#i mean you can NOT like a character or ship but still be respectful especially to people

[ratatattouille]

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

-Vi and Vander: Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends (do you remember how protective she was of Ekko aside from her adopted brothers?) and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She cared for Zaun like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters). Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. The whole reason Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Hemmerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

-Vi and Caitlyn: Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover. The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't entirely wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has never fit into Piltover (and that's also shown in Season 2 act 1-2).

-Vi and Jinx: This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for Zaun, she just wants to take Silco's (and her own) creation--Jinx--out of the equation so it can work. The only reason she agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to get Powder back, while Cait wants to kill Jinx to get her city (mother) back. The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers (and it's already insane that Vi would even agree lmao) is ignored a lot by fandom, especially bc her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx. Every single step of the way. This is barely acknowledged, and every time it might be, it gets shoved aside for romance with Cait. Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child. (ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Where the writers FUMBLE is:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for a more *ahem* American industrial military complex epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes

-Vi herself takes a back seat in most of season 2, and becomes a passive yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). The only reason it was kept was because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

-Viktor and Heimmerdinger: This is one of the biggest fumbles, IMO. Heimmerdinger and Viktor were the most polar of opposites. Heimmerdinger was not only a privileged, ulta-wealthy Piltoverian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

-Viktor and Singed: Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution." While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. Then Jayce blasts him in the chest and that all goes out the window. All this despite Sky being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (despite the fact that his character was one that was consistently willing to sacrifice himself and die in order to not harm others, and Sky's death only solidified that). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator, lmao. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Sure.

-Viktor and Jayce: Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore. Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVERIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them. Children dying of disease and violence in The Lanes was by Piltoverian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell! And don't even get me STARTED on Jayce's trip to other-world hell being some kind of "Jayce seeing the world through Viktor's eyes" bs. Yes, it was good that our idealistic Jayce got to see the dark side of the Arcane as Viktor showed Jayce the beauty of the dream he sought for all people, but whatever message on class struggle Jayce is said to have learned or paralleled in his alternate timeline clearly didn't sink into his head because he still gave that dumbass speech to Viktor. And I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment. Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

Where season 2 FUMBLED:

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her "you guys hunt us down like animals"). Cait knew the humanity of Zaunites was real. She'd seen it. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes.

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. Idc if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

-Jinx and Isha: Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% idc. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Vi still refuses to acknowledge her own hand in creating Jinx in the first place. Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter. To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together, but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Vi had to acknowledge how wrong she was for abandoning Jinx and Zaun (instead of taking responsibility as Vander had taught her). Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others.

-Jinx and Ekko: Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others). Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimmerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. Jinx just doesn't have the same faith in her ability to do so as Ekko does, but Ekko manages to convince her for a moment anyways. Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

-Jinx and Silco: This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose and nurtured her talent (one that Vi and their brothers scorned). Silco accepted Jinx (he did not create her, Vi did) even though he weaponized her (which backfired for him). Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

Fumbling points summarized:

-Jinx not being radicalized by Isha's death and the sight of her sister hunting her down with enforcers.

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltoverians instead of herself, which needed to happen to complete her arc.

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Silco's dream (and by extension death) should have been the point of the show, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun (and Silco) gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

-The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

I could go into how the show fumbled Mel, Ekko, Sevika, Jayce and more, but I think they still fare better than the ones I've talked about here. Caitivi has now (narratively) become distasteful, jayvik a joke, and timebomb unnecessary misery porn with little to no reward for all their efforts.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

HUGE EDIT:

I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

that being said, i think my criticism warrants some criticism as well, and i feel like it would be disingenuous to just edit the post (let it be seen in all its imperfect glory lmao).

so here's my criticism of my criticism:

-Vi and Jinx: Vi did not create Jinx. Well, I mean, not entirely. And Silco did not merely weaponize her. Granted, it is Vi who slaps little Powder across the face and shouts "You're a jinx!" but Vi is also just a child, and would have gone back for Jinx had she not been apprehended by that asshole also known as Marcus. THAT BEING SAID, Vi still feels a measure of guilt for her reaction (and that's not unjustified), and as Vander's daughter, she would still not stand for the Caitlyn S2 BS and would still default to Jinx much faster than she does (because she's all about family, and Jinx is the only family she has left.) Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. It's still too far, lmao. Also, Vi's motivation to team up with Cait had more to do with getting revenge on Silco than restoring peace to Zaun, and I didn't mention that at all.

-Jinx and Silco: This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it. As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life.

-BACK TO MY MAIN POINT: If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

This is where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

[legally-allowed-to-slime]

ok the way gem actually was walking towards pearl's general area while pearl was holding the mace. and idk if she actually saw pearl but im pretty sure gem looked up, turned back and walked right to where skizz asked her to??? and pearl just had to stand there and watch as gem basically gave the kill to skizz. like ohhh my god i have so many thoughts about this but all i can say rn is what in the world of yuri.

- 🐫

it’s so funny how they spent half their episodes effectively trying to provoke the other person as much as possible

i mean, do i even need to explain. they want each other baaaaad. on surface it might seem like another failing-to-kill-gem bit, especially with the comical sequences of pearl putting down the creeper eggs and gem easily dodging. however, both pearl and gem approach their “designated” roles of would-be killer and exasperated target a little differently than they did before. pearl doesn’t try her best, and gem doesn’t mock her like she did mumbo/tango.

gem and pearl hold each other in high esteem. even when they hate each other they obviously still respect the other’s skill. i suspect this is part of why gem was so offended when pearl tried to “2v1” her with impulse; because pearl was being stupid by underestimating herself, and then obviously because it was SL all over again.

let’s not even talk about both of them beelining for a camel. this is by far the number one WL ship right now in terms of content and actual interactions (besides ethubs). it’s not shipper mind, they’re actively pulling these stunts to see how crazy they can drive the fandom. like, the thirsty comment, “my poor red pearl”, “gem you’re beautiful”??? i swear they’re scheming on discord before recording or something (jk i know they aren’t).

cc!pearl did mention on stream that she should probably back off which is funny because it shows she didn’t pick up the obvious social cues that gem wanted to give her a chance by offering a 1v1 instead of flat out saying “don’t kill me” or “you suck at killing me”. also, if there are other pearl stream watchers reading this post, you would know that pearl said the same thing about not wanting to bother gem too much over the pickle bit, which is why she dropped it so suddenly. honestly very considerate of her

as for their convo on the camel. gem is explicitly grasping at straws over the end portal thing, but “did you even look me in the face during the murder camel… thing” is a great one-liner out of context. i thought it was going to be like a “you couldn’t even face me properly” but no it was just over the yellow life skin. pearl defending the disloyal allegations by saying scar was her ally is funny as well because it was the exact same argument she gave scott and i don’t think she understands that gem and scott have very different priorities. and gem clarifies she wasn’t upset over the betrayal (suree) but over the 2v1 which reveals some interesting things about her character and moral code which i’ll leave to the gem mains*. i do hope pearl keeps up the “how much do you love/hate me” thing though it’s a funny bit in general, plays into the pining/unmoved dynamic, and opens up the conversation. fluff duo that wants to be angst so badly

and if you’re following me and for some reason don’t watch gem or pearl, please do. there’s a reason why everyone’s saying they’re flirting because they’re toeing the line as close as you can.

what can i even add to this. it’s like going to a michelin restaurant and pointing out that the food is good.

*i always say this but i am effectively a gem main. i think her character is just too difficult for me and i don’t want to admit that i can’t figure out how to approach it

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[genericpuff]

holy crap okay so

I'm two episodes into Kaos

normally I keep my expectations pretty minimal because, let's be real, the Internet - and especially Tumblr - has a tendency to severely overhype new series to be way better than they actually are and it often leaves me sitting there like "that's it? that's what people were freaking out over for weeks?? that was just a bunch of cheap ships and tropes that i've seen 123785902380 times before" LMAO

BUT thankfully compared to other series like Hazbin Hotel and The Amazing Digital Circus, I haven't been worn out on excessive fandom exposure prior to watching Kaos, so I didn't really know what to expect going in besides what folks have told me so far - it's a modern-day Greek epic, and it stars Jeff Goldblum as Zeus (which is, unsurprisingly, peak casting).

That said, I'm very pleased to say that so far, the show is absolutely blowing me away. The set designs, characterizations, weaving of all the players into a central narrative led by a very coy narrator, all of it feels both refreshing and respectful to the source material at the same time.

so uh yeah that LO animated TV show... we have reason to believe now that it's gotten picked up by Amazon Prime, at least according to the showrunner's LinkedIn and posting history from February of this year that seems to imply LO may have been picked up by Amazon-

(but still, nothing's really been confirmed because they're being so tight-lipped about this you'd almost think it's because there isn't a show happening at all cough)

But even then, that means at best we still won't see anything of the LO TV show adaption for another 2-3 years, depending on how production goes.

Why am I talking about LO right now? Well it should be obvious - Kaos double-whammied LO by beating it to the punch at its own game.

I mean, just look at the creative choices alone in the design of the Underworld and its rulers, our beloved Hades and Persephone.

And yes, the entire Underworld is color-graded like this, something so simple and yet effective in communicating the nature of the Underworld and what it stands for - a place where the past lives on through the dead, paused in time, devoid of the vibrant color grading found in Olympus - or "Olympia" as its been named in this retelling - which is, by the way, a visual treat to take in every time it's featured.

