#i might look into other places to make character pages?

[noisydelusionlove]

The Feral Medic

Chapter 1

MINORS DO NOT INTERACT

Not edited or beta read or anything, just getting my idea out I guess.

Pairing: Poly141xOriginal Character (I might turn it into a reader but I don’t know)

Warnings: military inaccuracies, medical inaccuracies, COD inaccuracies, A/B/O dynamics

John Price looks up from his stack of papers as a frantic knock sounds on his door. “Enter” he calls out, the door flying open almost immediately. Gavin, the most recent Beta medic comes in, his moves frantic as he stares at the head Alpha of Pack 141. “I quit, I’m done. I’ve met a lot of crazy Alpha’s but he tried to rip my throat out!” Gavin yells as he stares at John. John gives a sigh as he nods.

“I’ll have your papers sent by the end of day.” He says as the Beta leaves quickly, the scent of fear and panic permeates the office causing John to crinkle his nose.

John stands from his desk with a groan as he makes his way to the side of the barracks that houses the medical office.

When he enters the medical office the smell of burning rubber hits his nose, angry Alpha. John’s nose crinkles as he breathes it in, followed by a calming smell of rain. When he enters the room completely he sees Simon sitting on the medical bed with Johnny pressed to his chest, in an attempt to calm him.

“Scared another one away huh Ghost?” John sighs as he meets the angry eyes of Simon behind his black balaclava. “Trying to poke around when I told him I was fine.” Simon grunts out, causing John to shake his head. “How copy?” John sighs as he runs a hand through his beard. “Solid cap, it was just a scratch.” Simon responds as he motions with his chin to the wound on his arm where a bullet grazed him on the last mission. John nods as he turns and heads back to his office. John shuts the door behind him and sits at his desk with a sigh. He reaches for the cigar box on his desk, quick to light one to attempt to calm his nerves.

The shrill sound of his office phone takes his attention as he sighs again and reaches for it. “Price” he says only as he places the receiver to his ear. “Trouble in paradise I see.” A female voice comes from the other end. “Hi Kate” John grunts as he leans back in his chair. “Ghost chased away another medic I see.” Kate sighs as John grunts in affirmation. “Word travels fast, poor pup just quit.” John says as he ashes the cigar into the tray on his desk. “I have a suggestion.” Kate says, her tone serious. “and that would be?” John groans as he rolls his eyes to the ceiling. “You’ll see when I land ETA 15 minutes.” Kate simply says before the line goes silent. John places the phone back on the receiver and lets out a loud huff.

——————-

John sighs as he stands at the hangar watching at the helicopter descends to the landing pad. Once the helicopter is stopped the door open and out steps Kate Laswell. “Good to see you old man.” Kate calls, causing John to roll his eyes as he takes her hand in greeting. The two of them head off of the air field and into the cart to take them to his office. “I hope this suggestion of yours is going to solve my medic problem.” John states as he glances at Kate. Kate gives a small nod as the cart stops and they step out, heading to his office.

Once the door is closed Kate pulls a file out and drops it on John’s desk. “Former sniper, marine trained medic, more than capable of handling all of your men especially Simon. Feral gives just as much as they take. I guarantee they’ll survive here.” Kate says matter of factly. John eyes the file suspiciously. He opens it and notices the first page, the profile page is missing. “Kate-“ he starts but is silenced as Kate shakes her head. “Read it first before I give you the profile. Make your decision based on skill before anything else.” Kate says, her tone shifting, her inner Alpha coming out. John sighs as he reads through the file, his eyebrows raising at the scores and recommendations this medic has received.

“Sniper to medic huh?” John says as he eyes Kate curiously. “Wanted a change of pace.” Kate says, but it’s obvious there’s something she isn’t saying. “Look, this medic seems great but I know there’s more to it. I can’t have another Alpha here. It’s already difficult with me and Ghost. Ghost is an apex, his instincts are stronger than even mine, a third Alpha could be dangerous.” John says as he stares at her. Kate shakes her head. “Not an Alpha, I promise.” She responds. “Would you hire them?” Kate watches as John nods. “They look like a dream come true but I know you’re not telling me the whole story.” John leans back as Kate nods. “So, feral, Sargent Lee, will be here tomorrow to start her new job.” Kate says, causing John to nod. “Here’s the profile.” Kate smirks as she tosses a paper down causing John’s eyes to widen. The profile shows a young woman, barely 30, the name Aurora Lee underneath and in bold letters it states ‘Classification : OMEGA’. John’s eyes shoot to Kate as she stands there smirking. “Your new medic is an Omega and I promise you she isn’t like an Omega you have met before.” Kate states, causing John to growl slightly. “This won’t end well.” He says as he shakes his head. “I think it will end perfectly.” Kate smiles as she turns to leave his office. “I’ll see you tomorrow when she arrives.” Kate calls as the door shuts. John stares at the picture of his new medic, his new omega medic with a sigh. “The boys are going to flip.” He mutters to himself.

[darkficsyouneveraskedfor]

Crushed 20

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon, manipulation, cheating, sleazy behaviour, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your next door neighbours hook up, bringing to surface deep-seated feelings.

Characters: Colin Shea, Jonathan Pine

Note: Welcome back.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!)

Love you like my dog loves belly rubs (that’s a lot). Take care. 💖

“Darling,” Jonathan enters the apartment as he always does. In the days since you got there, it’s all become routine. Almost too much so. “You called? Was my phone not in service?” 

You look up from the book borrowed from the shelf in the hallway. A thriller that’s less exciting than it genre may suggest. You fold your hands over the pages. 

“I haven’t heard anything. About my suspension.” You frown, “how about you? Have they said anything?” 

“Oh, fawn, you know if I do, you will be the first to know. And as ever, I will vouch for your innocence,” he nears and strokes your cheek as he looks down at you. “Forgive me for letting my pride drive me to such rabidity. It is only that cretin that makes me this way. The way he insulted you.” 

“Hm, I know, it’s just... I feel useless. I don’t want to be living out of your hand forever.” 

“Out of my hand? Darling, it is how these things work, is it not? One day, I might require your support, eh?” He tickles along your hairline, “you should enjoy the time you have to yourself.” He looks around, eyes narrowing as he scans the apartment. “My, my, this place is tidy.” 

“I vacuumed. Lit a candle. Did the dishes,” you sit up and close the book. “I’m terribly bored. Maybe...” you stand and take the novel under your arm, “I should start looking for a new job. I don’t think they’re going to take me back. I’m not like you. I’m not important.” 

He turns on you and crosses his arms, “darling, please. Firstly, you are not permitted to speak of yourself such. I won’t have that. Secondly, am I to feel worse than I already do? I would’ve gladly taken the slap on the wrist. I said as much in my interview.” 

You swallow and look down guiltily, “I’m sorry. I didn’t mean that. I just... I don’t know.” 

“You should be getting ready for the rehearsal dinner. The wedding is just around the corner,” he girds. 

“Well, it’s Geri’s day. I just have to show up.” 

“And look as stunning as you always do. Have you made an appointment for your hair and makeup? That might cheer you a little,” he suggests. 

“I can’t... I can’t afford that. I can do my own,” you insist. 

“I can,” he counters. “I’ll ask around for recommendations and you’ll book something tomorrow before all the appointments are snatched up. Won’t you?” 

“If that’s what you want,” you shrug. 

His lips form a straight line and he drops his hands to his hips, “I want whatever you want, fawn, yet is seems even you do not know what that is.” He looks down with a solemn hum, “I wonder if you should even want me.” He turns away slowly. “I know you think of him still. You have such a deep heart, darling, and I shouldn’t blame you but it hurts all the same. I should be the only one.” 

“You-- you are. It’s just... It was just a crush,” you step closer. 

“Was?” He peeks over his shoulder, searching your face desperately. 

You nod, “yes. We’re together now.” 

He smiles. Just a little. He turns back to you and puts his hands on your upper arms. “I... I can’t tell you how lovely that is to hear you say. I am not so nervous anymore.” 

You flutter your lashes, “nervous? You?” 

He chuckles softly, “yes, of course. Why shouldn’t I be afraid that you won’t see me as I see you? You are my world.” 

His declaration takes your breath away. You stare at him. You don’t know what to say. You like him. A lot. But you can’t lie and say you feel everything for him. That you don’t still get a pang in your chest when you think of Colin. Even if you know what you should feel, you can’t force it. 

“I’m... trying my best,” you step closer. “I... I have a surprise.” 

“A surprise?” 

“Mm, well, like I said, I’ve been bored,” you grab his wrist and gently pull his hand from his hip. “Come on.” 

“Shall I close my eyes?” He asks playfully. 

“Don’t be cheesy,” you warn. “I was googling stuff about England and I found a recipe for a dessert. Um, sticky toffee pudding? It took me a while to get it right but I think I figured it out.” You open the fridge as you pull him with you. He stops before the interior’s glow as you point to the cake pan. “For dessert.” 

“For me? You made that? All by yourself?” He asks. 

You nod proudly as your cheeks tweak. “Yeah. I love baking but my place was never big enough and I know it’s not much but I wanted to say thank you.” 

“You mean to stab me in the heart,” he accuses and you flinch in surprise. “The way you are plucking on my heartstrings, I think I might completely break, darling.” He turns you to him and smirks down at you. “How have I been so lucky to come so far across the world and find the only treasure in it?” 

You giggle. He’s so sweet it hurts your teeth. It makes you feel worse for spending all day moping. 

“I’ll make dinner. I didn’t find any cool recipes for that though,” you say. 

“My darling,” he draws you near and the fridge shuts on its own, “you are all I need in this moment.” 

💔

The artist, Marissa, helps you down from the chair. You’re dizzy from reclining for so long and the pins in your hair jab your scalp. You glance at your reflection and blanch. You look like you but... not. In a good way. In a way prettier way than usual. 

She leads you out to the counter at the front of the salon. Jonathan stands as he sees you. You thought he might busy himself elsewhere. You’re surprised he stuck around that long. 

“Wow,” his blue eyes shine as he nears, “you look splendid. Not that you aren’t always immaculately gorgeous, darling.” 

Marissa giggles from behind the till, “aw, that’s so sweet. Is this the first family event for you two?” 

You nod as you face her, Jonathan’s hand hover behind your back as it so often does. As she worked on your hair and makeup, you managed to put in a few details about the dinner but were just as happy to let her gab. 

“It is,” Jonathan answers as he pulls out his wallet. “And a wedding right after. It will certainly be exciting.” 

“And you two... are the bells ringing for you soon?” She tinkles playfully and turns the pinpad to him. 

“Mm, well, that matter should always be a surprise, shouldn’t it?” He taps his card. “Thank you very much. You’ve done a masterful job.” 

“Thank you, sir,” she preens. “I hope you have a lovely dinner.” 

You smile and let Jonathan herd you away. He opens the door ahead of you and Marissa gives another swoony ‘aw’ as her coworkers whisper. You’re overwhelmed by all the attention, yet you’ve never had anyone jealous of you. It makes you feel special, albeit a bit guilty too. 

As Jonathan drives, you fidget nervously. You look at the time on the dash and chew your fingertip. He glances over. 

“Try not to mess your makeup, darling,” he girds. 

You rip your hand away and apologise. 

“You’re nervous?” He asks. 

“A little.” 

“Shouldn’t you be happy to see your family?” He wonders. 

“Umm, yes, but it’s just... a big event. Besides, it’s Geri’s dinner. I’ll just let her have her time,” you shrug and fold your hands in your lap. 

“Of course, but it won’t be too bad, will it? I’ll be there with you. I don’t mind if you hold my hand,” he reaches over and rests his knuckles on your leg. You twine your fingers through his. “I’ll need courage myself. Three sisters. Mother, father. I am outnumbered.” 

You squeeze his hand. You feel suddenly very selfish. He’s so cool and calm, you never once thought of how he might feel about it all. 

“It’ll be okay,” you say. 

“Yes, so long as we have each other, it will be,” he agrees. 

Back at his condo, you stand in indecision before the hangers. You’re not sure which dress to choose. You opt for the deep shade of midnight blue. Since it is an evening event, that would be more appropriate than the champagne. 

You step into the dress and pull the fluttery sleeves up over your shoulders. You reach back for the zipper but can’t quite reach. You spin in your struggle and as you face the door, you find Jonathan watching you with an amused slant in his lips. 

“Need help?” He prompts. 

You nod and give a bashful smile. You hold up the lacy bodice as he strides toward you. He wears a sleek pair of checkered grey slacks and a matching jacket, with a complementary tie with geometrics lines over a pressed white shirt. He is sophisticated and sauve and you still feel like that unwanted girl in her lonely apartment. 

You turn your back to him and he grabs the tab of the zipper. As he tugs it up slowly, his thumb tickles your spine. It sends a shiver through you. You spine to face him again. 

“Fawn, how do you only get more beautiful with each breath?” He says. 

“Oh,” you blush and sway. “Me? You look... great. Handsome.” You feel all mushy saying the words out loud.  

“Now, you are going to make me melt,” he purrs as he runs his hands up your sides. “Do you think we can cancel? Perhaps show up a bit late?” He winks and squeezes your hips. “That dress is doing something to me.” 

“Jonathan,” you smack his chest lightly. “No, my mother would kill me.” 

“Oh, Eugenia is a sweetheart,” he grins. “But I am a gentleman so I will have you there on time. So, let us not linger or my worst instinct may take over.” 

You shake your head, “just need to grab some shoes. Oh, and a purse.” You hang the other dress in the closet and spin around. You had a clutch... there. “Um, did you still have my phone? I can let my sister know we’re on the way.” 

“Hm, yes, but you shouldn’t need it with you. It is an event. We can’t be on our phones all night,” he chides. 

“No, I know, it’s just... I feel like I haven’t checked my emails in ages.” 

“Mm, alright,” he sweeps out of the room and you stand, a bit startled by the shift in his demeanour. You remind yourself that he might be anxious about all the new people. 

He returns and hands you your phone. You message Geri and your mother, just to be sure. You keep the cell in your hand and look at Jonathan. 

“I’ll put it to do not disturb,” you suggest. “Okay?” 

“Well, I suppose there may come an emergency,” he sighs. “I won’t argue. We haven’t time for it.” 

You flinch and tuck the phone into the clutch. You rub your lips together then stop yourself. You follow him from the room and stop to check your make up in the mirror hung in the hall. It’s still in tact. 

You step into your heels and bend to strap them on. Jonathan sidles around you, his keys jingling. Before you can stand, you squeal at the grope on your ass. You pop up and teeter on your shoes. 

“Jonathan!” You exclaim. 

“I’ve got to get it out of my system now,” he smirks. “Oh darling, I’m not sure I’ll make it through the night.” 

“If I have to, you have to,” you poke him. “Now please, no more. I can’t handle it.” 

“Oh, you cannot?” He chuckles and steps closer, drawing you flush to him as he scoops your ass in both his hands. “Not this?” 

“Jonathan,” you press your hands to his chest. “Please.” 

“Mmm, what if I was quick?” He purrs as he rocks you. 

“We have to go.” 

“I know, darling but I’m so very hungry,” he slathers down at your chest. “We can make an excuse. Traffic is absolutely terrible, isn’t it?” 

“Oh gosh,” you squeak and squirm, “I can’t--” 

“Oh, you don’t have to do anything, fawn,” he slides his hands down as he lowers himself to his knees. He tugs at your skirts as you cry out in shock. “I only want a taste... I’ll save dessert for after dinner.” 

He throws your skirt over his head and disappears beneath. He pulls your leg up and over his shoulder and you wave on one leg. He has you off-kilter as he nuzzles the front of your panties. He hums and it rolls through you.  

You grab onto the shape of his head through your dress and cling to him to keep from falling over. You couldn’t stop him if you tried. As all things with him, it’s easier to just let him do as he will. Besides, you are in no hurry to face your family. 

[quiet-admirer]

I dislike the vast, vast majority of fat anatomy tutorials that get passed around on social media because, while learning from other artists is great because it means you don't have to reinvent the wheel yourself, those posts usually end up being "use these 2-3 categories of shapes to draw these 3-4 body types" that functionally aren't that different from those "how to draw a cartoon dog" step-by-steps for children.

All you're learning is the approach that artist uses to draw the body types they typically draw in their style, which doesn't tell you what techniques and practice habits the artist used to arrive to their approaches and shortcuts. It's like being given 3 soup recipes that you can follow, but if you don't learn the basics of what makes a soup a soup, you might be able to riff off of what you know, but it's going to be really hard to make your own meals that reflect your self-expression and tastes.

This is an inherent problem for anatomy tutorials in general, but it's amplified even more for guides on how to draw fat and fat bodies. Any connoisseur of fat can tell you that there is no possible way to make a succinct guide to drawing what fat bodies look like. There is a whole range of hardness to softness, and within each incremental degree of softness there is a wide range of where fat gets distributed on the body, and within that, there are variations in what that distribution looks like proportionally given the person's height and the size of their frame. Where rolls and folds happen varies widely. Where stretch marks happen and to what degree varies widely. Whether there's cellulite in different areas or not.

This is so cool! There are so many options to mix and match and so much fun stuff to learn when drawing fat people. And so much room for expressive character design, too!

But the problem with the kinds of fat drawing tutorials in circulation isn't that fat people are just too varied or too complicated or difficult to learn outside of some specialized studio drawing class. It's because these tutorials talk about literally anything but actually looking at a fat body to learn how to draw one!

It's a hard pill to swallow perhaps, because we all want easy drawing shortcuts, but the way you learn how to draw realistic variation in body types is through real-life references! The tutorials you'll get the most out of are going to be life-drawing tutorials: how to train your eye to see what it's actually seeing and how to translate that to the page. The same exact *skills* that you use to learn how to draw thin and muscular body types are the ones that will get you to learn how to draw fat body types.

"How do I draw double chins?" Idk man, how did you learn how to draw sharp jawlines? Look at many examples of double chins and practice drawing them until you have a good idea of a lot of common shapes out there and adapt and recreate what you're seeing into your own personal artistic style, be that hyperrealism or simple cartoons.

"But where? Artist photo references are all of thin and muscular people, and there's no control over whether studio life drawing models are fat!"

Draw your fat friends with their permission!

