#i need a tag that's not a main tag for this tbh

[harpieisthecarpie]

Thanks for the peer review o7 i will use this power for ramble

I do think that a lot of the fic sex/romance issues were started in a genuine push to not spread misinformation, bc iirc fics used to parrot a lot of common myths re: intercourse (even moreso than now), especially ones about non-"traditional" non-cishet practices. And safety. And anatomy.

Which, it's cool and good to see a push for sex positivity and education! But I do feel there's now a pressure (internal or external) for the sexual aspects of fic to be textbook safe, sane, and consensual in all avenues.

I have 2 main reasons (beyond fic ≠ sex ed) that the squeaky clean route shouldn't be our only route. Which are: characterization, and erotica vs romance.

Firstly, characterization:

Intimacy can be an amazing way to explore characters, a relationship, or even a setting in your story. You can miss out on a lot by treating sex as simply a lesson rather than a tool in your narrative toolbelt!

Tbh I think the reason gen z ppl (like me) often say we "hate sex scenes" in media is bc they feel unnecessarily explicit or unnecessary in general, and we often don't have the language for what the problem is. Or we misattribute the ickiness to sex scenes happening at all!

I'm grayace and they can be boring af, or sometimes creepy as hell for reasons unrelated to the narrative (stop auteur directors now! /hj).

But one of my fave fave fave book series is the Binding Light trilogy by Freya Marske (I think the author's on tumblr actually), in which the sex scenes are narratively pivotal. And I, the sex scene hater, love the series sm I didn't even have to look up the title or author just now!! Unheard of!!!

These books are so dear to me bc the intimate scenes mirror both the (wonderful, superb) magic system AND the characters' relationships! Their sexual vulnerability and connection evolves alongside the characters' development. I've never before rambled about breathplay as a metaphor for trust, but Marske had me writing ESSAYS. My apologies to my friends' DMs

At first I had skipped those sex scenes, but once I had to go back for plot info, actually reading them made me go "oh holy shit this is all important".

I think stories miss that relevence pretty often. You don't NEED to have sex scenes, but also you CAN have them wherever it feels right.

IMO It's important to treat intimacy (of all kinds) in a work as character exploration first, rather than purely mile markers or something for characters (and writers) to "get a good grade in"

Moving on to erotica vs romance:

I've recently been watching a lot of SAVY WRITES BOOKS on youtube, and in one of her CoHo reviews she talked about the difference between works labelled "erotica" and "romance".

To her, romance novels have a sense of realism, they exist in a world that functions (at least adjacently) like ours. A romance would treat consent and safe sex like we do irl (or some historical equivalent based on setting). Basically, characters wouldn't be able to smash in a subway car without getting charged with public indecency.

Thus, if the characters were practicing BDSM, they would on some level acknowledge they're performing a scene (ex. consent check-ins and safewords). Here we have some level of RACK. Or if its unhealthy, there's framing acknowledging that fact!

Whereas erotica exists inside that BDSM scene! An erotic fic that tags its kinks and content correctly has given you enough for you to have informed consent. If you read the fic, you will thus be reading the "fantasy" of a BDSM scene. We know this isn't necessarily realistic or healthy, and that's fine! We read it with the knowledge it's not meant to be!

Uhhhh so. This was a really long way for me to explain "fanfic isn't sex ed so it's fine if they don't always use contraceptive"

tl;dr Intimacy and sex are cool for characterization. And smut is a Scene, if a person is informed of its contents all consent is accounted for :)

author’s notes today: hey guys so just a warning there isn’t 100% explicit verbal consent even though they’re both really into it so remember this is FICTION, also they don’t use a condom :((( but in real life safe sex is important!!! please be safe out there everyone

a/n back in the day: kept thinking about ____ stabbing knives through both of _____’s hands to pin him in place while they fucked so here you go lol =P

[fraternum-momentum]

so so so glad ur art has been taking off lately... i've loved ur dol art for ages now, so it's fun to see things with a wider appeal blow up! nwn

ty for sticking with me for so long !!!! it's honestly so surreal tbh,, im just kinda doing whatever comes to mind / whatever i want to do, im glad people seem to like it :33

[anghraine]

A few bad but fairly typical P&P takes got me thinking about ... Mako from Legend of Korra, actually, and also, just fandom dynamics.

Many of you weren't in that fandom (or perhaps any fandom) back when LOK aired, but I was very active in it. I actually liked—and still like—some aspects of LOK better than ATLA, and I certainly liked the fandom better than ATLA's.

