 1 year

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Forever Feels Good

A/N: So yeah. its more santi smut. I rewatched triple frontier recently and yknow how oscar and pedro look absolutely scrumpdiddlyumptious so i had to write some happy, domesticated santi because HE DESERVES SOMETHING GOOD

Description: Sometimes, Santi can't believe that he's actually yours, that you're his. And, as a good husband, he just wants to make his beautiful wife feel good. (w/c: 3.1K)

Tags: Santiago "Pope" Garcia x reader, afab!fem!reader, Santi really likes that she's his wife, pretty domestic, alcohol consumption, oral (r!recieving), unprotected piv (pls wrap it up irl fuck them kids), breeding kink like quite a bit of breeding kink i may have a problem

Santi sometimes forgets that he’s actually married to you. That it’s his ring on your finger, that he lives in a home that the both of you share.

There’s a part of him, a big part, that looks at you and knows that you’re too beautiful to really be his. With your bright smile and glittering eyes, smoothing out his rough edges and giving something to live for again. It doesn’t feel real, even after years of being married, introducing you as his wife to all of his coworkers and friends, fixing up a house you bought together, living a perfect little white picket fence life that Santi had only thought was a fantasy while in Delta.

He watches you with rapt attention across the bar, grabbing your fruity drink from the bartender while you chat with Frankie at the pool table.

You’re laughing hard to a story that Frankie is telling, Santi’s beer clutched in one of your hands while you brace the other on Frankie’s shoulder. Your cheeks are flushed, your eyes are crinkling at the corners with your grin, and Santi can’t imagine anyone more perfect.

As your laughter eventually dies down you gaze at Santi across the room, probably unaware that he was already staring, and the breath is nearly knocked out of his lungs as your eyes meet. Your wide smile melts into something softer, intimate even in a room full of people, and his already weak knees want to give out.

He forces himself to walk on shaky legs across the room, setting your drink on your table, fingers itching to touch your soft skin. He spins you around when he reaches you, pinning your back to his front and wrapping his strong arms around your waist while he tucks his face into the crook of your neck.

Your perfume is strongest there, the smell of you invading his senses and swimming through his desperate mind. He vaguely senses Frankie walking away to talk to Will, but he couldn't care less at the moment. Not when he has his wife in his arms, your hair tickling his nose and you giggle echoing in his ears.

Santi presses a kiss to your neck, unable to help himself. “Look so pretty tonight, princesa. Y’wanna let me take you home?” he murmurs quietly into your ear, hearing you suck in a soft breath.

“I don’t know how my husband would feel about that, handsome,” you giggle, and he tugs you just a little bit closer.

“C’mon, baby, I’m sure he won’t mind one bit,” he chuckles lowly. “Can’t let a pretty thing like you go without being taken care of like you deserve.”

“Hm,” you sigh, leaning back against his strong body, “you drive a hard bargain, don’t you?” You reach a hand back to wind your hand into his hair, tugging him up to meet your lips in a sticky kiss. “Promise to take care of me, baby? I’ve been told that I can be greedy. Gonna need you to make me cum as many times as I want.”

Santi feels lightheaded, his vision blurring at the edges. “Fuck, hermosa, anything. Anything you want, you’ll get it, promise I’ll-”

“Hey, lovebirds!” you hear Benny call from the pool table, stick clutched in his hand. He’s disarmingly loud even in a room full of people, your head snaps ahead from Santi’s lips, and you can feel the groan rumble in your husband’s chest at the loss. You smirk to yourself involuntarily, pride blooming in your chest at the fact that you’re the one that can bring Santiago Garcia, ex-military grump with a will of fucking steel, to his knees with a something as simple as a little kiss.

“You guys gonna get a room or what? Think of the kids!” Benny continues, laughing. Frankie chuckles with him, Will smacks him on the back of the head.

“Turning a little green there, Miller!” you fire back, smiling all the while. “Been a while since you got any? Celibacy is not a good look on you, man.” Frankie laughs harder at that, and even Will chuckles, and it’s Benny’s turn to smack his brother on the back of his head.

You turn your head again to whisper up into Santi’s ear, “As much as I hate to admit it, he might be right.” You shift your hips back, just a little, pressing your ass tight against the bulge of his dick in those tight pants he always wears. Santi curses.

“You wanna get out of here handsome?”

“Please,” Santi groans, and you laugh softly at his eagerness before you’re grabbing his hand and walking him to the door of the bar, nodding a goodbye at Frankie as you do.

He’s on you the moment you walk through the door of your shared home, pressing you hard against the door with a thick thigh between your legs, pressed tight against your hot cunt through the material of your panties under your skirt. He licks into your mouth like he’s starving for it, like he’ll never get to again, like it’s not the cold metal of his ring on your finger, pressed against his cheek as you cup his jaw.

“So, so fucking pretty for me hermosa, my god. Got everyone in that bar looking at you, but you’re mine, yeah? My wife, fuck-” Santi says into your mouth, choking on the last word, bucking up into you.

“Bed, Santi, please,” you whine, head spinning with the taste, the smell, the feel of him under your fingertips. Six years of marriage, and you’re both still obsessed with each other the same way you were when you both first met. Clutching into each other like the other will disappear at any moment, like every second together has only been a wonderful dream. He grins into your mouth before taking your hand again, breaking into a jog through your little house and into your bedroom, the both of you giggling like teenagers.

You make him feel young, Santi thinks, laughing into your mouth as he lays you gently onto the mattress. Even with his creaky knees and graying hair, you manage to make him feel young. He presses himself against you, and you mewl, your hips moving in desperate little grinds against the bulge in his jeans.

“Santi, please,” you choke, gasping softly as his zipper catches on your clit through your panties. You’re clenching around nothing, suddenly so unbearably empty that you could cry from it.

Santi shushes you gently, running his hands under your shirt, rucking it up over your chest. You raise your arms to help him along, and Santi wastes no time in divesting you of your shirt. He tosses it behind him carelessly before leaning down again to lick into your mouth, utterly addicted to the taste of you.

There’s something about Santi that brings out this part of you, this desperate, needy part that you’d never felt before knowing him. He makes you feel ravenous, animalistic as he towers over you, kissing you like a man possessed.

You reach down to grab his shirt in a fist, shoving it up his stomach until he finally smiles against your mouth, breaking away from your kiss to yank his shirt off, tossing it in the same direction he threw yours. He moves down, trailing hot, sticky kisses and bites to your neck, your collarbone, right between the valley of your tits.

His thick hands curl around your back, his calluses scratching along your soft skin, raising goosebumps in their wake as he unclasps your bra, dragging it down your arms and leaving you bared to him. It should feel vulnerable, exposed, but you hear Santi groan softly under his breath at the sight of you, and you feel anything but vulnerable. Fuck, you feel powerful, stunning under Santi’s burning gaze.

He sucks one of your nipples into his mouth, swirling his tongue over it feverishly while his other hand, warm and rough, tweaks the other harshly. You can’t help how your back shoots up, how a choked moan escapes your throat. Your hands tangle in his hair, a terribly sexy mess of grey and black, holding him to your chest.

“Fuck, oh God, Santi, Santi, need you so bad baby, please. Please,” you mumble, your mind already hazy as Santi switches nipples, his eyes closed and lost in you. He brings his free hand down, down, under your skirt, and presses a thumb harshly over your clit through your panties. The friction of the cotton is harsh against your throbbing clit, but Santi rubs quick little circles into you, reveling in the whines that escape unbidden from the back of your throat.

“So fucking pretty, princesa. Mi amor, god, mi vida. You’re my fucking life, you know that? So gorgeous, angel, and all mine. Fuck, can’t believe you’re mine, baby.” Santi mumbles against your skin, finally releasing your nipple from his mouth. He continues peppering tiny kisses down your stomach, staring up at you as he does. His mouth doesn’t leave your skin even as he brings his hand up from your clothed cunt, tugging your skirt and panties down your legs. You can feel how soaked you’ve gotten, the way your thighs are slick with your arousal.

“Fuck, hermosa, what’s got you this wet, huh?” He grunts, his voice gravelly and rough.

“You, Santi, it’s all- it’s all you. Since the bar, baby, since before the bar. Fuck, always want you, Santiago, ‘m ready for you all the time.” You tilt your hips up with your words, your entrance throbbing and so desperate for his touch.

“God, bebita,” Santi groans. “Such a fucking slut, huh? You would’ve let me fuck you right in that bar, yeah? Just let me tug you into the bathroom and fuck you as hard as I want. Would've done it too, sweet girl, you get me so fucking hot. In these,” he presses a hot, open-mouthed kiss to your inner thigh, and you twitch as you feel him breathe a warm gust of air right over your desperate pussy. “In these fucking little skirts you like to wear, god. Got the sexiest girl in the fucking world, yeah? Everyone wants you, but I’m the one who gets to have you. I get to have you for the rest of our lives, mi amor.” He’s so close, so fucking close to wear you need him most. “I get to fuck this sweet pussy for the rest of our lives, baby,” Santi breathes.

You nearly scream as he licks a long stripe up your cunt, lapping up some of the mess you’ve already made of yourself. He sucks your clit into his mouth, sucking at it hard and unrelenting. The sensation of it is almost too much, and your thighs clench around his head quickly, before Santi brings a hand up to grab at your inner thigh. He pulls you apart, keeping you spread for him as he licks and sucks and plays with you until you’re already shaking. He keeps you spread with only one of those strong hands, pressing his tongue harshly against your sensitive little clit, and you suddenly feel the thick presence of his other hand, a calloused digit sinking slowly, so slowly into your cunt.

“Santi, Santi, oh fuck, Jesus fucking Christ baby, it’s so- shit, it’s so,” you can hardly get the words out, especially as he crooks his finger up and presses it against your g-spot without any trouble. Santi groans against your clit, sinking yet another finger inside you along the first.

You should be used to it by now, after so long together, but every single time Santi fucks you, it’s like he’ll never get to do it again. He throws himself, his mind, body, his fucking soul, into only making you feel good. It’s nearly sacrilegious, how he worships you, praying with his tongue at the altar of your body.

But it’s not enough, not when you know how it feels when he’s inside, not when you’ve been thinking about his thick cock stretching you out until you feel like you’re about to break. You tangle a hand back into his hair, tugging him harshly away from your pussy. He keeps his fingers inside, spreading you apart as he looms over you, meeting your lips in a sticky kiss. His lips are sticky with your arousal, but you can’t bring yourself to care, gasping, “Please, baby, Santi fuck me, ‘m so empty, need to be filled up, need you to stuff me full.”

Santi grins, smug against you as he presses a third finger into your tight cunt, relishing in how your body jerks hard in response. “Just a little longer, baby,” he mutters, “Gotta make you cum first, right? Wanna feel this pretty pussy clench around my fingers, fuck baby, you’re so sexy. Want you to cum, princesa. Cum like you fucking deserve.”

You choke on a gasp as he hammers hard into you, overwhelmed tears filling your eyes as he abuses your g-spot with a practiced hand. You can feel your orgasm building inside, threatening to drown you in it’s severity, as Santi leans down again, whispering harshly, like it’s a threat, “Be a good little wife for me, baby, and cum. Now.”

And you can’t do anything but that, whining high as your pussy clenches and gushes all over Santi’s hand, your hips jerking wildly. Santi is murmuring little praises into your ear, but you can hardly hear him over the ringing in your head, the effort it takes to breathe properly again.

“You okay, mi amor? Need to stop?” Santi whispers, petting his hands across your thighs, calming, but your eyes snap open all the same.

“Santiago Garcia, if you leave me here without getting fucked, I’m filing for divorce.”

Your statement shocks a quick laugh out of your husband, but he leans down to kiss you all the same. “So greedy, mi amor,” he murmurs into your mouth, and you giggle as he stands quickly, shucking his pants and boxers off before kneeling between your spread legs again.

You gasp softly as he notches the head of his cock against the entrance of your abused cunt, winding your arms around his neck to tug him close. He presses in slowly, agonizingly slow, and you gasp against his mouth.

You’ve had Santi for years, but taking his cock always feels like the first time, all over again. He groans so lowly it almost sounds like a growl, holding your hips up to meet him as he finally bottoms out inside you. So deep he feels like he’s in your fucking stomach.

“Shit, baby, you’re so fucking wet,” he groans over you, his eyes clenched shut. He draws his hips out and shoves back in quickly, and you can’t do anything but gasp wetly, nails digging into his shoulders as he breaks you open around his cock. “So tight for me, always so fucking perfect.”

“So big, Santi,” you slur dazedly. “Stretching me out so good, it’s so fucking deep, baby.”

“You like me deep, bebita? So deep I’m in your fucking guts? Gonna fill you up, princesa, shit. Get through that fucking birth control, yeah? Get you,” he fucks into you again, hard, “get you fucking pregnant, sweetheart.”

“Oh God,” you whine, mind swimming with the overwhelming mixture of Santi over you, surrounding you, inside you. Fucking you full of him, enough to render your IUD useless, get you pregnant no matter what. “Fuck, Santi, please.” He works himself in and out of you, his thick hands holding onto your hips hard enough to bruise.

