#i made some of these in 2019 and never shared for no reason

[asureblogs]

Happy Pride!!! 🌈🌈🌈✨

(Feel free to use~)

[andromedasummer]

every now and then i remember im somewhere on the aroace spectrum and i just kinda stop in my tracks and go 'huh!' and try not to sit on it for very long

[illnessfaker]

tw: black+trans death

from the_yvesdropper on instagram:

our beautiful black trans brother, 35 year old Righteous Torrence "Chevy" Hill, was murdered in Atlanta, GA this weekend.

he went by his nickname 'Chevy' he was originally from Macon, GA. he owned Evollusion, which is a black/ queer owned LGBTQ+ salon in Atlanta that provided and dedicated full service to specializing in hair, nails, barbering and makeup. growing up as young black queer boys/kids, the barbershop experience can sometimes be a tricky space to occupy, this was something that Chevy understood and wanted to cultivate a space of safety where you can also get the affirming look and style you want, and he did exactly that.

Chevy was a beloved son, brother, partner, and father.

one of his last posts that had a photo of himself said :

"if you truly know me, you know i am a humble, modest, private man, that i love my community, i have the love of God in me and will give the shirt off my back to any soul in need, also i never post pictures of myself, legaey give myself credit, that stops today, i am my legacy!"

(a close friend of Chevy asked if i could share more then one photo of Chevy, since he never posted photos of himself and in recent years he got the confidence to want to share more photos and now he won't get the chance to)

Chevy, hey king, hey brother, hey angel, thank you for everything, i lové you, we lové you, i'm so sorry. there are a lot of photographers in heaven who will be able to photograph you as the glorious black trans angel that you are.

there will be a homegoing service/memorial for our brother

there aren't many details about what happened but apparently he was shot by a family member last wednesday, the 28th (at least this article was the one linked in relation to his murder.)

judging by both the IG post and the comments section he was well-loved by many people and those people have many good memories with him and nothing but good things to say. this is a comment that was left by tirajmeansgolden which was hidden by IG for some reason:

I started testosterone in February 2020. I hit this man up at the end of 2019 after numerous Google searches for an LGBT-friendly barber near me (and by near me... he was a good 35-40 minutes from the rural area I was in outside of Atlanta: but when I found out he was a trans man and that his business was the first and only LGBT hair bar, I knew it would be worth the trip). I was a dysphoric mess in his DMs one Sunday. I hated how my hair was growing out. I never had a "masculine" hairstyle before but decided one day I would buzz it all off myself, then allowed it to grow out a bit... I sent him a video and despite him being closed on Sunday, he told me to come through. I got my hair braided and he gave me my first really masculine fade. Explained the different terms. Lined me up. Was asking me about my decision to transition and provided some helpful advice + guidance. I told him how I was a therapist and he was hype and said he talked with a group of trans men and he would love for me to stop by and also give some mental health tips. So whoever said he was humble - wow, what an understatement. Such a community man! Made me feel SO comfortable because barbershops were a source of major trauma and triggers for me. They were such an integral part of my early transition (I just celebrated 4 years later week). And he was such an integral part of the Atlanta Queer community with hosting events like Queer Con. How I found so many other great resources + queer businesses/artists. May you rest in peace, Chevy. You'll be missed. You've made such a different in the lives of countless people. You definitely were living your Purpose + left a legacy behind ...

[gabrielleragusi]

For Artists: My Experience with Commission Platforms and Illustration Agencies

Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.

Let me start by briefly introducing myself.

I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.

DeviantArt

2009-2018

Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!

At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.

Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.

The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.

However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.

DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.

The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.

I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.

Artists and Clients

2013-2016

While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.

As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.

Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.

That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.

DreamUp

2014-2015

DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.

I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.

Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.

I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.

ArtCorgi

Now Artistree

2014-2019

When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.

When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!

From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.

Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.

Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.

Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.

Sketchmob (?)

2016-2020

This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.

Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.

Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.

If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!

Upwork

2017-2019

In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.

In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.

Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.

The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.

One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.

Illustration Agency

2019-2021

By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).

So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.

Well, that should have been my first red flag.

I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.

The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.

Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.

In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.

After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.

Hireillo

2019-2022

My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.

Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.

Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.

Reedsy

2019-2022

Finally, we come to the turning point.

I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.

