#i need him back in the house now!

[edorazzi]

More Thunderbirds Are Go! With an idea I couldn't shake; Kayo being the only one qualified to escort Penny to society events and "discourage" potential suitors (while shamelessly stealing Gordon's girl)! 🌸🗡️

The boys are all cute but Scott will have half a drink then idly drop some unhinged traumatic experience into polite conversation; Virgil will start lowkey stalking the unvaccinated guests; John hasn't come out of hiding since the Charity Auction Incident™; Gordon will free the buffet crabs into the ocean before showing off "cool" x-rays from the time he broke every bone in his body; and Alan will eat too many desserts, feel ill, then end up hiding under the table to play video games. Kayo is Penny's only hope of preserving any dignity! 😮‍💨

[buttercupshands]

rewatched Kurogiri's holiday story from ultra impact (not related to sketch at all)

(but it did inspire me)

on another note

finally!!

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[wtfforged]

i can draw whatever i want

[little-pondhead]

DPxDC Prompt:

[this is a long one please forgive me]

Bruce lied to the others about his trip through time. Not all of it! Just…one specific thing.

During the early parts of his timeline hijinks, before Tim realized Bruce was still alive, he had a bit of a respite in between his endless time jumps. (Maybe a certain ghost was helping him out.) With a fuzzy memory at best and a strange itch to investigate the unknown, Bruce had been taken in by an old couple who had no kids but wanted to pass on the family name. And who better than a thirty-something amnesiac stranger who could actually be related by blood?

Bruce, with nowhere to go, accepted his new name, grew out his hair, and quickly got accepted into college for engineering. There, he met two of his closest friends; a redheaded woman who could kick his ass and a wet chicken of a man who could also kick his ass. They both made him nostalgic for something he didn’t remember, and that made him sad sometimes, but the two were always there to cheer him up.

Years passed, and Bruce’s life moved on. He settled well into his new name, mourned his parents when the eventually passed, celebrated his wedding with the redhead, and grieved when the last of their trio fell out of touch. He had a daughter, and then a son! They were both so smart, even if they didn’t share the same passion he had for exploring the science behind the afterlife. (Something about the dead just itched his brain in an infuriating way, and Bruce wasn’t one to let sleeping dogs lie. He just had to find out why he was so obsessed with this stuff!)

Eventually, his and his wife’s research yielded results, and that’s when bits of Bruce’s former life started coming back to him. After the portal opened, he spent his days with his head in a fog, oblivious to the world around him as he struggled to continue his work.

Why did he remember a boy named Dick? Who would name their child that? And Jason…who was Jason? That name always made him sad. There were more names, more faces, but none of them were his. He could never remember what his name was supposed to be. All he had was the one his adoptive parents gave him.

His wife was worried. His daughter was struggling. And his son…his son sometimes hurt to look at. Bruce didn’t know why. He knew he was being a terrible father, but something in him wanted to cry whenever he gazed at those clear blue eyes, just like his own. His son was too smart for his own good, and realized his dad had started avoiding him.

The day his son purposely left the room so Bruce could relax was one that hurt him even now.

Time kept passing, and Bruce was becoming anxious. His brain fog was as bad as its ever been. He had constant headaches, and his hands kept twitching for nonexistent tools on his belt. Something was going to happen. Something had happened. A voice in his head told him it was all his fault.

So in an attempt to clear his head and spend more time with his family, Bruce insisted they all go to dinner at the local diner. His son invited his friends. Even better! More people meant more distractions from his messed-up thoughts. He wouldn’t spiral with the kids around.

And then something exploded.

The last thing Bruce remembered was his son’s (green??) eyes widening in fear and horror as something yanked him violently backwards. He fell farther than expected, through a portal and a green sky full of black stars. A hand tightened on the back of his jumpsuit, hauling his giant body through another portal with a roar of a motorcycle.

And then…and then…and then what?

All of a sudden, Bruce was sprawled in some mud in the middle of a forest, dizzy and coughing from the explosion’s fumes. He’s singed all over, and his ears still rang from the force of the…what happened again?

