#i might actually really like this character

[always-just-red]

Hii! I've seen some Pregnancy scenario with LaD's men, but I have this HC-- personally for Sylus. That when fem!reader got pregnant, he didn't really understand how the Pregnancy hormones work, until he experienced one and he got confused how he should act or react because it's feels like he's walking on landime, one wrong move/word, she'd throwing tantrum or being sulky at him

I've heard from my Friend who got pregnant before, when she craving something and her Husband showing any form that he can't fulfill what she's craves, she felt her heart broken, and she'd sulk and acted as if he just cheated on her. The problem is, she always craved something that didn't even exist at that moment😂, she's craving certain type of Mango while it's not even that Mango season, so nobody selling it. He literally being desperate to negotiate with her cravings

So... Can I request a scenario smiliar like that? It doesn't have to be mango, or any foods. Just... how Pregnancy hormones or Cravings could make Sylus got frustated lol

Aaaaa anon this is adorable, thank you! We love making Sylus suffer in cute and harmless ways. He's always asking for trouble, so let's give him some! 😌💅

Something Sweet

Sylus x Reader 🩸

Summary: Sylus knows how to get what he wants. Getting what you want might be a little more tricky...

Genre: fluff!

Warnings/Additional tags: female!reader, IMPLIED pregnant!reader (pregnancy not actually mentioned or described- just hormones being hormones ✌), established relationship, canon pet names, a lil bit of roleplay because Sylus refuses to leave his Mystic Adventure era

| Word count: 2.1k | Masterlist |

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Sy, d’you know what I’m craving right now?”

“Always, sweetie.” Sylus doesn’t look up from his book. “Not now, though. I’m tired.”

Morning sunlight streams through the gaps in your living room curtains, casting pale yellow shapes over the floor. A shard of it has been inching over the sofa towards Sylus, the sharp edge now grazing the side of his face. He shifts, ever so slightly, away from its touch. His eyes are open but heavy.

“No,” you scold, leaning forwards to swat at him with your book. “That’s not what I meant, you narcissist.”

He chuckles with his usual low timbre— his gaze still not lifting— and the sound is deeper for how close he is to sleep. He wants to give in to it, you can tell. When he turns a page, the movement is languid, soft. You’re losing him.

“Sy,” you say again, then with more of a whine: “Sylus.”

His eyes flutter closed as he draws in a deep breath. His hand raises, his fingers stretching to pull his reading glasses from his face. They’re set down on the arm of the chair beside him, along with the book, and he turns to you with a smile. “What are you craving, sweetie?”

You rest your book on your stomach. Your legs are stretched out over Sylus’s lap, and his hand finds one of your feet, massaging an ache from it as you begin your speech. “Do you remember that café we used to go to? The one we found when it started raining in the park that day? We didn’t think it was open, but then the owner knocked on the window and said we could—”

“Yeah?” His hand moves to your other foot.

“Well, they make these—”

“Macarons.”

“You remember?”

His smile widens like he remembers vividly. “Kitten, how could I forget? I’m still jealous of that sweet little treat. You’ve never made that face for me, and believe me—” he wiggles one of your toes— “I’ve tried.”

That had been one of the only times you’d truly caught him off-guard, back when your feelings for one another were unnamed and uncharted. The rain had been drumming against the café window, and you’d heaved Sylus’s damp coat from your shoulders— giggled at the raised eyebrow and the sarcastic ‘…thanks’ he’d given in turn. One hot drink later, you were lifting a pastel pink macaron to your lips, taking a delicate bite and failing to stifle a tiny, almost euphoric moan.

You remember realising yourself: blushing profusely and expecting some remark, some ridicule, but none ever came. Sylus’s eyes were wide, dark, fixed upon your still parted mouth.

After a few of the longest seconds of your life, he’d dragged the plate with the rest of the macarons away from you and muttered something about how you had better not do that again.

“They’re still the sweetest things I’ve ever tasted,” you tease now, just as you’d wrestled him for that plate back then, set on eating every last macaron.

He makes a hmph as he idly runs a finger over the part of your foot he knows is ticklish. His expression is distinctly grumpy, but it falters as you laugh and try to writhe away from him.

You’re quickly out of breath. “Sylus?”

“Mmm?”

He glances up at you and you smile sweetly, head tilting. “Please?”

His coat on a rainy day. The entire plate of macarons in the end; he’s never been very good at denying you anything. For the first time since you’d stirred him from his book, however, he appears genuinely regretful. “You’re forgetting something, sweetie,” he murmurs gently. “Why did we stop going to that café, hmm?”

You shrug.

“It closed, kitten,” he sighs. “Months ago.”

“What?”

Not only did you already know that— you actually visited the café on its final day. The owner was telling you stories: he was moving somewhere warmer, closer to family, and he needed all the funds he could get. Sylus had snuck an obscene amount of money into the man’s tip jar whilst you acted as a distraction. You both had fond memories of that place; it was nice to make one more.   

It's all coming back to you and you’re struck by a wave of nostalgia. You want to go back there. You can’t go back there. It doesn’t exist anymore, and you’ll never taste sweetness like that again.

Your mouth has gone dry.

“Sweetie?” Sylus prompts, because he notices you’re far away. “Are you alright?”

“Yeah,” your voice wobbles, “I just really wanted… I mean, I really needed one of those—”

“… Macarons?” he finishes for you.

You burst into tears, and one day, you’ll tally this as another time you took the man by surprise. His face drops instantly— lost, for a moment— before he slides your legs from his lap, allowing him to lean closer. “No, no, no,” he coos, “don’t cry, kitten, please. I didn’t mean to… well, I didn’t realise…”

He doesn’t know what to say, and he always knows what to say. He set you off with a single word and now he’s stuttering like sentences are all possible landmines. He tries his luck again, putting a foot forward: “Listen to me. I’ll go to the store. Would that be alright? Or perhaps there’s another café that could—”

You explode: sobbing even more viscerally. Your whole body shakes with it.

Sylus has frozen. He watches on helplessly as you cry, blabbering about the macarons you can’t have and the café you can’t return to. Across the room, even Mephisto has hunched down on his perch, though he issues a few, spirited squawks, maybe in solidarity with your breakdown, or maybe in protest of it.

It’s like a catalyst. You cry more: burying your face in your hands because what the hell is wrong with you? It’s not a big deal. It’s not a big deal, so why do you feel sick? And then there’s Sylus— your Sylus, devoted and adoring— and here you are, punishing him for something beyond his control.

You look up from your hands, desperate to apologise, but he’s gone. More shards of sunlight paint his empty seat and catch all that’s left of him: a few crow feathers, glistening like onyx. Mephisto is gone too, and the room is quiet, save for you snivelling and feeling sorry for yourself.

“Sylus?” you call out into the empty morning.

It isn’t his fault, not really. You wouldn’t want to be around you, either.

…

Something brushes over your cheek, and your tired eyes open.

The sun has ebbed back behind the curtains and the ceiling light has taken its place, casting artificial highlights over everything in reach: the coffee table, the closed-up flowers at its centre and a mug of tea that’s gone cold. Sylus is in front of you too, backlit and soft like a daydream, and he—

He left you.

“Sy?” you whisper warily, because the context is coming back to you slowly, piece by piece.