Draw yourself if you're lucky enough to be your own fat photo or life reference!

It's a very common practice for artists to life sketch at places like parks and coffee shops, so as long as you are respectful and not oggling and leering at strangers, you may see a fat person in the wild if you go outside with a sketchbook for some people watching.

Live drawing is always going to be more valuable than drawing from a reference that's already 2D, but you can image search fat public figures, like musicians or actors, or redraw movie or music video stills with fat musicians or actors.

fatphotoref.com/

Ok now hear me out on this, but: a great place to find nude photo reference for fat men, (especially if you want practice drawing steamy gay fat sex and intimacy) is amateur porn videos using search terms like 'bear' and 'chub'. Many artists talk about having difficulty finding fat photo references where fat bodies are not portrayed with the themes and aesthetics common in fat fetish and feedism kinks, and I'm not trying to minimize that at all, but unlike the "BBW" category of porn, Bear and chub/chaser amateur porn is way more often just, like, some big guys making a sex tape together. And with amateur porn you often get a lot of footage of people walking around to change positions or camera angles, moving to a chair, reaching for the lube, taking clothes off, lying in bed - liminal space with naked fat bodies just existing and doing stuff, which makes it an underrated resource for figure drawing practice in my opinion.

Also, I have to add, there isn't anything wrong with using photos and videos by fat fetishists, even those with fat fetish aesthetics, for figure drawing practice. These are images fat people are creating of our own bodies, presenting themselves in a way that is gratifying or desirable for them. That is part of the fat experience too; that is a way for fat bodies to be represented, and just because something is a kinky way of portraying fat bodies doesn't mean the kinds of angles and movements and poses that are actively avoided outside of kink spaces have nothing of artistic value to contribute to creating vanilla art or learning figure drawing.

And lastly, there are also more and more videos and channels out there with some sort of niche related to fatness like fat fashion or fat yoga that can also make great photo references.

You learn to draw by looking at real life and drawing it. You learn how to draw fat people by looking at real fat people and drawing them. Look at actual fat people!

[thefuchsianeko]

Been organizing refsheet.net.... ugghh. I have so many images!!!!

[icewindandboringhorror]

Recent game related things .. hrmm...

[dexaroth]

cursed figura model that somehow imported two textures at once that keep z-fighting. he has two sides..

[babycharmander]

(BOOK OF BILL SPOILERS)

I just finished reading The Book of Bill and I am kindof losing my mind over some of this stuff.

I had wondered if Alex Hirsch might make Bill sympathetic in some way and oh boy I was not expecting him to do it so successfully (and without cheapening Bill's character).

So, we learn that Bill was born into a 2D world... as a mutant who can see into the third dimension. He claims he was absolutely loved by all, but when talking about his powers, he mentions under Pyrokinesis:

"Cipher, Cipher, he's insane / Starting fires with his brain." The kids in grade school could be so cruel. But where are they now, huh? WHERE ARE THEY NOW?

So probably not quite as liked as he was letting on. To add to that, there's the silly straw page, which looks like silly nonsense until you decipher some of the codes:

"EYE DOCTOR OF A DIFFERENT KIND / WHO WANTS TO MAKE HIS PATIENTS BLIND" "THE DOCTOR SAYS / THREE SIPS A DAY / WILL MAKE THE VISIONS / GO AWAY"

I wasn't sure what this meant until I saw someone point out... he was seeing a third dimension that no one else could see. His parents probably took him to the eye doctor to try to "fix" him. Which, speaking of his eye doctor, the coded message in the section about human eyeballs says something interesting:

"MY OPTOMETRIST NEVER SAW IT COMING"

It could be a joke given beforehand he's talking about dissecting a human eye, but given the previous hints of medical abuse, I wouldn't put it past him that he tried to get revenge on his eye doctor.

Oh yeah and the whole thing about him setting his entire dimension on fire? Yeah it turns out it was entirely a mistake (he just wanted everyone to understand the third dimension he was seeing so they could be free of only two dimensions), he was so traumatized by it he blacks out when trying to recall it. He deeply, deeply regrets it, and...

"What? Your ENTIRE home dimension? destroyed? How? By what?" Bill looked distant, more distant than I'd ever seen him. "By a monster."

He sees himself as a monster.

And yet, he's not some innocent, misunderstood being. He still revels in causing pain and chaos. He's terrible in general, but becomes incredibly abusive toward Ford.

"YOU'RE MY PROPERTY. DON'T FORGET IT. The hillbilly abandoned you, your father won't want you returning without millions, you have no friends, and if you died out here in the snow, who would even miss you?"

Which... speaking of him and Ford...

Yes, yes, I know people ship them. But like, whether you see their relationship as romantic or platonic (I see it as the latter), there's some interesting parallels to be made here.

Both Bill and Ford are mutants who were mocked for their being different. (Bill was not physically a mutant, as far as we know, but more in the sense of him having vision stronger than that of everyone else in his dimension, and also having special powers. And he does describe himself as a mutant.) Both became social outcasts, separated from their families but still haunted by them (Ford seeing commercials of Stan on TV and running across old photos of him and his brother, Bill being haunted by his family in some form). Neither could return home for one reason or another. Both more powerful than their peers (Ford intellectually, Bill in terms of actual powers). Both of them isolated and alone. (Yes, Bill does have the Henchmaniacs, but they seem like shallow friends, and only really seem to follow him out of a desire to have a place to party.)

Ford was not aware of most of this, aside from knowing that Bill could not go home because his dimension was destroyed. But Bill absolutely saw himself in Ford. There was no other person he tried to use whom he felt a stronger connection to.

And he actually seems to care about Ford--he actually gave him a birthday present, and when Ford didn't like it, he decided to get drunk and party with him instead to make up for it.

And then when Ford realizes what Bill's plan actually is and refuses to go along with it, and fights back no matter what Bill does, Bill completely breaks down.

After living for trillions of years, he met someone who was like him, and that person rejected him.

He goes berserk, wreaking havoc, being caught by the dimensional authority that he's been taunting for most of his life.

And then after dying and being cast out of hell for being too annoying, he winds up faced with the Axolotl, who sends him to therapy, where he continues to break down further, sending out the book in a desperate attempt to find someone, anyone who will help him break loose and wreak havoc once again.

"You have no friends, and if you died ... who would even miss you?"

I don't know, Bill. Who would even miss you?

In short,

[ID: The front and back of one of Bill's Valentines cards. On the front is a black void with Bill Cipher lying down without his hat, gazing blankly upwards, with the text "I DON'T WANT TO DIE ALONE" above him. On the back is a simple white "TO/FROM" in red, with a red outline illustration of Bill spontaneously growing a mouth and eating a realistic, bloody heart. /end ID]

[writers-potion]

Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[dduane]

Hi Diane!

I promise this will end in an ask, but I have a story to share first, if you have the time.

I’m very new to Tumblr, in fact, I was moved to finally create an account to send you this message, but I’ve been casually poking around for a bit. A quick google last summer told me that Tumblr is the best place to get Good Omens news from Neil himself, but it didn’t do the courtesy of warning me just how magnetic this particular bastion of chaotic creative internet mayhem can be. This story is one example. Fun note, when I was composing this message my husband looked over my shoulder at the literal essay I’d typed out and suggested that I maybe, perhaps, might consider shortening it to the length of a conversation that could take place in an elevator. Or in line at the coffee shop. However, i’m not one sacrifice enormity for brevity.

Your post the other day regarding the cover for your novel, Stealing the Elf King’s Roses, got me thinking. First, that it was a very genuine thing to share, second, that I wasn’t entirely sure why I wasn’t immediately familiar with your work, and third, what a fun visual challenge. I was still thinking about it when I should have been sleeping, so I decided to dig in. I almost stopped reading your bio at the ‘blah blah blah’ because I was feeling quite bad about my media literacy at that point, but then I saw that you’re well-known for the Young Wizard series.

The Young Wizard series.

I said I’d try to keep it brief and this is my best attempt. I read books 1-5 of that series during the hardest, strangest, most heartbreaking time in my childhood when I desperately needed a different reality than my own. What I found in your novels was so much better than that. Your stories, your characters, your vision, helped teach me to ground myself in my strengths, frame my reality with hope and purpose, and how to build the spaces I needed within myself to find the compassion, forgiveness, joy and peace I so desperately needed. One of the things I built within myself on my healing journey was a beautiful jeweled box. It resides in my mind just off of I-335 in Topeka, Kansas. I was driving through the flint hills on a road trip from Milwaukee to Wichita when I finally finished the long process of constructing it, so that is where it stays, shining in the sun and twinkling under the stars. This box contains everything I experienced that couldn’t come with me as I grew. Crafting it was a lengthy, emotional, wrenching process, and it’s the best thing I’ve ever done to allow me to become the person I am today. I used visit it every now and again, to make sure the jewels are still bright, but I’m very careful to not jostle the lid.

I’m recounting all of this to you because two nights ago I quite suddenly found myself standing beside my box for the first time in almost a decade. I could feel the gravel under my slipper socks as I gently opened the lid to see my copies of your books resting at the very top. I wasn’t immediately familiar with your work when I saw your name because it is so inextricable from the very fabric of how healed myself, that I accidentally let your words fall under the closed lid of the very box they helped enable me to make. Nothing else clamored to be released as I carefully pulled them out, and once more closed the lid.

So, the ask. I will be brief here - I’m an artist. Not currently working professionally as I’m exploring a different career path, but I’m usually working on a personal project or two. I needed a new one and was still intrigued by the post that started this all, so to help me process the emotions described above I made a version of a cover for STEKR and wanted to ask if I could share it with you. It looks like I can’t attach here, but I’d love to post it on my new, very empty page. It truly might not be your style, but I once again found solace in a space you opened the door to and this time I have the opportunity to share it!

Also, from the bottom of my heart, thank you.

You're so very welcome! And I'm really glad the books were there for you when you needed them. (And plainly are there with you still.) 😊

And absolutely, post that cover! I'll be delighted to see it.

[after-witch]

Bookworm [Yandere Mahito x Reader]

Title: Bookworm [Yandere Mahito x Reader]

Synopsis: Mahito doesn't like that you have an interest in a book character.

Word count: 1787

notes: yandere, kidnapped reader, mentions of other people being tortured/killed, supreme self indulgence of the highest order

“Who is the smiling man?” 

The silence that had existed between the two of you was broken by a question that made you flinch. Well, why not? Mahito has been quiet all morning--and afternoon, actually, which perhaps should have startled you more than his sudden words. 

But you were too happy to enjoy some quiet (you would never say “peace and quiet,” not down here, not with him); all too happy to curl up in your haphazard nest on the floor with some books that took  you away from this place. Away from Mahito.

Who was, of course, still here. Lounging in his hammock with a pile of books sagging down the netting. 

You couldn’t tell exactly what he was reading from down here--you probably needed new glasses, a subject you were certainly not going to bring up with Mahito, who might reiterate his offer to “fix” your eyes. It looked like a bundle of pages stapled together. Maybe he went to the library and printed off obscure articles to read again. 

“Hey,” he calls down, and the first hint of worry begins to prickle on your arms at his uncharacteristically serious tone, “Answer me.”

Your mind stutters, tries to put one word in front of the other, and make sense of it all. 

The smiling man? The smiling man, the… ah. From Small Spaces. The otherworldly supernatural entity who lives in a world behind mist and has a penchant for making deals with people for their greatest wishes. 

It’s not your fault that you haven’t thought about him in ages. It’s not like you had copies of your books with you, and the fun you had with imagining him in an endless number of scenarios had fallen by the wayside considering your circumstances. 

It’s hard to daydream about worlds behind mist and cornfield servants when you’re watching people be turned into grotesque experiments that had them, sometimes quite literally and loudly, begging for death.

Mahito is looking down at you now, staring expectantly. 

“He’s a character,” you say, fidgeting on the floor. “From a book series.” You look down, flip a page in your book, although you haven’t finished reading the last one, and ask, casually as you can muster: “Why?”

Mahito, up above, flips a page. You can hear the wobble in the paper--not a bound book, that’s for certain. And there’s some low, primal sense that shivers through you which says, plainly, that he’s actually reading whatever’s in front of him. 

“You write about him a lot.”

Oh.

Low, slimy dread filters into your stomach. Thick and gelatinous, resting at the bottom of your belly like an unwanted slug. 

“I… don’t know what you mean,” you say, voice only half-there, because while you are apparently stupid enough to lie to Mahito’s face, you’re not stupid enough to think he’ll believe you. 

You are just stupid enough to think that he won’t know exactly how deep your interest in this particular character goes; before Mahito took you, you thought about him all the time. You’d take walks and daydream about him, write story after story; you’d even commissioned fanart of him, because it wasn’t like there was a plethora of fanart for a character from a middle grade horror book. 

Mahito huffs out a sigh. Quick and short, it sends a shock right down your stomach. 

“Get you a man,” he starts, and confusion buzzes through your brain until he continues. “Who is an otherworldly entity that is so petty when an 11 year old beats him that he traps her in another world, leaving her to a fate worse than death, and laughs until he cries about it.”

You wrote that. There’s a vague memory of when you posted it--after you’d taken a walk, you think, and reread your favorite parts in the books for a few hours. But the way Mahito says it makes it sound--you don’t know how to explain it. Like saying the words out loud almost pains him; they come out clipped and bitter. 

Bitter? But why?

He doesn’t stop there. He reads something else, voice getting higher, almost mocking the way you talk. And that bitterness is still there, a thread continuing through every syllable.

“What if we kissed in the corn maze before you turned me into a scarecrow servant whose soul slowly gets dried out and useless and in the end you feed it, crunchy and tasteless, to your hellhound.” 

He takes a breath. Then--

“One particular aspect of the Smiling Man’s cruelty that I truly adore is that he can make people feel understood. He can make them feel like he cares, like he’s lending a listening ear, like he’s wanting to help them out and make them feel nice.”

Another breath--and he continues, again and again, reading your posts. Quoting your stories. Listing off the titles, the imagine posts, everything you’ve said about him.

All the while, bitter and mocking, his voice raising now and then in an imitation of your own. 

Then he gets to the last page of his clearly self-created tome and stares down at you, waiting, expectant. 

And you… you actually glare up at him. 

Because you're scared, sure. You’re always scared in some way, when you’re with Mahito. But there’s something else too, something that digs its way out of the rot in your gut and sticks up a petulant middle finger.

How dare he do this. How dare he take something that was yours and make it his; put it in his mouth and sneer over it. 

“Have you been--” Your mouth sticks together, refusing to let you accuse him of what you know he’s been doing. Stalking your online profiles. “That’s… that’s private,” is what you finally mutter, cheeks feeling hot and that half-buried petulance pushing you forward. “It’s not any of your business.” 

“Private?” He mutters the word softly, cradling the sound.

And then--

Mahito doesn’t often move fast around you. He prefers to be slow, languid. Calculating. You think it’s because that terrifies you more.

But now, in a moment, he goes from being slouched in his hammock to leaping down and crouching right in your face--there’s sudden pain in your head, and you realize he’s grabbed your hair and yanked it back.

That metaphorical middle finger sinks back down into the slimy gut sludge.

“Not from me,” he says, low, a warning. “Not for you.”

This is all it takes for tears to prick inside your eyes.

Mahito’s lips quirk up. Just a little. Just enough for you to notice.

“You’re going to cry already? I didn’t even do anything.”

Your eyes dart up and back, towards where he’s currently gripping your hair hard enough for it to sting.

He sighs through his nose. “This isn’t anything. You know that. Don’t be childish now.”

But--he lets go of your hair, and doesn’t grab for you when you scoot backwards on your blanket nest. Instead, he plops himself down, crossing his legs and resting his chin on his elbow.

You don’t speak. You don’t want to, and you don’t know what to say. Sometimes it’s better to be quiet around Mahito, so he doesn’t get ideas. Although he comes up with them on his own just fine, even if you try to stay silent.

It’s Mahito who breaks the silence.

“Why do you like him so much?”

How silly, to feel embarrassed right now. With the creature in front of you, and what he can do. But that’s what makes your cheeks burn: embarrassment. 

“I don’t know,” you mumble, because while you are stupid in so many ways, you’re still smart enough to know he wants an answer. “I guess I just like antagonist characters sometimes.” Well, most of the time. But it’s better to keep that from Mahito, if you can.

Mahito’s lips quirk here and there while he thinks. Then he looks at you with something like genuine confusion.

“You say that you like how awful he is. The awful things he does. So…” He tilts his head a little. “You should like me. Right?”

Your fingers pick at the loose threads of your clothes. Your eyes don’t meet his entirely--they flick up and down, from your legs to his face. 

“It’s not the same thing,” is what you come up with. But how to explain that to a curse?

Mahito frowns. 

“I don’t understand.” No bitterness, no pouting. A simple statement of fact.

“He’s not real.” You swallow against the minefield that all of this is making you step through, hoping you’ll avoid them. “But you are. That makes it different.” 

Mahito leans forward, grabbing your wrists, pulling you closer to him with a yanking, childish gesture.

“So you should like me more,” he says, a slight pout in his tone. “Because I can really do those things.” His eyebrows raise, and you swear you can hear a buzzing light bulb go off. “I could turn someone into a scarecrow for you.” He smiles, sudden, excited. “Do you want me to find some school children to torment?”

“No!” Your voice cracks. There are brief images in your mind--the people he’s tortured and killed, experimented with, before you were here and while you’re here and probably after you’re dead and gone--and you shake them away. 

Mahito’s eyebrows furrow. He groans and rolls his eyes backwards until they are entirely white, not in mockery or an attempt to scare you, but in irritation. Fingers squeeze your wrists briefly and let go, and you stay quiet, trying to fight your urge to cry, until Mahito slowly rolls his eyes back to stare at you.

His gaze flicks over you, until he catches your eyes with his. 

“You won’t write about him anymore.”

You don’t take a moment to answer this time.

“I won’t.”

“You won’t read those books anymore.”

“I won’t,” you stay. “I haven’t. I--don’t even have copies anymore.”

Mahito smiles, a little. Maybe it’s a good thing you never asked him to find you a copy, a thought which had been a brief temptation a while back.

And then he leans in closer again, until his nose touches yours.