(and yes, that is S-tier-companion Billie Piper on the left, but I will not tell you who she's playing, you actually really should go into this show as blind as possible for the thrill of figuring out these characters as they're introduced <3)

That's not even getting into the narrative structure of the plot itself or the phenomenal casting and acting, but again, I don't want to spoil too much as the show is quite new, and I want to actually finish watching the show myself before I get more into the details of its story and how it delivers it (I'm very much hoping I will still be singing this show's praises at the end of its 8 episodes, please for the love of god don't jump the shark, I don't think my heart can take that kind of pain again.)

All that's to say though, Kaos is, so far, exactly what us disappointed fans of LO deserve after all these years, and frankly, I feel like whatever is coming for the LO animated TV show is really gonna have to step up to the plate to both live up to the bar that Kaos has set as well as stand on its own without being affiliated as a cheap Amazon knockoff living in its shadow. Sounds a little familiar and a bit ironic, doesn't it?

[catnippackets]

disclaimer: as a sex-repulsed aroace person myself--

on one hand, there is definitely a bit of a double standard when it comes to handling canonically queer characters like, from what I've seen in the circles that I frequent (if you've had different experiences then great but I'm just telling it how I see it). for example, you're morally reprehensible if you ship a canon lesbian with a man or refer to a canon bi character as a lesbian. people will be so angry with you. and it's understandable, since there's so little queer rep in comparison to cishet rep that when there IS a rare actual queer character, the unofficial rule is "don't take that away from them when you add more headcanons to them". like, respect that this one is REAL and NOT just a headcanon. I think it makes perfect sense to feel upset when people take that away, even if it is just fiction and not even canon to the original source. and yet, whenever there exists a canon asexual character suddenly it's all "oh well asexual people can still have sex so it's fine if we headcanon THIS canon sexuality as something different". it makes me feel so genuinely heartache-y and depressed to see ppl ignoring that aspect of a character.

and by "canon" I'm also including characters that were never specifically referred to with a label but are very obviously coded as something, because those characters will still get the "even if it's not stated it's pretty obvious!!" treatment when it comes to showing attraction to the same gender, but not when they DON'T show attraction to any gender. like aro and/or ace coding just doesn't count. I understand that it's kind of hard to represent an absence of something, especially when you're only implying it and not even directly showing it, but it's not impossible. there's a lot of characters that you could argue are aroace coded the same way you could argue a character is gay coded. obviously to a degree every queer identity gets disrespected in fandom and it's something you just kinda have to deal with, but it's easier to notice when it's something you personally relate to. I don't think it would bother me as much if we didn't have that unofficial "respect the canon" rule and everyone just went wild with whatever, but the double standard does genuinely hurt me, especially when I see people I thought were cool about this stuff participating in it. so whenever I see someone fiercely defending an asexual character it really makes me feel good, like I'M being defended, not a random fictional character that I might not even recognize the name of. I feel safe, like that person will respect ME.

THAT BEING SAID,

AS a sex-repulsed aroace person who enjoys thinking about the entire spectrum of intimacy and where a character may fall exactly on that spectrum, ALSO as a person who is aware that "asexual" simply means "does not experience sexual attraction" and not necessarily "is violently repulsed by anything sexual", sometimes I DO want to play out scenarios for my own enjoyment. sometimes I DO want to think hm I wonder where this ace character's line is, compared to a different ace character. I wonder if there is anyone who would be an exception for them, and how they could go about dealing with that exception. I wonder if they're favourable, neutral, or repulsed. if those aspects of their character aren't explicitly stated then what's to stop me from playing around with them and working through my own issues in a controlled and non-canon environment? if they have the same identity as me, I am way more likely to want to play around with them like a doll and perhaps play out scenarios that I might have thought about before but don't actually want to do for real. I'm not taking away their identity, after all; I'm just, in this scenario, imagining this ace character as an ace that might have sex on at least one occasion for whatever reason. either just to try it, or because they do have someone they'd make an exception for, or if they got bored enough, whatever the reason. it isn't quite disrespecting their truth unless it's explicitly stated either in canon or by word of god that it's something they're uncomfortable with. and to be honest, if I see another asexual creator headcanoning a character as somewhere on the asexual spectrum and depicting them in sexual situations, it makes me almost happy, to know that they're still acknowledging that character's canon identity and accepting and exploring the nuance that could come with it, even if I personally believe that this specific character would be repulsed instead of neutral or favourable. there's this understanding of "I'm doing a character study exploration thing", and not "I don't care I just wanna sexualize this character"

but I literally feel GUILTY when I want to write what is essentially a thinkpiece disguised as a fanfiction or original story on asexuality and take an asexual character (canon or coded) and involve them in sexual situations to explore different avenues of the spectrum. I feel like I'm betraying everyone who's like me and is frustrated with how aroace characters are treated within fandom. I'm like "am I being just as bad as those other people who will disrespect a character's canon sexuality just because they think that character is hot and want to ship them with someone? do they do the same thing with other types of queer characters? how does this reflect that person's view of people, if they're explicitly told someone feels a certain way and decides to ignore it for their own amusement? or is it just because they're fictional and not real people and I'm being really sensitive and thinking way too much into it? am I not doing the exact same thing? do I have more credence to explore scenarios like this because I am aroace and sex-repulsed myself and therefore have a pass to do whatever I want and it won't come off as a little weird the way it might if someone who's allosexual did it?"

and these two opinions are at war in my mind constantly. like both of them can and do co-exist but I still struggle to accept that lol

[physalian]

What No One Tells You About Writing #4 (100 Follower Special!)

Have you got any that deserve to be on these lists? Don’t be shy! Send ‘em over.

Part 1

Part 2

Part 3

*This list contains mentions of assault, #4

1. Zero cursing is better than censored cursing

I made the mistake in the early days of writing a self-censoring character, and every “curse” she said just took the teeth out of the rest of the statement. I’m talking gosh, darn, dang, etc, not world-specific idioms a la “scruffy nerf herder” or “dunderhead” instead of “dumbass”.

Look to any American TV show that so, so badly wants to use f*ck or sh*t but has to appease the sensitive conservatives who still somehow believe strong language is worse than graphic violence and horrifying psychological damage. For shame! Your characters can be angry without expletives, so rework your sentences to include equally damning insults that don’t resort to potty mouths if you’re concerned about ratings.

Or go full-throttle into the idioms of the world or the time period like Pirates of the Caribbean. Or just… don’t. There’s zero modern cursing in the Lord of the Rings adaptation and not a single sentence that censors itself. The dialogue is above vulgarity and feels more *fantastical* that way anyway.

2. “Yeah, you aren’t the target audience.”

It’s kind of hilarious seeing the range of reader reactions to two characters I intend to have a romantic relationship. Some will go “I ship it!” after the first page of them together… and another will go “wait, I thought they were just friends” up until they kiss. Sometimes you might be too subtle, other times it might be better to just accept that you can’t rewrite your entire book to please one naysayer.

When I’m pitched a fantasy adventure book that turns out to be a by-the-numbers romance where no one is allowed to be a peasant and every important character is royalty in some way, with a way cooler fantasy backdrop, I get severely disappointed. That doesn’t mean the book is bad, it just means I’m not the target audience.

3. There is no greater character sin than making them boring

Unless you live in the wacky world we find ourselves in where any flaws whatsoever are apparently harmful depictions of so-and-so and not at all written with things like ~nuance~. I will gush over your heinous villain committing atrocities because he’s *interesting*. I will not remember Bland Love Interest who’s a generic everyman with zero compelling or intriguing traits or flaws.

There’s another tumblr post out there that I cannot find that says something like this, and I believe the post goes “his crimes are fiction, my annoyance is real”. Swap annoyance for boredom and you get what I mean. So, I don’t care what your character does so long as they’re memorable. I will either root for their victory or their doom, but I do need *something* to root for.

4. The line between “gratuitous” and “respectful” is actually very thick

Less what no one tells *you* about writing and more what no one tells screenwriters. Y’all do realize you can write a character who experiences assault without actually writing the assault, right? Fade to black, have them mention it in their backstory, or have the horrific aftermath as they come to terms with it. An abrupt cut to this devastated character when it’s all over and they’re alone with themselves can be incredibly poignant and powerful. This goes with anything sensitive, especially if it’s not coming from experience.

If you want to write it or film it respectfully, romanticizing assault, for instance, is when it’s framed as if either character has earned or “deserves” it. If the narrative in any way argues that it's justified. The victim might have "earned" it for any of the BS reasons we use in the real world, or the perpetrator might've "earned" it because of temptation, desire, pressure to assert dominance, etc. Representation is important, but are you “representing” to shed light on a misunderstood and maligned topic, or are you doing it to satisfy a fetish or bias in yourself?

5. Don’t let your eyes get bigger than your stomach

Fantasy has no limitations, which means you can dig way deeper into the well of your worldbuilding than you realize, until you look up and realize you’re stuck down there. I have never seen a more obvious inevitable disaster looming than the pilot of GoT season 5. Why? Nobody has any plans. They’re all just led around by whatever side quest the writers throw them on, twiddling their thumbs until the writers deign to pull the trigger on the White Walkers.

To the point that what should be a major character can skip an entire season because his arc is meaningless. Everything in the last half of that show was one big “eventually” while the story toiled around in an ever-expanding cast of characters and set pieces (seriously, it’s hilarious how jarring the extended version of the theme music became compared to the pilot episode to fit all these locations).

When you have too many directionless characters, too many plot elements, too many ideas you want to fully mature and get their due spotlight and then somehow combine them all together for a common foe in the end, writing can get tedious and frustrating very quickly. Why, I imagine, the book series remains unfinished. Fantasy is great for being able to create such complex worlds, but don’t be the snake that eats its own tail trying too hard.