“Hey,” he coaxes, voice as honeyed as whatever’s turned the air sweet.

You blink, rubbing sleep from your eyes and relishing the warmth of his hand on your face. Then you slap his shoulder. “Hey, really? That’s all you’ve got— hey?”

He’s kneeling for you— on the floor, beside the couch— so you can meet his eyes. He settles his chin thoughtfully on the edge of the seat, his nose almost touching yours. “What would you prefer, sweetie?” His lips are close to yours too. “Good evening, my beloved? Greetings, my queen?”

“How about sorry?” you snap, because he isn’t cute and he isn’t charming.

He pouts. “Why sorry?”

“Because you left, Sylus!�� You sit up straighter, and your phone tumbles out of your lap. Its screen is still lit-up from a few hours ago, showcasing a very one-sided conversation and a rant you never actually sent, because it’s still in the text box.

You vaguely recall writing it, so you try to snatch the phone from Sylus’s hand as he plucks it from the floor. He’s more alert than you. More co-ordinated. He keeps it out of your grasp as he reads the unsent message, an eyebrow raising.

It was a lot of things— colourful, creative— not entirely tasteful. “My, my, your highness,” he tuts, “so this is the treatment your valiant knight receives for undertaking your quest?”

“You’re not valiant,” you rebuke, and you manage to wrestle your phone from him. “You’re—”

“A heartless prick,” he finishes casually, quoting your message with a chuckle. He takes your free hand and kisses the back of it, refusing to let you pull away. “And whose fault is that, I wonder?”

“You can have your heart back.”

“Nope. You’re stuck with it, sweetie. With me, too. Now—” he sits back on his knees— “would you please ask me about my quest?”

The analogy is lost on you. You sit fully up, looking down at him. “What quest, oh valiant knight?”

His lips form a smirk; he just loves when you play along. “Close your eyes.”

You do— whether you’re queen or not. You hear him shifting aside, and then there’s a snap of his fingers. The air changes, warping like thick, liquid smoke, and you know he’s using his Evol. “Open,” he commands.

And there on the coffee table, freshly teleported, is a plate of macarons the colour of cherry blossoms. As if anticipating the comparison, Sylus pulls a handful of pink petals from his pocket and blows them up into the air so they can spiral down on the scene. He watches them. Then you. “Ta-da,” he proclaims, his tone dry but full of humour.

You’re prone to hyperbole nowadays, but this is without a doubt the best thing you have ever seen.

“Sylus,” you gasp in disbelief, “how did you—”

“It doesn’t matter,” he says; the story isn’t for today, and he’s very, very tired. A few weeks from now he’ll tell you about how he tracked down the contact information of the owner of the old café. How he spent an hour on the phone bargaining for a certain macaron recipe, and several more hours in the kitchen, trying to get them perfect. “Now, they might not be exactly the same, sweetie. But I did try to—”

You surge forwards, capturing his lips in a kiss. It’s so impulsive— so reckless— that you almost tumble down from the couch, but he catches you, steadies you, and your hand is gripping the soft of his hair as he kisses you back. Slowly, his mouth not leaving yours, he lifts you back into your seat.

“Easy, sweetie.” His voice is low as he pulls away, and though he turns his face from you, you can make out the blush on his cheeks. He settles back into his kneeling position on the floor. “I have one more surprise for you. Do try to control yourself.”

He retrieves a small, complete flower from his pocket, albeit one a little dreary from its journey. Sylus smiles triumphantly as he holds it out to you, and he was right; you do want to throw yourself at him. Instead, you take the flower and lean forwards, tucking it behind his ear before he can protest. He’d tilted closer to help you, and he sits back with an exasperated tsk when you’re done.

“It suits you,” you grin.

He yawns. “Everything does.”

You don’t want to get into trouble, so you shimmy to the very edge of your seat and carefully— showing tremendous restraint— reach out to take his face in your hands. “You’re amazing, Sy. Thank you for doing all of this for me, but…”

“But…?”

“I missed you. I like macarons, yeah,” you smile, “but I’d much rather have you.”

This time, he can’t hide his face and the way it goes pink, like the blossom behind his ear. His cheeks are warm beneath your palms. “You couldn’t have said that before I spent the whole day—”

His voice is strangled as you keel towards him— slow and deliberate— to thread your arms around him and pull him into a hug. He tenses for a moment, then wraps his arms around you too: holding you tightly, keeping you from falling any further. You can feel his hand stroking your back and he hums as you give him a gentle squeeze.

“Such a lovely moment, kitten,” he muses, your head on his shoulder. “I do hope it’s sincere, and not— say— an excuse for someone to get her paws on the macarons behind me.”

There’s another moment of quiet.

“Don’t be silly, Sy,” you retort, but your mouth is full, your cheeks are stuffed, and not a single word of it is intelligible.

[twoa-plus]

dipper & mabel aren’t 1:1 parallels of stan & ford - sure, it might be easier to spot similarities between dipper & ford and mabel & stan, but there are some really important traits that dipper & stan / mabel & ford share

one of the biggest ones for me that i wish people talked about more is their inherent attitudes towards trust

ford is not a naturally paranoid person, doesn’t have much experience with other people, and is a really bad judge of character. that’s a big part of why he was so easy for bill to manipulate - bill could just show up and be like “i’m a muse !!” and ford would believe him, because that’s the type of person he is. i don’t think he ever actually got better at figuring out who’s trustworthy and who’s not, either - “trust no one” is just an inverse of “trust everyone” born of trauma

mabel is, in practice, the same way. i can’t really give a particular reason that ford is so trusting - it just seems to be part of his personality - but for her it’s that she sees the best in everyone, no matter who they are or what they’ve done

stan & dipper are the opposite. they’re both inherently distrustful of other people. again, they have different personalities and different reasons for this - stan is a professional conman and is fully prepared for anyone he speaks to to be the same way, while dipper is more like “what if they’re actually 4,000 termites in human clothes” - but the end result is the same. they’re significantly less likely to take things at face value than their twins

anyways in relativity falls mabel should be the one who built the portal i said what i said

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.

[howtofightwrite]

So. There is no safe place (in the body) to be shot. There are places that are slightly safer than others to be stabbed (i.e. being stabbed in the meat of your calf is less likely to be lethal than your torso). For the purposes of an arrow wound, which feels like a combination of shot+stab for a swords n sorcery world, is there a “less lethal” place to take an arrow? My character is traveling with companions and gets into a fun little goblin skirmish. I need her to catch an arrow somewhere that will be concerning, but not immediately fatal. Magic Bullshit™️ will keep the wound from healing properly for a few days, but I’ve accounted for field wound care (cleaning and bandaging and such) as she’s being taken on horseback to get proper treatment.

Not deeply.

So, the problem with all of these is tissue disruption. If the injury gets deep enough, the chances that it will hit something vital (especially on the torso) increase dramatically. So, getting stabbed and having the blade catch bone, instead of getting in deeper is “relatively” safe. Similarly, getting stabbed (or shot) in the hand or foot is unlikely to kill you (though, those injuries are likely to result in permanent damage impairing the use of injured appendage.)

