#i need to draw some different expressions

[morhido]

Sighs. Okay yeah i have thoughts about cgi toothless.

First of all, why does he look so... slimy? He feels too smooth. Like they just stretched some scaly skin over a skeleton and let it walk around. Immediately offputting.

His body language is. Fine? Am i being nitpicky or does it seem just the tiniest bit less expressive? I'm guessing this is either the scene right after hiccup cuts him free, in which case he should be way more intimidating, or the fish-sharing scene, in which case he should feel a little friendlier and more curious around hiccup. It's a quick shot so i won't put a ton of expectations onto it, but i think it's worth noting.

Okay this is a legitimately cool detail though. He has a secondary eyelid!! You can see it slipping away when he opens his eyes. That's a detail exclusive to the books so i like that they included something as small as that.

Sighs again. And this is the shot that prompted me to make this post.

Look at the original, and then look at the cgi version. I could write an essay about how inferior the cgi version is in comparison.

First off, they flattened his face. I swear every iteration of night furies after the first movie has just been compressing their snouts until they're sufficiently 'cute' enough for the audience to forget they're supposed to be sleek and aerodynamic.

Second, his eyes. Absolutely radioactive. I understand using a brighter colour for his eyes, especially in a relatively darker environment to make him stand out and seem more fantastical. But. They're just so bright. It's mildly unsettling how saturated they are compared to everything else.

Third, his eyes. Again.

Toothless is supposed to be terrified but still threatening in this scene, and the original shot conveys that perfectly. If it's a threat, then by all means hiccup should kill it or at least run, but instead he draws a connection between both of them being scared of the other and decides to cut him loose instead. And that's the core of their relationship. Toothless is staring him down with a slitted pupil that could just as easily be interpreted as "fuck around and find out" but hiccup just acknowledges that there's a frightened, injured animal in front of him that needs help, and he helps.

Is any of that conveyed in the cgi version? No!! It's trying so hard to be cute that it's gone full circle back to just being scary. The wide-eyed stare, the dilated pupil, he's basically just saying "🥺🥺 uwu pwease i'm so cute and innocent don't kill me aha 👉👈". Which is a lot less of a compelling reason for hiccup to free him!! Plus the fact that toothless turns up to look at him instead of lying and accepting his fate like in the original, which only makes it seem even more like he's trying to show off how apparently adorable he is.

Idk. Just the difference between the in-your-face sanitised cuteness of "teehe you wouldn't kill little old me would you? 🥺" and the expert subtlety of his "please don't hurt me" of the original doesn't give me high hopes for a toothless that stays true to his character from the first movie. Even from something as small as this. He's gonna get woobified. I can feel it.

[virgosimulator]

My boyfriend shared this post with me and as an Accessibility Studies Minor (literally was so niche and new the major didn't exist until after I graduated), I just have to respond. (and I am so excited to do so!)

I’m going to have to play this game, even if it's not specifically about disability, because it’s so exciting to see someone actually doing disability theory work. I know disability scholars are out there, but our community is fractured and so pushed underground it's very hard to connect. I so often only see opinions about disability written exactly as OP says, black or white. Good guy vs Bad guy. And most often by people who do not identify as disabled, or are disabled and are only drawing on personal experience (which is great, but there's much more to consider!)

I am most passionate about Universal Design which is a field of study that…almost doesn’t exist it’s so niche, despite the fact that it concerns itself with everyone. I wanted to move across the country (America) to join the only Universal Design lab in the world (general, NOT UD for Education, which there is a lot for), originally created and run by the author of the Universal Design manual, Ronald L. Mace (he died 1988). Unfortunately, it had shut down just a few years before I even encountered the phrase "Universal Design." (I just googled it but couldn't find a date, I believe it closed in 2010 but I don't know that for sure.)