6. No one cares about your agenda if you insult them to push it

This deserves its own post but here we go. Peddling an agenda is a paradox: those who agree with you won’t need to be preached to, and those who you want to persuade will instead reject you further because they feel belittle and disrespected. This is why so many recent “strong female characters” fail on both sides of the aisle. Feminists see an annoying caricature of the movement they’re passionate about. Antifeminists see an insufferable, shallow, liberal mouthpiece when they just want to be entertained. You have failed both sides, congrats.

The answer? Write a strong, nuanced, well-developed character. Then make them a woman. I know this has been said before but this BS keeps happening so clearly the screenwriters aren’t listening. Entertain me first. Entertain me so well I don’t even realize I’m learning.

7. Today’s audiences won’t react the same way as tomorrow’s

Sometimes genres or tropes get oversaturated and need a few years to cool off before audiences are receptive to them again—teen dystopia, anyone?—that doesn’t mean your story is inherently bad because it’s unpopular (nor does it mean it’s amazing because it is popular).

You should always write the book you want to read, not the book that chases trends. I can pick up a well-written teen dystopia I’ve never read before and enjoy it. I can continue to ignore Divergent because it has nothing to say. Write the book you want to read, but then accept that you might make no money because no one else wants to read it, not because they think it’s bad. And, who knows? You might get a boom of chatter months or years down the line when readers stumble upon an uncut gem.

8. Your characters don’t age with you

Depending on how long you’ve been working on your world and what age you were when you started, the characters, concepts, morals, and story you set out to tell might no longer reflect who you want to be as an author when all is said and done. Writing can take years, some of which can be incredibly turbulent and life changing. I wrote the first draft of my first original novel in my freshman year of college. Those characters and that draft are now unrecognizable and has left a world I’ve poured my heart and soul into in limbo.

I’ve slowly creeped up my characters’ ages. My writing has matured dramatically. The themes I wanted to explore in the height of the 2016 election are just demoralizing now. That book was my therapeutic outlet and, as consequence, my characters sometimes reflect some awful moods and mindsets that I was in when writing them. But nothing in that world grows without me tending to it. It’s not alive. Despite all the work I’ve done, there’s still more to be done, maybe even restarting the plot from the ground up. When I think of what no one told me about writing, staring at characters designed by someone I’m not anymore is the hardest reality to accept.

—

If you think I missed something, check out parts 1-3 or toss your own hat into the ring. Give me romance tropes. Mystery, thriller, historical fiction, bildungsromans, memoires, children’s books, whatever you want! Give me stuff you wish you’d known before editing, publishing, marketing, and more. 

Also, don’t forget to vote in the dialogue poll!

[aashi-heartfilia]

Deku and Ochako: Two threads running in parallel

MHA has a vibrant cast with each character having its own quirks and perks. We often find ourselves shipping them and rooting for them to become cannon but in the midst of these shipping wars, we often overlook their personal journeys become true heroes.

One such pair is IzuOcha.

People often view it as a straight vanilla ship and ignore everything that makes it special/different from the other so-called vanilla ships. The fact that their journeys were always running in parallel, fighting side by side, inspiring each other in a give and take relationship...but let's start from the very beginning....

.

.

Chapter 3: The first time we meet Ochako, she saves Deku from falling on his two feet. She's nervous, but not as much as Deku. She wishes them both good luck and leaves. Now, this was their first meeting, and this is where their "Do your best" starts.

They both did their best in the exams, where Deku saves Ochako from the giant robot and Ochako in turns saves Deku from falling, like literally saving his life this time around.

Chapter 4: Then, the next time we see her, she was vouching for Deku, even at the cost of her own points. This also parallels her speech later in the manga.

Chapter 7: They enter UA, finally meet each other again, and become friends. In fact, on the very first day, Ochako says that she likes the name Deku, as it kinda gives a "You can do it!" vibe. Another fun thing to note here is that in Japanese she refers to 'gambare' which literally means "Do your best!".

She changes the meaning of his name, from an insult to something inspiring and it might have looked like a comedy gag moment at that time, but when you look at future chapters, it was much more than that.

Chapter 8: The very next chapter, we see Deku facing off Bakugo and saying "He's the Deku who does his best!". And we even see the importance of what Ochako said as she inspired him to do his best. In that test, they both pass with flying colors.

Chapter 22: Then not after too long, we find out about Ochako's motivation to be a hero, which was to earn money so that her parents can have easier lives. Some might say, there are other ways to make money, why choose heroism?

Well, you need to look deeper into the character, especially for someone like Ochako that has layers to her character. She's not someone you can tell by looking at first glance. From outside, she might be all sweet and cherry but from the inside, there's a storm. She has an iron will, and that she depicted again and again, be it her battle with Bakugo in sports fest or her quirk awakening and battle with Toga in the 2nd war. She has always been like that.

On the surface, she presents herself to be your average girl next door, but when you look behind that facade, you'll see a plethora of emotions.

She laughs with everyone but cries alone.

Her crying after Deku leaves (ch 37) or her thoughts about "who saves the heroes", or her "I didn't know the first thing about Toga" thoughts...

She has thoughts and emotions that are deep and not for not everyone can comprehend them. Some people might still see her as nothing more than a blatant love interest but we know that's far from the truth and that's why we'll deep dive into her character a little more.

Ochako has a lot of self-respect >>>

Despite what inspires her to be a hero, she refuses to take help from anyone. This is depicted when she refuses to take help from Deku in the SF. She felt embarrassed when Iida challenged Deku as that made her question her own ideals.

They were all there to become heroes and that makes them all rivals, even if they are friends and thus she challenges him to meet her at the finals.

I think that was a very underrated Ochako moment. (can't present all the pictures because Tumblr only allows less than 10 pics, but you can see it in the collage above)

From the very first day, her "let's do our best!" moment to their battle with Toga in the final war, she has been challenging / inspiring Deku but due to her soft personality, it gets overlooked very often.

It parallels Bakugo in a way and I love the parallels between Bakugo and Ochako but that is for another day.

So it's safe to conclude that just like Bakugo who has been a hardcore rival in power and ideals, Ochako has also been a friend / rival both in terms of power and ideals, although it might be more of her morals that inspire him the most. He even thinks about her in his final battle with Shigaraki, because she was the only one that resonates with his idea of saving villains but more on that later.

Chapter 37: After her loss, Deku goes to check on her and it turns out she was doing fine. She has taken it very positively or so it may seem but as soon as Deku leaves, she starts crying and Deku overhears her. He even feels guilty about not being able to do anything for her.

And that shows you how perceptive Deku really is. He's not some dumb, dense MC that has no clue how others are feeling. He's very sensible and wouldn't cause unnecessary trouble.

Chapter 45: After the sports fest, we see everyone choosing their hero names and Izuku chooses Deku. We even get a reaction panel of both Ochako and Bakugo. Bakugo always looked down on Deku and used it as an insult to call him 'useless' but Ochako changed its meaning to some positive, more meaningful.

Then in the following chapters (ch 46) they both go for their internships where Deku learns to control his 5% from Grand Torino and Ochako learns combat from Gunheads and I might say, IzuOcha might be the only people who learned the most from their internships, lol.

From then onwards, they both continue to grow in terms of power, as the story starts focusing on other characters as well, and we see less of her. Plus, her slight crush starts to develop from that point on, which made most people overlook her entire story.

But let's go over some of the key moments from that time:

Aoyama and Ochako vs 13: Aoyama teases Ochako about Deku, and this might be the first mention of her having a crush on Deku (ch 67)

Izuku encounters Shigaraki at the mall: If it wasn't for Ochako, everyone in the mall, including Deku would have died, making it the 2nd time Ochako saved Deku's life, quite literally (ch 68 and 69)

God knows what would have happened if Ochako didn't come back at the right time. She called the police and alerted everyone. Ochako doesn't get enough credit for her responsible and mature nature.

Chapter 76-77: Deku vs Muscular and Chapter 80: Ochako and Tsuyu vs Toga 1.0 where Deku and gang's interference saved them kinda like how Ochako's presence in the mall saved Deku from Shigaraki, although that was more serious.

Chapter 100: Ochako, Iida and Deku meet Hatsume. Yeah, that iconic encounter that has another parallel.

Chapter 102: Ochako realises her feelings for Deku.

Chapter 105: Deku realises it's not Ochako.

The thing is, Deku knew from the get go that the stranger is not Ochako. He even says "Ochako has been training to use her quirk and now she can float herself for some time, ignoring the side effects. In a situation like this, she wouldn't forget to use it and to reveal herself to the enemy without a plan?"

No, you're not the Uraraka I know.

And that, says volumes out there relationship! Even though, we saw how Ochako had romantic feelings for Deku in the previous chapters, she still kept on improving and Deku acknowledged that!

Even if we don't see him analysing her quirk again and again like Bakugo, he always keeps an eye on her, because note that in the manga, she never specifically tells him about her improvement but he still noticed it!

He knows Ochako enough to know that she's smart and strategic and that she would never reveal herself in front of the enemy without a solid plan. So when he saved Toga (disguised as Ochako) he knew that it wasn't Ochako!

And that's pure respect.

It is one of the examples of "Show, don't tell".

Chapter 107: Ochako quickly followed Deku's idea because she trusts him so much.

Chapter 109: And later, we see her struggling to keep her feelings under check. Because she's so inspired by Deku to do her best, it becomes an internal battle of emotions. At one point, she wants to compete with him, on the other, she has feelings for him that she can't control.

After that, it's a brief period of self-reflection from Ochako. We start seeing her less and less. She gets busy with her internship with Ryukyu and the team and we later see that they help defeat that giant villain in ch 156.