Arrows are a little different, in a couple of ways. First, if you get shot, you do not want to pull that off (nor break it off and push it through.) That will increase the risk of bleeding out. Arrows make fairly large holes in people, but if the arrow sticks in the wound (which, it should) it will actually limit the amount of bleeding. Effectively the wound has a partial plug in it. Pulling out the arrow means that plug is no longer there, and they can happily bleed to death on the spot.

The second thing about arrows is that they actually pin muscle together. Think of it a bit like holding two pieces of meat together with a toothpick. If the toothpick isn't there, the pieces can slide across each other without issue, but that's not possible when there's a wooden shaft running through them. Your muscles are a complex web of meat, that slide over each other as you move. Pinning those together means that part of your body will actually lock up. For example, if you're shot in the shoulder, you won't be able to adjust the position of your arm. It's been toothpicked, and it's not going anywhere.

Arrowheads can get wedged in bone. If it's a broad head, or hunting tip, that will be obnoxious to get out.

At the risk of reading too much into your setting, goblins often means poisons, or other nastiness. Though, really, even just getting a tetanus infection (it used to be called “lock jaw”) from their blades is a pretty horrific potential fate. Even if the wounds themselves were relatively minor (cuts and scrapes, maybe a graze or two), a couple days might still result in some pretty horrific harm after the fact.

Also, remember, it's unlikely that bacteria will be understood by the medical science of your setting. So, first aid would still run a real risk of secondary infections.

Depending on their skill in first aid, anything outside of a severed artery or catastrophic organ damage should be (technically) survivable, though the wounds could easily result in permanent impairments, depending on exactly what was hit. A punctured lung might not kill her, but it could result in permanent respiratory issues, such as a cough, and chronic pain while breathing heavily from then on. It could also result in pneumonia and death, which is also, usually, pretty permanent.

Some of this depends more on where you want to land on a spectrum between dark fantasy and swords & sorcery. The genres are similar (and potentially overlapping), but can scatter out into dramatically different works. But, you do have some options on how you want to proceed.

-Starke

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[vrtvyg]

Body headcannons, based off of the ACTUAL character.

Soap: BEEFY. Have you SEEN the man's biceps? his neck? the way his chest casts a shadow in that one blue shirt? he's beefy. Full believer that his thighs ate just as thick, meaty calves, and a matching waist. every body has a bit of curve, but honestly he probably is mostly rectangle, some muscle showing on his stomach. I feel like his body wouldn't be SUPER hairy. like yes he has chest hair, leg and arms, but it isn't super thick. it's shorter, darker. he'd probably keep his pubes messily trimmed. not letting it become a bush but not caring enough to make it look pretty.

Ghost: honestly think he's a bit thinner than Soap. sure they both got muscle mass, but side to side, Ghost has the height and Soap has the form. more muscle showing but not super thick, just a leaner build, maybe a bit of chub on the stomach, arms, but not much. has minimum hair, it just doesn't grow. head a almost buzzed, arms have hair but it's short and almost too thin to see. same with his legs. no chest hair, some peach fuzz below the belly and his pubes are equally short. (I'm kind of debating this, dude might be hella muscular under all them clothes)

Price: Listen, I fucking LOVE thick price as much as the next man, but have you seen that slutty waist??? Big chest, thin waist, and a fucking fatty. he's the whole hourglass, minus the hips. Covered in hair, it's thick too. on his chest, arms, legs, thighs. probably has to get his nostrils and ears waxed, hair grows there too. probably has the thickest hair down there in 141, keeps it neat, but not trimmed. the snail trail is THICK.

Gaz: the definition of lean, the perfect cut after bulking. the long legs, thick calves, thin but muscular. He probably has a decent amount of hair, but it's only on his chest and legs (no happy trail, sadly). the hair on his chest is just ever so slightly curly, and his pubes are probably trimmed but a bit messy, like soap.

Graves: Ita giving skinny white boy. like don't get me wrong, he's a sexy mf, but I can't see him with buldging abs. he's not super thick has the biceps, thighs, and definitely ass, but his stomach is pretty flat, and his chest is flatter. no tits to grab at. I imagine he's pretty bare on the hair, and the hair he DOES have is too light to really notice. except his armpits, no idea why but they're so much thicker there than anywhere else. his pubes probably match his hair, a dirty blonde. probably shaves practically bald down there, regrets it everytime until it starts to flow again.

König: THICK. muscular, of course, but the softest layer of pudge wrapped around it. has that squishy tummy, love handles, and the HIP DIPS! the thickest thighs following, weapon harnesses squeezing around it so satisfyingly. and he's definitely a hairy man, but not in a soft bear way like price, more like a rough texture. chest hair, arm hair, thigh hair, leg hair, even hair on his toes. the snail trail is gorgeous. he doesn't really care to shave his pubes. a bit messy down there. the only time he trims is to make his dick look bigger before sending a pic.

[kisakis-boyfriend]

any juice for baby boy shinichiro?

when ppl put him with a partner who is taller, extremely attractive and just generally insanely out of his league...ive seen some ppl write this exact trope for both male and female readers and omg its so satisfying for the soul. + his friends reacting to how the fuck did shin pull a big dick supermodel. godtier trope

nsfw but genuinely do what you prefer either way!! love to read everything you put out, regardless of the contents or characters haha

♦️

Author's Note: I made the reader a literal model because I really like that idea, hehe. HCs + scenarios filled with plenty of sub Shin getting his entire world rocked, just for you, anon! 😜

Pairings: Shinichiro x male reader

Warnings: Male model!reader, dom/top!reader, sub/bottom!Shinichiro, risky sex, sixty-nine, size kink, mild hand fetish

• Who would ever think that Mr. Handsome who visits the local mechanic shop was actually dating the shop's owner?! No one, clearly

• Customers whisper amongst themselves after you and Shinichiro step into the office in the back, and, if they're lucky, they might catch a glimpse of you two locking lips

• Or a glimpse of your strong arms bending Shin over his own desk. They try to avert their gaze once they realize that you're about to pound the store owner's brains out right then and there

• On many occasions, he's had to take off work the next day because his legs have become jelly… and if you really feel bad for him, you'll give in when he sniffles “You'll need to take care of me while I recover :(”

• It's not any different when your lovely partner comes to visit you at work. Photographers can be impossibly picky some days, and when you pose for hours in little to no clothing for, yet another, underwear ad, it is nice to see your lover's smiling face walk through the door

• Shinichiro brings you lunch—made by his own hands, of course—complete with a note or doodle. And when he doesn't cook, you'll jump at the opportunity to leave the studio for a lunch break together

• The crew at the studio are always annoyed at how long you're gone, but what they don't realize is that more than half of your "lunch break" is just you and Shinichiro banging in the public bathroom

• Shinichiro isn't short, though when he stands next to you, he sure feels like it… you're nearly a foot taller than him (or more) and quite muscular to boot. And yes, you will use these facts to tease him

His arm stretches as far as it can, but it's just not enough to reach the item he needs on the tippity top shelf. He calls out to you for assistance, and you stroll into the room, grinning mischievously as the gears turn in your head.

“Aw, shorty can't reach it all by himself?”

Shinichiro pouts, “I'm not short, you're just too tall! …But I do need help getting that down please…” he relents.

“Of course.” to his surprise, he's suddenly lifted up by his waist, now at the correct height to reach what he needs. With embarrassment quickly setting in, Shinichiro snatches the item then stammers for you to "put him down, now!"

