#i mean...it IS bait too though

[lauren-ce]

Controversial opinion, but I don't think Birdie Wing is yuribait. *dodges gunshot* Golf is their form of communication and interaction. Golf is what the two girls are—it's literally their method of seeing and contextualizing the world. *ducks under swinging blade* You can't separate Eve from golf; there isn't an Aoi without golf. *parries pitchfork thrust* When they combine their shots at the end of the show? *rolls through your attack soulsborne-style* That is the kiss, that is the sex scene; they literally become one and birth a child!!!

Seeing them do normal couple pda would be kinda weird and out of character, actually?

(Yes, I understand that lesbians not being allowed to kiss on-screen is an issue that straight couples don't face, etc. etc. Would a kiss have been nice? Sure. Was it necessary? I don't think so.)

(Guess I'll also use this opportunity to say that I don't share the criticism that the second season felt rushed. There's only so far that golf can escalate—seeing more than we did would've made the show lose steam. The reason we don't get to see all the old rivals reappear for a final match is because they've been surpassed. This isn't a sports anime, it's an anime about being the ultimate practitioner of a sport [THERE IS A DIFFERENCE])

[serpentface]

WHITECALF SPOTIFY PLAYLIST(S) DROP

^Heres the short, selective and organized playlist for people who can't handle themed playlists with more than 20 songs and no internal order

^Here's the playlist for elite music listeners who love incoherent, lengthy, and wholly unordered playlists dealing with dozens of subject matters at once, most of which is at least Somewhat relevant to the story/characters

^Here's the very, very long playlist consisting of every single song that I even remotely associate with the story (often in the capacity of 'I was listening to this a lot while working on it' or 'this is funny') and at least a dozen songs I slapped in arbitrarily because I wanted to listen to them.

[kazzu120-old]

Finally got around to watching all of Love Live 10 years too late smh...

[wild-at-mind]

In all seriousness, when I was in my 20s I spent way too much time reading tumblr and trying to figure out the right opinions to have on everything. It was pretty soul destroying now that I look back.

[deus-ex-mona]

we are united in a common cause on this ✨#blessed✨ day

[midniterose]

Be me

Delusionally hope one of your beloved moots is a secret millionaire

Make it known that what you want for your birthday is travel, accommodations, and ringside tickets to the AEW show in Columbus on August 9th (two days after your birthday)

???

Hopefully get to wear your HangMox shirt on TV to a show Mox is almost guaranteed to be at

[blindedguilt-archived]

I need Leonard and Cain to do toxic yaoi together...the two of them deserved more interaction in general

//YOU GET IT OMG YOU F U C K I N G GET IT //It's the duality. It's the difference in background and how they deal with tragedy and how that's absolutely APPALLING to both, because Leonard, who has and is dealing with a deep sense of wanting to inflict violence on the inside, and Caim, who just wants peace and to have never dealt with any of that on the inside, SEE the other's outward actions doing just the opposite and both are reminded of JUST how much they're trying to ignore that part they see in the other inside of them and how they're trying to put that down and HERE this motherfucker is, just doing it //AND ITS THE SENSE OF SOLIDARITY THESE VERY DIFFERENT PEOPLE FROM VERY DIFFERENT BACKGROUNDS GET WHEN THEY SEE THAT, BECAUSE BEYOND LOSING THEIR FAMILY TO THE EMPIRE WHICH BRANG THEM UNDER THE UNION'S CAUSE THEY'RE BOTH OLDER BROTHERS WHO KNOW DEEP DOWN WHAT IT'S LIKE TO FRET OVER AND CARE FOR YOUR YOUNGER SIBLING, OUTSIDE NUMBNESS TO THOSE FEELINGS BY OUTWARD CIRCUMSTANCES BE DAMNED. THEYRE BOTH PART OF A VERY SMALL MINORITY WHO HAVE MADE A PACT, AND EVEN SMALLER OF THE ONES WITH SOME SEMBLENCE OF A MIND LEFT AFTER DOING DO. THAT THEY BOTH CAME OUT OF THEIR TRAUMA AS THE ONLY ONES LEFT FULLY UNTOUCHED AND ARE BOTH STRUGGLING TO FIGURE OUT WHAT THE FUCK TO DO WITH THAT, AND THAT LATER ON THEY BOTH FIND SOMEONE TO CARE FOR IMMENSELY THAT THEY'RE FUNDAMENTALLY INCOMPATIBLE WITH THAT GIVES THEM THEIR REAL SENSE OF WORTH AFTER THE WAR AND THE PROFOUND ISOLATION FROM BEING SO FAR DEEP IN YOUR OWN HEAD AND TRAUMA AND KNOWING THE STUPID PIDDLING WRECK OF A HERMIT OR THE NEEDLESSLY VIOLENT BLOODTHIRSTY CRACKHEAD MERCENARY NEXT TO YOU CAN SHARE IN THAT GRIEF BUT AT THE SAME TIME IS A MIRROR INTO YOURSELF AND WHAT YOU CAN BE THAT YOU REALLY DON'T WANT TO SEE //ITS ABOUT THE PROJECTION. IT'S ABOUT THE DIFFERENCES THAT FORCE THEM TO LOOK INTO THEIR OWN SELF AND THEIR INABILITY TO COPE WITH THAT AND WHY THAT MAKES THEM FUCKING HATE EACH OTHER, BUT ALSO THE COMPANY AND RELATABILITY TO EACH OTHER'S POSITIONS THAT DRIVES THEM TO THAT AWKWARD STALEMATE. ITS ABOUT THE MISLED "I CAN FIX HIM"'S MEANING TWISTED BUT WELL-INTENTIONED "I CAN MAKE HIM MORE LIKE ME THE WAY I WANT SO I DON'T HAVE TO BE SCARED ANYMORE" ON BOTH SIDES FROM PEOPLE WHO CAN'T EVEN FIX THEMSELVES BECAUSE THEY CAN'T LET GO, AND THEN MY FAVOURITE PART

//HOW THAT RESULTS IN PSYCHICAL VIOLENCE AND/OR LOATHING AND RESENTMENT AND DISGUST. i watch this scene with SUCH yaoi-tinted glasses anon you don't even know

[offbrand-dorito]

Nothing against OP, but I've seen this phenomenon so many times where people will put actual canon gay relationships in their "non-canon queerbaiting gays" list and it's kind of offensive.

The most egregious offense: Yuri on Ice

Yuri on Ice is a romance anime. Full stop. It was a sensation when it released for having a canon queer relationship explicitly shown on screen. The characters get engaged on screen. Yuri on Ice isn't even subtext, it is the entire plot of the story that Victor falls in love with Yuri. (OP doesn't have an age listed so maybe they're too young to remember how big YOI was)

Second offense (less offensive than YOI though): Hannigram.