I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”

A few weeks in, I understood that laugh.

Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.

Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.

The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.

Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.

All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.

After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.

Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.

Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!

--------------------------------------------

I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:

Tips to freelance illustrators to avoid being screwed over

Who knows, maybe I'll write another 'article' post in four years!

Instagram  - ArtStation - Website - Inprnt - Etsy - TikTok

[shortnotsweet]

[ “REMEMBER WHEN” ]:

I CAN STILL SEE YOU AT THE PLACE OUT THERE WHEN I CLOSE MY EYES. DO YOU REMEMBER WHEN WE FELT LIKE THE ONLY TWO ALIVE? DON’T LET ME BE ONE OF THE PEOPLE WHO SEEKS A LOST ROMANCE. WOULD YOU GO AND DO IT ALL OVER AGAIN GIVEN THE CHANCE?

— WALLOWS, NOTHING HAPPENS (2019)

Laena had known Rhaenyra since the two were only girls. They were the closest of friends—closer, even—under the watchful eyes of the castle and the upturned nose of the queen. Queen Alicent had a lovely face befitting for a lady and a brittle, jealous demeanor appropriate for a wicked stepmother. As much as Rhaenyra was drawn to her, she equally sought reprieve. Laena hardly worried, however, as Rhaenyra had the men, steel, and fortitude to rescue herself. It was only a matter of time.

In this AU, Rhaenyra’s older stepmother, Alicent, remains a contrary source of vitriol, intrigue, and affection. Her fixation on her stepdaughter evolves, until her envy is not only of her, but those who love her and are loved in return. Laena is clearly one of those people, and has earned the favor of the nobility in her own right. She wears gowns of silver, blue, and gold, and will become one of the most revered dragon riders of their generation. What else can she inspire but awe and envy? To Rhaenyra, it seems that tenderness is there, and maybe relief. Fondness is the word. It leaves a bad, coppery taste in Alicent’s mouth. Alicent doesn’t have hardly anyone to be fond of in this wretched place. Her children, perhaps, however many she’ll have. Or her husband, her father, or noble, dejected Criston Cole. And—well. No. It’s out of the question. Still. What compares to the camaraderie of shared girlhood? Like knows like, a dragon and dragon sharing the sky.

Laena is Rhaenyra’s first love and closest friend, and the two toe an ambiguous line between platonic and romantic. While they may never wed, their affinity towards one another is an open secret and there is an implicit understanding between families that should Rhaenyra be forced to wed Laena’s brother, arrangements will be made. It is, after all, hardly the first time such agreements have been enacted. Alicent is disgusted, of course; marriage between and man and woman should stay that way. She’s seen the wandering eyes and shared smiles, and something low in her gut twists in revulsion, and for some reason, hurt. Why are they free to do what they want and with whomever they please? No one is free here, not even the blood of the dragon.

Laena and Rhaenyra are both young women, not quite adults yet. In this imaginary timeline, Rhaenyra enjoys a relatively smooth few years before she is forced to take up a sword against traitors and defend her own right to the throne. Despite their complicated history, Alicent’s role in a usurpation attempt on Rhaenyra’s crown has been discovered. Laena reassures her not only of her own conviction and loyalty, but reminds her of the gossip and hurt Alicent has inflicted in the past, rooted in her own resent.

[once-in-a-blood-moon]

Because You Know That I Love You...

Solomon x GN! reader

Summary: You surprise Solomon with a special little evening, little does he know the true plans you have in store for him...

AN: I've had this written for like a week, but wasn't happy with it, so I finally sat down tonight to fix it up a little. Just a goofy little thing, and so help me I'm going to MILK us living with Solomon as much as I can until the next season comes out! Enjoy this little goblin creature of a fic I made :)

Warnings: It's a little suggestive but it never goes anywhere, it's a silly I swear! (mostly), slightly possessive reader (matching Solomon's energy really, lol), Solomon calls reader "sweetheart" and "love," pre-established relationship

Now playing: Sacrifice (2019 Mix) - London After Midnight

“What are you doing?”

Solomon leans against the doorframe with his arms crossed as he takes in the sight before him. Scattered around the common room are dozens of lit candles, each one flickering with your movement as you make your way around to continue lighting more. There’s also a bouquet of dried red roses on the coffee table.