“You won’t think about him anymore,” he says, quiet, solemn. Not an order but a matter of fact. 

You don’t answer. You swallow against a bitter taste in  your throat; you swear, sometimes, that the sludge in your gut is real and tries to make its way out sometimes.

Mahito presses his nose against yours until it starts to hurt.

“You won’t,” he says again, this time more to himself. “I’ll make sure of it.”

[astermath]

second chance ₓₒ⋆:

pairing: steve harrington x fem!reader

summary: steve decides to ask out the girl who he keeps seeing around hawkins with her nose in a book. he’s a little surprised when he gets brutally rejected, only to find out his “king steve” era is haunting him more than he expected. he attempts to make it up to you and show you he’s changed, even if it takes him a couple of tries.

word count: 4.8K (oops)

warnings: cursing, no use of y/n, bullying, regular size font below!

notes: first time writing for steve YES I HAVE FALLEN IN LOVE WITH HIM! YES IT IS THE FAULT OF ALL THE GOOD FIC WRITERS ON HERE! and thus,, I had to participate,, I hope I got his character down, I might write more for him so let me know if you’d like to be added to the tag list for further steve harrington related content!

tagging some writers who have absolutely inspired me to write this with their own incredible fics, be sure to check them out <3 @hungharrington @sunshinesteviee @ghostlyfleur @lilacletter​ @stevenose​ 

As a teenager, you’d grown to hate Hawkins. It was a mundane, small town with boring people, not much to do, not to mention the weird supernatural rumors you’d hear about every other week. 

But nothing was worse than your high school, Hawkins High. There was a strong social hierarchy, with you firmly placed at the bottom. You were a class A nerd, getting good grades, and always reading to distract yourself from your lack of a social life. So naturally, you got picked on a lot. At first it was just some girls in your class, laughing at your big glasses and the way you dressed. But as you got older, you’d caught the eye of so called “king Steve” and his goons.

You’d heard plenty about him by junior year; how rich his parents were, how he was the best at sports, how every girl practically dropped to their knees when he entered a room. He’d started noticing you when his friend Carol pointed you out, sitting alone on a bench outside school, waiting for your dad to pick you up. His finger had pushed your book down so he could look at your face, and you were soon met with his all too cocky grin. 

“Watcha readin’, four eyes?” The ego was nearly dripping off his words, making your stomach turn.

“None of your business.” you pulled your book away, keeping a finger between the pages you were on. “Doubt it’s near your reading level anyways, Harrington.” You may have been nerdy, but you were no pushover. If they wanted to be condescending, then you’d play their game right back at them.

“That’s no way to treat your king, is it?” Tommy chimed in, like a parrot on his shoulder. You were sure that guy would be nowhere without his friend’s reputation, considering he had the personality of a wet sock.

“My king?” You repeated, raising an eyebrow. “Can’t you just leave me alone?” You tried putting your book away, but Carol had snatched it from your hands just before you could reach your bag.

“Oooh, is this your diary or somethin’?” she flipped it open, shit eating grin plastered over her face as she ran her nail over your name written on the opening page. 

“Do you mind? Give it back!” you’d reached out to grab it from her, but she’d already tossed it back to Steve, who was now holding it high above his head. 

“Come and get it sweetheart,” He smirked. “Might have to get real close for it though.” Tommy laughed like a hyena at his taunting, and you swore you would have punted him if they didn’t outnumber you. 

You scowled, ready to just grab your bag and make a swing for it. “Over my dead body, Steve.” You spat his name, and he grinned at your response. 

“Ahh, shouldn’t have said that.” He dropped the book down into the muddy puddle in front of you, stepping on it to make matters worse. 

You watched, mouth slightly agape as tears welled up in your eyes. Carol cackled while you stood frozen, clutching your bag as you watched the pages soak up the filthy water under his foot. You had every reason not to like Steve, he was like every movie’s description of a high school bully. But he’d destroyed something personal of yours. So now you had every reason to hate Steve.

And the bullying never stopped there. He’d laugh when Carol put her gum in your hair, when Tommy would bump into you extra hard in the hallway, when you’d turn around every time you saw him.

So when graduation came, you couldn’t be happier to get out of there and go to college.

Except your dad got fired from his job. And so, after just a year of college, you’d abandoned your dream of majoring in English literature and returned to the sad, miserable old town you grew up in. 

So you’d taken on a job in your local bookstore, hoping to make enough money to rent an apartment anywhere else soon. You spent the rest of your time reading and writing, usually outside to get some inspiration. You weren’t surprised to see a lot of familiar faces, though you’d never actually spoken to most of them. College was expensive, and a lot of people from Hawkins were just going straight into working than bothering to study. Or maybe some were in the same unfortunate position as you, tragically locked to your hometown.

You were sat outside the backside of the mall, listening to people’s conversations around you. Though you were never much of a socialite, you were very interested in the way people interacted with one another, especially if they were from completely different backgrounds than you.

Two books sat besides you, knees brought up close to your chest as your papers leaned against your legs. You messily wrote down strings of sentences and words of inspiration, a description of what you were seeing too, every now and then. You were an aspiring writer, hoping your literary skills would one day break you out of your current situation, but with the current state of the world, that’s all you could really be. Hopeful.

You were daydreaming about the life you’d build for yourself, finger running over the tip of your pen. You were so involved in your own train of thoughts, you almost hadn’t noticed the sudden new presence besides you. 

“Watcha writin’, pretty girl?” 

The voice sounded familiar. A little too familiar for your liking, actually. You kept your eyes on the page, hoping you conveying your disinterest was working in driving the guy away. You sighed, clicking the pen a few times. “Do you really care, or do you just wanna bother me?”

You could hear a faint chuckle, and you’d be lying if you said it didn’t sound nice. Still, you were working, and you preferred not to be disturbed when you were.

“You got me there,” the guy spoke, and you could tell he’d moved a little closer, because you could now smell a sliver of his cologne. “Was never one for books, but I’ve been wanting to read more. What is this, Pride and Prejudice?” He picked up one of the books, and you turned, about to take it from when your eyes landed on his face, freezing midway when you finally realized why he sounded so familiar.

Steve motherfucking Harrington.

Same cocky smile, same brown eyes, same somehow always perfectly styled hair, and probably same asshole altogether.

You squinted slightly, not sure if you were hallucinating or not. “... Steve Harrington?” You question, and you could tell he doesn’t quite know how to react at first.

Truth be told, Steve had changed. A lot. All the things he’d gone through, the connections he’d made, the ego checks he got, it made him a new man. Or so he definitely liked to believe. But he was also painfully aware of his reputation, his old persona still haunting him sometimes. Still, he’d never seen you before, so he hoped it was a relatively positive image you had of him.

“I guess my reputation precedes me,” he smiled, and you think it’s the first time you’d ever seen him genuinely smile. Not the smile he gave you when his friends were teasing you, no, this one was much softer. “Or maybe... We’ve met before?”

And then it clicked.

Steve had no clue who you were.

Sure, you’d developed a better sense of style over the years. You no longer needed braces, you had grown into your body better, and your glasses fit your face a lot more. But you didn’t think you changed that much. Besides, your personality had remained the same. You were still the sharp tongued, book loving, nerdy girl he’d bullied back then.

It was true, he didn’t recognize you. He was almost certain you were new in town, telling his best friend Robin that if he knew you, he’d definitely recognize a face that pretty. She had no clue who he was talking about, this mysterious girl he’d seen reading and writing all over Hawkins, so she just told him to make a move. So he did.

“So uh,” He leaned his arm over the backside of the bench, facing you. “I was wondering if you’d maybe like to go out sometime. Y’know, catch a movie, go to the arcade, whatever you’d like to do for fun, uh...” he flipped the book open on the first page, reading your name aloud. And then it clicked for him too. You weren’t new here, and you most certainly knew him. He looked back up at you, already getting ready to apologize when you snatched the book from his hands and got up. 

“Go fuck yourself, ‘king Steve’.” You scowled, shoving your stuff in your bag and angrily walking off.

He had to admit, that stung, hearing you use his old nickname like that, and then watching you storm off. He was starting to realize that there were more consequences to his high school endeavors than he’d initially imagined, that he couldn’t just move on and pretend that he was a new person now. He had to make things right. Starting with you, the pretty girl with the glasses. 

“And-- and then, wait for it-- I look into the book, right?” Steve stands behind the counter of Family Video, hands motioning vividly as he tells his friend about what had happened the day before.

Robin nods, mumbling some kind of “uhuh” as she continues to organize the shelves.

“And it’s her! It’s four eyes!” He exclaims, looking expectantly at his colleague, hoping for a big reaction.

“I’m sorry, who?” Robin’s face contorts in confusion, turning to face him with a hand on her hip.

“Shit, uh, she was like always reading and stuff, and she had these-- these glasses, they were way too big for her face, and--”

His sentence was cut short by the jingle of the door opening, and the two of them looked to see you there, who was clearly not expecting a welcome committee. Your gaze crossed Steve’s, and for a moment he felt like you were about to kill him with just your stare. You rolled your eyes, scoffing audibly and started looking through the shelves.

Robin looked at Steve, mouthing a “is that her”, to which he nodded stealthily. She replied by smiling approvingly, as if she now understood exactly why he wanted to make things right. You were really pretty, she could definitely see that.

You damn near slammed down the tape you wanted to rent for the day on the counter, avoiding eye contact as you looked through your bag for your wallet.

“Are you already registered at Family Video or—“

“No.” You cut him off, head snapping up.

“Alright,” Steve nodded, slightly intimidated. “I’ll just need your name and phone number for the registry.”

You stared at him for a few moments, eyebrows knitting together in confusion. Did he really think you were that stupid?

“Are you fucking—“ You looked over at his colleague. “Is he fucking with me?”

Robin shook her head slowly, slightly intimidated. Though she could see why he had to work his way up to talking to you, she had to admit, it was quite funny seeing Steve actually struggle talking to a girl like this.

“We need it in case you don’t return the tape.” He gave you a thin lipped, awkward smile as he got the keyboard out to type it in.

“Fine,” You huffed, “but if I get a personal call from you, I’m changing numbers.” You started to list your phone number and complete your registration. You just wanted to watch the Breakfast Club for christ’s sakes, this was taking ages…

“That’ll be 10 dollars,” he put on a sweet, almost customer service-y smile, “please.”

“Yeah, fine, just—“ You rummaged through your bag, brows furrowing when you still couldn’t manage to find your wallet. You were certain you had it, although you did grab your stuff in a bit of a rush that morning. “I swear it’s here, it’s just under all this other stuff…”

You were about to dump the contents of your bag onto the counter when Steve held up his hand, pulling out his own wallet. “It’s fine, I got it.” He deposited 10 dollars of his own into the cash register, sliding the tape back over to you along with a receipt. “Courtesy of Steve Harrington.”

You looked down at the tape, and something in you wanted to smile. You were still getting used to this, guys doing nice things for you because you were pretty, but it was different from Steve. You were mad at him, and rightfully so. Te, measly dollars wasn’t going to cut it.

You muttered a “thanks”, stuffing the tape in your bag and waving Robin a quick goodbye before speed walking back outside. Your cheeks burned hot, and you hated to admit it, but it was a really cute gesture from Steve.

“She seems nice.” Robin said, watching Steve’s expression falter with a bit of an amused grin.

Steve leaned his face into his hands, watching you leave through the window. “The nicest.” He sighed, lowering his head to rub his hands over his face. “I’m gonna have to give that another try though.”

Robin chuckled, going back to the task at hand. “Good luck with that, casa nova.”

And so he did. He kept trying. It wasn’t just because he wanted to prove something to himself, he was genuinely intrigued by you. Even back in high school, he wondered what was going on in that head of yours when you’d daydream in class, or when you were writing during breaks. But he knew he’d never hear the end of it from Tommy if he talked to you, so he chose the easy way out. Coping by making fun of you. At least that way, he never had to prove to anyone if he liked you or not.

But it wasn’t fair, not towards you, of course. He never should have treated you that way, and this was his chance of making things right. And maybe finally finding out what was always happening in that pretty mind of yours.

You were stacking books on the shelves at your job, humming a tune to yourself. You liked your job, you always got to buy books at discounted prices and read whenever it was quiet. It was a nice step-up to what would hopefully become a real writing job one day, having your own books sold in a place like this.

“Excuse me,” a voice stirred you from your daydreaming, “I’m looking for something new to read.”

You turned, and as soon as you once again caught sight of Steve, your customer service smile faded into a scowl. “You stalking me now, Harrington?”

He put up his hands in a defensive position. “Woah, jump to conclusions much?” He chuckled nervously. “No, I uh... Robin told me you worked here. So I decided to drop by.” He followed closely behind you as you walked to the back to start stacking the shelves there.

“So what are you really doing here, besides bothering me?” You turned, a book clutched to your chest. It reminded him of how you used to walk the halls, always with a book held over your heart. It was almost poetic, now that he thought about it. He knew books were your comfort, so it only made sense you’d always keep one near.

“Like I told you,” he leaned against one of the shelves, hand slipping down just a tad which almost made him lose composure, “I’m looking for somethin’ new to read.”

You raised an eyebrow, and you had to admit, he had your attention. “You?” You scoffed, followed by an almost mocking chuckle. “Shit, I didn’t even know you could read.”

He pretended to be hurt, hand over his heart as he said your name in an offended tone. “I’m wounded! I’m trying to explore more literature and here I am getting judged!” 

You couldn’t help but giggle, blood rushing to your cheeks from embarrassment. You were supposed to be mad, not humor his flirting, no matter how cute he was. “I uh... Well, I read this book not too long ago. It’s about two lovers who travel the world playing the music together, and one of them dies, so the other has to like, find their own sound...” You realized you were rambling a little, wide eyes looking up at him. “Or... Something like that.”

“Yeah! Yeah, that-- that sounds great. Cool. Totally.” He tried his best to brush off how your eyes were making him feel. So pretty, even when behind your glasses, he could tell how much emotion they held.

“Cool, cool,” now you were the one trying to play it cool, fingers fidgeting with the hardcover you were holding. “I’ll, uhm-- go check our stock really quick.” 

He let you do your thing as he looked around the store, flipping through the pages of random books he found. Truth be told, Steve hadn’t read a single book ever since he stopped being forced to because of high school. Not because he hated reading, he just... Wasn’t very good at it. He’d often mouth along with the words, sentence by sentence, sometimes even whispering them to himself.

You returned not long after, strangely enough, with nothing in hand. “So, I think we ran out, but uh...” You adjusted your glasses. “I can lend you my copy.” You caught your bottom lip between your teeth, nibbling nervously. “If you want.”

Steve was quite surprised by your proposal. He knew how precious your books were to you, but giving one to him? The guy who’d stomped on your own personal property not even that long ago? Damn. Maybe you were just that nice. Which made him feel even worse for treating you like shit.

“Totally! Yeah, uhm, I’ll take good care of it. Like, seriously, I’ll protect it with my life.” He grinned, and you hated how infectious his smile was. 

“Good,” you handed him your copy, and he could tell it was well loved. “I better not find any mud on this one.” He nodded at your comment, swallowing down his guilt at the memory. There was a bookmark at the front, and he could tell by the dozens of sticky tabs sticking out that you were serious about your reading. So he decided to be serious about it too.

“You can give it back whenever you’re done.” You smiled awkwardly, subtly letting him know he could read it at his own pace. “Just come drop it off when you’re ready.” He was about to thank you, when you raised a finger to interrupt him. “In the exact same condition, Harrington.” Though your gesture was sweet, he could tell you still weren’t fully on good terms with him. That was fine by him, he was glad he was making any progress at all, really. 

“Yeah-- yeah, for sure, no problem.” He stood there for a few seconds, book held under his arm as his other hand busied itself running through his hair. “I’ll uh... I’ll see you around.”

You smiled at how nervous he seemed. “Yeah, totally, see you around Steve.” You gave him a quick wave and went back to stocking the shelves.

Steve heart swelled with a familiar feeling as he walked out. He knew you were pretty, gorgeous even, but seeing you smile, and say his name like that... Man, he felt like an even bigger idiot for being such a douche to you back in the day. You were being so nice, and you had absolutely no reason to. He stood outside, thinking of your sweet voice and cute glasses, and clutched the book to his chest.

Huh. That did actually feel kinda nice.

And so he walked home like that, the entire way, with a tight hold on the book. He’d rather die than let it get damaged now.

One of the first things he did when he got home was go to his room, sit down on his bed and open the book. On the first page, you had your name written, and it brought him right back to when he first saw you again. Something inside him feels superficial and shallow for only talking to you now that you look different, but all the circumstances were different too. You’d both grown, matured, he just wished you’d give him more of a chance to show it.

But in a way, he supposed this was the first step to earning your trust.

He’d spent almost the entire night reading, smiling and even chuckling at some of your annotations. He was glad there was a key at the start, so he knew which color meant what. He’d even grabbed a dictionary from downstairs because he didn’t understand some words, but was eager to learn more. Reading your comments made it feel like you were right there with him. They were funny, making him crack a grin at how outraged you could be at some of the characters’ decisions.

He imagined your face when one of your comments mentioned you’d cried, and his heart twisted at the thought. Because he knew what you looked like when you cried, thick tears running over soft cheeks, lashes wet. He’d be lying if he said you didn’t still look pretty, but man, he was now more insistent on proving he’d changed than ever. Maybe his budding crush was helping that a little too.

A little more than a week later, he’d returned to the store you worked to return the book. Frankly speaking you weren’t sure if was actually going to bring it back, let alone in the exact same condition you’d given it to him in.

“So, what did you think?” Your face beamed a sort of excitement you’d only see when your interests were being discussed, and this was definitely one of them. Besides your boss, you never really had anyone to talk to about books. Though Steve was more of an unconventional choice, you enjoyed the conversation nonetheless.

What surprised you even more was that he’d actually read it. Like really, really read it, including your annotations and comments. It warmed your heart to know he had put actual time and effort into enjoying the whole thing, and he looked pretty cute talking about it too.

“But the ending broke my heart, seriously—“

“I know, right? How could she not have forgiven him for not leaving behind the music sheets? It was clearly to help her move on!”

“Ugh, I know! Man, you get it.” He laughed softly, fingers running through his chocolate colored hair.