He thinks himself safe when his feet touch the floor again, but it's only for a second. As quickly as you let go of his waist, you spin him around and plop him on top of the counter. The blush dusting his cheeks begins to show as you still tower over him, even now. His eyes slowly close as you kiss him—eagerly pushing your tongue past his lips and pulling a few moans out of him.

…aaaand just like that, you pull away and leave. Leaving behind a lightheaded mechanic with a newfound throbbing sensation between his thighs.

• If it's not obvious yet, I do think Shin would have a bit of a size kink. Maybe he doesn't realize it until he's actually with you, but it's definitely there

• Someone larger than him, laying their weight on his back while a massive cock fills him so much that it creates a stomach bulge? Yeah, that's the good shit 🥴

• I just had an image of 69'ing with Shinichiro pop into my head… ugh

Wrapping your lips around his pretty dick while he struggles to take half of yours. His tip is leaking already, and you gladly accept everything that drips out and onto your tongue.

Shin arches his back, enjoying all of these sensations; your hot mouth around his cock. Your cock pushing further and further into his mouth. Your hands spreading his cheeks apart and–

“Mmgh~ babe, please…”

“Please what?” you ask, popping off his dick long enough to ask a question that you already know the answer to.

A groan echoes within his throat, garbling the words attempting to escape through his lips. “D-do it… I can take it.”

With a serious fire lit within you, you suck his cock deeper into your mouth. Gently, at first, a finger eases its way into Shin's hole, making him arch deeper and dig his nails into the skin of your thighs. Soon after that, a surge of cum surprises you, shooting down your throat as you're forced to swallow it. Poor baby is apologizing when he hears your choked moaning… he didn't mean to cum yet, you just made him feel so fucking good 🥺

• He looooves having your hands on him~

-> Hands holding his waist while you slide into him. Breath heavy and right in his ear, whispered words of praise and how fucking tight he is

-> Hands connecting with his as you pin him down and steal (yet another) kiss

-> Hands working their magic on his erection. Both hands wrapping around his cock, milking more out of him like a relentless living fleshlight

-> Hands combing through his messy hair after a ride in the town. Detangling the knots as best as you can before he takes a shower

-> Hands on his lips, sliding into his mouth while you coo “Good boy~”

-> Hands scissoring his hole open. Making his knees wobble as you take it nice and slow, rhythmically pumping in and out with your thick fingers

-> Hands wiping tears from his eyes on your wedding day ❤️

• Uh um, yeah… moving on 😵‍💫

• Now, since you're a model, Shinichiro has gotten some unwanted attention from random strangers and paparazzi. It's mostly when you're seen together, but some fans have even shown up at his shop just to ask if you were there 🤐

• You're very quick to tell anyone off though. Polite, if possible, yet stern all the same. Because gods help any person who's dumb enough to lay a hand on your man, or even make him uncomfortable in the slightest. All of your muscles aren't just for show

• And, as a model, you have been known to pull a few strings. Only a few times. But you were able to have Shin as a guest for a few magazine covers or spreads

It's hard to act professional when his beloved is basically nude—nothing except the brand's boxers to cover that thang that makes Shinichiro squirmy and wet.

The photographer wants some rather intimate shots of Shinichiro sitting on your lap, facing you. The makeup on his face does help hide the growing blush, but to you, as you sit merely inches apart—it's quite obvious.

You also notice the semi-boner underneath his own set of boxers… you have to remind him that this is a professional setting, and he needs to calm down or you'll both get in trouble. But honestly, how can he? Even staring into your gorgeous eyes would be enough to turn him on!

Gently, you rub his back and whisper to him “Keep it together here, and I'll give you a private show later tonight, ok?” To which Shinichiro enthusiastically shakes his head, nearly making himself dizzy.

Oh, the things you do to him later~

• Now, about his friends and family……… yeah they have no idea how the hell Shin is dating you

• They don't mean it in a rude way either. It's just, you're literally actually a model… you're insanely attractive, handsome, breathtaking, kinda fuckin rich?, and so on and so forth. So, what made you choose to stay in Shinichiro's hometown (save for business trips and vacations) as opposed to, oh I don't know, living in some mansion or beach house surrounded by other models?????

• Every single time, your answer is the same: “Because I love him and want to spend the rest of my life with him”

• Yes, your career is important to you, but you can travel when need be for that. Shinichiro Sano lives here, and you're not willing to give him up

• As siblings do, Shinichiro's younger ones definitely make fun of him for being with someone way way waaaaaaaaaaaaaaaaayyyy out of his league. But it's all in good fun. Besides, they're also protective of him, and make sure you know that, if you ever break Shin's heart, they'll break a leg or two :) (especially Izana… that guy kind of scares you… except he's also a sweetheart once he realizes that you also care about his brother)

[raven-at-the-writing-desk]

So.... Stock image

https://www.vecteezy.com/vector-art/11430941-halloween-black-silhouette-repeating-border

[Referencing this post!]

Yuuup, that’s pretty much the same thing as what we see in the PV… 😅 Same shapes, same pattern order, everything.

Upon further research, it seems this isn’t even the first instance of this stock asset being used by Disney. It was also used for a limited edition Sally-inspired perfume called Rag Doll. I believe it was sold at Hot Topic back in 2013:

It’s a little saddening seeing TWST use stock images instead of like… you know, new assets 💦 This is following a somewhat disappointing trend of TWST animated PVs going down in quality and budget, especially over the years. For example, for the anniversaries:

2021 - 2 minutes long; all students included in highly individualized limited event outfits and movement is dynamic.

2022 - 1 minute long; all students and even staff are included but in standard uniforms, noticeable drop in art and animation quality (for example, look at Kalim and Silver in the flight scene). Animation itself is framed like Yuu is taking pictures of everyone—but really, it’s a convenient excuse to hold on static shots of the photos instead of actually animating them.

2023 - 1 minute and ~40 seconds; only the third years in their school uniforms and Grim in ceremonial robes are featured. Animation appears slow and somewhat clunky. And dear god, that weird panning shot of Malleus and Lilia; that Lilia is practically traced from his live 2D model.

2024 - 1 minute and ~10 seconds; basically a glorified slideshow with fancy effects. Only the dorm leaders in their school uniforms are shown.

Then, looking at the Halloweens:

Terror is Trending - 30 seconds; All students included and dorm costumes showcased. Unique shots and framing. Even Ramshackle Ghosts (who are important in the event story) are shown.

Endless Halloween Night - 4 different versions of the same commercial (including different characters doing the voiceover work), each ~30 seconds each; all students featured. Nice lighting, fierce expressions, varied framing.

Glorious Masquerade - 1 minute and 30 seconds. Several static panning shots, but at least the colors are striking when most other things are monochrome or muted. ~20 seconds at the end dedicated to hyping up Rollo.

Stage in Playful Land - ~35 seconds. Only the 3 SSR boys are featured, with most of the animation being in their head tilts. Less than 10 seconds is dedicated to hyping up Fellow and Gidel.

This year’s event… 20 seconds using a stock image and panning up from it to the TWST logo, no new assets.

I DON’T KNOW, maybe I’m overthinking it 😭 I’m definitely not the first person to notice this though… It’s been a point of discussion in my fandom social circles.

