#i may not necessarily agree with them on this but from the perspective the story follows there's certainly some truth to it

[evilkitten3]

#I GOOGLE TRANSLATED IT AND THE STUFF DIRECTLY BEFORE WHAT'S CIRCLED IS SAYING 'BUT THERE'S TOO MUCH HINATA'#naruto#described#described by me#is 伊達 the name of the speaker or am i wrong? it LOOKS bolded but i could be wrong and also why would only one name not be in english

never trust google translate. i'll translate (as best as i can; i don't know what's said before the top line, after all...) (also the band members' names are in english bc that's how they write their stage names. the ones mentioned here are TAKE (asakawa takeshi), KEIGO (hayashi keigo), and KOHSHI (asakawa koushi). Date's name is not in english bc he's not in a band and doesn't have a stage name)

TAKE: Let/make [me](?) feel the future with Hinata too.

Date: But Hinata appears too much, doesn't she?

TAKE: Because she's the heroine! (lol)

Date: For me, I think the true heroine of this story is Sasuke. A story of Naruto, the hero, rescuing Sasuke, the heroine.

KEIGO: I see~.

KOHSHI: It's certainly so, isn't it? Depending on how you look at it.

(it should noted that while the word "heroine" in japanese is a direct takeaway from english, the usage of the word can be slightly different. in hinata's case, the usage could refer to her being naruto's eventual wife, but i imagine refers to the trope of a female character who is in love with the male protagonist prior to the beginning of the story/a female character who falls in love first. the joke about sasuke being the "true heroine" is based both on his role as a person naruto as the hero desires to save as well as the multiple other context-specific usages the word has in japanese. there's a lot to get into concerning the love interest role and its relation to modern day views of gender and romance but it's 3 am and i need to go to sleep so. yeah)

At the anniversary concert of the FLOW band, there is a conversation between the FLOW group and the director of ‘Naruto’ Hayato Date.

“I also,to be honest, think that the real heroine of the story was Sasuke. This is the story of the hero Naruto, who must save the heroine”.

[flightfoot]

Top Ten Completed Miraculous Fics Of 2024

So here it is, my top ten list for the year. I'm gonna be adding this as a bookmark subcollection inside of the full collection. That way, people will still be able to see which fics I recommend most highly for the year, even if they can't find this particular tumblr post.

I've got a real range in popularity here. The most popular fic has over 2000 kudos, while the least popular hasn't even hit 20 yet, at the time of my writing this. Just goes to show that popularity doesn't necessarily track with quality, especially for fics that have more niche appeal to begin with.

All of these are over 40K this time. Longer fics just have more going on, so they dominate lists like this. Which is one reason I have the regular lists that are separated by wordcount, to let fics of every length have a chance to shine.

A lot of the lower entries here bounced around in placement. The top five remained pretty stable though, once entered.

Here's the subcollection I set up for them!

10.

Each Hum And Click by @echo-has-queries

Kagami thought her understandably high standards for a match in marriage would mean she could avoid being paired with a man by her mother. That she could keep perfecting her flying-machine skills and eventually take over her mother’s place in leading the Tsurugi steam engine manufacturing company without having to defer to a man. She would have thought that when her mother told her to test the Agreste boy as a marriage match she had been kidding - if her mother ever kid. But she was serious and there truly was no fault to be found with Gabriel Agreste's son - except for the small detail of course, that he was not human. So Kagami must turn to the only fine mechanic she knows in Paris to find a solution to this new dilemma. But perhaps the dilemma could turn out to be the solution itself. Written for the AU Roulette Challenge 2024 with the prompt: Steampunk AU

So this fic is entirely from Kagami's POV, and it is a treat! It's an Adrigaminette fic, which you slowly figure out from reading the fic, if you didn't check the tags - Kagami may have tried not to like Adrien, but he grew on her regardless, and then a few chapters in you find out about hers and Marinette's failed relationship. I loved slowly finding out why the two of them broke up, when there are clearly still strong feelings between them, and how it ties into Kagami's character arc and the overall themes of the story: standing up for yourself, breaking free from those who would control you, and forging your own path.

---

9.

Do You Read Me? by @19thsentry-blog

The problem with being a Couffaine was the hereditary bits. The stubbornness. The weird need to pick a fight with authority for no reason besides the principle of it. The way being a Couffaine meant falling in love, fast as a car crash, and just as deadly. It ruined you forever.

So basically, this takes place a few years after Season 5, in the post-Wish world. Luka takes over as the Ladybug Holder, battling Chrysalis in Marinette's place. It's causing him some strain, since it's hard to hold down a job when you need to vanish randomly for long periods of time while on the clock, and it doesn't help that Chrysalis is a lot sneakier than Monarch was.

That's not the core of the story though. No, the real story starts up at chapter 3, when Luka suddenly wakes up in 19th century London, supposedly having always been there, and talking to a 19th century version of Max. From there, he soon gets escorted to Felix, who is a detective around those parts and agrees to host him for awhile.

This is a Sherlock Holmes inspired story, with the setting ripped straight out of those old stories, and I think it does a great job of that! Felix feels natural as Sherlock, with his deductive abilities, and the mystery really does read a lot like a Sherlock story. Though of course, the ultimate cause is more magical in nature.

I love Luka's perspective in this story and his and Felix's dynamic, it just feels very natural and well done!

I was satisfied with how the mystery wrapped up, 19thsentry did a good job of making things make sense at the end, and it felt satisfying. If you want a story with some great characterization for Luka or Felix, or just feel like a mystery, this is the story for you!

8.

A Breach In The Brooch by @piromina

Ladybug and Chat Noir are the heroes of Paris. Hawkmoth is Chat Noir's father. Chat Noir is aware of this. Hawkmoth is not.

So this is an interesting spin on the classic "Gabriel recruits Adrien early on to help him" plotline. Mostly because Adrien is still Chat Noir in this AND still helping Ladybug as a superhero - Gabriel has no clue about his secret identity.

Plagg, unsurprisingly, isn't thrilled about Adrien refusing to tell Ladybug what he knows about Hawkmoth's identity, and that Adrien keeps following Gabriel's orders, even when he knows they're wrong. Though he figures out before Adrien does that Adrien's compulsion to follow his father's orders isn't just a psychological thing...

I really love Plagg in this especially, he's the MVP. He knows what it's like to be compelled to do or not to do certain things, so he's good at comforting Adrien over it and at finding loopholes for him.

---

7.

Phantom Pains (and other hints of you) by @buggachat

She couldn't remember anything. Not where she was going, where she'd been, why she was in this stairwell, or even her own name. But as she watched the blood pool at the base of the steps, she at least knew one thing for certain: the corpse was hers. Getting used to being dead was going to have its growing pains. — “Well, unlucky lady,” Chat Noir greeted with a bow, “Can I get your name?” “Didn’t we just talk about this? I told you, I don’t remember it.” “And I told you,” he reminded, “that you can just pick whatever fits you best.” — Ladybug and Chat Noir may not remember who they once were, but at least the two lost souls can find comfort in each other's company. But as Ladybug starts uncovering more and more memories of her life, letting the past go doesn't seem as easy as Chat Noir claims it to be.

So this is a beautiful, sweet, tragic love story of two lost souls wandering around with each other, yet with Ladybug still desperately wanting to be found, to remember who she was - and wanting to know why Chat so adamantly wanted to stay amnesiac. It's got some neat worldbuilding, and some fantastic prose. It's just a really nice little story!

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6.

A Small but Stubborn Fire by @cardiac-agreste

What if you were the parent of a teenage superhero, but didn't know they were? All you know is the nightmares, the panic attacks, and the bruises. She's missing school, she's disappearing on you, and she's not telling you anything. So you assume the worst: Assault. Depression. A permanent rift in the family. And what do you do when you realize you weren't thinking dark enough? Because your fourteen-year old daughter is the hero who flirts with death on the nightly news. -- Come inside and read about one mother's struggles to raise her daughter in a dangerous world while avoiding the mistakes her own mother made with her.

This is a more serious take on the consequences of Hawk Moth's war on Paris, with actual bloody, painful deaths as a consequence of many akumas, and Parisians developing PTSD because of what they've gone through. Ladybug can fix all the physical scars, but not the mental ones, including her own.

I love the focus on Sabine here. She's not just presented as being a mom - though of course that IS an important role she has. But she's explored as a character in her own right, one with a lot of emotional baggage as a result of her abusive mother, and trying to not fall into her mistakes, but sometimes doing so anyway out of fear for Marinette's safety. She's a really fleshed out, humanly flawed character, sometimes admitting that she would do something selfish if it means protecting the people she cares most about, like her daughter, even if its at others expense. She grows and changes a lot throughout the course of the story, her perspective on many matters changing multiple times as a result of getting new information or seeing the consequences of her previous approaches, and adjusting as a result.

If you want a fic that more realistically explores the dark consequences of Miraculous's setting, that fleshes out Sabine, or just develops a character in a complex way, then I highly recommend you check "A Small but Stubborn Fire" out!

---

5.

Finding A Way by @uptoolateart

Collège is nearly over! And what better way to celebrate than a class trip to Costa Rica? But with only a month left to tell Adrien she loves him, Marinette is feeling the pressure. Then – an accident at sea leaves them stranded together on a tropical island…alone. Or are they? Because those footprints in the sand don’t resemble any bird they’ve seen before. And what’s that roaring sound coming from the jungle? ‘Adrien…where ARE we??’ ***** A Jurassic Park / Camp Cretaceous AU that’s been kicking around in my head for over a year

I love the sense of danger permeating this fic, it really feels like Adrien and Marinette are stranded on Jurassic Park (well it's called something else in order to integrate it better into the ML universe, but it operates like Jurassic Park). They're making the best of it though, doing their best to survive - and along the way, getting closer together.

I like that it's not JUST them though, Gabriel and Nathalie find out where they ended up pretty early on and go to rescue them, with Alya and Nino stowing away. It was cool to see that side of things as well.

Oh yeah, this fic is rated M for violence and gore. It's because dinosaurs eat people alive and leave their body parts everywhere. If you can handle the Jurassic Park movie (or presumably the book the movie was based on, but I haven't read that), then you should be just fine.

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4.

Boulangerella by @aidanchaser

Once upon a time, magic was wild. The two princes of the kingdom have been tasked with choosing their brides by the end of their 21st birthday celebrations. Crown Prince Adrien Agreste will have to choose between a woman who can protect his kingdom, a woman offering the power to wake his sleeping mother, and the woman he has loved and admired for the past year. Then there's also the seamstress that he is suddenly falling for. By the time he realizes he doesn't have the power to choose at all, it may be too late.

I love a good fairy tale AU, and this is no exception. Aidanchaser started writing it before Season 5 came out, so it's wrong about some things. Most notably, Felix's posthumous father was a good and decent person here, and one of the twin rings is Felix's Amok while the other one is Adrien's Amok, instead of both of them being Adrien's Amok.

This was a well-crafted tale, with kwamis operating as Fae: they can give power, but only if the wielder gives something up to pay for it. For temporary usage of their power, it can be something small and innocuous, such as giving Plagg cheese in exchange for his help. More expansive uses of their power requires greater sacrifices however, even sacrificing more nebulous things such as memories or hope.

The kingdom's currently being terrorized by this unknown villain, Hawk Moth, as in the show. Ladybug and Chat Noir emerge to battle him, but for some reason (*cough, cough*), King Gabriel isn't fond of the superheroes and wants them captured.

Gabriel isn't the only threat out there, Lila's skulking around, hinting that she knows how to wake up Emilie from her mysterious illness, if only Adrien marries her. And she's not about to take no for an answer.

