#i need the other to want to save people and look and pretend to be a complete badass when really they are very soft to those who know them | Explore Tumblr posts and blogs

not-neverland06 · 4 months ago

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conflicted spaces

Arthur Morgan x fem!reader

a/n: He doesn’t get TB in this. Why? Because this is fanfiction and I’m god and fuck canon (I just finished the game, I’m emotionally distraught and needed this)

Warnings: brief attempted SA

Summary: Your father is a gambling man and you’re always the collateral. He refuses to pay the wrong man and now you’re being dragged across country roads to a man you’ve never met. Arthur Morgan, an outlaw down to the bone, is in charge of making sure you get there in one piece. Except, he doesn’t feel right selling a woman off like she’s property.

You’re done being a doormat and letting the men in your life tell you what you’re worth. You’ve got three days to escape him, but you’re not prepared for the reality of the real world.

“Put your hands where I can see ‘em, cowboy.” Arthur’s shoulders tense and he curses under his breath. His hand darts to the revolver on his hip, but the second his fingers twitch towards it he hears a hammer being pulled back. The cool barrel of a gun digs into his neck and he raises his hand in surrender.

The man behind him lets out a familiar laugh and tugs him around. Arthur rolls his eyes and glares at Dutch. “The hell are you doing?”

Dutch clears his throat, still laughing slightly. “Relax, Arthur, but if I had been an O’Driscoll you’d be dead right now.” Arthur doesn’t point out that the only thing they have to worry about out here are the Lemonye raiders. He’s more focused on why Dutch is even out here. Rarely does he leave Shady Belle to traverse the streets of St. Denis.

None of them are particularly fond of the place. If he wanted to step in horse shit every other step he’d go to a stable. At least those smell better. Dutch slings an arm around Arthur’s shoulder, tugging him away from the saloon he was heading towards.

“You’re gonna have to save the cheating for later, Arthur, I need you for something.”

“You know I don’t cheat,” Arthur jokes and Dutch grins at him and it’s nice. This is familiar to him. This feels right. Dutch has been odd lately, the jobs he’s been taking, the risks he’s been imposing, none of them feels like the man he knows.

Now, Arthur would follow Dutch straight into hell without being asked. But he can’t abide by how he’s putting their people in harm's way. He’s felt like a stranger more often than not and he’s been doubting the people he shouldn’t. Right now, though, he can see the man he knows in the teasing curl of his lips.

“What’dya need?”

Dutch pauses in front of a tailor and pats Arthur’s chest. “I need you to look prim and proper for a party we’ve got tonight.”

Arthur’s brows furrow cynically and he scoffs. “Someone invited us to a party?”

Dutch hesitates, a stiff smile on his face. “Well, let’s just say someone is interested in our work.” Arthur wants to question him further, he’s hiding something from him. But Dutch is pushing him towards the door of the shop before he can argue. “And get a haircut, we need to look presentable not like a bunch of mountain men.”

Arthur watches as Dutch leaves, something heavy weighing down on him. Dutch doesn’t usually tell people about his plans beforehand. At least not every step of them. But this is odd, he’s definitely hiding something and Arthur isn’t sure he wants to know what.

With a resigned huff, he heads into the tailor. He has to mentally prepare himself for being stuffed into a starched collar and a stiff suit for the rest of the night. He hates these damn parties, hates having to pretend like he knows what the hell is being said.

Most of the people that attend are educated or pretend to be. And when he lets it slip that he’s more likely to shoot a gun than read a book they turn on him like jackals. You can’t let them see that you’re different than them or you’ll never get a word in edgewise.

The only part he enjoys is the booze and robbing them of their money. It’s not like they earned any of it. Most of it was made by breaking the backs of the people they mock for being too poor to afford a fancy suit.

Arthur takes a deep breath and looks for the cheapest suit he can find in the overpriced shop.

“Now,” Mr. Crane’s hand tightens around your bicep and he jerks you closer to him. You keep your face impassive, not letting him see just how much he’s hurting you. But you can feel your skin being stretched to its limits by his clammy fingers. “You’re going to behave tonight. I’ve got a few gentlemen I’d like you to meet.”

He looks at you expectantly but you keep your mouth firmly shut. His eyes narrow and he jerks you around roughly. “Understood,” you force the word out through gritted teeth. You’re trying to breathe as little as possible, not wanting to smell his cigar-laced breath any longer.

Finally, after a tortuously long moment, he releases you. You take ten steps back, smoothing out nonexistent wrinkles from the silk skirt he’d forced you in. You glance out the window of his office, watching as the workers scramble to set up the tables for tonight. You can hear cooks in the kitchen, shouting out orders for the food for tonight.

Everything must be perfect. Mr. Crane never fails to deliver on his extravagantly indulgent parties. The man himself is the very embodiment of greed. You glance over with a disgusted sneer as he sinks himself into his leather chair and pulls out a wad of cash.

He catches your eye and sends you a sickly sweet smile. “This,” he waves the money at you and you track the movement boredly. “Is how much you’re worth, sweetheart.” Your brows raise in amusement and you scoff. More than you thought he would put up for you.

You wonder who he’s going to have transport you. He’ll need you out of the city soon, your father is starting to catch onto what’s happening. It took him long enough. You’ve been missing a month, you’d think he would have put two and two together faster. Then again, he’d never been very interested in you beyond what you were worth to others.

“When will I be able to meet these gentlemen?” You ask, taking a step towards him. Your eyes dart towards the letter opener on his desk and for a brief moment you picture yourself strabbing it into his fattened jugular.

But he flicks his wrist and like magic the door opens, his men coming inside and standing resolutely by your side. “Not anytime soon, my dear.” He looks to the men surrounding you and you take in a sharp breath, wishing you’d just taken the chance when you had it. “My associate is feeling quite tired, take her back to her room, please.”

They grab you by the elbows, even though it's entirely unnecessary. You wouldn’t run, and even if you did you wouldn’t get far with the chains he has hidden under your dress. A punishment for the first time you snuck from his home. You’ve been well behaved since then but he doesn’t trust you.

You’re whisked away without another word. The trek of the stairs is a slow one. They’re forced to help you navigate by lifting your skirts and not tripping on the chains. It no longer brings you any satisfaction to cause a hindrance in any of their days.

Before, you would think of being an annoyance as a small victory. But it’s not, it never was. It was just a way for them to keep you complacent by allowing you to think you’d done something for yourself. You believe your father used to do the same thing.

It’s just another way of keeping you quiet.

When you make it to your rooms, they shove you inside. Like clockwork, you hear the jingle of the keys and then the lock clicks. You sigh and take a step towards your vanity, working on touching up your hair.

You think the worst part of this must be how well you’re treated. You have meals made by a private chef. Your quarters are decorated more lavishly than they ever were at your father’s house. Yet, you hear the suffocating tick of the clock as it counts down your doom.

You’re not entirely sure what their plan is with you. You know your father had made a promise to Mr. Crane involving some land. Or perhaps it had been a wager. But as always, you were collateral when your father refused to pay up.

You know Mr. Crane wants you out of town so that he has more time to negotiate with your father, to call in the interest he owes him. You also know the only reason your father is interested in finding you is because you’re meant to marry the son of a business partner in two months. The money he’ll get from that will be enough to finally pay off his debts.

Except, now, Mr. Crane tells you that should your father refuse to pay you’ll be married to one of his associates. And the deal he’ll make from that will be enough to cover what your father has refused to pay.

No matter what, you’re going to be married off to some man you’ve never met and yet again be a quiet trophy on a shelf. It’s a very convoluted situation, one which makes you think leaping from a window might be a better fate.

None of the men your father or Mr. Crane is in business with are particularly kind. They’ve got more skeletons in the closet than there are in the graveyard. You doubt you’ll live a very happy life with whoever they pick for you.

You slump forward onto the vanity, trying to fight off the burning feeling in the back of your eyes. You’ve known this would happen for years. Even before Mr. Crane had you kidnapped, you knew that this would be your destiny. You would never get to be one of the free-spirited women who fought for the right to choose. You would always be forced into this role.

Yet, being so close to it coming to fruition makes you feel choked and suffocated. You can feel the noose around your neck tightening, the hangman’s fingers twitching as he waits to see you drop.

You dig your nails into your palm, taking in a deep breath and fighting back the wave of despair. Where there is doom, you also see a sliver of hope. Your next journey will be a long one. He’s hiring someone to have you transported to an area further up the map.

If you play your cards right you might be able to escape while you’re traveling. If you’re incredibly smart about this, thinking with your head and not your heart, you might have a shot at freedom.

You take in a deep breath, reapplying your makeup and resolving yourself to another night of mindless entertainment. But you hold onto that fleeting feeling of hope. You have a shot, you just have to take it.

Arthur’s heard of these parties before. Some Mr. Crane fella that likes to blow all his money on food and booze. He indulges his guests and when they’re weakest, gets their secrets from them. He’s a snake and everyone knows it. Yet, missing his party is social suicide. They have no choice but to go and indulge in him.

Arthur had never had any interest in meeting him or doing any business with him. But Dutch had informed him that’s exactly what’s happening tonight. They’ll mingle for a little while, maybe scout some other jobs, and then Mr. Crane will invite them up to his office for a private discussion.

Dutch still hasn’t told him what exactly their business with him is. He brought Hosea along tonight so he has to assume it’s not going to be anything violent. But he can’t think of anything else they could be good for.

“Alright, gentlemen,” Dutch places his hands on Hosea’s and Arthur’s shoulders, a scheming smile on his face. “Try not to embarrass me.” He slips behind them, heading up the stairs of the home. Hosea and Arthur share a brief look before they split up, blending into the background of the garden.

Arthur lurks near the bar, he knows he should be talking to these assholes, possibly learning something useful. But he can’t be bothered. He orders a whiskey, gaze surveying the partygoers. They’re all loud with painted faces and fake smiles. Not a goddamn person here seems to be genuinely interested in anything they’re doing.

“First time?” The soft voice beside him catches him off guard. He glances to the side and is surprised to see that you’ve slipped past him. He hadn’t even noticed you slide up next to him. You laugh at the look on his face and it’s the first thing here that seems real. “Sorry, it’s just that look on your face, I recognize the disappointment. You’ve never been to one of Crane’s parties before?”

“No,” he clears his throat, still recovering from the surprise. “Uh, I can’t say I have.”

You suck on your teeth, narrowing your eyes at the people passing by. “They’re not worth the effort. Everyone who leaves here leaves carrying his debt on their back.”

Arthur chuckles a little, lips twitching up into a small smile. He’s surprised by your frankness, most people like to hide behind passive-aggressive digs. He appreciates the straightforward attitude. “Then why are you here?”

You shrug and Arthur finds himself enchanted. He shouldn’t be, he’s never been one for romance. He finds women pretty and he’s been in love before, but he’s never bought into the idea of love at first sight. Or any of that mushy stuff that Mary Beth devours in those books of hers.

But you are absolutely gorgeous, dressed in a silk dress that’s so expensive he’s sure he could buy two new horses with it. Your fingers and neck are decorated in dainty jewels that you fidget with as you stare down at your drink. When you set your eyes on him again he thinks he might have been struck by Cupid’s arrow.