“Yeah, I guess I do.” You laughed along, the noise in your throat slowly dying out as you got a bit too caught up in the sight of him. Steve Harrington was a handsome young man, that was common knowledge. There was a reason all those girls were always swooning over him, and you hated to admit that you could see where they were coming from. But you didn’t like the overly cocky, flirty side of him you knew in high school. You like this side, the soft, considerate, attentive Steve you’d been getting to know a little better.

Yeah, you were growing fond of him. 

Which is exactly why you’d said yes to hanging out with him at the park the day after. Just “hanging out”, in his own words. He’d been careful not to make the same mistake he did the first time he talked to you, rather easing you into spending time with him one on one. He’d hate to break your trust now that you were finally able to look at him with something other than anger in your eyes.

It was already quite late when the two of you met up. You’d been busy with work, and him with helping out Dustin, so once the two you arrived at the park, it was already dark. You didn’t mind, though. Less chance of other people bothering you. 

You settled on a more secluded area, Steve had even been nice enough to bring a blanket to sit on. You were initially just going to discuss the contents of the latest book he’d borrowed from you, but you had a feeling something else was left to be said.

And he was well aware of this too.

So when you were staring up at the sky, moonlight illuminating your features in a way he’d only seen described in the books he had read, he figured he couldn’t keep talking to you without clearing the air. You deserved that much.

“You know,” he cleared his throat, “I thought about what happened a lot.”

You bring your gaze over to him, tilting your head slightly. “My my, whatever could you mean?” You said, teasingly so. He knew you wanted him to just say it. And who was he to deny you of a justified apology.

He took a deep breath, fingers running through his locks. It had become almost a nervous tic to him.

“I’m really sorry about everything I did.” He said, in the most genuine tone he could muster. “Seriously, I-- I’m just kind of... ashamed, really.” 

You could tell he was struggling to look at you, and you wondered how much thought he’d given this already.

“You never really realize how stupid and insignificant high school shit seems until you get out in the real world, you know? Like-- none of it matters, none of that popularity, shit, and-- and I wish I’d just realized that sooner because now--” He caught sight of your eyes and for a second, completely lost his train of thoughts. He realized he wasn’t getting to the point, suddenly understanding Robin’s need to nervously ramble entirely.

“Point is, I’m really, really sorry for the way I treated you.” His hand inched closer to yours, itching to grab it to emphasize his point. “I’ve changed a lot, and I hope that’s become at least slightly believable.” He smiled nervously, all kinds of possible responses you could give running through his mind.

They all came to a halt when he saw you smile.

That sweet, kind smile he’d seen back in high school and avoided because of how it made him feel.

The same smile that was currently reducing him to a nervous teenage boy with a crush.

“It’s okay, Steve.” You spoke softly, and the words came as a mercy to his overbearing thoughts. Your hand moved over his, and you ran a thumb over his knuckles. His hand was soft, warm, and a little clammy from what you could only assume to be the nerves.

“I’m not gonna make you beg for my forgiveness, don’t worry.” You chuckled, and his heart damn near melted at the sound. He secretly wished they could bottle whatever feeling your laugh gave him, so he could keep it with him in times of need.

“Really?” He tilted his head, brown locks falling in different ways around his face. “Because, like-- I’ll do it. Wait--” He got up on his knees and reached besides the blanket, plucking a stray flower from the grass and kneeling in front of you. He cleared his throat in an exaggerated way, before addressing you with your name. “My dearest, will you please forgive me for being a top shelf douchebag to you before?” 

You couldn’t contain your laugh, feeling your face heat up at the sight of him kneeling in front of you. “Steeeeve!” You exclaimed, hands coming up to cover your face. “Okay, okay, I forgive you!”

He chuckled along with you, reaching out and gently tucking the flower behind your ear. “Alright, well--” he sat down again, now significantly closer than before, turned towards you. “would you perhaps do me the honor of going out with you then?”

You bit your lip, pretending to think about your answer as he looked at you in anticipation. Instead of answering, you leaned in and pressed a soft kiss to his plush lips. It was better than you’d imagined, his hand finding its way on your cheek as he melted into it. He made a soft, almost pleading noise, once you pulled away, and you swore he’d never looked prettier. 

“Sure, I’ll go out with you.” You brushed a lock of hair out of his face. “But only because you asked so nicely.”

He grinned. “I’d hope so, after a kiss like that.”

“Shut up.” You muttered, before connecting your lips again.

He would have done so either way. Because you’d officially rendered Steve Harrington speechless. And painfully in love. 

[isalisewrites]

A Deep Dive into JKR's Terrible, Amateur Writing - Part One

Welcome to my new series, where I will prove to you, dear reader, that J.K. Rowling, author of the Harry Potter series and resident Twitter TERF, is actually a very, very poor writer.

And when I say 'poor writer,' I'm talking about her prose, her sentence structure, and her scenes. I am not going to discuss anything about the HP world nor the plots of the books.

This is all about the nitty gritty in the craft of writing itself.

Disclaimer for all readers: I'm going to sound very confident in my posts. I'm going to be working under the assumption that I'm a better writer than JKR. Because I am. My apologies if this rubs you the wrong way. You're just witnessing two and half decades of experience with the intensity from a neurodivergent who is hyperfocused on her special interest. I didn't just learn how to create stories; I learned the craft of writing to a minutia of details.

After years of being beaten down by others, I will no longer tolerate that.

I will be using my writing to compare with hers to make some of my points. Some of what I say in these posts could be considered stylistic choices. However, in my humble opinion, most of this is a difference of skill, which can be learned. Yes, everything I'm going to teach and cover in this series can be learned. There's no 'talent' here. You can learn how to become a better writer right here and now. You only have to understand the craft of writing and sentence structure to better improve your prose and scenes.

I don't have fame and money.

I don't need them to teach you how to write better than JKR.

You're free to disagree with my stances about this and about everything I cover, of course. But if you're a writer, you might gain some insight from this post and I sincerely hope you are enriched by my efforts in this. I spent quite a few hours on this post. Helping others become a better writer than JKR is one of the greatest contributions I can give to society.

Thus, take what resonates and leave what doesn't.

I have stated before: JKR's writing is bloated in the wrong places, underwritten in others, and the prose is poor. These problems show up in all of her HP books.

Buckle up, my writing friends. Grab a snack. Hydrate. Let's begin.

Class is in session.

In this post, we're going to dissect a page from HP4.

There's so much wrong with this page and the three pages of this scene overall. So much to go over. Bullet points I'll cover from this page:

Disconnected Dialogue Lines

The Great Sin of Adverbs

Too much fucking dialogue!

Wrong focus altogether in this scene

Out of POV writing

First point. This is a huge ongoing issue I see in all of the HP books. There are a lot of disconnected dialogue lines, which become confusing over time. This could be an issue of the publisher, but it's still a problem. In the middle of this page, we have:

Sirius hesitated. "I've been hearing some very strange things," he said slowly.

Wait, wait, wait. Who said this? Listen, I know. I know it's Sirius. However, this is an improper placement on the page and can become confusing because Harry also goes by he/him pronouns and he's also in this scene. While the dialogue here suggests Sirius is talking, it could easily be misinterpreted if there were other characters or if he said something that Harry could've just as easily said.

To make this dialogue more clear for the reader, it should go as follows:

Sirius hesitated. "I've been hearing some very strange things," he said slowly.

Second point. JKR is an adverb sinner, a criminal. Jail. "Do not pass go; do not collect $200." Arrest her for these blatant crimes, please, for the love of god.

Look, I love adverbs. They're great. Don't fucking listen to anyone who outright demonizes them (including your huffy, uppity literature professors). Adverbs are the seasonings of writing. You season your food; you also need to season your writing when the case asks for it.

However...

Adverbs should always be used sparingly when connected to dialogue tags. The setting in this scene is: Harry is in the Gryffindor Common Room at night crouched in front of the fireplace where Sirius is in the fire in a floo call. I read through the whole scene, though I've only shown one page here.

Harry says a line of dialogue 'slowly' three times and Sirius says a line of dialogue 'slowly' two times.

The same adverb 'slowly' is used FIVE FUCKING TIMES IN THREE PAGES.

I want to scream, not gonna lie here. Set this adverb on fire!

What does this adverb do for us in this conversation? What is so important that we have to be told that five lines of dialogue were said slowly? What do they contribute? Spoiler alert: nothing. What are their facial expressions? Harry is 14. He's exhausted since it's well after 1am or so and he's burdened with the new knowledge of dragons for the first task. He's kneeling in front of a very hot fireplace. There's fire fumes and smoke, potentially. Is he fidgeting? Is he yawning? Rubbing his eyes? Bouncing a leg? Is he picking at the carpet or rug?

Harry is a tired, burdened child.

Show me this!

Now I'm not saying that you can't use adverbs in your dialogue tags. There's a huge difference between "he said softly" and "he whispered." It's about balancing the moment when an adverb says just enough versus an adverb replacing well needed scene enrichment. Let's compare this with a section from my HP time travel fanfiction, Terrible, But Great, Chapter Thirty.

Dumbledore nodded at Monty, pocketing his wand. “Mr. Potter.” “Lo, Professor,” said Monty, pout gone, but still a watchful light in his gaze. “Is there a problem?” asked Dumbledore in a mild tone. Ice slipped in between Tom’s ribs, piercing his flesh. Monty tilted his head. “No, sir.” Oh, but Tom knew better. He could see through that innocent facade. The man could’ve been a Slytherin for how much he was cataloguing every little detail, from Tom’s appearance, to the content of the selected books, and to the supplies of ink, quill, and parchment scattered on the surface of the table. Tom masked the raw, whirling feelings in his chest with a well practiced blank, emotionless expression. He willed himself to hide.  “Nothing at all, sir,” said Tom lightly. “Young Mr. Potter was regaling me about his friendship with Miss Malfoy.” Monty glanced at Tom, brows furrowing. Those blue eyes were piercing, filled with suspicion. “Was he now?” Dumbledore said; though his tone was still without direct accusation, Tom could hear the hint of it. “Then, may I ask, why a silencing charm was necessary for such a benign conversation?” Tom wet his lips. His throat was dry. “I thought it wise to avoid disturbing others in the library.” “I am awfully loud,” said Monty with a sage nod. “Ah. A noble intent. However, it is not an appropriate use of magic in the library,” said Dumbledore, his gaze firm as it bore down on Tom. “Ten points from Slytherin. I think it’d be wise to take your studies to your common room, Mr. Riddle.” “Yes, sir,” whispered Tom.

I only used "said Tom lightly" once in this section to show Tom attempting to be unaffected by Dumbledore's interference. I did not dialogue dump information in giant chunks. I did utilized actions tags versus adverbs, like Monty tilting his head or Tom licking his lips. I suspect that if JKR had written this scene, she'd have used lines like:

"No, sir," said Monty curiously.

or

"I thought it wise to avoid disturbing others in the library," said Tom nervously.

The adverbs that JKR's uses add nothing to her scenes. They're just thrown into them without a thought. Did she even reread this scene after she wrote it? I cringe in agony if I use an uncommon word more than three or four times in an entire 4,000 to 7,000 word chapter, let alone the same adverb five times in three pages. Good grief.

There are two other adverbs used in this page, hastily and bitterly. Hastily does nothing for the scene and is connected to another issue, but I'll go over that in the end. However, bitterly is one of the adverbs I'd keep. It gives us a glimpse into Harry's feelings here. We need more of this, but we got nothing.

Thus, the overuse of adverbs in JKR's dialogue detracts and steals so much from the scene.

Third point: there's too much dialogue and no description whatsoever. Again, the adverbs are a pathetic attempt to give us something, but they're thrown in there without a damn forethought. We're missing the crackle of the fire and the smell of it. We're missing Sirius' facial expressions. We're missing Harry moving around on the floor, fidgeting, yawning, rubbing his eyes, feeling the heat of the fire, bouncing his legs, picking at the rug, something, anything, etc.

The dialogue is bloated with a terribly boring conversation. It's just endless dialogue with nothing else. No, it's awful. Welcome to the fourth bullet point. This scene focuses on the entirely wrong point. This scene is 100% a plot device and it's terribly done as well. It's three pages about Karkaroff being a Death Eater--oh no he might be trying to kill you, Harry, aaaaaa--and something about Bertha Jorkins being near Voldemort's last location. Meh. Who cares. Somebody has been trying to kill Harry in every book thus far. This isn't a new development, sweetie.

We been done know this, okay? Come on.

This is a stilted, unnatural conversation between Harry and Sirius. It's not realistic. It's not normal. Telling Harry about the Karkaroff's past is boring and does nothing for him. One line, maybe two, for Sirius to say, "Hey, keep an eye out for Karkaroff. He's an old Death Eater." Done. End of Karkaroff information. And cut Bertha Jorkins out altogether. I'm sorry, but why the hell are we talking about a dead woman to a 14 year old kid whose biggest problem at the moment is dealing with a jealous friend, school ostracization, and a giant fire breathing lizard???

These points are important to the plot, but they're not important to Harry.

The plot isn't important. No, it's not.

Harry is the POV character.

Harry is the single most important aspect in every scene and should be treated as such.

The plot should weave around Harry, slowly revealing itself to both Harry and the reader. Harry should not be the weaver of the plot. He should not be used in plot devices.

Do you know what part of the conversation was summarized in the prose between Harry and Sirius in a single paragraph versus the three pages about Karkaroff?

Harry talking about how no one believes him about not putting his name in the Goblet of Fire. About the school hating him. About Ron, about his betrayal and his jealousy. About Rita Skeeter. About seeing the dragons as the first task. These are all important to Harry. These all are causing pain to Harry's heart right now. Somebody give this child a hug, please.

We missed out on exploring Harry's feelings here. The author skips the MOST important part of the conversation, what could've been a deeply emotional, either positive or negative, conversation between Harry and Sirius.

Oh, this scene could've been so good. It could've been amazing. There are so many paths that could've been explored here, too.

We could've had a callous Sirius, who doesn't notice Harry's state of being, and just goes on and on about nothing of importance where Harry clams up. Or we've could've had a comforting Sirius, who attempts to give Harry some actual advice about his friendship with Ron. We could've seen Harry opening up in his body language, connecting with this parental figure in his life. We could've heard a story of Sirius' time as a kid at school with Harry's father and the marauders.

We were robbed of an important moment between Harry and Sirius.

Instead, the author puts the focus on the red herring 'foreshadowing' of Karkaroff. What a waste. She's trying to put suspicion on him, rather than Moody/Barty Crouch Jr., the real Death Eater in disguise. Again, who cares. It's not about them. It's about Harry and how his experiences are affecting him. It's about how he reacts to them.

This scene is a waste of time and paper. It's empty of emotion and movement/flow. It's just there for a set up and it's glaringly obvious during a second read of the book.

When I say, "The writing is bloated and underwritten at the same time." this is what I mean. We're focusing on the wrong things here.

Fifth point. JKR breaks the POV character with the following line:

"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts. Yes, I know she says it was another false alarm," Sirius said hastily, seeing Harry about to speak, "but...

Harry is the POV character. Sirius 'seeing Harry about to speak' should NOT be occurring in the prose whatsoever. To fix this with the bare minimum of effort for this poorly written dialogue line:

"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts--" Harry opened his mouth to interject, but Sirius said hastily, "Yes, I know she says it was another false alarm, but..."

I wouldn't write these lines like this, by the way. I just don't want to rewrite this. It's a poor paragraph overall, but this is an example of returning the POV back to Harry. Sirius isn't 'seeing' anything anymore. Harry is doing an action and Sirius reacts to his action.

Breaking POV is a rule that can be occasionally broken, but should be done so with intent and purpose. I'm pretty confident when I say that JKR probably had no idea that this was a mistake on her part in the prose.

All right then.

We have come to an end of Part One in this series. We have dissected a single page and a single scene in JKR's Harry Potter and the Goblet of Fire. The page in question is 333 should you wish to look it up and study the scene yourself.

More to follow because I have lots of pages to go over. This will definitely be series, ah dear.

And so, please do the world the greatest of favors and write better than J.K. Rowling. I promise, it's not that hard once you see the differences.

Until next time.

Isa

[threestarsinline]

Children's Books and Leather Jackets (Part I)

Jason Todd x reader one-shot

Summary: You couldn't love your job more. Or at least, that's what you thought, until Jason Todd started coming into the bookshop every week without fail, like clockwork. And then you form a connection that tilts your whole world on its axis.

Word Count: 13.6K (total of 29.2K)

Category: Lots and lots of fluff. Like, LOTS (plus some mutual pining, idiots in love, slow burn? and friends to lovers, and therefore, what all of that entails, mwah)

Warnings: Jason stealing your heart (and you stealing his)

Author’s note: Well, here's the proof that yes, I was writing hehehe. Anyway, enjoy this monster of a two-part fic, peace and love babes

>Part II

You loved your job. You really truly did. It might seem like a bold statement to make but when you spend your day to day in a quiet, lovely and vintage styled bookshop owned by the most wonderful couple of old people that you have ever met, who also treat you as their own granddaughter, you know that you could have it a lot worse in Gotham. You often forget that they are technically your bosses, or co-workers as they always corrected you when you referred to them as such.

Rose and Jimmy hired you a long time ago now, when they weren’t able to run the bookshop fulltime by themselves anymore due to the rise of popularity of the place (even though the customers were still just a close community of people from the neighborhood). And also because, after decades of running the bookshop, they wanted to finally kind of retire and do a few travels to places they wanted to see or visit their children scattered throughout the country.

So there you were, practically running all by yourself a small but successful business each week.

However, you weren’t bothered at all, it was perfect for you: working alone with no annoying co-workers or stressful deadlines, a flexible schedule since Rose and Jimmy would replace you here and there whenever you needed it and giving you free days out of the blue. 

It also didn’t hurt that the job allowed you to stay in touch with the thing that you loved the most: books. Pages, full of stories that could transport you anywhere, to any time. Words, creating characters that became your family and made you laugh while also breaking your heart with their tragedies. And the possibility of sharing all of this with the people who came into the bookshop from all kinds of different backgrounds made it all even better.