If you've been wanting a fairy tale/fantasy Miraculous AU, I recommend giving Boulangerella a shot!

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3.

He Couldn't Remember (Falling For Her) by @purpleautumnvision

"If I was given a choice in who Chat Noir would be, I would've chosen you." "And there's nobody else in the whole world I'd rather have as my little bug." Without secret identities in the way, Marinette and Adrien get to live out their love story and put their heads together to discover the identity of Hawk Moth... but an unforeseen twist puts the Miraculouses in Gabriel's hands. When he makes his wish for a world where his wife never became sick from using the broken Peacock Miraculous, the universe requires someone else to become sick in order to maintain balance. Who better than his greatest enemy, Ladybug herself? Adrien, with his memories rewritten by the wish, wakes up in a world without superheroes, without Hawk Moth, without Marinette, without friends, and without a clue as to why everything feels so wrong. Something's missing, but he's gonna find out what. Then he'll put his world back into place.

So this was a fascinating scenario, with Adrien waking up in a world where Marinette was dead while his mother was alive, a world that as far as he knew had always been the case... but having weird feelings he can't explain. And not just him, I love how much focus Alya gets here as well! Turns out that the memories are kind of hidden, but still present, and since Adrien and Alya never got to meet Marinette in this universe (she died just before the new school year began, at the same time that Emilie did in the normal universe) AND Adrien and Alya were her closest friends in the previous universe, their feelings towards her are closest to the surface and least impacted by the memories from this universe.

The other people in this universe... well, the class isn't taking Marinette's death well. It's fascinating to see just how much her death effects them, to see how it haunts them, and I loved seeing their reactions to Adrien's weird behavior about their dead classmate who he never got a chance to meet, it shows how strange some of this can look to the outside, and it doesn't help that these are grieving kids.

Just... this is a great fic, I highly recommend checking it out!

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2.

Symbiotic Whiskers by B1ackout

Adrien Agreste aka Cat Noir was given the cat ring miraculous to help Ladybug in protecting Paris. But something had found him first, a silent companion that granted him strength and power he never knew existed. Bonded with a symbiote, Cat Noir faces Paris alongside Ladybug without even knowing that someone left a magical ring in his room. (Canon Divergence)

This is a phenomenal fic that deserves more attention. It's kind of funny how he just goes "hey I've got superpowers, she says that the thing we have that gives superpowers is called the Black Cat Miraculous and that the being that gives them is called a kwami, obviously that must be what I have!" though that gets stretched more and more as Adrien's experiences with the symbiote contradict what he's heard about how kwamis work, and Tikki gets increasingly worried about "Plagg's" weird behavior. It's a dark, somewhat brutal fic (people die permanently, and they're not always villains), and it's absolutely worth a read, this is an excellent crossover!

1.

Withered Wings by @11jj11

Nino wasn’t sure if anyone had ever willingly took the akuma butterfly before him, but with his mind completely open to this apparent son of Hawk Moth he knew that he couldn’t turn him away. Not someone that was so afraid, not someone who would be left at the mercy of Hawk Moth.

This fic is amazing! Just... some absolutely stellar Adrino, with some nice Alyanette on the side, AND it's one of the best Enemies AU (well, sort of. Adrien's on Hawkmoth's side, but Nino isn't, exactly), in the fandom! I love how much we get of Nino's perspective, his determination to save this boy who's been thrown into these battles, who clearly doesn't want to hurt people but is compelled to do so, while balancing it with trying to prevent damage to anyone else as well. He has to be the one to look after Adrien, because no one else will do so.

I also love the focus Alya gets here, as Marinette's partner. She does an amazing job in the role, with every Miraculous she gets, even though she isn't a perfect wielder.

That's something else, I like the bits of worldbuilding this adds in, with people who fully embody the aspect a kwami represents being able to transform more fully. That does not mean, however, that an imperfect match is a bad thing, the kwami and wielder can still be very strong together and get along well, even if they don't perfectly align.

I adore how Nino had to balance his roles in this, helping Adrien without hurting others, even fighting back against the heroes as needed, as much as he didn't want to. And how understanding people were when they found out the full story of what was going on. It's a truly fantastic story that anyone who likes Enemies AU, Adrino, or just want to read a good Miraculous fic should check out.

I do want to warn that Gabriel and Nathalie are significantly OOC in this. Gabriel's even more abusive and colder than he is in canon, and Nathalie is WAY worse. This fic started before season 5, so it wasn't known what Nathalie's red line would be. As a result, Adrien's more downtrodden than he is in canon, since the consequences of disobedience are worse than being cut off from friends, or even being made to sit in a blank white room indefinitely.

[angelsdean]

Honestly I hate that every meta post / analysis / discussion is viewed as "discourse" more often than not. And the idea that one interpretation MUST reign supreme among fandom. That we must all agree in order to get along. Or that one post is the end all be all of someone's takes. As someone who often enjoys entertaining multiple / contradictory takes and angles of interpretation it's...annoying. My opinions also evolve and fluctuate on rewatches / depending on mood / depending on fandom climate at the time / etc.

I like having discussions with friends (sometimes those discussions are public, sometimes they're not). I like trying to see their POV. Sometimes I come away seeing things differently. Sometimes I don't. Sometimes I AM more critical of other characters in the moment. Sometimes I give them more grace. Sometimes I'll make a post in a rewatch, feeling big feelings, and then come back later to amend it, with a more balanced perspective. But there have been times when I have been blocked / unfollowed for one angle or take and that ends up not even being my MAIN mode of interpretation but just something I was rotating around. idk sometimes a post is not the end all be all of what someone thinks abt a character / plot point / story arc. Sometimes we can be critical without being a capital H hater. There is room for nuance. multitudes. contradiction. We can have preferences or think something was not portrayed as well as it could have been. We can be annoyed by those things and talk abt them. I also do not need to agree with every single take my mutuals and pals have. Sometimes I heavily diverge, and that's ok! I think having different viewpoints and candid discussions is often beneficial to fandom. But these discussions are not all "discourse" or "fandom fighting." Sometimes people just have different opinions or interpretations. Sometimes what looks like "discourse" is actually just fandom friends discussing differing viewpoints.

As someone who also likes arguing a thesis and citing sources to support an argument and doing analysis and literary interpretation, I can say that even for takes I don't necessarily agree with, effective arguments can be made for that interpretation and supported by canon evidence. I think that's why "open to interpretation" often chafes at some fans. Because it means multiple interpretations CAN exist and be effectively argued. Mine and yours. There is no one singular ultimate truth in literary interpretation. Not even authorial intent. That's the beauty and fun of media analysis IMO. We can each find different meaning from the same source material and diverge. I may continue to argue for my interpretation (in the academic sense of "arguing a thesis") because that's the position I've chosen to align with, but that doesn't mean I think it's the only one you CAN have. And no, not all interpretations are created equal or are argued in good faith. Some ARE more valid than others and better argued / supported. And sometimes an interpretation is only one of many a person can have.

Overall, I don't like the idea that fandom needs to be a hive mind, and that we all MUST have the same opinions or interpretations or come away from the show feelings the same way or else it's "ruining the fandom fun." Sometimes I staunchly disagree with people, especially when takes are rooted in bad faith fanon more than anything that actually transpired on screen. I won't play nice with people that are just Making Up Some Guy to be mad and insisting I must also hate that guy, who doesn't exist. But I can and do have discussions with friends and mutuals where we interpret canon events differently! And I value those other perspectives. They challenge me to question my own viewpoint, to interrogate my takes, to check myself when I get too rooted in Only One Way of thinking. I don't want there to only be one way of interpreting. And sometimes even I will contradict myself and explore other avenues, for the fun of it.

and before THIS post gets interpreted as discourse I would like to issue the disclaimer: that this isn't directed at any individual blogger or any specific post. do not go after anyone. this is just some general thoughts and feelings I've been having about fandom for a LONG time.

[jarimaa]

hey, i was just wondering what are your thoughts on the final chapter of jjk…

The End

This is gonna be a little detailed. I am gonna first give a short answer and what I liked and disliked, then a little more detailed one. This is about ending as a whole.

I remember I did quite some research during my college time on post modernism and existentialism because i had to write an essay (it isn't about that) but I will be referring to what I researched here and there, when put forth my points.

Short answer- I am content with the ending. I am also surprised since this is the first time gege wrote a full manga for the first time, but he still managed to give an ending better than most. And any gripe that still remains, I will not hold it against the author cause the story and characters aren't real, Gege is.

Yuji, Sukuna, and Gojo's character have some of the best conclusions within the story (unpopular opinion probably 😮‍💨). The way they were written and the consistency with regards to their characterization was amazing.

As for what I am conflicted about, well, it's Megumi's character. I don't know how to say it, I liked it his conclusion, but I wish there was more introspection to how he reached there. But alternatively, I talked with a moot of mine, and they think the lack of introspection from Megumi is quite in-character. He decided to live for others once again (i.e., he didn't address his problems at all) and he is finding peace and comfort in the cage he is stuck at, it's such simple decision from his part, cause he is very clueless about his own psychology, and this is the beauty of it, that we as readers know what caused him to make that decision-according to my moot. I highlighted this one, cause this interpretation stood out the most. I also talked with other people, who seem to hold dislike for the lack of introspection from Megumi's end. While I am still conflicted, maybe I will address in some other posts or not at all, idk, but right now, I haven't formed my opinion on it. But I am satisfied, to say the least, conclusion itself isn't bad for me.

Detail:-

I like that it's more about evolving and coexistence rather than breaking the cycle or one conclusive solution. Regardless of Sukuna's or Yuji's existence, the curses will always continue to exist. It's humans' negative emotions that create curses in the first place. If the negative emotions of humans can't cease to exist, then curses won't either. Jujutsu Kaisen in a way rejects the idea that life can just have a start, middle, and end, or that one single truth/solution can provide closure. Maybe things can get worse in the future, maybe things can get better, that's up to you to decide, in that particular sense, it's open-ended.

You may ask what was even the point then? Well, let me offer a perspective, although it's just my interpretation, you don't have to agree to it...

When characters within a story accept a belief, perspective, or solution as the only truth, it can lead to their failure, especially if that belief oversimplifies a complex reality. But, one character who comes to understand the complexity can find a way to coexist with the chaos or ambiguity, though not necessarily "fixing" things.

In narratives such as these, the answer isn’t just a rejection of truth but a recognition of multiplicity, the presence of multiple perspectives, interpretations, or meanings within a single work or the idea that one truth or solution cannot account for the full stretch of experience. The character who realises the absence of a single "fix" often ends up navigating the challenges in a more nuanced way. They may not succeed in traditional terms, but they endure by accepting life’s complexity.

Many characters within JJK try to find some single "fix" to the system or the problem of curses and cursed energy and each of them had very flawed solution which we see failing--Yuki/Kenjaku/Geto were all extremists in that sense, one of my friend mentioned this in twt, Yuki wanted to completely break away from CE but also she didn't have any concrete plan, and Kenjaku who wanted to optimise it, but never really knew what merger could do, himself. Even Geto knew that killing all non-sorcorers is not possible.

Sukuna/Gojo-- both their ideals were extremely flawed. Many people have written amazing analysis on this, so i won't go in detail. But we see in the story how strength was the reason for both their solitude and which led them to path of their own death. But Sukuna perfected what Gojo didn't, sukuna completely threw away his humanity and was content living as a curse. A hollow human, who only ever cares about strength, he deemed love worthless, like Gojo deemed love to be the most twisted curse. However, gojo still wanted connections at the end of the day, and this kept him a little more humane than sukuna, who became a monster who clung to life wanting to stay at the pinnacle.