In any case, one of the core tenants of Universal Design, the core issue it seeks to resolve, is that all people have conflicting needs. In class we often talked about this in terms of one type of disability vs another (sensory vs mobility, for example), but really it’s ability vs ability. Sidewalk safety is a good example as curb cuts (where sidewalks slope downward to meet with the road usually between pedestrian intersections) are 100% necessary for people using wheelchairs, however they can be challenging for people walking on foot who have low mobility. They can also be dangerous for blind persons. Some added accomadations have been a bumpy texture to let blind people know by touch that the sidewalk is sloping, bright caution yellow paint for people with low vision. However, if these curb cuts aren’t maintained properly, especially with added bumpy textures, something could happen like when I was in highschool a girl flipped her motorized wheelchair onto herself because the curb cut was too steep and the road. Instead of being a benefit to everyone, it probably killed her and her accident could have caused a corresponding car accident.

And, by nature of expressing how disability (and some accomodations) can be bad for everyone, OP is also alluding to the truth that accessibility options have the potential to help everyone. You do not need to be “unable to work” to have a different set of abilities and needs from another person. Trying to design a universally accessible world is actually limited by thinking of it in terms of “disability.”

I didn't have a point to this really, I was just so excited to share some of my education with people who might actually be interested. Oh, some might be happy to hear it does appear there is a non profit called RL Mace Universal Design Institute which is keeping his work alive, thank goodness. Perhaps I will reach out and see if they have any education or research opportunities.

something I don’t get about the disability metaphor is that for eureka monsters obviously it harms another person to eat them. the help a disabled person needs doesn’t actively harm or kill another person. Maybe it’s a difference in perspectives that cannot be resolved

(What I’m about to write could potentially sound very fucked up at first so I’m going to need to trust everyone to read the whole thing before forming an opinion.)

Also this message and response references these two posts.

Eureka’s stance on disabled people is that they (including myself writing this) are, or at least can often be, burdens.

Disabled people often require more resources to live than they are able to “give back,” which, in our capitalist and artificial-scarcity-based economy, is just about the worst thing a person can do.

Anti-ableism sentiment often focuses on the idea that “disabled people aren’t burdens, that they’re just as good and capable as everyone else,” but if they were, they wouldn’t be “disabled” would they? When you say stuff like that, you’re conceding that a person’s worth is determined by how capable they are at doing work, and then having to bend over backwards to justify thinking that a person without arms is just as valuable as a person with arms. Eureka is asking you to decouple a person’s value from how much net resources they can produce.

Often times also, the resources that real disabled people consume are human resources, and those human resources are very much capable of suffering for it. Nurses are overworked, around-the-clock care is absolutely physically and mentally exhausting, people who have to care for their elderly or otherwise disabled relatives on top of their regular jobs don’t get to have social lives or hobbies, etc.

To this end, we wrote the monsters in Eureka to be unquestionably people who “cause damage” to society by literally eating up human resources, because they have to to live, they have no other choice unless they want to just die. Your friend is gone from your life because he has to spend all his free time caring for his comatose wife after a freak car accident. Your friend is gone from your life because a vampire randomly ate him. Providing a metaphor isn't all the monsters are doing, they just work well through that lens.

And then Eureka forces you to look at these people as people, and make up your mind as to whether they have value and a right to prologue their own existence. We can’t force you to agree that they do, but if you think they don’t, then you’ll have to make that argument looking at an intelligent person with a life rather than a pure hypothetical or statistics on a chart.

There are some monsters in Eureka where, if the economy or societal structures were changed, they would stop being such severe drains on resources and could exist harmlessly within society, and there are some monsters where no imaginable amount of societal change would solve the problems they cause. This is true of disabled people IRL as well. Some of them would require no further assistance with living if certain things about society changed, and others would still require a massive amount of human resources.

And even when it’s not necessarily human resources, the extra resources that disabled people need also cause huge energy expenditure and create huge amounts of plastic waste, which are things that contribute to global warming and pollution, which do have significant harmful effects on everyone’s lives. Despite this, they are still “worth it” to keep around.

As for actively causing harm, that happens too. I randomly scrolled past this post after we got this message and saved it so I could link it here.