Bruce sits up, and all of a sudden, he’s in the era of the pilgrims. His memory has been wiped clean, his new name and family forgotten thanks to the hands of time. His adventures through the time stream continue, with him assuming many different identities throughout many different decades.

The memories of being Jack Fenton don’t return to him until he’s back in 2004, once again in his own time and living as Bruce Wayne. A glowing green sticky note informs him that “The Nasty Burger Incident” had just occurred. His “other self” just had his ass dragged to another era, so the time loop would continue.

It also informed him that he had an orphaned son crying for him at Bruce’s own grave.

Well, his forgotten son (that sounded bad, even to him) was supposed to be about fourteen now, right? Bruce hopes he doesn’t have to fight anyone for custody.

[lavellane]

thinking about how that solavellan ending actually Works for lavellans who want that hopeful ending but arent as forgiving abt the whole situation as veilguard presented it. and i do think in ashara's case, yes, she goes with him out of love, but more so out of duty. post trespasser she drops the name lavellan in favor of her family name, dhavise, since her place in the clan had already been cast into question and her allegiances with the chantry/solas are cause for doubt as to whether she's even welcome back anymore. but i think by the end of veilguard she's reaffirmed her identity as Lavellan no matter what, and truly does see herself as the Keeper of not just her own clan but of her whole modern people, and with that rekindled purpose she chooses to watch over them all by way of watching over fen'harel. protecting them by protecting him from himself. which ironically is the reason the dalish HAVE keepers in the first place

[imavikingo]

I was thinking on when Steve lost Bucky for the 3rd time (1st when he was drafted, 2nd when he was told he was MIA, 3rd when he fell) he tried to get drunk to forget, right? If he did that then...

What did he do when he lost him for the 6th time? (4th when he escaped, 5th when Bucky was in cryo, 6th the snap)

I mean technically Bucky died twice, but Steve lost him six times already.

And of he tried to get blind drunk once of those times- did he self-harm in other ways too?

To dull the pain? He can't get drunk, he heals quickly, he can't die easily either, so what did he do?

He wouldn't want to die when he knows for a fact that Bucky is alive ofc, but I can't see him acting normally or without a little bit of reckless energy.

To dull the pain and disappoinment (he can't feel like that, that's Bucky's choice -Cryo-. But how it hurts him tho).

(unrelated to this line of thought but it is relevant to the idea regardless)

That's why I can't fathom the idea of Steve abandoning Bucky in endgame.

He lost him 6 six (6) times already and he just... Went away? To a woman he only kissed once? After all he did for him, the pain and loss?

Even if you don't ship them, you have to think that to be really ooc on Steve's part. Everything in his character arc in the MCU is related to Bucky (and loss). Yes he liked Peggy, but he didn't suffer nor mourn her the same way he mourned Bucky (She was alive, but had dementia and was also very old, and had her own life).

His feelings for Peggy were more a "what if" and lost possibilities than anything.

She was an idea, a fantasy (that's why Wanda used that when fighting with him, right?). Not something real.

He wanted to be with her, but he didn't really knew her or love her (at least I don't think so).

She was the first woman that saw him for him after all. Before everything. But that's it.

He liked her for that (and her strong personality too) but did he love her? He didn't try to get on dates after he was defrosted because he knew people would only see Captain America, not Steve Rogers. He needed to represent an ideal and knew no one would understand (the pain, loss) and have the patience to be with him. That’s why he also highlighted the shared life experience thing.

So she was comforting, reassuring in a toxic and unhealthy kind of way (memories and fantasy aren't healthy when used like that). But still a what if and lost opportunity. He had to let her go at one point. And he did(!) But they had to fuck it up…

I mean... it's the same thing when you're still hung up on an ex. You want to think of the possibilities, the what ifs, the "what could have been" But when you go back to them nothing is like you remembered, nothing is like you wanted and you are dissatisfied and disappointed.

(Because all of that was in your head, it wasn't real).