I liked that in the end Gojo realised that Yuji and other should follow their own path rather than just following his goals (although he would've like that) and I am glad they didn't follow his footsteps.

This conversation between sukuna and mahito just added so much to their characters.

Sukuna is the man who perfected his ego. He discarded his humanity till his last breath. Sukuna says he was an unwanted child (maybe cause he ate his twin in his mothers womb, someone on twt pointed out that this is similar to biological condition called "fetus in fetu") and he internalised this all and lived his whole life as a curse, only ever caring about his pleasures and displeasure and being the pinnacle. But even a perfected ego gets humbled in death, and the same happened with him. He acknowledges that he could have taken a different route, and if there is a next time, it would be nice to walk on a different path. Beautiful, honestly.

Now, Mahito is the literal manifestation of humans' hatred for others. He is a true curse, and he wasn't able to reconcile with his humanity after death because, unlike sukuna, he has none, he is not human. He is the manifestation of the same cycle of human hatred, he didn't change, he is the only one left sulking like a child. As I mentioned before, if the negative emotions of humans can't cease to exist, then curses like mahito won't either.

You could then say - well, then nothing changed?

I mean, is it really nothing? Tengen is no more, and this is the curse user Yuji, Megumi, and Nobara caught, and what happened to him?

Earlier, he probably would have been executed, but now Yuji offered him a chance to change.

Yuji turns out to be the person who learns to coexist. He is, for me, the best written character within the story with the best conclusion.

Now, let's just say that doesn't mean anything, nothing changed at all, there was no point...

However, the idea that "nothing changed" often misses the deeper layers of such narratives, which are less about external change and more about internal realizations, the acceptance of ambiguity and even the rejection of simplistic resolutions.

The "point" is not necessarily achieving change or a clear resolution, but rather witnessing the struggle itself. How characters navigate or accept a chaotic/indifferent universe.

There are two examples I can think of, first one being, Camus' "The Myth of Sisyphus", Sisyphus endlessly pushes a boulder up a hill, only for it to roll back down, its completely futile, yet the "point" is his perseverance. The second one is "Waiting for Godot" by Beckett, nothing really appears to happen in the story, and characters seem stuck in a cycle of waiting for this supposed person calles Gadot. However, the "point" is in the waiting itself. It's a reflection on the human condition, the search for meaning, and how we deal with uncertainty and the passage of time.

Thus, the point of such narratives is not in "what changed" but how we live with things not changing, how we adapt, or re-contextualise meaning of things when the world resists easy solutions or "fix its". It's reflectimg on the messiness of real life, where change is often slow, subtle, or non-existent, and simple answers are rarely seen.

So it's up to you to decide what you wanna make of this ending. Personally, I am very, very content.

(Again, this is my interpretation, I could be completely off charts, and I don't mind, maybe I will change my mind after thinking about it again, or maybe not, but one thing remains, that I throughly enjoyed all 4 years I was reading this manga. Peace✌️)

[myrtlebranch1019]

Some thoughts on Solas’ rebellion

(Disclaimer. This is just my opinion as a consumer of the media. I welcome any analysis & discussion, but rude behaviour won’t be tolerated).

Not to be DA:TV critical again, (It may come as a surprise, but I actually love the game!) but I can’t help feeling that Solas’ rebellion, as narrated in Veilguard, fell a bit flat. Solas openly declared his rebellion against Elgar’nan simply because they proclaimed themselves gods. But it raises the question: if they had continued ruling as kings or queens and still committed the same atrocities, would Solas have acted differently? Was it a matter of terminology? (Personally, I don’t believe so, but there was so much emphasis put on the word, instead of what it entails).

From a storytelling perspective, it feels less compelling to have a rebellion against a tyrannical, corrupt regime without first showing the regime’s tyranny and corruption. Where was the buildup to justify Solas’ actions? This could have been solved by an additional mural between the “proclamation of godhood” and the second one with Mythal. Where Solas confides to Felassan (that might’ve not even been his name, at that point), about the atrocities the Evanuris committed against their own people, and the two of them agreeing to start the rebellion (it would have been such a cool introduction to Felassan as well!).

Another point of confusion is Solas’ claim that the war with the Titans was about "freedom." Nowhere in the game does it suggest the elves had any motives beyond exploiting the Titans for lyrium (which started with them creating bodies from it). That particular line felt disconnected from the narrative groundwork, and was contradicted by his warning to Mythal, as it shows that he was pretty aware of the real cause of the war, from the very start (Could it be cut content?).

Additionally, portraying Elgar’nan as overtly and unambiguously evil from the get go felt like a missed opportunity. It comes across as a convenient narrative shortcut rather than a choice that adds depth or moral ambiguity. A more morally grey portrayal, with a gradual descent into villainy, would have been more compelling. For this reason, I found Ghilan’Nain to be the more compelling villain between the two.

Although the DA writing team seems to have moved on from this storyline, I’d still love to see a novel exploring Arlathan in greater detail. Honestly, I wouldn’t even mind if they retcon a few elements—like reimagining Elgar’nan as a more morally complex character. Given that the memories we encounter are shaped by the Fade (which is inherently unreliable), it would even be one of those rare cases where a retcon would actually make sense. Either way, just because I’m criticising the elements in the story that don’t make sense to me, doesn’t necessarily mean that I don’t find it compelling or interesting enough to want more.

[project-sekai-facts]

I want to preface this by saying that I’m not trying to be antagonistic! I don’t participate in discussions like this often but this event has sparked many discussions and a lot of intense feelings on this blog and I wanted to give a different perspective maybe?

While I fully agree that clpl took a cowardly route and didn’t have Mizuki state their secret on screen and that people have a right to feel upset by that (as I do as well; it genuinely pisses me off that they tell everyone off screen, locked behind a card story) I feel that saying that we were baited and that Mizukis story has no meaning and is pointless now is a bit much? Mizuki is still a queer character, their queerness wasn’t disproven or erased or anything like that. Yeah they didn’t have them literally say what they are, but that doesn’t diminish their story and what they mean.

Their trans identity is something that can’t and shouldn’t be disconnected from their character. It sucks that this aspect of them is hidden behind a (quite frankly) absurd amount of subtext. I will say though that the sentiment of ‘Mizuki is Mizuki’ isn’t necessarily a bad one? I can see a little how that could be seen as dismissing their identity, but they ARE mizuki. There’s far more to that character than just their Trans identity. While obviously it’s an important part of their character and part of the main conflict for this arc, I don’t believe that clpls emphasis on Mizuki being Mizuki was meant to dismiss her identity.

Mizuki has always been a kind and selfless character, Ena and the rest of niigo are very endeared to her and want them in their lives because of this! Ena states that she may not understand all of the grief that Mizuki has endured and continues to deal with because of being othered by people at school and in society, but that she is willing to learn and stay by their side. Their identity isn’t something that warrants the end of their friendship, it’s not something that Ena cares about in the sense that it doesn’t change who Mizuki is as a person.

I’m not sure how the Japanese fanbase is reacting to this but I feel that the Western fanbases focus on having them literally say what they are seems in line with how queerness is expressed in Western countries like the US. (I myself am an American, and a queer person.) I can only go off of what I’ve seen in Japanese media, but they seem to be a bit more reserved when talking about being queer. It’s usually alluded to, and not explicitly stated all of the time. There’s clearly a cultural aspect as to why this story was told the way that it was. (There was also most likely corporate meddling as well though, lmao)

I do believe that clpl had good intentions with this particular story. It is very unfortunate that some things happened the way that they did, but I think that it’s important to look at what we were given and try to see what was trying to be conveyed. Perhaps that is a bit naive, and I’m not saying that everyone needs to accept the story that we were given and not look at it critically. Leaps and bounds still need to be made in terms of how stories like these are told. I’m saying that we should be a bit more open minded to the various aspects that gave us the story that we got.

I hope that that was coherent, this is something that I’m a bit passionate about as well! Thank you for taking the time to read my thoughts, I hope that you have a lovely day/night!

.

[avelera]

haha, whoops, i'm one of the people who're guilty of kinda enjoying the nickname thing (i don't write though), but it's a good point that it contradicts how they express themselves in canon

idk what country you're from, maybe this is not new info, but to maybe add further context:

i get an impression that in english getting called by a nickname/shortened version of your name is a very usual, casual thing, like if you introduce yourself as daniel you may get called dan by people immediately, unprompted, even in a [semi] professional setting? meanwhile i just don't like my name very much and want people to call me by the shortened version. just without the last syllable, nothing elaborate. and i do feel pretty weird introducing myself that way or explaining if asked, it feels like i'm asking people to show friendliness/closeness by asking that. also if they do know my legal name (at work for example) they end up defaulting to it often anyway. i think i could get away with it though if i had a more friendly and bubbly demeanor

basically i'm wondering if this is a thing because for some people it has more of a baked-in meaning of closeness, or at least overt friendliness, than it usually has in english. (though again i agree that this is not a thing in their canon dynamic)

Hmm, so my answer to this is multifaceted so bear with me for a second.

Just to keep it on Viktor and Jayce for a second, I'm a whacky stickler for writing characters as they are in canon. Many fanfics aren't even trying to be canon-adjacent though so while them using nicknames in a fic takes me out of the story, it's not necessarily right or wrong, it's just how the writer chose to write their story.

I was mostly making the point against them using nicknames from the point of view of, "If you're trying to write them in-character, why would you use nicknames? They never use nicknames." Which is also why I opened it up for the possibility that they do use nicknames in League of Legends, which turned out to be true and explains a lot of why that trickled into Arcane fic. I'm just an Arcane-only person so it raises my hackles a bit when I see those two blended but I get why people do it and would probably do the same if I knew League. (Jayce is just so different from his LoL counterpart it's hard for me to get on board with and it's why I didn't really engage with the fandom when only S1 was out even though on my own I watched Arcane like 100 times straight).

Ok as for the cultural stuff, obviously I can't speak for the entire Anglosphere but I can offer my perspective.

Yes, having a nickname is common and commonly used as a sign of affection. For example, my name is Maggie which is short for Margaret. I'd be put off if someone used my full name, but it has three syllables which is also a longer name than Viktor which is just two syllables I don't really get why it needs to be shortened further, but that's just me, the owner of a two-syllable name.

Unlike some other languages like, say, Japanese though US English does not have as rigid a hierarchy of which names to use to denote familiarity, at least not between adults (as a child, I was always taught to use Mr./Ms. "Last Name" with adults). You'd use last names upon introduction, sure, but switching to first names quickly is hardly unheard of, or even nicknames. I know some other languages like Russian, for example, also have a complex system for how and when to use diminutives and they specifically denote levels of closeness and familiarity (or at least, so my small brush with Russian literature taught me).

Now where I'd add the Jayvik nuance is that regardless of what someone's name is, long, short, nickname, or last name, you always use the name people ask you to use.

So if I had a colleague named William who wants to go by William and doesn't want to be called Will, it would be impolite for me to use a nickname if he didn't want it, even if it's easier for me to say. The most common polite thing to do with strangers or in a formal setting is use Mr./Ms. Last Name until that person gives you permission to use their first name, which is usually given pretty quickly unless the person is a bit of a jerk lol.

So yeah, to your last point, I think it's possible (I don't want to presume) that people having Jayce give Viktor a nickname when he doesn't in the show are either:

1) Basing it off League or general fanon or

2) Choosing to show closeness between them using nicknames as a love language that contradicts what the show portrays, which again, is an artistic choice that's completely valid, even if it's not for me. And I do think that yes, that's because I believe a greater mark of affection, for me, is using the name someone requests of you rather than using a diminutive or nickname that they didn't ask for.