Hannibal and Will Graham are canonically romantically interested in each other. Will asks, on screen, "Is Hannibal in love with me?" to which Bedelia replies "Yes" and then asks if Will reciprocates. He doesn't answer and the scene cuts, implying that he is conflicted, but that the answer is likely "yes."

Aside from that, there is plenty of subtext to choose from. Hannibal making a heart out of a dead guy to send to Will, their talks about love, the fact that they had a daughter together for a bit. It's not very subtle.

Next offense: Good Omens

Many people picked up from day one that Crowley and Aziraphale had romantic undertones to their story. I admit I have not seen season 2 yet, but I do know they kiss, I know it's tragic, and I know that Aziraphale's wiki says this:

They have an on screen kiss. I don't understand what more people could possibly want to make a queer relationship "canon." Do they need to turn to the camera and say it?

The point of this post is just to say: please engage with the media you consume instead of writing it off as "non-canon queerbaiting" immediately. I keep seeing people, not just OP, putting real queer media into the same category as something like Sherlock, and it pains me. The people who worked on these shows worked so hard to bring you representation and a real queer relationship. It's not cool to erase their efforts. Before you make a post like this, anyone out there reading this, at least check the wiki.

I have my ✨️ spark ✨️ back (hyperfixated on a new gay non-canon relationship)

[idl3dr3ams]

My mom's birthday is coming up

We're celebrating with her family tomorrow. We'll be going to Red Lobster for lunch

And I just finished the Silt Verses

I can't tell if this is supposed to be punishment or some kind of attempt at congratulations from the divine.

Cause this means I'll spend a good couple hours surrounded by seafood.

Crab, shrimp, lobster, prawns (and fish and whatever else)

Which is going to have me thinking about TSV, and more specifically The Trawler-man himself, the entire time I'm there (or close to it)

But I'm sure inevitably I'll end up dwelling on the events of the finale

So this is obviously some cruel cosmic joke, I'm just not sure if that cruelty was intentional

[mostly-imagines]

Careless Accidents

jason todd x fem!reader

aka you get hurt and jason’s pissed

warnings: reader’s wrist is accidentally sprained from being grabbed too hard

You could hear scuttling from somewhere else in the garden, an estate more than sizable enough than the game afoot.

You were under the distinct impression though that the bats and birds are playing with you similar to how they would a child. Slower, weaker, and less experienced than the big kids. You weren't complaining though. Because, frankly, it was stressful. They tend to operate more like they’re in a warzone than a game, you felt like you were about to be sniped out at any second.

Rightfully so, apparently, seeing how silently Stephanie had crept up on you.

“Hey,” Stephanie hissed, ignoring the way you jumped. “We’re doing alright for ourselves,” she said smugly. 

“Yeah,” you’d nodded, like you agreed with her more than you probably did. 

“Okay listen, I think the flag—” what flag? “—is by the fountain so, I think because there’s three of us and two of them, we should bait-and-switch.”

“We’re on teams?” you asked, no longer completely sure you know what you’re playing. 

“We are now!” she smiled, starting to run. “I’ll bait!”

She stopped briefly in her tracks and turned back to you hissing, “Don’t trust Cass,” before scurrying away.

Rather than sit around and wait there for…something?...to happen, you jumped up darting in the opposite direction with little to no indication whether this is a good move.

What you didn’t see is Cass rapidly approaching from your rear. 

What you also didn’t see was Dick crouched down in a row of shrubbery, which gave him the perfect opportunity to snatch your arm up and yank you down with him. You’d mewled a bit as your wrist made contact harshly with the grass, immediately buckling under you.

Cass was keen to your pain immediately, slowing her sprint to a stroll as she observed you.

“Are you okay?” she signs.

“Yeah, yeah, I’m good.” 

The response was instinctual and you didn’t actually have time to register whether or not you were okay by the time you gave it. 

You pushed up on your elbows, trying to figure out whether Dick is even on your team, but the way the others approached had you halting consideration. They’re savvy to the situation at a speed in which you can only attribute to their vigilantism, looking at you with concern. 

“You good?” Tim asked, approaching languidly.

“That looked like it hurt,” Cass commented, crouching down next to you to see your wrist better.

Dick shook his head, “No, she’s okay.” He turned to you, prodding, “You’re okay.”

“Yeah, I’m, um…” you winced, looking at your wrist. “It hurts a little.”

Cass examined it closely, tilting it gently to the side. “It might be sprained.”

Dick paled. 

“No.”

Tim pointed a thumb back towards the manor, “We can get it wrapped upstairs.”

“No.”

You were only then able to clock the barely contained grin on Stephanie’s face, begging to break.  

“Ooooh. He’s gonna kill you.”

Cass had then kindly offered to take you inside and wrap it up for you, which you accepted, unexpecting of the plus-one of Dick trailing behind you like a guilty puppy all the while.

“You know I didn’t mean to grab you that hard right? I—” 

Cass laughs quietly as she wraps the bandage around your wrist, amused by Dick’s now-third explanation/apology for the incident. 

“I know, Dick,” you say, trying to appease him. 

“I’m sorry,” he tells you genuinely, but you can tell there’s more there that he isn’t verbalizing.

You nod, “I know, Dick. It’s okay. It was just an accident.”

Cass pins the wrapping in place securely and with a smile, signs to you that she’s all done. 

You rotate your arm a bit, testing your movement under the wrap. As Cass leaves with the first aid kit, Dick remains sat at your side, leg thumping up and down.

He takes a deep breath, “What if…what if you avoid him until it heals?”

“Dick.”

He takes your uninjured hand in his with urgency in his eyes, 

He looks down at your jointed hands before loosening his already mild grip significantly.

“Are you going to tell him?” he asks, looking like he’s bracing for bad news.

You shake your head sympathetically, “No. I can’t guarantee you that he won’t find out, but I won’t tell him.”

Dick takes a deep breath, looking at the ground with intense focus. “Okay. Okay.” He stands, “I need to go.”

You watch in amused bewilderment as he staggers out the door, looking around frantically. 

Within the next few minutes, he creates and enacts his plan A. He walks into the living room, sitting down next to a very disinterested Tim, eyes forward and serious.

“I’ll give you two grand right now if you tell him it was you.”

Tim barks out, “Absolutely not.” He looks at his brother, still laughing. “No fucking way.”

Dick breaks the serious facade immediately, looking at him. “Five.”

A deadpan from Tim. 

“You don’t have five thousand dollars.”

Dick throws his head back, back thudding against the couch. “Dude, please! He’ll kill me!”

Tim scoffs, “He’d kill me!”

Dick huffs, “No, it’s different for me! Do you have any idea how many times he told me not to do that?” 

“Well then it sounds like you fucked up,” Tim sneers.

“Oh my God.”

He takes off again, combing through different rooms in the house with hope of finding a quick but effective hiding place for, say, the next twenty years?