Let’s just say that you couldn’t believe your luck when you got this job. Your day to day consisted of, among other things, attending customers, organizing the bookshelves, doing inventory and most of all: reading. There were certain moments of the day in which the shop was quite uneventful so you would seize those moments by doing all the reading that you could.

You really thought that you couldn’t love your job more. But that was until a gorgeous and very mysterious young man with a white streak in his hair started coming every week into the shop and giving you a smile every time that he left. 

You got it bad.

And your crush on Jason Todd did nothing but increase. You were sure that that man was going to be the death of you.

The first time that Jason walked into the bookshop you were surprised to say the least. You had never seen him in the shop before yet he walked towards a section in the bookshelves of the back with firm and secure steps.

He came back to the register with three children’s books to check out. That surprised you even more. He certainly didn’t look like the type of person that you would expect to get children’s books. He had a rough appearance with his tall frame, dark hair and (fake) leather jacket.

But he was nothing but polite as he greeted you and handed you his bookshop card.

The shop also acted as a library with several books, Rose and Jimmy having implemented the idea after there was an attack at the public library that left the place in reforms for months.

It also allowed the people who couldn’t buy books that regularly to still be able to have new books since you only had to pay for the card when you first got it and pay the small fee for the membership every two months. Or every month if you wanted more perks like extended loans or not having a limit on the amount of books allowed to be checked out.

Most of that money was also directly donated to different causes in Gotham like orphanages and homeless shelters. The community loved Rose and Jimmy for all of that, it was like they were their guardian angels, some customers had told you that they were godsent. 

As you proceeded to scan the books that the mysterious young man had brought you, you realized that his card was fairly new and came to the conclusion that Rose must have given it to him the week before, when you had your free day. 

“Do you have The Rainbow Fish? I tried to look for it but I couldn’t find it.” He spoke up and you looked up at him, surprised once more, since most people either loved or hated that book.

“Uhm. If it’s not on the shelf, it must have been checked out. Let me see.” You looked it up on the computer. “Yeah, someone took it a few days ago. We should have it by next week, I can keep it in reserve for you if you’d like.” The information seemed to please him since his face lighted up and he let out a sigh of relief.

“That would be great, thank you.”

“No problem. Have a nice day.” You gave him back the books and his card and as you looked at him you realized that he had a very nice smile. You wondered if he would come back often to the bookshop. 

“You too.” He said as he opened the door.

And in fact, he did come back to the bookshop rather often, at least once a week and always looking for children’s books. You were very curious about it since it wasn’t very common to see a man like him taking so many children’s books with him.

You couldn’t help but speculate, maybe he was close with kids in his family or maybe he did some kind of volunteering. Either way, you weren’t going to ask, it was out of place and you didn’t know him. 

Then, he started checking out other books, this time fiction and most of all classic literature. He sometimes even bought the ones that really brought out his attention. He would always strike up friendly conversation with you as he came to the counter with new books to buy or check out, asking you about some book or asking you for recommendations.

On your most brave days, not really knowing what you were doing, you would even make a comment about the books that he was taking with him and he answered you with enthusiasm, commenting on them with you.

Soon, you were on a first name basis with him and something similar to a friendship blossomed between you two. You started giving snippets of each other's lives, you telling him about a show that you were watching that you really liked or him telling you about one of his siblings’s latest shenanigans.

Jason coming into the shop became something that you looked forward to and Rose and Jimmy, who some days spend the day in the shop helping you out, also saw how close you two were becoming.

Jason even befriended them too and the owners soon treated him like a grandson just like they had done with you so long ago. Jimmy sometimes shoved in his hand his famous homemade cookies and Rose tried to give him a discount for the books that he bought but Jason, like always, refused to accept it. 

“What? You’re supposed to leave them inside, it’s on the delivery contract.” You add frustrated.

“Whatever you say. Not my problem.” The new delivery man doesn’t even look at you as he recklessly puts the last of the boxes of new book orders on the sidewalk.

Looking at the now damaged box you grimace. You really hoped that the books inside were okay. They were like your babies.

The man takes his cigarette out of his mouth and puts it out on top of one of the boxes knowingly, looking you dead in the eyes as if challenging you to say something else.

You know that starting a confrontation would get you nowhere, it would be better to file a complaint later that you know would have consequences for him since the delivery service and the bookshop had always had a trusting relationship.

So, knowing to pick your battles, you put on a smile and thank him. The man seems surprised at that, surely used to having excuses to play the bully. He just huffs, gets on the truck and leaves. You nod to yourself proudly, you won. But your small, triumphant moment ends as soon as you see the large number of boxes that you now have to carry inside on your own. 

Oh, how you missed Charlie.

Charlie was the delivery man before he retired. It had been his job for more than fifty years and even now he was as strong as ever and he had always helped you with the boxes and made you laugh with his adventures from his younger years. 

You always gave him a cup of coffee from the machine in the small back room that worked as a break room as he tried to set you up with his grandchildren. Telling you how amazing they were and how one of them was about to become a doctor.

“I’m sorry, Charlie. I’m sure they’re great.” You would always tell him. Because they did sound nice but none of them lived in Gotham. Charlie then would fake a disappointed sigh but the crinkles of a smile around his eyes would always appear.

“Well, let me know if you change your mind, sweetie.” A pause. “Though you should forget about trying here, there isn’t anyone worthy in this godforsaken city.” He would joke.

“Except you, Charlie.” You’d say brightly while winking at him jokingly. And then he would laugh the way only one can when they are satisfied with their life and as happy as they can be, something very rare. 

“Don’t let Mary hear you, I know she doesn’t look like it but she can throw a punch.” His eyes would shine with love as he mentioned his wife.

“I don’t doubt it.” You’d answer.

You are brought out of your memories when a voice calls your name.

“Y/N, hi.” You turn to see Jason and you can't help the immediate smile that makes its way across your lips.

“Hi. How are you?”

“I’m good. I was just about to go in when I saw you out here. What’s all of this?” He looks around at all the boxes that the pedestrians were avoiding.

“Delivery day.” You say as you take one of the boxes in your arms. His eyes widen. With that funny expression on his face he looked cute, which made him even more handsome than usual. It wasn’t even fair.

Focus, Y/N.

“And you always do this alone?” 

“No, the new delivery guy is just an idiot. Charlie always helped me.”

“Charlie?” He raises an eyebrow as he too grabs a box from the floor.

“Hey, what are you doing?”

“I’m helping you.” He replies without hesitation, you shake your head.

“I can’t let you do that, you’re a customer.”

“It’s no problem. Plus, this way you will finish this earlier and you can recommend me another book after the heartbreak that you gave me with the last one.”

“Sorry.” You say, trying to contain a giggle. He narrows his eyes at you.

“No, you’re not.”

“No, I’m not.” You confess, this time laughing freely.

You didn’t know it but Jason thought that you looked beautiful. Even more so than some days, if that was even possible, with the wind carrying your laugh to him and rustling your hair. God, he was in deep.

“So, are you going to let me help you or not?”

“Fine.” You finally comply.

And as you two enter the boxes he repeats his question from earlier. “Well, who’s Charlie?”

“Oh, just the best delivery old man you will ever meet.” You answer, your affection for the man clearly present in your voice.

“Do you collect them?”

“What?” You ask confused.

“Grandparents, old people. You have your own grandparents, Rose, Jimmy and now I learn about this Charlie. Do you collect them?” You smile at his comment. Truth was, he had a point.

“Well, I guess you could say that. In fact, now that I think about it, most of my friends are old people. I mean, it kind of makes sense, my perfect Friday night is staying at home reading with a hot chocolate.” For a moment silence settles between you and you worry that you might have overshared and that you were creeping him out. 

“You’re an old soul.” He finally says. And the way that he does so makes you stop, like he admires you for it, as if he likes the peace that comes with such a statement.

“Maybe.” You reply, resuming your step.

“I wish I could do that.” You arch an eyebrow. “Stay at home at night during the weekends and just relax.” He adds.

“Why’s that?”

“I work nights.” 

“Oh. It must be hard.”

“Yeah, sometimes it is.” After saying that his gaze gets lost, as if for a moment he wasn’t there with you anymore, but deep into his thoughts and memories.

“Do you have any? Grandparents, I mean.” You say to distract him and bring him back.

“Just one, Alfred. Although he is in more the middle of being a father and a grandfather. He raised me along with Bruce.” As soon as he says that, you know that he is just as surprised at himself as much as you are at the confession since it is by far the most personal thing that he had ever shared with you.

It is also clear that there was a lot of history behind that statement. It seems a serious matter and the other times that you two talked, he mostly kept it lighthearted with you.

The mysterious man that had first entered into the bookshop had let you see a crack in him. He trusts you. Or at least, he was beginning to do so in a more personal way. You only feel lucky that you are being able to get closer to him.

You sense how his instinct to flight was about to strike, clearly not used to this kind of situation and being awkward about how to manage it. So, you decide to change the topic, in what you think is a smooth way, to relax the ambience and to selfishly see if you could keep him at your side just a little bit longer.

“Well, I can share Rose and Jimmy with you then. As long as you don’t steal my spot as their favorite bookshop grandkid.” Just as you finish talking you see him visibly relax, his tense shoulders acquiring a more loosen stance.

Then, almost unnoticeably, a small smile forms on his lips and another one makes its way to your own.

“Deal.” He ends up saying.

After you both bring in all the boxes, and you check them into the inventory, you open them to put the books in the correspondent shelves. You turn to thank Jason for the help but he's already passing you some of the books for you to place them.

“Thank you, but you don’t have to do this. You already did too much.”

“Nope. I’m not leaving.” He just hands you the books in his grasp and grabs some more. You stand there stunned. Where did this gorgeous kind man come from?

“Okay. At least let me give you a coffee.” You go to the break room and not even a moment later, after quickly asking him how he liked it, not even giving him the option to refuse it, you return with a cup in your hands. He whispers a thank you and when you hand it to him, his fingers so lightly graze yours, making your breath hitch in your throat. 

“You don’t want one?” He asks, seeing that you had only brought a single cup.

“Oh, I don’t like coffee much.” He nods and then you get to work, looking at the books, classifying them and ordering them.

Jason keeps passing them to you and sipping the coffee in the comfortable silence. He’s glad that you’re so concentrated because that way you won’t notice how entranced he is with you. He watches you and just by your movements he knows that you’re in your element. It was clear that you enjoyed what you did.

At some point, you start humming a repertoire of the songs from Beauty and the Beast, probably without realizing it. Jason doesn’t mention it, knowing that most likely you would become ashamed and stop.

So, Jason lets the moment pass by, your company and the peaceful atmosphere of the bookshop making a warm feeling wash over him. Making him feel safe and relaxed. Something that didn’t usually happen to him, but that being in the bookshop and in your presence, always made him feel that way.

When he eventually left, you didn’t even realize that he had done so without taking any book with him.

“Hey.”

The sudden voice makes you stumble on the ladder that you were on to return a book to its place in one of the top shelves. You know that there is nothing that you can do to prevent your fall but still in a hopeful attempt, you drop the book that was in your hand to the floor, and extend your arms to try and gain some balance. 

All of this happens in milliseconds and even then, you have time to exclaim “Jesus!” from the surprise, preparing yourself in any way you can for your imminent fate. 

However, just as fast as it all happened, a hand settles on your waist to stabilize you and another one grips the ladder to stop its wobbling. And just like that, you’re back on your feet again. You look down and there he is.

Your knight in shining leather jacket.

“Not exactly but close enough.” Jason can’t help replying to your previous exclamation. It had never crossed his mind before but now that he thinks about it, he realizes that he has something quite peculiar in common with the biblical figure. With all the ‘been dead done that’ stuff. The weird coincidence and his own comment making him chuckle to himself. 

You also huff out a small laugh, not at his comment, that you couldn't possibly fully understand, not yet, but at your own clumsiness. Laughing being almost always your immediate reaction whenever you fell or, like in this case, almost did. 

“Oh my god, thank you.” You say relieved with a thankful smile on your face.

“It’s nothing. I’m sorry actually, you almost died because of me.” 

“No, don’t worry, you just surprised me. Plus, me and high places have never been a great combination.” He chuckles at your comment and you smile in return.

Much to your disappointment, he lets go of your waist, but it doesn’t last long as he holds out his hand for you to help you come down from the ladder. You know that he’s just being polite and that you should finish what you were doing on the ladder but after the brief scare you’d like to put your feet on firm ground again for even just a small bit.

That, and the fact that you would take any chance that you could get to be close to Jason and hold his hand. Honestly, who wouldn’t?

So, you accept his hand and, just to be even more safe and avoid any possible risk of course, not for any other reason, you support yourself on his shoulder on the way down. He leads you to the ground with a small smile on his face and then sadly, lets go of your hand.

You miss the contact instantly.

“There we go.” He says, so low, that it’s almost like a whisper.

You take a moment to address him and look him over, the feel of his strong shoulder under your hand still tickling your fingers at your side. And for a split second, just a tiny little one, you wish that you had actually fallen from the ladder so that he could have caught you in his arms.

Damn it.

Now that the idea had occurred to you, you would think about it for days. 

Jason leans down to retrieve the book that you had dropped earlier and with an ease and balance that you could only dream of, he returns it to the open spot that you had been reaching for on the top shelf. It makes you both jealous and in awe of the way in which he can almost effortlessly do so. Even though even he had to step onto the first step of the ladder to reach it.

Stupid tall attractive people.

Jason enters the bookshop excited to see you. He hadn’t been able to come by for a few days and he did not like it one bit. Coming to see you were the best parts of his week, because if he was being honest, the books themselves had stopped being a motivator a long time ago.

Probably the second or third time that he had visited the bookshop.

He was just thankful that you didn’t seem to notice that you were the main reason that he came by. You would probably think that he was being creepy. However, much to his dismay, Rose and Jimmy were very much aware of how much he liked you.

They always had that knowing smile whenever they saw you two talking and they definitely knew about the insane amount of books that he checked out weekly as an excuse to see you. Books that were impossible for him to read from one visit to another in such a short amount of time and that just spent several days stacked in his house.

Thankfully, for the moment, they had never said something to you or directly commented it to him either, as they wisely knew that you two needed to take things at your own pace.

He closes the entrance door behind him and his brows furrow in confusion not seeing you behind the counter, where he would usually find you reading or taking care of a customer. Maybe you’re in the bathroom, doing something in the break room or organizing the shelves.

But then, Rose emerges from the break room behind the counter greeting him.

Oh.

A slight feeling of disappointment settles in him. It’s not that he didn't like Rose, he really enjoyed chatting with her, he just really wanted to see you. And if Rose was here maybe you weren’t working today. But it couldn’t be, you always worked Thursdays.

Not that he had paid any attention to your schedule or anything.

Then it suddenly occurs to him that maybe you have taken the day off. He’s as happy for you as much as he’s disappointed. Everyone knew that you worked too much for your own good.

Still, the selfish part of him wanted to spend just a tiny little bit of time with you.

“Good afternoon, Rose. How are you?” Jason finally greets back.

“I’m good, sweetie, just checking day. And you?”

“Glad to hear it. I’m fine too. Just came in looking for…” Damn it, he didn’t even prepare an excuse of a book. A few seconds trail on and Jason still doesn’t say anything.

“For a…” He had been caught like a deer in headlights. He avoids Rose’s intense gaze that was still set on him waiting for him to say something. This is so embarrassing. And he was supposed to be one of the daring vigilantes of Gotham?

Pathetic. That’s what he was.

He could face villains but he couldn’t come up for an excuse to see you. Jason clears his throat.

“For a…” Jason’s starting to worry that he has entered some sort of self loop and is about to facepalm himself for his own stupidity when Rose’s lips break into a wide grin and she chuckles. She was messing with him. Like always, she definitely knew what exactly he was in there for. Jason smiles and lets out a sigh of relief.

“She’s on her break.” Rose says, nodding his head in your direction, towards the shelves. 

“Thank you.” Jason turns to go find you when Rose speaks up once again.

“Oh and, by the way, since you’re on it, can you get her for me please? I want to tell her something and I’m about to meet Jimmy for lunch.”

“Of course.” He answers while Rose gives him a thankful smile.

Jason starts to pace through the bookshelves, looking for you, but you’re nowhere to be found.

Until he passes by between a couple of them and sees something on the floor. He takes a couple of steps back and there you are, sitting on the floor with books about to be shelved, he supposes, and a book in your own hands that must have had you so immersed and distracted that you hadn’t heard him come in, nor his conversation with Rose.

A fond smile makes an appearance on his lips. He loved seeing you like this, in the place that you loved most, doing what you loved most, lost in a book. He realizes that he would never get tired of that sight. Still, it’s an intimate and private moment for you and he doesn’t want to linger too much on it and intrude. Plus, Rose was looking for you.

“Hi.” He says softly as to not startle you, after the scare from the last time. Which by the way, had been replaying in his head over and over again, the electrifying feeling of your hand in his forever engraved in his mind.

“Y/N.” He tries.

Nothing. That book really had you in a trance. He huffs a small laugh and takes a couple of steps closer to you, hands in his pockets. 

“Earth to Y/N.” You let out a small hum to acknowledge him but your gaze is still fixed on the ink. He’s about to call you again when you finally get out of your trance and steal a quick look to see who had talked to you.

Your eyes widen like plates, probably realizing that you had spent too long reading on the floor. You quickly get up and Jason notices how even in your distressed state, you close the book with care and slightly organize the mess around you, your hands treating each book carefully.

He wonders if you would treat him with the same carefulness and affection. For a split second, he even wishes it was him that your hands were treating and not books. Jealousy over books. Huh, that was new.

He also couldn’t help but wonder if you were that way with everything. If even when you weren’t at your best, or going through something, treating things, people, the world around you with care and kindness came as second nature to you, sometimes without even realizing it. He had a feeling that the answer was yes.

And once again, he realizes how much the dark part of his life clashed so much with yours. But before he can get too much into his own head, once more, just like several times before, you bring him back. 

“Oh my god, Jason, I’m so sorry.” You start, taking the few steps that separated you from him. “I don’t know how it happened, I swear. God, were you waiting a lot?” He doesn’t like the worry settled on your features one bit, like always, making him feel uneasy. Like the other previous few times that he has seen you like this, he makes it his mission and his top priority to change it.