This person and their family had to cause a big stink in a restaurant just to get an accommodation that they needed, and to us reading it from their perspective, we’re obviously on their side, but I can assure you that the overworked staff at that restaurant didn’t see it that way. They saw the disabled person as an aggressive Karen whom they would never in a million years want to have to provide customer service to. The disabled person & family had to get aggressive, and ruin the staff’s day, to get what they needed. That’s actively causing harm - harm we all agreed was justified to cause - but harm nonetheless.

Plastic straws aren’t that big of a deal for global pollution, but even if they were, the point is that this person still would have needed a straw. It doesn’t line up one-to-one, because metaphors rarely do, but a vampire asking if they can drink someone’s blood, and being told No, may find themselves in much the same position. (And if you bring up that some people find vampires really sexy, you’re missing the point. “I would give them a straw if they had sex with me.” is not actually a great thing to announce about yourself.)

I can also come up with an example from my own life. I personally am very sensitive to noise and noise pollution. If there’s music playing at a public space, I usually can’t handle it. (Earplugs don’t work for other reasons I won’t get into - plus, if I just deafen myself to all sound, how can I socialize with anyone in this public space?)

If I want to exist in this space, I will have to actively cause harm to everyone there, or else stop existing in that space. I will have to go up to whoever is responsible and ask them to turn off the music, actively taking it away from everyone else who was enjoying it. I have to take action to ruin their good time if I want to exist in that space at all, and they might, very understandably, be pissed off at me for doing that. Because, like I said in this other post, the people that monsters eat do have a right to prevent themselves from being eaten by monsters. We aren't proposing that the solution is everyone has to line up to be mauled to death by monsters or else they're a bad person.

Who has a greater right to enjoy themselves in that space? That’s the kind of question that Eureka poses, and makes you consider both sides as human being rather than denoting one as just an ontologically evil villain to be destroyed.

We actually don't know of perfect solutions to all the problems presented by the existance of monsters in Eureka, we just know that "exterminate all people who are parasites and burdens to society" ain't it.

[allastoredeer]

Vox Drawing Guides!

I think I'm going to do one more expression page for him because, despite having the simplest shaped head, I have such a hard time drawing him T.T

Link to Masterpost with my other drawing guides

[deoidesign]

I met the me who made different choices

[starry-bi-sky]

'Late At Night, When The Nightingale Sings' doodles, because Pathetic Wet Cat Danny is the best Danny to practice drawing young faces with (and expressions).

[howtodisappearcompletelyand]

tell me what you are & what you need

[thedrotter]

redrew a few old expressions from february!!! one never notices how much their art style changes in some months till you compare side by side www

(the old ones for comparison ↓)

[syncrovoid-presents]

New art new art!

[gmalaart]

lack of artistic identity

[moodr1ng]

hmm after putting a couple scenes from my script into renpy with some photos as background stand-ins + the need for some cgs here and there, i def think it could work as a vn.. i think ill finish my script before i start more seriously working on it just to be sure everything would work as i want, but i think actually if i include a little bit of narration here and there (theres technically narration in my script, though its meant to describe the panels and not to actually be narration, but some v light narration in a vn could work) itd be pretty solid i think 🤔 and itd allow me to include even more dialogue LOL which ive been making efforts to reduce but i definitely could stand to put in more. both carié isle and linnion/kèravie as a whole have a tonnn of worldbuilding where i kinda had to reduce exposition to a minimum for a comic medium. but in a vn the characters could do a lot more talking about this stuff. also i had decided to make the comic black & white bc full color is too hard for a comic for me but for a vn i would get to make it full color :)

[ask-the-royal-absol]

Clarent @ Destino: "Hmm, while I've never lead anything nearly as large of a kingdom, I've lead my Pawniard. So I think I'm qualified to say something you likely need to hear: You're not fit for leadership." Her voice is stern, but not unkind, "Would a leader hide behind another? And your parents, no less? Is this what respect and love means to you? To allow yourself to be coddled while you hide behind them, standing in the sidelines during a time of need?"

Though her voice does not soften, her tone shifts, "They're not going to be here forever, you know. As desperate as you are for your leadership, you have to understand the consequences to get there. Are you truly ready to risk that loss, or would you rather grow and make your parents proud?"