I hope this sort of answers your ask and isn't just me rambling, lol!

[agentrouka-blog]

What made you first interested in Jonsa? I really want to love Jonsa. Which may sound strange. But hear me out. I’ve read all the metas and from a metatextual level I really agree with and believe in Jonsa. But I have trouble actually enjoying it and I think maybe it’s because so much content seems to focus on Jon pining over Sansa. I’d much prefer to see things from Sansa’s perspective where she sees the hero in him and sees that maybe all the songs aren’t lies after all as opposed to him “winning her over.” I feel I have been inundated my whole life with stories of outcast men pining over beautiful women they see as out of their league and “winning them over” and I honestly find the trope tiring because it’s so male perspective focused and doesn’t give Sansa the agency of choosing her lover, instead, making her something to be won or earned. If you have any suggestions for Jonsa content that focuses heavily on Sansa’s point of view, on her falling for Jon first (or at least falling for each other at the same time without realizing it) I’d love to hear them! And I’d love to hear what makes Jonsa appeal to you on a personal non-meta level!

Hi there!

I too draw a difference between Jonsa as a theory and shipping it for entertainment.

I've drifted quite a bit away from what you describe as "content", which is fanworks, art and fanfiction. My tastes are very narrow and that puts me outside the target audience for a lot of what is being shared by creators. Plus, I get a great deal more personal enjoyment out of just interpreting the canon text. I enjoy what the couple represents in the narrative more than I necessarily enjoy immersing myself in different non-canonical variants.

And there's a lot of variants. You have two similar but also very different canon-sources (books and tv show) and within those two sources very different takes on the couple. For as many "Jon pines for higborn Sansa" approaches you get an equal amount of "Sansa jealously pines for her brother's oblivious best friend" modern au's. What we enjoy in recreational reading is extremely personal and subjective.

That said, for fear of disappointing you, I don't particular enjoy the "Sansa falls first" scenarios because what I like about the couple especially is the idea of Sansa finally being appreciated for who she is. Canon offers us plenty of examples of Sansa extending affection and crushes on other characters. They are never truly reciprocated, and they join in on a theme of Sansa going unappreciated for her qualities by the world around her. She is disregarded, mocked, criticized, belittled, humiliated. So much so that a large part of the fandom considers this to be justified and educational for her. She has given up on being loved for herself, but she will not sacrifice her values as a consequence. So someone falling in love with her is to me a very compelling and cathartic validation of Sansa as a person. Of course, this only works if the person falling for Sansa is actually attractive to her and embodies the things we know she has been looking for all this time. But specifically the idea that Sansa falls first fails my personal taste because it contains a sense of lacking reciprocation that we've already seen multiple times in her story. She's been not-loved-in-return a lot already.

I do enjoy the concept of Jon being loved by Sansa, too, because it validated aspects of him he usually keeps close to his chest. Things that touch on his specific mixed sense of identity as a nobly-raised bastard. He has soft sensibilities, a romantic disposition, pedestrian dreams of family and home, and highly idealistic and emotional ideals surrounding leadership that center on duty and honor. But he is generally not appreciated for those specific things. He is appreciated for his brains and his abilities, his bravery, his pragmatism, his loyalty to his friends and duties - but not for the boy who wants to be Lord of Winterfell with a lady wife and babies, who wants to be a hero from the songs, Florian the Fool, Ryam Redwyne. It's a lovely and very specific recognition of a very private part of Jon, to be loved for his secret soft self.

But it's not my primary focus because unlike Sansa, Jon still receives a lot of validation and love in the source material. It's just not the specific kind he wants. So that makes it comparatively less compelling to me.

That doesn't mean that Sansa primarily falling in love with Jon isn't an equally valid thing to enjoy! It's just that I can't make you any good recommendations on this subject specifically because it's not my specific favorite flavor of jonsa.

I wish you good luck though!

[spywhitney]

Why I'm Not Buying New Tickets for the Sydcarmy Train (For Now Anyway)

So yesterday I re-watched S3 (aside from EP10. I didn't feel like watching Sydney having a panic attack again) so I can write this with a fresher perspective.

For a little context, S3 dropped at 2am Thursday for where I was and I couldn't get to sleep because A) I was so excited to watch it and B) It was more hot than usual so that kept me awake so I watched it all immediately.

My main stance is not that I don't necessarily doubt sydcarmy will happen, but rather I don't like the idea of it as much as I did before S3. Now, to my points:

Season 4 May Be the Last Season I believe it will be, or if we're lucky (???), an extra season. With how the story has gone thus far, and how the actors are being catapulted into the spotlight, I doubt there will be time for a satisfying sydcarmy ending.

Carmen Is No Longer Attractive as a Male Lead

The bear is a show of flawed characters that we can all connect, sympathise and root for in one way or another.

I had a hard time finding the Carmy from the previous seasons, or enough of the good traits that made him sympathetic enough for me to overlook his unsavoury ones. The yelling, ignoring, the disrespect, the arrogance, the abandonment, the neglect (and whatever else I haven't said) directed at Sydney (and everyone else, but she gets the worst of him the most often) doesn't make me want to see them kiss.

The first word that came to mind is gross. Could you imagine if a friend explained what Sydney has went through with Carmen then revealed they're getting into a romantic relationship with him? There's a certain ick factor that can't be undone completely by longing stares, chemistry and hundreds of analysis posts for me.

If being around your "soulmate" is leading to deteriorating health, it's not worth it. Smells too much like struggle love to me, and I'm not fond of the implications of that.

Dwindling Faith in the Execution of Sydney’s Character I held an expectation that S3 will be heavily focused on Sydney, but she was side-lined once again, and not for characters or arcs that I and a lot of viewers wanted to see. (Not to mention how this season was in general).

This season was mostly rising action and conflict, and with that we've seen Sydney at her lowest and have to wait to see if she will be victorious before the end (the word victory was first said by Sydney and one other person so far in the show, so I hope that's a good sign).

I don't want to sit through watching a black woman be a workhorse/emotional support/"work wife" to a white guy, or just anyone really. There was microscopic if non-existent reciprocity or at the bare minimum acknowledgement of what Sydney has done for everyone and the restaurant (and not just from Carmen).

Carmen Has to Change More Than Sydney Does His flaws far out weigh the severity of Sydney's. With S3, him not being okay is making Sydney not be okay, this is something I was concerned about in S2 with all the parallels, while some are sweet/romantic, others like the throwing up, the ticket machine and now the panic attacks, are too largely negative to be overlooked.

Saying that Sydney is becoming Carmen is not a stance I agree with (or want to believe), but for the show so far he's been giving her more problems, more stress and not enough care, respect, love to make up for it. Sydney has a flaw of not being vulnerable and expressing herself. It affects herself and her relationships with others, but not to the point where they're worse of. Carmen's flaws are negatively affecting Sydney's health, while despite her flaws, Sydney's strengths positively affect Carmen without fail. See where the problem is? Sydney has nothing to gain (and so far, has gained nothing substantial) from being around Carmen in any capacity, while Carmen has continued to benefit from her presence.

Again, it's kind of hard to root for them when romance involves people who compliment each other, make each other better. "You make me better at this." This is certainly true for Carmen, but Sydney? I don't see how this has been illustrated, or at most to a significant extend to where the negative aspects of their dynamic are out trumped. (Sidenote: At least Claire was getting lovingly touched and getting fucked by Carmen while Sydney was building up their dream restaurant alone. That's some nasty work.)

Sydney Deserves a Changed Carmen, Not a Struggling One Or a different love interest altogether. (Luca, where are you at? My condolences to the sydmarcus crowd, they really burned your ship in S2 then let it sink in S3.)

This connects to my very first point, but I don't think there will be enough time for Carmen to improve to be the man Sydney deserves. He also has yet to suffer the consequences for how he's treating Sydney. So far he has suffered at his own mind and trauma, but that's not enough for me. He has yet to pay his dues when it comes to Sydney, so the the idea that she will stay with him and The Bear and wait around for him to be and do better when she's been doing that three seasons straight doesn't sit right with me.

Like Sydney's gone through all that she's gone through (mostly due to Carmen) only for Carmen to be what she gets at the end? Eh, no thanks. (Especially if Sydney doesn't get loved up and taken care of by someone deserving, succeed professionally and win in general.)

Subtext, Glorious Subtext Last one. Whoop whoop! Being a sydcarmy has made watching this show so much better.

However, I can't be the only one who at times is getting tired of hyperfixating on subtext only for it to amount to nothing.

But, I have a few observations myself. I don't want Sydney to stay with Carmen/at the bear, I want her to leave. I have a feeling she won't but:

-In S3 EP5, when Sydney asked Carmen if he knew if Ever was special when he was there and I think he said he didn't, but Sydney said it was good he got to experience it.

-The only noteworthy Claire scene where she talks about the girl who fell into a glass table and laughed after the surgery, and Claire said she thinks the wounds didn't hurt yet. (And the scar on Carmen's hand. Is that from the pilot S1 episode when he grabbed the pan?)

-When it's revealed Terry is closing Ever, Richie presumes the reason is because she's depressed, but it's revealed she just didn't want to do it any more.

-The ever chef told Sydney if it wasn't for Terry closing he'd probably be there forever.

With these moments I like to think Sydney's arc is learning to move on, to not make "everything the thing". Carmen is the one who needs to stay at the bear, in one place and work on becoming himself with where he's at.

I may add onto this later, if you've read this far thank you, and I hope it was interesting. Links below are my rants on S3 and sydcarmy. Pretty sure you could decode the five stages of grief in them- I'm so dramatic lol.

This This And this

[velvet4510]

i saw these two people in the tolkien discord server i’m in say this, and while i can see their point (i 100% believe that men should be able to be affectionate without romantic undertones), i just feel like so many people get the wrong idea that samfro shippers merely see them as “gay and cute”

most of us accept all interpretations of their relationship, whether that’s soulmates, queer-platonic, romantic, etc

i was wondering what your opinion on this is??

Great question! SO sorry for the delay in responding. I hope to make my reply worth the wait. Also, this answer will be really long - sorry again - but I have many thoughts on this.

I completely agree that men should be able to be affectionate without it being romantic. Women do not have this problem of fearing open affection due to assumptions about sexuality, and I think it’s a terrible symptom of toxic masculinity for men to forbid themselves from showing affection out of fear of it being misinterpreted. LOTR is full of many beautiful examples of how men can be emotionally vulnerable with each other and how platonic friends can still physically express innocent affection (Aragorn’s kiss to Boromir’s forehead is a great example). Modern society should definitely follow the examples set by these characters.

The thing is, as a straight woman, I did not go into LOTR expecting to see any same-sex romances at all. And the majority of male friendships depicted in the book and films never gave me any sense of romantic undertones. Unlike many fans, I do not ship Legolas and Gimli because I recognize that their relationship is a bridge between Elves and Dwarves, proof that they can get along, that despite their differences, they can still find common ground and respect each other and be friends. This to me is a far more important message than a generic “forbidden romantic love story” that many view their relationship as. Their bond isn’t necessarily about wanting to sleep together, but more about recognizing that they can like and be fond of each other, and not allow their parents or cultures to influence how they view each other. I do not hate the Gigolas ship, of course, and people can feel free to ship them if they want to. But to me, they fall under the category described in the discord that you have shared: their friendly intimacy does not necessarily signify anything romantic. Even their journey into the West together does not have to be a romantic thing; I see it as Gimli not wanting to say goodbye to any more of his friends, after losing Merry, Pippin, and Aragorn, and instead going on one last adventure with his soul-brother Legolas.