“You want it, baby? Want me to fuck a baby into this little pussy? Shit, you’re sucking me in baby, so fucking desperate for it.” He shifts closer, just a little, lifting your hips further into the air to throw you hard onto his cock, and he can’t miss your sweet spot like this. His perfect cockhead just jams into your g-spot at an angle like this, and Santi knows it. “My needy little wife, you wanna cum on this cock? C’mon, do it. Wanna see it baby.”

Tears are finally escaping, leaking slowly from your eyes as Santi fucks into you like only he can, practiced, harsh, unrelenting. You can faintly hear yourself babbling, a mixture of praises, and pleases, and Santi’s name.

Santi brings a hand from your thigh to press a thick thumb to your over-sensitive clit, and you want to fucking scream. “C’mon baby, show me how good I’m giving you this cock. Show me how good I fuck this pretty pussy.”

“Yes, yes, yes, it’s so good, it’s so fucking good, gonna cum, oh god, gonna give you a baby, Santi, oh god, oh my fucking god-” you gasp, unable to get a full breath into your lungs before you’re cumming again, nails digging hard enough into Santi’s back that there will be marks, marks that Santi will tease you about later when he looks in the mirror, but you can’t care. Not when it feels like your body is on a live wire, muscles and nerves strung taught and pulled apart.

“Just like that, sweet girl,” Santi groans above you, his hips stuttering into you. “Fuck, just like that, so fucking tight for me. Fuck, you’re mine,” he mutters, barely even speaking to you at this point. “Can’t believe you’re fucking mine, mine forever.”

He’s lost in it, muttering to himself, and you tug him down, trying to ground him back to Earth against your lips as you whisper, “yours.”

Santi kisses you hard as he cums, emptying himself inside you. He wraps you in his strong arms, the both of you shaking softly against each other as you breathe through the aftershock of both your orgasms. He slips out of you at one point, and Santi takes the opportunity to roll you onto your sides. It’s quiet between the both of you for a few minutes as you brush a hand through Santi’s sweaty curls, and he brushes a thumb over your cheek, wiping any tears away.

“Love you so much, Santi,” you whisper after a while, and Santi smiles wide, wider than he ever had before he met you.

“I love you too, baby, more than I can describe.”

“Do you- do you think we could start trying? For a baby?” you whisper, tentative. There will be a bigger discussion tomorrow, about the future, especially if you throw children into the mix. But you need to know, for now.

“Mi amor, mi cielito,” Santi whispers, pecking you softly on the lips. “I would love nothing more.”

#breeding kink popped out a little with this one #BUT HAVE YOU SEEN SANTI #i wanna give him babies #also domesticity #he deserves it #anyway #santiago pope garcia #santiago garcia x you #santiago garcia smut #santiago garcia x reader #santiago garcia fluff #pope garcia x reader #triple frontier x you #triple frontier smut #triple frontier x reader

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my-rose-tinted-glasses · 9 months

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Rose Recaps 2023 - Korea

I started with Japan because this year it gave me everything I could possibly want. Korea gave me some very nice surprises. Let's go.

The one that had me question if watching it was good for my mental health.

The Eighth Sense

Much like what I said about Tokyo in April is... it was not a good decision on my part to watch this one live. I related way too much to Jae Won and I wasn't in a specially good place at the time. However, I love it so much. I have rewatched it since then and it's such an incredible journey.

I think they used the time very efficiently and they didn't try to skip too many steps to make it a happy ending. I would be okay without any redemption for those two but on the plus side the other friends were brilliant.

Favourite Moment

The one that came out of nowhere

Sing My Crush

This show came out all at once and I had no idea it was coming. But I'm so glad it did. There were I think 4 kbls that came out all at once this year. And with the exception of this one, they were all worse because of it. First of all I fell in love with the song instantly and Han Tae immediately after. He's so cute and in love and it takes him way too long to realise it, but his devotion to Ba Ram is unquestionable from the beginning.

Favourite Moment:

The one that was a sequel but not really

Love Class 2

The first couple of episodes I wasn't sure about this one. The first couple of episodes were kinda of confusing, starting with such a dark scene on the roof, and so many different types of relationships to keep track of.

Joo Hyuk was my instant favourite from the beginning. The way he was instantly smitten and committed from the first moment he saw the TA was delightful.

It took me longer to warm up to Min Woo and Maru. But I love their arc. Even the jealousy experiment didn't bother me, Maru needed a push. Much like Lee Hyun said, it was so obvious.

Lee Hyun and Kim An were the last ones to reach me. I think the whole backstory around Kim An muddied the waters a bit and I'm not sure it was necessary to have so much of it, but I did love that when Kim An gave in, he did so with no reservations.

Favourite Moments:

The one that had me considering moving to a farm

Love Tractor

Ok. Not really, But look how pretty. Funny story, I actually rewatched part of this show in an orchard not that much different from the one here. I was on holiday in the countryside and just thought it would be incredibly amusing.

Anyway. I love Ye Chan an unreasonable amount. He's so dramatic and so earnest. And honestly if I ever had to move to a place like this I think I would pretty much have the same reaction as Seon Yul. I just want my peace and quiet.

But I really like their dynamic all throughout and considering the time restraints I thought that the development of Yul's feelings was done quite well.

Favourite Moment:

The other one with Love in the title

Love Mate

There was absolutely no reason for me to like this show has much as I did. Ha Ram should've bothered me. This whole concept should've annoyed me. The whole separation bit should've made me angry. Why didn't it? I have no clue. But I loved it. I've watched it more than once and love it every time.

Favourite Moment

The one with coffee and pottery

Unintentional Love Story

I adore this show. Pick an episode, any episode, I love it. Was it perfect? No. Was the kissing the thing that made it not perfect? Perhaps. I love it nonetheless.

[Confession time. Is there one thing about this show that bothers me no matter how many times I rewatch it? Yes. Is it the kissing? No. Is it something absolutely and stupidly tiny that only I could possibly be that bothered by it? Yes. What is it? " Let me at least do this." It's such a great moment. But why did whoever was in charge of the editing felt the need to show us the scene that we saw 17 minutes before? (it's really 17 minutes and 40 seconds, I checked because I'm nowhere near sane). Did they thing we forgot about it in that time? It lessens the moment and it insults the audience. I hate it an unreasonable amount. ]

There are so many moments in this show that I love. The four mains are amazing, the confession scene by HoTae in the coffee shop floored me, the writing in the sand moment was delightful and the soundtrack is my favourite of the year.

Favourite Moment:

The one that was perfect

Our Dating Sim

What's there to say. There's nothing wrong here. They are delightful, I had a great time with the video game format at the end of the episodes, their chemistry was amazing, and Ki Tae is my favourite boy. Also, my second favourite soundtrack this year.

Favourite Moment

See you next time with Thailand I think.

Thanks for reading💜

#Rose Recaps 2023 #love class 2 #love tractor #love mate #our dating sim #the eighth sense #unintentional love story #sing my crush #rose rambles

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averytirednerd · 8 months

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About Episodes 7 and 8...MASSIVE SPOILERS!!

Initial thoughts (because if I talk about EVERYTHING right now you'll be here for at least half an hour)...

WHAT THE HELL?!

I mean I loved getting to watch the season finale, don't get me wrong. But I have just as many grievances as things I loved about it and also SO MUCH happened?!?!?!

Charlie: Loved getting to see her be all demon-y, I've been waiting all season. Also loved her and the cannibals (especially Rosie!!!). So glad she got to work w/ Luci to protect the hotel <333 She and Vaggie are adorable too.

Vaggie: I really enjoyed watching her and Carmilla's song, that was cool. Protecting her girlfriend, very cute. I liked seeing her and Lute have that little face-off.

Husk: Sad that we didn't get to see much of him, but I get it. His interactions with the others were sweet (especially Angel). I loved the one line he got to sing on his own in that last song of episode 8. 😍

Angel: Ngl I am very glad he wasn't the one to die. It would've been a fun little "oh crap" moment but I really didn't want to be right. He's still got business down there. His interactions with the others here are everything to me, and he's just grown so much and aaaaaa. It's lovely to see! I love him more and more with every episode.

Niffty: YOU GO, GIRL!!!! Love to see the stabbing. I also really loved the...one line Nifty got. Kimiko Glenn's voice is a gift, I freaked out over getting to hear one line. Anyway. not much else to say other than I definitely thought it was Alastor doing a big "oh look, I'm alive!" thing when Adam got stabbed, but I was pleasantly surprised.

Cherri Bomb/Sir P: I was surprised, to say the least, when Cherri and Sir P had that little moment. Glad they got it before he went and DIED. Cherri is such a good friend to Angel and she's great. Now, onto Sir P...WOW, OKAY. Glad we know Charlie's plan isn't completely stupid. Wonder how Sera's gonna react to him being there now, lol.

The Vees: FIRST OFF, VOX?????? "This is better than sex!" 💀💀💀 Truly was not expecting to see as much of the Vees as we did. Not complaining though. It was...interesting...to say the least, watching Vox get as excited as he did over the prospect of Al dying (still as obsessed as ever, fr). Not at all surprised to see Val and Vox have a thing going, I figured from the interactions we've seen so far. Them dancing together was silly, them practically making out was less so 😃. Also, gotta continue the love for Velvette--putting up with these two idiots must take a lot. Also also, her HAIR! HER HAIR!! EEEEE

Lucifer: I reallllyyyyyy enjoyed seeing Luci make a return to help Charlie, even if it was in one of those "last-minute saves" that I usually hate. Idk, makes sense here I guess because he's probably always watching over Charlie some way. ALSO LUCI AND CHARLIE GOING ALL DEMON-Y TOGETHER WAS <33333333 I really loved him starting off that last song in episode 8, and telling Charlie that he believes in her. It was so sweet. I love Luci sm, hoping he becomes a more integral part of the crew in s2.

Adam/Lute/Lilith: HAHA HOW DOES IT FEEL TO LOSE??? Lute got what she deserved with the whole...arm thing. ALSO WHAT--JUST GONNA CASUALLY DROP LILITH IN HERE NOW? Sure, fine, whatever, totally cool. Not sure how to feel about Lilith atm so moving on. I dunno why I was so shocked upon seeing Adam's face. I guess I expected him to...not look as good as he does? Also so upset that he broke Al's staff. How rude. He sucks.

Rosie: Not how I expected her to sound, but I'm most certainly not disappointed. I don't have much to say other than I loved literally everything about her. No complaints--at least not yet ig, need to go back and rewatch the episodes critically. Her and Alastor is everything to me, and seeing them dance was <333333 I cannot express my excitement over it enough.

Alastor: Saved him for last because yes. If I wasn't limiting myself to a short paragraph for each, I'd be writing a whole essay just about Al, I swear....CANNOT believe what just happened omg. Not only did we get to see silly Al in episode 7, but we got to see scary (and scared) Al in episode 8. He's really freaking out, it's so entertaining! I'm so glad it wasn't him who died, I started getting a bit worried for a minute there....His relationship with Rosie is aaaaa, best of besties fr. Fighting Adam scene was glorious. Making Vox act like an idiot even when not trying was funny to watch (Vox's obsession with this guy is so silly). Him retreating sure was a move, but I'm glad he didn't get all stubborn and end up dying. Him ranting a bit in his section of the final song was so...AAAAAAA. Man is so scared, he looks stressed as can be. I need to see Alastor just have an external breakdown because he honestly feels like he's on the verge of one. 💀

Stopping for now before I go on a bigger rant than I already have. To those who read all this, I'm so sorry pfft. Feel free to leave a comment if there's something you wanna discuss (or, better yet, send one of those ask thingies. I do not have comments figured out yet...)

Anyway, have a good one <3

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the-unaligned · 7 months

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Bravern episode 8 spoilers

EP 8 Analysis

This is going to be super incoherent and is mostly just going to be me rambling but idc, I need to post this somewhere so it’s not ruminating in my head until I assault some random human with word vomit

So this is mostly going to be focus on episode 8 but I will touch back on previous episodes for references.

Anyways Episode 8 basically just confirmed the “Bravern is Smith” theory and I am so hype

What is the “Bravern is Smith” theory?

So the Bravern is Smith theory is a theory that.. well.. Bravern and Lewis Smith are the same person.

I’m not sure who started it but (I think) it started when the opening showed for the first time and we got to the scene of Smith’s arm becoming Bravern’s. From there it spiraled, more and more evidence pointing towards it, such as: Bravern knowing A LOT about Smith, Bravern making a lot of human pop culture references and speaking English interchangeably with Japanese (Smith does this too), Bravern being a super robot (Smith is a massive Super robot nerd) and a ton of other things

Episode 8:

Now we get into why I’m finally making a post about this, I’ve been following along with this theory since episode 2 and have been taking my notes on it but I never bothered posting about it anywhere

Why now?

Because episode 8 might’ve just confirmed it.