*And that was the moment that Theif knew she could convince Destino to join with her. Clearly the angry outburst from before had not completely left their system and the Bisharp’s words reformed it to reveal things she knew the Absol would never want anyone to know. There was a lot to unpack from their statements but now was not the time to ask. She looks at them closely and then decides to speak up.*

Theif: You know that we all make mistakes, right? Sure, some mistakes are worse than others but we can’t keep ourselves hidden behind a facade of ambivalence while we let our responsibilities wash past us. We have to learn from our mistakes and use that information to forge a future where we don’t make those same mistakes again. Being afraid of the consequences of our actions will only lead to missed opportunities for us to better ourselves.

*Destino looks towards the Blaziken with an unsure expression on their face, for once not quite knowing what to say. They stare at the Blaziken for a while and then turn away, almost ashamed at the state they got themselves into. Embarrassed at what they said.*

Destino: …

*Seems Destino is more vulnerable at the moment.*

[aviatrixx]

Trying to take making digital art more seriously, but so far all I’ve accomplished is “draw Yamcha a bunch of times” lmao

[Image ID: Eight digital drawings of Yamcha from Dragon Ball with different facial expressions.]

[thedevotionaltour]

guy who has been getting really into character acting and focusing on it in their comic work: really appreciate the character acting in here. loving expressions. enjoying the poses.

[mikurulucky]

Now that I've finished Endless Orbit SSX, what shall I dig into next?

I dunno yet lol. The Leijiverse is one helluva rabbit hole lol OwO

[greengoblinswifey]

Trust— Rafe Cameron x Pogue!Reader

summary— based on season 4 episode 9, slight spoilers. rafe is convinced he can help you relax, take your mind off the drama on the ship and make you trust him.

warnings— manipulation, oral, praise kink, degrading kink, bondage, unprotected sex, creampie, breeding kink.

Rafe looked up as you entered the small, cramped bathroom, his blue eyes narrowing before softening a bit as he registered your expression. “Come to check on me again?” he drawled, his voice low and rough after days of confinement. Despite his irritation, there was a hint of something else in his tone, something that felt almost, relieved.

“Yeah,” you replied, sighing as you slid down to sit on the floor next to him, finally giving yourself a break from the chaos upstairs. “I needed to get away from everything. JJ's out of control, everyone’s on edge, and it’s just—it's all a lot.”

Rafe raised an eyebrow, shifting a bit to get more comfortable despite his tied-up position. “Sounds like a mess,” he said, a glint in his eyes. “But not surprising. I’d be losing it, too, if I were up there. Though, you don’t seem the type to lose it.”

You exhaled, glancing away. “I don’t know, sometimes I think I'm just about at my limit. It feels like I’m the only one who, I don’t know, tries to keep it all together by being civil.”

Rafe smirked slightly, his gaze unwavering. “You don’t have to, you know. Keep it together all the time,” he murmured, his voice taking on an edge. “Sometimes, you just need to let off some steam.” His voice dropped, a bit huskier. “Maybe even relax a little.” His eyes locked onto yours, and you felt your pulse quicken.

You frowned, glancing at his wrists, still bound. “Rafe…”

“Come on,” he coaxed, his tone almost too smooth. “Untie me. I’m not going to hurt you.” He held your gaze with an intensity that made you falter. “Let me help you relax.”

Hesitating, you chewed on your lip. There was something, different about him right now, and you couldn’t quite pin point it. But, against your better judgment, you reached forward and undid the ropes around his wrists, slowly freeing him.

Before you could process what was happening, his hands were on you, and he pulled you in close, pressing his lips to yours. The kiss was both rough and gentle, catching you completely off-guard. You melted into it, the tension you’d been carrying washing away under his touch. Your mind went blank, and you felt yourself leaning in closer, craving the connection.

“You’re so needy,” he murmured against your lips, “So naughty for letting me loose like this.”

Flustered, you pulled back slightly, breathless. “Rafe…”

He only smirked, his fingers trailing along your jaw. “It’s alright,” he whispered, holding your gaze with a soft, challenging glint. “Now that I’m out, maybe I can return the favor and help you feel a little better.”