“No, not at all. Don’t worry.” You nod while your tense posture finally seems to relax a bit. “You okay?” He adds.

“Yeah, yeah. I just… Got a little bit distracted.” You say as you retrieve the books from the floor and your head motions towards them. Jason smiles at you, knowing the feeling of being so engrossed in a book that everything else faded away.

“Rose was looking for you by the way. She was about to head out to meet Jimmy.”

“Oh, right.”

When you both go back towards the counter and you take your usual spot behind it, Rose is already putting her coat on and about to leave.

“I’m so sorry Rose, I got myself carried away and…” You start but Rose stops you with a shake of her head.

“It’s okay, honey. Just wanted to let you know that I’m leaving now.” You let out a sigh of relief. You really have the best bosses in the world.

“Okay, have a nice lunch.”

“Thank you, darling. Goodbye kids.”

“Goodbye.” Both you and Jason say. And just before Rose closes the door behind her, she winks at you and you feel your cheeks warm at the unspoken insinuation. Enjoy your time alone. You steal a quick look at Jason, hoping that he hasn’t seen Rose’s wink and sigh in relief when you see that he’s already turned towards you, facing away from the door.

Though, now that you think about it, you could swear that it was Jimmy the one that was supposed to meet Rose at the bookshop today, not the other way around. That woman was too smart for her own good.

“Well, what can I do for you today?” You ask Jason once you turn towards him.

“I…” Quick, Jason, think. “Could you extend my loan for the book from last week?” Nice save.

“Sure.” As you click on the computer, Jason takes a look at the stack of books that you had brought back with you from the shelves and that you have left on the counter.

“What got you so entranced back there?”

“Oh.” You say and you turn to the stack of books. Your eyes shining with excitement now. “We just got these new Jane Austen hardcovers and they’re just so gorgeous, look.”

You take the one on top of the stack, the one that you had been reading, and hand it to him. Pride and Prejudice. He takes it from your hands, your fingertips slightly grazing one another’s. Jason looks at the cover that feels soft yet sturdy in his hands. It was simple with just the title of the book and Austen’s name but the intricate and beautiful designs that decorated it made it, as you had said, a gorgeous edition.

“Wow. These are great.” He says with childlike wonder lacing his tone. He opens the book and his eyes skim over the pages and passages that he has read so many times before.

“I know, right? I was just admiring them one last time before putting them on the shelves and I just opened one to read a couple of paragraphs but next thing I know, I was ten pages in. I swear I didn’t mean for it to happen.” You confess. Jason laughs softly.

“Don’t worry, that’s just the Jane Austen effect. I get it, it happens to me too.” You can’t help but stare at him for a few seconds, blinking slowly, processing the newfound information. Thankfully, he’s still engrossed in the book.

This man likes Jane Austen? Is he trying to kill you or something? As if you couldn’t like him even more.

“You like Austen?” You ask, still a bit in disbelief, though it doesn’t really surprise you, since from the very beginning you had noticed how he was a very cultured person and how he had a great taste in books.

How sexy is that? To you, very. Very sexy.

“I love her. Basic, I know, but this one’s my favorite.” He answers as he puts the book back on top of the stack. As if anything in him could be basic, as if you don’t find him to be one of the most fascinating persons that you have ever met in your entire life.

“It’s not basic, it’s great. I love it too but I think that I prefer Northanger Abbey.” You pause. “Or Persuasion.” You pause again. “Or Emma.” You pause to think once more and Jason looks at you amused, loving how passionate you are when talking about it. “Or… Okay well, I love all of them! I can’t choose just one.” Jason smirks.

“Perfectly valid and understandable answer.” He says. You both look at each other for a second too long and then his phone starts ringing, breaking the moment. You give a slight jump and busy yourself going back to finish renewing his loan on the computer.

But to your surprise, he just takes it out of his pocket, looks quickly at the screen and directly hangs up. You raise an eyebrow but continue with your task, a small smile making its way across your lips, flattered that he prefers to keep talking to you rather than picking up his phone.

“Well, done. You have another week to…” You’re interrupted when his phone rings again. Jason huffs annoyed and silences it again.

“Sorry.” He says. You shake your head.

“It’s okay.” The phone rings a third time. It must be really important. “Though I think you should take it.” Jason looks at his phone in his hands, then at you, back at his phone, and then at you again, still doubtful, but you nod encouragingly. He seems torn and undecided, but he finally nods to himself and gives you an apologetic look before answering.

“What?” He says annoyingly, taking a couple of steps away from the counter as you pretend to check things on the computer and try (and fail) not to eavesdrop.

He’s going to kill Steph. He really is. She never calls him and now there is something so important that she has to call him three times and interrupt his talk with you? It better be good. 

“Heyyy. Jaybiiird. My bestieeee, the best vigilante in Gotham that there is.” Jason can already start to feel a headache forming, he brings a palm to his face and then runs it through his hair. You watch the gesture with envy. How many times had you daydreamed about doing the very same gesture? Probably too many.

“I can’t talk right now.” He quickly glances at you, still at the computer. This is stupid.

“Pleaseeee, I need your help.” At her pleading tone Jason sighs tiredly and pinches his nose, even though he knows that he shouldn’t be listening. With the way that she’s talking it’s probably a stupid favor or something, he would much rather be talking with you.

“Steph, what do you want?”

Steph? At that your head perks up slightly. His girlfriend, maybe? Your shoulders deflate thinking of the possibility. He had never mentioned having one but you also had never asked. Why would you even ask? You’re just friends, or something like that, it would seem like it was coming out of nowhere. As your thoughts keep spiraling and you stare blankly at the screen in front of you, Jason carries on with his conversation.

“You’re going to laugh…” Steph starts.

Jason rolls his eyes, catches your eyes and mouths my sister. You just nod and your spiraling thoughts stop abruptly. Thank god. Although the possibility of him having a girlfriend is still there, now that you don’t have to face it directly, you decide not to linger too much on it. Keeping the thought away and trying to ignore it, just like you had been doing since you met him. That’s a future problem for future you.

Jason changes his phone from one ear to the other as he listens to Steph stumble through her words. If she’s going to keep beating around the bush, he might as well hang up.

“Okay, bye.” He’s about to end the call when Steph speaks up again.

“I lost Damian.” Jason’s eyes widen as he turns to his other side.

“You what?” He whisper-shouts into the phone. 

“Okay so, Damian is grounded, okay? Something about driving the batmobile without permission and then…”

“Steph.” Jason warns through gritted teeth, clearly meaning go to the point.

“Okay, okay! So, I’m on babysitting duty alright? And Damian had been talking non stop about this new limited art exposition in the museum that he wanted to go to and that it wasn’t fair that he was grounded and blah blah blah.”

“Okay, and?”

“And… Well, there was this new season of this show coming out today and I just got distracted for a bit and then he kinda… Disappeared?” God. Jason closes his eyes in frustration. His family really knew how to be the most infuriating at the worst of times. He stays silent for a moment mentally cursing them before opening his eyes again.

“Told you you were going to laugh…” Steph repeats at his silence and Jason sighs, making you giggle quietly at the sibling interaction. Jason smiles at the sound.

“So what? Just go to the museum after him.” He finally answers.

“That’s the thing, I am at the museum and I just can’t find him. Damn that kid and his ninja training.” Steph hisses through the line. “Can you come and help me find him please?” He could hear her pouting.

“Why me?”

“You’re the only one that picked up.” And now he was sure that she was smiling innocently but full of mischief. Jason huffs. As soon as he saw Steph’s name on his screen he knew that he shouldn’t have picked up.

“No.” He says.

“Come on, pleaseeee. I’ll owe you one. If I don’t find Damian I will be the one that’s grounded next.” Honestly, who had put her on babysitting duty? Who had even grounded Damian to begin with? It was impossible to try and control that kid.

Damn it, Bruce.

“Bruce can’t ground you.”

“Oh yes, he can. I’m sure he’ll find a way. He’ll make me go supervise Condiment King or something! Please, Jason, please." Jason sighs. “Please, please, please, please. I’ll do all the research that you need for a week!” Mmhm. That’s interesting. That would certainly leave him with more time to see you.

“A month.” He counteroffers and sees you smiling at his bickering, making his insides feel giddy. Steph groans.

“A month? You know that’s too much.”

“Do you want my help or not?” Silence.

“Arrrg, okay, okay! Well, we’ll talk about it, now, can you please come here?” 

“With pleasure.” He says amused. Even though his family can be infuriating at times, he had to admit that they had their good moments and he enjoyed annoying them just as much as they did him.

“You’re so arrogant, oh my god. I pity whoever decides to put up with you.” Steph says and Jason can’t help but steal a glance in your direction.

“Just remember that you owe me a big one.”

“Yeah, yeah. Just come here. I’ll wait for you at the entrance.”

“Okay.” Before he hangs up, he hears Steph speak up again.

“Hey Jaybird.” Jason hums. “Thanks.” He rolls his eyes playfully.

“Bye.”

“And say hi to Y/N for me-!” He hangs up before you can hear Steph’s loud teasing voice. He knew that talking about you in front of his family wasn’t the best of ideas but he just couldn’t help it. You occupied his thoughts a lot more than what he was willing to admit. 

“Sorry.” He says as he approaches the counter once again and puts his phone in his pocket.

“It’s okay. Sibling drama then?” You ask playfully as you raise an eyebrow.

“You have no idea. It was Steph, she used to date one of my brothers. Tim.” You look at him confused.

“I thought you said she was your sister?”

“Yeah, I mean- it’s… It’s complicated. That was how we met her but she’s like a sister to me now.”

“I see.”

“Sorry, we’re quite a mess.” He chuckles awkwardly, running his hand through his hair and the white streak once again. The movement, like always, has you hypnotized. It should be illegal. Jason thinks that he should just stop talking, now he has weirded you out with his stupid and crazy family.

“Aren’t we all?” You say softly as you tilt your head in the cutest of ways. Honestly, the more that he told you about his family, the more you realized how peculiar they were. But they seemed really close to each another, which was what really mattered.

“Yeah… I guess so.” He trails on as he gets lost in your eyes again. You nod and he shakes out of his daze. “Well, I should get going. Duty calls.” He adds as he nods towards the door and taps his fingers against his side of the counter nervously.

“Okay. Hope everything goes well with whatever it is.”

“Yeah, I’ll tell you next time.” Something about the security of knowing that he will always come back, and that there will always be a next time with him, raises goosebumps on your skin.

“Yeah. Next time.” You both look at each other as he walks towards the door.

Something lingers in the air, as if both of you want to say something else but do not dare to do so. Do not dare to cross the invisible line in your strange friendship usually defined by the safety of the counter that almost always stayed between you two in your interactions.

Jason grabs the door handle and holds it open for a moment as you speak one last time.

“See you soon then?” It’s a stupid sentence, already remarking what you both have already said, but it’s as good of an excuse as any to make him stay just a few seconds longer.

“See you soon.” Jason nods smiling at you and then, the door closes behind him.

You’re reading at the counter when the bell on top of the door jingles. You look up, hoping to find green eyes but are met with a stressful boy looking around the shop. As if in his distressed state, he can’t find you behind the counter.

“Hi.” You say as you bookmark your page. “Can I help you with anything?”

“Oh. Hi. Yeah.” He says as he quickly approaches you. He shakes his head to move the hair out of his blue eyes and takes a piece of paper out of his pocket. His hunched posture and shaky mannerisms tells you that he hasn’t caught a break in a while. This poor boy needs a rest.

“I’ve been looking for this book everywhere and I can’t find it anywhere. It’s my boyfriend’s birthday tomorrow, he loves mysteries and conspiracies and I need to find it. My brother told me that this is the best bookshop in all of Gotham and that you can find anything here.” He rambles as he gives you the piece of paper. You take the paper and look at the boy as he slightly bounces on his feet looking around the shop.

You raise an eyebrow. A distracted boy that seems to always be running and a brother that recommends the bookshop? Sounds quite familiar.

“Tim?” You can’t help but guess, though you’re still a bit unsure. Jason had mentioned him a few times and how his younger brother always seemed to be doing a hundred things at once. At that his bouncing stops abruptly and finally looks at you for more than a few fleeting seconds, suspicious of how you know his name.

“Sorry, hi. I’m Y/N. Jason comes here often and has mentioned you a few times.” You say nervously. The information seems to take a little bit longer than usual to register due to his distressed state but then when he finally recognizes you, his alert posture relaxes.

“Oh, Y/N! Hi, yes. I’m Tim. Nice to meet you.” He says as he holds out his hand and you shake it. “Jason talks about you too.” He adds. You feel your cheeks go warm.

“Well, nice to meet you too. Are you okay? You seem a bit stressed.”

“Yeah, sorry. It’s just that I’ve been putting together this party for my boyfriend and the gift is being so hard to find it’s giving me headaches. Please tell me that you can help me.” 

“Of course.” You say. “But first, take a deep breath.” He looks at you as if he doesn’t know what you mean. “You need to rest and relax a bit if you want to make it to your boyfriend’s birthday tomorrow without dropping from exhaustion.” You nod encouraging him and then take a deep breath yourself so that he can imitate you. Thankfully, he does so after shaking his shoulders to release tension and then stays with his eyes closed, taking a moment.

“Better?”

“Yeah. Thanks.” He answers, opening his eyes.

You nod. “No problem. Let’s find that book.” You look at the piece of paper and type in the title and author of the book on the system. It’s a limited edition of a book about the old history of Gotham and thankfully, you have one copy in the storage room. “Got it. I’ll be right back.” Tim sighs in relief as you leave the counter.

When you come back, you bring the book and a cup of coffee from the break room with you. 

“This is so that you can get home to rest until tomorrow without dying on the way.” You say as you slide the coffee towards him.

“Oh thanks, but it’s not necessary.” You stare at him, having clearly seen how the idea of coffee almost had him glowing.

“Okay, okay.” He chuckles as he goes to take the coffee but you keep the cup in place.

“Promise that when you get home, you will rest. Do not take anymore coffee so that you can keep organizing things.” Tim looks at you, your firm tone and kind intentions making him clearly see why Jason is so smitten with you. He can also easily see himself trusting you and becoming friends with you.

“Promise.” He says honestly. You nod, letting go of the cup. "If you want more milk or sugar-" You can't even finish the sentence as he shakes his head, having already taken the cup into his hands and taken a sip.

“Mm, not necessary. This is great. Thank you.”

You smile. “You’re welcome. Do you want to wrap the book?”

“Yes, please.” He says.

“The Rainbow Fish? Again?” You say chuckling as Jason puts it on the counter for what probably was the third or fourth time. You really were starting to run out of options wondering why he always checked out so many kids’ books. But it just felt very intrusive to ask, he never said anything more about it either, probably not wanting to talk about it much.

“Yeah.” He says as you scan the book and pass his card on the system. 

“I loved this book when I was little.” A nostalgic look on your eyes as you gaze at the cover of the book, remembering the silver scales of the arrogant fish that he had to give away in order to be accepted instead of just being a nicer fish.

The message of the book in the end was good: not think of yourself as superior to others. But there was something about having to give up something that you were proud of and that was special about you in order to be accepted that always felt a little off putting to you when you grew up, especially when being kind could have just resolved everything.

“Though it sure as hell began my people pleasing problems.” You add giggling a bit without thinking. But when what you have said registers, you freeze, hands on the book and blank stare on them, not daring to look up at Jason. 

Where the fuck did that come from? 

You shut your eyes, praying to whatever was out there to let you die of embarrassment. Stupid, stupid, stupid. You had definitely freaked him out. That’s it. He would walk out of the bookshop and never come back. Why would you even say that? You weren’t thinking, that’s it. It had just slipped. You had become so used to being able to be yourself and talk about everything with Jason that it just felt so easy and comfortable to say whatever was on your mind. 

Finally, you decide to sentence your fate and just end with this terribly awkward conversation as soon as possible.

“Sorry.” You say. “I honestly don’t know where that came from.” Jason just chuckles though not in a mocking manner, but in an understanding way.

“Don’t worry, I get it.” He assures you. You look back down, missing Jason’s look of appreciation, loving your honesty and how flustered you were. He found it endearing. “Well, thanks.” He says as he goes to take the book on the counter.

Your whole body then tenses in alarm when you see the state of his hands, which until now, had been hidden in his pockets. Without thinking, once again, (seriously, what was wrong with you today?), you take his hands to take a closer look at them.

Jason lets out a small gasp as you do so and mentally smacks himself for letting you see his wounded knuckles, now him being the one that wanted to die of embarrassment. It was only so much that the gloves of his Red Hood gear could do to protect them.

“What happened?” You whisper, worry etched onto every single one of your features. 

Fuck.

How had he been so careless? He should have bandaged them, hidden them better or put make up on them. He just wasn’t used to having someone worry about him and his wounds like you were right now. At his silence, you try again:

“Jason.” Now he was the one avoiding your gaze. But you persist, finally making eye contact with him. “What happened? Are you okay?” He wills himself to get out of his stupor and even though deep down he doesn’t want to, out of the soft touch of your hands too, bringing his own back to his sides.

“It’s nothing. It’s just… I do boxing.” He says as he shrugs his shoulders. “It happens.” You raise an eyebrow, suspicious. It feels like something doesn’t fully add up.

You know that there are things that Jason isn’t telling you. He has made some strange comments before but you always let it go. You know that eventually, if he wants to, when he’s ready, he will tell you. God knows that you have your own things too.

But if there is something that you have learned about your growing friendship with Jason is that you both like to take things at your own pace. Trusting and becoming close with each other slowly but steadily.

Letting time do its work. Not forcing the flow of things. And you like it that way. Life is always everchanging so to have something so solid and safe like what you have with him, you want to treasure it and nurture it. Although all of that of course, doesn’t stop you from worrying about him and wanting to take care of him.

So, you just nod, accepting his explanation, but not without having a little bit of fun.

“I thought that in boxing you were supposed to wear gloves to avoid that very kind of injuries.” You say with a playful smile.

Shit.

Jason wants to facepalm himself. He really seemed to just have one brain cell whenever he was around you. At his lack of response you shake your head.

“Come, let me patch that up at least.”

“Oh, no, no. It’s fine, don’t worry.”

“Jason.” You throw him a glance.