Frodo and Sam, however, have always stood out to me as being different from all the other friendships in LOTR. I didn’t even take any pause in the fact that they’re both male. I just saw two people in love. It’s just in how they are written, and in Elijah and Sean’s beautiful performances. I totally agree that ANY interpretation of their relationship is valid. I think it is very wrong for any shipper of these two to insult or declare someone “wrong” to see them as just friends. But it’s the same the other way around. It is unfair for non-shippers to hate on shippers. While the argument regarding Tolkien’s Catholicism is an understandable one, texts and characters do develop lives of their own over time. Texts are meant to be interpreted. Tolkien himself wrote that he did not want to enforce his own beliefs within the story, and instead preferred to leave it open to readers to apply their own views and perspectives to it. He basically was inviting us to make interpretations that deviate from his own. He may not have had sexuality in mind when he wrote this, but if he were alive, I very much doubt he’d be hypocritical enough to criticize people for doing the very thing he encouraged them to do, especially since he was smart enough to know that not every reader of his work was or would be Catholic, and thus may not see certain aspects the way he did.

The main, unchangeable, factual point about Frodo and Sam’s relationship is that they love each other. That’s it. They go from formal master and servant to two people who have been through hell and back together, and in the process, formed a bond that nobody else will ever understand. This point stands, whether their specific feelings for each other are platonic or romantic. To view them as lovers does not take away from or undermine the foundations of how Tolkien shaped their characters and the connection they build.

It also bothers me how those who criticize this ship use the word “gay.” Bear in mind, of course, that I’m not an actual member of the LGBT community, and I’m speaking based on my love for my many LGBT friends and relatives, and the efforts I’ve made to understand and empathize with this community, and to never be among those who hate people based on who they love. But I’ve learned enough by now to know that it is quite ignorant of people to truncate the idea of Frodo and Sam being in love as “they’re gay.” Sam is not gay, as shown by his love for Rosie. To ship Frodo and Sam is not to erase Rosie or pretend Sam doesn’t love her. Sam has the biggest heart of any fictional character I’ve ever seen, and I, like many shippers, don’t find it implausible that he has room enough in that heart to have two great loves.

On that note, I’ll now signify that in the text Frodo and Sam have many moments that no other pair of male characters have, which serve as actual potential evidence of a romance. It says in the text itself that he is “torn in two” between Frodo and Rosie. No other pair of male characters in LOTR has any moment like this. Aragorn does not feel torn between Arwen and his friends, for instance. Sam hesitating to marry Rosie if it means he can’t be near Frodo is a very unique detail that adds weight to this “ship.” Not to mention the way Sam strokes Frodo’s hand in Rivendell and blushes, or calls himself “your Sam,” or has a Romeo-like moment of falsely believing Frodo is dead, or longs for the touch of Frodo’s hand in the Tower of Cirith Ungol. Plus, don’t forget that in another of Tolkien’s writings, Elanor directly compares Sam losing Frodo to Celeborn losing his wife. Also, I and many others have described how Frodo and Sam’s story directly parallels that of two canon lovers, Beren and Lúthien. Again, platonic interpretations of all this are valid, but it’s important to remember that shippers are not making things up. We’re not saying or believing that Frodo and Sam are in love “because they’re cute”. There are many moments between them in the text that support this interpretation, not the least of which is a direct parallel to a canon romantic couple - and without context, many of their exchanges and moments could easily be seen in a romantic light. (Sam watching Frodo sleep and saying “I love him, whether or no,” and declaring his one wish after potentially completing the Quest alone is not to return to the Shire and Rosie, but to return to Frodo’s body and never leave him again … all these things are right there in the text. Merry and Pippin, Legolas and Gimli, Aragorn and Boromir, none of them have any moments like this.)

And Sam’s journey across the Sea does not have nearly as much ambiguity as Gimli’s. Gimli has more to gain by going than staying; to stay would be to be left alone with no family and no more Elves or hobbits around, while to go would be to stand by his best friend, see the woman he loves/deeply admires again (Galadriel), and not face any more goodbyes. He wouldn’t really lose anything by leaving with Legolas, only gain. Sam’s circumstances are completely different. He has many people in the Shire; 13 children and countless grandchildren who could take care of him. He could easily spend his last days peacefully living with Elanor and watching her children grow, as any old hobbit would typically do. To sail West would be to lose and permanently be separated from a countless number of loved ones. And though he was affected by the Ring as a Ring-bearer, he held it for a very brief time, short enough for it to not prevent him from having a normal life after the war. It cannot be easily assumed that the lasting effect of the Ring on him was so powerful that it made him happier to leave his family than to stay with them. Because what would be waiting for him in Valinor? Gimli had two people in Valinor to whom he was very close, Legolas and Galadriel, as opposed to no loved ones back in Middle-earth. But Sam had one person in Valinor to whom he was very close, Frodo, as opposed to dozens of loved ones back in Middle-earth. The fact that he chooses Frodo over his family, to live with Frodo rather than die with and rest beside Rosie, to see Frodo again rather than see his family as much as possible in his remaining days…is a major point worth considering, and another thing that adds a layer of credibility to the idea of shipping them.

So to sum it all up, to say “you just ship Frodo and Sam because you don’t know what friendship is, because you think they’re cute so they must want to sleep together” is a MASSIVE trivialization/oversimplification/misunderstanding and completely ignores the things I’ve just laid out, particularly the distinctions between their relationship and those of other male pairings in LOTR.

Ok, ramble time is over…Boy, I hope that made at least one lick of sense! Haha.

[devout-of-the-elder-scrolls]

Molag Bal in my worship

As a preface for anybody not familiar with my blog - I believe the Daedric Princes are generally either misrepresented or only represented from one side of the debate within TES canon (that they are more than just evil, cruel, dastardly beings that want humanity to suffer). This falls especially true for my worship of Molag Bal. I do not take TES canon lore to be infallible worship canon. This post also comes from my own personal perspective and experience with Him, so… UPG.

This post will probably be one of my most "I do not agree with TES canon". Other than maybe my actual guide to Molag when it finally comes around and my other Molag related posts. If you're looking for a post about worshiping a super close to canon Molag Bal, I'm sorry, but you won't be finding it here.

Very long post below, I rambled a lot.

So, let's get the nitty gritty out of the way. In TES canon, Molag Bal is essentially literally the worst of the worst. You can tell this from the most basic of His titles.

That's not really my Molag Bal. How is that so?

Let's go over my general belief systems.

I believe the TES Gods existed independent of the fiction before being input into the fiction. I've got an older post talking about this in depth, but the main thing to know here is that this is kinda like how people take the Abrahamic God and make Him pure evil in fiction. Why do they do that? Why, it's entertaining as all hell!

Think about it. Isn't it so much more entertaining in fiction to have that pure evil dude? If every god in TES was tame and kind, then the God situation wouldn't be as interesting, at least in my opinion. Part of what makes TES as games and series so great is the inclusion of deities that aren't exactly the best. It's also part of what I love about the Princes in my worship, that they aren't always "nice" and "kind" or whatever way you wanna put it, even if I believe they're a lot nicer than they actually are portrayed in TES fiction.

I admit as well that I believe that Molag may have been misrepresented as well. Who is to say that some dude didn't just have such an intense bias against the Princes, and decided "Fuck it. To keep people from worshiping them, I'm gonna make this one dude the worst of the worst!" It happened with plenty of real world deities, where they got re-written and re-framed as a lot more evil than they actually are or were originally. This could have happened both in-universe and in the writing of the fiction. (Not saying the writers of TES the series necessarily didn't want us to worship them, but they probably didn't consider it'd ever happen at the least.)

That's not to say I believe Molag Bal isn't capable of evil. He very much is. He's more prone to leaning to harsh things, tough love, and a lot else than my other guides are.

So... who is Molag Bal?

This will sound extremely counterpointed to TES canon lore, because it really is lol I'm willing to admit that, but He's a man who protects from abuse and harm. He's always been so enraged with my stories of being abused and harmed, in such a way that doesn't seem fake or just some evil plot to make me worship Him. I firmly believe that if I asked Him to enact vengeance for me, He would, gladly.

He claims, at the very least, to hate bigotry and discrimination. He stands up for my gender for example, and seems to be genuinely sympathetic when I get misgendered.

He is strong, powerful, and grand. He doesn't tolerate bullshit or fucking around, doesn't tolerate cruelty towards those who don't deserve it. He teaches me to be strong and grand, to defend myself against any and all harm that might come my way.

Many of my lessons on how to defend myself come from Molag. He teaches me Daedric Magic to help me protect myself, He puts His power into my protective sigils and spells.

When I'm crying about my traumas and pains, it's often Molag who comes to me and lets me metaphorically cry on His shoulder.

Whether or not Molag agrees with His canon counterpart in any way is lost on me. I don't know. But I do know that if He was all-powerful, if He had the choice, He'd never let me come under harm in any way. It still happens sometimes, for He's not, but I appreciate the effort.

Maybe it's true that Molag only does this as I am a follower and a devout worshiper of Him and His name. It's possible that He really is that vile to others, and I do admit I sincerely hope not, especially with my guess that Molag got evil-ified by canon lore for some reason.

This is the Molag Bal I know. The Molag Bal I worship. And I, for one, think He's pretty cool and worth it.

You may ask... "why did you start with Molag Bal?" Which is a great question, because I too worried that He was actually That Bad. So I asked another guide of mine (not TES, amazingly going by what this blog is) what They thought of Him. And I was told a lot of the above, plus just general positive-leaning reviews, if not at least neutral.

So I was going into my worship of Him already believing that He wasn't that bad, even though I will admit I did have my apprehensions because of what canon says about Him. I will never deny that TES canon is extremely brutal and dark when it comes to Molag Bal. There's no denying all of that, nor the triggering nature of it, which was a turn off to me in the beginning.

You can also argue that I'm not really worshiping Molag Bal because the Molag I know and worship is so... different than canon Molag. For me, with my beliefs, I don't really see it that way, but I'm not really gonna blame anybody who does see it that way. That's fair lol!

I wanna end this post with... if you've been harmed by Molag Bal, or anything of that sort, I am genuinely sorry. I don't know why it happened and won't pretend I do, and I won't pretend that my version of Him and the side I see of Him erases what happened to you, because it doesn't.

You can block me and move on with your life if that makes you happy. I'm not gonna preach that you need to forgive and move forward, and absolutely not that you should return to His worship. Do as you need to heal.

[ziamln]

Long ramble post. [1D]

I’m feeling nostalgic, overanalysing shit, and bored on a Thursday night with nothing to do. You can read this or skip over it, especially if you disagree, I’m not looking for drama. This will probably be messy and incoherent with 0 structure. For those of you who weren’t there during the 1D era, this may be confusing, particularly if you weren’t there during the shit storm that was 2015/16. Again, feel free to skip this, as it will be long and probably won't make sense, but this is my blog so you don’t necessarily have to agree with me. Before I go into this I feel like I need to clarify, I am proud of all 5 boys and their solo careers, I support them all wholeheartedly, and my saying I miss OT5 doesn’t mean I don’t. some things are facts stated by the boys others are merely a speculation or my own deduction from what has been implied or reading between the lines, just to put that out there. Bear in mind I am a Ziam blog, Liam and Zayn have always been my focal point, and always will be and I also have a Louis [& slight Larry] bias so, do what you will with that information. Basically feel free to skip!

It was so good to see Zayn in an interview after so long [I can't lie it's so weird hearing people commenting on his talking voice as something new and unusual], but hopefully, he’ll actually get better promo for this upcoming album, I’m super excited either way, his music is rarely short of anything but a masterpiece. But there’s a line in Zayn’s recent podcast which stuck out to me.