“I don’t have a choice,” you finally answer, sending him a stiff smile. “What about you? Why are you here?”

Arthur suddenly remembers himself, remembers why he’s here and what he’s supposed to be doing. The fog in his head dissipates and he’s disappointed in himself. Pretty women have never done anything except get him in trouble.

“Business,” he answers vaguely. Your eyes narrow and your brows twitch in discontent. Something like realization dawns on your face and you back away from him. The easy attitude you’d carried yourself with is gone, replaced by a vague look of distrust.

“Right, should’ve known.” You let out a rough sigh and Arthur can’t help but feel like he’s said the wrong thing. “I suppose I’ll be seeing you again soon.” You slip past him before he can ask you what you mean. He hears the faint sound of metal clinking as you walk back up the stairs.

Something silver flashes under your skirts but he can’t get a good glimpse of it. He feels unsettled as he turns back to the bar. The whole interaction was odd. From how stricken he was with you to how cold you turned.

He doesn’t know what you saw in him but it was probably for the best that you left when you did. Neither of you needed the trouble the other would bring. He shakes his head, downing his whiskey and muttering nonsense to himself about not thinking with the wrong head.

It’s not that much later that Dutch is appearing on the balcony and silently motions him forward. Arthur leaves the bar behind and slips up the same stairs you’d disappeared on. Dutch says nothing as he leads Hosea and Arthur through the house.

The mansion is a maze more than anything. Arthur loses track of all the turns they take and the winding staircases they descend. Finally, Dutch stops them all in front of two large oak doors. He raps once on the door and then lets himself in.

A large, balding man with a shiny head is perched on top of a leather chair. He looms behind his desk, fingers steepled as he greets them all with a false smile. “Ah, gentlemen, so nice to finally meet you.”

Dutch grins and motions to Arthur, “This is the man who will be doing the transporting, Arthur.” Arthur’s eyes narrow in confusion but he says nothing as Dutch moves to Hosea, “And this is my associate, Hosea. He’s a lot better with money than I am, Mr. Crane. You understand.”

Mr. Crane lets out a boisterous laugh that makes Arthur’s ears hurt and nods his head, his cheeks jiggling with the movement. “That I do! Well,” he waves them forward when they linger in the doorway too long, “come in, come in.”

Arthur closes the doors behind them as Mr. Crane lifts himself from his desk. There are two couches positioned in front of an unlit fire. He takes one of them and Dutch and Hosea take the other. Arthur perches himself on the armrest of their couch, eyes surveying the office like it might reveal the truth of their visit.

“I trust Mr. Van der Linde has kept this all quiet?”

“He has,” Arthur grouses.

At the same time, Dutch says, “Of course, Mr. Crane. I promised confidentiality and Dutch Van der Linde is nothing if not a man who keeps to his promises.” Crane nods, looking satisfied and Arthur holds back a laugh at how easily he seems to trust Dutch.

“Good, good.” He dips his hand inside his jacket and Arthur’s palm instinctively drops to where his gun should be. Of course, they’d had to give up their weapons before they came into the party, if he does has a gun Arthur can’t do a damn thing.

But he doesn’t, instead, he pulls out the thickest stack of cash that Arthur has ever laid his eyes on. A loud thud resounds through the room as he slams the bills on top of the table between them. Arthur’s eyes widen and Hosea’s jaw nearly drops at the sight of it all.

This would be enough to get them out of St. Denis tonight. Shock sours quickly into suspicion. What the hell has Dutch signed up for? “Now, this is the first half. This is simply for accepting the job and,” he gives them all severe looks, “for your silence.”

Arthur shifts uncomfortably on his perch and waits for Mr. Crane to finish. “The other half will be given once the package has been safely delivered.” There’s a certain lilt to his words when he says package that has Arthur’s hackles raising. Whatever is getting delivered is not going to be good.

Crane turns towards the bookshelves on the wall and calls out, “Darling, won’t you join us?” Arthur figures the man must have lost his mind, they should just take the money and leave. But there’s a loud creak and something like metal gears grinding together. One of the shelves pops open and the panel swings forward.

You pop your head out, glancing towards Crane and then taking a step forward. Arthur, without even thinking about it, finds himself sitting up, and brushing some of the dirt off his pants from the ride over.

At first, he’s so confused by seeing you again that he doesn’t realize why exactly he’s seeing you again. Then you glance towards him, a knowing look on your face and it clicks. You’re the package. You’re what he’s meant to be transporting.

He glares over at Dutch, when exactly did they get into the business of trading women?

Hosea voices his doubts in a much calmer manner. “If I may, sir, why does she need to be delivered so discreetly?”

Mr. Crane laughs and your face twitches unpleasantly. You grimace, glaring at the back of the man’s head with something like murder in your eyes. He doesn’t know what he’s done to cause such a visceral look of hate and he doesn’t want to think about it. This whole situation is bothering him. You’re not here willingly, which means you’re not going to be transported willingly either.

None of this makes sense. Dutch would never have taken a job like this before, even when they needed the money. And there’s no way in hell a rich man like this one would want to pay a couple of grungy outlaws so much money. There’s got to be some sort of trick in all of this.

Cran clears his throat, “She’s a daughter of a, well,” he frowns and struggles for the words. “Let’s just say we’re in a hostile competition for a lot of land. This land, boys, could be very beneficial in expanding my business. He’s not interested in selling and, well, desperate times, desperate measures.”

You scoff, laughing slightly at him and rounding the couch. Dutch ignores you, Hosea looks uncomfortable, and Crane continues prattling on without missing a beat. “Should her father not pay me, she will be married to the associate you’re bringing her to. He’s promised me enough land and money to cover what I lost to her father. And if he does pay, she’ll be returned in time for her wedding here.”

Arthur’s eyes dart towards you and you send him a bitter smile. It makes him shift where he sits, hating the way your eyes bore into him. “I just need someone who's not afraid of getting their hands a little dirty to make sure she behaves while she’s delivered to my friend,” Crane glances over at Arthur. He asses him, the bulge of his arms in the suit and the scars on his face, whatever he finds must be satisfactory because he smiles over at Dutch.

Arthur stands, ready for Dutch to tell Mr. Crane that they’re not in the business of selling women off. But Dutch doesn’t, he smiles at Mr. Crane and reaches for the money, passing it off to Hosea to count. “Well, I do believe my friend Arthur is just the man for the job.”

“I think you’re right, Dutch.” He stands up now, pot belly nearly bursting the buttons of his shirt, and reaches for Dutch’s hand. “Pleasure doing business with you.”

Dutch smiles and takes his sweaty palm, “You as well, sir.” Dutch walks towards you and holds his arm out. “This way, my dear.” You glance between him and his elbow before rolling your eyes and reluctantly placing your hand on his arm. You follow him silently and obediently, no fight is left in you. Hosea follows after you both, a concerned look on his face.

Arthur remains in the office, standing dumbfounded and staring at the doorway you’d disappeared through. He’s struggling to process what just happened. Arthur has helped people get home safely before and provided protection. But he’s never been one to traffic a hostage.

Crane glances up, finally noticing him still standing there. He walks past him, patting his shoulder as he does and giving him an approving smile. “Don’t be afraid to take care of her should she get out of hand.” He’s nearly out the door but he looks back and adds, “Just don’t bruise her too much.”

Arthur’s fingers twitch for his revolver once more and he’s never wanted to shoot a man more. But he knows Dutch is waiting for him and he’d never make it out of here alive if he started a fight right now. Reluctantly, he makes his way out of the manor and towards where you’re all waiting for him.

He’s fuming by the time he stops in front of Dutch. He’s trying to help you onto his horse and Arthur finally realizes what the metal sound he heard earlier is. There are chains around your ankles and you can’t maneuver yourself on the saddle.

His eyes narrow and he glares at Dutch, “What the hell are you doing? We’re selling women now?”

Dutch glowers at the tone of Arthur’s voice. You watch them both passively, fiddling with the rings on your fingers and looking unbothered by the entire situation. “Watch yourself, Arthur,” there’s a clear warning in his tone but Arthur’s too upset to care.

They’ve done a lot of bad things. They weren’t good men. But this was just going too far. “We need this, Arthur. You want to get out of here, you want to keep our people safe?” Arthur let out a deep exhale, gritting his teeth together and nodding reluctantly. Dutch huffs, “That’s what I thought. We’re not selling anyone, Arthur. It’s a simple delivery.”

His jaw clenches as he watches Dutch struggle to help you again. “It’s not going to work,” you inform Dutch. You lift your skirts, flashing him the chains he hadn’t seemed to notice yet. Neither of you gets a chance to say anything as Arthur pulls out his gun and shoots the lock off.

He feels a little guilty at how startled you look. Your eyes widen until they look like they might bulge out. Your hands fly up to cover your ears as the sound rocks through you. It breaks violently through the silence of the night.

Dutch turns and gives him a stern look, “Have you forgotten the meaning of subtlety?” Arthur can tell he’s trying not to shout and drag any more attention towards you all.

Arthur glares at Dutch, something wicked brewing in his stomach. “The lady wouldn’t be able to ride a horse like that.” He mounts his horse and rides off without a look back. He can’t stand to be near you or Dutch any longer.

The reality of what they’ve turned into hits him like a bag of rocks and it makes him irate. They’ve never been these people. Never traded a person off like they were an object. He’s sure plenty of people in camp would have a problem with this. But he doubts Dutch will let them know the truth until the job is done.

And by then, everyone will be too happy with the money to complain. Dutch is nothing if not good at saving his ass. He’s hitching his horse as the rest of you ride into camp. He lingers by Diablo, resting a hand on the thick neck of the shire while Dutch helps you off the saddle.

His eyes narrow in on the way Dutch’s fingers glide along your waist as you jump down. You take a step back the second your legs are steady sending Dutch a dirty look that almost makes Arthur laugh.

He starts towards Dutch, ready to try and reason with him again. But he holds his hand up and walks away, not even giving him a chance to speak. Arthur lets out a rough sigh as Hosea comes up behind him.

He pats his shoulder comfortingly, “You should get some sleep, Arthur. You’ll ride with her to Strawberry tomorrow morning.” He almost walks off but he whispers a quiet, “I’m sorry,” before he goes.

Arthur glances towards you but you’re looking around the camp, eyes lingering on Javier as he sings by the fire. He swears he almost sees you smile but it's gone as quickly as it came. He takes his hat off, running his hand through his hair and letting out a tired sigh.

“Alright, come with me,” he starts towards the house. It takes a minute to realize you’re not directly behind him. When he looks over your shoulder he sees you with your skirts lifted, tiptoeing through the mud and trying not to get your pretty skirts dirty.

He rolls his eyes, storming back towards you. Your eyes widen at the look on his face and you stumble back a few steps. Undeterred, he bends over, throwing you over his shoulder and walking towards the house.

Your hands claw at his back, desperately grasping onto his shirt so you keep your balance. He storms up the stairs, ignoring the alarmed looks he gets from others in camp. He can already hear them whispering, wondering who you are and why he’s dragging you into his room.