He bursts through the study, unwittingly interrupting Bruce and Alfred having a discussion over tea.

The latter sits up with a tense brow, “Master Dick?”

The former turns around in his seat, “What’s the matter?”

Dick struggles for a second before confessing, “I accidentally sprained someone's wrist.” 

Bruce scans his face slowly, nodding. “Alright…you’ll have to take responsibility for their patrol duties—”

Dick cuts him off with a sharp breath, “Said person doesn’t have any patrol duties to be affected...”

Bruce processes for a moment before shaking his head.

“I can’t help you.”

Dick’s panic takes over again, prompting him to continue his scurry through the room, towards the other door.

Alfred interrupts his process with a very logical argument, “You don’t think running away will make this worse, Master Dick?”

“I—I don’t know!” Dick whines, stopping in his tracks. “I don’t know what to do!”

Bruce purses his lips, gesturing, “Dick, when you make a mistake…you have to submit to the consequences, you know that.”

Dick gapes, “This is not a normal consequence!”

Meanwhile, you’ve busied yourself with fiddling with the knick knacks and mementos lining the shelves of Jason’s childhood bedroom. 

You’re admiring a picture of him and Alfred from when he was young as the door creaks open behind you. 

“Sweetheart?” Your boyfriend calls out, head barely poked in through the crack.

“Hey, Jay,” you smile, setting the picture frame back on the shelf.

He enters fully, covered in motor oil and grease, and smiles his sweet, easy smile when he sees you. 

Moving onto the next trinket on the shelf, you pick up a stuffed animal placed intentionally at the front. Your gaze finds the mirror, watching his reflection as he pulls the stained shirt off his back. 

You smile to yourself, noticing the way his back muscles flex as he adjusts. “How’s the bike?”

“Better than it was this morning,” he sighs. “Where’ve you been?”

He turns around to look at you, taking easy steps towards you. 

You return the toy elephant to its place, moving to face him. “Uh, we were outside, playing…at least three separate games at once.”

The second you’re in proximity, your hands join like it’s second nature. 

He nods, all too familiar with the family’s unique methods of gamefair.

“Did th—” He looks down at your intertwined hands, brow furrowing as soon as he spots the bandage wrapped around your wrist. “What happened?”

You glance down, shrugging. “Overexerted myself playing tag.”

He looks at you skeptically, but says nothing about it.

He turns your hand over gently, asking, “Is it sprained?”

You nod, relaxed. “Yeah. Cass said it’s mild.”

“Does it still hurt?”

“No,” you say, sweeping his hair back with your other hand. “Barely hurt then.”

He nods, but he doesn’t look satisfied with the conversation.

Regardless, he turns away again, shuffling through a drawer for a clean shirt. 

“You, uh, you wanna stay for dinner tonight?” he asks, pulling his arms through, his head following. 

“Yeah,” you say gaily. “Alfred said he’s making his ‘special spaghetti’, apparently it’s a household favorite?”

He wavers, halfway to between decisions. “Yeah…”

He huffs quietly, turning back to face you fully. “Can I see it?”

You nod, happy to ease his mind. 

You start to unwrap the bandaging, him doing half the work for you. The work is done silently until your wrist is exposed, revealing your bruised skin.

You both see it at the same time—the hand-shaped bruise wrapped around your wrist.

You’re both quiet for a second—him putting pieces together and you waiting for the shoe to drop.

He takes off suddenly, clearly having come to a likely very accurate conclusion about what had happened.

“Fucking idiot—”

You try for his hand but he’s out of reach before you can grab it.

“I’ll be right back,” he grumbles behind him.

“Jason��” you sigh, “At least help me wrap it back up first.”

He hesitates, halfway to the door, ultimately returning to you in defeat. He takes your forearm gently, scanning it over again before beginning to wrap it.

You watch his face closely, noting the clear vexation. “It was just an accident,” you tell him. 

He scoffs, “It better have been.”

You drop your shoulders and lull your head to the side. “Jason. I’m not made of glass, you can’t expect other people to act like it.”

“I don’t. I expect him to mind his own strength, and if he can’t do that, he needs to keep his fucking hands to himself.”

You sigh, “Just don’t do anything harsh. Please. I think he’s worried you’re gonna punch him.”

“He should be,” he says shortly. He finishes off the wrapping, pinning it in place firmly. 

You grab onto his forearm before he can pull away, “You’re not going to. Right?”

He doesn’t answer so you try to make his gaze meet yours, “Right?”

His eyes roll, “Yeah, fine.”

You smile, holding his face. “I love you.”

He huffs as though he’s inconvenienced, but confesses the obvious truth nonetheless. “I love you.”

He looks you in the eye, face serious. “You promise me it doesn’t hurt?”

“I promise,” you nod, brushing your fingers against his palm.

“Dick!”

The angry voice bellows through the tall halls of the manor, heavy footsteps thudding.

He stomps into the living room, Tim, Cass, and Stephanie watching the entryway with wide eyes. 

“Where is he?”

Unwitting shoulders shrug and heads shake. Truthfully, at that. Dick, smartly, did not tell anyone where he was hiding. 

Jason scans the trios faces, looking for any sign of apprehension.

He clocks the grin shamelessly plastered across his sister's face quickly. “Stephanie?”

“I don’t know,” she says honestly. “But let me know when you find him, I wanna see—”

But Jason’s moving onto the next room before she can get the last words out.

He enters the dining room, looking right to left before finding his target, halfway to stuffing himself behind the fine china cabinet in the corner.

There’s a brief, tense moment in between where the pair realize what they’re seeing and when Dick sets off in a sprint towards the kitchen, Jason quick on his tail. 

“Really? Really?” Jason shouts. 

“It was an accident! It was a fucking—” 

He narrowly dodges a swipe from Jason, then ducking before a ladle could make contact with his head.

“Are you stupid? Are you the dumbest motherf—”

Dick rounds the kitchen island as fast as possible, Jason testing him on the other side.

Dick takes a breath, “Dude, it’s fine now, it’s not that big of a—”

Jason recoils, “‘It’s not a big deal’? Come here. Let me sprain your wrist, asshole!”

He circles the counter quicker than the elder boy can think to move away and lunges at him. 

Dick throws his hands up in front of him, “Wait, wait, wait! Truce! Truce! Truce?”

Jason drops his shoulders, leveling his older brother with a look. “You can’t call a truce if you’re the only one who did anything wrong.”

“I…” It doesn’t take him long to piece together that his defense makes no sense, so he resorts to his last option. 

“Please?” Dick asks, nothing short of imploring. 

Jason relents—slightly—upon hearing his brother's tone, but still finds it in him to shove him, though not nearly as hard as he’d been planning to. 

“I told you a hundred fucking times not to grab her so hard—” 

Dick nods heavily, waving a hand. “I know, I know—”

“Clearly you fucking don’t!” Jason shouts. He huffs, running a hand over his face. “You sprained her wrist. You’ve been doing this vigilante shit for fifteen years, how do you still not fucking know how to control your own strength?”

