#i mean the theme song

[kissingarthurclaus]

So what if I told you...I'm writing an s/i who was childhood friends with Viktor...and what if I told you I'm writing angst again...?

[loveexpelrevolt]

How about the winner get a kiss from the loser? Do you wanna end up in a coma? You can drain my energy any time, chère. Gambit has plenty.

GAMBIT & ROGUE | X-Men '97 1.03 "Fire Made Flesh"

[dramiserable]

I saw Miku at the village festival the other week trust me

[mylittleredgirl]

i will always love the original version of the deep space nine theme song best, but i do understand why they put more zip to it in the later seasons. breathtaking musical composition, but yeah it's kinda slow for an action/adventure tv theme song, so if you're already remaking the opening sequence to add the defiant, go ahead and punch it up. good idea, good execution.

fully hilarious though that enterprise tried to do the same thing ten years later, because as memeable as faith of the heart is the Skip Intro era, it's really hard to overstate how much vitriol people had about the theme song in real time. i will say that fandom history overstates this a little because it wasn't universally treated as a sin against god, there were at least twelve diehard trekkies out there (including me) who looked at this gorgeous intro sequence paired with a mediocre cover of a rod stewart song and went "hmm. weird choice, but you make a good point, i would like to have strength of the soul and reach any star."

but the star trek fans who like being mad about star trek were frothing at the mouth. it wasn't just silly and bad this was the rallying point for how enterprise was an affront to star trek. they were NOT going to take it lying down, they had torches they had pitchforks, they were nailing a list of grievances to the church door and THE FUCKING THEME SONG HAS LYRICS was thesis #1.

(followed by "why are the vulcans jerks :(" and an itemized list of every single canon inconsistency)

so it is so, so fucking funny to imagine the network meeting that must have taken place sometime in late season two when they were bleeding audience numbers and UPN started making the worst previews of all time ("tune in for next week's SPECIAL ENTERPRISE EVENT: ✨Canamar✨!") (the previews also spoiled the ending of every episode for months, like they weren't just bad they were actively damaging) (it was soooo so hard to have a good time as an enterprise fan in 2003).

so this meeting happens and they go okay. we know what to do here. first up. put "star trek" back in the name (it was just "enterprise" for the first two seasons to "attract a new audience"). next. is there a way we can make this about 9/11. great great good job. can we put jolene in a different catsuit? and then some intern whose job it is to monitor the forums on television without pity timidly reminds them about the torches and pitchforks and they're like oh yeah we should remix the theme song! and the intern is like WHEW so should i book an orchestra for like an hour to do an instrumental version of the closing credits and then bermaga or some clown at UPN is like no no no you're not getting it. the lyrics aren't the problem. they just don't understand our vision because there weren't enough bongos.

[seph-on-an-irrational-planet]

The “I thought that was non-diegetic” line has everyone thinking the Doctor can hear through the fourth wall, but what we’re actually hearing is his internal soundtrack he’s got going all the time. You better believe the Doctor wrote several full orchestra playlists he either sings to himself constantly or the tardis beams into his head nonstop.

[starry-bi-sky]

more incorrect quotes for the stillborn danyal au - dpxdc

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Student: so like,, *gesturing to Plasmius* is he like,,, your dad or...?? Phantom: he would be if he wasn't such a BITCH Plasmius: excuse me Phantom: YOU HEARD ME

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Under the Bleachers: Danny and Dash smoking in solidarity Dash: Danny: Dash: do you have notes from Lancer's class today Danny: since when do I ever have notes from Lancer's class Danny: I can ask Tucker but only if you have notes from Abernathy's class Dash: deal

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Sam and Tucker: *making s'mores with Danny's lava hair* Danny, as Phantom: >:I Sam: you're just mad because you didn't think of it first Danny: yEAH

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Danny, freshly ghosted: .... Danny: well. at least i dont need to waste money on lighters anymore

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Tucker: with how long your hair gets we may just have to start calling you rapunzel Danny: don't you dare Sam: rapunzel, rapunzel, let down your lava hair Danny: NO

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Danny's hair tie breaks in the middle of a fight Danny: fuck Skulker: language child Danny, pushing lava bangs out of his face: fuck you! just for this im turning your suit into molten slag Skulker: waitholdonwecantALK--

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Danny: you know, by your logic Maddie is equally as guilty for abandoning you as Jack. She also never visited you while you were in the hospital. Vlad, had put his infatuation with Maddie aside but still kinda had feelings for her: Vlad: you're right Danny, not used to an adult agreeing with him: I-- huh, I am? Vlad: yes. If Dr. Walker had cared about me -- even if only as a friend, she would have tried to remain in contact with me. But she didn't. She is also as equally guilty for the accident that took your life too since she also failed to properly check over the portal for flaws and any improper wiring. Danny: wait- wait, i mean-- Vlad: this means only one thing Danny, bewildered: ??? Vlad, extinguishing all lingering feelings: I have to kill her too (somehow) Danny: nO.