It seems he caught you in the middle of whatever you were setting up.

“Preparing.” you state bluntly, though your response leaves much to Solomon’s wandering imagination.

What could you be preparing for? The candles, the lighting, the flowers – in the solitude of your shared dormitory, no less…

Oh, oh my…

A slick grin pulls on his lips as it dawns on him that you’re trying create a romantic atmosphere for the two of you. That’s the only explanation there is.

He chuckles as he crosses the room to get to you. His arms circle around your waist from behind, causing you to jump slightly from his sudden touch. “Oh, love… Putting in all this effort for little ole me?”

He’s already feeling amorous and you haven’t even finished setting up yet. Tender kisses brush along the shell of your ear, his lips moving to your neck all the way down to your shoulder. Your body shivers in his hold, and his heart nearly bursts out of his chest with the knowledge that he’s affecting you in a similar manner.

“Well, you deserve the best.” It’s obvious to him that you’re fighting to keep your voice even and your hand steady as you light the last candle.

“Is that so?” Solomon places a little kiss right behind your ear his time, his hands simultaneously squeezing your hips in anticipation.

With a quick flick of your hand, the match between your fingers goes out, and you shimmy out of his eager grasp. This confuses Solomon as his eyes follow your form to the coffee table. You pick the bouquet up with a soft sigh, before mumbling in disappointment, “you weren’t supposed to see yet...”

Solomon just watches you silently for a few moments, noticing how down you seem that he ruined your surprise.

“Oh, sweetheart, it’s okay. I’m flattered you’re doing this for me at all! I was certainly surprised to see all your efforts,” he slowly approaches you, gingerly taking the bouquet from your hand. “How about I help you finish setting up?”

With a small smile, you nod, easily agreeing to his compromise. “Okay. I could use some help anyways. Why don’t you go ahead and start picking the petals off the flowers?”

Solomon returns your smile and instantly begins on his task. He sits on the couch, holding the flowers over the table as he plucks at the petals, letting them pile up there until he’s done and you tell him where to scatter them.

“You know...” he starts, “I can’t help wonder if there’s a special occasion I’m missing here. I didn’t forget our anniversary, did I?”

“No, no special occasion, no anniversary,” you say softly as you fish into your pocket for a piece of white chalk that you had hidden there, “but there is a reason I’m doing this…”

A curious brow cocks at the piece of chalk you present. His fingers pause their movement as he watches you push the coffee table towards him on the couch and as you roll up the rug, clearing up space in the middle of the room. “Oh? And why may my adorable apprentice want to go to through such lengths for me tonight?”

You then kneel on the old, creaky floorboards, beginning to draw a large circle right on them...and a large star to match right in the center. This looks familiar. Too familiar, in fact. You’re silent as you work, almost as if you’re in some sort of trance. Solomon’s about to re-ask his question when he hears a faint whisper fall from your lips.

“I’m going to sacrifice you.”

Solomon’s eyes widen as he swallows thickly, struggling to comprehend what you just said. Where in the Seven Hells did that come from?! And why?

Although, the more he thinks about it, the idea of you being the one to sacrifice him for whatever purpose doesn’t sound so bad. You successfully caught him in your web, seducing him with gestures that seemed one way, but were really another. And here he was, foolishly aiding you along. He stares in disbelief at the pile of rose petals which were actually to be scattered around him on the pentagram... Not on the couch like he’d expected. He could almost laugh at himself right now.

“And by sacrifice, you mean…”

“Laying on the floor as I chant above you and accept you as my own personal offering.”

Oh, this just got even better.

He looks up to you, grinning as he realizes what you plan to do. “You mean to sacrifice me to yourself so that I’m permanently bound to you? Am I understanding this correctly?” Because he’d do it. Gods, he’d let you in a heartbeat if it’s what you wanted, if it meant he'd forever be tied to you.

A sly grin of your own appears, almost maniacally, on your lips. “You understood perfectly. After tonight, you’re mine.”

“I see...” Solomon nods before ultimately shrugging. He’s so into this. “Well, what are we waiting for? Let’s do it.”

[diegosouzalions]

5 YEARS OF CONCEPT

These are the drafts of the pilot version of the three main Diamonds in the story, without these first concepts, the comic might not have the same current direction or even exist!