“Y/N.” He maintains your stare. Finally, a small smile escapes your lips and you put an end to the staring contest, rounding the counter and taking his hands once again and guiding him to the break room. Allowing yourselves this moment since there aren't any other customers in the store right now. Jason lets you, knowing that in the end, he will never be able to deny you anything.

Once in the break room, you sit him down at a chair by a table and leave for a moment before you return with a first aid kid. You sit down in front of him and look at him softly.

“Can I?” You motion towards his hands. Jason swallows and only finds the courage to nod slowly.

The knuckles are far from being the worst that they have ever been and Jason always tries to take care of them but he had just arrived home from patrol the night before so exhausted that he had only managed to clean them before passing out on his bed. Right now, they’re mostly just reddened with a couple of points in which the skin is broken.

Jason then finds out that he was right. When you take his left hand and start treating the wound, cleaning it again and applying some antiseptic on it, he sees that you treat him with the same care and thoughtfulness that you did with those books all those weeks ago.

Almost as if he was something delicate, something precious. If not more.

The beat of his heart quickens and he wonders if in the silence of the room, you can hear it.

This is the very first time that Jason has been back here, the setting of your interactions always being the open part of the bookshop and this change of scenario makes it seem like something has shifted between you two. Like you weren’t just employee and customer with a friendly relationship anymore but like you have a real friendship and a deeper connection.

The whole time, as you treat his other hand too and then slowly bandage both of them, Jason looks at you. He’s glad that you’re only fixed on his hands because that way he can take all the time that he wants to admire you.

The concentrated look in your eyes, the way that your eyebrows furrow in concentration, how you put a strand of hair that has fallen out behind your ear, and the occasional and very tortuous moment in which you bite your lip in concentration, being extra careful in not hurting him.

And that's when the weight of how much he feels for you falls on him. He was already aware of it before but now is when he can really feel the weight of it all. How what he feels for you is not just an infatuation or a crush, but something deeper that runs beneath his skin, crawling into him, taking root. Settling and making a home there.

“Done.” You whisper. And as you retract your hands from his, Jason wishes that he never had to part from your touch.

You put all the things that you used back into the first aid kit and try not to think about the impulse that you had, but that you thankfully had managed to repress, of kissing his knuckles when you finished bandaging them.

“Be careful, okay?” You say. Jason nods, admiring your work but when you don’t take your eyes off of him he answers:

“Yeah. Promise.” You nod satisfied. Then Jason remembers another promise that he had made. “Tim wanted me to thank you by the way. Bernard loved the book.” He says.

“Oh, that’s right! It was no problem, it was really great to meet him. How was his boyfriend’s party? Bernard’s I guess?” You say excited.

“Tim said it went great. And that thanks to you he didn’t fall asleep during it and was actually able to enjoy it.” You giggle in response when suddenly, Jason’s phone beeps and he takes a quick look. Firefly alert downtown. He jumps out of his seat.

“Sorry, I have to go. Thank you, really.” And faster than a bullet, he’s gone.

You sigh, shaking yourself out from the intimate moment and when you return to the counter, you see that in his hurry, Jason forgot to take The Rainbow Fish with him. You take the book and put it under the counter, keeping it for him for next time.

You’re running some errands when you see two large men crowding a little girl. She can’t be older than six and she’s clutching onto a teddy bear for dear life. 

Anger and fear for the little girl rage inside you, it is broad daylight and there are quite a few people on the street, yet everyone seems to carry out their business ignoring the men trying to talk the girl into going with them. You knew how Gotham was but it seemed like the city always found a way to surprise you.

“Come on, your mommy told us to come get you.” You hear one of the men say to the girl as you quickly approach them.

“I don’t have a mom.” The girl manages to say, distrustful. And even though hearing that makes you sad, you admire the girl, you can tell that she’s smart.

“Can I help you?” You hiss as you put yourself between the two men and the girl, putting an arm out to keep her behind you. You see the two men exchange a look, clearly discussing if it is worth it to cause a scene in the middle of the street.

“No. We were just leaving.” One ends up saying, giving a clap to the back of the other, directing them away from you and the girl. As they turn to leave, they try to give one last look to the little girl but you move to block their line of sight.

When they turn the corner at the end of the street, you finally let out a sigh of relief, thankful that the confrontation didn’t escalate to anything more.

You knew you didn’t actually stand a great chance against them physically, and seeing how people were ignoring the situation before, you’re not sure that anyone would have helped you.

Adrenaline is still pumping through your veins as you turn and kneel on the floor to be eye level with the girl, who takes a step back in fear but you hold your hands up, trying to show her how you’re not a threat.

Now that you can see her clearly, you see how scared she really is. She is shaking slightly, still clutching her worn out teddy bear with tears in her eyes. Her clothes aren’t in the best state either and her shoes are two steps more from falling apart. Just by looking at her you can tell that she has to have spent nights on the street. 

Your heart breaks. It really was unfair how many unfortunate people and kids lived in such dire situations in Gotham. Of course you knew that there were people trying to change things and do better like the vigilantes or normal people like you, that even if it was in the smallest of ways, always tried to help somehow. You did so by either giving away the clothes that you didn’t use anymore or doing donations whenever you could. But sometimes it still seemed like the bad outweighed the good. 

“Hi, honey.” You say in a soft voice to try and calm the little girl. “I’m Y/N. What’s your name?”

She stops backing up against the wall of the building, sniffs and rubs her eyes, before looking at you, deciding whether or not to trust you.

“Lily.” You hear her squeak out. Her grip on the teddy bear relaxes and she starts playing with its ear, still not looking directly at you.

“Hi Lily, it’s very nice to meet you.” You say as you extend a hand to her, wanting to give her some sense of normalcy. She slowly takes it and you give her a soft shake. “You okay?” She nods. “You know Lily, you were very brave standing up to those men.”

“They were bad” She says. You nod. “Jay always says not to trust strangers and much less big scary men.”

“He’s very right. Is he your brother?” Maybe you can help her get back to her family. If you managed to do so, it would be much better than bringing her to the police and then, sadly, most likely than not, forgotten in the foster care system.

“No. A friend. A very good friend.”

“Okay, good. That’s very important.” You look around, trying to see if somebody is looking for her. “Do you live nearby?”

“I think so.” She says shyly, you give her an encouraging look to see if she can give you any more information. “I was chasing a cat but I think that I took a wrong turn.”

“Okay. How about I go with you and try to find your way back?” You say as you stand back up. You’re happy to see that Lily doesn’t look scared anymore. Instead, she looks almost… Excited?

“Yes, please! I don’t want to miss it!” She says as she grabs your hand and starts walking in the direction that you suppose she came.

“Miss what?” You ask, but she’s already telling you everything about her teddy bear, who seems to be Batbear at night, fighting crime and kicking butt like the heroes in Gotham.

Turns out that Lily’s home was thankfully a lot closer than what you had expected. After asking her if she remembered a couple of streets and stores, she was able to find the right way back.

You finally reach an open space between two buildings that seems to work as a playground, with a rusty basket to play basketball on one side and several boxes and crates littering the corners. Several kids run around playing and chasing each other, most of them in the same condition as Lily.

A group of them surround a bench and you hear him before you see him.

“What do you mean Lily’s not here? Where is she?” He’s running a hand stressfully through his hair, looking around worriedly.

“Jason?” You ask transfixed.

Jason locks eyes with you and freezes, just as surprised to see you as you are to see him.

“Y/N.” He says breathlessly.

“Jay!” Lily’s excited voice filters through the air. You feel her dropping your hand and Jason’s eyes turn to her, relief washing over them. As she runs towards Jason, she extends her arms and he scoops her up and settles her on his waist effortlessly, Lily hugging his neck.

“Lily! Oh my god, where were you? We were all so worried. You’re always here when I arrive.” He says to her.

“I know, I'm sorry! Some bad men tried to take me. But don’t worry, Y/N helped me! She’s a badass!” Jason’s eyes widen at the new information and you see something in them that you had never seen before, a kind of anger that promises danger.

But as soon as that look comes, it disappears, and it makes you wonder if it was ever really there in the first place. He then looks at you, thankful but with a small tint of worry. You just give him a reassuring nod, telling him that everything is okay.

“Why don’t you go with the rest for a bit? I’ll be right there.” He says as he turns to Lily once more.

“Okay!” He settles her back down and she runs off to the other kids.

Jason approaches you quickly in a few strides, it feels like he wants to touch you, take your hands to make sure that you’re okay but he stops himself.

“You okay? What happened?”

“Yeah. I’m okay, don’t worry.” You tell him what happened and you can see how the anger returns to him in the way that he clenches his fists. “But we’re fine and they left so that’s all that matters.” You conclude.

“Where was it?” He asks firmly. You tell him the street where it all happened and Jason seems deep in thought for a moment, like searching for something in his mind. When he finally finds it, he nods resolutely as if he just made a mental note to do something later.

The determination in his eyes sends a chill running down your spine.

“Thank you for helping her.” He says then. “But be careful please, I don’t want you to be in danger.” The very thought makes him shiver, he doesn’t even want to entertain the possibility.

“I know. I am. I just couldn’t stand by.” You respond and he nods, knowing that that was how you were, always looking out for others.

“Anyway, thanks again.” He adds and you nod before looking around you once more.

It then dawns on you that this is the very first time that you are seeing Jason outside of the bookshop and it just feels so strange. When he first entered the shop, it seemed like he stood out like a sore thumb, with his tall frame, rough appearance and black leather jacket against the cozy backdrop of the shop. But now, after so much time, you couldn’t imagine him anywhere else. Now it was like he didn’t fit into any other atmosphere other than at the bookshop.

“Well, and what are you doing here?” You ask curiously.

“Oh, I…”

“So you’re Y/N?” Interrupts a young teen with a knowing smile, followed by a group of other kids, including Lily, clearly having told them her latest adventure. You nod.

“Are you his girlfriend?” Asks another boy now, looking up at you. You let out a small laugh at the way Jason’s eyes widen almost comically at the kid’s boldness.

“No.” You respond, and for a second, you can’t help but wonder what it would be like to answer otherwise.

“We’re friends.” Jason says.

“Very good friends.” You can’t help but add and when you steal a nervous glance at Jason, you find him nodding, agreeing with you. Because saying just ‘friends’ feels too simple to describe your relationship with Jason. And what you said still doesn't cover it.

“Really?” The teen boy from earlier asks again with a raised eyebrow. “Because he-” Jason grabs him and puts a hand over his mouth before he can keep talking, smiling innocently at you. You look at the chaotic situation amused.

“Are you staying for the reading?” Lily asks.

“The reading?” You ask confused.

“Yeah! Jason always reads to us and acts out the stories!” Another girl says. And then it clicks.

Jason buys and checks out so many children’s books for them. For these kids. Street kids. Like him. Not only that but he also reads the stories for them. Regularly. You feel like melting into a puddle.

You turn to Jason, an amazed look on your face. As if this man could be any more wonderful. He blushes and looks away in embarrassment. A small smile makes its way across your lips.

“Really? I didn’t know that.” You say, turning to the kids once more.

“Yeah! He’s great at it.” Chirps the same girl.

“Are you staying then?” Lily insists.

You immediately turn to Jason. You would love to but there is a reason for why Jason hasn’t told you about this. It feels like this is something very important to him and that he holds very dear so you don’t want to intrude on that. But Jason is already looking at you, scared yet hopeful, as if he does want you to stay but is afraid that you may want to leave now.

“Well, I would love to. If I’m not a burden of course.”

“Never.” Jason says without missing a beat.

You don’t think that you have ever smiled more brightly.

You end up having one of the best afternoons that you have ever had in a while. Rival only to the other ones in which Jason visits you in the bookstore. You stay and listen as Jason reads them the books that had been sitting on the bench and that you recognize from the bookstore out loud, using different voices, doing exaggerating gestures, and acting out scenes.

You watch as the kids laugh and look at him mesmerized. If you had been able to look into a mirror, you would have found that you had the very same look of admiration as them, maybe even a tiny little bit lovestruck. You can tell that they love him, look up to him and consider him a role model. You can’t help but think that they made an excellent choice.

The crowd is mostly made of small kids, the older ones, in their teenage years, although a few of them listen, most make as if the activity doesn’t interest them, but you can see how they linger around the group while they play basketball or pass by. 

You see how what Jason is doing with these kids is a light for them. A moment of escapism, fun and happiness from their lives and problems in the worst neighborhoods of Gotham. Kids forced to grow up earlier to survive. Holding onto whatever source of innocence that they can.

Eventually, they all rope you into reading too and you end up sharing the spotlight with Jason. There are laughs, questions from the kids about yourself, funny comments and the snickering whispers from the older kids at the back about the two of you, having obviously heard about you before.

Jason prays that you can’t see them when they start teasing him and making kissy faces to which he just rolls his eyes. He also prays that you can’t see how he looks at you as you enjoy yourself and laugh at what the kids say. The utter adoration and longing that lay in his eyes.

It isn’t until almost a couple of hours later, when the sun has already disappeared beyond the horizon and the orange hue of the sky has turned purple, that the reading does come to an end.

The kids say their goodbyes, not before inviting you to reading time again and wondering when you will come back. A lot of them already give you a hug as they go, and you see them leave back towards their homes. Most of them go to the adjacent buildings but there are also a few, mostly the older kids, or at least accompanied by them, that go towards the street.

Lily thanks you for your help and even gives you a kiss on the cheek that makes you want to melt and give her a tight hug before she leaves towards the closest building, a girl a few years older than her guiding her by the hand.

And then, after all the chaos and laughs, with the night starting to settle in, it’s just you and Jason once again.

You sit back down on the bench next to him and you both stay there for a moment, enjoying the quiet and the silence of the chill Gotham air.

When you turn to Jason, his green gaze is already on you.

“Thank you for staying. The kids loved having you here.” He whispers as to not disturb the peace that has settled over you both. “I hope that it wasn’t too much.”

“What? No, it was lovely. Really, I had a great time. I’m sorry if I intruded.”

“No, not at all.”

“Now I know why you always check out so many kids’ books. Good to know that you’re not a psychopath with kids in cages or something.” You joke and Jason huffs out a laugh.

“Yeah, maybe I should have explained that earlier. It would have been too strange to explain at the beginning but then we became friends and it dragged on and it felt too weird to explain now. I don’t know.” He just didn’t know what you would have thought of him.

“No, no.” You shake your head. “I didn’t mean it like that. This was clearly something very private to you. It’s perfectly understandable not wanting to share it with anybody.”

“You’re not anybody.”

You’re sure your heart stops beating for a moment.

The intensity of his gaze makes you look down at your hands. You can’t remember if anyone has ever looked at you like that.

It’s scary.

In a good way, but still very scary.

“Well, anyway, thank you for letting me be a part of it.” You end up saying and he nods.

Silence settles over you two once again. Neither of you wanting the day to end.

“You hungry? I know a great spot.” He speaks up.

Your cheeks hurt from smiling so much.

“I’m starving.”

You love the place as soon as you see it. It’s a small, yet very cozy and lovely diner. Through the outside windows you can see that the color pattern is mostly blue and white with bright pink neon letters announcing that it’s open.

Jason holds the door open for you and the warmness inside the place drastically contrasts with the cold from outside. The delightful smells from the kitchen make your stomach ache with hunger.

“Hi, sweetie! We’ll be right with you!” The old woman at the bar with a brightly tinted red streak in her hair says excitedly.

“Sit wherever you like!” A voice yells next from the kitchen. From the open window that looks into it from the dining area you can see another old woman with a bun.

“Thank you, ladies.” Jason greets.

Your mouth hangs open.

Jason leads you to a booth that stares out into the street. His usual spot, you suppose. As you sit in the comfortable booth and you two take off your coats, you close your mouth and look at Jason with a raised eyebrow. He looks back at you feigning innocence, though you know well that he knows why you’re so surprised.

“What?” He says with a teasing smirk that makes you want to kiss it away.

“You little liar.”

“Hey.” He responds amused. “What did I do now?”

“Looks like I’m not the only one with practically adoptive grandparents that just so happen to run a business.” You say with your arms crossed.

And when Jason laughs, you might as well be addicted to the sound with how much you love it everytime you hear it. 

“I knew you were going to say that.” He says and you scoff playfully. “In my defense, I will say that I wasn’t fully ‘officially’ adopted until after we had that conversation. I hadn’t come here enough times for that yet.”

“Mmhm, sure.” You say suspicious as you take the menu from the side of the table and take a quick look over it. “And you wanted to take Rose and Jimmy away from me.” You add, muttering under your breath.

“Excuse me?” Mock outrageousness in his tone.

“What you hear.” You’re trying too hard to hide your smile.

“You know that was never my intention.” He answers and you just hum, pretending to read the menu. “Okay, as an act of peace, you can have Millie and Ruby too.”

“Mhm.” You pretend to think it over.

“I’m sure they’ll love you in no time anyway.” The lightness with which he says that, as if anyone who met you couldn’t help but love you, makes you drop the menu onto the table and look back at him.

“Deal then.” You finally say and you both let out a small laugh.

After that, the woman with the red streak approaches your table and greets you both.

“Good evening kids, how are you today?”

“Good, Ruby, and you?” Jason answers.

“You know, same old, same old.” She says, waving her hand. Then she turns fully to you. “And who might this lovely lady be?” She asks with a knowing smile and an arched eyebrow, almost as if she already knows the answer and knows a secret that you’re not privy to.

“I’m Y/N. Nice to meet you.”

“The Y/N?” Ruby says while throwing Jason a look. He just looks away in embarrassment and the neon sign of the window really makes you wonder if the red tint on his cheeks are a reflection of it or not. “Oh, it’s so lovely to meet you dear! We've heard so much about you! We’ve been telling Jason to bring you non-stop. Oh gosh, I gotta tell Millie. Millie! Honey, come here!” She screams towards the kitchen.

Your lips curve into an amused smile, but you also feel heat rush to your face, not really knowing what to do with all the attention and the fact that Jason has been talking about you, what seems to be quite a lot, to other people. Not only his brother, but also the kids and these women.

Millie appears and when she learns who you are, she greets you just as enthusiastically as Ruby has.