Personally, I found this intriguing, because at least to me, I feel as though it explains quite a few things. Particularly regarding Zouiam [Zayn, Louis and Liam], I’m not saying it didn’t apply to Niall or Harry but, I feel like it provides some sort of perspective on things others have speculated on, and also some things I have speculated on. Again, this is merely a speculation on my part, you don’t have to agree [scrolling is very easy]. I will not claim to know as much as I may have known about all 5 of them as I did 8 years ago, admittedly, though I support most of the boys through listening to their music, I don’t pay much attention beyond that to anyone other than Zayn, Liam and sometimes Louis, this isn’t to say I don’t like Niall, I enjoy his music or Harry, I have always been a Ziam/ Zouiam account and have always stuck to them, and as solo artists, I prefer their music, even during their time as a band. [As I’m sure many have a preference for the other boys. I don’t see an issue with it unless it is purposefully disrespectful or hateful to others.]

I know a lot of people are stuck on the line of how after ‘5 years together they all got sick of one another’, which is understandable and perhaps almost inevitable. [Personally, as someone with a sibling I definitely understand the sentiment] I don’t see any malice or drama in it, it would naturally happen to anyone after so many years of constantly being together, with barely any breaks and performing together non-stop for almost 5 years. It would catch up to even the most patient of people, especially considering how they were literally teenagers/ young adults the whole time. Nothing he said in that interview was hateful at all.

Also not to dismiss his line about how he said "I completely selfishly wanted to be the first person to go and make my own record." with this, whilst I’m not saying it’s untrue because it could be true that that's what happened. But I can’t deny its a little confusing because of the number of times the story of his reasoning for leaving the band has been changed throughout the years, initially, it started as him citing stress and saying he wanted to be a ‘normal 22-year-old’, then it was that he said there was ‘never any room for me to experiment creatively’ made sense as it was rumoured that his writing had been snubbed on Four and it could possibly be a mixture of all the reasons combined. But my point is we have been given many different reasons, but we will probably never know the full truth, so at this point, it's anyone’s guess as to what the actual reasoning was.

Of course, there is no doubt that behind the scenes of the entire One Direction era was a complete shit show, as has been stated/ hinted at by most if not all members at this point in some way, shape or form. So we can only begin to imagine the stress and pressure they were constantly put through. There is a lot we don’t know about that time, and probably never will. Some things are perhaps even traumatic for the boys who had to go through it, all we can do is speculate and be as supportive as possible as fans. 

I mean I feel like this trauma has presented itself in different ways with each member, perhaps in ways we will never know, Zayn himself has stated that we could never understand that time as it is something only they would get. 

In terms of image and what they show; Niall is quiet, unproblematic and as far as I’m aware he seems pretty much like, other than his music and tours, he keeps to himself. Harry from my impression, is a loudly quiet person, by this I mean, he comes across as loud as though he divulges a lot, people may claim he is the one who people have the most knowledge of, which is true to an extent. But in terms of his personal life, there are limitations, understandable of course, but it seems to me we only know what we are shown and the rest is left to be read between the lines. 

Louis, I feel as though we learn more about him through his music, his private life is fairly private, other than what he talks about and what we are shown, [side note: not everything that we are shown is necessarily how it is/true, this applies to all 5 boys] Louis is also quite an interesting case, we saw him get progressively quieter as time went on, especially in comparison to how he was in 2010/11, [many fans who believe in Larry attribute this to him being pushed into the closet and having to hide his more ‘flamboyant nature’] or it could be a simple case of all the stress and difficult life events taking its toll, or even [I think it's likely] a combination of all of this. Either way, it has been disheartening to witness.

Zayn has always been the most misunderstood I think. As Zayn himself said, they were all given personas and that has stuck with them from their time in the band, even until this present day I would say, [I wish some would consider this in Liam's case but that's for another post]. If you saw Zayn from 2010/11 he wasn’t particularly ‘mysterious’ or such, in fact, he was quite boisterous and funny if my memory serves me correctly, but again If the management wanted them to have a certain persona they were going to make sure it stuck. Zayn has always kept his private life exactly that, private. Typically in the case of his relationships [I would say this applies to some of Liam's also] but the main times we would hear about Zayn's relationships is if it was to make Zayn out to be a bad guy or to benefit the woman he was dating at the time through PR or some way as such, which is quite telling in itself.

Liam, again, people would think Liam is quite public and we know a lot about him but if you pay close attention, it's not the case at all. We don't know anything other than what we are told by the press or what we see. This is the case for all of them but as we know, from recent videos that Liam has done, there are a lot of other factors at play and a lot of distortion of stories and such that happens that we will never truly understand, we can only look out for it.  [another side note: IMO Liam is the full package he’s got the vocal range, the lyrical range, the melodies the dance moves, the fashion but he got so sabotaged and that pisses me off so much.]  Liam had always been the spokesperson for One Direction whilst in the band. Some people, particularly some groups of ‘fans’ or newer fans think that all his talking about 1D is him ‘trying too hard’ or whatever else to bash him. But the truth is, if you look closer, he never really stopped being the spokesperson for the band. He speaks on all of their solo endeavours, all of their achievements, indulges the nostalgic fans and is the one who most openly shows his support, he still holds the role of the spokesperson, just in a different manner. 

At a point you would seldom hear them talk about their One Direction days, unless you are the spokesperson... [it has become more frequent now], which is understandable as they are now Solo artists and perhaps wanting away from that image, but it is also quite curious in a way. But that is best left for another ramble. However, up until recently, I feel like the boys who have spoken the most about the band have been, in a sense, allocated to speak more on the topic than others [Personally I link this to the Politics comment, I’ll explain a little later on] But I find it interesting as to the different reactions we get from certain groups about each member when they do speak about their time in One Direction. Typically, Harry and Niall are met with positive reactions, with a few exceptions of course. Zayn sits in between, some of it gets regarded with nostalgia, other reactions are positive and hopeful and then the outright negativity too. Louis again sits in the middle. Liam however, you do of course get nostalgia and of course positive reactions from his fans and some OT5 fans. However, this is severely outweighed by the negativity he receives for it from *certain* ‘fans’ and some newer fans and just general people who like to jump on the hate bandwagon [side note: my god I miss 2013/2014 1D Twitter].

I’m not sure how many remember ‘Weed Gate’, how this was in a way at the time ‘damaging’ to the clean image they had and how much shit it was speculated to have caused behind the scenes, involving Zayn and Louis. 

Louis and Zayn take a video doing weed in a car in one of the Peru (where weed isn’t illegal) on tour, there started some articles that make it sound like Zayn was sick or addicted to drugs. I feel like this was also a big player in how things turned out, Zayn took most of the heat from this and from our end it looked like no one did a thing to help. [We don't know what happened BTS]. Particularly interesting from this headline was the reiterating of the ‘squeaky clean image’, not long after this there were articles about 1D not getting along that came out of nowhere, particularly about how Harry was really angry with them and such. Even more interestingly disgustingly, Zayn took on most of the heat from this despite Louis also being in the video. 

Not long after this, Zayn missed some promo interviews and the album release in Orlando because of 'illness’, they get asked on the Today show if it’s actually because of drugs [entirely inappropriate] Liam, [looking pissed] reiterated it was a stomach bug. it would also be poignant to point out that Zayn looked very unwell at the time [I would think this would be regarding the eating disorder he previously mentioned] but many thought and press stated it as being related to drugs. At the time he was also, as he did throughout his time in the band, until this very day in fact, received disgusting prejudice and hate based on his religion and ethnicity. 

To touch lightly on the politics comment: obviously, we won't know the full extent. But if one were to speculate on the matter; we know certain people had been trying to pinch Harry since pretty early on in the band, so it would make sense that some of the comments Zayn made about the contracts make a lot of sense, I feel like it also links well with what Louis said about Harry calling the Hiatus. 

‘Certain people didn’t want to sign contracts,’ This line is so vague, but at the same time, I feel like it could be linked to a number of things. It could have been Harry wanting to leave to go solo. If you believe in Larry and Ziam it could have been a harsher contract regarding keeping them hidden with more shit attached. It could have been regarding the music they make, ridiculous NDA’s or any number of things, the speculation could be endless. However, it further reiterates the point that we can never understand fully what was at play behind the scenes, as much as we would like. But one thing we did see was how the boys went from being seemingly happy, excited and relatively carefree to burdened, exhausted and jaded which is somewhat self-explanatory [fuck 1DHQ]. I was going to add a bit about their images regarding the politics but I believe that is best left for another post.

If you think the boys are free/ ever have been, I’m sorry to burst your bubble but I doubt that has ever been the case, be that within the band or as solo artists. Feel free to check out this post if you require more insight, https://www.tumblr.com/yaz-the-spaz/662781923367747584?source=share. I don't think we could ever understand, nor will we ever know the extent of what the boys were/ have been put through. Hence why they all say they have a special bond because only they understand. I feel as though villainizing any particular member is very harmful, because at the end of the day at the time they were kids doing something so amazing that hadn't really been done on that scale before. What I do find gross is the fact that some refuse to speak up about the unnecessary hate certain groups give to other members [that again is another post entirely]. At the same time, it is important to remember whilst it might seem like other members have more freedom than others, which could be the case, it doesn't mean any of them are entirely free.

I’d say back to my point, but I wasn't particularly trying to make one in this post, this was simply an info/ speculative ramble, you don't have to agree with what has been said. But if you did read through, I’d love to, respectfully, of course, hear your thoughts, and opinions on everything. I will make posts on everything I’ve said requires its own post because I feel as though there is a lot to talk about on a number of topics so they will come in due time. 

At the end of the day, as Zayn [and Liam in the past] said; “You know, we’ve done crazy things with each other and that nobody else in the world will ever understand or have them. Experiences that we've shared.”

But yeah, all in all, it was good to hear Zayn talk about his chickens and describe himself as a chill, funny and loving guy because it's so much more true to him than being painted as mysterious and I love that for him.

[yurisorcerer]

That was really good!

Gosh, I have many thoughts, but I'm not sure how well I'll be able to articulate them given that I'm kind of tired at the moment.

So, my main love here is for the characters. I think people tend to sell Dungeon Meshi on its worldbuilding and I do get that (it's very complex and is quite well thought-out), but the characters are what really grabbed me. I don't think there was a single member of the main cast I didn't love. Laios is such a delightfully weird monster manual fanboy and I 100% agree with the people who say he feels neurodivergent and that this feels intentional. Senshi is awesome and it's very funny how the manga is extremely horny for him. Chilchuk brings a profound Divorced Dad energy to the cast that I think is great for bouncing off of the other characters. Izutsumi is interesting by how she contrasts with the earlier party members, I want to think about her role in the story more. I think she was kind of meant to give us an "outcast's perspective" of sorts? I think she's good at being that, but I feel like having blown through most of the manga in a few days may have hampered my appreciation of some of the more subtle aspects of her character.

Marcille, though, is my favorite; as someone who is also a really fussy eater and just kind of tightly-wound in general I found her really relatable. She's also super, super, super pretty and cute but we don't need to get into that right now. I cannot be the first person to point out how, when she becomes the dungeon lord, her behavior starts feeling extremely manic, right? I suffer from delusional episodes that include very difficult to ignore intrusive thoughts, and I thought the whole bit she went into about how being the dungeon lord feels felt very familiar in that respect, and it really hit home for me.

(On the flip side, having your desires eaten by the demon seems similar to depression. I've been there, too.)