That said, LOK fandom was still less a dumpster fire than a landfill explosion. To this day, I couldn't even identify the single character who got hit the hardest by LOK fandom's approach to discourse, which like most fandoms today, painted a thin veneer of social justice over good old-fashioned stanning/ship wars, but did it much more transparently.

In any case, if I were going to try and pick the character who got hit hardest by the LOK discourse truck, Mako would at least be in the running. The later days of LOK fandom can give the sense that the basic ship war from Day 1 was Korra/Mako (Makorra) vs Korra/Asami (Korrasami). But my strong impression back when the first book aired was that the ship war dynamic was much more Korra/Mako vs Korra/anyone-but-Mako.

There were plenty of not-Mako options. Korra/Bolin was pretty big for awhile. Korra/Tahno had a substantial following during/after Book 1—Tahno was the waterbender from the rival pro-bending team who got curb-stomped by Amon. There was, of course, Korra/Asami (seemed like no chance in hell at the time, but sweet). It was even a good fandom for hero/villain shippers like me.

I think a lot of this activity ultimately coalesced around Korrasami. But at the time, it hadn't quite happened yet. The fandom was wanky (sorry, discourse-y) about virtually every character, but a lot of people really, really, really hated Mako in particular—Mako haters could encompass people who liked or hated the first season, people who loved or hated Korra, people still mad about Zutara, whatever. I didn't like him at the end of Book 1, myself, though I couldn't buy into the screeds about how abusive and exploitative and otherwise problematic he supposedly was.

Since I didn't actually have much of a stake in the main ship wars, I've always found this dynamic more interesting than anything else in terms of fandom behavior, because I've seen it happen many times, but I hadn't often seen it at the level that Mako hatedom took it to back then. So I was thinking about how this happens, and the particular way it happened with Mako back in the aftermath of Book 1.

Early in Book 1, Mako is revealed to be a tragic, brooding orphan with a slight edge trying to support his sweet-natured younger brother and himself through a mixture of industrial work and magic sports. He gets swept off his feet (literally and metaphorically) by a beautiful, very cool, very rich girl (Asami) and enters a romantic relationship with her, only to feel increasingly drawn to his beautiful, very cool, very powerful friend Korra, our heroine.

Some people pointed out that "which awesome and hot girl do I choose :( it's really hard :( :(" is not the most sympathetic quandary for a character to be in, and for the target audience, particularly unsympathetic coming from a young man. And the choice to repeatedly cut from shippy Mako/Korra moments to Asami looking upset didn't help (especially since Asami lost almost everything when she chose to stick with them and turn on her father). And Mako's eventual apology to Asami was genuinely a bit underwhelming—it's basically "mistakes were made."

And, yeah, those things are true. But fandom is not always so OTT hostile about the man in that kind of love triangle taking awhile to get his shit figured out, even when the man is much older than Mako, a literal teenager. Like, I never thought I'd compare Avatar to Bridgerton, but the Edwina-Anthony-Kate dynamic seems roughly similar and most of the fandom came away from it really invested in Anthony/Kate and sympathetic to them. It depends on the fandom and on the depiction.

It's not that Mako didn't screw up in Book 1. It's that the reaction—he's an awful person for pretty ordinary missteps and some poor relationship choices, he's an abuser, he's the worst character in the show, whatever—just seemed wildly disproportionate.

And also, yeah, overreacting to minor misdeeds and reducing a character to ultra-exaggerated versions of their worst selves out of sheer annoyance is a fandom staple (especially when the misdeeds take up as much air as the early LOK love triangle seemed to for many people, with other aspects of the story crammed into limited space). But the extent of the hatred still struck me as rather extraordinary, especially since he seemed to go from reasonably well-liked to feverishly hated in a short period of time.

My theory after B1 aired was that this really came from the intersection of a fandom that was very prone to this kind of exaggeration and poor faith readings with the actual structure of his characterization in B1. We quickly discover his tragic past with his parents being murdered, and that he's been struggling on the streets, and has to look after a cuddly but clueless brother who doesn't seem to get the urgency of their problems. He uses his prodigious lightningbending abilities to make just enough money in a sort of magic power plant to get by in combination with pro-bending successes. Essentially, we're given far more than the minimum required to sympathize with him and tolerate the occasional asshole moment.

But later on in B1, a lot of his characterization and scenes are directly tied up in the love triangle, and many of his original, somewhat more ... pressing concerns, end up getting pretty much resolved in one way or another. So a lot of those original sources of sympathy that were so concentrated in his early scenes are no longer a concern, while others are no longer being emphasized by the narrative.