But hey, let’s keep our heads high! It’s very possible that we’ll get a more formal animated PV in the weeks leading up to Halloween. In fact, I’m certain of it since this current PV doesn’t show new costumes or the new twisted character, as is tradition. What we see now might just be a bonus material they’re releasing to really get us excited. Plus, we’ll probably also have an ABEMA stream with more Halloween-related news ^^ Let’s look forward to that!

[that-nerd-who-writes-fanfiction]

Headcanon that George learnt some basic magic and uses it exclusively for cleaning.

Can’t reach the top of the wardrobe to dust?

Magic a rag to do it.

Arthur saw him once but when George said what he used it for, “I’m a servant, sire. My duty is to clean the castle. I found a tool that makes me more efficient at my job and would rather continue as I am. Sire.” Arthur decided he wasn’t doing any harm and that the ‘corruption’ had already gotten to him but it had only made him obnoxiously boring so it was easier to let him be.

Merlin fully disagrees with both points because to the first, George is really trying to become him? What the hell. He’s not willing to lose his job to George of all people.

And to the second, he just adamantly refuses to believe that George is actually boring, his running theory is that he doesn’t like anyone in the castle enough to want to talk to them so he does his best to deter them by refusing to be social. It’s because Merlin heard George break character after a feast once while he thought he was alone when one of the nobles dented a brass tray and George cussed them out so bad that when Merlin repeated what he’d said at training the next day, quite a few of the knights had blushed. Even Gwaine was impressed.

He’s been trying to befriend George ever since, and it’s just not worked. He’s pretty damn close to revealing his magic so they’ll have something in common, but he also doesn’t know if brass genuinely is George’s idea of an interesting conversation starter, he might send Gwen out drinking with him so they can talk about metal or forges or something and she can bring back the intel.

[moxie-girl]

DRDT SPOILERS

WAIT. WHAT IF EDEN GRABBED THE TAPE FOR A NON MURDER REASON N GAVE IT TO SOMEONE ELSE BC THEY ASKED HER FOR HELP? and now she’s realizing she might have helped Arei’s killer unwillingly, maybe why she kept repeating that line about friends helping each other?

[tommybuckleykinard]

this fandom is getting ridiculous lmao

what you mean oliver didnt go into detail about bucktommy??? lmao of course he didn't that'd be giving us spoilers since he said the time skip wasn't that big

and some of these folks tryna use this as a gotcha are the same people praising certain journalists for not giving spoilers after they got screeners. and now they suddenly think oliver was gonna spoil shit and that he didn't is a bad sign. make it make sense pls

this is too funny

every day some of these folks remind me how young they are. cuz they react like oliver saying "the relationship with tommy is much more where it was left off, it's in early stages, they're still learning and figuring things about each other and what a relationship might or could look like" is somehow a bad thing.

these are two men over 30 tryna balance life, work and a relationship, and them having convos about their future together and what that'd look like is actually a very good thing. this a very good convo to have in the early stages of a relationship and it shows how seriously they're taking it. they're too old to play around and they both seem like they're ready to settle down.

both oliver and lou have implied that their characters want love and are ready for a serious long term relationship. oliver especially is tired of the hamster wheel buck has been on. also this show isnt gonna be around for another 12 seasons. tough convos have to happen quick. oliver saying "might or could look like" is not a red flag, it's actually really good because it shows they're treating this like a serious long term relationship and they're both tryna figure out what they want from it and each other. and saying any more than that would just be spoilers for the beginning of the season and of the early stages of bucktommy's relationship.

I'm glad that it seems like we'll maybe actually get to see this on screen.

I hope we see their first ILYs

[foolishxprincipalitee]

What is hyperfixation like?

So, I didn’t care about Sherlock Holmes at all until about six weeks ago.

I watched BBC Sherlock as my gateway drug, then read a bunch of fic, started listening to the podcast Sherlock & Co, bought a copy of the new queer anthology When the Rose Speaks Its Name, started watching the Jeremy Brett series, and now I’m reading Bending the Willow: Jeremy Brett as Sherlock Holmes while simultaneously cycling through BBC Sherlock - AO3 - Sherlock & Co - When the Rose Speaks Its Name - Jeremy Brett - misc. Sherlockian googlings on a daily basis.

I can feel dopamine coursing through my veins every second that I get to interact with Sherlock Holmes related media, which is a considerable amount of time. I draw fanart at work and scribble gay little thoughts in my journal. There is not an atom within me that isn’t vibrating for Sherlock Holmes and Sherlock Holmes byproducts.

And yet nobody in my real life wants to talk about it with me, no matter how hard I try. I tried reaching out to my brother who has always been an ACD Holmes fan and he literally hasn’t replied to me in a month. He’s got kids. All I’ve got is a new Sherlock Holmes hyperfixation.

I posted some of my new art on Instagram and received a very weak response even though I was really excited about it and still think it’s some of my better work. I deactivated my account because I was so sad.

The isolation impacts me negatively. It pushes me further and further away from “real life” and into escapismland, because that’s where all the dopamine lives. I find myself on Tumblr or making edits on TikTok where no one really knows me or cares about me but people who care about the same media I do might respond.

It would mean everything to me for someone to care both about me as a human and about my interests, especially in the first few months of a hyperfixation when I literally cannot shut the fuck up about it.

But instead I am doomed to this lonely life of soaring highs, swinging from media fixation to media fixation, telling strangers on the internet that I am desperately in love with fictional characters, and crash-and-burn lows that most people don’t even understand.

I am a 30-year-old woman technically diagnosed with both bipolar and autism spectrum disorder. I am a weird gay aunt who will never have a longterm partner or children or possibly even close friends. I am actually a really nice and cool and hot person.

And I am only in love with Sherlock Holmes.

For now.

[wings-of-fire-confessions]

Is it just me, or is the way WoF presents disability... actually not that bad? Don't get me wrong, it is FAR from perfect, and I would love to see better representation as the series continues! However, I'll make my case:

I think the thing people criticize the most is when Turtle mentions that he and Anemone were working on a spell to restore Starflight and Tamarin's sight. This is definitely alarming; it plays into the tired idea of disabled people needing to be "fixed." But I think people forget that Turtle and Anemone are two young children with a limited view on the world. Their mother is extremely judgemental and believes in genetic superiority 😭 They might not understand that there is nothing wrong with being disabled, and that you can happily live with a disability. We also don't know if Tamarin or Starflight even consented to the spell, so it may have never been realized anyways. I would like to see Tui properly address this in future books, though. (And if it wasn't clear, I'm not justifying Turtle and Anemone's actions; just saying that there's context here that most people don't consider).

I'm also aware that the series villainizes some of its disabled characters (Queen Scarlet, Chameleon, Queen Battlewinner, etc.) Disabled people have a long history of being villainized, so it is understandable to feel uncomfortable about this! But it's not like WoF lacks ANY positive representation. Tau, Clay, Tamarin, and Starflight are all characters who I think are really cool!! And I like Mayfly and Osprey too (even though they're minor characters). I think even Peril could count...? And a lot of her character arc is about learning to live with her firescales.

And yes, there's stuff like The Weirdling Tower... but that is EXPLICITLY treated as a bad and gross thing, so I don't get why some people use that as proof that Tui hates disabled people. Same goes for ableist characters like Burn and Scarlet (who are also EXPLICITLY presented as horrible and evil).