Dick grimaces, “I do! I do, I just screwed up, I’m sorry!”

“Don’t—” Jason narrowly holds back a scowl, “Did you apologize to her?”

 “Yeah, of course I did!”

For a split second, Jason looks ready to keep arguing before purposefully dropping the anger from his body. 

The resulting relief almost drowns Dick.

It only lasts a moment though, before Jason looks at him again, sneering, “Idiot,” before pushing him once more. 

“Jason.”

Your voice has Jason dropping all turbulence in an instant. He and Dick both whip their heads towards the door, equally unexpecting of the interruption. 

You tilt your head at your boyfriend with a knowing but disappointed stare.

He looks back at you like a kid caught with his hand in the cookie jar, lips parted.

“I didn’t hit him.”

⭐️ your options are: (1) reblog fics or (2) be a little bitch ⭐️

[toyherb]

oblivion battery feels like it was made for fujoshi to make doujinshi of it

[humanmorph]

remembered wayne&co were doing a thing today & after watching a bit I just had the thought 'maybe its supposed to be unfunny to subvert expectations even more' which surely is a sign this just isn't for me

[megapteraurelia]

kuroo tetsurou and you did not have lots of interactions, usually.

so you were more than surprised when he turned to you during chemistry class and looked at you through the tuft of black hair falling into his eyes and let out a string of words that seemingly made no sense to you. his gaze cast away, a certain air of embarrassment hanging in the air when you didn’t answer, and he turned away, mumbling to himself.

“wait, did you just compare me to acid?”

“no, not acid— more like…the reaction is just so explosive, like us—  i mean, just us as in people, or like—” he breathed out carefully, and then shook his head at himself, laughter stealing itself to his voice as he rubbed his jaw, “never mind. i already fucked it up.”

now, you were not the brightest person in this world, but you could smell a butchered pick up line from a mile away. and the way kuroo tetsurou rested his chin on the inside of his hand, fingers covering his temple, effectively shielding his face from you, with the faintest of pink covering his ears, told you just how secretly embarrassed he was.

kuroo was cute, you thought. 

it didn’t take a miracle for you to come to the conclusion, especially not when you were used to hearing his loud voice boom through the class during the breaks. he was the one trying to keep some class-visiting friends in line, naturally assuming the leading role to hush them down, blissfully unaware at the same amount of loud energy he was returning.  he also didn’t escape you when he tried coaxing his blonde friend to eat more, offering to share his food only to try to bait him into taking it instead, when he got rejected.

you didn’t interact often, but kuroo tetsurou’s presence was hard to miss and the tiny flutter of your heart in response to noticing him hard to ignore.

“so,” you leaned a little over to him, and subconsciously, he had already started to accommodate you, lowering his head to catch your voice, “if you had to guess and we were, say, a chemical compound, would we be stable or unstable?”

his eyes lit up, a sly little look overtaking the embarrassment despite the little blush on his cheeks, and you could see his mouth curving up into a little grin, entirely too comfortable to walk the line between smooth-talking and sounding like the biggest nerd you had the fortunate luck of sharing seats with, “good question. we’d probably be unstable.”

oh.

you already felt your blood rushing to cover your skin in an embarrassed hue of red because you thought you were slick with that one. unstable? humiliating— but then he continued talking.

“but in a good way, you know? like, when two elements are drawn together, even if it’s turbulent. a little bit of controlled chaos makes things exciting, right?”

he looked at you with what was supposed to be a lazy smirk, though it wobbled with slight nervosity. one finger of his tried to brush away his fringe of hair, but the black strands fell back onto his face almost effortlessly. he really was cute, and for a split second you wondered the type of kisser he would be.

“so, like sodium and water?”

“okay, hold,” he held up a hand, trying to keep his expression in check (and failing to do so), “maybe not that exciting. that’s a little too dangerous, though it’s nice to know you like me that much.”

you nudged his shoulder away from you at the cheesiness, body straightening up again and an eye roll escaped you though you were anything but annoyed. if anything, you were a little charmed by the cowlicked hair, his eyes trained on you and the slight smile that didn’t know whether it should make fun of you or flirt with you. 

maybe he could do both.

you then decided to just try your luck because there was no way he tried to actually flirt with you using chemistry if he wasn’t at least the least bit interested, right? 

“yeah, yeah. maybe you should teach me some of that.”

he stared for a little while, silent and stumped (because it worked? holy—), though when he turned back to look back to the front of the class, you noticed the small, secret movement of him fist pumping the air and the stifled smile threatening to overtake his features.

(after class, you definitely didn’t overhear kuroo tetsurou whisper-yelling that you didn’t deny liking him, only for him to act all cool about it in the same minute. 

as if it was only natural for it to happen, he kept flexing his arms and striking ridiculous poses at the prospect that you supposedly were only one hair width away from being wooed by him. 

his blonde-haired friend did not seem impressed. at all.)

[starcurtain]

Comparing Phaidei and Other Hoyo MLM Ships (Part 1)

I barely know how to begin, honestly, because I'm still so taken aback by the absolute Phaidei feast that was 3.1. But perhaps because we were so overfed by the patch, I was actually jarred a little out of the story itself--too busy turning over the broader ramifications of such blatant queer-coding of two male characters in a modern Hoyoverse game.

Of course, Hoyo isn't remotely new to queer-coding their characters (or to queer-baiting, either, gacha games gotta hustle at all times). They absolutely have a history of hinting at both WLW and MLM ships and of including fanservice between the player's MC and other playable characters regardless of gender. Strangely enough, due to the unique confluence of their target audiences' tastes, the Hoyoverse team has an active profit motive to create gay characters:

WLW ships are appealing to heterosexual male players.

MLM ships are appealing to heterosexual female players.

Simultaneously, WLW and MLM ships are appealing to queer players.

Heterosexual ships with characters other than the MC are unappealing to a large percentage of the game's playerbase, particularly to heterosexual male players who want to keep their waifus to themselves but also to female yumeshippers.

Hoyo's market is literally telling them that 1) male characters sell better when they're ship-baited with other male characters, and 2) players don't actually want heterosexual ships between playable characters if the MC isn't involved. (Hell, look at Firefly--players hate romances with the MC too lol!)

But at the same time as the market is telling the devs to keep making queer characters, Hoyoverse also faces immense social pressure to avoid including actual queer content.

Let me hold off on the political and legal consequences of including gay characters in Chinese media for just a second, and look at the situation from the perspective of Hoyo's target audiences first:

Take this data with a grain of salt though; I'm not sure where they got their numbers.