And it's certainly the case that Mako was much less widely and disproportionately hated later on, at least in my fandom experience. Some people still hated Makorra with a passionate fire, but Mako himself seemed much more endearing to many people once the narrative dialed down the love triangle, explicitly paid attention to his loyalty as a friend, his basic heroism, his close yet sometimes difficult relationship with his brother, and a certain adorkableness that was not absent in B1, but which wasn't as heavily emphasized.

I don't mean to argue that this later narrative treatment was necessarily better, but I do think the more even distribution of sympathetic qualities or revelations about him alongside his flaws made him much more palatable to a lot of the fandom. It's like people ... just kind of forgot why many of them originally liked him unless the narrative went out of its way to remind them.

This is really long, but I did feel that B1 kind of overplayed its hand with Mako early in the season, and then underplayed it in the later parts of the season, and fandom being fandom, people enormously overreacted to their sense of what was going on in that phase of the story (for many: ARGH!!) and not all the information they actually had.

This isn't a hill to die on for me, exactly. It was just how I saw what was going on—this kind of toxic mix of fandom bullshit with some peculiar choices in the structure of his characterization and what got emphasized (or even mentioned) where. That is still my general impression, though—that the fandom's response wasn't coming from nowhere, but that we were getting this kind of intersection of a fandom even more prone than most to over-reaction and poor faith assumptions + some genuine oddities in structure and emphases in his characterization during that first season.

What does this have to do with P&P? Well, I'll get to that. But this post is honestly long enough already, so I'll do the follow-up tomorrow, probably.

[ashipiko]

😔 enstars posting won so </3 my enstars silly…… my widdle boy atsu…. NOT MILGRAM VER. ENSTARS VER!!! WELCOME TO THE ASHIVERSE (there is 9. tehepero)

🫶 here is my boy who suffers w gramp issues. HES SO SILLIES. <3 he’s not a producer but a member of me and my friends’ group named plume!!! THEIR WHOLE THEME IS LIKE BIRDS. SHOWING OFF. FANSERVICE BASICALLY they’re fun

[ahalliance]

still thinking about antoine semi-rping on main during the qsmp meta talk with etoiles, florence and zerator last night . why did this dude scoff when étoiles started talking about the resistance . why did he start asking him why he’d possibly want to kill federation guards and disagree with étoiles calling them mean/bad people . you are currently discussing this while playing on the mc server that contains La Tour de Merde you can Nawt give me lore jitters like this…..

[the-kipsabian]

10 new bracelets! some conglomeration, mariah may, orange cassidy among few others!

next six (6) orders also come with a free "friend of friendship" bracelet 💜

peep all these AND SO MUCH MORE;

[mezzmerizd]

There's something so theraputic and lovely about learning that childhood shows have fandoms that are still alive today,, fanart, animatics, fics, comics, all of it. It's great to see the love i had for shows as a kid be still shared today, especially with characters represented in ways I can relate to today, too :3

[astralisstar]

scene redraw 😈

[bloodheartz]

Once again I wish I could take Junkrat and Roadhog out of overwatch and put them into a better game or tv show or my house or something

[vole-mon-amour]

4x02. This is a Sebaciel post. :)

Sebastian? Complaining he has a lot on his plate? Careful, friend, you're becoming too much like a human. Also, you kind of signed up for this.

Yeah, the trick is called sell your soul to a demon to avenge your parents' death and your own rape. Easy as that, hope that helps!

...

Isn't this just Grell in a uniform? or the Undertaker?

This cracks me up. Poor Seb. x)

And then they fucked. x)

Hey! Where did *Professor* Michaelis go? Make it kinkier.

Gods. The way they role-play. His real teaching method? SHOW ME. Show me Seb on his knees kissing Ciel's feet and making him blush as he trails up and closer to his crotch.

They. <3

Like? Was I NOT supposed to ship them? The looks that they give each other. And Ciel is so quickly dressed, no doubt by Seb as well. And the way they wish each other a good night at the same time. Yaaanaaaa. These two are married in a way (as in Seb will have his soul & for now there's a contract binding them). Sorry, I'm not normal about them.

The way Seb laughs at his reaction and teases him. This is them. Also, why is Sebastian looking so so slutty this season? The eyes, the hair, the clothes. THE LOOKS he gives to Ciel.

Okay then.

Another demon? Hey, I'm still traumatized by Claude. I don't like where this is going. I probably need to read this arc to be more prepared.

Are they going full on comedy? I mean, that's funny, but not exactly this show's style? Also, can't he just become a big black blob and spy on them? He's literally a big void. Surely it's better than the human's form.

YANA??? IS NOT A SHOTA ENJOYER??? LMAOOOOOO. They're at it again. HE is at it again.