Let’s start with the opening:

So this right here is the catalyst that started this all, Smith’s arm turning into Bravern’s. Now, we knew all that, but the one thing we never knew until now was “who tf is glowy bitch”

Well,

I think is Knuth

“But why her? She looks nothing like the silhouette”

Look here, she has plates of armor that highly resemble two pairs of wings. Who else has two pairs of wings? The silhouette. Same placement and everything. I think the silhouette is meant to be vague, as to not tip the viewer off right away that the silhouette is a deathdrive.

We’ll come back to this later, I need to talk about Bravern’s lines during this episode.

I’m not entirely sure how to explain it but this line will be important later, for now it’s just more Super Robot inspirational speech

Right here is the important line, the title of the episode (which is what tipped me and a lot of other people off to Smith dying) and the last thing Bravern says to him. Now normally when entering a battlefield, you’d tell your comrade “Good luck”, “Until we meet again” makes it seem like someone will die, this is a line usually used when you’re not sure when you’ll see someone again. Bravern used this because he knew what was going to happen to Smith, and either he can’t stop it, or he doesn’t want to.

Bravern knows because he has gone through this before, as Smith.

That is likely why he told Smith to “save as many people as he can”, likely because when he went through this, a lot of people died

(This ties into my own branch of the theory where Bravern has already gone through all of this before and went back in time to change the outcome)

Now during the fight, Bravern isn’t really focused, he’s taking hits he’d normally be able to dodge and isn’t really rushing like he usually does. I think it’s because he’s trying to stall, trying to keep Isami away from Knuth and Smith so their fight can happen, either that or he’s distracted due to knowing what’s happening not that far away (or it could be both)

Before we get to this next part I wanna point out a quote I noticed during the episode from Knuth. I can’t find it just by scrolling and I’d rewatch the full episode to find it but Tumblr is lagging like hell and burning through my battery so I can’t

At one point Knuth mentioned something about fusing with Smith, this might mean that Knuth’s body ends up being the base for Bravern, but im still not 100% sure about that, just thought I’d add that. If she is the base and Bravern did in fact go back in time, this would make sense as Knuth had mentioned that she had gone back in time a few times

Now we get to focus on the important part of the episode, Smith’s death. Let’s just start listing off things to pay attention to.

(I reached the photo limit oops)

- Smith is humming his own theme song as he charges Knuth, Bravern sings his own theme song and blasts it whenever he fights

- He straight up says “Brave Slash” as he strikes Knuth

-Smith talks DIRECTLY INTO ISAMI’S MIND and says the following quote: “Isami. Isami. Brave. Brave… Bang.” And we all know why that’s important, the title of the show is literally “Bang Brave Bang Bravern”

There are still some questions, like “how was Smith able to use telepathy?” “How exactly is Bravern created?” “Is Bravern truly a fusion between Smith and Knuth?”

I know this probably makes zero sense but I need to get this out somewhere

Thanks for coming to my TedTalk (holy shit it’s so laggy)

Edit: I forgot to mention it but the foreshadowing for Smith’s death was so obvious, legit in his introduction Isami legit goes “You’re dead, the dead don’t talk” so uhh called it lmao

#bang brave bang bravern #bravern spoilers #Bravern #idk how to tag this

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bananashakepython · 1 month

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late to kakyoin month day 27 because my Foolish ass decided to do one drawing for each prompt. and then i hurt my hand (which is fine now) which made it take longer. and then i rewatched stone ocean the second time this year and had to recover (which made it take longer). but at last! i have drawings

they're under the cut because i'm going to explain each one (loosely and incoherently) so it'll be long :^)

@kakyoinmonth day 27 - job/career/hobby

job

feel like way back in his college days rooming with jotaro he'd be a freelance artist just to keep some money coming in. not that they necessarily need it, bc i mean jotaro's family is the most loaded lineage on jojo planet earth, but i feel like kakyoin would be indignant about it and insist on making/using his own. he's not one to be coddled or anything even if jotaro wants to pay for him in a genuine way and not in a "oh you poor thing >.<" way. ESPECIALLY with important expenses

2. career

honestly so hard to make a decision here because wtf. wtf would he pursue. he likes so many things and is interested in so many things. but i thought about it as hard as i could for as long as i could and decided: he would basically have whatever job jotaro has in the speedwagon foundation. an extremely important investigator, a stand-user they can call on in times of need. because i mean sure, he could take a normal job, but would people in that job truly get him the way the crusaders/other stand users get him? in the way the speedwagon foundation gets him? because the foundation KNOWS about stands and stuff. they'd understand as much as they are able and accommodate him and i feel he'd appreciate that

HOWEVER! i think he would be like jotaro again in the sense that he's like, an art professor or a video game designer, and then a stand-using foundation member in secret. like how jotaro is serious as a marine biologist but also serious as a foundation member, and poses as only one of the two to keep himself and his loved ones safe. they'd look like normal (""normal"") people on the outside and in reality they are both detectives with punching ghosts AND are professors at the same time

couldn't decide on either art professor or video game designer. or some other unknown job that would probably also suit him that i can't think of. so it's just ambiguous or he manages to be both

3. hobby

okay. as you can see my art style went through a bit of a change (no idea if it's permanent or not, it has a mind of its own). and also there's two versions because i couldn't decide which one is funnier.

i need not explain his hobby you already know he's slamming his keyboards into pieces over his knee and screaming into his xbox mic and spam reporting people for cheating 800 consecutive times and typing on a rainbow keyboard with cat ear headphones

#my third stone ocean watch killed me so hard that i spawned a new art style #jotakak if you want it to be #kakyoin month 2024 #kakyoin #noriaki kakyoin #jotaro kujo #stardust crusaders #part 3 #jojo no kimyou na bouken #jojo's bizarre adventure #jjba #my art

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cloveroctobers · 7 months

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FEBRUARY FLUFF — JUAN “JUICE” ORTIZ.

A/N: Juice was always my man when it came to SOA and I’ll forever be traumatized and bitter over his storyline + how he was treated. That’s probably one of the reasons why I’ll never do a rewatch tbfh. In my mind he’s thriving and I’ve always wanted happiness for him and that’s what he’s gonna get here! Also my first time ever writing for this man so go easy on me although this is more HC (my version) form. Have a happy love day whether it’s with a significant other, family, friends, or just yourself! know that you’re always worthy and capable of receiving and giving love and not just on this one day of the year 🩷🫡

PROMPTS ARE FROM HERE + I’m using: 19. "can i see your hand?" / "sure, why?" / "so i can see how well it fits with mine." + 35. "let's take a stupid walk for our stupid mental health!"

જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩

When you got word from your mother that Juan was back in town for good, you had to see so for yourself.

January’s always been gloomy but when you came face to face with the man you haven’t seen in years at the front door of his mother’s, you wanted to collapse but managed to keep your composure.

Juan’s sad but somewhat still warm eyes are unsure at first, taking in your facial expression but you clear his concerns as you’re yanking him tightly to your body in a tender embrace.

And he feels like he might just break down himself in your arms.

You were just what he needed.

The both of you had to make up for lost time and Juan had to keep convincing you that he wasn’t going anywhere.

Things didn’t work out in his favor in California (little did you know, he barely made it out alive) and Juan never wanted you to visit, although your older brother and his girlfriend, Saskia lived out there—which means you took trips but in a sense you learned to accept that was Juan’s way of protecting you from the demons that latched onto his soul.

You couldn’t take it personally since Ms. Hilda, his mother never visited either but spoke to him every couple of months—which may have been hard or if not harder for her.

Although the both of your mother’s were good friends that didn’t mean the both of you didn’t have your share of childhood trauma’s (because of them) that bled into your adulthood.

Nonetheless the both of you spent a month reconnecting, taking each day by day as it took to rebuild a friendship.

It felt right having Juan back in your life and he can honestly say the same.

“I never knew how much I missed you until I saw your face again,” he said to you over the phone one night.

Juan’s always been a sweetheart and never had an issue expressing his love for you to the point many kids back in school questioned if you were dating.

It never happened but that didn’t mean Juan didn’t want it to yet you found yourself in a few relationships here and there. Which was brought up by your mother during a birthday dinner for your brother (who was visiting) that February.

“I find it hard to believe that you’re still single. I mean hell, when is anybody going to give me a grandchild?” Your mother chatted over a glass of Cabernet playfully glaring at your brother who cleared his throat before setting her eyes back on you, “You know I saw Marlon just the other day?”

You fought the urge to roll your eyes at this. You’ve only been at the table for ten minutes, supposedly going over the menu and yet here your mother was worrying about children and your love life.

And she just had to bring your college ex into it.

“Really,” you gave faux interest as you viewed the entrees.

“Mhm. He’s been divorced for a few years now and he’s single. I even showed him a picture of you to see if he remembered you. He laughed about it and said he thought you were with Juan now.”

Your brother is coughing now on his own drink and his girlfriend of four years is patting him on the back.

Glancing to your right you stare at Juan rubbing at his face in thought, who mentally seemed to be having a tough day today. He stayed at your house last night and apologized over breakfast about how he got into these dark moods.

You assured him that he didn’t have to apologize for his feelings. Asking if he wanted to be your plus one tonight, only if it was up for it.

He’d push through it for you because he was devoted to being near you as much as possible since he didn’t want to lose anymore time with his best friend.

How would Marlon assume this? You’re turning back to your mother now, furrowed brows while you reply, “why did he think that?”

“He said he saw the both of you running around the park together. He wanted to say hi but you and Juan seemed to be racing and he didn’t want to interrupt.” Your mother informs, staring at you two underneath her eyelashes with her lips moving back to the rim of her glass.

This didn’t make you feel any sort of way because you also haven’t seen Marlon in years either. You weren’t really checking for him but—the breakup didnt turn sour—it was mutual! however it was interesting to see different perspectives on how people viewed you and Juan.

Juan was gone from New York by the time you both reached your early twenties and by then you were still with Marlon. Juan would visit up at school and hung out with you two a couple of times! even when Marlon tried to put him onto some college girls…there was a part of Juan that felt like he was guilty of something.

Even when he engaged in activities—sure it may have felt great in the moment but he always ended up feeling like shit since he wanted it to be you.

So yes you were part of the reason why he got out of New York and to find a better sense of direction for himself.

You’re shrugging your shoulders redirecting the conversation, “well..I’m sorry things didn’t work out with his wife.”

“Are you?”

“Mom! Chill.” Your brother stepped in which you were somewhat thankful for. Why were you always getting shit on when you knew it was on the tip of your mother’s tongue that your brother “should” be thinking about marriage since she hinted at you once before during your girl’s day.

Although you and your dad both were aware that your brother didn’t want to get married.

“I’m just saying you should think about it or what about that guy from high school? The funny looking one.”

“They were both goofy to me. Especially Stu.” Your brother snorted while you shielded your middle finger from your mother to direct at your sibling.

Your first boyfriend was senior year and he cheated on you with a redhead because he got dumped prior to asking you out. It made sense to him but definitely not to you.

Yeah that’s highschool stupidity for you!

Juan shuddered at the mention of your first boyfriend, “man that guy? He was ridiculously obnoxious in and outside of class and hung out with that other guy…the one who gave me serious serial killer vibes.”

“You did always say that,” you laughed to yourself and couldn’t deny it. You never wanted to be alone with Stu’s best friend at the time, the way his dark eyes bored into yours always made you feel uneasy.

“He’s harmless!” Stu would persuade you before always leaving you with him for at least a minute or two.

Your mother pried, “Well where is he now?”

“Hell if I know? Probably married to another redhead with three or four kids? Still possibly cheating? What is this, a walk down memory lane?”

Juan could sense you were getting agitated about this and placed his hand right above your knee which made you exhale.

Your mother is raising her hands, “I’m just looking out for you and your brother’s happiness. That’s all.”

“I am happy. Go dig in his business then, it’s his birthday anyway.” You suggested while your mother just scoffed.

Raising your brows, your mother continued knowing that you were always ready to challenge her, “I will but when’s the last time you’ve been in a serious relationship?”

“Are you the expert when it comes to relationships now? You waited six months after the divorce from dad to get married to someone else. You settled for dad’s bullshit for years and now suddenly you want to micromanage what goes on in mine? Are you keeping this same energy with your step kids?”

Your brother is calling your name as a warning now but you couldn’t lie and say you weren’t triggered.

growing up having your mother constantly in your ear saying to you, “you’ll never get a bf because of xyz.” Simply from little stupid things you would do as a pre-teen to teenage years was damaging because you were just an insecure kid not worrying about romantic relationships in the slightest. Although you had a mother who seemed to be more concerned about the male gaze for you.

So what if your room got messy? So what if there were days where you didn’t want to be bothered with your hair? Or was too much in grown folks business when your mother would gossip on the phone about inappropriate subjects right in front of you! while also bringing up all of your business to her friends or family members like some sort of humiliation tactic and then never taking your emotions into account when you voiced your discomfort?

Don’t get it wrong, of course you had love for your mother but you couldn’t erase what was said and done. A list of things that still stuck with you and things that you should perhaps just “let go of,” yet she still felt comfortable to talk about your love life like you were some low self-esteem kid.

You never had that relationship where you felt safe to share anything with your mother because of her critiques.

“Hold on now, I’m just trying to make conversation—

“You don’t need to. Not when it comes with an opinion i never asked for to match.”