They can make up whatever the hell they want. Arthur’s too pissed off to give a shit about rumors tonight. He drops you unceremoniously onto his bed and storms back out. He heads downstairs, rooting around in one of the chests for some extra clothes.

You won’t be able to ride to Strawberry in those ridiculous clothes. You’ll need some pants if you’re going to sit on the horse properly. He tucks the outfit under his arm and makes his way back to you.

When he opens the door your hand immediately darts away from his shaving kit and shoves itself under your butt. His brows furrow as he catches a flash of silver in your hand. He places the clothes down on the end of the bed, eyes drifting towards his shaving kit. Sure enough, his razor seems to be missing.

He lets out a sigh and you tense up, hand clenching around your prize. He briefly debates taking it from you. But he figures you should be allowed a modicum of comfort. Even if you did try and use it against him it’s dull, he hasn’t sharpened it in a while and you wouldn’t be able to do much damage anyway.

He lets you keep it, leaving you on your own without another word. He can hear the exhale of relief you let out when he walks away and it makes him feel just a little better about this. At least you’re not completely terrified.

You change into the clothes Arthur gave you. They’re a little big, but you appreciate the pants. It’s much better than the ridiculous dresses Crane had you in. You collect your dress and toss it out the window of Arthur’s room, watching it sink into the mud pit below. It brings you some satisfaction to see Crane’s pretty silk getting ruined.

You take off the jewelry you’d been given and stuff it into your boots. If you did manage to escape while you were traveling with Arthur then you were going to need some cash. You could sell off the jewels and hopefully, it would be enough to keep you comfortable.

It feels nice, to wear real clothes. Not being dressed up like a doll for once. You envy some of the women here, who can wear what they want. There is an appeal to the outlaw life. As long as you’re on the right side of it, which, currently, you’re not.

You slip out of the house before anyone has a chance to retrieve you. The whole night you were curled up around a dull razor with your eyes wide open. Spending a night surrounded by outlaws isn’t exactly restful.

You figure you might as well try and walk around before you’re on the back of a horse for the rest of the day. There are more people up than you’d expected. Luckily, you don’t see Dutch around anywhere. You don’t feel like having to deal with any more of his false charm or empty apologies.

The same man you’d seen strumming his guitar the night before is asleep next to the dying fire. A blonde woman catches your eye, she’s walking past some other women in dresses. They’re still asleep but she looks like she’s been up for hours.

There’s a bit of blood on her pants and you briefly wonder what she’d been doing. “Who are you?” She asks, surveying you from head to toe with suspicion in her eyes.

“A package,” you tell her bluntly, walking past her towards the only lit fire of camp. She follows you, a wry grin on her face as she watches you pour yourself some coffee.

“You’ve got a real attitude, I like it.”

You huff out a laugh, taking a sip of the burnt coffee and giving her a brief smile. “I’m sure my future husband won’t.”

She rolls her eyes and scoffs, waving you off. “Husbands, good for nothing. I loved mine but he was useless as a sack o’ flour. You’re better off without them.”

Your smile turns strained and you look down at your feet, at the boots that aren’t your own. You’ll never get to dress like this again. Or speak like this to a woman who isn’t afraid to voice what's on her mind.

“Yes, well,” you shrug and meet her eyes again, “I don’t seem to have much of a choice.”

Her eyes narrow and she frowns, “What’s that supposed to-”

“Mrs. Adler!” Dutch’s voice booms from across the camp and forces the others awake. Most of them grumble, but they’re quick to get started on morning chores. “I see you’ve met our guest,” he says your name with a flourish that almost makes you laugh.

He’s a good actor. He’s especially good at covering up his mistakes. “Yeah, what’s going on, Dutch? Who is she? Why don’t you guys ever let me in on this stuff?” She fires off questions rapidly, you almost don’t catch them all. There are clearly underlying issues here other than your unexpected presence.

“In due time,” he assures her, laying the charm on thick. But even you can tell he’s full of it. He’s not planning on letting her in on anything unless it benefits him. “And this is our guest, her fiancee has paid us handsomely to provide her safe passage back to him.”

He walks towards you, laying a hand over your arm and squeezing slightly. You give Sadie a stiff smile and let him lead you away. “I do believe it’s best that you just wait for Arthur, dear.” He gives you a look that lets you know it’s an order, not a suggestion.

Still, you play along, “I think you might be right, Mr. Van der Linde, thank you for the hospitality.” You run a tired hand over your face, sitting down on the stoop of the house and finishing off the rest of your coffee. Dutch watches you for a while, never straying too far from where you are and intercepting anyone who asks about you.

He spins quite the romantic tale of your lost love and how he desperately wants you back. You wish it were true, that you were living out some wonderful fairytale and were about to be reunited with the love of your life. Instead, it feels like one long walk to the gallows.

The wood creaks behind you and you don’t need to turn to see who it is. “Ready?” Arthur asks and you figure he means, ready to leave freedom and happiness and the will to live behind?

No, “Sure,” you toss the rest of the coffee into the grass and leave the mug on the stairs. You get to your feet and let him lead you towards the horses. He shares a brief look with Dutch as you pass by him but it doesn’t look entirely pleasant.

He makes his way toward a towering black shire and your eyes widen in horror. “What’s this?”

He works on saddling the horse up, not paying much attention to you. “This is Diablo.” You take a step closer and the horse starts huffing, swinging his neck towards you with his lips pulled back. You jump back a step back, eyeing him warily.

Arthur glances over and lets out a low chuckle, “He won’t bite. He’s just curious.”

“Mhm,” you give him a disbelieving look. “You’ll have to excuse me for being wary, I’ve not met a lot of horses.”

Arthur looks a bit shocked by your admission. “Really?” He questions, sounding doubtful.

You give him a brief smile and nod. “Hard to believe, I know, but I’ve lived a very sheltered life, Mr. Morgan. Haven’t had many opportunities for exploring on my own.”

He opens his mouth, looking like he wants to say something. At the last second, he stops himself, instead taking a step closer to you. You flinch away from him when he reaches for you and he lets out a sigh. “You can’t spend the next three days terrified of him, come on.”

He coaxes you forward and you reluctantly step closer to the beast. He chuckles at the scared look on your face. You don’t appreciate how much amusement he’s gaining from this. “Come on,” he mutters, taking your wrist and leading you closer to Diablo.

The damn thing is named Devil, how could you not be terrified of it?

“He won’t bite, I promise.” You don’t trust him but he doesn’t give you much of a choice. He presses your open palm to Diablo’s nose and you wince, bracing for him to lash out at you.

But he doesn’t, he lets out a soft knicker and it seems like he doesn’t even care that you’re there. You let out a relieved laugh, running your hand tentatively over his muzzle. It’s shockingly soft and oddly squishy.

He doesn’t seem to mind as you awe over him. You smile and glance over at Arthur but it drops when you see the odd look on his face. He seems perplexed by your reaction and you can’t fathom why. “You really never have ridden a horse before, have you?”

You shake your head, “No. I told you.”

He purses his lips and nods. You don’t know what it is about this that’s bothering him and you don’t care to ask. If he doesn’t believe just how strict your upbringing has been then fine. “Alright, come on, we need to get a move on.”

He leads you around to the saddle and helps you up on the back of the horse. It’s beyond odd, sitting on something in pants. Getting to spread your legs freely is something you are going to greatly enjoy during this journey.

Arthur takes off without much warning and you yelp, throwing your arms around his waist to steady yourself. He glances over his shoulder at you but says nothing. You turn your head, watching as the camp gets smaller and smaller.

The people mill about, greet each other, and break bread together. It hits you suddenly, this will be the last time you get to see people being free. If you don’t get out, if you can’t escape, your life will be filled with starched collars and powdered faces. You’ll never have a genuine conversation with someone again. You’ll be turned into pretty jewelry hanging off the arm of a man you never met.

The ride to Strawberry is three days at least. You have three days to get your plan together and to escape. You almost feel sorry for Arthur and the repercussions he’ll have to face losing you. But not sorry enough that you’re not gonna try.

Arthur’s speed evens out and you let your arms relax, easing away from him slightly. Your wrist jolts against the gun on his hip and you eye it curiously. If you had a gun there would be no doubt you could escape. You see Arthur’s fingers twitch on the reigns of the horse and you move your arms higher up his torso.

You doubt you’ll be a quicker draw than he is. He is an outlaw after all. You don’t think he’d have many qualms about delivering you to your fiancee with a few extra holes in your gut. Your mind drifts to the razor in your pocket and you consider it for a moment.

You’re sure you’d be quick enough to just whip it out and slit his throat. You sigh and dismiss the thought. You were a lot of things but you were not a murderer. There are lines you can’t bring yourself to cross. Besides, as wicked as what he’s doing to you is, you know he’s a good man.

It was an instinctual feeling. Mr. Crane and your father were both horrible, evil men. They knew nothing but greed and would never be satisfied by all the riches they reaped. They were the type of men you looked at and knew deep down that there was nothing left to save.

Arthur has undoubtedly bad things. You don’t become an outlaw without spilling some blood. He was weathered and rough from a hard life, but that didn’t mean there was nothing good left in him. You won’t have his blood on your hands, no matter how much you might want to get away from him.

As grateful as Arthur is for the silence, it is odd. He’s helped a few ladies find their way back home before and for some reason, they seem to think he’s the best listener in the world. It seems everyone who rides with him wants to tell him their life stories.

You’re completely silent, though. He has to keep looking back just to make sure you haven’t fallen off the back of the horse. You’re pretty complacent, following along with whatever Dutch said and coming along quietly. You seem beaten down, the fight dragged out of you.

He wonders what Mr. Crane had done to you. A few times, he’s seen just a glimpse of the spark that used to be there. But it was snuffed out before he got a chance to know it. He almost wishes you would talk. It would distract him from what he was doing right now.

It didn’t feel right, bringing you along to marry a man you’ve never even met. He has to keep reminding himself that it would have happened no matter what. Ladies like you are always sold off into a profitable marriage. The only thing he’s doing is switching up who the fiancee might be.

None of that makes him feel better, though. He should be helping you, not dragging you away to your worst nightmare. But, his people come first. The amount of money Dutch’ll get from this will be enough to get them all out of here. This could finally be the last score.

You gasp behind him and he whips his head around, immediately expecting someone to be following along beside you both. Maybe your father’s men or just some raiders. But he doesn’t see anything except a herd of deer running through the trees.

His brows furrow in confusion and he glances back at you. You’re watching them like they’re something spectacular. Arthur’s always been a fan of the quiet beauty of nature. He appreciates them in ways most folks don’t understand. But you’re looking at ‘em like you just found God.

“Never seen deer before?” He teases, chuckling a little at your reaction.

You startle, not realizing he had been watching. You clear your throat and look away from them sheepishly. He almost feels bad for ruining the moment for you. “No. No, I haven’t.”

He knows it's possible, but it’s astounding to him that someone truly lived their whole life in the city. It just doesn’t seem right. Cities are full of shit, smog, and bad people. Not even having a moment out of that your whole life seems like torture.

“I’ll just enjoy it while it lasts,” you mutter, eyes darting back to the tree line. But the deer are gone and you don’t look very interested anymore.