First, Hoyoverse games are increasingly global and surprisingly popular in conservative/religious countries such as Russia, Malaysia, and the UAE. The western world as a whole is shifting increasingly right on LGBT+ issues. For the games to be marketed well across the globe, they've got to avoid challenging the morals of these highly varied audiences. (Perhaps this is why past Hoyoverse titles seemed more open to LGBT+ content than present Hoyoverse games do; a broader audience actually means more restrictions on content.)

Second, even though conservative heterosexual male players are actually surprisingly fine with MLM ship tease, that only applies so long as it stays at the level of "I can pretend I don't see it." As long as anti-LGBT+ players can write off any MLM content as "just close friends," the dev team can get away with frankly shocking amounts of queer interaction between male characters. (I'm sorry to any straight male fans reading this [could there possibly be any?], but half of y'all could win gold medals if mental gymnastics were a sport. The lengths I have seen some male Genshin players go to try to explain away Haikaveh are honestly awe-inspiring. 😂) However, the boundary must be respected. The moment a male character's queerness exceeds subtext and becomes text, when even mental gymnastics cannot come up with a heterosexual explanation, and the plausible deniability goes out the window, it is no longer acceptable to anti-LGBT+ players, and they will be "turned off" from pulling that male character en masse. In essence, the market is telling the devs: 1) Huge amounts of queer-coding = a-okay, but 2) Actual canon queer content = that's gayyyy, no wayyyy.

And third, the obvious: China's stance on LGBT+ people is weirdly stricter in media than it is in "real" life. It is not illegal to be gay in China but it is illegal to be gay in a video game in China. Restrictions on media portrayals of gayness are significantly more strict than restrictions on actually being gay (which is interesting cognitive dissonance for those from outside the country, but that's an essay for another day). Hoyoverse legally cannot show characters engaged in any explicitly queer behaviors--at least that can't be explained away.

Furthermore, the rules apply very differently for male and female characters. WLW content gets way more of a pass from the censors. Bronya and Seele can blush at each other, but Alhaitham and Kaveh cannot. You would never see "Rondo Across Countless Kalpas" happening with male Hoyoverse characters. The censors literally would not allow it, strictly because Chinese standards for portrayals of men are different--and more strict!--than standards for portraying women. Legally, there are strong and serious limitations on what Hoyo can do with their male characters.

Summing all of this up, in trying to create their male characters and content, Hoyoverse is actually fighting a battle of conflicting pressures: Male characters sell better when they are queer-coded, but their interactions can never rise to the level of being canonically gay.

Everything must exist in the realm of implication.

(Yes, I can hear you: "Can you please get to Phaidei already?" 😂)

All of this foreword was to lay a foundation for the actual point I want to make about Phaidei: Because Hoyoverse can only queer-code and not actually queer their male characters, they have (in their modern games), fallen into a sort of pattern with their MLM ship bait. Certain plots and personalities keeps reappearing again and again. They've developed a sort of short-hand set of traits to give to their male characters--the Hoyoverse "queer-coded MLM starter pack" if you will lol.

While not every popular MLM ship in Hoyo's games has the same traits (obviously not), certain elements seem central to creating the delicate necessary gray area between "They're just baiting fangirls" and "The devs intended these two characters to be canonically gay but just couldn't state that textually."

And yet... And yet...

You're not imagining things: Phaidei is actually different.

To demonstrate just how different though, I wanted to take the time to compare Phaidei with other popular Hoyoverse MLM ships, looking at both the similarities (the patterns that Hoyo relies on to reliably queer-code their characters) and the noticeable differences (where Hoyo pushed their own boundaries in surprising ways).

Unfortunately, in the interest of full transparency, my own Hoyoverse experience is limited, so I can only use examples from Star Rail and Genshin Impact. I just haven't played HI3 or ZZZ, so I don't feel comfortable trying to use examples from those games, although I think there may be many ships that fall into similar patterns in those games as well. (Maybe some people can share in the comments?)

Anyway, let's start with similarities:

1. A Pair of Equals

The number one "rule" for popular Hoyoverse queer-coded MLM ships is that the two characters must be evenly matched. This isn't to say they have to have identical levels of physical strength (although that is also often the case); instead, the audience needs to perceive them as being on equal footing in some way. They must either be intellectual equals (Alhaitham and Kaveh), political equals (Ratio and Aventurine; Neuvillette and Wriothesley), equal in social standing (Tighnari and Cyno), or, yes, actually physically equal their capability for going toe-to-toe against each other (Blade and Dan Heng; possibly Zhongli and Childe; for those who ship it, Diluc and Kaeya).

For modern Hoyo games, queer-coded MLM ships with noticeable discrepancies in power dynamics are particularly rare; possibly the only one that comes to mind is Ayato/Thoma (though this is mitigated by the game deliberately telling us that Ayato treats Thoma like family, rather than like a servant). And I think this actually says a lot about the devs' thought process: They are deliberately avoiding scenarios in which one male character seems capable of "preying" on another, where the queer-coding could accidentally be perceived as sexual perversion due to a discrepancy in power dynamics.

They're intentionally averting the "depraved homosexual" trope by--sometimes literally--spelling out for the players that both male characters in their queer-coded MLM ships perceive each other as, and are interested in each other as, equals.

We see this explicitly with Ratio and Aventurine in Star Rail:

And Alhaitham and Kaveh in Genshin:

Even Blade and Dan Heng are likened to "a pair" of identical objects:

So of course, Phainon and Mydei push this to an extreme. Phainon describes himself and Mydei as "friends and foes," and the game goes out of it way to reiterate over and over that they are perfect equals. Although they compete in everything they do, there is never a clear victor; their score card is constantly balancing out because they match each other's skill and power perfectly.

But there are even hints in the game that this isn't just happening naturally, but also by choice: Even when one of them triumphs over the other, they both backtrack and insist on getting on equal standing again. Whether you win or lose the "competition" in Kremnos in 3.0, the outcome is the same:

Phainon and Mydei perceive each other as perfectly matched (in strength, right, right...) and are actively working to keep it that way.

The game also goes out of its way to insist that Mydei and Phainon aren't just equals in terms of strength but also in social standing. It theoretically should be impossible to match Mydei's place on the social ladder--he's the literal crown prince of an entire nation of world-renowned conquerors. Even Aglaea is not a queen; we see her on screen being forced to contend with Okhema's Council who are fighting her for power. There technically isn't anyone in Amphoreus (at least that we've met so far) who should be able to stand on equal political or administrative footing to Mydei.

Except, of course, for Phainon, who supersedes all others by virtue of being the literal prodigal son, the "Chosen One."

The game insists on putting this in our faces over and over again: Mydei may be a king in the making, but Phainon is the "Deliverer." They are equally matched in terms of authority.

The game even goes out of its way to tell us they're perfect mirrors in personality too:

Hoyo, in the kitchen cooking up another gay ship: LISTEN GUYS, they're equals, do you understand me? A MATCHING SET.

But also...