Other stuff! I like the whole overarching theme of eating both in the literal sense and as a general metaphor for going through one's life. In the very last chapter Marcille says something to the effect of, perhaps this journey was to teach us to accept death, and I don't think that's necessarily the entirety of what the series is going for, but that's part of it definitely. There's a whole circle of life thing going on here. The manga is very....sensory? Lots of focus on taste of course but also scent and feeling. Lots of really strong imagery along those lines throughout the entirety of it.

I set the worldbuilding aside earlier but it is super neat actually, also. I still don't love the general conceits of a western-style fantasy setup, but I think this is honestly about as well as it's possible to do this material. Everyone has a motivation for their actions that feels inspired by experience and history rather than just Dwarves Do X and Elves Do Y and so on. There's a LITTLE of that, but not nearly as much as is typical for this kind of thing. In particular, I liked the orcs. Their usage as a symbol is perhaps somewhat fraught (I'm not the person to make that call either way), but it felt like it was coming from a good place and they're just treated so much better here than comparable people in other media, idk. It felt nice to me.

The art! The art is fucking gorgeous, like, if I wanted to get someone to read this manga this is one of the things I'd mention. The entire dungeon feels so wonderfully lived-in and ancient. You can practically feel the stonework in some panels. (Sidebar here! The anime is really good at capturing this, do watch the anime it's fantastic.)

Some other random stray thoughts:

-The circumstances she gets it in obviously suck, but Marcille's dungeon lord outfit honestly serves hard and everyone should get off her case about it.

-I ended up liking the captain of the Canaries a lot more than I thought I would. He's just an interesting character all around.

-I also really love Sissel / Thistle / apparently how you romanize this is a source of some contention. I feel sooooo bad for the guy. He just wanted to keep everyone safe! It's not his fault that his idea of keeping everyone safe ended up being influenced by a lion-headed demon from outside of reality and corrupted into a suffocating hellscape for those same people! OK maybe it's a little his fault

-I like the diversity in appearances across the characters. This is a thing I wish more manga did this well.

-Laios' kingly titles in the final chapter, RANKED from MOST to LEAST badass: 1. Laios of the Three Heads (based as fuck, makes people ask questions when they hear about you in a history book several centuries down the line), 2. The Demon-Eater (badass and very specific) 3. The Vegetable-Armored (basically gets the same reaction as #1, but with a more comedic lean) 4. Demon King Laios (this honestly seems pretty disingenuous but it is dope) 5. The Dragon-Slayer (very generic, also not even the most impressive part of what he did) 6. The Lord of the Dungeon (Crusader Kings 2 auto-generated-ass name) 7. Pervy Tallman (this sounds like a bad comedian)

-I want to kiss Marcille on the lips

-who said that

-haha I wouldn't mind the Canaries coming to arrest me am I right fellow lesbians

-who said that (part 2)

anyway yeah really good manga highly recommended. I'm not sure if it's a (get out the scare quotes folks) "Personal Favorite" per se, but it might become one over time. Usually such things take a bit to settle with me. The fact that I have any interest in reading it again is a good sign, though. 90% of the time when I'm done with media I'm fine with never revisiting it again. Dungeon Meshi I would very much like to revisit, both in the form of the anime that's airing right now and also I think I'd like to re-read the manga in a few years when I'm at a different place in my life to see what I think of it a little farther down the line. I liked it a lot, and I think it will stick with me.

[esther-dot]

What do you think about song Bear and the Maiden Fair? While the bear is described as brown and black with hairs while the maid described as honey in her hair and pure. Many think that song is about Hound and Sansa because he saved her when other knights couldn't but the bear in song didn't seems to saver as it tastes the honey of maid when she was shrieking and kicking. Seems like forced touching just like Hound forcing on Sansa. Tyrion, Penny and Jorah had played the characters in Meereen.

I also received this ask about the song:

(These are so old, neither of you may be around anymore, but I finally typed up some thoughts on this. Sorry for how belated this is! 😬)

I would assume that the reason so many relationships have a connection to the song is that Martin has an interest in developing relationships between extremes. At one point or another, he’s formed a relationship between youth/age, brother/enemy, beauty/ugliness, life/death, love/hate and I totally forgot the big one and had to circle back to add: ice and fire! Lmao). “Beauty and the Beast” is based on the interest in the juxtaposition of extremes, The Bear and the Maiden Fair offers something similar, so it makes sense to me that he repeatedly utilizes it.

The placement of extremes in relation to each other is an aesthetic thing some find compelling (created via The Hound’s size and scars against Sansa’s remarkable beauty and youth, Dany’s size, eye and hair color contrasted with Drogo or Jorah’s…), but more importantly, a thematic thing. We see the contrast vividly with Brienne and Jaime as well as Sansa and the Hound. Their appearance is at odds, of course, but what really matters are how their values are contrasted. Sansa’s beliefs and her nature are entirely opposed to the Hound’s, and if you think of Jorah as the knight exiled for being a slaver and the shame of his house helping the woman who attempts to end slavery (until she needs it) and restore her house…well, you get a version of that there too.

Being that Martin has stated he played with the Beauty and the Beast angle with Sansa and the Hound, but was surprised people shipped it, we should accept that Martin uses tropes/references for different purposes, not necessarily to signal an endgame romance or mutual interest even if that is the initial thought by the reader. Martin likes the inside/outside view of things, likes to examine ideas from multiple perspectives, and a character occupying different roles throughout the story allows him to extract a lot of meaning. Fans like to focus on how Sansa is wrong about a certain character, but the main intent behind all of this is the author challenging his reader when he forces us to examine and re-examine who characters are and what he is saying with them. The lyrics of the song twists our perception of things, so, even if I reject how it’s often applied, I agree that the concept behind the song is being discussed in these relationships.

We see the same beast/knight ideas with the Hound and Sansa as with Jorah and Dany. Both Dany and Sansa have these guys who are associated with specific animals (bear, hound), who function as protectors at some point even though they also betray them. Jorah’s betrayal is labeled as such in the book, but the Hound going from rescuing Sansa to assaulting her is a betrayal as well. Both men develop loyalty to the girls, they offer some protection, both have a sexual interest in the girls and both sexually harass them (Jorah kisses Dany without permission, the Hound assaults Sansa). I suppose Sansa and the Hound fit a little better with parts of the song because the girl is initially frightened by the bear while Jorah presents quite differently despite all the bear references. The bear-ish description of Jorah isn’t just the bear sigil, we also get all the hair stuff:

"I shall wish to speak with Ser Jorah before the night is done," her brother said. Dany found herself looking at the knight curiously. He was an older man, past forty and balding, but still strong and fit. Instead of silks and cottons, he wore wool and leather. His tunic was a dark green, embroidered with the likeness of a black bear standing on two legs. (AGOT, Daenerys I)

“He had a neck and shoulders like a bull, and coarse black hair covered his arms and chest so thickly that there was none left for his head.” (AGOT, Daenerys III)

and of course, he is referenced as a bear pretty often:

“Ser Jorah, her gruff old bear” (ADWD, Daenerys VI) and he’s referred to as her “bear knight” (ADWD, Daenerys III) and “My bear, she thought, my old sweet bear” (ADWD, Daenerys X).

I selected those from ADWD because to me, that’s when it for sure was deliberately connecting back to the song as Tyrion puts Jorah in the role of the bear:

"That one is part of our show. The bear and the maiden fair. Jorah is the bear, Penny is the maiden, I am the brave knight who rescues her. I dance about and hit him in the balls. Very funny." (ADWD, Tyrion X)

So, we begin the story knowing Jorah is a bear (Mormont), that he’s described as bear/beast, called a bear/bear knight, and then eventually, he’s playacting the bear from the song. Interestingly, the "knight" who fights the bear is acted by someone Martin has called a villain. I could never argue that the author isn’t being intentionally self-referential, he clearly is. However, we do have the fact that Jorah betrayed/molested Dany, and this:

Jorah Mormont's face was dark with anger, but he answered. "To serve her. Defend her. Die for her, if need be."

That made the widow laugh. "You want to rescue her, is that the way of it? From more enemies than I can name, with swords beyond count … this is what you'd have the poor widow believe? That you are a true and chivalrous Westerosi knight crossing half the world to come to the aid of this … well, she is no maiden, though she may still be fair." (ADWD, Tyrion VII)

I’m uncomfortable with the emphasis placed on virginity in the books and hate to use that (or beauty) as a determining factor in which couple the song is “really” about, but we have this line which I see as direct guidance from Martin about interpreting the Dany and Jorah relationship as a straight up version of The Bear and the Maiden Fair. The way it’s presented and challenged indicates that while in a particular dynamic or in a specific scene a character fulfills a certain role, that isn’t necessarily their overall role. To me, looking at the story as a whole, Brienne’s role is true knight, more so than maiden. Just as the idea that Dany is the maiden/damsel is present in her interactions with Jorah, but that isn’t her role in the story as a whole, no more than Jorah is the true knight. (He’s a slaver ffs).

As for the Jaime and Brienne of it, Jaime protecting Breinne from a bear slots him into the knight role, but as they struggle over who is fighting the bear, there’s a play on who is in the knight role and who is in the “maiden” role. Also, Brienne is mockingly called beauty and Jaime is described as a beast, and while those characters are being cruel to Brienne, to the reader, we know Jaime has done horrible things (attempted kid killing = monstrous), and we know Brienne is the purist soul (goodness=beauty), so taking a step away from the superficial, we are getting a layered play on the trope. And yes, Brienne is a virgin and Jaime a knight, we can leave it there, but Brienne is a knight in the truest sense and Jaime is beautiful, so I think the best way to look at this question of who this song is “about” is to accept that the trope being discussed is getting a rotisserie chicken treatment. We’re allowed to see it from every juicy angle, not limited to one. After all, Jorah is a knight and a bear.

Of course, as I already said, since the author likes to reference things without implementing them the way people expect, this doesn’t necessarily mean romantic endgame, but saying that doesn’t mean I’m dismissing Braime because I do think Martin wrote in the romantic stuff deliberately. The whole knights/fools etc is at play in that scene too:

"What are you doing here?"

"Something stupid. Get behind me." He circled toward her, putting himself between Brienne and the bear. (ASOS, Jaime VI)

Brienne is referenced as the maid in this scene, but later she reads like a knight on a quest to save the fair maiden --Sansa. We even get some “The Bear and the Maiden Fair” singing there. If they ever meet, I would expect some beauty/beast discussion to crop up just as part of this continuing conversation about roles, part of the characters revolving through them to allow the author to thoroughly analyze the ideas and evolve what fairytales are/say. In their pairing, Brienne would be the knight to Sansa’s maiden to allow for Martin to contrast Brienne with all of our failed knights.

We get a lot of duality with these characters/their roles which means we can ask, who is the knight/who is the bear and come up with many, many answers. All of them true in a certain light, only to then turn them on their head. Sometimes, a failed knight rises to the occasion, and sometimes the maiden saves the knight, and sometimes, the knights are evil, sometimes the knight isn’t a true knight. Sometimes salvation comes from where you least expect it, and sometimes, rescuers are also a threat. The roles are there, but Martin is playing with them, challenging them, so the multiple ways we can read these characters and dynamics is very much intentional. All of that being said, it’s undeniable that there is one maiden for whom the song is particularly relevant.

Sansa fits the maiden role in a much more overarching way than our other contenders. Not only because she’s a virgin, not simply because of her interest in romance or because so much of her story has been driven by various people’s sexual/political interest in her/marrying her, but because she represents certain attributes, foremost of them, mercy. We get in trouble when talking about how beautiful she is, but it can’t be disregarded because she represents hope, innocence, compassion, peace. Martin made her beautiful not just as a physical thing, rather, because she is representative of ideas; she is the beauty of certain ideals.