You slowly nodded. You couldn’t deny the way he was making you feel.

Rafe’s hands moved slowly over your bare stomach, his fingers tracing delicate patterns across your skin, sending shivers up your spine. His gaze flicked up to meet yours, a smirk tugging at the corner of his lips. “So responsive,” he murmured, watching your breath hitch as his hands continued their slow exploration.

Your cheeks warmed under his gaze, feeling vulnerable but completely unable to pull away. Rafe’s fingers hooked under the waistband of your skirt, and with a quiet confidence, he slipped it and your thong off, leaving you feeling even more exposed. He let out a quiet chuckle, his hands never leaving your skin.

When he pulled off his own shirt, his eyes never left yours, and then he moved closer, his presence between your legs grounding you in the moment. “Trust me,” he whispered, voice low as he leaned in, and before you could fully process the warmth of his breath, he began to press soft, deliberate kisses along your inner thigh, drawing a gasp from you.

“You’re so—” you managed, words slipping away as he looked up at you with that familiar smirk, his gaze unrelenting.

“So what?” he teased, “I haven’t even started.”

Your breath grew shallow, anticipation building as his hands traced along your hips, grounding you in a way you hadn’t expected.

His mouth attached to your clit and it sent a spark through you, his touch patient yet undeniably intent, and you couldn’t help but give in to the sensation, letting yourself relax under his steady hands. His tongue was precise, lapping up every part of your pussy that was soaked with your juices.

“Don’t hold back now,” he murmured. His constant sucking and flicking over your clit made your orgasm wash over you, leaving you completely captivated, and all you could do was let yourself melt into the moment, trusting him entirely.

“I’d say you were my good girl and you are but fuck, you’re such a slut just letting me make you cum like this, I thought you and your friends didn’t trust me?” he chuckled, sitting up til he was beside you. You buried your face into his chest, embarrassed that he was right.

“Oh that’s okay baby, don’t be embarrassed,” he laughed, “you know what would make it all better? Me doing to you what they did to me.”

Your head shot up, confusion etched across your face.

“Not like that baby, you’d be willing wouldn’t you? Would you let me tie you up and use you? Gonna be a good girl for me?” he asked huskily.

Slowly, you nodded. You couldn’t deny his words made you throb. You’d let this man do anything to you. He smirked at your obedience and took up the rope, beginning to tie you in the same position he was before. The rope was tied firmly, but not firm enough to hurt or bruise you.

“Is that okay baby? You like being all tied up for me?”

“Y-yes Rafe,” you muttered, eyes big and full of need.

He slipped down his boxers and your eyes went wider, gasping at the size of him. He was so thick and leaking for you. You needed a taste.

“Open up that whore mouth,” he growled.

Immediately, you did what was told and he shoved his cock straight to the back of your throat making you gag.

“Breathe baby, breathe, I know you can take it, you seem like you’d be such a good cock sucker.”

You wanted to prove him right, you wanted to be exactly what he thought of you. As he slowly thrusted into your mouth, your tongue went to work, swirling over the base and the tip, getting it as sloppy as you could. He moaned deeply above you, as his thrusts grew faster, your lips suctioned around him, making the sweetest little sounds.

You would’ve played with his balls if your hands weren’t tied and so, you leaned your head down, slurping and sucking on his balls as he threw his head back and shivered.

“Fuck, I knew you could do it, I knew you were a little whore, what a fucking mouth.” He slipped back into your mouth, his hands now going to your curls as he held you down on his cock, but before he could shoot his load down your throat, he pulled out.

“I know you’d swallow every last drop of my cum like the whore you are but I’d rather your pussy swallow it,” he chucked.

Heat rose in your cheeks as you thought about him filling you up. You weren’t on any form of birth control and you knew for a fact him or anyone on the ship did not have a condom in their possession. He’d definitely get you pregnant, just like his sister was at the moment. Ironic.

“Now, I have an idea.” You looked up at him curiously then gasped as he lifted your lower body, your hands in a slight awkward position as he held you up to fuck you mid air.

