#i need to do a lot of things tbh

[hollytree33]

Hi so I might’ve made a painting of my Inquisitor while trying to mimic Solas’s style so I can pretend he made it

[hinamie]

playing around w slightly different hair renders

[xxplastic-cubexx]

i would like to draw him more i think..

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[fossilizedhysterics]

guess who finished tlok tonight and immediately had this come to him in a vision!!!!

[andy-clutterbuck]

1x04 - What We | The Ones Who Live

[cockroachesunite]

Look how they cannibalized my boy

[t-u-i-t-c]

"You actually were alive?"

[kenmaiii]

after two years i finally draw the favorite

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[myokk]

fast sketch for today💓💓

[dailyloweffortpace]

Day 31: one month of that guy

[eliza-the-hunted]

Thoughts b4 bed, this...got ridiculously long..SKIP TOWARDS THE END for my Peri and Dev idea I'd like to personally see if you don't care about my godparenting ramble. 💖 (I marked it with a star for easy spotting.)

Godparenting is self harm (in certain situations). You CANNOT pair a fairy, who has basic empathy, with a child who is being neglected and/or abused, and expect them to NOT get attached or to love them.

Cosmo and Wanda loved Timmy. They were his parents!!

Juandissimo loved Remy. He couldn't move on from him.

It's also horrible for the kids when they get a fairy who doesn't develop that parental/guardian relationship.

Peri failed Dev because he remained distant and overly professional. (I'm not saying he didn't care, that's a whole other debate. I'm just saying he was not what Dev needed. Dev needed a Cosmo, Wanda, or Juandissimo.)

I'm sure other fairies failed kids in similar situations, maybe even worse, because they didn't want to fall into that emotional trap. It's BEYOND hard not to. You would have to be extremely hardened, dissociated, or heartless in order to do that.

At least the kids get to forget their failed experience.

Fairies have to remember. They have to remember for the rest of their lives that they either:

A) Got bonded with a kid and had to say goodbye, a type of goodbye that's honestly like a funeral. You will never see each other again (except in passing. But you can't contact them.) The loss and yearning would be too much for anyone.

B) Have to remember that they couldn't bond with the kid and thus failed them. They failed that neglected/abused child. That child had to grow up with their abuse without any escapism because you had to remain professional and throw away your whimsy. I'm CONVINCED Peri is NOT the only fairy to be annoying about "da rules". I'm actually pretty sure that's the NORM because of how all the fairies reacted to Cosmo and Wanda with Timmy.

Going into fairy godparenting, knowing that you could come out with either outcome, is self harm to me, (SH is doing anything that you KNOW will hurt you physically or emotionally, it can be any number of things! JS this here because people have a VERY narrow view about what counts as SH!) and really makes me overthink about like...

Fairy mental health? How does fairy therapy look like for these situations? I kind of envision it similar to ppl IRL who work with abused kids need therapy, yet they keep going. They keep moving on and helping kids (or doing their best to).

⭐️All this to say my idea for Peri and Dev:

I would love for Peri to learn from his situation with Dev and why it didn't work. I know ppl want them to get back together asap, but tbh I think a slow burn would work best, for Peri's mental health. I think Peri should shadow his parents and Hazel for a bit, and learn/see how they do things, including how they interact with kids. I think Peri needs some self reflection first.

My idea is this:

Peri shadows his parents for awhile and does some self reflection. While he shadows his parents, he watches Dev from afar. Not like, intently like some ppl HC, just in passing. Like Dev will interact with Hazel and Peri will make passing remarks like "he's a good kid", (if him and Hazel are getting along) or "oh, Dev.." (if he does smth rude to Hazel)

Eventually, smth happens to Dev that finally seals it for Peri, he has already been meditating on everything for awhile, but whatever happens to Dev is the final straw. (I wonder what happens??) And he gets permission to be Devs godparent again and then bursts in to save Dev!

(this would all happen maybe thruout the whole season, and this event would happen at the ending of S2? Ik ppl would be impatient for that, but!! I think it would work best AND be a rlly satisfying season conclusion!!) and a rlly good start for S3 (iiiif we got all that lmao, I'm being VERY hopeful that we get at least 3-4 seasons! which I shouldn't when S2 is still up in the air lol. oh well. I can dream.)

Uuuh. Yeah. IDk just some thoughts I've had. Sorry this was so long. If you read it then wow! I'm shocked haha. 💖 (bonus points if u read the tags hahaha)

goodnight. 💖💖

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[b4kuch1n]

hahaha wheee haha

[gingermintpepper]

I do, in fact, enjoy drawing different variations of this moment. Mostly I just wanted to doodle some wrathful Apollo (and practice doodling more of Hyacinth's curls since I usually dodge colouring them LOL) Bonus doodle under the cut <3

:D