2. Diametrically Opposed

It isn't enough for the queer-coded men to be each other's perfect equals. They also have to be opposites, typically in terms of their personalities. This is the pattern that repeats itself most consistently across Hoyoverse MLM ships with strong textual support: the two men may be equal, but they're also nothing alike. (At least on the surface.)

Alhaitham and Kaveh's entire plot hinges on their directly opposing personalities and morals, representing the clash between rationality and sensibility. Dan Feng was reserved and cool-tempered, while Yingxing was "arrogant" and brash. Hell, Xingqiu and Chongyun are "refined and clever" versus "forthright and trusting." I actually think Zhongli and Childe, despite being the most popular Hoyoverse ship in the western fandom, have very little canonical support, yet they still fit this pattern, with Zhongli as the refined gentleman to Tartaglia's blood knight tendencies.

We know how Ratio sees himself and Aventurine:

Hoyo really said "Opposites attract" and ran with it for every single MLM ship they ever teased.

And there's a logical reason for this. Making the two male characters dead opposites actually slightly decreases people's ability to argue that they're "just friends"--if they have next to nothing in common, they're not usually bonding over mutual hobbies or basing their connection on shared similarities. It becomes harder to portray two male characters as "bros who just get along great" when they're deliberately written with opposing tastes and personalities. (Real friends can sometimes be dead opposites, obviously, but most friendships are built on mutual interests rather than opposing ones, while romantic relationships hilariously have the "opposites attract" stereotype.)

There's no reason to shove polar opposites together again and again except to watch the sparks fly.

Even Hoyo's male characters' color schemes are often perfectly opposite. Plenty of people have figured out if you palette swap Alhaitham and Kaveh, Dan Heng and Blade, and Ratio and Aventurine, you end up with the same colors. Ayato and Thoma match the pattern here too ("red and blue gays" is a well-known trope).

But once again, the devs pulled out ALL the stops for Phaidei:

They're red versus blue. They're sun and moon. They're outgoing versus introverted. They're a king and a peasant (if we believe what Phainon's telling us about Aedes Elysiae). They're the "outsider" and the "golden boy." One fights with strength and the other with technique, brains versus brawn (actually they're both kind of idiots though, so take this one lightly lol).

However, what I think is most interesting about Hoyo's pairs of MLM opposites that is that the devs deliberately subvert expectations by assigning the opposing traits to the "unexpected" character. In both Haikaveh and Ratiorine, it's the rational scholar who is more overtly caring and attuned to their partner's feelings. In Renheng, it's the kind-hearted Yingxing who is consumed by anger, while the aloof, expressionless Dan Heng's voice trembles in wonder at the mere mention of Yingxing's name.

For Phainon and Mydei, this inversion of opposite traits occurs with their personalities specifically. People expected Mydei to be a gruff, hot-headed, battle-hungry berserker with a sarcastic or arrogant personality at best.

Instead, Mydei is an extremely thoughtful person, who struggles with his fate not because of what will happen to himself but because of a desire to bring the greatest good to the greatest number of his people. He's a respectful, gentle (when he needs to be), and even sentimental young man who continues to hold on to love for those who have long passed away. He's reserved around strangers but generous and warm to his companions, and struggles to express himself but has a clear desire to be considerate of others.

We also know he's deeply aware of and emotionally affected by the racism his people are experiencing in Okhema; one NPC in Okhema reports how Mydei, despite being new to Okhema himself, stood up to the very council still plaguing Aglaea in order to protect his people:

Despite having difficulties expressing his own thoughts, he even scolds Phainon for approaching their farewell with a nonchalant expression--Mydei doesn't reject emotions or shy away from becoming close with people he cares for.

Instead, it's Phainon who actually struggles to be honest. While he might connect easily with others on the surface, seeming outgoing and kind-hearted, he is actually a much more private person, one who is reluctant to show his true feelings and dismissive of questions about his past and identity. As opposed to Mydei's desire to avoid Nikador's power, Phainon is (despite his doubts) eager to prove himself, spurned on by the pressure of the prophecy telling him he needs to achieve greatness. We're told that he craved the power of strife specifically, while Mydei summarily wishes to reject it.

It's Phainon who frequently has to be reined in by others--he was ready to kill Oronyx for delaying his rescue of Mydei--and Phainon who fails to let go of his hatred and desire for revenge, causing him to fail Nikador's trial, which Mydei easily clears.

By inverting the traits of the characters, creating designs which visually oppose each other while assigning the actual opposing personality traits to the "mismatched" character, the devs hammer home an implicit message: These two characters complete each other. They fill in each other's gaps. What you expected to find in one of these men, you will instead find in the other. What they wish to be, they will be drawn to in each other.

(Frequently bought together, do not separate!)

3. The Distance is Artificial

Okay, so if they're so obviously written as a "pair," being perfect equals and perfect opposites, how are they just "queer-coded" and not explicitly queer? How is Hoyo keeping up the illusion of the characters not being an obvious couple when they're literally written to complete each other?

Hoyo has one major tool in their arsenal to do this: Prickly personalities.

With the exception of Renheng, which I'll get to in a second, Hoyo has a favorite method for enforcing the rule of plausible deniability, the idea that "Nooo, we promise, they're not in love; they don't even like each other, see??"--and that's giving one of the characters an intractable personality.

This can manifest, like Alhaitham and Kaveh, as constant bickering, where the pair's main method of communication is to devolve into petty arguments or sarcastic quips.

Fans who support the ship can view this as an "old married couple" dynamic; but for those who do not support the ship and choose to insist that Hoyo isn't actually queer-coding their male characters, they can lean on these arguments as "proof" that the characters don't actually love each other.

A similar pattern was recently repeated with Sethos/Wanderer, with Wanderer's prickly personality being used to keep Sethos at bay.

By placing the characters at odds with each other through bickering, Hoyo introduces just enough doubt to make the "They're only friends/roommates, we promise" argument hold some water. This allows them to get--quite honestly--a lot of queer content past the censors and past homophobic audiences too.

We see them repeat this trope with Aventurine and Ratio in Star Rail, introducing the two characters as initially "at odds" with each other and trying to pass it off as Ratio despising Aventurine.

Even after revealing that they were plotting together, the game insists on introducing some lingering doubts, suggesting that Aventurine fears Ratio would actually betray him.

This creates the necessary "gray area," the gap that Hoyo can use to hide in--no, Aventurine doesn't trust Ratio at all, see? Maybe they don't even like each other? Who knows! The doubt doesn't exist because the story particularly needs it, but simply so that Hoyo has a shield to hide behind if people begin to question how close the two male characters are.

Even in comedic material, Hoyo intentionally keeps this "necessary distance" in order to allow themselves wiggle room. Is Ratio an enamored tsundere who can't spit his real feelings out, or does he actually think Aventurine is illogical, mediocre, and ridiculous? Was the "Keeping Up With Star Rail" video an example of Hoyo deliberately baiting by making Ratio flustered over Aventurine "on air," or is he being Aventurine's biggest hater in this clip?