My biggest criticism for the way Tui writes disability is that most of her disabled characters that are considered positive representation don't play a huge role in the books. We have Starflight and Clay, but when they get their disabilities, the arc that focuses on them is close to over. It would be nice to see more disabled characters that are more involved in the story.

.

[sparklingcid3r]

CW: discussions of suicide/suicidal ideation

Scorching hot take about to come in, but I think that Darry’s line about Dally killing himself because he “gave up” actually does fit the character that the musical made Darry into. I’m not saying it’s a good way to view the situation or even a message that should be imparted at the end of the show, but I think that specific perspective of what suicide is aligns with the Darry we got to know.

You don’t have to agree, but let me explain🙏

There are a few ways that a viewer can interpret Darry’s character. In my opinion, suicidal is one of them. Darry equates suicide with giving up because it’s what he would do if he ever gave up, if he ever lost Pony and Soda the way Dally lost Johnny.

But I also want to say that just because he equates the two in his head doesn’t mean they actually are synonymous. I mean, Darry’s not exactly someone whose word you take at face-value for a lot of the show when he’s talking about his feelings, save for a few vulnerable moments.

When he is being vulnerable and you know that these are his core feelings, undisguised by the need to be strong, it’s during “Runs in the Family” (very sparsely, but there are small clues), and “Throwing in the Towel.” Especially in TITT, he expresses what can be perceived as suicidal ideation, which we’ll get to very quickly.

Because it’s one line in RITF, I can’t really harp on it as much as I’d like to, but Darry says “I don’t know what them boys would ever do without me, and what would I do on my own?” Obviously we never find out what Darry thinks he’d be doing on his own, so you can really only make loose, debatable inferences. Because of that, you can take the fact that Darry is a very goal-oriented person, then take the fact that he knows he would not have anything to work for if his brothers were gone, and combine them to say that Darry might very well just give up.

Darry’s suicidal ideation comes out the most in TITT. He literally says “Maybe you’d be best without me.” He never specifies what “without him” looks like, he leaves that up for Soda (and the audience) to interpret, but three ideas stick out to me:

1. Him giving Soda and Pony up to a boys home

2. Him having never been born at all

3. Him removing himself from their lives permanently (suicide)

Whether he feels one, two, or all three, two out of the three express either ideation or blatant suicidal thoughts.

It also explains why Darry is so insistent on Pony just snapping out of his depression following Dally and Johnny’s deaths. He’s seeing his brother go through the same tired, despondent motions that he did in the beginning of TITT, on the road to giving up.

What Darry doesn’t understand is that Pony truly giving up looks different than Darry truly giving up (I have a feeling that Pony would turn towards drugs and addiction if he hit rock bottom, but that’s another convo for another time), and because Darry is projecting his own version of giving up onto Pony, he’s terrified of his youngest brother doing something so drastic and permanent. Even if that’s not the reality of the situation, it’s what he believes, so it’s what he talks about.

[kasu-meow]

I don't know who needs to hear this, but I see people making mistakes about the characters' first and last names all the time, so I thought I'd just clarify some things.

Sukuna's full name is Ryomen Sukuna, with Ryomen being his last name and Sukuna being his first if we were to speak in human terms. However, Ryomen is mostly just an attribute and isn’t really a last name. Sukuna is based on a character from old Japanese folklore with the same name, who was said to have two arms and legs, and two faces, hence the attribute Ryomen (両面) which means double-sided or double-faced. Ryomen is treated as his last name but it's more of an adjective really, and both in the original legend and in the manga he is simply referred to as "Sukuna," which I believe is where the misconception came from that it's his last name, when it should be treated more as characters calling him "Double-sided Sukuna." I've even seen some people use Ryomen as his first name recently, so I thought it might help someone to know this. Especially in fanfiction, when you have a character calling him Sukuna the entire time and he asks them to start calling him Ryomen as a sign of closeness, it actually comes off the opposite way, as a sort of "don't be so casual with me," because it's not his first name like some people think it is. It's actually a stretch to consider it his last name as well because as I said it's a title more than anything, but it's completely wrong to use it as his first name. I hope this doesn't come off as mean, I just want to help fanfiction writers who are a little confused about it.

Same thing goes for Shoko and Utahime. Their names are Ieiri Shoko and Iori Utahime, with Ieiri and Iori being their last names, and Shoko and Utahime being their first. I see people being confused about them all the time since most characters refer to them as just Shoko and Utahime, and I guess people are used to characters referring to each other with last names in anime. So in fanfiction, when you have a character being married to them for example, it's extremely strange to have said character refer to them as "Ieiri" or "Iori" because that's their last names and you simply wouldn't refer to your wife with her last name.

TLDR: Sukuna, Shoko and Utahime are their first names, not last. Please use them accordingly!

[oldbutchdaniel]

iwtv fanfic friday <3

happy weekend reading!

all human decisions by LuckyDiceKirby (@luckydicekirby) m, 19k

Daniel’s bastard maker had the advantage over him: he could travel by daylight. By the time Daniel woke at dusk, sprawled on the couch and actually literally tucked in, there was no sign of him. Well, fuck Armand. Daniel might be a newly minted best-selling conspiracy theorist whose sanity was being publicly debated on every existing social media platform, but he was still a journalist. He could track down one monstrous extremely divorced serial killer, easy.

(armand is sooooooo annoying in this. he's everything to me.)

colour me your colour, baby by hederabug m, 2.6k

“Daniel.” Daniel hears the soft, but insistent voice first as a distant call, as if she’s submerged in water. She breathes air when Armand’s hand grabs at her shoulder. “Wake up, lover.” Armand is on all fours, hands and knees on the bed above where Daniel’s still lying down, so they’re face to face. Armand’s brown eyes are glinting with some manic light, her face cast in shadow, striking chiaroscuro, lit only by the dull amber glow of the bedside table.

(rest assured i will be doing a dm yuri theme week soon and rest assured this will be on it. but it was too good not to include here. i need like 17 more fics in this series)

With His Heart Still Intact (They Didn't Do It Right) by CaravanOfCrows (@asthedeathoflight) t, 6k

A series of collisions; in which free will exists but fate isn't going down without a fight. (surely Armand and Daniel only have extremely normal feelings about freedom and agency and destiny)

(WE NEED TO TALK ABOUT THE DM SOULMATE AU AGAIN. CAN WE TALK ABOUT IT PLEASE)

marketplace heart-eater by eggalbumin m, 6k

Daniel picks up a blade from the stack of discarded tools in the kidney tray. It has blood on it. “I’m a little scared to ask,” he says, with the aura of someone who isn’t very scared of asking at all, “but who’s blood is this?” Mine. Yours. My master’s, twice-diluted. Why does it matter anymore? It’s poison either way. “The doctor was just showing me how to do incisions. It’s fascinating work.”

(really fucking awesome armand character study. the first time i ever found marius compelling due to the fact that he's written from the lens of armand's tangled knot of being. like i think he should be killed with hammers as much as the next guy but he makes for such a fascinating narrative concept)

did you believe in the glass city by tei @bloodripelives nr, 5.9k

"Yes," Armand breathes. "Yes. Is anything they did to me worse than what I have done to you?" Daniel wants to say yes, but shit, he's not even sure what Armand had done to him. And whatever it was, he is sure that he would have let him do worse.