Then comes the tears and Saskia is tending to her, whisking your mother away to the bathroom with her crying to Sas about how she, “tries to be a good mother and these are the things she gets.”

“Did you have to do this on my day?” Your brother sighs while your eyes are in slits.

“You and dad are the exact same, always expecting me to just take it. I don’t give a damn if it was Easter, if she’s coming at me then I’m going to let her know. I know she’ll always be mom but she refuses to ever see my side on anything.”

“Why does it have to be about sides? We’re family at the end of the day.”

The famous excuse for it all so it seems!

“And we must always be on some we are the world bullshit too, no matter what huh?”

Juan covers his snort at this, which earns him a look from your brother, leaving Juan to mumble out an apology.

It’s quiet for a moment as your brother tries to figure out how to make this okay but you don’t want to stick around to continue this dinner. In your eyes it felt ruined already.

Only seconds pass when you decide it’s best if you go. You’re on your feet, slipping back into your outerwear before wrapping an arm across your brother’s shoulders squeezing him as you peck his temple.

“Love you, mean it. I’ll take you out myself at another time.” You say as all your older brother can do is nod his head, briefly resting his hand on top of yours before you let go.

You’re peering at Juan who’s still seated and say, “want to take a walk with me?”

“Sure, whatever you want, yeah!” He sits up before grabbing his beanie and jacket, “I don’t care.”

You quickly begin to walk off before your sas and your mom come back, sending a silent message to your old friend that you’ll be outside.

Your brother tells Juan, “look after my sister, okay?”

“You got it,” Juan says, wishing the older man another birthday wish before making his way out to you.

The both of you are now walking side by side, enjoying the city’s lights and each other’s company.

“Thanks for coming with me. The longer I sat there getting into it with my mom the faster my brain was telling me to get the fuck out. I figured: let's take a stupid walk for our stupid mental health!"

Juan chuckles at this, “I know what you mean. I also had a disagreement with my sister too before I crashed at yours.”

That revealed just a dash about what led to Juan’s mood last night.

“Yeah?” Your eyes peep to the left of you at the beanie-wearing man, “You want to talk about it?”

It wasn’t much different with what went down with you and yours. Except Juan’s mother was the one to break it up and scold him for defending himself against his sister.

She still felt like he didn’t have himself together (despite the fact that he was now working at a mechanic shop and had a side tech gig at an outlet mall—paid under the table now! If you’re talking about his mental then that was a different story!) either and was the main one who told him not to go out to California. She begged him to stay and that began their estrangement.

His sister blamed him for his own unhappiness and if he would have stayed here maybe he wouldn’t have dealt with that darkness charming brought him.

Which hurt to hear.

He walks even closer to you now as he said, “nah, not really if that’s okay?”

“What?” You lightly bumped his shoulder, “Course it is, just know you can when you want to.”

He gives you a lopsided smile, “Thanks.”

You loop an arm around Juan’s waist, resting your head against his shoulder, as you blended into the city together.

Juan’s dreamed of times like these except you were miles apart but hearts still in sync.

The silence between you two lets you know that you’re both holding onto something so heavy but find that it doesn’t weigh as much when you’re both near each other.

By the time you’re making your way back to your side of town, one subway ride later and more miles to walk back to your place—the night feels like any normal routine.

Eventually the both of you fall into chatter and soft smiles as you continue your rest on the subway, head tucked underneath juice’s chin that his facial hair still pricks your thick hair but you don’t mind.

You’re both laughing about old times when you reach your 1975 raised ranch, half standing on the steps and you’re wiping the tears from the corner of your eyes, “you coming in?”

The last thing Juan wanted to do was head back to his ma’s side of town so a dip of his head was all that you needed, sending him a smile and a nudge of your head to welcome him back inside.

“We gotta eat something although you’re really not supposed to eat after seven…”Juan says to you after kicking off his shoes and heading straight from the main entrance pass the living room right to the kitchen.

“I forgot how much of a health freak you are.” You tease, hanging up your coats in the near by closet.

Juan’s mumbling to himself as he moves around the cut off kitchen, “And you need more fruits and veggies in here. What’s the point of having a juicer and having nothing to use it?”

“My common law sister in law? If you believe in that sort of thing! got it for me. It works as decoration,” You argued, “I can just go buy me a fruit or veggie juice.”

“And be wasteful of this beautiful gift?”

“If you want it, I’ll regift it to you for a belated Christmas gift then.” You sass, going to lean in the archway.

Juan shakes his head while he’s eyeing all the ingredients he’s laid out on the counter, “no point in doing that if I’m just going to be over here majority of the time anyway.”

“Oh is that right?”

“I mean…yeah…if you’re comfortable with that.”

You roll your eyes, “I’ll take you for as long as I can have you, Juanie and you know that.”

He casts a smile over his shoulder at you before waving his hand along formally towards the dining room, “have a seat. This won’t be anything extravagant since your selection of food kinda sucks…we’ll talk about that later but I need my work space clear.”

You saluted, “heard chef,” before you walked into the next room over.

Which leaves you to send off a text to your brother letting him know you both made it safe before choosing to browse social media.

The words of your mother did get into your head as you’re sitting here searching up your two exes and you laugh to yourself at how foolish you were being. You haven’t though about either of those two in a long time, not in the same way you thought about Juan nearly every day.

Yet here you were letting your mother get into your head again: about two men that didn’t hold meaning to your life now.

“Bon appetite.” Juan tells you after awhile, placing the plates down on the table and picking the seat right next to you.

“And what do we call this meal?”

“P.O. In 10. Which stands for: party’s over in ten minutes.”

You both stare at each other and let out a laugh, “how clever.”

A struggle meal of: ground turkey on ranch Doritos topped with cheese and left over black olives with a side of strawberry moscato was your dinner for that night and you didn’t dare complain.

Juan’s gone into one of his rapid conversations of one of his old friends, a guy named chibs that he would have loved for you to meet and of course you find it sweet that he still found someone to speak highly of when he’s vaguely told you that all was not well in charming.

“can i see your hand?" You suddenly ask the man who’s grown out his hair and sported facial hair that made him appear older.

Juan’s finishing off the last of his homemade nacho’s, stuffing his face but doesn’t hesistate as he places his smooth veiny but much larger one into yours, “sure, why?"

You’re tracing the lines of his palm and recall the time the both of you went to a palm reader on senior skip day for shits and giggles although Juan seemed to believe every word the lady said.

He said he had a great tía from Puerto Rico that he met once or twice who was very spiritual but different from a palm reader. His mother got pissed off when she brought her work to the house that one time when she was supposed to be looking after him and his sister.

That soon became Juan’s job.

You wondered about how these hands had to scrap their way through just to survive.

Then you explain, “so i can see how well it fits with mine." Before interlacing your right with his and Juan can’t help but to grin at you.

And there’s that boyish smile that spreads to the corners of his eyes that you can’t resist while he speaks with you, “You’re so cute, you’re corny. If you wanted to makeout, all you had to do was just say so.”

You don’t think about it, “alright, maybe I do.”

“What?! Don’t joke like that.” Juan’s eyes are wide now, ready to slip his hand right from yours.

“I’m not.” You lift your shoulders as Juan sits back in the chair with a sigh.

Juan’s staring at you with a curiosity that makes you want to look away but you can’t.

“What if all we needed was to just be honest with ourselves and look at what’s directly in front of us.”

“…I don’t follow.”

“Us, Juan! I always felt like i was waiting for something, even with the others after Stu and Marlon. There was always this pull and maybe that was you…and if this is all in my head just say that. You can tell me.”

Juan rubs at his face in thought. He already knew how he felt about you and how it never went away.

“No…it’s not all in your head. I don’t know if you know this but…you’ve always been it for me and I—learned to be okay with just being your best friend since that’s what you always wanted from me. I thought moving across the country was the answer but that only hurt us more.”

“Part of me felt like you didn’t care who I was with. You just took it for what it was.”

“You’re so wrong,” Juan scoffed out some laughter, “I just wanted you be happy and not be selfish about wishing it was me that got to do everything with you all the time. They took my space.”

You instantly reply, “Never could.”

“No?”

“No, blockhead.” You lightly grip and shake his shoulders.

“Now we’re down to the insults I see.”

You shrug with a smirk, “Let me kiss you…just to see.”

“See what?” Juan felt his heart hammering in his chest now, “That we’re completely in love with each other? A kiss won’t tell me what I don’t already know, babe.”

A scrunch of your nose is present, “Not you sounding like you don’t want to kiss me—

“What—no—

Sighing you got up from the chair and plopped right down in Juan’s lap, wrapping your arms across his shoulders and staring into his eyes that softened as they settled on your close proximity.

“You smell nice,” he awkwardly says, carefully placing his hands right down on your hip.

You laugh as you move your hands to cup his face, lightly caressing your thumbs over his facial hair, looking at his lips and then back to his eyes before you lean forward to place your lips right on his.

His hands tighten around you but his shoulders seem to relax. Juan can’t hold back the moan in the back of his throat that escapes his parted lips but that doesn’t stop him from kissing you back.

There’s tongue in there somewhere in the mix and the hold the both of you have on each other is enough to erase the miles that were once placed between you.

His hooked nose brushes against yours as you pull back, eyes closed and trying to catch your breath. His forehead rests against yours and Juan has to clear his throat and blink several times in hopes of getting rid of the static that sits in the center of his bottom lip.

“Wow,” he exhales with a grin while you’re playing with the strand of curls at the back of his head.

A satisfied smile is on your face, “What was that shit you were talking?”

“I wasn’t talking shit,” Juan frowns, “I was just saying that my heart already knows what it wants without putting my lips on yours. I loved you the moment your mom forced you to be my friend.”

You shake your head with a smile, “that didn’t take much force, Ortiz. I always thought you could be the one.”

“And…you never said anything why? That would have saved us a lot of time!”

You shrug, “I think our love story is meant to start now.”

“Nope it’s been a W.I.P. but now the progress is actually progressing…”

You squint, “With both of us tasting like Doritos and strawberry wine?”

“If it makes sense to mother universe then who am I to argue with her?”

“At least one of us gets it then.” You kiss his cheek and go to move off his lap but he yanks you right back, burying his face into the crook of your neck.

“Yeah, that maybe love’s always got our back in the end.”

“So…that’s what’s poking me right now?”

Juan feels his face burn, “Sorry—I—couldn’t help it.”

“I could—

“No. Nope. Not yet, let me just hold you and get used to the fact that I get to kiss you from now on. If…we get to labeling each other that is.”

“You want to be mine, Ortiz?”

“Don’t tell me you can’t tell.” He groans pressing his forehead into your shoulder leaving you laughing.

“Only if I get to be yours.”

“Fuck yeah!”

You nuzzle your face against his profile as you hum, “I’ll love you even more for the rest of my life Juan Carlos Ortiz…sounds like a plan?”

And he feels his heart swell at that, knowing that he didn’t have to be alone anymore the longer he had you in his arms.

“Sounds like the best plan, yet. And I love you too, so much.” He gently says into your ear before you turn to him again, capturing his lips once more.

જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩 જ⁀➴ᡣ𐭩

February fluff anthology series continues here.

#Spotify #queued #SOA #sons of anarchy #juan juice ortiz #juice ortiz #juice ortiz x reader #Juan Carlos Ortiz #Juan Carlos juice Ortiz #theo rossi #February fluff #february prompts

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scoobydoodean · 8 months

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ok so I deeply love and respect your thoughts on supernatural because the majority of them line up with what I've been thinking for years but you said something the other day that I keep turning over in my brain and it was something along the lines of carver liking dean more than sam - I know you're in the middle of rewatching s4 but I would love to hear you expound on that (if you have time) because I remember being in the fandom while carvernatural was airing and it was pretty much when the deangirl exodus started. in fact I think people tore into him worse than dabb even 😭

feel free to hold onto this until later when you start the carver seasons if you wish :)

<3 I'll go ahead and answer this one, because it's more of a "broad strokes" thing for me, and I've been rewatching very slowly (on purpose) so that could be a very long wait.

This is so funny because I can just picture Sam fans reading it and turning red and their blood boiling with the fire of a thousand suns but the TL;DR is that season 8-11 (Carver era) broad strokes to me are:

Sam sucks and is a worse brother and person than Dean.

Sam spends the first two seasons of Carver's run thinking he's a better person than Dean anyway and then the second two knowing he sucks, deciding to embrace his moral flexibility to keep Dean alive no matter the cost, and trying to mend things.

Dean is circled by many potential suitors who also in a sense represent Sam replacements because Sam sucks: Benny, Cas, Crowley, and Amara.

Dean knows that Sam sucks and part of him wants to get tf away from him very badly but another part of him feels guilty for wanting that. Family is suffering. Family is a chain around your neck keeping you tied to them via guilt. (Demon Dean represents the desire for escape, as does Amara).

Everybody wants to be with Dean, be Dean, and/or be loved by Dean. Dean is love. Dean is the world. Dean is the reason for existing. Everybody is lovesick about him. Sam is just there.

Sam needs to stop blaming Dean for so many things and learn to own his own choices.