“Right,” he shifts forward, the air between you awkward. He’d only meant it in jest. He didn’t mean to remind you of what was about to happen to you. He doesn’t like the silence, not this time, it feels wrong. It makes him stew in his shame and that’s a nasty feeling.

Selfishly, he prods you for more. “A few days on the road, you’ll be eager for the city again.”

You laugh but there’s no humor to it. “I very much doubt that Mr. Morgan.”

“Arthur,” he corrects, “just call me Arthur.”

“Right,” your tone remains cold, “well if you don’t mind Arthur, I’d like to ride there in silence.”

He's got no other choice but to comply. If you don’t want to talk he won’t make you. He just wishes he could make this a little easier for you both.

Camping is something. You don’t have a word for it. It’s nice to be out in nature and embrace it for the first time in your life. But you really would not mind the comfort of your bed right now.

Rocks digging into your spine and head do not make for a good night’s sleep. You’ve been lying in front of the fire for hours, flipping around uselessly. It doesn’t matter how much you shift, the rock stays digging painfully into you.

You let out a loud huff, flopping onto your back and glaring up at the starry sky in defeat. At least the view is nice. In the city, you can’t see the stars. The smoke’s too thick and you never get a good look at them.

Out here, they almost feel fake. They’re so bright and beautiful, you thought the paintings in the museum had always been exaggerating just how breathtaking a night sky can be. But you were wrong. And you hate that there’s a potential future where you’ll never get to see this again.

“Would you quit squirming so damn much?”

You shoot up, resting on your elbows and glaring over at Arthur. He’s got his hat over his eyes, arms crossed, and looking like he’s been asleep for the past few hours. You hadn’t realized you’d been keeping him up.

“Some of us aren’t used to sleeping outside,” you hiss, throwing yourself back down to the ground. He doesn’t say anything for a while and you figure that’s the end of it. You clench your eyes shut, counting sheep in your mind and trying to force yourself asleep.

You hear boots crunching across leaves and your eyes fly open. Arthur’s standing over you, hands propped on his hips as he glares down at you. “Can I help you?” You snap when you get tired of the staring.

He scoffs and shakes his head, kneeling to be eye level with you. You’re startled by the proximity, an odd heat creeping up your neck. “Come on, I’m gonna tire you out. Maybe then you’ll get some sleep.”

You gasp, astonished at the audacity of his suggestion. “Excuse me?” You demand, tone incredulous.

His brows furrow before he shakes his head and rolls his eyes. “Not like that,” he grouses. “Get up,” he doesn’t give you much of a choice. He places his hand under your back, shoving you onto your feet. You stand with a slight stumble, glaring at him as you brush dirt off your shirt and pants.

You can’t help the snotty tone of your voice as you ask, “What are we doing?”

“Huntin,’” He answers gruffly, going over to the horse and taking the bow out of his saddle.

Your brows furrow as you recall the few stories your father told you of hunting bison. “Aren’t you supposed to use a rifle?”

He shakes his head and nods towards the treeline. You glance back at the fire before reluctantly following him into the dark forest. The moon is full enough that it provides just enough light for you not to be terrified of what’s lurking in the underbrush.

“Got a friend,” he tells you, kneeling and glancing at some tracks on the ground. “Taught me how to hunt properly. Bows are quieter, less disruptive, and they provide quicker, cleaner kills.” He looks back at you and motions towards the arrows, “Less pain for the animal.”

Your face slacks with something like astonishment. All you’d heard from your father was the thrill of the hunt, the satisfaction of the kill. He never mentioned keeping anything from the animal, using it for meat, or about how long it took for them to die. You’d never thought there was anybody who actually cared for the creature’s comfort as it died.

You suppose there’s going to be a lot about Arthur that’s different from the men you know.

“Arthur,” a twig snaps behind you, and your eyes widen. You drop your voice to a whisper, not wanting to draw too much attention towards you both. “I don’t want to kill anything,” you hiss.

“Ha!” He barks out a laugh and you purse your lips in irritation. He stands and looks at you, chuckling again before shaking his head. “I wouldn’t be so confident in your huntin’ skill, kid.”

You click your tongue and glare at him, “Don’t call me that,” you snap. It’s the same patronizing nickname your father loved to use on you and you detest it. He raises his hands in surrender and you roll your eyes at the smirk on his face. “Then what’s the point of this?”

He shrugs and heads further into the trees, you have no choice but to follow along behind him. “Figure you should be taught a few skills before I get rid of ya.”

You want to argue with him that there’s no point. If you are given to Crane’s associate, you’ll never set foot in the woods again. However, if you do manage to escape him, learning a few survival skills wouldn’t be a bad idea.

So, you keep your mouth shut and let him lead you through the forest. “How do you know where to go?” You ask, trying to figure out what it is he keeps looking at in the mud. He waves you forward, moving you so you’re standing directly in front of him.

“You see that?” You have to squint, relying solely on the light from the moon, to make out what he’s pointing at. There are some tracks in the mud that look vaguely like hooves. “It’s buck tracks, you can tell by the size.” He kneels and when you don’t follow he tugs you down by the sleeve. “You can’t rely on just the tracks, though. You have to look for other signs of ‘em.”

You glance around, noticing some crushed twigs and grass a few feet ahead. “Like that?” You point towards it and he huffs in amusement.

“Caught on quicker than I thought.”

You feel vaguely offended by that but don’t bother voicing it, just glare at his back as he gets up. You walk silently through the forest, letting Arthur show you which tracks to follow and which to avoid. You’re not comforted by how many cougar prints you find. You stare up into the branches always expecting something to already be looking down at you.

Miraculously, no wild cat chooses you for dinner as you track the buck down. You find him near a small stream, antlers dipping into the water as he takes a drink. He’s got to be one of the most gorgeous creatures you’ve ever seen.

You’ve lived your whole life in St. Denis. The most you’ve seen are overworked carriage horses and mangy dogs. No life slips through the cracks of that place. There’s just smoke and misery. This is nature, real beauty. It’s breathtaking, the way the leaves ripple in the wind and the starlight reflects in the water.

You can’t imagine seeing this and wanting to tear it down to put up an oily machine that contributes nothing to the earth but death. It just makes you hate your father more. It also makes you more resolved to not be forced back into that life. You can’t do it. You can’t have this one taste of freedom and then let it go without a fight.

Arthur pulls the bow out and nocks an arrow. You glance between him and the buck and rapidly shake your head. “No,” you hiss, “I don’t wanna kill it.”

He rolls his eyes and moves you in front of him. You don’t have much choice as he places your hands on the string and guides you into the right position. “Relax,” he murmurs in your ear as you fight against his grip. “You ain’t gonna kill it.”

It doesn’t bring you much comfort, but if you’re going to make it on your own, sometimes you’ll have to do something you don’t like. “Now,” his hand drifts down your bicep and you suck in a sharp breath. “Don’t hold it too long, you’ll get tired.”

It’s dawning on you just how close you both are. You’re kneeling on the ground with him behind you, essentially cradling your body to him. You’ve never been this familiar with a man before, it’s making your brain short-circuit. You can hardly pay attention to what he’s telling you.

He lifts your elbow slightly and points you towards the left. “You need to keep your arm steady even after you let go or your aim will be off. Take in a deep breath and release on the exhale.” You give him an apprehensive look, still not wanting to hurt the buck. He just nods and there’s something in his gaze that lets you relax slightly.

You release the string and the arrow flies over the buck’s head, burying itself into the tree behind it. Its head shoots up and it turns towards you both before dashing off. You let out an astonished laugh, glancing down the bow and then back at Arthur.

“My god, I’ve never shot anything before.”

“Congratulations, you’ve killed your first tree,” he remarks dryly, but you see the glint of humor in his eye.

He gets to his feet and offers you a hand up. You smile up at him, undeterred by his attitude. “Thank you for this,” you tell him earnestly. He gives you an odd look but nods anyway. He doesn’t understand just how important this is to you. Knowing how to do something like this is the difference between life and death when you’re on your own. Of course, he doesn’t realize you’ll be making an escape attempt soon.

He retrieves the arrow from the tree and you run your hand over the curve of the bow. You wonder just how much he’d miss this if you took it from him.

Arthur’s tearing down the camp and you’re standing by Diablo, feeding him some apples. You stroke absentmindedly over the horse's muzzle, watching Arthur intently. He’s too busy pulling the tent apart to be paying attention to you.

You got better sleep last night than you did at Crane’s. He was right, hunting had tired you out. You were eager enough to sleep that you didn’t even feel the rough ground underneath you. He seems to be a little more lax about his watch over you.

Something about last night must have eased him into a sense of comfort that you’re not going to run. That’s his own fault, though. You glance over the curve of the hill, noticing a carriage that will be passing by soon enough.

You look back at Arthur and ease slightly away from Diablo. Arthur is still collecting the blankets and rolling them up. He turns towards the dying fire and tosses the rest of the coffee out. You take another step back and he keeps his back to you.

Slowly, you release Diablo’s reigns, giving him one last apple before you turn on your heel and run down the hill. Your foot slips out from under you and you let out a loud yelp as you go flying headfirst down the grass.

You land on your back with enough impact to make the breath rush out of you. But your descent is still going and you’re flipping over headfirst into the road. You slide forward, the dirt scraping up your chin as you cough and try and catch your breath.

“Look out!” You roll out of the way just before the carriage rolls over you. Someone shouts your name from the top of the hill and you see Arthur glaring down at you. He starts towards you and you scramble to your feet.

“Stop!” You scream, waving your arms wildly and chasing after the carriage. The man gives you a bewildered look as you throw yourself at him. “Please, sir, I’ve been kidnapped, you must help me get back to my husband.”

The man looks behind you, sees a very angry Arthur bellowing out your name, and moves to the side. “Hurry up,” he urges, giving you a hand on the bench beside him. You let out a relieved breath, taking his hand and throwing yourself the rest of the way up.

He whips the horses, hurrying them along all the while Arthur is yelling after you. It’s not hard to believe that he would kidnap you. He looks half-crazed as he follows along behind you. You turn over your shoulder, giving him a brief wave and a smile. “Thanks for the help,” you tell the man beside you. You offer your hand and name.

He glances down at it but doesn’t take it, instead looking forward and ignoring you entirely. Something uneasy settles in your stomach but you push it aside. You blame the feeling on the adrenaline still pumping through you.

“Where are you headed?” You ask, glancing into the back of the carriage. You notice some moonshine and a crate full of guns but decide not to question it.

“Said yer husband’s waitin’ for ya?” He demands, completely ignoring your question. You stare at the side of his face but his expression isn’t giving anything away. He comes to an intersection. You see a sign pointing towards a town and figure he’s going to take it, but instead, he pulls onto a smaller trail leading to the woods.

“Um,” you clear your throat uncertainly, glancing back at the sign. “Yes,” your voice cracks and you know you sound like you’re full of shit.

He laughs and the sound sends chills down your spine. You rip your eyes off of him, looking down at the horses and suddenly realizing just what you’d gotten yourself into. “You sure about that, little lady?”