The Hound who laughs at killing children is moved to protect her, can’t follow through on his own desire to harm her. Dontos tells her,

"A knight?" Joffrey had decreed that he was to be a knight no longer, only a fool, lower even than Moon Boy. "I prayed to the gods for a knight to come save me," she said. "I prayed and prayed. Why would they send me a drunken old fool?"

"I deserve that, though . . . I know it's queer, but . . . all those years I was a knight, I was truly a fool, and now that I am a fool I think . . . I think I may find it in me to be a knight again, sweet lady. And all because of you . . . your grace, your courage. You saved me, not only from Joffrey, but from myself." (ACOK, Sansa II)

Personification is a thing and even though she is a multidimensional character, I think the way Martin has written Sansa makes it clear that he is calling back to old archetypes here which is why, when you hear “maiden fair,” Sansa is the referenced character in an overarching way, not just in a specific dynamic, not just in a specific chapter or one book, but in the series, this is who she is in a way that no other character is.

Her role in the story is notably the tropey damsel in distress/princess in the tower (in a way that Dany and Brienne are not), and even with the revision of what that means by a modern author, even with the idea growing and evolving into something new, with the girl having far more agency and inner life than in older stories, it’s so clear this is who she is that even her haters know it. They call her a princess in a tower to show their disdain, but all they’re doing is admitting that even they recognize who she is in the story.

And of course, there is the fact that Sansa is referred to as a fair maiden, even in her TWOW chapter, that her beauty is often remarked upon, and that she has some parallels with Persephone which seems pertinent due to the Beauty and the Beast/Hades and Persephone/Death and the Maiden connection:

Petyr cut a pomegranate in two with his dagger, offering half to Sansa. "You should try and eat, my lady."

"Thank you, my lord." Pomegranate seeds were so messy; Sansa chose a pear instead, and took a small delicate bite. It was very ripe. The juice ran down her chin. (ASOS,

LF is her uncle (by marriage), he spirits her away from KL and is clearly intent on making her his, and as we know, he’s orchestrated destruction for her family/the realm, so he fits in here as a kind of Hades (death) to Sansa’s maiden which is relevant considering how loosely related death and the maiden is to the beauty and the beast idea.

However, the thing that feels the most like the author directing us to a specific conclusion must be reading her first chapter in ASOS which might as well be called “the Bear and the Maiden Fair chapter” because we finally get the lyrics to the song, and it’s interspersed into a scenario that is kinda telling a similar story. Sansa wants a beautiful knight (Loras), but is offered a stranger instead (Willas). We’ve also just read a speedrun through all the fake knights/bears/suitors/“love interests” Sansa (or fans) have selected for her:

Sansa wondered if Joffrey knew of this supper. For all she knew, it might be his doing. That thought made her fearful. If Joff was behind the invitation, he would have some cruel jape planned to shame her in the older girl's eyes. Would he command his Kingsguard to strip her naked once again? The last time he had done that his uncle Tyrion had stopped him, but the Imp could not save her now.

No one can save me but my Florian. Ser Dontos had promised he would help her escape, but not until the night of Joffrey's wedding. The plans had been well laid, her dear devoted knight-turned-fool assured her; there was nothing to do until then but endure, and count the days.

[…]

Even so, she must accept. She was nothing now, the discarded daughter of a traitor and disgraced sister of a rebel lord. She could scarcely refuse Joffrey's queen-to-be.

I wish the Hound were here. The night of the battle, Sandor Clegane had come to her chambers to take her from the city, but Sansa had refused. Sometimes she lay awake at night, wondering if she'd been wise. She had his stained white cloak hidden in a cedar chest beneath her summer silks. She could not say why she'd kept it. (ASOS, Sansa I)

So, we have the prince who turned out to be a monster (Joffrey), the guy everyone thinks of as a monster who protects her (Tyrion), a knight who she saved but sexually harasses her (Dontos), a man who threatens her but ended up saving her only to then turn around and be a threat himself (The Hound). See what I mean about multiple roles? My gosh, it’s almost like the author has intentionally been writing variations of the song into Sansa’s story all along, or even, dare I say it, he's written Sansa’s story into a song, only, none of these match up perfectly, so we are still waiting for the true(est) incarnation of this song to manifest into her story.

Or, all of that shorter:

"I CALLED FOR A KNIGHT, BUT YOU'RE A BEAR! (ASOS, Sansa I)

"I prayed to the gods for a knight to come save me," she said. "I prayed and prayed. Why would they send me a drunken old fool?" (ACOK, Sansa II)

So, if Sansa is the maiden of the song, the maiden fair of A Song of Ice and Fire, who is the bear, who’s the knight? More importantly, where is this poor girl’s hero?

Y’all, this is getting ridiculously long. Now, I’ve never not done something for a silly reason like not wanting to appear ridiculous, but I can’t post seven thousand words all at once. tumblr staff will deactivate my account to save me from myself! I will get to Jon and the Jonsa of it all in part two.

[kunavi]

hi! ive been waiting for you to turn asks back on. lol

i was wondering, can you please describe what a therian is more in depth?

i think i might be one but i don't know how to really tell :(

thanks for your time!

Hi! Sorry for that, I might have disabled them before going on a hiatus, and forgot about it..^^

Therian description? It's kinda hard to describe it in one way, it's one of those things where you ask ten people and you get eleven answers - everyone experiences it differently. But it has a common base: identifying as a nonhuman animal.

A very long answer under cut! Really, it's very long! :D

The following answer is my own perspective, it's not a general rule, not the only truth etc. You can agree with me, you can not c:

Therianthropy, is a word for human-to-animal transformation definition. Fantasy, fairytales, myths, all those stories there humans transform into animals, get it? Greek word 'Theria' means 'wild beast' as in animal. 'Anthropos' - Greek word for a human. Together they are 'animal-human'.

In the modern sense. What does it mean to me? It's like werewolves irl!

Think of fantasy werewolves (those who transform into regular four-legged wolf, not the monstrous bipedal hybrid) Ordinary humans by day, wolves at full moon night. Simple. You won't call them humans as such, they are this 'animal-human' race, if you get what I mean. Even when they are in their human form, they have this animal part in them.

Therians in modern sense. The same were'animals' (not only wolves), but minus fantasy body shapeshifting part, real life science hasn't invented it yet :) Reminding you of this sentence: even when they are in their human form, they have this animal part in them. Therians, having this animal part in them. The equivalent of a fullmoon wolf-is-out thing to therians are shifts, read about them here. Though not everyone experiences them, so don't think hard about shifts.

If you wonder if you're a therian, ask yourself this. Do you feel like such an 'animal-human' race? Do you have this animalistic part in you, that you're not a pure human, but with some animal part? Maybe, if you were in a fantasy setting, you'd be this were'animal in a second. Keep in mind, that it's often not the sapient anthropomorphic animal, but a regular looking animal living by instincts.

Or if you'd like some lighter version, think of anime catgirls. They may be classified as therians too c:

Both human and animal. Sometimes human mind, sometimes animal mind. Both parts at once, a balance.

...

Or one can be nonhuman. This term rejects human identity part, only animal remains. These are animals inside, not humans.

That is easier to describe with "animal stuck in a human body" thing. Animal operating a human costume. Animal under a human look disguise.

Like you wouldn't call a ftm trans man, a "woman with a male identity", a trans man is a man. Nonhumans are nonhumans, please respect.

...

Conclusion

Often this feeling exists inside the mind before learning about these words. Not necessarily from birth, just someway earlier. When the animalistic identity appears the second after learning the word (but you didn't feel this before), it may be mind tricks (may, not definitely are). Like when reading about medical symptoms and then you feel them on yourself right after - thinking you have this condition, despite never having the symptoms earlier. A medical student's disease, you may read on it here. Therianthropy has its own analogy, the shifter's disease.

To move out the possibility of shifter's disease, think about your past and your present life. Analyze, remember times when you felt animalistic throughout time.

Did you have animalistic thoughts like months before learning the word? Did the usual kid animal-play-pretend last into your older years instead of stopping?

Though don't confuse it with this - after learning about the label, your animalistic feelings may become much stronger. And it could feel like you got this feeling right after learning the label. But it's just from joy of finding a fitting word for yourself c: As long as you've had some hints from earlier, you're free from the shifter's disease c:

Were you obsessed with human-to-animal transfromation stories? I was and am :D Would you love to do it too with your inner animal? Do you feel like a animal-human, mental were'animal in your mind? Keeping a balance between human and animal? Not in a furry hybrid mix up way, but human and animal. Then welcome to a therian party!

Do you think you're an animal/othercreature stuck in human body? While you may respect (or not) humanity, you yourself don't feel like a human at all? Welcome to a nonhuman party!

I had these animalistic thoughts since childhood, through teen years til now. I learned about these words in adult age, and everything became clear - that's what I was and am now!

I hope I've written it clear, I'm not English native speaker ^^ Thanks for reading!

[acourtofthought]

I realize many people were mad at Rhys for the conversation he had with Az. How they think he was more concerned about the politics than Az's happiness.

I definitely don't agree with that perspective. Rhys says he and Az are extremely similar which means they understand one another and I think that means Rhys knows Az's intentions towards Elain aren't for the right reasons, that he's not thinking clearly. The politics may play a factor but I do think Rhys would help Az figure out a way if he thought Az had real feelings for her (he did the exact same when it came to getting Feyre out of Spring).

But....he makes a valid point and from a narrative standpoint, an Elain and Lucien pairing brings more to the table.

(DISCLAIMER: Elain is not real and therefore she will end up with whoever SJM wants her to end up with. I know someone is going to twist this post and claim I've reduced what Elain wants down to NC politics and that's not at all what I'm saying. Rhys used Feyre in his own political schemes but that didn't lesson what they felt for one another by the end. SJM will write Elain as being fully on board with who her endgame is, no matter the storyline that accompanies it).

Nessian is an important political pairing as he's the general of the Illyrian armies and she's influential for bringing about the Valkyries. But while that strengthens the NC, it doesn't necessarily strengthen their relationships elsewhere in Prythian.

An Az and Elain pairing.....doesn't do much for the NC. She's probably not going to be a warrior so she wouldn't be contributing to their forces.

Az is already supposed to be the best spy around, having gotten the IC their information for centuries. I doubt Elain is going to one up him and become a better spy, making her more valuable than he's been. And the twins are already female spies so it's not like Elain would be setting precedent (which was a major point in Nessian's story, the Illyrians needing to start accepting female warriors as equals).

So what would an E/riel pairing really bring to the table?

One of the NCs main problems outside of their borders is image. They've spent so many years creating one that is fear based and they've lost trust among the people they now need as allies.

E/riel as a couple does nothing to help in restoring the NCs image but an Elucien one does.

The key players in the human lands are friends with Lucien. The leaders or their sons in other fae courts are friends with Lucien.

He has spent centuries cultivating those relationships and he has earned their trust.

What better way for the NC to begin building their own relationships across Prythian than for a lady of their court to marry the person who has those connections? Their ties to her (if she was married to Lucien) would open the doors of communication with other territories. Other courts would see that this male they trust has entered into a marriage alliance with a member of a court they were not sure they could trust. But with Lucien vouching for them and his bride, it jump starts those relations.

Elain's story, while about Elain, will still benefit the IC in some way considering Feyre and Rhys were the start of everything. I think Nesta's book proves that the High Lord and Lady have their hands in all the cookie jars regardless of who is getting a POV. And I imagine by the end of it all, SJM is going to want peace that exists across their land and that includes others having a better image of the NC. Right now there's not much they've been able to do on their own to foster that, even after the war.

At the moment, Elucien is the only pairing who can really bring that to the table.