That was fun to write down.

Longer commentary/explanation below the cut.

Season 8 (Carver's first season) literally begins with a Sam character assassination. It begins with us learning that Sam knowingly left Kevin to spend the rest of his life kidnapped and tortured without even telling a soul what happened to him. Not only did he abandon Dean and Cas as well but he didn't even look for them, and refuses to give a satisfying answer as to why.

Season 8 Sam's abandonment as distinct from previous behavior

I have had people this year who I love and respect tell me they don't view this as a character assassination and say they believe this is in character for Sam. I simply do not agree with that. I talk about this as it relates to Kevin here.

Sam has displayed selfishness and a big ego at many points in the series up to season 8. He's told a lot of lies (sometimes to the point of gaslighting), he's gone behind Dean's back to do things that affect Dean's life, he's taken traumatic experiences Dean opened up to him about and ultimately harmed Dean with them, he's shown resentments and anger, he's displayed jealousy, he's displayed a sense of superiority. He has never abandoned his brother to die without even trying. The Sam of season 3 would eviscerate season 8 Sam for this.

Sometimes Sam says and does things he shouldn't, but his crimes do not include "abandoning Dean to die without even looking for him" up to season 8. Many of his crimes happen at least partly because he really really doesn't want Dean to die or is desperate to save his life. He lets go of his anger at John and returns to make sure Dean is safe in 1.11. He refuses to give up and finds a way to save Dean in 1.12. In 1.22, he's willing to put John's life at risk for revenge, but in 2.01 he gets into an outright screaming match with John in the hospital under the belief that John's prioritizing the demon over Dean. Sam spends all of season 3 raging and angst-ing about not being able to save Dean to the point of considering and doing some shady as hell things/abandoning some of his more stalwart moral stances (3.05, 3.11, 3.15, 3.16). Dean's death and later, the desire to secure his safety/future, is one of the catalysts for Sam's descent into drinking demon blood (3.09, 3.16, 4.04, 4.09, 4.12). When he dies in "Swan Song", he urges Dean to pursue a normal, safe, life because he knows that at that point in time, Dean wants to get out but has always felt trapped (2.09, 2.10, 2.20, 3.01, 4.12, 4.16). Even Soulless Sam (who isn't the same as regular Sam) tried to look for Dean in 6.09 "Clap Your Hands If You Believe"—it was simply that when leads for the night dried up, he hooked up with someone because he had nothing more to go on and in soulless Sam's head that was the reasonable thing to do. But soulless Sam also certainly isn't representative of the real Sam—the fact that he doesn't care as much is supposed to point us to differences between him and regular Sam. Season 8 opens with Sam abandoning Dean in a context that makes him arguably worse than his soulless self.

(I talk about why Sam actually abandons everyone in season 8 in a very long post here).

Season 8 and 9 more broadly

So Carver has Sam abandon Dean to die without even trying. Then he has Sam refuse to give any kind of actually reasonable explanation that makes sense to anyone who was paying attention. Then he has Sam say that he's going to leave the life and Dean needs to get over it and accept that Sam's new life will not include contact with Dean (just like his life at Stanford didn't). While saying he's going to leave, he still wants to exert control over Dean's relationships and leverages the threat of leaving (as if he were going to stay) to get Dean to shut up about Sam abandoning him and then again to try and get Dean to cut ties with Benny. He wants to kill Benny before knowing a single thing about him. He assigns someone (Martin) who he knows is mentally unstable and has a more black and white perception of monsters to track Benny and gets Martin killed. He watches Martin knock Dean unconscious and chain him up in a room and doesn't stop it because he wants Benny dead that bad, but then has the audacity to act as if Dean sending him a fake text is worse than Sam literally chaining him up in a room to prevent Sam from killing an innocent person (someone Sam would normally—btw—defend based on episodes like 2.03 and 4.04 or even a few episodes ago with Kate in "Bitten"). He tells Amelia he wants to fight for their relationship then the moment Dan says they should leave the choice to Amelia, he leaves so that it becomes his choice, and then he returns for one episode just to be a homewrecker. He insists on doing The Trials while promising to survive them and giving a big speech about how he's going to save Dean from his own suicidal ideation and then drops the promise as if it never existed two episodes later. Sam loses confidence in himself to complete The Trials and then acts like Dean is the one who doesn't believe in him because Dean is caring for him and insisting he rest and this is an unforgivable offense. At the end of the season, he basically says he's going to commit suicide because Dean has friends besides him. He acts as if he deserves to be Dean's most trusted confidant after an entire season of him being an absolutely fucking terrible brother and acts like Dean is just a big meanie whose feelings are irrational.

After all of this, he has the audacity, in season 9, to suggest that Dean is a bad person who can't stand the thought of being alone. He tells Dean he's the worst person ever and they can only be work partners from now on because Dean is so so bad and evil for stopping him from committing suicide and then not telling him about Gadreel. At the end of the season he admits this was a lie. He just wanted to punish Dean (9.23).

I can see how—if you were watching live at the time (I started watching when season 11 was airing) you'd lose hope. You'd quit the show over all of this, because it seems to go on forever. It's like torture. I would drop kick season 8 Sam into a pit full of lava without hesitation so I get it. If I believed that Carver was actually saying "Yes so true Dean is The Worst™️ and Sam is morally superior <3" for two seasons straight I'd quit the show too. But that isn't what he's saying. We're supposed to read between the lines and realize how unbelievably full of shit Sam is—how deeply selfish and hypocritical he's being. How yes—Dean has made mistakes—but Sam is NOT a better person than him and has gotten away with some absolutely rancid garbage. And season 10 and 11 go on to beat you over the head with it if you didn't get it the first time.

Season 10 and 11

Season 10 opens with this dialogue from a demon:

I heard the rumors. I said "no, that can't be." A Winchester, one of us? But it's true, isn't it? Whatever soul you had; whatever boy scout code you cuddled up to at night; it's all gone. Leaving what? Look at you!

We're meant to think she's talking about Dean who just woke up with black eyes, but then the camera cuts to Sam torturing her, demanding to know where Dean is.

In 10.03, we learn that Sam talked a man (Lester) into selling his soul so he could use him as bait. Demon Dean ends up being assigned to fulfill Lester's deal (to kill his wife for cheating on him). Dean immediately clocks Lester as having cheated on her first and kills Lester for being an insufferable hypocrite... and while he's doing it, I'm pretty sure he's also thinking of Sam's flaming hypocrisy.

SAM: I never meant— DEMON DEAN: Who cares what you meant?! That line that we thought was so clear between us and the things that we hunted, ain’t so clear is it? Wow. You might actually be worse than me! I mean, you took a guy at his lowest, used him, and it cost him his life and his soul. Nice work.

NOTE: 10.03 also recalls 4.21—an episode Sam fans have always tended to emphasize as a "Dean crime" episode where Dean risks Sam's death to force a detox. Sam does the reverse—pumping Dean full of human blood here in 10.03 and explicitly risking his death.

Sam gets Suzie killed in "The Werther Project" while searching for The Book of the Damned.

SAM I’m sorry, okay? I’m so sorry. SUZIE Lot of good “sorry” does me. Look at me. Look….at….me. [She points to her corpse.] There she is. The first casualty of your misguided mission. But what’s another human life to you? Anything’s worth it, as long as you two make it out alive. And how’s that search going? Any closer to a cure? SAM This isn’t real. You’re not real. SUZIE You think Dean’s the wild card, the loose cannon. But don’t you see? Making deals with witches, opening Pandora’s box down there? You’re the reckless one. You’ll do anything to keep clinging to that doomed brother of yours. How many more will die, Sammy? You know it. You have to be stopped. And the only one who can stop you is you!

A few episodes later, Sam orders Oskar's death for a spell to remove the Mark of Cain. I've seen hilarious posts before about how he had no choice but to do this because MoC Dean is so scawy and bad but that quite explicitly is not his motivation. They could have done so many other things. Throw him into space. Bury him in a really deep hole. Put him in something like The Cage. But Sam didn't like any of those options, because all of them meant being without his brother, and he's realized he doesn't want to be without him no matter the cost (10.18).

SAM So, awhile back, we had a chance to, um…close the gates of Hell. And in order to do that, I would’ve had to die. And, I was okay with that, and I am okay with that, but Dean was not. And so, he uh… CHARLIE He saved you. SAM Yeah, he saved me. CHARLIE And let me guess, in doing so, he did something you didn’t want, and that pissed you off. And you said something that hurt him? SAM Yeah, that sounds about right. [...] SAM You know, when Dean came to get me at school, I-I told myself… one last job, you know? One more job. And then when – when I, um…. When I lost Jess, I, again, told myself one more job. There’s always one more job, you know? And one more job, and one more job, and then I was gonna go back to law and – and to my life. CHARLIE You were the Dread Pirate Roberts of hunting. SAM Yeah. I guess I really understand now that….this is my life. I love it. But I can’t do it without my brother. I don’t want to do it without my brother. And if he’s gone, then I don’t…. CHARLIE I got it. I-I do.

This all culminates in 10.23, where a very mentally unstable MoC Dean attempts to reason with Sam about them both being evil and needing to take themselves out:

DEAN: Remember when we were in that church, making Crowley human, about to close the Gates of Hell? Well, you sure as hell were ready to die for the greater good then. SAM: Yeah, and, Dean, you pulled me back. DEAN: And I was wrong. You were right, Sam. You knew that this world would be better without us in it. SAM: No, no, no, wait a second. You're twisting my words here, Dean. DEAN: Why? Because we -- we track evil and kill it? The family business? Is that it? Look at the tape, Sam. Evil tracks us. And it nukes everything in our vicinity -- our family, our friends. It's time we put a proper name to what we really are and we deal with it. SAM: Wait a second. We are not evil. Listen... We're far from perfect, but we are good. That thing on your arm is evil, but not you, not me. DEAN: I let Rudy die. How was that not evil? I know what I am, Sam. But who were you when you --when you drove that man to sell his soul... Or when you bullied Charlie into getting herself killed? And to what end? A-a good end? A just end? To remove the Mark no matter what the consequences? Sam, how is that not evil? I have this thing on my arm, and you're willing to let the Darkness into the world. SAM: You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way.

Dean is saying a lot of shady shit here, but some of what he's saying... isn't wrong?

Sam is willing to let The Darkness destroy the world, and he does, and then standing in the aftermath of a town being destroyed by the force he unleashed, Sam says:

SAM: I unleashed a force on this world that could destroy it . . . to save you. DEAN: And I told you not to. SAM: And I'd do it again. In a second, I would do it again.

Thousands of people are dying and Sam says he would do it again. This post about Sam's actions versus Dean stopping Sam from closing the gates of hell is highly relevant.

Season 11 continues with Sam taking a little more responsibility for his own decisions, while praying for Dean to live (11.02):

SAM: So . . . I know it's been a long time, but . . . Dean and I, we've -- we've been through a lot of bad. But this is different. This is my fault, and I don't know how to fix it. And if I have to die, I've made my peace with that, but . . . Please. Dean deserves better. Dean deserves a life. There are people out there, good people, who are going to suffer because of me, and I am not asking you to clean up my mess. Hell, I don't even know if you're out there, but . . . If you are . . . And if you can hear me, I, um . . . We need your help, God. We need to know there's hope. We need a sign.

And then there's the VERY long-awaited apology:

SAM When I was with Lucifer, he, um... He showed me things. It was like a highlight reel of my biggest failures. DEAN Yeah, he was messing with you. That's what he does. SAM Give me a sec. I should've looked for you. When you were in Purgatory, I... I should've turned over every stone.

Family (Sam) as chains

While all of this is happening, we also have Benny and Cas and Crowley and Amara.

Benny is contrast—someone whose goodness and selfless loyalty only makes Sam's horrible flaws stand out more sharply in season 8. Under the influence of the specter, Dean says, "Benny has been more of a brother to me this past year than you have ever been" and Sam can't stand it. It haunts him so bad he tries to kill Benny, and can't get over it even after the end of the season when Benny is fucking dead. He is unable to accept that the contrast between himself and Benny is his own fault.

Crowley and Dean's flirtations begin in season 9, as Sam suffocates Dean, and at the end of the season, Crowley has literally convinced Dean to run away with him. In 10.01, there is a delightful phone call where Crowley rubs it in Sam's face that Dean is with HIM:

SAM I don't know how you did this, what kind of... Black-magic stunt you pulled, but hear me --I will save my brother or die trying. CROWLEY You know what tickles me about all this? It's what's really eating you up. You don't care that he's a demon. Heck, you've been a demon. We've all been demons. No, it's that he's with me and he's having the time of his life. You can't stand the fact that he's mine. SAM He's not your pet. CROWLEY My pet? He's my best friend, my partner in crime. They'll write songs about us, graphic novels. “The Misadventures of Growley and Squirrel." Dean Winchester completes me, and that's what makes you lose your chickens.

It's this cruel callback to Sam's jealousy of Benny and Cas in season 8—how Crowley convinced Dean to finally ditch his smothering, controlling brat of little brother who can't stand him having friends, and now Dean is having the time of his life howling at the moon. The problem is, Dean also feels a little bit like maybe Crowley wants to control him too, and that isn't working for him.