“Think you can take it— oh who am I kidding, you’re going to fucking take it,” he muttered, rubbing the leaking tip of his cock up and down your pussy lips.

“Your pussy is so wet and pretty, so happy you just gave it up to me.” You both moaned in unison as his cock slowly penetrated you. In that moment you partially wished your hands weren’t tied so you could’ve placed it on his abdomen, halting him from any further movements.

“You’re so fucking tight,” he moaned. Your eyes squeezed shut as he began pounding into you, your tits spilling out of the skimpy top you had on. His cock was deep inside you due to the angle, the feeling making your pussy quiver.

“Who’s making you feel this good huh?” he asked, his hands squeezing your hips harshly.

“You are Rafe, you,” you cried out. Your friends had definitely heard your screams.

“Good girl, trust me now?” he chuckled, breathlessly.

“Yes Rafe, I trust you. Faster, please,” you pleaded.

His rough thrusts sped up and the sound of your sloppy pussy and your loud moans filled the bathroom, possibly alerting your friends above.

“I need to feel you cum on my cock baby, you can do it,” he urged.

He went faster and deeper, hitting that spongy spot inside you to draw the orgasm out. Before long, you screamed his name, your pussy squirting all over the bathroom walls as he continued fucking you through your high, pulling everything out of you.

“You’re so fucking hot, good girl,” he cooed.

He began chasing his own orgasm, his hand wrapping around your neck and his other skillfully holding under you as his thrusts grew more sloppy.

“Clench around me baby, I’m gonna pump this sweet pussy full of my cum. Gonna get you fucking pregnant, have you carry my babies inside this sexy body.”

You couldn’t protest even if you wanted to and your walls clamped around him, milking him of every ounce of his cum as he slammed into you. His thrusts grew slower and slower and he held you with one hand, the other unbinding your hands and when he did, he held you close to him, his cock still deep inside your pussy.

You both shivered under each other’s touch, panting slowly subsiding.

You shifted off him, the feeling of his big cock slipping out of you making you wince and whimper at the loss and you sat beside him.

“You look so beautiful and relaxed,” he smirked, pushing your curls behind your ear.

“Well you were right, you could help me relax,” you giggled.

“I’m always right. I meant what I said by the way, you’re gonna carry my babies inside that sexy fucking body,” he smirked, rubbing your stomach.

Before you could respond, there was a pounding on the door, it was your best friend.

“Y/N, what’s all that noise? What’s going on in there?” Cleo called out.

[luveline]

could you write bau!reader x aaron, reader is pregnant and baby is so restless and kicking a lot as reader is at her desk working and aaron is the only one who can calm baby down

ty for requesting <3 pregnant!reader, 1k

“Woh,” you mumble, almost clipping your head on your desk as you lean forward. “Oh, my gosh.” 

“What’s wrong, mama?” 

You wave your free hand weakly at Derek, the other to your bump. “Nothing’s wrong, handsome.” 

Derek laughs warmly and stands from his chair. “I don’t believe you. Come on, tell me what’s wrong. Or I’ll go get the big man and he can force it out of you himself.” 

Hotch’s never forced anything out of you, but he has kissed a confession from you before. He could do it again easily. 

You right yourself as the baby’s rampant kicking makes you feel as though you’ll pee your pants. “Derek, there’s some crazy stuff happening inside of me right now.” 

He smiles at you fondly. “I bet there is.” 

“She’s kicking the shit out of me.” Sitting up, your back twinges and relaxes, the weight of your baby bump spreading out. You’re very pregnant and the baby is extremely active. She kicks pretty much 24/7 these last few days, and it’s driving you crazy. “Do you wanna feel?” 

Derek presents his hand for feeling. You stand up, and Derek lays a hand across your bump. You don’t have to move it anywhere: the second he touches you, he can no doubt feel the baby’s aggressiveness. She’s aiming her little feet almost like she knows where your most fragile organs are. 

One rough kick has Derek taking back his hand. “She’s beating you up, mama.” 

“She hates me.” 