And besides, he knew she had a life of her own (a fulfilling one at that) so what, he was selfish enough to fuck that up too? Without helping HIM? Without saving HIM? Abandoning HIM? After just being brought to life? After grieving him for another five years? Bucky was his best friend, his companion, his best pal…

He wouldn't do that to him. He would die before hurting Bucky (as they already stablished for most of the fucking movies) He even was like “You don’t understand” when Peggy talked to him in the bars ruins.

I think in canon (not ooc/EG)Steve would entertain the idea, but would decide to just keep it as that: An idea, a fantasy. And move on like he already did before.

Also the idea that it was a Peggy from an alternative universe is flawed because he abandoned HIS Bucky, even if in the other universe he helped or whatever.

In HIS UNIVERSE he abandoned his best friend? Not believable. And the logic of “oh it didn’t change their timeline because it was another one” is also stupid.

They already fucked up with Steve fighting 2012!Steve and also telling him about Bucky (creating another universe more than likely). And they were supposed to be undetected. Not create new universes. Thats also why I’m so keen on the idea of Steve being in a prison or something. He already fucked up once, twice if you think he went to the past to stay.

How can he be free while fucking up the timelines? Yeah, nah.

Also… they implied Steve can’t age in a movie if I remember correctly…. How did he become old?

And the idea that he went to Peggy because “Tony told him to have a life outside of captain america” is fucked up. So what? He relates his Bucky’s existence with work? FUCK OFF. Endgame Steve is fucked up and the worst character assassination I’ve ever seen.

They were just too annoyed with the fans because we ship Stucky (even tho they used that to promote the movies in panels and stuff, hypocrites -​I remember clearly the producers? of the movie talk about gay characters and the actors talk about Stucky in those panels for then…be one of the russos in like 1 second and have that shit ass, fuck ass ending for Steve and Bucky. That shit was vile-).

im also annoyed with some people that now shit on Steve when umh… did you see the movies? The other movies? Not only Endgame? (Btw the only one that got a “good ending” was Tony because he died as a hero in front of everyone -even tho he didn’t want to help at first because he had a good life, the ONLY ONE OF THEM might I add-, everyone else got worse, is dead or they’re neglected and treated as haha funny character or haha funny moment)

Im all for ships and ideas and headcanons (even when I hate them with passion, you do you) but don’t try and use this character assassination as an excuse to shit on Steve. If you NEED to shit on a character for your ship to work, then you’re not doing a good job at it or your ship sucks. Idk what to tell you.

[winterzz7]

differential diagnosis for being a pretty boy

this is so cringe help me

[novadragoness]

A builder who totally understands where X is coming from, collecting all those shinies for Coco, because she also likes shiny things, and has been secretly leaving pretty rocks on Unsuur's porch for weeks now.

[r-emrys]

I might be two days late but I am still here!

Happy birthday to my favorite sad wet cat of all time!! Whoever first drew him with a pony tail needs infinite money.

[slythernnn]

Hellllloooo from me and my dirty mirror 😊

[hella1975]

day so bad u go hmm what if i watched brother bear

[quins-makeshift-menagerie]

Brb gotta just yell into the void

[dnangelic]

like it's just the way that outside of the BATB/POTO 'love what's ugly and ostracized' narrative itself cocteau was gay and everybody hated his gall about it, howard ashman was gay and had to conceal it and died of aids after finishing his work for disney's batb.... rather than have dark be homophobic and spitting in the face of his inspirational roots (the sole canon detail i can't stand) it's much much much more interesting for me to both read and write not someone who's meant to be a pervert (in humor) and an agape lover (in serious contextualization) only to turn and say 'no homo' to the crowd every single time but rather, instead of all that, someone who, simultaneously taking daisuke into account, is both extremely firm yet simultaneously insecure in the struggle to establish their identity not only in regards to themselves but also around others.