It's just questionable enough that those players who hate MLM to interpret it as the latter, and provides just enough doubt to help Hoyo slip queer-coding under the radar. Those who want to see it will see, while it's written just vaguely enough that those who don't want to see it will not see it.

(That's the point Owlbert, that's the point.)

When in doubt, and when stuck with a pair of characters who aren't likely to bicker with words, Hoyo sometimes has to progress to the next level: making them actual enemies.

What's better for creating plausible deniability than one of them trying to kill the other? (They definitely were not fooling around in a past life. We promise.) In an ironic twist with Renheng in particular, the fandom seems to have somehow come to the (mistaken) consensus that Dan Feng and Yingxing were "confirmed canon" (truly, I see this stated everywhere; we love when reading comprehension fails in the right direction for once lol), leaving only Dan Heng/Blade as being of questionable "canonicity." However, this still works as far as Hoyo is concerned, because only Dan Heng and Blade are left on screen.

By insisting on their present inability to reconcile, Blade and Dan Heng are able to introduce just enough doubt into the equation to offset even significant ship tease for Dan Feng/Yingxing.

Enemies to lovers 150k+ slow burn, please look forward to it.

Okay, but back to Phaidei. At first, it seems like Phaidei is going to follow this pattern to a T: When Phainon first introduces Trailblazer to Mydei, the two seem to be at odds, bickering over how Mydei is choosing to confront the enemy. Mydei even calls Phainon out for an unintentionally insensitive statement (when Phainon demands to know why Mydei isn't "protecting the citizens," Mydei asks "Who are you implying is not a citizen here?" i.e., "Are you saying because I'm Kremnoan I don't count as a citizen?" You can see Phainon practically bite his tongue to take back his words.)

Also known as: Mydei experiences a microaggression.

Mydei's very first line directly to the Trailblazer is to insult Phainon's hospitality, and we know they definitely have plenty of silly insults to lob at each other while competing.

But this is actually where we see the first deviation from the pattern for Phaidei. Although there's a few cursory lines throughout their early dialogue, that's all there ever is--just cursory attempts at suggesting the two bicker and don't get along.

Within one scene, the "tension" present in their first meeting entirely devolves into purely playful banter, and it is clear by the time we finish 3.0 that Phainon and Mydei are actually very close and get along well, with virtually none of Haikaveh's biting comments, Blade and Dan Heng's violence, or Aventurine and Ratio's questions of loyalty. Phainon and Mydei took one look at the rest of Hoyoverse's MLM ships and said "How about we skip that will they-won't they?" lol.

But I'm not quite ready to talk about the places where Phaidei departs from the normal pattern yet, so I'll leave this point by just saying that Hoyo did start Phaidei on the same path as a majority of their other MLM ships, making a vague attempt at using their rivalry to suggest they wouldn't get along--thereby allowing for the alternative interpretation to quiet the haters (and the censors).

4. The (Physical) Distance is Non-Existent

Okay, but if Hoyo uses personalities to inject just enough distance into their queer-coded pairings to avoid crossing any boundaries, then what do they do to tantalize the audience, to make it seem like the characters might actually like each other?

They use body language!

First, just to reiterate a basic video game design principle: All animations and character placements have to be programmed by someone, and that means that all animations and the physical locations of characters in scenes are intentional. Nothing happens in cutscenes by accident.

Designers are constantly making a series of choices any time they have to put together a cutscene, and one of the key choices they have to make is how to express each character through their movements and their positions relative to other characters. (I've talked before, for example, about how Aventurine frequently turns his back on people, forcing their eyes to follow him throughout his cutscenes, taking physical control of the reactions of people around him.)

Hoyoverse games have somewhat standardized scene layouts for conversation cutscenes, with characters typically being placed at different distances from each other depending on their relationships. A majority of conversations happen from a generally cordial conversational distance, which means that any time characters cross this gap and close the distance, the dev team is intentionally sending the players a message.

Like, no one mistook what this was about, right?

Heterosexual jumpscare in my queer post; I'm sorry, I was just too tired to find a video with Lumine lol.

Repeating for good measure: Unless it is with a male playable main character (where the presence of the female main character is what lends the deniability), Hoyo legally cannot show their male characters engaging in physical contact that could be construed as romantic. Male characters can't hold hands; they can't even really hug unless it's "caught you as you fell after battle" (props to Dan Heng for being the only male character in Star Rail to get a "hug" with Jing Yuan lol.) There's a boundary that Hoyo male characters do not cross, and that's almost universally the realm of physical touch.

But Hoyo can place their queer-coded male characters into scenarios of physical closeness that they don't typically show among other characters.

Alhaitham and Kaveh's table says hello.

So does Tighnari and Cyno's single tent from this same quest; Cyno's Story 2, truly the quest that kept on giving.

Aventurine, a character who traditionally keeps half a room's distance between himself and the people he's talking to, suddenly doesn't seem to mind closing the distance with Ratio:

And even Renheng, the eternal enemies, are depicted as crossing physical boundaries, explicitly "getting in each other's faces." Yes it's a battle, but also, I've seen yaoi with less domineering poses lol.

You might think these lightcone examples are a stretch, but seriously: Go look at all the lightcones in the game. Does a single heterosexual couple have a lightcone where they are in each other's space in this manner? No, because physical closeness is actually a tool Hoyo is consistently using to queer-code. (Well, there would probably be more heterosexual closeness too if the incels weren't so weird...)

Anyway, when I saw the devs might be heading the direction of baiting Phaidei, I fully expected that we would see them side-by-side more consistently and with less of a gap between them than between other characters. But I wasn't remotely ready for the degree to which Hoyo would take that.

Here is an example of Phaidei exhibiting the "normal" Star Rail conversational distance:

Andddd... here's where they spend the other 90% of their scenes together:

The unnecessarily large distance between them and the Trailblazer gets me every time. Like they are not leaving room for Jesus Kephale.

Even when they aren't standing practically on top of each other, the devs deliberately choose camera angles that frame them both in the cutscene at the same time, which is relatively rare for Star Rail (not unheard of, but usually the camera will just go for the "first person POV" when two people are speaking, allowing for a close up of the speaking character). Instead of back-and-forth close ups, many of Mydei and Phainon's conversations are framed from a "behind-the-shoulder" angle, to catch them both in the frame. This creates the illusion that they're standing closer together than they are, and also reinforces a sense of intimacy in their conversations--the camera (and thus the player) becomes an "outsider" while their bodies turn toward each other.

Again, Hoyoverse is under pressure to avoid showing physical contact between male characters that could be construed romantically. They can't show Mydei and Phainon tangoing like Black Swan and Acheron. When it comes to queer-coding male characters, they have to use the tools available to them, and their primary tool for visually signifying the possibility of romantic closeness is physical closeness.