Something cold digs into your side and you gasp quietly, looking down to see a gun pressed against your ribs. “You scream, run, or do anythin’ to piss me off and I’ll put a fourth hole in ya.” When you don’t say anything he digs it harder into you. “Understand?” He growls and you can do nothing but nod your head.

You want to move, want to shove him off the side of the carriage and make a run for it. But you can’t, you’re frozen solid. You’re so petrified with fear you can’t even blink. You think you’re holding your breath, as if taking in air is going to set the gun off.

He grins, a blackened curl of lips over rotted teeth, at your obedience and comes to a stop in the trees. “What are you doing?” You whisper, staring at the secluded area with a newfound sense of horror.

“Shut up,” he snaps, his voice echoing through the quiet of the woods. You hear no birds or animals and you feel so alone it makes you want to cry. He gets off the carriage and turns towards you. “Down,” he demands. Your eyes dart towards the reigns of the horses and he pulls the hammer of the gun back. “Don’t even think about it.”

You lift your hands in the air, slowly slipping down the seat. He doesn’t appreciate you taking your time He grabs the front of your shirt, jerking you further into the trees and tossing you to the ground.

You let out a rough groan at the impact, blood staining your shirt as your elbow slips across a jagged rock. It’s like something is snapped loose in your mind. He comes stomping towards you, kneeling between your spread legs and it finally clicks.

You lunge forward with a shout and he rears back in surprise. You wonder how often someone’s actually fought against him or just let it happen. You don’t want to die, you don’t want to get shot by this scum, but there are a lot of things worse than dying.

You grab the arm holding the gun, jerking it around, and knocking it out of his hand. “You bitch!” He hisses, bringing his open palm down across your cheek. The smack rings through the trees and ricochets through the air. Your head whips to the side so hard you think you might have snapped your neck.

Blood dribbles out from your lips, your teeth having bitten into the fat of your cheeks. You spot the gun nearby, the silver of the barrel glinting from under the leaves. Just as you reach for it, he’s wrapping his hands around your ankles and dragging you back towards him.

You feel like screaming as your hands desperately grasp at the dirt underneath you. But there’s not enough air to scream. You dig your nails into the mud, feel them split against the rocks, and kick at his chest hard enough to make him lose his breath.

His grip on you loosens and you throw yourself at the pile of leaves. Hands groping for something solid. Just as he flips you over you wrap your hand around the handle of the gun. You pull the trigger and the bang is deafening.

Your ears ring and your hands are trembling from the recoil. His jaw goes slack and he tumbles on top of you. You let out a grunt, breath pushed out of you by his weight. You scramble against his chest, something warm making your hands slip as you struggle to roll him off of you.

You glance over, waiting for him to spring back up. But there’s something dark pooling around him and sinking into the dirt below. There’s a hole in his chest and his eyes are already flattening. You fall back against the earth, staring up at the trees above you.

The sounds rush back to you all at once. The birds singing, deers prancing somewhere in the distance. You hear a stream rushing nearby and let out a stunned laugh. There’s a smile on your face but there’s nothing to be happy about.

You think you might be in shock. Mind still trying to catch up to what just happened. You glance down at the gun in your hand and toss it to the side, not wanting it near you anymore. Only a second later do you reach for it again.

You struggle onto your hands and knees, checking over yourself for any injuries that you might be numb to right now. The only blood on you is from the dead man on the ground. You keel over, hands on your knees, and suck in a deep gasping breath.

You stumble back, limping towards the carriage. You dig around in the back of the wagon, tugging out a giant hunting knife and walking towards the horses. You cut them loose, keeping the rope on one of them and tugging yourself onto her back. You tuck the knife in your belt and nudge her side, leading her forward gently.

You don't even have time to process the fact that you’re riding a horse on your own. Your body is moving on autopilot. You can only think about getting ahead, getting away. What just happened will hit you later. You slump against the neck of the horse, adrenaline leaking out of you and exhaustion catching up.

He’s going to find you and he’s going to kill you. Leaving while he had his back turned. Getting on some carriage with a man you’ve never met before. How dumb do you have to be? You can’t trust people out here. Not when there are gangs, raiders, hell, he’s encountered a few cannibals.

For all he knows, you’re already dead and he’ll be delivering a body to the train station. The thought makes him curse and urge Diablo forward. It’s not hard to follow the tracks of the carriage, what concerns him is when they lead into the forest instead of the town.

“Goddammit,” he mutters, “the hell have you done woman?” He leaps off Diablo, figuring it will be easier to track you on foot. He follows the paths of the wheels, finding the wagon abandoned and the horses cut loose.

His brows furrow in confusion as he wanders around the side and spots a lump in the leaves. All he can see is the bottom of a boot and blood splattered across the orange of the fallen leaves.

His stomach plummets and he races towards it. But it’s not you buried under the foliage, it’s the man who offered you a ride. “What the hell?” He kneels, brushing the leaves off his chest and frowning when he sees the blood splattered all along his chest.

He doesn’t need to look long to figure out what killed him. He’s sure the bullet buried in his heart did the job. Arthur curses and stalks away from the man. There are prints where the horses were but there are too many to tell which one you might have taken.

He’ll have to rely on instinct to find you. You’re becoming a real pain in the ass for what was supposed to be a simple job. Still, he can’t help but be a little relieved that it was a stranger and not you lying dead on the ground.

He turns back onto the road, taking the turn into town. Someone on horseback rides past him, they look disgusted by something up ahead and it makes alarms go off in his head. He urges Diablo forward, running the rest of the way into town.

An unsaddled mare lazily eats some grass as the sound of a rushing river meets his ears. Diablo’s hooves sound off against the wood of the bridge. He finally sees what disturbed the other rider so much.

You’re sitting on the railing of the bridge, legs dangling dangerously over the edge as you stare down into the crashing waters below you. Arthur gets off his horse, approaching you slowly. He doesn’t want to startle you and have you go tumbling over the edge.

He calls out your name and you glance briefly over at him. Blood is splattered across your neck and the front of your shirt is soaked with it. He knows it isn’t yours but it still puts him on edge. “What’re you doin’ kid?”

You don’t answer him, “Did you follow me?” He eases up beside you, straddling the railing so he can catch you if you slip. He nods and you let out a rough sigh. “Is he dead?”

He scoffs, “Sure as shit hope so, don’t know how someone would survive that.”

A manic laugh bursts through your lips and you double over your head falling into your hands. Arthur surges forward, steadying you before you dive headfirst into the river. “Alright, let’s go,” he quietly urges you around. You don’t put up a fight, letting him maneuver you how he likes.

He gets you on your feet and leads you back to Diablo. You latch onto the horse's reigns immediately, stroking your hand over his mane. Your silence is concerning. Arthur doesn’t know what your regular behavior is, the most he’s seen of you, you have been quiet. This is different, though. He’s seen this sort of quiet in women before and it never ends pretty.

“You’re alright, come on,” he tries to keep his voice low so he doesn’t set you off. He keeps his hands light as they land around your waist, giving you help onto Diablo’s saddle. Your gaze is distant and you move like someone else is controlling your body.

He collects the mare you’d brought along with you and leads both horses into town. He’ll have to get a saddle for her, she already seems attached to you. And maybe taking a horse with you into the city will let you escape a little.

The town, at least, is on the way to Strawberry so he doesn’t have to worry about being too far off schedule. Though, that’s the least of his concerns right now. His eyes keep darting up to you. Waiting for you to try and bolt again or finally break down. It doesn’t look like anything is going on in your head, you seem completely distanced from the situation.

It’s a good thing for him. He can’t handle a distraught woman. He’s not a kind enough man for it.

He hitches the horses in front of the hotel. You turn in the saddle, staring down at him and waiting for a hand down. You slide easily through his hands, landing in the mud with a dull thud and heading up the stairs of the hotel without prompt.

He huffs and follows after you. He doesn’t know how to explain the blood on your clothes away and hopes he won’t have to. The man running the place, thankfully, doesn’t have many questions. He looks disturbed but keeps his qualms to himself when Arthur slips him a little extra cash.

Arthur guides you up the stairs with a light hand on your back, opening the door of the bath for you. “Alright, here’s your room key. I’ll be out for a while so, just,” he sighs, taking in the blank look on your face and shaking his head. “Try not to cause any more trouble.” You nod and close the door behind him.

There’s no worries that you’re going to make a run for it again. He’s sure whatever happened in those woods was scarring enough to make you want to go back to the city and never see country folk again. He wouldn’t blame you, there are some nasty people out here. Himself included, but he could never imagine hurting a woman like that. It just ain’t right.

He heads to the shop across the street, buying some new clothes for you that actually fight properly. The horses are brought to the stables and he goes ahead and gets a paper for your mare under your name. Diablo will be faster tomorrow if he doesn’t have to carry the weight of two people. You might make it to your handler in time.

Arthur still doesn’t feel right about this whole thing. Leaving you with a man you’ve never met feels even worse knowing what happened to you today. He doesn’t think you being so calm about it all is a good thing. Shouldn’t women react?

Dutch likes to tell him women are a more sensitive breed. He’s seen some tough ones in his life, but this seems like the time to be in hysterics if there ever was one. He heads back to the hotel, planning on just leaving the change of clothes in your room.

He passes by the bath and hears an odd sound seeping through the cracks. Frowning, he presses his ear up against the door. A man passes by him, giving him a disgusted look as he goes into his room. Arthur sighs but he stays where he is.

It’s clearer now, you’re crying and it’s hard to listen to. It's the type that makes it hard to breathe. That sort of crying makes your ribs ache and bruise. It’s wrong to keep listening to such a vulnerable moment. So, he does what he planned, drops the clothes in your room, and then heads to bed himself.

Sleep comes easier than he thought it would. It’s not as restful as he’d been hoping but it draws over him faster than it normally does. He’s always been a light sleeper, though. It comes from years of having to be on guard in case some O’Driscoll is gonna try and slit his throat while he’s asleep.

When he hears the door creak his hand is already on the trigger of his revolver as he shoots up in bed. The glow of the lamps outside illuminates what’s clearly a woman’s form. But he can’t see your face until you take a step further into the room and the moonlight provides some light.

“Arthur?” You whisper his name, peering into his room. “Are you awake?”

“I am now,” he grumbles. With a sigh, he shoves the gun back under his pillow and runs a rough hand over his face. “What'd ya want?”

You let out a low breath and rock back on your heels. “I’m sorry,” you mutter. “I just, I can’t sleep. I keep thinking he’s gonna creep out of my closet or bust through the door, I-”

You cut yourself off but he can hear the emotion thickening your voice. He clenches his eyes shut in irritation, arguing with himself over what he’s about to say. “You wanna sleep in here?” He mumbles reluctantly.

You close the door immediately, practically running towards his bed. “You don’t mind?”

You’re not really giving him a choice, but he’s not going to say that to you. “No.” He grabs a pillow and blanket off the bed and rounds the end of the mattress. You frown as you watch him toss everything to the ground.

“Well, what’re you doing?”

“What’s it look like?” He snaps, angrily gesturing towards the floor. “I’m givin’ you the bed.”

You bite your lip and he feels horrible instantly because you look like you’re about to cry. He’s not trying to be rude but you woke him up in the dead of night. What’d you expect him to say?