that applies to a lot, but i've been considering it especially in regards to dark's gender and daisuke's attractions. dark in my portrayal (while overall 500% nonbinary) is closer to someone bi-gender rather than agender; the feminine aspect to him isn't just theatrics, it's actively also part of his entirety to him, (compared to daisuke's passivity; the ten thousand canonical princess allusions,) and even if nobody ever recognizes it in a cognizant way, it is always, always there, the same way that erik blurs and obscures gender in leroux's novel (my second enormous inspiration, sugisaki's outright admitted primary) and sakurai occasionally discusses his relationship as both a performer and a person as well (my third enormous inspiration and sugisaki's secondary,) (see 1, 2.) simply put, the tragedy of (my!) dark does not ever derive from his being able to choose and sit comfortably and confidently with this sort of identity (in fact, it's one of the few things he can stubbornly, viciously decide for himself [alongside daisuke] as essentially a non-human, autonomous 'angel',) it's instead the way that his personality is so strong and 'anti-feminine' in the eyes of convention that said aspect of himself often gets disregarded for strictly masculine (and regardless, further self-contradictory and therefore isolating,) expectations.

dark himself alone does not care if others do not understand him; this is meant to be one of his far more admirable and impressive traits. he's staunchly independent: he knows who he is, what he's supposed to be, and he knows that if he actively presented himself more femininely (crossdressing to 'pass' essentially,) then people's behaviors WOULD be very likely to change around him, but he doesn't even do that because it goes against his overwhelming sense of pride. he never contorts, he never twists himself, what matters to him is that he and he alone understands himself and knows what he is, what he isn't. but he is, without proper support or acceptance, still alone. even bearing a strong character, the stifling loneliness and inherent, underlying self-sense of broken/wrongness of the 'other,' (god's luciferean problem child, the black sheep, the black-leather wearing punk,) is still inflicted on him. dark exists solely for himself, he exists solely for daisuke, which is simultaneously wherein the inversion and insecurities lie: if dark is canonically the live metaphor for all the aspects of daisuke's self that he attempts to and yet cannot possibly, conceivably repress, from his loves to his faults to his shames and his criminal sins as a thief, then the likes of daisuke's own personal confusions in regards to himself and his attempts at intimacy/socialization with others is the other, hidden side of dark's absolute self-confidence; it's every fear of perpetual isolation, misunderstanding, and abandonment for things outside of daisuke's own control.

queerness in relation to the self (transgender allegory) queerness in relation to others (non-hetero-romanticism) mental illness (depression, anxiety,) etc, etc, dark's thematic basis may at its most general simply be "a secret that feels wrong and that you feel you can't really tell anyone or else you'll get in trouble/won't be as liked as much" but it feels much better to give due respect to each of these primary roots.

[branches-of-time]

looks at images of Mondstadt and tears well up in my eyes

[nandermoenthusiast]

i dont think i will ever be over nandor tying guillermos cape with such care and focus. that moment its possibly my favourite from the finale NANDOR ACTS OF SERVICE GUY MAKES ME WANNA CLIMB A WALL and the way hes putting guillermo on equal ground now makes my heart grow 3 sizes

and to be honest i dont think they can go back to where they were before. for anyone whos worried. like yeah he told him “now clean up the body” after he reverted back to human but to me that was more like nandors brain going like. “i cooked now you clean”. he went through such a tremendous amount of work to help guillermo. he had the empathy to recognise the problem. he thought it through concocted a plan. he got the robes and the candles and he painted and hung those banners. he held a fakeass ceremony with all their friends and elders so it looked official. he then also comforted guillermo when he couldnt do it and staked derek himself without a second thought. so maybe its was more of a. i pulled you out of a very hairy situation. can you take care of the body now? (also it IS gonna be hard to let go of certain habits so maybe some comments like this are gonna slip out next season, but that is just because they are useless and in guillermos absence the house fucking imploded in one year lmao… maybe guillermo is gonna teach them how to take care of it themselves next season so they can split the workload and cute shenanigans will ensue)

i just dont think it was mean spirited on nandors part tbh. LAZLO even offered to help. i dont think that was just to have him in the next scene i dont think an unusual detail like that could be just for convenience. i do FULLY believe they are gonna all be on equal grounds next season. and thats gonna be so fucking delicious to me specifically