Amara in season 11 goes on to further speak on terrible brothers who think they're better than you, who leave you betrayed and diminished, who abandon you. She's raging against the concept of family as chains—she wants revenge... but all the while she's in pain because she still loves her brother. Amara's attraction to Dean is based on that commonality—what she feels is a shared experience and how she wants to cut the last remaining pieces of love she feels for her brother away so she can finally be free of the pain of him—and she doesn't care if she destroys everything—including herself—in the process. (See: Dean slowly losing his identity through the MoC arc). Sam and Dean's relationship is in rehab over this whole season though, and so Dean's role ends up being to convince Amara not to destroy herself—to instead do what Sam and Dean have done and make up and work on improving their relationship.

#writer disk horse #carver #mail #multiseason #season 8 #season 9 #season 10 #season 11 #sams moral compass #deans moral compass #amara #crowley #benny #charlie #family chains

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nofomogirl · 9 months

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One of many roots of ineffable husbands' misunderstandings

There are many reasons why the S2 finale took us by surprise so much, and one of them is that we gaslighted ourselves into believing that Aziraphale and Crowley understand each other on the deepest possible level.

They don't.

Because they never talk. Not openly. Not about things that really matter.

I'm sure they've made a plethora of accurate observations about each other over the millennia, yes, but at the same time missed just as many things and formed just as many wrong assumptions.

We know that now.

For the last five months, we've been collectively shattering the illusion (most of us, anyway), and today I wanted to add to that noble effort. Something occurred to me while I was working on another post and I think it deserves to be its own thing rather than a sidenote in another lengthy meta.

It's probably going to be an unpopular opinion, but here I go.

Crowley doesn't actually understand how Aziraphale makes decisions.

I was rewatching season 1 to confirm some things for my next analysis, as one normally does, and I had a minor epiphany about the scene where Aziraphale agrees to get involved in stopping Armageddon.

Let's recall how it went.

Crowley started listing things Aziraphale would lose along with Earth, and things he would have to endure in Heaven.

Aziraphale rejected his idea and tried to leave.

Crowley hooked Aziraphale back in by inviting him for lunch.

Crowley let Aziraphale enjoy his meal and relax.

Crowley bought himself more time by inviting himself over for drinks.

Crowley started giving more examples of things Aziraphale could enjoy on Earth that he wouldn't have in Heaven.

Crowley went on a rant on how nasty Armageddon would be.

Once more Crowley described just how miserable Aziraphale's life would be after Armageddon, for eternity.

Aziraphale cracked and admitted he didn't want Armageddon to happen. However, he insisted he could not disobey God's will.

Crowley pointed out that it might be God's plan for Armageddon to be prevented, that Aziraphale's duty as an angel was to stop whatever the demons were planning to do, and since right now they were planning to bring about Armageddon, he should stop that.

Aziraphale finally agreed and shook on it.

Until now I never questioned that it was a masterful temptation by temptation master Crowley and every stage was purposeful and absolutely necessary to achieve the final goal.

First Crowley made Aziraphale really want to prevent Armageddon and then helped him reframe the situation in a way that would allow the angel to do what he wanted. He gave him an excuse. A plausible deniability.

But what if that wasn't it?

What if what Crowley was actually doing was taking one approach after another until something finally worked? What if Aziraphale didn't really need any softening or priming, and Crowley had just wasted a whole day on ineffective tactics because he didn't know what would do the trick until he finally chanced upon it?

The more I thought about it the more convinced I was that that was the case, and right now I can't believe I was clinging so tightly to the idea that Crowley knew what he was doing with Aziraphale.

Because if he really did understand his angel as well as I used to believe, why would he be so unsuccessful at reaching him when it mattered the most?

A popular interpretation is that in those crucial moments, Crowley simply lacked time, and convincing Aziraphale always required time. When time was lacking Crowley's finesse was useless against the angel's stubbornness, so he failed.

I can see how that makes sense, but as I've said, personally, I changed my mind.

The interpretation I'm suggesting is that Aziraphale never needed all that much time to be convinced of something. It only took Crowley so much time because he was pushing his buttons blindly until something worked. Because he didn't know what the right one was, and when he had only one chance he would always push the wrong one.

So, how does Aziraphale make decisions?

He chooses what he thinks is right.

Yes, it can get rather complicated. On the one hand, he is heavily indoctrinated, and it impacts his judgment. He can just embrace the most ridiculous piece of celestial propaganda on occasion and stick to it stubbornly. On the other hand, we know that his sense of right and wrong isn't really tied to Heaven or even God. We know because we've seen choices he'd made in the Job minisode.

But while it may not be easy to predict what Aziraphale will deem right in any given situation, the fact remains that this is what it comes down to. This is what ultimately informs his choices, especially the big ones, and the most effective way to persuade Aziraphale to do something is by proving to him that it would be the right thing to do. Or that the other option wouldn't.

I don't think Crowley realizes it. And there's a good reason why.

A great many choices aren't about right and wrong. They're just choices between two equally neutral options. Sometimes two equally ambivalent options. Either way, not really moral choices.

The problem with Aziraphale is that while he's managing perfectly fine small morally neutral choices, he's not very good with big ones. I believe that he expects all big choices to be moral choices and he has trouble making them when they're not. I've seen quite a few posts here arguing that Aziraphale is incapable of choosing his own happiness for its own sake, and I wholeheartedly agree.

And Crowley doesn't understand it.

He's not that far off the mark when the choice really is a moral one. When he was trying to convince Aziraphale to the Arrangement his arguments were about how the end result would be the same, ie. how it wouldn't be wrong. When he was trying to convince Aziraphale to kill Adam, he was pointing out how it would save everybody.

But when the choice isn't inherently a moral one, he doesn't understand why it's difficult for Aziraphale.

And in the most dire situations, he doesn't understand he could maybe try and go this route.

#good omens #good omens 2 #good omens meta #crowley #aziraphale #ineffable husbands

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ninallthatjazz · 1 year

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I am rewatching Shadow and Bone and I have so many thoughts about the Kanej wound dressing scene in S2E3 dkwbjdorbr it's one of the best scenes in the show imo.

The hesitant way Kaz enters the room, like he knows exactly that it will be hard for him to see Inej hurt and, more importantly, angry at him. He looks at the floor for a second to gather his courage before he speaks.

Mirroring Kaz in the first episode, Inej senses his presence before he makes himself known. She goes still for a second, staring straight ahead, before resuming what she is doing.

The trembling in Inej's voice on the line "you are gambling with our lives" because she is so furious and hurt and can just not understand why Kaz is not his usual level-headed, cold-hearted, calculated self. Kaz can be cruel and detached, but she knows how to work with that, she knows him. This is uncharted territory, and it terrifies her, especially because she will be right back where she started if this goes wrong.

Kaz immediately turning away when Inej starts to take off her blouse (despite the layers she wears underneath). I am wondering if it's more for her sake or if he doesn't trust himself to keep his desire for her locked away in the dark corner of his heart where he usually keeps it buried.

Kaz fighting to get out the words "Pekka Rollins killed my brother", breathing heavily like speaking those words are enough to make him drown.

Inej looking at him with fire in her eyes and saying in the most eerily calm voice "then we destroy him". He gave her a reason, and this is all she needed to trust in him and fight by his side.

Kaz looking up at those words like he can't believe that he heard correctly, like he has to make sure the hope growing in him is grounded in reality.

The resolve in his eyes when he starts walking towards her, hand shaking when he silently asks her to give him the cloth so he can clean her wound.

Inej's stunned look at his face, trying to read the situation. Is Kaz Brekker trying to take care of me? In a situation that requires touch?

Her little gasp when the cloth makes contact with her skin. I don't think pain is the cause.

Kaz trying so hard, but still clenching his jaw like he is biting steel, breathing fast, feeling the water rise.

The look they share after "was there no one to protect you?" saying that no, they were both alone then. But they are not alone any longer.

Inej's little arched brow and casual tone when she asks "do I have one?" (a tell). She wants to know if he sees her, her, who tried to be invisible most of the time. Him immediately giving an answer.

Her asking him to be vulnerable with her in return. "what's yours?" whispered in the intimite air between them.

Kaz trying desperately to keep his armor on by deflecting with the limp. Immediately losing it when she keeps looking at him (looking at his mouth) telling her what she wants to know, he would tell her everything, if she just keeps looking at him like that..

Inej understanding even without him saying it (I want you), leaning into him.

I could rewatch this another 100 times and I would still find new things. Freddy and Amita deserve all the awards for this incredibly nuanced performance.

#i tried to find as many receipts as i could #if i knew how i would gif the whole scene #god #i love it #and then they go seperate ways to kick some ass #this episode is a win for them #*cries in kanej*#kaz brekker #inej ghafa #season 2 hit me in the face with all the kanej feels #shadow and bone (tv)#kanej #grishaverse #six of crows #freddy carter #amita suman #their acting is incredible

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pastafossa · 2 months

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hi pasta :) hope your week is going well so far !!

i dunno if you’ve spoken about this or been asked before (i apologise if you have) but i was just wondering how you always get matt’s characterisation so spot on?? if i didn’t know any better, i’d have thought you wrote the show. i can literally always picture him doing/saying the stuff you write <333

😭😭😭 This is like, an AMAZING compliment oh my god, thank you so much!

As for the question I'm not sure if I've talked about it before but ironically seeing it in my ask box triggered a discussion with sis. Like, I know there are folks who have a different take on Matt than mine. That's valid! So I don't want to be like... 'I did the research and delved and etc etc' because they do too. But eventually me and sis arrived at a conclusion that it's a few combos of things that makes Matt easy for me to click with:

A lot of psych classes in college that ironically I've used more for writing than anything else. This helped me understand some of how Matt's background of abandonment and trauma would potentially affect him and influence his coping techniques and behavior. I like learning psych stuff in general so that all wound up being an influence. I'll always recommend digging into this when working with characters!

I've watched Daredevil over and over and over and over and the more I've rewatched, the more I wind up picking up on new things and analyzing what Matt is thinking or feeling (bless Charlie for giving Matt so many little hints and fidgets and subtle touches of what Matt's internally feeling). This includes interviews, behind the scenes stuff, anything breaking down the why of Matt. I'm familiar with him at this point.

There are certain parts of Matt's character that I relate to incredibly strongly as a disabled person with chronic pain raised in the church, and also as someone who went through a long lonely period of depression where I felt very isolated, and then was afraid when I did finally make friends that they'd leave me. So. There's always an element with Matt that's like, 'ah I get it', this sense of resonation. I feel like that natural click with Matt really helped me when writing him, cause... been there, get the motivation, also dude needs to cry more and let that stress out, trust me.

This sounds weird but me and my sis love to break characters down, rip them apart to examine their insides. We love our favorite characters and talking about all their wholesome or badass elements, but we also gd love and have fun dissecting flaws, fuckups, the shadow self, character trauma, are they the asshole, is EVERYONE the asshole, what does this mean when he did this or that. The whole Pasta clan is immersed in that - Dad was a theatre major so got a lot of practice, Mom's loved lit forever, and we all have this tendency, so I got very comfortable very early with taking characters apart in a really honest way to figure out how and why they tick and what the writer/actor is trying to tell you. And since we've all seen Daredevil, and dad has also read a lot of the earlier comics, we've all more than once metaphorically laid Matt out on the table like a frog and dissected his character. I feel like having someone who's not only willing to talk about these layers with you, but also comfortable enough with you to kinda push back and go 'Or what if he was doing it because of this' or 'Ok yeah you love him but he was actually being the asshole here because *valid reason*' is important. Get you some allies who love to know why characters tick!

So basically lots of reading, really enjoying picking characters apart with fam, and familiarity, all mixed up in a bucket of 'Ooooh poor thing, I've been there and that was not fun. You really need therapy and maybe some antidepressants.'

#daredevil #basically i blame psychology courses and a family where we all like digging into characters and obsessive rewatches #and also the way i've been there if you subtract the Vigilante stuff #he is a very very special character to me that's helped me process a lot of my own shit and trauma #every once in a while as a writer you wind up finding a character that just... clicks #(in real life i'm frequently foggy tho i won't lie like that is my vibe on a good day)

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feelingpure · 11 months

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Fellow Travelers | The Orange Elephant in the Room

Alright, let's talk about it.

For those who've watched the available episodes of FT so far; I'm sure we've all noticed the citrus haze they all seem to be living in.

Especially if you've attempted to edit/GIF any portion of it. The struggle is real and I'm sure has inspired many colouring dilemmas.

And we're all asking "WHY?!".

Now, I'm writing this having not looked up anything about it. So I dunno if anyone responsible has made a formal confession.

One of my initial thoughts around it was; okay... so is this just a 1950s thing? But after watching (and rewatching) episode 2, I feel like it's part of the story in a different way; It's clearly a stylistic choice, yes (I should hope that doesn't just happen by accident). But it also seems to double as a narrative choice.

Putting the rest, with image examples, under a cut because it's kinda long.