“I was sort of hoping we could share the bed.”

His eyes widen and he glares at you in disbelief. “You mean-”

“No!” You cut him off with an aggrieved sigh. “You fool, that’s not what I mean at all. I just don’t want to be alone, alright?”

“Look,” he scoffs and shakes his head. “I don’t think I’m the man you want to bunk with for company, alright. I’m not that kind of guy.” You glare at him and snatch his pillow and blanket off the floor.

“Don’t be so damn stubborn.” You aggressively fluff the pillows, throwing the covers back and gesturing towards them, your brow set in anger.

“Right,” he huffs, “I’m stubborn.” He reluctantly crawls into bed and you follow behind him. It’s not that he minds sharing a bed with a pretty lady. He’s just not the sort of guy you should be coming to for comfort.

He doesn’t think he can provide whatever it is you need at this moment. But you seem to think otherwise as you inch towards him slowly. He lays on his back, arms under his head as he watches you out of the side of his eye. You think you’re being subtle, slowly moving into his side until you’re flush against him.

He doesn’t say anything to object and you don’t bring up the proximity. He doesn’t want to admit it but it is nice having someone else beside him. He’s so used to camping out on his own. He hasn’t had anyone beside him in a long while. He lost interest in women of leisure a long while ago. And ever since Mary, he’s given up on any sort of intimacy.

He hates to admit it, but he finds himself easing towards the warmth you provide. The second you feel him reciprocating you’re inching a tentative hand around his waist, cuddling closer to him. He recognizes it for what it is.

He’s always been looked at as someone who can protect, at least by the gang. He’s their muscle. To most others, he incites nothing but fear. It should be the same for you. But after what happened today, you just see someone who can keep the monsters in the dark away.

He doesn’t mind being used like this. He wraps an arm around your shoulders and waits until he feels you settle to ease into sleep again.

Arthur figures you should both get breakfast in town while you’re here. He reasons you should enjoy a hot meal before you’re on the road again. You don’t point out that you know he’s just trying to ease you into the day.

You appreciate it, honestly, but yesterday wasn’t your first run-in with men like that. It’s become incomprehensibly normal in day-to-day life, even for a city girl like yourself. You’d cried everything out in the bath once you’d scrubbed your skin raw.

You don’t think Arthur will ever understand just how much his presence helped you last night. If you’d been on your own, jumping every time you heard the wood creaking outside, you’d have driven yourself over the edge. He protected you, even if there was nothing to be protected from.

You don’t think he gives himself enough credit. Ignoring the situation you’re both in and what he’s taking you to do, he’s a good man. While the caliber of the men you’ve met is questionable at best, he’s one of the best ones you’ve ever known. At the end of the day, he disagrees with the whole situation, but he’s doing this for his family. That’s admirable in its own way.

But, god, does he have poor conversational skills. “So, yesterday.” You glance up from your toast, brows raised in question. He clears his throat, eyes darting between you and his food like he can’t choose what to focus on. “That man, did he…”

He trails off and you feel your hackles rise. “Don’t worry,” you hiss, a bite to your words, “I’m still pure for my husband. Your pay won’t be docked, if that’s what you’re worried about.”

His hand clenches around his fork and his eyes bore into yours, “That’s not what I meant,” he growls. “I wasn’t worried about that,” he snaps, “I was worried ‘bout you, woman.”

You take in a deep breath, actively biting your tongue from saying something spiteful. He wasn’t being rude, that’s just what you’re used to. “I’m sorry,” you concede lowly. “Nothing happened,” you repeat without the attitude.

“Well,” he huffs and goes back to his breakfast, “good,” he settles on dully.

“Good,” you agree quietly, pushing the rest of your food around. You find your appetite dulled and you push the plate away. You lean back in the booth and stare out the window. The horses seem to be getting on well enough. “Did you name her?”

Arthur gives you an odd look and you nod towards the mare hitched next to Diablo. He swallows the food he’d been chewing and takes a swig of his coffee. “No, figured you’d want to do it.”

Your brows furrow and your lips quirk in confusion. “Why?”

“She’s yours, ain’t she?” He grouses.

You shake your head, “Nope,” you tell him, popping the p. “I just took her so I’d have something to get me to town.”

“Yeah, well,” he sounds less sure of himself and he’s looking like he made a mistake. “I thought she’d be nice for you to have with you in the city. A way for you to get around without relyin’ on someone else.”

You can’t help but smile, something in your chest easing away at the kind gesture. “I appreciate it,” he lights up a little at your approval, but you crush it in an instant. “But I can’t keep her, I won’t be allowed to. I’ve tried to have my own horse before, hard to control something that can get away from you,” you tell him blankly. There’s no emotion in your voice because it’s something you’re used to.

He looks slightly horrified at how blunt you are. He can’t comprehend not having that freedom but he fails to recognize that he’s got a leash of his own. You doubt a man like Dutch would ever let his main asset just run off to wherever he wants to.

A few people walk into the saloon, the women giving you odd looks when they see the pants on your legs. You smile cheekily at them, reveling in what you know will be a short-lived experience. You’ve never been on the receiving end of a judgmental look like that.

You’ve always blended in. Been the perfect wallflower for the men in your life. You were never something to gawk at or cause trouble. It’s a relief to stick out for once, to break the mould for the first time in your life.

Arthur clocks the interaction and chuckles. “Missin’ the skirts yet?”

“Not one damn bit,” you tell him, smiling as you take a sip of your coffee. “I’m going to miss being able to run around without having to lug an extra four pounds of fabric behind me.”

“Ya know, you could just wear some pants, you’ve got a choice.”

You grin patronizingly at him, propping your head on your chin and watching him finish the rest of his breakfast. “You don’t know city men very well, do you?”

“Glad for it,” he grumbles, distaste clear in his tone.

A laugh breaks through your chest, the first real one in a while. “I’m going to be marrying one, Arthur. I won’t have a choice in much of anything anymore.” You can tell he wants to object, tell you there’s always a choice.

He’ll never truly understand what’s going to happen to you, though. You’re no longer human once you’re married. You’re cattle and property, meant to be bred and shown off. You accepted your fate a long while ago. And after you’re failed escape attempt, you’ve realized this is what you were always meant to be. There’s no point in fighting fate.

“Don’t apologize or argue,” you tell him, no spite or bitterness in your tone, just the honest truth. “I don’t mind anymore, really. What place is there for me in this world, anyway? I can’t exactly take care of myself.”

“You did a damn good job yesterday,” he snaps back quickly. He doesn’t seem too keen on the way you’re talking about yourself. But you’re not lying. Yesterday was a wake-up call. If you let yourself get screwed over by a hillbilly that quickly then how were you ever going to make it on your own? In your defense, you were raised to be dependent, you never had a chance.

“Sure, but that was a one-off incident. I’m not going to run again, Arthur. There’s no point. And there’s no point in fighting against the way things are, they’re never going to change for me.” You take in a deep breath, the easy mood ruined by your sincerity.

“I’m just gonna wait by the horses.”

You slide out of the booth, leaving Arthur to stare pensively at his plate. You’ve nearly slipped through the door when Arthur calls out, “You should name her.” You pause at the doorway, glancing back at him. He’s settling the bill at the front and you walk back out to the horses.

The mare picks her head up as you walk towards her, ears perked and tail flicking. “Hey, girl,” you run a hand over her muzzle, admiring the sleek silver of her coat. “I guess I should name you.”

You run a hand over her mane and swing yourself onto the saddle. “How ‘bout Bullet, it’s how I got you, anyway.” A dark joke, but it eases the macabre feeling hanging around you.

Arthur walks out of the saloon, tucking his money away into his bag. He lifts himself onto Diablo, glancing over at you with a knowing glint.

“Name her?”

You resent how smug he sounds. “Bullet,” you answer reluctantly.

“Bullet?” He questions, tone incredulous.

You grin at him, “It’s how I got her.” There’s a slightly stunned expression on his face before it slacks away into something more amused.

He shakes his head and nudges Diablo forward, Bullet follows alongside him eagerly. “Clever,” he mutters.

“Not really,” you snort, running a hand over her neck lovingly. “But I think it works for her.”

“Your husband’s gonna have his hands full with you,” you know he means it in jest. The lightness of the conversation turns into something heavier. Realization sinks over both of you and the smiles slowly drop away. “I-”

“How much further to Strawberry, anyway?” You effectively cut off whatever train of thought he was going to follow, distracting you both from the truth.

“Half a day,” he tells you, frowning when you refuse to meet his eye again. Half a day. That’s all you’ve got to enjoy the last bits of freedom you have. You’re gonna take your damn time getting there, that’s for sure.

You slow down from the steady trot Arthur had led the horses into, easing Bullet into a slow walk. You’re slowly getting the hang of riding a horse. It’s easy when she’s so intuitive. By god, though, your ass is sore.

Arthur shoots you a questioning glance at the slow pace and you shrug. “Might as well take the time I’ve got left.”

“You’re actin’ like you’re on death row,” he chuckles.

“Aren’t I?” He falls silent and you don’t know what’s bothering him but you don’t have the energy to inquire.

He’s slowing you down on purpose, he knows it and you know it. Neither of you says a damn thing about it but it’s bugging him. He shouldn’t be this bothered by a job. He knows how to separate himself from what he does. He just can’t this time.

There’s something about you that glows. You’re sitting beside him on the peak of a hill, overlooking the roads below you, and laughing as you make up stories for the people that pass by. It’s a far cry from the beaten-down woman he’d seen at Crane’s house.

Even after what happened yesterday, you somehow manage to seem happier. There’s nothing about it that makes him happy. This feels like the last goodbye of someone who knows they’re going soon. The last bout of happiness before they just give in.

You’re not gaining your spark back, you’re just giving in to what you think is inevitable. But it doesn’t have to be inevitable. You could fight back you just refuse to. He’s sure growing up the way you have, you don’t think it's possible to stand up for yourself.

But you don’t have to give in like this. You don’t have to roll over and let someone else dictate your life. Which is rich, coming from him. He’s practically Dutch’s lap dog now. Even when he disagrees he still follows along behind him.

He shouldn’t even be thinking like this. He can’t criticize you for not standing up for yourself when he’s the one thing standing between you and freedom. “Not hungry?” You nod towards the uneaten meat on his knife.

He shakes his head, plucking it off the blade and passing it to you. You give him an odd look before popping it in your mouth. “Ya know,” you mutter around a full mouth. You take a moment to swallow it down before smiling over at him. “I’ve grown up with private chefs my whole life, but there’s is something infinitely more satisfying about this.”

He takes his hat off, running a hand through his hair. He snorts at your comment, “I find that hard to believe.”

“No,” you shake your head, insistent, “I mean it. Being out here, hunting the game myself, I don’t know, it’s nice.” You shrug and lean back on your hands, gazing across the way at the trees and river.

“You can always get a bow and go hunting.” He speaks to you like it's a cut-and-dry truth that you’re just not accepting. Your face screws up and you give him an annoyed glare.

“No. I can’t,” you tell him again. Where your words were patient before, he can tell you’re growing irritated at how much he’s pushing this.