We later see that one of the biggest developments of Ochako comes from ch 163, where she regrets not being able to save Sir Nighteye.

In the class 1a vs 1b arc, she saves Deku when his quirk blackwhip goes haywire. If it wasn't for her quick thinking, again God knows what would have happened.

She may not have numerous power quirks like Deku but she's a capable hero in her own right and that is depicted in the Joint training arc when not only does she save Deku, but also manages to KO 3/5 people in the opponents team (Monoma, Rei, Poltergeist). She was literally the MVP of that arc.

Plus we get to see more of what runs inside her brain. Her ideology about forms the basis for one of the greatest arcs in the story.

"Who saves the heroes when they are in pain?"

After JTA, they again go to their internships and when they come back Deku apologises for what happened during JTA. Note that even though it was never shown, he was still concerned about Ochako.

He was sad that he unknowingly hurt her (much like how he says thank you very later after her speech). But Ochako on the other hand brushes it off, saying it's not a big deal and it inspired her to use wires much like Sero and Deku.

So, we see this relationship of give and take come into play again and again where they both inspire the other to do their best. Then they share a cute fist bump.

On Christmas, out of pure coincidence (wink** wink** Horikoshi) they both receive each other's presents.

Also note that, Ochako gets her hero costume upgraded after JTA, where she starts using those grappling hooks to grab and throw stuff, much like Deku and also attaches tiny rockets in her heels for more mobility.

Plus, that cute tiny pocket where she keeps her AM plushie❤️(that she got as Christmas gift from Deku). I think, after Bakugo and Deku, she has the most useful costume upgrade in the entire class!

Also, when Deku has a battle with Shigaraki in the 1st war, there is an entire chapter dedicated to Ochako vs Toga. Plus, she also gets to witness the aftermath of the war and her face, even now serves as the highlight for that chapter (ch 295).

The ragged blanket of heroism shed that day and what was left was the remains, of what it means to be a hero.

And for someone who was initially there for the money, it is especially important that she gets to witness this. It was the true horrors of hero society. She witnessed all this and still chose to stay in that line of work already says that she is way past her old thinking.

She's not some government agent like Hawks or Nagant or training to become the No 1 hero like Deku, Bakugo or Endeavour. Her life is simple, much like the citizens she saves, but it still matters.

And that's what makes her a People's Hero.

And finally after the first war, Deku leaves UA and Ochako rethinks "Who saves the heroes when they are in need?" and after that point onwards there was no looking back as her character arc takes a great turn!!

We get an entire arc of Dark Deku, indulging more and more into the darkness of his own powers and almost 10 chapters later we see a completely different Ochako.

I still remember people talking about it when ch 319 dropped.

This Ochako is ready to take action and takes shit from no one! One of the greatest character developments if you ask me. Ochako in a way is more like Lucy from Fairytail. Gets ignored most of the time but their moments are just as important.

Even though Deku went around saving people for days, people started viewing him as a villain. Ochako's speech brought him back to being a human.

Not a hero, not a villain, just a human.

And then we see her thinking about Toga, and how she didn't know the first thing about her in ch 342. She had a chat with Deku, where she confided in him. I think that kind of emotional intimacy is what makes their relationship interesting.

Her morals matter a lot to Deku, believe it or not! And that's why when she asks him to leave and take care of Shigaraki in ch 348, he thinks back to this conversation and unwillingly obliges.

Because he has faith in her, the kind that cannot be expressed in words. That comes from a long time understanding of each other...that is beyond comprehension for many people and that's why her "Do your best!" matters because that's what they have been doing since the day they met!

~Sunshine

[noellefan101]

Adopting Child!Reader

Characters: Wriothesley, Nilou, Childe, Candace, Itto x Gn Child!reader(meaning this is all purely platonic)

Summary: They adopt you and you're now their child, what do they learn you to do and what do they like doing with you

Warnings: platonic, modern au for the most part, implied char x char in some(you can ignore it if you dont like the ship, or see them as friends), sigewinne is your sibling in wrios, arataki gang being the arataki gang

Note: this is one of those fics that i keep looking for but cant find, so i wrote it myself. i really like reading from a child's perspective but whenever i see a fic were a char has a child and its x reader, its always the reader being the mother which i hate. anyway, have fun reading, luv you.

Wriothesley

Sigewinne is his child, sorry, you cant tell me otherwise(especially when its modern au), so you and her would definitely play together. have a tea party, dress Wrio up in cute ribbons and stuff, kill all your dolls together after one cheated on the other. yk, normal kid things.

Wriothesley caries your bags whenever you need to get home from school, he hangs them over his shoulder while you both walk beside him.

If Sigewinne is a little older than you, instead of being the same age, she would try her best to help you learn stuff you maybe dont even have in school yet, but she just needed to help you with it anyway. she just wants you to be ready for it, and learns it better in the process as well.

He would invite his Boyfriend over for dinner once, and you thought Neuvillette's hair was pretty, though you were a little scared of the man. it turned out to be fine after a few other times of meeting him, and you warmed up to him quite quickly.

I dont imagine he's the best cook, but would definitely learn how to make something if you were sad and really wanted a specific dish. Will also make tea for you both a lot, making sure its just how you like it.

Nilou

I love the idea of Nilou, the sweetheart of sumeru, adopting a child and taking care of it. like yeah, she totally would.

And if you showed any interest in dancing whatsoever, she would teach you some small easy steps. and show you a few of her dances made for shows, if you thought it was too hard. she has her own dancing room(?) at home, and she would happily practice a little with you in the room so you can watch.

She's very supportive of whatever you're interested in, but you will learn to respect everyone no matter what, she cant have you becoming like one of those scholars who want all the creative arts gone. But she would still support you in becoming a scholar if that is what you wanted to do anyway, just making sure you're a nice one instead of those other beings.

Loves to bake with you, and really wants to show you all the best recipes so you can make them on your own once your old enough. but of course she bakes the best cakes on your birthday, and it's decorated with something you like or her and you dancing via a messy drawing using buttercream.

Would make jewelry with you, and then wear some at one of her shows. So the people would see all her professionally made bracelets, and then this very vibrant and childish one shining trough.

She loves matching outfits with you, so she will try her very best to find a shirt in your size that matches one of her dresses, it would be very cute but she respects it if you dont really like it at times.

Childe

He seriously just wants to protect you, and probably ended up saving you before taking you in and caring for you when he learned of your reason for being out there all alone. (picture dark alleyway with cold snow and a few adults with weapons trying to get money out of you or smt)

Doesnt really like the idea of you knowing about his job, but he can't hide it from you the same way he hides it from his siblings, so you ended up knowing pretty quickly. But he assures you he won't let anything hurt you, not even himself.

He would have his parents take care of you when he had to go out for a mission, but you would have to promise to not mention what he was doing or he would just have to hire a caretaker next time.

But it was fun playing with his siblings, and the food was great. Plus it was way nicer to be able to play with other children at home, and not have to go out for it. Teucer also had really cool toys, so you and him play together a lot when you come over.

Doesn't let you near any of his weapons, and doesn't wan tyou near any weapon until your at least 13. He can't have you experience the same things as him, no matter how much he likes fighting, he doesnt want you to grow up like he did. So he won't teach you anything of that sorts, only when he thinks it a reasonable time for someone to learn that.

Cooks all your meals for the most part, and learns you how to cook as well, he can also have you help him cut the easy things like a cucumber. Plus you've been sent to school with what to a child looks like a three-course meal from a five-star restaurant. is also really good at getting you to eat your vegetables.

Candace

She's very good with children, but never expected to take in a child herself. She has both no idea what she's doing and knows everything about what she should do, so its a process for the both of you.

She is very loving and knows to let you warm up to her first, but she gets carried away at times and can end up hugging you a little to much for your comfort. But she makes sure to give you lots of your favorite sweets in return.

Loves dressing you up, and would pick your outfits for your when you had school, but of course you picked an item first and then she jsut picked out the rest. For example; you would pick out a cute shirt with a little red car on it, and she would find some matching socks and nice pair of pants or smt, give you a nice red hat if it was needed.

Goes shopping with Dehya often, so she would sometimes take you with her and will explain everything she's getting, and how to use this makeup and what not.

Dehya also comes over quite a lot, and they both do your makeup if you wanted, or let you decorate them in glitters and stickers if you pleased. You now have a special bag with all your little brushes, eyeshadows and all that stuff at home, just so you dont accidentally ruin theirs. (she would not let you put makeup on too much, only once or twice a week. but then there is also something to look forward too)

Itto

Is very chaotic and should not be taking care of a child, also because he gets in trouble so much. But he can't just leave you out there all alone, no one else wanted you clearly, but they are the perfect solution to that. (they are all basically unwanted as well, so you were just like them in a sense)

But Kuki is more of the parent than he is at times, but thats ok, she's basically the parent to all of them at this point.

Anyway, he loves beetle-fighting, so of course you are gonna learn too. He has spent hours with you outside, finding beetles and teaching you the perfect ways to win over anyone. it's only when Shinobu comes and tells you that its bed time for you that you stop for the day, but you have tomorrow to have fun as well.

It's hard to adapt to being with the Arataki gang, but it is better than being alone, so you can have your own little place to be alone in for a little bit, in a corner of whatever they're staying in(an old house that is really cheap i presume, or a really cheap apartment. maybe granny's place or smt).

Taking care of you honestly got the whole gang to stop their antics just a little, and they don't end up in prison for stupid things as much. Kuki is especially thankful for that, but is still concerned for the gang. They teached you how to depend on others, while you essentially teach them to be more careful of what they do, win-win.