(daniel tracks down marius for the sake of armand's tangled knot of being. it goes as well as you would expect. so fucking beautiful and soooo fucking compelling. made me cry at least twice. read it now)

[itsabouttimex2]

I hope this isn't an odd question

But, do you think Wukong or Macaque would act or treat different their "cub" if they genders were swapped or being a female version? This is also for a Yan behavior

I don't know too much about how is the raising of a monkey from the father and mother so I was curious with this since they're both mystical demons

I was thinking about this when I saw some fanarts from the artist @/car_nimbus on Twitter, they made a neat versions of the characters with another gender

Monkey Mama

(Hmm okay let me build a hypothetical OG “Female Monkey King” to work off of here and then I’ll try to translate that into LMK’s SWK. Also, I’ll probably make a second variation of this afterwards with other characters, haha. This got a little long to do both SWK and Mac!)

Sun Wukong as a character is already heavily defined by rebellion and personal choice, so I think that making him a girl only really compounds that layer of his character.

In many older narratives, female characters are often expected to be more obedient or modest than men, and very frequently only exist as prizes or, more rarely, villains. A female Sun Wukong; assuming she plays the same role as her original incarnation, defies the expectations of how “traditional” women should behave, shirking the demure and passive “ideal” and adding another layer of rebellion to her character.

(JTTW is actually pretty great in terms of female representation, with characters ranging from the perpetually good Quanyin, the eventually repentant Princess Iron Fan, and the straight up evil White Bone Spirit. I’m a big fan of how the women aren’t slid into any one “role” throughout the story.)

I think: in story, she’d likely be viewed as a sort of “anomaly”—a woman too strong, too outspoken, and too unwilling to conform to typical feminine ideals. Her defiance and arrogance might be viewed as even more scandalous by the Celestial Realm.

Instead of being made a “stable-keeper”, I think probably she’s sent to whatever Heavenly Scullery exists in that divine realm, and put to work very quickly. She would treat this “job” with indifference or even amusement at first-after all, physical labor or menial tasks don't diminish her self-worth or confidence! She’s had a life of hard work, leading an army of Yaoguai, cultivating Flower Fruit Mountain,

So she’s fine with this… at first. Then it turns out that the food she makes with her fellow low-class workers isn’t distributed amongst the people making it, but plated up nice and pretty for a bunch of “stuffy old gods” who didn’t lift a finger! Bullshit!

So obviously, the prideful Monkey Queen goes on a destructive rampage in regards to the unfair disparity of treatment, then storms back down to Earth to throw a “feel-better” party with her fellow Yaogaui.

(Which isn’t just a party, but a symbolic reclaiming of joy and community, with her monkey tribe representing the freedom she craves and the earthly bonds she prefers over heavenly authority. It's not just an escape, but a statement of independence.)

After an extensive set of repairs, the Court sends down someone to drag her back, because, you know, the local super-powered monkey is back on the loose, and that’s not exactly great for them. This time, they offer her a “better” role- she gets to become an official Peach Maiden, lucky her!

Of course, it’s just another form of entrapment, but within a prettier cage. Even though she's given a cushier position, it's a veneer- she's still being silenced, controlled, and stripped of her freedom. The role played by a Peach Maiden is an inversion of Wukong's essence, as these women are happily serving the role of passive caretakers, nurturing with gentle smiles—a direct contrast to the free-willed, brash nature of the Monkey Queen.

(And while there’s nothing wrong with being demure, passive, and feminine, having people try to force her into that role is where Sun Wukong draws her line.)

Here, she is expected to watch in silence as others revel in the freedom and power denied to her. It's a different kind of prison, one that quietly erodes her spirit. When the Celestial Court tries to reintegrate her as a Peach Maiden, they are once again attempting to place her into a docile, decorative role, one that strips away her power and independence. Those immortal peach orchards, a symbol of immortality and divine favor, becomes a prison for her.

Surrounded by "ideal" women who embody the quiet, submissive role she despises, the Monkey Queen finds herself chafing under the pressure of conformity. Her energy, once boundless and chaotic, is now caged, and the simmering resentment builds.

The buildup to her inevitable rebellion after being made a Peach Maiden, then, becomes a very sympathetic moment because it's not just a rejection of the role forced on her, but a rejection of the very system that tries to diminish who she is at her core. Her rebellion isn’t about anger and shame- it’s about reclaiming her true self after having been suffocated by the expectations of the Celestial Court. Her rampage becomes an assertion of her identity as something that can't be confined by heavenly rules or social mores.

The Court, in its attempt to “contain" her, only fuels her defiance further, leading her once again to rebel.

It was never going to end well. But it ends all the same, and punishment is to be levied to the Queen, just the same as any other rebellious rule-breaker... actually, probably harsher.

There’s “you broke our rules and tried to lead a coup”, then there’s “you did all that, and we also find your very person to be wrong on a fundamental level”, and then she gets the book thrown at her twice over.

But! Then she meets Tang Sanzang, who sees something in her that neither the Celestial Realm nor her own band of Sworn Brothers saw. Not a heretic simian savaging a holy realm. Not a Queen to rally behind for their own gain.

But a lost soul in need of guidance.

And from there the Great Monk works on building Sun Wukong up as a person instead of leading her astray or trying to cut massive chunks of her personality out? And talks to her about the things she cares about? And teaches her about all the things she missed after spending five hundred years under a rock?

And then she meets Zhu Baije, who starts out a little too happy and carefree about having a beautiful woman around, but eventually comes to smash open heads when Wukong is disrespected, because that’s not just a hot woman, that’s his sister?

Or Sha Wujing, who helps her with even the smallest things, from trimming her claws to cutting her wild hair to preparing meals for the monk? And lets her perch on his shoulders and head so the queen can get some skinship in?

Then Ao Lie, who is every bit the “disappointment to the world at large” that she was considered? And they take turns braiding each other’s hair and wiping the mess from the other’s face, and sleeping in the same tent and same bedroom because it’s less effort?

She gets a dad and three little brothers?

She gets a family.

And then loses it and is alone again for several hundred years more.

So if we go with this theoretical “My natural existence has been rejected for being seen as ‘improper’ by a court of stuffy traditional assholes” and then “I dearly love/miss my dead found family” angle, I think she’d be portrayed as a very different sort of character in LMK.

She’s quicker to lash out and defend herself, and much less willing to sit around and let the world pass her by- because that’s what was demanded of her by the Celestial Realm.

Be good. Be quiet. Be demure. Be obedient. Be anything except you.

I don’t think she’d be as willing to “rest on her laurels” as her canon counterpart, given that a “quiet boring life” was what she had fought so very hard to escape in the first place, so instead of isolating herself from the world in the first place, she probably sets up a little “souvenir shop” at the foot of Flower Fruit Mountain, taking a human form to sell little knick-knacks that herald to the journey she undertook with her old friends.

In part, this is how Wukong works to honor them. To spread their legacy. To ensure that they aren’t forgotten, left as a footnote in the annals of history. To remember them.