“Yes, you can,” he snaps. “You don’t have to keep yourself boxed up in some manor in the city. Get out, woman, do something with your life!” His voice echoes through the air and you flinch back from it, lips pulling down into a sneer.

“You know, that’s really easy for you to say, Arthur. You have a goddamn choice. Sure, I grew up with a silver spoon in my mouth, little miss rich girl crying about being pampered.”

He lets out a rough sigh, “That’s not what I meant-”

You cut him off, getting to your feet and glaring down at him. “You got to grow up with a choice. What to do with your body, your life, your career. You get to have an education if you want it. Every goddamn door is open to you. You don’t get hated for not wanting to have a family. You get to choose. And as much as you insist I can too, you will never understand the position I am in.”

You kick dirt over the fire and head back towards Bullet. “It’s a double-edged sword, Arthur. Sure, my life might be comfortable, but it’s never really gonna be my life.” He stays there on the ground, too stunned to get up.

You glare down at him, impatiently waiting for him to get a move on. This isn’t how he wants things to end. He doesn’t want you to go off thinking he’s just some ignorant fool. But he is, much as he denies it, he’s always been a fool.

He should never have thought he could make a difference in your life. Not when he’s the one backing you into this corner. He could have helped you escape the very first night he saw you. But he was too selfish to let you go, now you’re both paying for it.

He mounts Diablo and you both head back to the roads silently. You’re moving faster now, leaving him behind if he lingers in one area for too long. You’re too pissed off to enjoy the rest of your day and he hates that he ruined it for you. You, at the very least, deserved a slower journey towards your future.

You’re in Strawberry before he’s ready, he’s sure you aren’t. “Hey, we could-”

“I think that’s him.” You cut him off before he says something stupid like spend another night in town before you go. He’ll miss you, he thinks. Odd, he’s known you such a short time but it’s been so different having someone beside him as he rides. It was nice, what he wished he and Mary could have had.

Arthur follows your gaze and lets out a tired sigh. Sure enough, some prim and proper ass is standing in front of the ticket station, foot tapping impatiently. He’s got a large bag beside him, gaze wandering around expectantly. He doesn’t doubt the man who looks like he’s got a five-foot stick up his ass is Mr. Crane’s associate. He’s got the same slimy glint.

You slide off Bullet and Arthur follows suit, taking the reigns of both horses and leading them towards the platform. The man’s eyes narrow in on you before lighting up. He calls out your name and it’s like a mask being dropped over your face.

The spark is gone once more, a subdued and demure smile resting on your face as you wave at him. “I apologize for my dress,” you tell him as you walk up the steps. “Pants were more conducive to such a long ride.”

He takes your hand, pressing a lingering kiss to your knuckles that makes Arthur roll his eyes. “No apologies necessary, I brought you a change of clothes. I figured you would be less than put together after such a journey. I’m only sorry I couldn’t accompany you.”

You scoff and nod along, “Okay,” you mutter, not believing a word of his bullshit. You take the bag from him and move towards the saloon to find a room to change in. They both watch you leave, though the other man with a much more devious glint in his eye.

Arthur’s hands tighten on the reigns of the horses, anything to keep him from reaching for his revolver. He’s already getting a bad feeling about this. There’s nothing trustworthy about the man in front of him.

“Mr. Finch,” he holds out his hand and Arthur gives it a distrusting look before reluctantly shaking. Finch attempts to squeeze the life out of his hand but Arthur can barely feel it. He tightens his own grip and revels in the way Finch’s face blanches.

“Arthur Morgan.”

Mr. Finch looks him up and down in the same way Crane had. He sees a commodity, not a person. “I trust,” he drawls, “nothing unsavory happened.”

Arthur feels rage bubbling in his gut. The only damn thing he cares about is whether or not you’re “pure.” Not if you were okay or injured during the journey. If he told him that he’d punched you out for talking back Finch would just ask if you were bruised.

“She’s fine,” Arthur grits out.

“Oh, good, good. Glad everything went smoothly.” Finch has a way of talking he’s found most self-important men do. He draws everything he says out, and forces you to listen to him speak. Makes you pay attention so he can pretend he has power for a moment.

His gaze darts behind Arthur and he turns just in time to see you slipping out of the saloon. The dress Finch has provided you is ridiculously large. It poofs out at the waist in a way that makes Arthur wonder how you’re going to fit into your seat.

You look beyond uncomfortable. Grimacing as you join them again. You try and plaster a smile on but it’s a struggle. You look to Arthur, a finality on your face that makes him want to throw you over his shoulder and run. He’s doing this for the others, he reminds himself. They’ll be on a boat to Tahiti in a week.

“Thank you, Mr. Morgan, for everything.” The smile you leave him with is real, if just barely. Something lurks under your words that Mr. Finch will never understand and Arthur knows it will drive him crazy.

“Let’s go,” Finch grabs your hand, looping it through his arm and tugging you towards the doors of the station.

“Wait!” Arthur calls out, feeling foolish when you both look back at him with perplexed expressions. “You’ll be wanting Bullet, won’t you?”

Mr. Finch answers for you with a condescending tone, “She won’t be needing a horse, thank you.” You give him a knowing smile, turning away and slipping through the doors of the station and onto the train.

Arthur stays rooted where he is, something crawling up in his chest and rooting around restlessly. The whistle blows and the wheels start cranking slowly forward. Arthur just barely catches a glimpse of you through a window as the train chugs past.

“Shit!” He hisses. He tugs himself up onto Diablo’s saddle and urges him after the train. He was born a fool, he’s always going to be a damn fool. But he’d have to be a complete moron to just let you go.

Mr. Finch keeps a painfully tight grip on your elbow, jerking you through the passenger cars and practically throwing you into your seat. You land with a thud, your arm bouncing against the window painfully. You keep a stoic expression, trying not to let him break you so soon.

He takes a seat beside you, straightening out his jacket and tugging on his tie. Something white flashes in his jacket pocket and you lean forward, perplexed when you realize what it is. “What is that?” You question, not quite believing your eyes. Finch glances down at the thick wad of cash in his jacket and grins.

“Oh, this? Mr. Morgan must have forgotten to collect the rest of his payment.” He sends you a condescending smile and you flinch away in disgust. “He was too enamored with my fiancee to pay much attention, I’m afraid.”

“That’s his money,” you snap, the volume of your voice catching the attention of a few other passengers. Finch sends them apologetic smiles, making you seem like a mad woman. “He earned that!” You object, eyeing the money warily.

His hand snakes out, gripping you tightly around the arm and dragging you towards him until your noses are nearly touching. You nearly gag at the smell of his cigar-infused breath. It’s not like when Arthur would smoke one, you didn’t mind that. But this was making you sick to your stomach.

“Let's get a few things clear, I will not be dealing with an obstinate wife. You can either get yourself in order or I’ll do it for you.”

Your lips pull back in disgust and you jerk yourself out of his grip. He’s not as strong as he pretends to be and you’re not going to be scared into submission again. “I’m not your wife yet. My father still has time to pay.”

He laughs at you, spittle flying from your lips and sprinkling across your cheeks. “He has time to pay, but that doesn’t mean he’ll be getting you back, sweetheart.” Your eyes widen with the realization and you want to throw yourself off the side of the train.

You never had any chance to get out of this situation. Mr. Crane was always in control of it all. To even think of having a hope of getting back home was foolish. To believe for a second that you were going to escape this had been utter idiocy.

He sees the crestfallen expression and sinks into his seat with a satisfactory look on his face. He thinks you to be subdued. But now you’re nothing more than a cornered animal with no other choice of escape. You’ve got nothing left for you, nothing to hold onto.

As much as you’d thought you’d bonded with Arthur, you were still nothing more than a job to him. You were nothing more than a commodity to be traded between men. You would never have a say over your life.

You have nothing, you doubt you ever actually had anything left for you. You glance over at the man beside you and feel a cool dread blanket itself over you. Nothing left to lose.

There’s a solid weight tucked into the bodice of your dress. Its cool metal has been warmed by your skin. Its handle curves around your ribs and it only has one bullet left. You reach down the front of your dress, fingers curling around the revolver you’d stolen from a dead man.

Finch glowers at your inappropriate behavior “What are-” You pull the gun out, turning it on him. He jumps back in shock and throws his hands in the air on instinct. “Please-” you revel in his pathetic pleading only for a moment. Pulling the trigger a second time is surprisingly easy. The screams that ring out through the train car are less enjoyable. “Shit!” He cusses, hands coming up to try and staunch the flow of blood pouring from his stomach.

You slip your hand into his blazer, stealing the money before he can object. You run out of the passenger car, leaping to the flat car with all the cargo. It will take a few minutes for them to catch onto what happened and figure out where you went.

You don’t know what you’re going to do now. You’re stuck on a moving train, there’s nowhere for you to hide. You hadn’t thought when you’d shot him, you just wanted that smug look on his face to disappear.

“Where is she?” You hear the guards shouting out your name, flipping over crates to find you. They’re still at the front of the train, but you don’t have long until they start moving back here.

God, what have you done?

You just know, if you made it to that train station, you were never going to make it out. His men would be waiting there to transport you. You’d be watched every second of your life, you can’t do it again. You can’t be locked in a gilded cage, that’s not a life worth living.

There’s no escape for you. Nowhere left to run, nowhere to hide. You glance over the left side of the train. There’s a slight dip into a deep ravine. The crashing water looks almost peaceful from up here.

You don’t know if it would be a quick death but you know it would be merciful compared to what’s waiting for you at your last stop. You keep your eyes on the water, see yourself taking control of your life for the first time, and take a step up on the rail.

Someone shouts your name from the right side of the train and you gasp, arms circling wildly as you almost go toppling over the edge. They shout your name again, panic laced in the tone. This doesn’t sound like Finch or any of the other guards. You whip around and find Arthur riding his horse beside the train.

“What the hell are you doing, woman?”

Your brows furrow in confusion and your eyes dart between him and the ravine. “Jumping! What the hell are you doing?”

His gaze narrows and he shouts to be heard over the rumble of the train tracks. “Stopping you from being a goddamn fool. Get over here!” You hear the guards getting closer as they storm down the rest of the train.

You don’t have long to make a decision, you can already see his horse struggling to keep up with the speed of the train. There’s a bridge coming up in a moment, he won’t be able to go any further and they won’t be able to come after you.

It’s a split-second decision, one that has you pushing off the railing of the car and rushing towards him. You don’t have time to doubt yourself or plan this out further, you take a running leap off the train, towards his outstretched arms.

He barely catches you in time, jerking on the reigns of the horse and bringing him to a sudden stop before all three of you go tumbling into the water. Shots fire off on the train, but they’re gone before they can do any real damage.��

Your chest heaves as you dangle from his arms, fingers digging into his shirt desperately. Your heart is pounding so hard against your chest that you almost can’t hear what he’s saying, but you get the gist of it.

“The hell were you thinking? Trying to jump off the damn train! You’re a fool, woman.” He tugs you onto the saddle the rest of the way. As much as he tries to sound angry you can feel his relief in the way he squeezes you close to him.