They give the viewer a moment of silence for the imagination to roam. And since the last time I read SebaCiel, it was sex in this thing? And I'm sure it was based off this moment? And when Seb turns someone on, it usually leads to sex? I'm thinking to that woman in the barn that he fucked on what, s1? Yeeeah.

Oh, I have visions and ideas. The growling/moaning during this scene, too? Y e p.

Oh, I'm glad to see him, but why are manga readers sad about his appearance? Tell me all the spoilers, please. Prepare me for the heartbreak, if you will.

Also, I low key expected the ending credits to be something extra and that it'll change, but the fact that it's an ACTUAL ending? Like, Seb catches him in the sky and gazes into his eyes while Ciel gazes back into his and they hold hands? That's gay af.

[rwby-confess]

Confession #166

[oh-meow-swirls]

i think this was funnier in my head.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[ravioliet]

a couple creatures i drew the other day! we've got the mystical snorb (snail orb) who will let you ponder it for the price of some zucchini or perhaps lettuce, and then we have a caracaracaracal (crested caracara x caracal griffin) who is named Cara btw :)

[cherry-bomb-ships]

Hey guyyyyysss so I am posting this just to get some constructive criticism, this is my first time trying to record vocals with a mic that isn't my phone and I would love some second opinions! You guys might know by now that I've been wanting to make vocal covers of Splatoon songs with lyrics I've written for a while now, and this is my first venture into doing so! Fair warning I'm not incredibly proud of this final result and there's definitely gonna be some stuff I'm gonna re record once I can (my voice is done for today tho lol), but I figured I'd put it out there any way to get some feedback and advice. If you are wanting to leave some feedback, please read below the cut as I might have already said something you might comment on (I'm also putting the lyrics down below the cut). Any comments, asks, or even reblogs with constructive criticism are encouraged, it's the whole reason I'm posting!

First of all the biggest thing I do not like: my vocals for Marina 💀 I already know they sound way too tired and soft, and once I have the chance I'll re-record them with a LOT more energy

That being said, I don't think I mind how Pearl's vocals came out! There are some parts that I wanna go back and re-do, but overall I am happy with them!

Another thing on Marina's parts is they definitely got a bit muffled and compressed during recording - I did her parts first, when I was still figuring out the optimal setup to record in the first place, and it definitely shows!! 💀💀 That'll definitely get fixed when I go back and re-record as well!

That's all I've got to say for now, as promised, below are the lyrics since I know some parts are a bit muffled! That's something that will get fixed next go-around

[Marina] I'll start movin' now if you're only a move away [Pearl] Pearl and Marina! Here we come, we're Off the Hook! [Marina] I'll say, it's so strange, music makes me feel this way [Pearl] Y'all ready for this?! Wanna start up this party? You know where to look! Cuz we keep it fresh where the rest get cooked Not off the chain, Off the Hook Here come those girls The hottest in Inkopolis 'Rina movin' grooves and Pearl's on the mic! Now time to fry 'em Can't stop what we're cookin' up! Freshest in the club, now give us some love! Now ya understand, with my mic in hand, there aint't a band that lands close to this jam! Wake up, we rockin' the Square! Come on, kiddin' squids, get your fins in the air! There's no problem with changing your mind, you're mine now. [Marina] Whoa, we could be the stars Me and you now We could rule this party Then take our bow There's no question You'll start ruling the world! Or, we could run away Late in the night Your hands on my body Just hold me tight And you'll be there Right where you belong!

[articularreview]

⚠️Spoilers for Shinrei tantei Yakumo - the lamenting doll file 03 and the epilogue⚠️

Here in case you missed it

I just read it and spontaneously wrote this.

Be careful if you haven't read it yet.

The file starts with where it left off the last time with them deciding to locate Mahiro's mother.

I kinda forgot about it since we haven't seen Isshin for a while, but this volume reminded me of how much Yakumo is influenced by Isshin. Be it the way they talk or sometimes even their mannerisms.

It's pretty much a given that they'll have to stay another night at the hotel but that would mean Haruka will have to stay in that creepy ass room again. Isshin really told Yakumo “accept the situation or sleep with her”😭😭😭

But sadly It's just like Gotou said, Their relationship label won't allow it smh

Gotou's snores and Isshin's bad posture are KILLING ME. My mom entered the room while I was having a fit of laughter I just looked crazy to her 😭

Isshin is so chill he doesn't care if you try to make him look bad. Rather his hilarious responses made Gotou look silly for complaining. Poor Gotou-san. Maybe I should learn from him... Unbotherement sure is powerful~

Anyways I guess that means Yakumo is the only one who sleeps normally hahaha

Just like I expected, Mahiro's death is weighing Hiromi down. kinda knew it from file 02, but hearing the details from Masae made me want to cry. No parent should ever go through this.