You might have cried the first time they ended up in prison while you were there, Shinobu has now taught you how to bail someone out of jail. You will need this in the future.

im thinking of making a taglist but im not sure, so tell me if you want to be tagged in smt

Thx for reading my lovelies, have a nice day, luv ya-Masterlist

You are welcome to reblog and like any of my posts, but you CAN NOT translate, copy or hate on anybody for liking my posts

[ladyloveroll]

(These are my ACTUAL notes from my friends birthday party full of people who absolutely did not know who the fuck Itachi and Kisame were or how pairing names work or what a ship is.)

Writing kisaita (on and off) for 15 years

Never get tired of the ship

Excellent, friendly people in the fandom to keep making content (Cynni)

Presentation is less about the specific ship and more about the general qualities that make their ship S-tier. You may find this echoed in your own OTP, IDK.

Powerful, badass characters who can kick anyones asses no problem, as depicted where they are casually taking a stroll after Kisame (who still has his little fo-hawk) casually takes down the four-tails

Kisame is noted as the ‘tail-less jinchuuriki’

Itachi is clearly a fucking powerhouse, we don’t need to debate that

Working with strong characters means you are more easily able to portray their weakness and explore that side of them since that rarely gets screentime

Auxiliary, not main characters

Main characters are harder to write because they spend a lot of screen time accomplishing their goal and doing Plot

Auxiliary characters are more malleable, and morally gray ones especially so

Depicted here are Itachi and Kisame, separately, being ordered by their villages to kill their own people. They carry this order out, but do not particularly like it. Nor are they particularly loyal to their own villages, despite carrying this order out. It’s hard to say where their loyalities lie.

The answer is WITH EACH OTHER OBVIOUSLY

Any ship that has a timeskip has LOADS of canon-verse material you can work with, especially if it feels like the characters have changed or their dynamic has changed.

For Naruto especially, WTF are Kisame and Itachi doing for three years? Clearly neither of them are out capturing jinchuriki. They aren’t seen lounging around Amegakure or Akatsuki headquarters. They are just traveling the world. Probably doing hits. Probably hitting on EACH OTHER WOOOOOO

Long time skips mean a few thing: 1) Canon divergence, 2) Canon compliant, 3) pre-time skip, 4) during time skip, 5) post time-skip; and that’s not even the AU’s

They clearly haven’t made any other friends during this time either so lots of relationship to explore

The Naruto franchise is notorious for retconning. Probably because Kishimoto (the writer) was pushed to create at a pace that was impossible for any sane or healthy man to keep up with.

Fanficition writers can take advantage of this poor writing by interpreting the character in a lot more ways than if the character was solidly written.

There are a lot of different ways Kisame is written, and accepted as so

Itachi less so but we don’t have time for that

Retconning allows you to take a writers mistake and turn it into utter brainrot that ten other people (me) will reblog every 3 years

This one is kind of specific, but if you like angst then OH BOY this ship has a lot of potential for it

Any OTP that involves an angsty edgelord and a sadistic tagalong can indulge in either EXTRA ANGST and be able to balance out the angst with humor

The KisaIta ship has 4 great themes about it:

Redemption

Acceptance

Forgiveness

And Existentialism of course

Dynamic:

Sharkboy / lava girl

Edgelord / goof

Leader / follower

Maybe old? / a touch too young

Respect for each other

S-tier OTP because of strong themes and repeatable dynamics

Kinkfest here we come

S-tier OTPs must be able to withstand an intense variety of smut writing

Powerful level = able to handle pain and dish out pain

Body things? = more positions

The Shape of Water was one of the single best thing to happen to the KisaIta 18+ fics because (even though it existed before the movie came out) a lot more readers were into it now

Also, Kisame makes this ship work more than Itachi. He is fucking DEVOTED

at this point I was running out of my 10-minutes (THEY HAD THE AUDACITY TO PUT ME ON A TIMER) so i just backfilled the rest of the presentation with fanart and memes i like

Why do I like KisaIta?

I mostly write smut

They’re great at smut

I also like angst

They’re always great for angst, either character

Also look at them they are hot AF

Beefcake service-top vs. ‘shaped like a katana’ masochist

Healthy dose of hurt-comfort

They’re extremely flexible to write and so there’s a lot of stories you can create

thank you for not reporting me to the powerpoint police

[theminecraftbee]

current hermitcraft star trek AU thoughts: meet some of the crew of the USS Taney (named for a storied US coast guard cutter, for those curious):

chief petty officer joe hills, maintenance chief. it’s my AU and one of the principle characters can be an enlisted sailor instead of a commissioned officer if I want to dammit. spends a LOT of time in jeffries tubes doing essential maintenance and is responsible for a lot if enlisted engineering staff. a betazoid who joined starfleet to see the stars but gets admittedly VERY STRESSED OUT on account of not being great at human social mores, thank god for military formality am I right. well-liked and respected amongst the crew, especially other enlisted sailors but also with commissioned officers. straight-up refuses to use his betazoid abilities for any actual work though because he’s convinced he constantly misinterprets people’s minds. whether or not this is true is… questionable… but he’s maintenance chief not a councilor or something so no one ever actually has real opportunity to call him out on this. well, mostly nobody. except maybe for…

ensign cleo, a former borg drone that was taken prisoner and separated from the hivemind. starfleet has no records of her homeworld or original race and what do you know, she doesn’t know either! thanks, borg, she hates it. took to sarcasm like a duck to water. ended up on the taney because in the early days joe was somehow the person who broke through to her and command is still wary she might regress, even given that she has since passed accelerated academy classes and earned a commission. a security officer and cybersecurity expert (for a given definition of “expert”, given the source of the information). very good at covering insecurities by being Mean. literally everyone who works with her is aware though so literally everyone knows she is Deeply Loyal to the taney’s crew. which is why people keep trying to “helpfully” run interference against starfleet intelligence for her, to her great annoyance, because she actually kind of likes…

commander etho, a vulcan intelligence officer. has had a storied career, meaning people who don’t know much about the intelligence community hate that he’s around, people who do idolize him, and people who know him know he’s just kind of awkward. extremely competent, sure, but awkward. frequently in communication with, traveling on, and otherwise involved with the taney, largely because the taney keeps on somehow tripping over things that should be state secrets and he’s best equipped to clean it up (case in point: cleo). sometimes etho thinks the only way the ship could be more cursed is if they named it enterprise. then he reminds himself that’s an illogical superstition. despite the fact he technically now has a desk job the aforementioned storied career makes him a very competent actual field commander as well, which means he ends up involved in operations whenever he’s on board.

these are the guys I have ideas for so far. still need to think of like. a captain for the ship. most of the senior staff. I just have ideas for this au you know,

[highlordofkrypton]

Time for me to say ONE LAST THING on all this drama, but it's important to me.

art is a form of therapy

you do not know other people's trauma, and you sure as hell cannot know a person even if they posted everything about themselves on their blog

no one holds the right to say what is valid or invalid

The ACOTAR fandom has an exquisite way of policing trauma as well as character and ship enjoyment. the fans pick and choose who is deserving of community, kinship and basic decency.

I speak a lot about empathy on my blog because I cannot know what a person is going through on the other side of the screen, and though I don't always agree, I have enough decency not to go out and make rules excluding people, insult others, while calling myself a positive space.

Just because your trauma means that you prefer to avoid certain topics or characters does not make anyone else who enjoys said character a bad person. some people, myself included, work through trauma through art.

My writing has saved my life, and the compassion I choose to give to "fictional "abusers (btw, victimhood and abuse does not come in one absolute form and you CAN be both a victim and an abuser with a capacity to change) is intentional. I do not glorify abuse, but I understand that art and humans are nuanced.

I also think it's a real privilege to look at other people's traumas, especially intergenerational trauma which is extremely hard to overcome, and say that 'nah, that person is just an abuser'.

I think it's hypocritical to claim fight against abuse, and fight for victims of abuse while carelessly flinging 'abuse sympathizers' and other insults to people you don't even know.

You realize that's a form of abuse, too? Invalidating, gaslighting, etc.

But thank you, ACOTAR fandom for teaching me:

Thank you for teaching me my trauma is only valid if I act like the way you think a victim should

Thank you for teaching me that I do not deserve respect, even if I take extreme care to create nuanced and emotional art because you don't like the character

Thank you for teaching me that if I face my abusers through art, I, myself am an abuser

Thank you for reassuring me that your fav, who is closer to my abuser almost to a R, deserves redemption because you love him more, and he is more attractive

I have never used my trauma as a credibility card to judge and be dismissive of real people in fandom. If you want to police something, police your fucking content.

People aren't content for you to consume, and vomit your unfiltered opinions on. It's time people remember what community means, which remembers interacting with other people who are not your abusers. Maybe take a second and fucking learn about other perspectives, grow as a person or whatever the fuck you need to be a decent person.

If you plan to reblog this invalidating/arguing what I've said above because blah blah you're still upset about your fav or ship, please take a second to read the post again 'cause you've lost the plot.

Now, I'm done. Peace out ✌️

Additional note: You know what I fucking do with my trauma? I make beautiful shit for everyone to enjoy. You don't don't have to read or care about my stories full of depth and nuance, but if you laugh at my fucking memes that are for EVERYONE and you turn around and shit on people, you suck.

[hyperbali]

If you're a Solavellan do not click here lmao

So I've seen that one post going around that's like "people who are shipping Rook and Solas are missing the point, they don't have a deeper connection than he had with Lavellan, Lavellan knew the real Solas"

And I have never seen such obvious cope in my life lmao

Fact of the matter is that they are both a blip in his existence. Solas knew Lavellan for 1-2 years, of course he's going to be more fixated on the romantic/platonic/situationship/whatever that lasted for millennia and literally broke the world, especially when the aftermath is that he feels like he's on such a different level than everyone left that they are pretty much Tranquil to him! This is a thought that he specifically expressed!