“Let me tell you sweetheart, this boy here talks about you-” Millie starts but then she clears her throat as Jason throws her a warning glance. “I mean, about your bookshop all the time.”

“Well, you can drop by anytime.” You offer.

“We will.” Millie assures you. It seems as though both Millie and Ruby want to stay and ask you millions of questions but they see how Jason is begging them with his eyes to leave you two alone, and after taking your orders, they leave with a smile.

“They seem really great.” You say. Their loud nature sign of a joyous life. And even though they seem more energetic, vivacious and chaotic than the calm and quiet way in which Rose and Jimmy carry themselves, you know that they would get along very well. Especially with how all of them seemed to be thoroughly entertained by the interactions that you and Jason have.

“Yeah, they are.” Jason confirms. “But sorry about that, they can come off as a bit overwhelming sometimes.”

“It’s okay. It’s nice to be greeted so welcomely.”

As the night goes on, you find that it is just as easy to talk to Jason outside the bookshop as it is over the counter. It doesn’t surprise you but the underlying fear that your connection only works surrounded by bookshelves finally leaves you.

As you both eat the delicious food that Millie prepared, Jason tells you more about the kids per your request. How he tries to read to them at least once a week, how he brings them food whenever he can and how he has even taught a few of them to read. You also immediately offer up the bookstore to hold the readings but he shakes his head and smiles sadly.

“Thank you, really. That’s very kind of you. But it’s not very viable since the neighborhoods are not very close. Most of the kids have people relying on them and can only make it to the readings from time to time. The playground is also the more common ground, the older kids can’t go very far due to the responsibilities and it’s not safe for the smaller ones to go on their own.”

You nod, but your heart clenches at how these kids can’t enjoy a normal childhood.

“I understand.” You stop and think for a second if you should say what you want to say next, worried about overstepping. 

You decide to go for it anyway.

“I’d like to come back for the readings, if that’s okay?” Your voice comes out lower and more unsure than what you had first intended, your hands playing nervously on your lap.

Jason looks at you, as if he can hardly believe you’re real.

“Of course you can. I’m sure they’d love to have you back.” I’d love to have you back. But Jason doesn’t want to scare you or make the whole situation come off too strong. “But are you sure? I don’t want you to feel pressured, if their insistence-” 

“No, no! Really, I had a great time and I would love to be able to see the kids again. Help in any way I can.”

“Okay, then.” He says with a smile pulling at his lips.

The evening stretches on and you two stay at the dinner until closing time. There is a moment that will haunt you for days, as you told him a story, he leaned his arms on the table, giving you his undivided attention, and the way in which his bicep flexed under his sleeve… Nothing has ever been so distracting. Your eyes had been instantly drawn over to it. You really, really hoped that he didn’t notice. You would die of embarrassment otherwise.

You even finally, finally, give each others’ numbers to match schedules for the readings (and to just chat in general of course), since you won’t be able to make it to all of them due to the bookstore hours and so that Jason can let you know if he can’t attend one. You can’t believe you didn’t even have it before with how often you two already talked at the bookshop.

It feels like another shift in your relationship. A stepping stone.

Another brick on the long yet sturdy building road.

Please let me know what you think! Thanks for reading!

>Part II

[2soulscollide]

Write your book STEP BY STEP

hello hello, it's me again!

today i'm bringing you a step-by-step / checklist to finally get your book done. i know it can be a bit complicated to put everything together to make your idea come to life (you're definitely not alone!)

that's why i compiled some tips and made this post, in hopes to help some author out there :D

let's get started.

PREMISE

assuming you already have a good idea in mind, you should start by writing a premise. to help you with that, try to answer these questions:

who is the main character?

what are their goals?

which troubles will they face / what's stopping them from achieving their goals?

do they have an opponent? if so, who?

now that you know the answers to these questions, it's time to write the premise. the premise consists in a sentence that summarizes your whole idea.

PLOT OUTLINE

there are infinite ways to plot your story. you can do it by writing down ideas and linking them together, following a scheme, or any other method.

the most common plot outlines are these:

synopsis outline: one to two pages, where you hit all the major beats of the story

in-depth outline: outline each chapter/scene

snowflake method: develop the premise into a bigger paragraph, and that paragraph into a page (etc.) until you have the whole outline of your story

booken method: plot the start and end of the story, and the main characters

the novel factory created plot sheets for free, and you can choose from eight different templates. you might want to check it out!

KNOW YOUR CHARACTERS

having your outline defined, you should start developing your characters now. the main character's profile might be more detailed than the others, however, it's up to you. there are many character sheets out there on the internet that will help you create flawless characters.

i have a post with resources that might be helpful when creating a character, check it out!

and here you have some prompts and sheets to create a character:

Quick Character Creator - EA Deverell

Extremely detailed character sheet template - @hawkasss

The Best Character Template Ever - Dabble

Character Twenty Questions Worksheet - The Writers Circle

at this point, you should also define the narrator's voice, tone, etc, as well as the pace of your novel.

LOCATIONS

define the principal locations of your story, the settings, and where the story is taking place. it's important to know how the environment looks, and how your characters feel about it.

for this part, you might find it useful to do some research about some locations, if you're not familiar with them. find inspiration on Pinterest, Tumblr, or even on books, paintings, and art. everything is valid.

if your story takes place in a fantasy environment, you might need to fill out a template to create it or write down the way you imagine it to be. try to get as many details as possible, so there are no holes when developing the novel.

SUBPLOTS

you might want to give more depth to your novel by developing a subplot (or more than one). make sure it doesn't get too confusing or that doesn't take the focus away from the main action.

the subplot can be a romance, another character's relationship, a character's arc, a backstory, etc. this will make your story more real and 3D, more realistic.

develop it as a side story and mix it with the principal plot but don't make it as important as the main story, otherwise, none of the plots will make an impact.

SYNOPSIS

write a synopsis as long as you wish, covering every important part of the story. this will help you to really know your idea, and have a solid structure for it. it can range from 500 to 2,500 words, but you don't have to restrict yourself to a number.

things the synopsis should cover:

the status quo

the complication

initial challenges

midpoint

further challenges

the low point

the climax

the resolution

DRAFT

and we get to the best part which is writing! now that you know everything about your story, characters, locations, and scenes, all you have to do is to put all that together in words. don't feel pressured to make everything look perfect already, just write what comes to your mind. if you have a new idea for the plot, good, write it down! if this character doesn't make sense anymore, okay, get rid of them. just go with the flow, following the structure you've planned, and everything starts to come to life.

i know it's so tempting to go back, read what you wrote, and start editing and polishing, but trust me, don't do that! it's a waste of time, and you will take so much more time to finish your first draft. in fact, i've given up on so many stories because of that...

just when you finish the first draft, you will re-read everything and start editing, fixing plot holes, changing what doesn't fit well, etc. but for now, just write, get the first draft done. enjoy the process, don't rush.

thanks for reading!

i hope this post was helpful!

also, you might be interested in this free workbook with over 90 pages and many exercises! check it out here: THE WRITER'S WORKBOOK

resources for this post:

How to Choose a Plot Outline Method: 4 Techniques for Outlining Novels

How to Write a Novel: A Step-by-Step Guide

[popopretty]

[Translation] Asagiri Kafka's afterwords for The Day I Picked up Dazai novel

Normally, afterwords would be the last thing I read in a novel, but as there are not many changes to the published novel this time compared to the movie bonus version, I was able to skim through the text quickly and get to this. And to be honest, despite not being a writer myself, I was so moved by Asagiri's views about writing and his characters that he shared in the afterwords, that I had to sit down and translate it right away.

This is just my crappy translation, as usual, but I hope it gave you a short, interesting look into the author and the characters. And please do not forget to buy the novel if you have the chance.

The translation is under the cut, thank you!

It has been a while. This is Asagiri Kafka.

Have you been enjoying Bungou Stray Dogs?

This novel, “The Day I Picked up Dazai”, is a compilation of the first week’s bonus novel “The Day I Picked up Dazai – Side A” and the second week’s bonus novel “The Day I Picked up Dazai – Side B” for the screening of “Bungou Stray Dogs BEAST” movie (hereinafter referred to as “BEAST”).

Normally, it is difficult to publish a bonus like this, but since "BEAST” and “Fifteen” that were published earlier by BEANS Bunko were originally bonus novels too, "The Day I Picked up Dazai” was also published in the same way, thanks to the efforts of all parties involved in the Bungou Stray Dogs series.

It is the story of Dazai and Odasaku’s first meeting, where Dazai who wants to die, collapsed in front of Odasaku’s place, who is neither a mafioso nor a hit man.

Why are there two different stores, Side A and Sode B? Regarding this question, please read the novel and see for yourself. If you keep in mind that this is the bonus for the BEAST movie, I think you will be able to understand it better.

Let me reminisce a little bit here.

This story was actually suggested to me by Igarashi Takuya, Director of the Bungou Stray Dogs anime.

Shortly before BEAST movie premiered, I was struggling. It was because I was asked to write a bonus novel for movie-goers again. I said “again” because, as I mentioned earlier, BEAST itself was a bonus novel for the Bungou Stray Dogs DEAD APPLE movie. I remembered having a hard time writing it, because I let myself run wild and wrote a total of 190 pages instead of 50 pages as requested.

But I had learnt my lesson after the last rampage. I can’t just write whatever I want anymore. I have to wrap the story in a reasonable length, like a pro should do.

A proper, professional story.

Huh?

My pen stopped right there. I stopped, looked around, feeling lost.

What is a proper story?

The act of writing novel is quite different in character compared to other types of media such as writing manga, anime scripts, or game scenarios. You can say it is almost a different thing. Writing novels, rather than narrating an event, is more like putting the flow of emotions into specific sentences. You use the sequence of letters to create rhythms, create flows, and create emotions. If anything, it might be closer to composing a song than writing a story.

Therefore, you have to decide “what kind of emotion will be put in this novel” from the very beginning, or you can’t start writing. That is the only and absolute rule.

Now, however, that is where the condition of a “proper story” hung over me.

A proper novel, of a proper volume, with a proper content for a bonus.

In other words, a proper emotion.

I searched through the drawers inside my head. For a proper emotion that is waiting to be brought out.

There was nothing but emptiness there.

A professional story teller is one with the skill to move the readers’ emotions. When people find the chance to move their own emotions, they will happily be paying for it. Human-being is that kind of creature.

And writers are ones who create and sell those kinds of emotions: the fear, the excitement, the heart throb etc., those that make you think. It is that kind of job.

It is supposed to be that kind of job.

Yet I became unable to move forward.

A good story is a story that moves people. I know that. Then what kind of emotion I should put in the story to make it "proper"?

How do I find that emotion?

I mean, how did I even write novels until now?

I stood still. My legs stiffened, my knees froze, unable to take even a step forward.

I then tried to at least pretend that I was moving forward, by listening to music, by taking a walk around the neighborhood at night. But as good as the night breeze felt, I didn’t manage to reach a single story that I needed to write.

What if I stayed like this forever, what would I do?

I felt a chill plunging into my back.

Then I realized, that stories, or probably emotions too, are not things you can search for or come up with. You have no choice but to patiently wait for it to come your way. You have no choice but to humbly and earnestly sit and wait for the story’s visit.

I got that, but the "proper 50-page story” still refused to come.

It was not long before one week passed. Then two weeks.

I was doing other work, while keeping my heart’s door open, waiting for the story to come to me.

At that time, I had an online meeting with the anime staff. I casually asked Director Igarashi, “Do you have any story you want to see?”

The Director gave it a little thought then told me, "I want to see the story of Dazai and Oda’s encounter”.

At that very moment, the story rushed in through my door, like a bang. I could hear that sound very clearly.

Two stories. Odasaku, and the two Dazais. A story where they met, and a story where they couldn’t meet. A story of gain and a story of loss. If I can portray the gain and loss side by side, the amplitude of the heart will be doubled and rise up in front of us.

That was a momentary event. Rather than pushing my way forward, I felt as if something was pulling my hand. Before I noticed, I have already finished the stories.

I came to realize.

It is not the writer who searches for the story. It is the story that chooses its writer, and at some point it will come our way. A professional writer is no more than someone with the ability to catch that call.

Also, this is the most important thing: there is no such thing as a “proper emotion”. Because after all, the feelings of other people belong to them only. That is why there is no guarantee that a novel can move others “properly”. However, you can move your own emotions. You know what kind of novel can and how it will move you. If you do, you can write just that. That’s the only way. That is the truly professional attitude. That’s what I thought.

Well then.

It is a little bit off topic, but as we are talking about “stories that come our way”, let’s talk about Odasaku’s first-person narrative.

Odasaku is a special character. For me, he is exclusively a novel character, and I have never portrayed him in the manga.

He first appeared as the narrator in “Dazai Osamu and The Dark Era”, then “BEAST” and now this “The Day I Picked up Dazai”. All are novels. That’s why for me, Odasaku doesn’t live inside the pictures, he lives inside the first-person narrative passages.

He is an eccentric guy. Even if you prepare the place and tell him to speak, he won’t speak to you that easily. His way of thinking is rather unique, that if I write his narrative after writing other characters’ first-person narrative, I would stumble for sure. Odasaku doesn’t speak. He just sits there in silence, while I can do nothing but sitting in front of my blank manuscript paper, trying to talk to him, like “What’s up?”, “Here, here”. However, he is a guy who won’t speak when it is not necessary. Sometimes it goes days or even weeks without him saying a word. Why did such a character come to me...?

During such time, there is only one thing I can do. That is, of course, to stay with him, sit patiently, and simply wait.

Finally he will start speaking. In his unique rhythm, word by word. His words have the power to cut through the world from a certain angle. That special cross-section is full of things I have never seen before and it never fails to surprise me.

And then when he finishes telling his story, he will swiftly disappear. To a dark and quiet place somewhere – probably, I can only imagine, somewhere like a bar. He will sit there calmly and keep his own time to himself. After that, it will be hard to call him again. It is a backbreaking task to me, but in the end, that is the type of guy Odasaku is, and if I am allowed to sound self-conscious, that is Odasaku's charm.

This story was written in such a way. There is a chance that he will come back again. And when he does, I will patiently listen to his voice again.

This story was completed and published thanks to the help of many people: in the Bungou Stray Dogs BEAST movie’s Production Committee, the anime staff, Young Ace’s Editorial Department, BEANS Bunko’s Editorial Department, and the many people who were involved in the publication of the book. Thank you very much. It is all thanks to you that the book was published without any problem this time as well.

Well then, see you in the next story.

Asagiri Kafka.

[shakingparadigm]

Once again, I can't really gather my thoughts cohesively on this right now, so please bear with me. Just musing, so the ideas here might be a bit disconnected.

As a prodigy artist well-versed in more than just singing, it's no suprise that art is a prominent part of Till's character. Everything associated with Till seems to carry his eccentric artistic talent, right down to the abstract symbols painted onto his otherwise blank white t-shirt.

(Till's sketching and drawing seem to go hand-in-hand with his songwriting. Doodling and composition are two of his hobbies, and he's stated to be talented at both.)

(His appearance in TOP 3 emphasizes this messy, artistic angle. The symbols painted on the wall are similar to graffiti tags, usually associated with youth and rebellion. Furthermore, there is paint splattered on his face, staining color onto his disheveled hair and baggy clothes.)

(Even amongst the TOP 3, Till is presented with the most color. Between Luka and Ivan's main colors of white and black, their formal attire and elegant, charming personas, Till looks rather out of place.)

(Till's personal/special talent is floral art.)

Art is an integral part of Till's character, something that defines him and his desire for self-expression and freedom (it's no suprise that when Till loses his will to live in ROUND 6, he's dressed in plain and monochromatic clothes that lack any of his own artistic touch). Despite the ties between creativity and freedom, Till's talents are regularly taken advantage of and even tampered with due to the treatment he receives from his owner.

Guardian Urak is an eccentric segyein. A hustler, materialistic and rather pretentious. He shows great pride in Till's "uniqueness" and artistic ability, boasting that he has raised the best human-pet in history. In order to create the success that is Till, however, Urak had to execute his methods on several other pets beforehand. His practices include the thorough abuse of his human pets in order to coax out their talents, pushing them to their limits with harsh training regimens and painful experiments. Violence is a tactic utilized heavily within Urak's line of business, and the human pets under his ownership are the most openly abused.

Urak is said to abuse his pets to the point of severe mental issues. It's due to these mental issues that his previous pets have failed to achieve victory, showing great promise but never making it to the end. He seems to believe in the idea that the peak of a human's talent is tied with their instability, that the more talented a pet human is, they more likely they are to be a freak.

Urak pushes forward with the mistreatment of his humans despite their suffering. He believes it to be a part of creating exemplary art, playing into the idea of a tortured artist. Urak's pets were incredibly talented and top contenders for the title of champion. If not for their heavily deteriorated mental states, they would have brought Urak to victory long ago. It's quite clear that he does not intend on changing his methods because the humans he produces are some of the best products around. He doesn't want to change his methods, he wants a human that can withstand them.

Till's style is already established to be unique, nicknamed a "black sheep" in his official magazine page, emphasizing individuality. His brazen aggression in ROUND 2 caused him to attract much hate, but twice as many fans, too. The bashing of Freddie was framed as a bombastic and somewhat avant-garde performance act, referred to as art. Till's public persona was that of an eccentric and unpredictable artist, a highly reactive contrarian pet who presents both a high risk and high reward. Urak has produced another tortured artist, except this one is different (in his words, unrivaled). A higher caliber of pet, bringing him the closest to winning he's ever gotten thus far.

Till's various artistic talents seem to be things that he has developed on his own, stemming from his own desires and interests rather than something forced onto him by Urak. In one of VIVINOS and QMENG's livestreams it was stated that Till is inherently gifted, a creative genius since birth. Till uses his abilities as tools of rebellion and self-expression, writing his own music, vandalizing and adjusting segyein-provided material and outfits in order to make them more his own. It's unfortunate that even Till's attempts at rebellion are taken advantage of and instead used against him. Constantly battered and bruised, isolated in a cell, forced to endure experimentation, all of his artistic ingenuity and creations have been taken by the segyein and used to promote him as a product. He has been turned into a spectacle, his misery and abuse put on display for others to gawk at. Suffering for the sake of art.