[oldmanpusspuss]

paul mccartney you're gay and that's final

for legal/ethical/moral/psychological/spiritual reasons this is a joke

[flamet-draws]

Mechtober 2024 Day 6: Song

Well obviously I’m gonna do something based on Trial By Song

[gentlebeard]

All Gnossienne No. 5 Moments - A Compilation

OFMD WEEK 2023 - Day 3 - Recurring themes/symbols

Show: Our Flag Means Death - Season 1 Music: Gnossienne No. 5 performed by Olga Scheps YouTube

[gemsalive]

hellooo isat instrumentalists this one’s for u 🎼

my pal @dasnercaret was looking to play the ISAT title theme on piano last night and lamenting the lack of single-instrument sheet music, so: i come bearing offerings of sheets created specifically with piano playability in mind!

the solo version does make some compromises to ensure it's playable by one person, as unfortunately the accurate transcription spans two too many octaves for that, but still retains the key features of the OST!

for the more accurate duets, i've got two formats:

the duet version is explicitly split into a single-line melody and piano accompaniment; the melody retains some chords at the end but the lower notes are easily ignorable if you need (winds gang rise up <3)

finally, the "2hands" version is just everything smushed together onto one staff in case you prefer it that way. or like. have rachmaninoff hands. as with the duet, you can easily play this by sitting side-by-side with your star-headed buddy of choice at the same keyboard and having one person take the low voice while the other takes the high!

additional notes under the cut:

incidentally, i did find out from the isat discord after finishing these that there was a really great direct multi-instrument transcription on musescore already, but unfortunately none floating around yet designed for actually learning and playing. so again, this is especially for folks who want to sit down at your Instrument Of Choice and play the theme yourself or with a buddy, but if you want to hear a truly faithful version, i believe it is thanks to @sketchz that you're covered here! (hope the ping is okay!)

also for the record, i said We Ball and used 32nd notes for the "echo" nearing the end of the track since it's Musically Significant but if that's terrifying you can absolutely just ignore every other note and play them as 16ths. go forth and make music freely and do whatever you want forever <33

enjoy!!

[finalgirlgretchen]

if one more person tries to claim that the oh hellos are no longer christian i am going to lose my shit

[manderleyfire]

“Myself. I killed the old me so I could come with you.” She plucked the splinter free. “There. Well, I hope old you doesn’t haunt new you. We’ve already got enough ghosts us.”

"Haunt Me" from There Is No Death, There Are No Dead by Gemma Files // "Killing the Love" from The Divorce Papers by Anne Sexton // "The Valley Song (Zoo Lullaby)" from The Ballad of Songbirds and Snakes by Lucy Gray Baird Suzanne Collins // "Wuthering Heights" by Emily Brontë // "Herakles" by Euripides (Anne Carson's translation) // "The Ballad of Songbirds and Snakes" by Suzanne Collins // "A Game of Thrones" by George R. R. Martin // "Crime and Punishment" by Fyodor Dostoevsky.

[felinelord-bowbeforemepeasant]

REREADING TIME

I have some funfact

I don't know if anyone remember this but I was rereading some of the chapter and I see this note

And yup like the note say is was quite ironic for them to be like this

I think other than the two fukus they really should put fukufuku too but it a note so meh

[thewhizzyhead]

warriors 2024 and the art of giving meaning to struggle

alrighty ramble time: let's talk about luther and how he managed to fuck up NYC for good. if luther were like i dunno lex luthor, i'd say his move to destabilize gang relations in nyc is a very fucking calculated move because i really do have to give credit to him in actually achieving the goal he set out for himself because his decision to kill cyrus,,,,aka the one that organized the "Please No Gang Fighting" summit that aimed to unite everyone against the bigger baddies of NYC,,,essentially fucking killed any and all chance of such a peace summit and unity initiative from ever happening again. because, like, after seeing a beloved and seemingly untouchable leader be murdered in front of all of you despite explicit instructions to Not Bring Weapons, would you even risk witnessing that chaos again in another summit? would you trust that forming a united force work after such a tragedy? is there even a possibility of finding trust among other NYC gangs if someone among their number killed your very hope? so yea knowing how the movie ends with just the gramercy riffs saying that the warriors (with two dead people and one arrestee in tow) are off the hook because someone else witnessed luther killing cyrus,,,the original ending is actually quite hopeless when you think about it in their shoes. in the words of movie swan himself in the movie, is what they end up with all their night of sleepless fighting and struggle is worth? hence, i now really see why warriors (2024) decided to make what I consider to be the 2nd biggest diversion outside of the genderswap: making cleon live - because otherwise, the warriors' struggles surviving the night can be said to be struggle for solely struggle's sake.

in the musical, cleon is an astute believer in cyrus and the future cyrus envisions for all of NYC - thus, she becomes the harbinger of cyrus' hope in the form of still breathin' and somewhere in the city. her being alive doesn't detract from the widespread tragedy faced by the NYC gangs - i still really believe that no matter what, luther effectively killed their one shot at true unity and trust - but in cleon's own words: "What do you do when they kill everything you believe in? Give it meanin." the decision to keep cleon alive is warriors (2024) counteractive measure at the absolute shithole luther placed NYC in because in her message of keeping the dream alive despite situations that are, realistically speaking, impossible to wholly recover from, gives their struggle meaning, purpose, and direction - the end goal being hope. that theme of hope despite and in spite of adversity now becomes evident on as to why we are made to be invested in the warriors' journey home and their subsequent growth. in mercy's decision to leave the orphans for a place of belonging and pride that can make her finally hold her head up high. in ajax's and fox's decisions to retaliate against their pursuants among sleazy old men in blue. in swan's persistence in getting the rest of her crew home alive despite still reeling from the loss of her leader and her fellow warriors. all attribute their own reasons to why they resist and rebel because they ultimately hope for something fucking better. ultimately, warriors (2024) exists because of the want to give more meaning to struggle in the form of hope amidst hopelessness. in the movie, the warriors find their meaning in the sweet simple bliss of survival - in making to coney island's sunrise. but in the album, another meaning is emphasized among not just the warriors, but the marginalized communities of NYC in general: their meaning of struggle goes beyond surviving the night - because they carry on and carry forth the dream of one day having a city where they all come home alive. because after all, isn't the formation of grassroots rooted in resistance - and isn't resistance born out of the want and hope for something better?

[sorinethemastermind]

+ bonus (they really didn't have to do this)

[seagull-scribbles]

I’m more vulnerable to my suprise with my clothes on, our hands entwined,

Then I am lying naked on my side