Warm vs Cool

The conclusion I've come to is pretty simply, one that we've seen used across media in a lot of movies and shows. Warm tones used to colour scenes that are meant to literally be 'warm'; a loving environment or somewhere where the character(s) feel like they can be themselves. Cool tones used for scenes where it's quite the opposite; a cold hostile environment where the character(s) does not feel welcome. Gradients in between for all the neutral/'greyarea' spaces.

Consider

Cool/neutral outdoor bench scene (with park spies around):

Maybe it's an indoor/outdoor thing? No...

Indoors (even with the mandatory orange lamps nearby) they stay pretty neutral:

Night time/day time thing? No...

Night time vs day time in Tim's apartment:

Compare it to day time neutral alone Tim in the same room before. The difference is that he's with Hawk, out of sight of any would be naysayers.

So yeah, while I am mad about the colouring for giffing needs, I do think what they're doing is pretty neat, and the POC in the show look glorious in the warm tones.

The warm/cool motif is dialled up even more in episode 2, with the contrast of Mary's warm welcoming party and Hawk's cold af family gathering (even though they still have the orange lamps/sconces around, they add nothing to the warmth):

🥺 Ugh, Tim at Mary's party. Might be my favourite part of the episode, alongside the kissing n spooning. Anyway...

The transition of Mary from the same living room where she hosted that party, to the kitchen they were just questioned in:

That transition made me start paying more attention and go back to rewatch previous scenes just for colour themes.

Interestingly Hawk's apartment seems to live in this neutral/warmish space. It was more warm earlier in the episode, especially when they were in the bedroom the morning Tim left his glasses. But in general it's a lot less warm than Tim's apartment when compared; still their skin glows with a hint of tangerine:

Of course, not only the lighting/colouring but their outfit choices say a lot. Tim is usually in the warm browns with his dress, while Hawk pretty much sticks to black, white, grey (hints of a cool toned blues and reds in his ties). This coupled with the differences in their own living space probably reflects a lot about the character and how 'welcoming' they are to others. Idk... or I could just be thinking too much about it.

This is another really interesting transition in episode 2. As Hawk hangs up the phone in that cool toned side room, opens the door to the main room of a gay bar, the warm tones literally seem to absorb him in. Which makes sense, this is obviously a gay friendly place in San Francisco. He doesn't have to try to hide any part of himself, like he probably was still trying to do on that voicemail to Lucy just before.

Now, I could go through and screenshot a load more examples (some scenes with Lucy are interesting, and that lounge/club), but you probably get the gist, you see the pattern. If not before, on your next watch, you'll certainly see it.

This has got longer than intended; I'd be surprised if anyone got this far, I did NOT fully organise my thoughts before I started this, I just began rambling and I feel like it could've been more organised and laid out better. But if you have thoughts about the colouring, I'd really like to see those too. 🤗

#fellow travelers #orange #ft spoilers #ft motifs #tim laughlin #hawkins fuller #colouring #lighting #colour grading #tim x hawk #hawk x tim #gay #lgbtq+#warm tones #cool tones #colour theory #giffing things #long ramble #this show make we wanna convert every pic/gif to greyscale

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dyke-will-graham · 1 year

Text

Just mustered up the courage to rewatch episode 6 of Good Omens 2 and I have a whole new slew of thoughts. Whole new slew of observations.

One:

Metatron orders an oat milk latte with almond milk. Which, is a pretty specific drink for someone who is just ordering a coffee Aziraphale. So I got to thinking, and I went digging.

Biblically and spiritually Oats were thought to represent feelings of safety, enhancing an individuals feelings of comfort and safety in dire situations. A comfort food.

On the other hand, almonds represent purity and the ability to have be more godly and holy. To make more godly decisions or, in this instance, heavens decisions.

Metatron is no fool, he knew exactly what he was doing. Stating earlier in the shop when Nina said no one picked death responding with “I don’t suppose they do, so predictable.” And later on when he offers Aziraphale the drink commenting “oh yes I better think so.” When Aziraphale comments on its lovely flavor.

If Aziraphale is anything, it’s gluttonous. He enjoys food and drink and good company and comfort from things he takes pleasures in. So of course Metatron’s olive branch from heaven would come in the form of a cup of coffee.

Two:

“I’ve consumed a few things in my time.”

This is such a strange line to me, it felt too on the nose and sinister. Metatron stares at Aziraphale drinking the coffee and says this. And I don’t think for a moment he is referring to food. Being the voice of god, I’m sure he has dealt with a great deal many angels and demons. Probably without any parties aware of it, maybe even the almighty herself being unaware.

Three:

When The Breakup happens and Metatron walks into the bookshop he says :

“He always did like going his own way, asking all those questions.” When referring to Crowley.

This is SUPER DUPER interesting to me because it implies, really, Crowley’s only crime against heaven was asking questions. Which we knew to an extent form Crowleys own claims on the matter but for it to be confirmed this way felt gut wrenching. Crowley is and never has been evil or demonic. He was curious and that was punishable in heavens eyes to be cast down.

Four:

When Metatron and Aziraphale are leaving there are so so so many times Aziraphale looks for a way out. Broken sentences, body language facing away and out towards Crowley. His glances always in Crowleys direction, like a child being pulled in two directions and unable to voice properly what they want. Which is exactly what the situation is, isn’t it?

I think, as a fandom, we sort of glossed over the trauma Aziraphale endures as a being who remains to be an angel. Heaven, his home, a toxic parent beckoning you with the promise of a warm hug after a millennia of beatings. But nevertheless the promise of that warmth is so tempting. And we know, Aziraphale is STARVING. Starving for anything, he always has been. Especially acceptance from Heaven.

And Crowley represents everything he ever wanted, unconditional and without hesitation. But, there’s still a sense of fear within Aziraphale regarding his love for Crowley. A guilt, and the high he was feelings from seeing Beezlebub and Gabriel do what he always wanted wore off horribly fast at the prospect of eliminating that guilt by restoring Crowleys angelic grace. Which is something we all know was a lie.

Five:

I don’t think the coffee had any sort of mind control anything within it. Metatron didn’t need to do that. He just needed to show what the coffee represented. It was quite simple of a task, so the Coffee Theory is out.

Six:

The elevator fade out is SO IMPORTANT. Because Crowleys expression doesn’t change, he’s hit rock bottom he’s alone with no amount of fresh information to tell him otherwise. For all he knows life as it’s been for all these 6000 years is over.

But Aziraphale’s does, quite a lot actually. It goes from shock, to stoic determination to straight up smirking. We know, from all we have seen of him that at his core Aziraphales motives lie in love and the desire to look after Earth and people. He is a being driven by what angels are supposed to be driven by. That’s his crime, that’s why Metatron had to get him away from Earth. But at the prospect of the Second Coming, Aziraphales motives suddenly become quite evident. He spared a glance at Crowley, which is pivotal to the moment. It’s saying so much. If he had meant to just go to Heaven and never return why look at Crowley? It’s like a romance scene, breakup in the rain with the question: which one of us has the courage to turn around? Crowley never looked away, Aziraphale spared that glance.

Stopping the end is he and Crowleys jobs, the protect humanity, they have their own rules. Aziraphale knows that, he trusts that ability. But he knows he can’t do that if he doesn’t go along with whatever is happening in Heaven. The best way for him to figure out how to stop this is to go into the belly of it.

That brings me back to this line:

“Oh, but saving me makes him so happy.”

Aziraphale has a plan, like always does, and this time it won’t be Crowley saving him. But him saving Crowley.

That glance was a promise.

THE END THANKS FOR MY RANT ALMOST THREE MONTHS POST BOOKSHOP DIVORCE.

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the-cat-and-the-birdie · 1 year

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I had coffee my thoughts are all over the place it's not gonna make sense and I'm probably gonna change my mind about some of the things I said later but here's my ramble.

I'm so mad right now. There's so many things that piss me off with Peter B. I keep thinking about all the mess he keeps pulling throughout the first and the second movie. The fact that he betrayed Miles not once but twice BUT THREE TIMES (typing Miles up in ITSV, not telling him about the Spider Society or that he was an anomaly, CALLING HQ ON HIM BECAUSE HE WANTED TO SAVE HIS FATHER. Technically that's 4 but moving on.)

He refuses to acknowledge Miles as a fellow spider(which is probably why he didn't feel bad about finding Miles was an anomaly now he has a reason to not take Miles seriously.) And he keeps trying to insert himself into a mentor role when he's yet to do a whole lot of mentoring. What also throws me here is how he had the audacity to say the trauma builds character while being a mentor to help guide Miles into becoming Spiderman so Miles' could avoid the mistakes that Peter made.

I WILL NEVER BE OVER THAT CHAIR SCENE IN ITSV. How is it you as a grown man. A grown white man no less took a black teenage boy who you viewed as so much of a liability that you had to tie him up. And I know multiple people have talked about everything that's wrong with this scene but there's still something so haunting about watching him just nonchalantly be tied up kicking and screaming about how he wants to be let go that bothers me so much. And I find it hard to believe that this was just a scene we're supposed to just move on from. Did they do this on purpose? Was this supposed to showcase something about Peter's character that I'm not picking up on? Because I find it so hard to believe that the writers who made sure to explicitly show how Gwen's Peter is Christian because he later turns into a lizard wouldn't understand the implications of this scene.

I also don't think he's a strategic as he thinks he is. What do you think was going to happen when you forcefully tied this boy to a chair? You thought he was going to sit still? Also would you think the boy who's trying to save his father was going to do? Actually listen to your words? Sit back and be like, oh you're right I should just let my father die. (This is me going off my reasoning that he didn't plan out that one scene in ATSV. I think that he thought that because he's Miles' "mentor" he could get through to him in a way others can't. Which pretentious much?) His actions do more harm than good and it just works out for him somehow. (For instance Miles saving them in ITSV because he came late.)

These are my thoughts do with this what you will. All the stars decided to align today ig because I haven't been able to come up with coherent thoughts like this in a minute.

(I really need to rewatch itsv. So if there's anything here that I'm wrong about regarding itsv it's been like 5 years since I've seen it.)

I GET THISS SOOO HARD (I waited until I had coffee to answer this lol)

BUT YESSSSS Because like I can understanding giving Peter the benefit of the doubt, it makes plausible sense for a movie to have a certain amount of wiggle room plot wise.

But with writers who clearly understood punk enough to accurately show it in Hobie's arc, repeatedly put in the work to respect Cockney and Puerto Rican culture, who wrote every one of Hobie's lines with PERCISION - would just overlook the glaring hole in their story that is Peter.

Because we as a viewer are continually told we SHOULD look up to him and we SHOULD trust him - but in doing so they accidentally make him the exact opposite. Like.. It doesn't make sense to me.

The Focus on Jess & The Absence of Peter:

aka GODDAMN I hate Peter B. Parker [yet another rant about 'bad' writing, plotholes, and Peter not showing up for Miles or Gwen.

For example,

Jess is Gwen's mentor, and we see her mentor style is extremely different from Peter's and that's suppose to be a contrasting dynamic between them and the relationship between Miles and Peter. Okay, makes sense.

But by NOT having Peter be Gwen's mentor, the writers are implying that he didn't step up as an emotional mentor when all this given - HE SHOULD. Because he's the only adult that she knows, and she a freshly homeless teen who needs to be around people she trusts, rather than working at a society with an auditorium of adults.

But by trying to show off how much we should judge Jess, the writers have inadvertently given us a Peter who just..didn't take responsibility. That's what they're implying - that Hobie and Jess were the ones who came to get aid. And we're suppose to look the other way. I... can't do that, sir.

"Look at how mean Jess is, why not blame her-" Jess is doing her job. Where's the adult she actually knows and trusts. Can we get some dialogue about what he did for her? Or did he just do nothing?

Did they just forget to include that, or did Peter just forget to help?

For me, that's two points in the bucket. Not housing Gwen, and not being her mentor. He could've done one, the other or both.

But because he didn't, we're left asking "What WAS he doing in the Society?"

Missions, I assume. Cause he wasn't mentoring her, so he must have been off putting in legit work for Miguel, I assume.

If we're looking at the characters as full-rounded - which I would hope they are considering the depth of Gwen, Miles and Hobie, it's not a large jump to ask 'How involved was Peter in Gwen's time at the Society? Why is he not her mentor, or why is she not living with him?"

Gwen..should be staying with him. If you're an adult who knows a teen and they become homeless, and it is within your means - yeah, I do think it's a moral obligation to open your home to them, at least temporarily. If you care about them. But that aside, let's extend the benefit of the doubt. Maybe Gwen didn't want to see him.

But then the ratting Miles out thing. This, I can't get around-

Some may say that it was simply for plot development and that Lyla spoke suddenly as a mistake on her part.

And I gotta call bullshit.

Firstly, because this is the same movie where we're shown Hobie stealing parts prior to learning what the parts are for. The same film that literally animated a fight accurately to Bushwick down to the very street. Let's cut it some slack here.

And moreso - I could understand the justification that it was a mistake on Lyla's part.

If Lyla was human. She's not.