In part, it’s how she justifies all the mistakes she’s made and the suffering she’s been through. Settling in to a pointlessly relaxed life is exactly what she fought against, after all. She’s heavily fallen into the “sunk-cost fallacy”, where giving up and settling in, to her, means “losing”. It means “everything I went through was all for nothing”. So she keeps at this little store instead of just retiring and isolating herself from the world, even though she’d be happier to ditch it and lounge about.

So when MK and his eccentric bunch of friends comes around with their boundless energy and mischief, she immediately goes, “Oh, okay! This is what I wanted!”

(It’s not. All she’s ever wanted is her friends back. How could there be anything else?)

The Monkie Kids are vibrant, eccentric, and full of qualities that immediately resonate with Wukong. They remind her of the energy, camaraderie, and sense of adventure that she once shared with her old companions. She sees MK's arrival not just as a chance to teach someone a few of her old tricks, but as an echo of her own life—a life she hasn't been able to truly let go of.

So she starts projecting- on the surface, MK is very much like her. He's spirited, good-natured, and curious- and reckless. Just like she was. Wukong latches onto this quickly, sort of using the kid as a proxy for herself. After all, if she can't go back to her old life, why not embrace a new one that feels close enough? In some ways, this marks her refusal to accept the passage of time, a desperate clinging to the hope that, through MK, she can rekindle the connections she once cherished.

However, underneath that initial enthusiasm is the repressed understanding that MK, despite his similarities to her younger self, cannot truly replace what she lost. The friends she fought beside, the battles they waged together, and the lessons they learned are unique, irreplaceable moments in her life. No matter how much MK’s gang reminds her of the past, he and his friends a stand-in for the companions she still longs for. But her deep desire to reconnect with her old friends clouds her ability to see MK for who he truly is: his own person, on his own journey.

It takes her a while to get to that point, though. So she’s more doting and affectionate, in a way that somewhat stifles her student’s training because she wants to be both her old carefree self and also a good mentor, and the two just get jumbled.

Sidenote: I think with the difference in actions and behavior, MK would be more open to viewing Fem!Wukong as a parental figure than the OG, especially since he doesn’t really have someone to fulfill that “mom” role.

For their dynamic, I think something like this would be the outcome:

———————————————————————-

The afternoon sun hangs low in the sky, painting the landscape in hues of varied orange and blue. With a tired hand, MK wipes the sweat from his brow.

He’s perched on one of the rocky spires dotting Flower Fruit Mountain, gazing at the view with a small smile of accomplishment. Training had been intense lately… if only because he had been doubling down on the time he spent practicing, without giving as much care to rest or aftercare.

After all, even though his powers were blooming steadily… his enemies also were growing in power and quantity, leading to the ever-creeping edge of fear that anything less than a constant one-hundred percent just wouldn’t be “enough”.

And right as he reaches back to grab the golden staff he has inherited from the Monkey Queen-

“MK! I told you to take a break, not run off to do more training!”

Her voice, uncharacteristically sharp, cuts through the formerly tranquil air, causing MK to jump. He turns just in time to see Sun Wukong strolling toward him, her hands on her hips and a look of mock annoyance on her face.

MK grinned sheepishly, shifting his grass-stained boots against the dirt. “I was just, you know… checking out the view.”

She raised an eyebrow, the corner of her mouth twitching in amusement as her eyes narrowed in annoyance. This kid... “Uh-huh. Checking out the view or sneaking in some practice when I wasn’t looking?”

Caught fast in his lie, MK rubbed the back of his neck, face scrunching up in embarrassment. “Maybe a little of both?”

In spite of herself, Sun Wukong quietly laughs, the sound echoing like a chiming bell through the mountain. Her long, golden hair flowed behind her in the wind, each strand catching the light like molten fire. Despite her legendary status- the rebellious warrior who’d fought the heavens and nearly won!- there was a warmth to her that MK had come to cherish.

“All work and no play, MK,” she said, sitting beside him on the rock and ruffling his hair with a fondness that always made him feel like a little kid again. “You’ll burn out before you get anywhere.”

He looked at her, eyes shining with admiration. “But you never stop training. You’ve been at this for centuries! I just…”

A pause, as his chest turns over, unsettled by the notion of opening up. But… it’s the Monkey Queen. So it.. should be okay, right?

“I want to make you proud.”

Sun Wukong’s expression softens, and she wraps an arm around his shoulders, pulling the boy close in a tight embrace. “You already make me proud, kid. You don’t have to prove anything.”

MK leaned into the touch, feeling a wave of comfort wash over him. Even from the start she’d been like this with him- protective, nurturing… and maybe a bit overbearing at times. But he didn’t mind. It made him feel safe, like no matter what challenges lay ahead, he wasn’t alone.

MK chuckled, turning his face up to meet his idol’s eyes.” I’ll keep up,” he triumphantly declares, pumping a fist.” I promise.”

“Good.” Wukong shifted, her clawed hand lightly missing his spiked locks. “Now, how about we head back to the shop and grab something to eat? You’ve earned it.”

MK’s stomach growled at the mention of food, and he nodded so eagerly that she wondered if his head wouldn’t ache from the motion. “You know, I won’t say no to a good meal.”

The Monkey Queen stood up, dusting off her mentee’s clothes before offering him a hand. “Of course you won’t. C’mon, my treat.”

———————————————————————-

Now, to answer your question about how she acts in regards to her own cub… in general I think she’s much more doting than the OG, willing to express herself through constant displays of physical affection, in ways that are far more varied.

Constant forehead smooching, cuddles, grooming sessions, all of it! Mama Wukong never wants to let go of her baby! Sit down and let her paint your nails! Let her comb and braid your hair! Let her make you a nice lunch (loaded with mystical drugs to keep you nice and sleepy for extra cuddles), or at least a filling snack! Let her pepper your face with kisses as she spins you in her powerful arms!

Lots and lots of indulgent fluffy days of binging unhealthy foods and watching cozy reruns of old shows, your head in her lap as she hums and does up your hair with her lazy hands.

Lots of reminiscing about old suitors as she considers the quietest and quickest ways to kill anyone who makes the futile attempt to pursue you in the same way.

Despite her obsessive behavior, Wukong struggles with conflicting feelings about wanting her child to be strong and independent, just like her! She pushes you to train hard and become powerful, but when you inevitably seek their own freedom or autonomy, she’d experience a mix of pride and heartbreak, pushing her deeper into possessive tendencies.

If you ever tried to leave or even just start to break away, Wukong’s worst traits would bubble up like hellfire. Just as she fought against an entire realm’s authority, she would absolutely wage a war to keep her child close, all while justifying her actions as love.

The Monkey Queen is also more willing to take routes outside of brute force if it means securing extra protection for Y/N. If Macaque or maybe Azure (or someone else like Erlang Shen) wants to try and play “suitor”, well, she’s not too interested… until the thought arises that having him around makes you extra safe! And then she’s willing to think on it.

(That’s assuming that you aren’t one of their biological kids to begin with, in which case there might be a sort of “yandere triangle”. Azure/Macaque/Erlang Shen doing his damndest to reclaim his wife, before he learns that she’s had a child while he was gone... or maybe Pigsy and Tang decided that MK needs his mentor in a more ‘accessible’ position, and plot to drag her to Megapolis…)

Lots of potential monkey mama shenanigans, basically!