And claiming that Wisdom is the real Solas and Pride is not... also misses the point. Solas is Wisdom is Pride. Solas means Pride. At no point in his interactions with either the Inquisitor or Rook is he ever not lying, even just by omission. Neither of them see who or what he is as a whole, both are always operating at a disadvantage based on how much knowledge he's willing to give, and both have the opportunity to genuinely earn his respect.

As genuinely as Solas can get, at any rate.

Bearing that in mind, his chemistry with Rook compared to Lavellan is like a bonfire to a fireplace, in my opinion (bear that in mind oml). Even back in the day, I wanted the opportunity for a rivalmance with him so bad. I wanted to be able to call him out on his shit, to debate with his ideas, to meet him on a level that he was fully unexpecting and he hates that he loves it. Actively HATES it, not just that it makes him sad.

As it is, this "and so the wolf fell in love with the halla" shit is so cringy. Not at all helped by the fact that a romancing Lavellan apparently pined for him for a decade, couldn't do a damn thing to change his mind in the end, and willingly cuts herself off from her life, family, and friends to be a simpering, lovesick sycophant for the rest of her days. Because the Veil is STILL up. She IS dying in a few decades. And all of it will have been pointless.

Canon is a mess, I'm twisting it in other ways regardless, etc. etc. MY POINT IS

Shipping him with another character is not going to somehow make your ship invalid*. You can still make your favourite dolls kiss how you like. Relax about it.

(That last bit is not derogatory, as I am also proudly clanging my dolls together as usual. Just! Relax!! We are all in hell!!!)

*my 'ship and let ship' mantra has an exception and that exception is neve/lucanis. i'm sorry but it was the dumbest possible pairing for either of them and bioware should have let both of their nonromanced pairings be queer

[lemotmo]

Hi!! First, I just wanted to say I always enjoy checking out your posts because you have such great takes and treat every single ask with such respect. Even when it’s something that you may disagree with, you always take the time to ensure everyone that it’s just your opinion and respect the other person’s point of view! :) It’s so refreshing to see because I feel like over hiatus especially the fandom has become somewhat of a dumpster fire…lol.

Also, I agree completely about Oliver. He always says that he trusts Tim and his writing so I don’t think he would necessarily ask to have Lou leave or for BT to end abruptly or anything. And as much as we all say “oh he hates that man” we truly don’t know. What we do know, at least by his tweets at the time, was there was some tension in his friendship with Ryan several years back. Like it’s crazy to think during the shooting arc and will scene and Eddie breakdown arc in s5 that there was so much tension offscreen. It just goes to show how much of a professional he is! I also don’t think the other side is true either where Oliver is apparently purposely not promoting BT or interacting with Lou on social media to “protect him from the buddie fans.” I just think Oliver isn’t super active on social media for his own reasons and people look waaayyyy too much into things. Anyway, sorry this was so long winded LOL I just wanted to point out that we truly don’t know Oliver or his thoughts and feelings and some people making these inferences sound almost more like headcanons and it’s giving parasocial.

First of all, thank you Nonny. That means a lot to me. I always do my very best to try to stay respectful towards people and ships on my blog. That doesn’t mean that I don’t give my very honest opinions and critical takes on certain topics, but I don’t feel the need to yell over it and use more explicit language. I also avoid specific shipping tags for ships I don’t like and character tags for characters I don't like. I find that being respectful like that ultimately gets you further.

Now, that also doesn’t mean that I don’t get frustrated with some takes in fandom. But I mostly -and wisely- choose to rant about that to some of my Tumblr mutuals/friends in private. Throwing out all of my more hateful frustrations in public would only generate more hate and I try to avoid that. My inbox is so much more interesting when I get positive asks. I admit that I get so many asks these days that it has become impossible to answer them all.

Now, I do want to reply to your ask because you talk about a few topics that are near and dear to my heart and -of course- I have some opinions about. 😊

I first want to address The Ryan part of your ask. I was around in fandom during those days. It wasn’t pretty, but the way people talk about this now is a complete overreaction. The cast’s reaction to this event totally gets blown out of proportion. There was some tension for a while there, sure. Oliver deleted some of his tweets/Instagram posts that had to do with Ryan and then he unfollowed him.

But it was obvious that it didn’t take Oliver and the rest of the cast too long to move on. I’m pretty sure that, by the time the shooting arc came along, followed closely by the breaking down arc, Oliver and Ryan were on good terms again. Maybe not as close as they were before at that specific moment, but still on good terms. Both men are professionals and they did such a fantastic job when it came to those amazing scenes.

Now, don’t get me wrong, what Ryan said was inappropriate and disrespectful, I agree. However, the man apologised immediately and he has been working hard since then to become a better and lighter version of himself. And he has succeeded as we can all see how well he gets along with the entire cast and especially the POC in the cast that have completely moved past his mistake.

These days Ryan and Oliver are like two peas in a pod. They have always been close and they have always had insane chemistry, but ever since the beginning of season 7 it has all been ramped up. I’m one of the people convinced that they got the news that Buddie is finally happening. That they got the green light to go there. Which is something they have wanted for a long time now.

Now, second… as to Oliver not liking Lou? I’m afraid that I’m going to have to disagree with you on this one. I really do think that Oliver doesn’t like Lou all that much. If he was upset and angry over what Ryan said in one video a couple of years ago, I can only imagine his horrified reaction to all those terrible, disrespectful and inappropriate Instagram posts Lou made, for which he hasn’t apologised at all by the way. That interview he did with Lou also doesn’t help. Oliver wasn’t comfortable at all. His body language screamed: “I don’t want to be here.” And Lou just kept on talking about himself. I don’t know why Oliver was even there. BT was hardly even mentioned.

So, while I don’t think that Oliver would ask Tim to get rid of Lou, I only think he wouldn’t ask in function of the Buddie arc they are telling. If Tommy’s presence is necessary in that arc? Oliver will suck it up like the professional he is, because if there is one thing he wants more than anything for Buck, it’s Eddie. If Tim were to tell Oliver that he wanted to take the BT relationship further in any way, I do think he would protest and say ‘no’.

Oliver not promoting BT or Tommy has to do with the fact that he knows that Tommy isn’t sticking around as Buck’s love interest. Tommy is a plot device. He has always been a plot device. That is the way the show set him up. He is meant to have a purpose in the Buddie arc. What that purpose is? We don’t know. But it’s all there in the narrative for those who are willing to look at it logically and from a writer’s point of view.

A few seasons ago Oliver just stopped talking about Buddie. In some of his latest interviews he confessed that he stopped talking about them because he didn’t want to lead the fans on. He knew it would never happen under FOX. As soon as the show came into the hands of ABC, he started yapping about Buddie again. Him and Ryan were so vocal about them. It was clear that something had shifted. They knew that they were finally going there. Buddie was happening, but it would take some time to get there.

When they got renewed it was obvious that Tim decided to take his time for Buddie and put a temporary break on their development, so he could do it right in season 8. That didn’t stop him from putting them together in every other scene they were in. 😉

Now, like with all good slow burn couples there has to be a narrative foil. And in comes Tommy. Tommy who seems interested in Eddie. Buck who clearly gets jealous over the fact that Tommy is stealing Eddie (and Chris) from him. And then Tommy realising that he won’t get far with Eddie, but Buck (who is completely confused about his own emotions at this point) seems a little interested, so why not give it a go?

So, why is Oliver not talking about Tommy or engaging with anything BT while he still talks about Buddie and interacted with Buddie stuff up until the finale? Because he knows where the story is heading. History is repeating itself. Oliver doesn’t want to lead the BT fans on, so he simply doesn’t react or interact with anything Tommy or BT. And there is also the element that it is very clear right now that both Oliver and Ryan are actively rooting for Buddie and only Buddie. They know what their characters need. Love that for us! 😊

None of this is about headcanons by the way. It has been said -in words- time and time again, by Oliver himself (and Ryan as well) that he would love Buddie to happen, if it was written well. He shows it in everything he does on social media. Him and Ryan talked about reading fan fiction and watching video edits. I mean, he couldn’t make it anymore clear that he wants Buddie and not BT. So, this is not a headcanon. This is fact.

This is also not about parasocial relationships. We all like Oliver and Ryan, but most of us admire them from afar. We don’t go into their inboxes to message them or we don’t send them weird messages. I know that there are always some more outspoken fanatics in every fandom and the Buddie fandom is not an exception to that. It sadly cannot be avoided, but overall we have been pretty good as a fandom I would say.

That brings us to Lou and his army of goons…

Mind you, I’m not talking about the many normal and lovely sane BT fans and multi-shippers who genuinly like Tommy. Ship and let ship and all. Most of these fans fully realise that Tommy’s time on the show is probably limited. Anonymous OP shoutout!

I’m talking about the select few (the more outspoken and loud fandom fanatics I mentioned before) who accused Buddie fans of hacking one of their Twitter accounts and who thought it was a swell idea to DM Tim with a too long video about strings of fate (which Tim later admitted to never watching)  and ask him about Tommy’s age and other stuff. That is just crazy and a big no no in any fandom. Leave the show runners and actors alone. I don’t care who you ship. Just leave them alone.