The camera is telling you that Mydei and Phainon are close.

Anyway, just one more point I wanted to make before moving on to discussing how Phaidei completely crushed the mold for Hoyoverse queer-coding, but...

5. Oh God, We're Turning Into Your Parents

Listen, I'm a reasonable person. I can fully accept that I play games with LGBT+ goggles on at all times. Despite being fantastically aroace myself, I love yaoi. I love yuri. I even like plenty of straight ships. I'm a fangirl first, academic second, so believe me when I say that I understand how skeptics might view some of the points above. "You're just fangirling. Being equals and opposites doesn't automatically imply romance. The devs might have intended close friendship, not a relationship." This counter-argument is valid!

So I want to end with one more point which I think is actually the lynch pin to proving that Hoyoverse isn't "accidentally" making their male characters come across as queer. Hoyo's queer-coding for certain ships is very intentional and even sometimes very overt. In a few cases prior to Phaidei, they were already skirting the upper limits of plausible deniability, and I think the modern ship that previously pushed the boundary the most is Haikaveh.

You can say what you want about other Hoyo MLM ships and their lack of canon textual support (I love you ZhongChi, even if the devs actually hate you lol), but I believe people who unironically say "The devs are not baiting Alhaitham and Kaveh as a ship" are so media illiterate that it's actually embarrassing to share air with them. Whether you think the devs are just doing it to cash in on yaoi fangirls or because they actually want to depict gay characters, it is indisputable at this point that Alhaitham and Kaveh have in-game ship tease. They just do, and one of the most obvious and unmistakable instances of this is when Kaveh's hangout paralleled Kaveh's relationship with Alhaitham to the heterosexual marriage between Kaveh's mother and father.

To draw a direct connection between Kaveh's father and Alhaitham, who is repeatedly described as not being able to understand Kaveh's artistic sensibilities and idealistic world view but nevertheless chooses to stay by Kaveh's side through his many troubles, while simultaneously reinforcing the idea that Kaveh is his mother's spitting image, both physically and emotionally, can really not be interpreted in any other way.

Hoyoverse took a queer relationship and made a one-for-one analogy to a heterosexual relationship--Alhaitham and Kaveh are a direct reflection of Kaveh's very married parents.

This isn't something that can happen on accident. This is deliberate and unmistakable queer-coding.

Which makes it absolutely wild that it happened twice.

I've posted already about the obvious parallels between Mydei's parents and Phaidei, and I'm actually almost out of room for new images here, so I can't post the images again, but I hardly need to at this point: Mydei's parents met when Gorgo challenged Eurypon at the Kremnos Festival. They fought for ten rounds, determined that they were (what do you know) perfect equals, and Eurypon proposed on the spot. Eurypon is explicitly described as a swordmaster, while Gorgo used a spear.

Later, the game repeatedly (and in various separate instances), emphasizes that Mydei and Phainon's first meeting consisted of a duel lasting ten days and ten nights, where neither of them could secure the victory, proving them to also be each other's perfect equals. Phainon's role as Okhema's swordmaster is emphasized, while Mydei wields a spear just like his mother when killing his father and after taking on Nikador's divinity.

Then there's... everything that came after. Eurypon betrayed Gorgo, effectively stabbing her in the back, and took her life. The foreshadowing that Phainon will do this exact same thing to Mydei is unmissable.

Phainon has even expressed an explicit desire to take part in the same competition where Mydei's father crowned the winner his wife:

In the (very limited) Kremnoan dictionary, I'm pretty sure this is how you say "I'm down to fuck."

Just as in the case with Haikaveh, there is no way that this parallel could have occurred by accident. The devs did not go out of their way to give us entire flashbacks of Gorgo and Eurypon's meeting and downfall for no reason. You're supposed to see the one-for-one connection between Mydei's very heterosexual, married parents and Phainon and Mydei's relationship.

Simultaneously, the devs also parallel their MLM ships to heterosexual relations by incorporating shades of domesticity normally reserved for "traditional" male-female relationships into their MLM ships--including levels of domesticity that heterosexual ships in Genshin and Star Rail usually don't rise to. One of Genshin's most popular MLM ships shares a single-family home and has a chore chart. Thoma is Ayato's housekeeper. Tighnari and Cyno are just flat-out joint raising a child. Jiaoqiu cooks and Moze cleans. Yingxing and Dan Feng accidentally(?) made a baby.

And Phainon and Mydei aren't any exception. They live an apocalyptic world that is constantly calling them away to battle, but the devs went out of their way to tell us Mydei is an extremely good cook who prepares everyone's food and deliberately ruins Phainon's when he's annoying, which is definitely old married couple behavior lol. Mydei is framed repeatedly as being good with children, not just in the distant fatherly way but in the "plays house" and follows-along-after-unaccompanied-kids-like-a-mother-hen way. Yet when Mydei has to leave, taking the classic "I'm going off to war" ancient Greek exit, he doesn't depart without leaving Phainon his people--with the camera panning specifically to the little Kremnoans. Phainon got the kids in the divorce. D; The tragic domesticity is already off the charts, and then they hit you the second punch when Mydei's last question (just one or two lines later) confirms that it was Phainon who got the ring for him. Hoyo couldn't actually have given us a more heavy-handed "parting husband and wife" parallel if someone held them at gunpoint. That whole thing was some Odyssey level bullshit. I see you devs, I see you.

You might be tempted to say that is just heteronormativity, which it could be, but I actually think it serves a very specific place in Hoyo's queer-coding repertoire. In comparing gay relationships to heterosexual marriages, the devs effectively "legitimize" their queer characters, suggesting that the relationships between gay male characters are no less real or valid than those between men and women. In demonstrating that male characters can achieve stable and healthy domestic lives with each other, the devs reiterate that players are not supposed to notice a difference between gay and heterosexual relationships.

There isn't any clearer way for Hoyoverse to legally say "We want you to think of these two men as romantic partners" than to say "Wow, isn't it interesting that their relationship is identical to a married couple's." It's on purpose; at this point, you really can't say the queer-coding isn't deliberate without looking like you can't read, and if it was intentional when Haikaveh paralleled Kaveh's parents, then it was doubly so the second time Hoyoverse pulled this trick to parallel Phaidei to Mydei's parents.

PHEW! Okay, I finally made it through the foundational traits for Hoyoverse MLM ship-bait and where Phaidei fits in with those. Thanks for coming to my Ted Talk! 😂

But... the whole reason I started this post was actually because I wanted to talk about differences between Phaidei and other Hoyoverse MLM ships, and particularly how bold Hoyo actually was in 3.1, pushing the envelop to an extreme degree to ship-tease Phainon and Mydei.

So, since the post was way, way too long, I've spit the rest of my point off into a second post.

Check out Part 2 over here. ->

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[rosietherivendell]

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