And so they split into two teams: team Gotou and Yakumo. and team Haruka and Isshin. All I'll say is that the latter team sure is a good match.

And then we have Gotou-san who not only has to put up with Yakumo's comments but also got a Salary cut too!! He suffered too much this trip. Imagine wanting to skip work only to get dragged all the way to a whole different prefecture. Still kinda his fault for ignoring Ishii smh.

Speaking of Ishii I'm happy he and Makoto were mentioned even though they didn't make an appearance. Isshin's mere presence made up for any other character's disappearance. Kaminaga-sensei is a genius for mentioning Eishin too. I think references like that will increase in the complete version. Knowing the future and the direction of your work sure makes a big difference. It was really interesting knowing that Eishin was the one taking care of Nao when Isshin's not around. Nao must really miss Isshin even if she doesn't show it on her face. I head canon afterwards Nao being overjoyed to see not only Isshin but Yakumo and Haruka too after his two-day disappearance.

The scene when that madman dragged Haruka gave me the chills. Kaminaga-sensei using TTCM as a reference sure was brutal I ended up imagining it. Haruka did her best till the very end but the situation was hopeless. She can't even resist. her mouth, legs and wrists were taped. And on top of that he had the audacity to slap her! How dare him! If that man wasn't charged with attempted murder after all this I'm throwing hands!

In the end the case was solved and we find out that Takahiro-kun was the one talking to Hiromi all along. It really broke my heart knowing that all this time he didn't even know he was dead and yet played along to try to comfort Hiromi who was mourning for her child. What a strong kid. He and Mahiro are.

The lamenting doll huh... makes sense.

In the epilogue we learn that Yakumo can't handle hot food which I thought was really cute.

Tbh his whole food preference was quite unexpected. First we learn that he has a sweet tooth (Which Haruka thought doesn't suit him at all lol) and then a similar situation to the one in the epilogue happened in vol. 7 iirc when Yakumo was (again) staring at the sake and when Haruka asked if he can't drink he stubbornally tries to only to spit it out. This man just can't be honest😂 I actually really respect men who don't drink or smoke so that's a flex~

Now some of my favorite Yakumo lines which for some reason all happen to be verbally abusing Gotou (Can't blame Haruka for laughing because c'mon how could you not?)

• “You can say that because you've never heard it yourself. Compared to Gotou-san's snores, even a train would be quieter.”

• “A member of the police stating that he'll be driving under the influence? Japan is finished.”

• “I'm saying bears can't understand the taste of wine. What if someone made up a new proverb: bears and wine.”

• "I don't want to waste any more calories than this."

• "Well, that's not surprising. A bear with damaged taste buds such as Gotou-san will never understand."

Bye I'm using these irl.

I'll also add these two because I keep remembering these two exchanges and laughing:

1)

"I see. If you don't want to, it's fine. But please stop bringing cases to me from now on."

"This and that are a different story."

"No, it's the same thing. Ah, that's right. So that Gotou-san will stop bringing me cases, I'll be reporting to the police that you've been leaking investigation details to a civilian."

"What!? Don't joke with me! I'll get fired if you do that!" Gotou shouted in panic.

"Good then. That way I won't have to involve myself in cases that have nothing to do with me, and taxpayer money won't have to go into paying the incompetent Gotou-san; just like killing two birds with one stone."

"What did you say!?"

"Isn't that great? This way, Gotou-san can also play around to your heart's content. So it'll be more like killing three birds with one stone," said Yakumo, grinning as he looked at Gotou.

He really stabbed where it hurt. Having been commented like that, Gotou wouldn't have a way to refuse. "Fine. I'll help. Happy?"

Gotou lifted his heavy bottom up from the sofa reluctantly as he sighed. Yet Yakumo wasn't done with his counterattacks.

"Not really, it's fine even without Gotou-san helping."

"That wasn't what you said earlier!"

2)

"Sorry about that. Could you please tell me what I should do?" Gotou asked formally while swallowing his displeasure.

"You should know if you listened to the story"

"I'm asking because I don't know."

"You should have if you paid close attention to the whole story."

"Well I don't know!"

"Is that something to be proud about? Good grief.”

Too much Yakumo😂

Volume 11 is up next. I'm really really excited for this one because Unkai and Miyuki are one of the best antagonists I've ever read. I'll never forgive them for what they did to Yakumo but their back stories are very very well written and explains how they ended up that way. That last arc will wrap everything up. I remember reading the book description a while back but Laute's translations stopped at the time so I thought I'll never read it.

The day has finally come!!!