The biggest problem is this: Lou made up a bunch of nonsensical headcanons about Tommy and BT that go against every single thing we have seen in canon so far. Canon has shown us, time and time again, that Tommy isn’t really interested in Buck for a loving relationship. Everything he says is reduced to sexual innuendo. And no, I am not a little quivering virgin lady who is afraid of sex and who doesn’t understand the dynamics between two adults in a sexual relationship. I am, in fact, an adult who has had sexual relationships and who knows exactly how relationships work between two adults in their thirties or forties.

Fully grown adults have paid hundreds of dollars to listen to Lou spout his nonsense. These people have all bought the same shirt Lou was wearing in one of his cameos. They call it the Louniform. These people believe every single thing that comes out of Lou’s mouth and take it as gospel. They have extensively hated on Ryan and Eddie. And lately they have even been hating on Oliver because he doesn’t support BT enough in their eyes.

Now that, THAT is a textbook example of a parasocial relationship with an actor.

They call the Buddie shippers ‘homophobic’ for not liking a character. I myself have received some asks in my inbox accusing me of being homophobic. I’m sorry, But WHAT? Look, I have never lied about not vibing with Tommy. I don’t like him as a character. I’m not hateful about it. I don’t spew my dislike for Tommy all over the BT tag or something like that. I just respectfully talk about how he isn’t right for Buck on my own personal blog. This is called ‘Having an opinion and sharing it.’

Tommy is just not my kind of guy at all. I don’t vibe with his demeanour and behaviour. I don’t think he is a good match for Buck. I don’t like the way he treats Buck. And yes! I am a Buddie shipper! So of course a part of why I don’t like him is rooted in the opinion that he is the wrong guy for Buck. But there is so much more to it than only that. Now all of this is not me being homophobic. It is just me being critical and actually using my brain to understand what the show is ultimately really trying to tell me: Tommy is a plot device and we are not supposed to like him!

I’m tired of being accused of something that I am not, over disliking a character that we aren’t even supposed to like in the first place. It’s crazy behaviour. It needs to stop!

Anyway, I’m sorry Nonny. I didn’t mean to end up venting like this on your ask, but it just happened. Now I’m the one being long winded. Sorry.😊 I’m not mad at you or anything like that. Don’t worry.

On the contrary, you helped me get some of these things out in a well written, but still respectful way. You got me writing about all of the fandom things that have been bugging me lately. I was on fire. So, in a weird way: Thank you for your assistance. ❤️

[burst-of-iridescent]

I'm writing this as a big Katara stan. I just found out that a new film about an adult Gaang is planned to be released, and Katara, like Aang, will be given a leading role there. I am so excited and glad that finally Katara will be given due respect as a character!

But for some reason, after searching on Tumblr, I saw joy about a new film in the entire Atla fandom except for our zutara community. on the contrary, there is a lot of discontent and bitterness. But why is that? Is it because zutara won't be in the movie? Well, yes, zutara is a fanon ship, it will never be anywhere but our fanfics and fanart. But after all, Zutara is not in the original ATLA show, and we still love it! This is no reason not to rejoice at the opportunity to see our favorite characters on the screen again, to see Katara again (God, I'm screaming with delight😍😍😍😍). Yes, there is a chance that the writing will be bad, but there is always such a chance before the release of any film. I'm just so happy to see Katara again, and the whole gaang too, and her new design for this movie seems so great to mе!

i mean this genuinely, anon: i love that you love katara so much, and i am really happy for you that you're looking forward to the new movie. i truly hope you enjoy it.

i don't want to speak for the rest of zutara fandom, but i can't share your feelings because - to put it point-blank - i don't trust the creators with katara's character. ever since they lost their writing team, nothing they've created post-atla has proven to me that they understand katara's character, or how to create a good arc for her. it's telling that the only post-canon comic featuring a decent story for katara (katara and the pirate's silver) came out in 2020, twelve years after the original show ended (and which was also, notably, the first comic that bryan and mike were not involved with).

i'm sure some people are salty that they won't see canon zutara, but personally i'm relieved that i won't have to see bry.ke ruin romantic zutara like they did with their friendship post-atla. i'm sure they'll do their damnedest to fuck up what remains of zuko and katara's platonic relationship in the new movie, which is why canon ended for me with the final agni kai. no magic pointy rock or canon ships in this household, thank you.

i wish i could share your excitement for the movie anon, but i just don't have faith in bryan and mike to do justice to the characters (especially zuko and katara) after everything they've said and created over the last decade. like really, calling zuko a bad boy in the year of our lord 2023? please watch your own show.

besides, nothing they can do for katara in this movie will retcon what they did to her in LOK. i already know she ends up as a sad, lonely housewife without any real power, impact or legacy; that can't be changed, no matter how they try to "fix" it. it looks like the movie has been delayed so my hope is that it just gets cancelled in production. atla has been milked to filth anyway; leave the og characters alone and do something new with the universe, or just let it rest in peace and find another story to tell.

[saintsenara]

Wait why are you not a fan of Snape and Hermione?? 2 nerds who care a socially awkward amount about the things they care about nerding out together at levels of romance people who can be chill and normal about things can’t comprehend?? It’s not one of my fav ships but I can definitely see it!

I headcanon that Snape picks on Hermione being a muggle raised know it all thirsty to prove and lacking self awareness because he was one himself when he arrived at school and James and Sirius picked on him for it! It’s like that you’re most repulsed by the things you’re self conscious of in yourself thing to me. Or maybe a him trying to live out being the “cool” one in that dynamic thing

But when she’s a grown woman and more self possessed like he became too I feel like that same energy ness has potential for love!

Hermione is famously respectful and compassionate enough towards all beings to be more understanding than say Lily Evans of his prickly tender ego if he had another m word style outburst and such a people pleaser she’d keep coming back for more snark as long as he peppered it with the odd encouraging compliment

And I feel like a Snape in reciprocated love could absolutely veer into inventing beautiful and helpful spells to impress his lover or sending “made me think of u 😘” notes with verses of elaborate obscure poetry territory that would be frankly the level of literary and academic courtship our Herms deserves 😌

Is it cause they’d both be the highly strung worrier one and they both need someone to ground them? Or maybe too pessimistic together and one of them needs to be the cheerful one?

anon, i genuinely love this for you - i'm always thrilled to get people explaining their love for ships in the ol' inbox, especially when they're ships i don't instinctively vibe with, and i have been won round to stranger premises than this by a passionate defence of why two characters should kiss.

where i still think snamione isn't clicking for me, however, is that the way you describe both snape and hermione here doesn't align in any significant way with what i personally think would be interesting to explore about either character in a relationship and have them still feel meaningfully like their canon selves.

[i will say, though - because i always think it's worth reiterating my fandom commitment towards being neither a cop nor a priest - that i literally don't give a shit about either the age gap or the student-teacher dynamic. i know that's an objection to pairings like snarry and snamione which lots of people do express. but i will never be one of them.]

the primary reason that i don't vibe with many of the more... sapiosexual hermione ships [by which i mean not only snamione but tomione] is that they hang on the idea that hermione's intellect expresses itself in a way we never actually see in canon.

or, the idea that snape and hermione are intellectually compatible [and that they would enjoy hanging out being nerdy about stuff] is just... not true.

throughout the seven-book canon, the way that hermione shows herself to be clever is that she displays an excellent memory and an enormous capacity to rote-learn. her intelligence is overwhelmingly demonstrated - both in the classroom and during the trio's year on the run - by her being able to regurgitate swathes of information, very usually verbatim from the source she got it from.

she is clearly able to use this ability to retain information to understand the theoretical component of magic in a way neither harry nor ron ever manage, and she is able to use this understanding of theory to work out how to perform spells which are ahead of her expected level on the hogwarts curriculum.

and this is intelligence - and i want to be very clear that i'm not trying to suggest that hermione shouldn't be thought of as intellectual, or that her academic achievements should be devalued. but it isn't the way snape's intelligence manifests itself.

because hermione is never shown - at any point in canon - to be a particularly creative or experimental thinker.

she places an enormous intellectual trust in disciplinary authority - teachers and textbooks - and is frequently rattled when these are revealed to be partial or incorrect, as we see in her shock at hogwarts: a history not mentioning house elves or her anger at harry getting better results by following the modified instructions in the prince's textbook [despite knowing nothing about the theory underpinning them] than she does with the "official" ones.

she also regards the gatekeeping of inquiry which disciplinary boundaries enforce to be a positive thing and she never displays any inclination to step beyond them. she dislikes the spells in the prince's textbook because they aren't ministry-approved - and i must say that i think the idea that she'd be won over by a man creating spells for her is wishful thinking...

she is immediately mistrustful of anything she can't find something she regards as an empirical source for - notice, for example, that she only comes round to the idea that prophecies might be real once she encounters them in the ministry of magic.

even when we see her using magic on her own terms - the jinx she uses on marietta edgecombe, for example; or the protean charm on the da coins - the magic she's using is sophisticated, and is being applied in a way which wouldn't be classroom-sanctioned, but it's not magic which is being used in a way which is removed from the spell's original purpose. the protean charm on the da coins is impressive because it's a flawless execution of newt-level magic by a sixteen-year-old. it's not impressive because hermione is using it in a strange, experimental, or radical way.