“She doesn’t hate you,” Spencer says, twirling in his chair to give one of his innocuous tidbits of information, “babies kick for all sorts of reasons. They kick when they’re hungry, or after you’ve just eaten because of the extra glucose shared via the placenta. Sometimes they kick because they can feel sensation through your skin.” 

Spencer stands up. You raise your brows. “You wanna feel?” you ask. 

He grins and offers his hand. You take it and place it against the baby’s restless feet, smiling at Spencer’s smile, a little enchanted by how fascinated he seems. At Spencer’s touch, she starts to kick quickly like she had been with Derek, and eventually you have to move his hand in the hopes she’ll stop. She slows, but the occasional stretch pokes at your stomach. You can see the distension of her limb even through your shirt. 

“She’s really going for it today,” you say. “Maybe I had too much brown sugar in my oatmeal.” 

“You know babies can tell the difference between hands?” Spencer asks. 

“I sort of guessed,” you say distractedly, rubbing at the baby’s kicking with the crest of your palm. “She doesn’t act like this with Hotch.” 

“Good to know he has that effect on everyone,” Derek says with a laugh. 

“I might go and ask him to make her stop. I’m gonna need a change of clothes if she doesn’t.” 

Derek laughs again, full-bellied, his arm wrapping around your shoulders in a pitying hug. “Aw, sweetheart, you’ll be okay. Just two more months and this will all be over.” 

“Well, you never know. The longest overdue pregnancy in human history was almost a hundred days, that’s more than an extra three months.” 

“Spencer!” you say, not truly shouting, but your volume escaping you as the horror of a year long pregnancy sinks in. “Don’t jinx me.” 

Your loud voice, or perhaps Derek’s roaring laughter, draws the attention of JJ and Hotch, who appear from the depths of his office with matching curious expressions. JJ begins down the steps to the bullpen, while Hotch stays at the balcony waiting for an explanation. 

“Baby Hotchner’s giving it large,” Derek says, rubbing your upper arm. 

“She won’t stop,” you complain, relieved to see your stern husband. “Can you come and set her straight?” 

You aren’t always so quick to complain to him, but this is too much. It feels as though she’s about to start doing spin kinks against your spine —it’s honestly the most she’s ever moved. When you were just a few weeks pregnant you’d longed for her to wriggle and show you a sign that she could feel you, but now you’d appreciate a few minutes of calm. 

Hotch follows JJ down obligingly, and he, surrounded by your curious coworkers and colleagues, without any hesitation (but certainly some care), slips his hand under your blouse to feel at his baby’s sharp kicking. He presses against what might be a foot for a few moments, his smile barely hidden, his palm warm. 

“She really is giving it large,” he says, the deep softness of his voice like a signal. 

The baby’s kicks soften, until, barely ten seconds later, they stop. Your spine ceases vibrating, and you can finally stand there without having to press your thighs together. 

“Thank you,” you say, holding Hotch’s elbow. He’s well and truly saved you. 

He rubs your stomach with his thumb. His dark eyes stay set on your bump. “You’re welcome.” 

“I guess baby just missed her dad,” JJ says. 

You look at Spencer. He doesn’t say anything. “No correction?” you ask. 

“No,” he says, pouting that you’d ask. “Either she missed the sound of his voice, or your reaction to seeing him has calmed her down. That’s not a big difference.” 

“It’s both, I think,” you say, paused by a big yawn. 

“Are you tired?” Hotch asks. 

“Urgently.” You let yourself sag forward toward him, gesturing for Spencer, Derek and JJ to look away. “Thanks for your help, boys, but I need something no one else can give me.” You collapse into Hotch’s chest for a hug. 

The bump is very much in the way, but he reacts accordingly, ushering your chest to his, cheek pressed gently to your forehead. “She’s exhausted you,” he teases under his breath. 

“She really has.” 

“I love how she settles with me,” he says, rubbing your back for a long, slow handful of seconds, before he pulls away enough to grin at you. “But I suppose she gets that from her mother.” 

“You’re very calming.” 

“So I’ve been told.”