“Thank you,” you whisper, head sinking into his neck and breathing in the familiar scent.

He sighs, struggling between yelling at you more and just enjoying the fact that he got to you before you did something neither of you could recover from. “You’re welcome, just,” he pauses, holding you a little closer, “don’t be so damn stupid again.”

You laugh and it’s a little wet as tears start to pool in your eyes. “I’m not planning on it.” You sit up, easing away from him and glancing over your shoulder. You watch as the train grows smaller until you can only see a plume of smoke and nothing more. “What the hell are we going to do?”

He sighs and turns the horse around. You maneuver yourself around, facing forward and pushing back against him. “I don’t know. Dutch ain’t gonna be happy about you comin’ back with me.”

You bite your lip, a hundred different possibilities swirling through your head. You’ve never been able to make a choice before, faced with it, you’re overwhelmed with options. You can’t pick one so you blurt out the first coherent thought you have.

“What if we don’t go back?”

Arthur stills behind you, “What?” His tone is low and filled with something you know means he’s ready to say no.

“Just for a little while,” you rush the words out quickly, trying to fight for a chance to get him to listen. “We can send this to the camp,” you tug out the wad of cash you’d stolen from Finch and Arthur barks out a laugh. You feel his chest tremble behind you and it makes you grin.

“Did you steal his money?”

“Your money, technically,” you correct, grinning over your shoulder at him. “Besides, he doesn’t need it anymore.” He gives you a concerned look but you just wave him off. “We can send the camp some money and go off on our own for a while.”

“I don’t know, kid.”

“Don’t call me that,” you interrupt, glaring at him. “It’ll only be for a little while, Arthur. Come on, I’m free for the first time in my life, enjoy it with me.”

He looks uncertain and you know it’s an odd notion to him, putting himself first instead of the camp or Dutch. You’re sure he’s never done it before. Breaking away from them instead of going about like the loyal soldier he is.

“Just a little while?”

You nod, turning just enough to tuck the money in his pocket. “Just a little while,” you swear.

“John Marston!” You frown, turning away from the oven and glancing out the window. Arthur’s grinning by the gates of the horse pen, leaping over the wood, and walking out to greet someone. You abandon the stew, heading towards the door of your home.

Outside are two horses, one with a woman and her son, and an abandoned one. The owner is currently bringing Arthur into a brief embrace, John, you presume. Arthur’s told you about him a bit. They weren’t always close but it was getting better before Arthur went away.

Sometimes you feel bad, having dragged him away from everything he was familiar with. You meant it when you said you only wanted to be gone for a little while. You knew if you went back immediately there would be hell to pay with Dutch and you’d both be put to work.

You’d be going from one owner to another. All you’d wanted was a few weeks on the road on your own. But a few weeks turned into six months and then a year, and it was Arthur telling you he couldn’t go back. He couldn’t stand what the gang was turning into. What Dutch was turning into. All you’d given him was an excuse to finally get out before it all blew up.

You walk down the steps of the home Arthur built, wiping your hands off on your apron. You give a brief wave to the woman you assume is Abigail. She waves back, slipping off the horse and helping Jack down.

Arthur pulls away from John, turning towards you and motioning you forward. John gives you an apprehensive look. “Do I know you?”

Arthur gives him your name, throwing an arm over your shoulder and pulling you in closer. “That job Dutch got from Crane.” John’s face lights up with recognition and he smirks.

“I see,” he shakes his head and gives Arthur a knowing look. “It’s always a woman with you, isn’t it?” You snort at how aggrieved Arthur looks. “Well,” John turns towards you and smiles, “nice to finally meet the woman that got him under control.”

“Nice to meet you too,” you smile lightly at him, pulling away from Arthur. “Are you going to be joining us for dinner?”

“No, he’s not,” Arthur answers at the same time John says, “I would love to.”

Arthur and John share a look you can’t understand. You glance past John and wave Abigail forward, “Come in, please. I’d enjoy the company.”

“Forgive my obstinate husband, he tends to linger where he ain’t wanted.” She brushes past him and you lead her inside your home. Leaving Arthur and John to bicker outside. Jack stays outside, smiling up at Arthur. You know he’s missed the boy, you’re sure he’s okay entertaining them for one night.

Abigail helps you set the table while Arthur and John catch up over a bottle of whiskey. Arthur tried to pull out a cigar but you’d shut that down quick. He’d had a cough a little while ago and the doctor advised cutting down on tobacco if he wanted it to go away. You know it’s hard but you’re cracking down on how much he smokes.

“We got the money you sent,” John’s telling Arthur as they come over to join you all at the table. Jack eagerly hops into the seat beside Arthur before you can snag it and you grin. “Dutch blew it all and wouldn’t tell us on what. He kept saying we still needed another score.”

John shakes his head and the distant look in his eyes makes your stomach churn. “You’re a lucky bastard you got out when you did, Arthur, truly.”

“Hosea?” Arthur questions and you grimace at the look on John’s face. You can see Arthur deflate as John shakes his head.

“There was a bank robbery, Molly told the Pinkertons we were going to be there, he didn’t make it.”

Arthur’s hand clenches around the fork and you wish you could say something that would make him realize it’s not his fault. “I should have been there,” he mutters.

“Wouldn’t have done anything, man. Hosea had given up in the end. We all had. It was so damn divided, the family was gone.”

“Still.” Arthur insists, glaring down at his plate like it had offended him.

“No,” to your surprise it’s Abigail that snaps. “Dutch was gone and that bastard Micah just kept pushing him over the edge. The only thing you would have done is get yourself killed. You’re damn lucky Arthur Morgan.”

You’re sure he’ll still blame himself later. Reason a hundred times over that had he been there something would have been different. Even if it was him on the other end of the gun he’d be happier knowing someone else hadn’t died when it could have been him. You couldn’t stand that these self-sacrificing ideals Dutch had drilled into him were still present.

But you know Abigail and John help ease the guilt slightly. It’s on Arthur to let it go entirely, though you doubt that will happen anytime soon. John picks up on the change in mood, he’s reluctant to let the night sour so soon.

He turns towards you with a look that makes you feel like you need to prepare for trouble. “So you did all that to escape getting married. And then you marry this moron?” He motions towards Arthur and you can’t help but laugh.

“John!” Abigail snaps but he only smiles at her. You can see the way she fights the twitch of her lips and it makes you smile in turn.

You correct him, “We’re not technically married-”

“Might as well be,” Arthur argues, glaring at John. You reach across the table, taking his hand in yours and gently squeezing. You can’t help but laugh at him.

“Yeah, we might as well be,” you agree. “But it was never about not wanting to be a wife. I just wanted to have a damn choice. That’s what I got out here. I can hunt or cook. Sew or go out and make some money. And it’s a lot nicer being a wife out in the country than it is in the city, I’ll tell you that much.”

“Here’s hoping,” Abigail mutters. She glances towards Arthur, “That’s why we’re out here. We got word from a few people that you might be lurking around here. John’s thinking of getting a house, really settling down.”

Arthur sighs, leaning back in his chair and glaring at John. “That’s why you’re here? You want a handout,” he accuses.

“No!” John snaps. “Dammit, Arthur, why you always gotta assume the worst of me?”

“Because it’s usually true,” Arthur mutters. “If that’s not what you want then what is it?”

John purses his lips and lets out a spluttering breath. “A loan,” he lands on, struggling to find the right word.

Arthur barks out a laugh, slapping his hand on the table and poking a knowing finger into John’s chest. “I knew it!”

John swats his hand away and glares. “Look, Morgan, I only need a little. Just to buy some animals, get started on the house.”

“What’d ya want Marston, my whole damn house?”

Abigail lands a gentle hand on your arm and nods to the porch. “They’ll be at it for a while.” You nod and leave the table, following her to the swing out back. She settles down on it with a sigh, gazing out at the trees that line your home.

“You’ve got a nice life out here.”

You smile fondly, “I like to think so. We’re thinking about getting a few cows, maybe starting a proper ranch.”

Her face lights up at the idea and she laughs. “That’s what John wants. It’s unbelievable how similar they are, they’re too thick-headed to see it.”

You can still vaguely hear them bickering inside the house. You peer inside and see Jack sitting at the table, watching them both with an entranced expression. You can’t help but grin at the look on Arthur’s face. He’s laying into John but he looks happier than you’ve seen him in a while.

You know he’s missing everybody, has been for a long time. Maybe if Abigail and John are close by he’ll have that sense of familiarity again. “The others,” you start, turning back to Abigail. “Charles and Sadie, what happened to everyone else?”

“A few of them are living good lives, some of them aren’t. Most of them are drifting, not ready to give up the outlaw life just yet.”

“It’s hard to watch the world change while you’re still stuck in the same spot.” You brush some hair out of your eyes and smile at Abigail. “Me and Arthur are gonna help you and John. But I’d like it if you were both close by. It would be nice to have someone familiar near us, we’re pretty lonely up here.”

She gives you a brief smile back, “I think that would be nice.”

John’s voice picks up from inside and you jump, “Oh that’s a load of bull-”

Abigail’s smile drops and she leans over your shoulder to shout, “Watch it!” at John. You laugh when you see the perturbed look on his face. She motions towards his son and Arthur gives John a smug look.

“You gonna help him?” You ask Arthur as you settle into bed later. He opens his arms, pulling you into his embrace once you’re settled under the covers.

“John?” You nod, brushing a strand of hair out of his eyes. “Yeah, ‘course I’m gonna help him. But there’s nothing wrong with jerking him around a little bit first.”

You roll your eyes and shake your head, tucking yourself under his chin. You almost think he’s asleep but then he’s speaking up again. “We should really do it.”

You pull back, brows furrowed in confusion. “Do what?”

There’s a certain look in his eyes that causes something to swirl in your stomach. It’s not an unpleasant feeling, just an excited one, “Get married.”

You give him a bewildered look, shaking your head in disbelief. Nearly five years you’ve both been living out here and he’s never once mentioned getting married. You never thought you two actually needed it. You always knew what you were to each other, how much you meant to one another.

You were each other’s salvation. There’s no telling what graves you would be laying in were it not for Dutch bringing you both together. You hadn’t thought he wanted to be married, he always told you he’d given those dreams up. “You really mean that?”

He shrugs like it’s the easiest decision in the world. “Might as well, right?”

You shake your head, but there’s no fighting the way your lips curl up. “You’re a fool, Arthur Morgan.”

He nods, dipping his head down to press a gentle kiss on your temple. He treats you so gently, it makes you want to cry. But then he goes and says something ridiculous like, “Yeah, a fool for you,” and he makes you laugh.

You tug him down, lips nearly touching his. “Yes,” you whisper, “I’ll marry you.” You were always scared of living a life like this. Being tied to one man for the rest of your time on earth. But he’s not some city man looking to make you into a pet. He lets you live, breathe, and be free. He’s a partner not a warden and that’s all you’ve ever wanted.

#Arthur Morgan x reader #arthur morgan x you #arthur morgan imagine #Arthur Morgan #rdr2 x reader #rdr2 x you #rdr2 imagine #rdr2 #red dead redemption 2 #Red dead redemption 2 x reader

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capslocked · 11 months ago

Text

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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