[in contrast, the dark mark - which harry notes the coins mimic - is clearly a spell voldemort himself invents.]

snape, on the other hand, is an experimenter. he's someone who clearly sees magic as a creative force which he has every right to shape as he sees fit by adaptation and invention. and he's someone who evidently rejects the logic of disciplinary gatekeeping - one tension in his relationship with dumbledore prior to half-blood prince is that snape evidently retains an enormous intellectual interest in the dark arts [which, as he tells us, are an area of magic which is feared precisely because they can't be neatly contained within disciplinary boxes - they are ever-changing, unfixed, mutating...]

and it's these conflicting views of what magic is and how it should be used and thought about which is the cause of the intellectual incompatibility we see between snape and hermione in canon.

he is unequivocally in the wrong for his dismissive classroom manner towards her - because he is an adult and she is a child. but he isn't wrong in principle that hermione just repeating what she's read in the textbook and refusing to synthesise her knowledge [she always goes massively over word limits! she never gives answers in class in her own words!] isn't actually a demonstration that she understands the material. [and therefore something a good teacher would guide her through conquering... snape having no interest in doing this is his own fault.]

and - from a snamione-specific perspective - it's all the evidence snape needs that, actually, they're not going to enjoy hanging out chatting about academic pursuits. hermione values knowledge like a dragon hoards treasure. snape wants to take that treasure, melt it down, and turn it into new and weird things.

once again, i don't think this a flaw in either of their characters - it's just something which is. and i don't think it's an insurmountable obstacle to writing snamione, because i believe any ship is possible if an author has enough nerve. but it's an aspect of both characters' canon personalities [and hermione's above all] which never seems to make it into snamione fics - all of which, as far as i've encountered them, are beholden to an idea of hermione's approach to academia which is considerably more flexible than we actually see in the books.

of your other points, i'm not particularly convinced by the idea that snape sees his younger self in the teenage hermione. this isn't just for the reasons outlined above - hermione isn't trying to prove herself in the same way he was, which was by creating and experimenting in a bid to be noticed and considered impressive - but also because of the massive gulf in their respective class backgrounds.

hermione is really posh - and, while she's obviously subjected to discrimination at hogwarts on account of her blood-status, she also comes from a family with both the financial resources and the cultural language to make her familiar with the vibe of the elite muggle boarding schools hogwarts is a pastiche of.

the teen snape - in contrast - stands out from his cohort in that he is visually identifiable as working-class [which does appear to be genuinely unusual at hogwarts]. his class background is something which clearly drove a lot of the marauders' bullying of him [i'm sorry to the girlies who think james and sirius targeted him out of some righteous desire to stamp out his prejudice - it was because he was poor and uncouth] and which he still has a chip on his shoulder about as an adult.

this - again - is not an insurmountable barrier to a snamione relationship [as it's not a barrier to thousands of real-world partnerships and friendships]. but it is something an author needs to grapple with if they want to make the pairing - at least, in my opinion - seem plausible. but the standard vibe seems to be that snape would be comfortable in the grangers' home fairly quickly, and that he'd be delighted to have hermione swanning around offering suggestions for how they could do up spinner's end... instead of him resenting this as the unwelcome meddling of people who've never had to worry for money.

i'm also not particularly convinced by the idea that hermione would get over being called a mudblood - especially by an adult man. while i think it's completely plausible that she'd handle this differently than lily [although lily's reaction is entirely justified - and i don't think we should throw the baby out with the bathwater of contextualising the teenage snape and the motivating factors behind his decisions by pretending that cutting off your friend because he called you a slur is a petty, ill-thought-out, or unreasonable move], i don't think that her reaction would be automatically forgiving.

hermione is compassionate towards kreacher when he calls her a mudblood because kreacher is a slave, whose prejudicial views are inextricably bound up in the magic used to oppress him [i.e. that if he received an order to use the term, or to refuse to serve a muggleborn food, from his masters, he would have to punish himself violently if he disobeyed it]. she is not - quite rightly! - compassionate towards someone like draco malfoy when he calls her one, since he is a free person with full agency to choose not to do this.

could she forgive him - or snape - for using the term? sure! absolutely! but i don't think it's a given - and i also think she'd expect a demonstration of how sorry snape was which wouldn't necessarily align with how he'd think he'd demonstrated his regret.

i do agree that - as you say - hermione is a people-pleaser, and she definitely has a far greater tolerance for being treated cruelly by people she wants to impress [especially authority figures - including snape himself] than either harry or ron. and i think this has the potential to introduce an extremely thorny dynamic into a snamione fic - in which the power dynamic inherent in the age gap [which, to reiterate, i think is completely fine for an author to enjoy] is compounded by hermione being unwilling to anger or contradict snape [which is a vibe - as i've said in answer to an ask about harmony - we also see in her relationship with harry... it's also obviously exactly how snape's relationship with dumbledore works.]

on a couple of the more minor characterisation notes, i'm afraid that the idea of snape as a great romantic has never hit for me. it seems really bound up in the way alan rickman portrayed him in the films, which i've always found a bit toothless. i also don't like the trope of "actually snape's really hot" which seems to always accompany it - ugly, odd men to get to bone too!

[what he would be - i think - is a magpie. get ready to be handed odd stones and bits of leaves on dates.]

i also think they're highly-strung in ways which differ enough to mean they'd just annoy each other. hermione is highly-strung in that she flusters easily and is very poor under pressure, but she's actually pretty emotionally stable [and i'd dispute that she's a pessimist - this is a girl who thinks that she's successfully eradicating slavery at hogwarts by knitting hats; she's pretty robust, funny, cheerful, and idealistic]. snape is highly-strung in that he has a hair-trigger temper and is very emotionally volatile, but he's obviously an extraordinarily good liar, very quick on his feet, and very good under pressure. he'd think she panicked too much [and over insignificant things he didn't care about], she'd think he tanked the vibe of a date by taking offence at someone breathing too loudly.

where are they similar? well, they have a shared self-serving streak [hermione is appalled by behaviour from harry and ron she considers perfectly moral when she does it]; capacity for cruelty; tendency towards secrecy; tendency towards pettiness and pleasure in the misfortune of others; loathing of flying a broom; cutting sense of humour; stubbornness; resilience; clear dislike of slumming it in nature; love of puzzles; and a weakness for red hair.

i think you could make it work on the grounds that they'd probably have the time of their lives being haters together - especially, i feel, about rita skeeter.

and - y'know - because love is weird.

[imhidingonceagain]

Slimeriana and QSMP fans, we need to talk (really, I'm going to talk about a few things).

CW: nsfw

Warning: long post.

At this point I think majority of you guys know what happened with Mariana yesterday (especially because the fliporiana community is small compared to other ones).

I'm gonna write some stuff Mariana said and I'm gonna be explicit about it because I want you guys to understand the severity of the situation (this is your warning):

Context: He was curious to see if people actually posted nsfw stuff about him (and poor boy, he really thought he wouldn't find any).

And I quote what he said after seeing some posts: "No, no, no! Why's Slime penetrating me?!" (He was probably looking at a fanart)

"I'm not doing role like that with Slime anymore. I thought you guys found it funny (he was talking about the sex role in the QSMP) but it only fills your minds with shit"

"I'm gonna say it in English because I know there's QSMP fans who do it as well: Don't draw hentai about me, don't draw us fucking, that's being a pervert, that's wrong"

Some months ago I wrote a post when we got the first warning in regards of this topic.

Mariana and Slime have talked about fanart before and at the time they didn't seem uncomfortable about it (though it seems like Charlie's girlfriend was).

So I wrote: it's not necessary to stop doing fanart about them. Just be careful with what you draw and where you post it.

To me even "suggestive" fanarts are "okay" (but with suggestive I mean the characters looking at each other like they want to kiss each other so bad, that's it). But when and how did that translate to some of you thinking that drawing real people having sex and not only having sex (because there's always ways to show intercourse without being explicit or disgusting) but also showing private parts is okay?

Because it's obvious Mariana saw something super explicit by the way he reacted (because he doesn't get bothered too easily). My poor man was distressed!

And let me tell you something. This is not only about Mariana and Slimecicle. This is a REAL PROBLEM within the fandom. Let me give you some examples:

I love reading fanfiction and months ago I was scrolling through the QSMP section on AO3 and let me tell you something: the amount of fanfiction written about the eggs and their parents in a non platonic way is CONCERNING.

Especially Wilbur Soot's fandom seems to have a lot of rotten apples who think that writing abusive stories about q! Wilbur and Tallulah is fine.

I understand some people write stories like that not because they're crime apologists, but because that's their way to deal with trauma (and dealing with trauma through art is okay). But PLEASE remember that while the eggs are fictional, their "parents" are REAL people.

Use fictional characters, please. Stop writing real people into pedophilic or highly abusive situations. THAT'S HORRENDOUS.

Another example is the following: Some weeks ago people were reporting a Twitter account and I clicked on the account (I personally don't like reporting people without making sure they deserved) and it took me like three seconds of scrolling to see more than 5 Ccs being disrespected (including Slimecicle, Quackity, Cellbit, Roier and Badboyhalo). Explicit Pictures, videos and fanarts were being posted about these creators.

You know what I think? I think Cellbit made his character asexual not only for the representation (it's clear by now that q! Cellbit is a sex positive asexual which is still representation yay!) But because he has been on the internet since around 2011 and he knows how disrespectful people can be. I think he knew that his and Roier's ship was getting too popular and that makes them both unprotected to shit like this.

Sadly, it's clear that it didn't matter that Cellbit made his character asexual, people can't seem to respect that detail about his character and about himself as a real person.

To some people it doesn't matter if the Cc is ambiguous or completely clear about their boundaries, they still don't give a fuck.

Please remember that behind each character is a real person. I understand sometimes you guys want to see your favorite characters fuck -me too, honestly- but for people like streamers that's out of the questions because not only they're real people, but because their work is related to social media and the possibilities of them finding EVERYTHING we write and post about them are super high.

I don't know how to feel. It's obvious that Mariana has not been feeling the same about the server since Juanaflippa died. Maybe this will make him feel even worse about the QSMP but I hope I'm wrong.