She's an AI, and a very sophisticated one at that. Lyla runs on protocol, because that's AI's do. She's made to do things the way that is mathematically most effective, based on her analysis and her code.

It's easy to see Lyla as just an avatar, and a comedic one at that - but Lyla is literally one of - if not the - smartest 'person' in the multiverse. She's the only one who can track Spot in real time. If Jess and Miguel need aid on a mission or with Spot, they call Lyla. And she's handled every Society mission prior to the chase.

Her speaking out of turn suddenly and giving Peter away is an understandable plot mistake, if she was subjected to human mistakes.

So far, Lyla isn't. It doesn't make sense, based on what Lyla is.

I think Lyla would know better than to give Peter away suddenly by detecting Miles' presence and still speaking out loud.

A lot ask 'What motive does Peter have for ratting Miles out?', but we also should also ask "What motive does Lyla have for ratting herself out?'

It's her goal to find Miles no matter what. She doesn't care, she kinda can't - she's an AI. She just has to find him and send Miles' location to Miguel. Her objective.

So her locating Peter without his knowledge and then giving herself away to him doesn't make sense - especially if Lyla knew Miles was that close, from a human standpoint and definitely from the standpoint of the most sophisticated AI in existence.

So I was under the assumption that - like you mentioned now, that before when he gets Miles alone, he may genuinely be trying to convince him still, but by the time they get into that space, I think that's around the time that it becomes a 'Okay, let's just get Miles back to HQ and talk about this' situation.

He genuinely ratted Miles out. In my eyes.

Because at this point, Miguel hasn't assaulted Miles. That comes later. So realistically speaking, his goal was probably to calm Miles down, and get him back to HQ however he could, and talk to him there.

Peter could've helped WAYYYY earlier.

People give Peter credit like 'Oh but he came over to Miles' side at the end-'

NO. YOU DO NOT GET A COOKIE.

Peter could've helped SO much earlier, and if anything, he was THE ONLY ONE in a position of helping.

Gwen can't do anything, like they physically restrain her when she tries to. And there's no point after they come to HQ that Gwen has the chance to turn around and help Peter.

Gwen doesn't get that chance. Peter DOES.

Had Peter helped Miles HERE, IMMEDIATELY, Miles would've gotten away without being assaulted by Peter.

If Peter had turned around and changed course in this moment, Miles would have been better off.

Fuck Peter B. Fuckkkkk hiiiimmmmm. NAWWWWWW

If Peter had let him go here, or helped him escape - Miles wouldn't have been taking hits up on that train. That's crazzzy.

But he wasn't trying to help Miles escape. If he wanted to, he would've. He could've just said "Matter of fact Miles, I think setting the WHOLE Society on you is a bizarre move and you should probably get out of here until Miguel can calm down and I can talk to him."

But he was like 'Nah, hold my baby. Matter of fact lemme tell you story in this pivotal moment when you're actively in danger. Here, look at me. What do you mean - I'm not stalling? I didn't rat him out on purpose.

Like either you did. And even if you didn't you didn't help him when you were literally the only person in the universe who could. In fact, he got away slower because of you. Lovely.

Peter is a grown man. He's not an idiot.

He knows Miles is in active danger. Why would an adult turn the conversation in that direction - about his baby - KNOWING Miles has no time.

As soon as Miles got his hands on MayDay, Peter is trying to change the conversation. Suddenly he's joking and laughing.

Even though Miles is freaking out. Why is Peter joking? He knows this isn't a joking situation. But here he is wasting Miles time, either accidentally or intentionally.

Because that'd be some good ass stalling.

There was nothing stopping Peter from helping him leave. But Peter was still on The Society's side, so he didn't. If he was on Miles' side, he would've helped him. He should've, but he was still for Miguel, because at this point Miguel hadn't assaulted Peter yet.

Congrats, Peter. Big L. Humbling Reality Spider-man everyone.

Like combine all this. AND THEN THE SCENE IN ITSV.

LITERALLY AND PHYSICALLY PETER IS ALWAYS HOLDING MILES BACK.

You cannot expect me to believe that the writers of a movie I can write 10k+ words about, just so happened to leave these two glaring plot holes for ONE character.

That I'm just suppose to ignore that Peter restrained Miles, a black boy, in ITSV. That he betrayed Miles for months, wasn't very active in Gwen's time at the Society, and he actively hinders Miles escape - if not actively ratting him out.

It baffles my mind.

It doesn't make sense, that these writers can write Hobie, Jessica, Miguel, Officer Stacy, Rio, and Jeff as fully rounded, well-thought characters. But for some reason, when it comes SPECIFICALLY to Peter B. - they just forget how to write. They just stop thinking about him the second they don't look at him.

IN BOTH MOVIES?

I don't buy it.

To have every other character be thoroughly thought through but have one of, if not these most iconic character full of plot holes...

I think the likely answer is they wrote him that way on purpose and he's just a bad person.

I'm sorry, and I'm laughing while writing this but like.

Either Peter is the ONE singular character who has a series of emotional plotholes - or he's just a bad mentor. It's one or the other. And it's open to interpretation.

But I wanna cut the writers some slack and say, No - they thought it through. And No, Lyla did not just randomly speak out of turn, he contacted her first off-screen before she replied to him.

And by waiting till the very end to come around, waiting until the person who looks up to you is deeply wounded to finally turn around - that's the same arc Officer Stacy goes through.

And we're not supposed to clap for him. It's lovely, but he doesn't get an award. And neither does Peter, not at all.

Maybe if had helped Miles escape in that moment. Maybe if he was Gwen's mentor or he housed her.

But as far as we know he spent those months of Gwen in the Society doing fuck all. We've seen no sign of his contribution anywhere.

And in a story about mentorship, that says something.

Anyway. This is long. Again fiosfgihrgirturetuier I'm SORRY

Once again, Fuck Peter B. All my Hobies hate Peter B. (not a typo)

He's worse than Jess.

And he's not worse than Miguel but I like Miguel more and it's not because of the ass that's just a bonus Miguel is cool (but also very wrong. but like personality wise we're cool).

Ummm I feel like I got off track here. Oh well!!

Damn he be doing Miles dirty. SMH

Bye.

#Gwen Stacy #Peter Parker #Jessica Drew #Miles Morales #Miguel O'hara #miguel o hara #spiderman #atsv #marvel #spider man #across the spiderverse #across the spider verse #atsv analysis #peter B Parker #no proofread

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fandangotales · 1 year

Text

Captor Xiao: Introduction

…

GN! Reader

Warnings: Unhealthy attachment, obsessive tendencies, descriptions of depression, dark content.

Please do not read if you think this will have a negative affect on your mental health. If you are experiencing any of these behaviors/habits yourself, please seek out support.

There’s a loud crash, as Xiao’s keyboard slams into his desk. He had just got sniped… again. He hissed in annoyance, closing out of the game. He just wasn’t able to focus as usual, and instead his mind was running rampant with thoughts and images of you.

He groans, laying down on his bed, staring at the darkness of the ceiling. The only light came shown from his computer monitor, as it flickered randomly.

Earlier, he had watched another one of your streams, and some of your random content on YouTube. Gods, he loved you so much. Just seeing those videos, or even just hearing your voice was enough to drag him out of the worst of moods… which was quite the feat these days.

You usually streamed once a week, and he honestly didn’t know what he would do without those regular updates. It was almost like a set schedule… every Friday night, you’d stream for a minimum of 2 hours. Such an event had repeated for the last 2 months, much to his delight. At this point, Xiao couldn’t imagine going without those weekly updates. Sure, he could watch some contemplations, or rewatch one of your recorded streams. But it really wasn’t the same the second time… not when he had memorized every single word that came out of your pretty lips.

Maybe his… interest in you was getting a little overboard. Although, he couldn’t find it in himself to care, not when you had done so much for him and his current self. You could be compared to a sweet dream… utterly perfect and uplifting in every form. And for Xiao, whose life had been filled with so many struggles, he found it incredibly difficult to break away from that sweet dream. He never wanted to let you go… because if he did, he would simply return to that… terrible sense of misery that seemed to accompany him even in the happiest of moments.

With you… he didn’t feel the overwhelming pressure that usually accompanies his mind. And sometimes, he would pretend you were there with him, if only to help him do the simplest of tasks. Getting out of bed at a reasonable hour, or taking care of himself was instantly made much easier, if he would take the time to imagine you there with him, with one of your typical comments.

“Wake up, silly goose. It’s literally 11am!” You’d say, with your ever-present smile.

Or sometimes,

“Come on, you can do it. Take a shower… it’ll only take 20 minutes, max. It’s not so bad. If you do that… you can eat some of the almond tofu left over in the fridge!”

Maybe it wasn’t the most normal thing to imagine, but if it helped? He wasn’t complaining.

Xiao buried his face in the single pillow on his bed, letting out a sigh. Just seeing you was enough to make him smile… the soft tone of your voice and the way you’d always dress up for your streams… it was truly a sight to see. You were divine… gracing him with your time and company, if only through the screen of his computer monitor. This way, he was allowed to bask in your presence, even if he was a nobody. Even if he didn’t deserve the smallest bit of attention from you.

His computer made a soft sound, indicating that he had an unread notification. He instantly clicked on it, after he saw the typical greeting from your twitch channel.

“Hi everyone!

I’m so sorry to announce this, but I’ll be taking a 3 week break due to some personal reasons. Please don’t worry about me, as everything is completely fine. I just need some time to take a break from my usual routine, as I’ve been feeling tired and worn out as of late. Thank you for your understanding, and I’ll be seeing you all after three weeks.

Love you all, and stay safe…”

No….

It’s as if his mood had completely dropped to rock bottom. Forget his previous excitement; forget his previous happiness at seeing one of your announcements. It all was crushed the moment he read those words.

3 weeks.

You couldn’t be serious. 3 weeks? Three whole weeks. It was already hard enough… waiting for 6 days between your regular weekly streams.

The day after the stream would be the easiest, as he would be thinking back to everything that you said throughout the day. It was fresh in his memory… your comforting presence fresh in his mind.

The day after that, the initial happiness began to fizzle away. Still there… but it was much less potent than the day before.

Halfway through the week, it’s almost as if he hadn’t even seen you. Those were always the hardest days… the days were he was thrust back into the familiar feeling of loneliness. It was a heavy feeling, weighing down on him as he tried to sleep. He struggled to even relax… as the negative feelings would always overwhelm him to the point where he didn’t even have the energy to get out of bed. At that point, it seemed like there was no point of anything. No point of taking care of himself. No point in eating. No point… of simply existing. There was no point, if he was without you.

The two days before the stream, his mood switched to one of anxious anticipation. He knew you’d be online… in 2 days. If he could just hold out until then, he’d be able to see you again!

The very day before the stream, Xiao didn’t even sleep. He couldn’t forgive himself if he missed even one second of your content, or one second of your intro screen. It was like a religious ritual… one that he followed perfectly as if he was your devoted worshipper.

2 hours before the stream, he was biting his nails. The anticipation was killing him.

1 hour… he was grabbing another cup of coffee. He was exhausted, but it was worth it if he was able to see you.

30 minutes… he tapped his leg, as he shifted in his gaming chair. Usually your intro screen was on by now… what was happening? Was something wrong? Did you…

Can…

Cancel?

This couldn’t be… not after he put so much effort into staying awake just for you. His breathing got heavier, as he started going into a full blown panic attack. You… you were avoiding him? What did he do…? He’s sorry… he must’ve disappointed you… he’s so worthless… sorry…

he’s sorry…

15 minutes later, the familiar waiting screen appeared on, with a little note apologizing for the late start. He breathed a sigh of relief, as his previous mood completely evaporated at the sight.

You were just late… everything was ok. What a benevolent streamer you were, offering a little apology just for him. He sighed, smiling slightly. You always were the sweetest…

When the stream started, his expression changed to one of pure elation. Seeing you… seeing this new content, hearing about your day… it was the best thing that has happened to him since your last stream. He eagerly watched the stream, replying to your little comments as if you were talking to him and him alone.

You think the “Crimson Witch of Flames” domain is terrible? Xiao agrees, because the Lavawalker set is useless. (He doesn’t even know what artifacts are… he just heard you complain about that set in particular)

You pulled Nahida in a recent banner? Xiao doesn’t even play Genshin Impact, but he’s already looking into this character so that he can better understand your favorite game. He really doesn’t need to understand the whole story line of the game… but if it helps him connect with you in that way, then he’ll gladly look into it. Even if it means watching hours of videos, and spending hours on the Genshin Impact Wiki.

He’s just that devoted… willing to do that… willing to do… anything for you.

One week was doable. A struggle, but he could always power through.

But…

Three weeks?

His apartment was silent, except for an occasional sob, as he curled into a small ball on the floor of his room.

The teal LED lights shown down on his pale body, as it was shook on the floor.

The only other sounds in that apartment was the quiet hum of his PC fans, and the occasional startup sound of the air conditioner.

He was alone.

Again.

Again, he’s alone.

…he needed you.

#genshin impact #xiao x you #genshin yandere #yandere #xiao x reader #xiao genshin impact #genshin xiao #genshin x reader

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