It all started when I was bored in a free class in 8th grade, I just created them for fun, I didn't intend to make a comic or anything like that, also the story I had created was something "private" and for the public it would just be gemsonas.

In the old version of the Color Diamond Authority, the Diamonds were divided because they did not agree with each other and thus, they would branch into 4 or 5 authorities: The Fruits, The Heavenly (Possibly Rainbow would be in that authority), The Colors and The Males.

Peach would be the leader of the Fruit Diamond Authority, Lime and Cherry would be its members. She would have a more boring and dry personality, she had no reason to be mean, differently than she has now. She would probably be a Rainbow fanatic in her early years and over time would lose interest in her creator. Rainbow had never appeared in form to the Diamonds, but she still communicated with them by voice through a shadow or dark cloud, and they would all know that they were created by her.

Hope would still continue in the original authority (which was later called the Heavenly Diamond Authority), along with Aqua, Sun and Moon. Her personality wouldn't change much, it would just be more expressive and cheerful. I confess that when I made her, I was in doubt about choosing the colors purple or white, until blue was the color chosen (and also because it was the same color as the original diamond). She would have no arms or legs or even hair, most of her body was made up of her aura, so she would have to feel hopeful all the time for her body to function.

Bi-Color would be leading the Colors Diamond Authority together with Gray. Her personality would be like Blue, only cheerful. Her first color version would only be 2, but then it went to 3 (with the colors pink, blue and purple), then it was changed again to pink, yellow and blue (which would represent the colors of the Great Diamond Authority). And to be honest, her first version always reminded me of Celia Mae from Monster Inc.

And finally Magenta, the first Diamond created that was later added to the Color Diamond Authority on January 1, 2019.

Magenta participated in the Spatial (or Spacial) Diamond Authority, however, after a conflict between me and the authority's creator, I decided to withdraw and create my own. (And I recommend not sharing the old comic, if you have seen it, cause there are Diamonds that are not mine, so it would be rude to use them on any occasion)

She would have a similar personality to White, but in a kinder way. She couldn't see imperfection in anything, she always saw things on the positive side, even if everything was going wrong. Unlike the current one, she would almost never feel sad, in addition to being more silly, and would ask a lot more questions.

As time went by she would become colder and would no longer be able to think about anything positive, she would see things more realistic and would become almost like an "antagonist" or an "anti hero" of the Rebel Gems, due to the traumatic moments she developed in the authority.

There are old script concepts that were used and will still be used in the comic. The current story has a direction almost similar to the old one in some points, but with drastic changes, it will be more explored and polished than before.

A curiosity is that Silver and Golden were only inserted later (I believe in March 2019), which added even more shine to the story, I don't know what the comic would be without them honestly. If the Peacocks and Magenta didn't exist, officially the Authority would split, just like the old concept, but it would be worked with the current Diamonds personalities.

[jacesvelaryons]

Jacaerys Velaryon Previews

Hey everyone! Wanted to give an update on the fic ideas I've got cooking so far, share my progress and build up excitement on what you'd like me to finish and publish first! (Don't worry I haven't forgotten my ongoing series and requests)

As always, please let me know what you think, I live for any interaction you give me, reblogs and comments who help me be encouraged to share this with everyone.

My requests remain open, and thank you for your patience.

masterlist

requests OPEN

status: just came up with fic idea and made poster, after brainstorming with my muse @hxtd

summary/premise: y/n is feeling the effects of inflation as bills rise and tuition is due for school soon. good thing her friend jace, who happens to just be the grandson of the targaryen corporation chairman and hails from the richest family in existence. he promises to support her with no interest and due date to pay him back, other than to accompany him in return to events so they stop pestering him to find a girlfriend. rule number one? no feelings.

deals with mentions of the dark sides of sugaring, critically looking at sugaring, relying on rich men, nightlife, if you've seen baby (2019) on netflix

status: poster, summary, brainstormed idea

summary/premise: reader is determined to get her husband back after the battle of the gullet. she uses magic to bring him back to life. he looks like jace, if you ignore the scars, and acts just like he did before, but it's slightly off. some horror elements if you squint.

status: around 900~ words, sections written out of what to put, out of my fics the one most written already

summary/premise: like how Otto Hightower made his daughter wear her mother's old dresses to become the future queen, Y/N Celtigar hears of this and tries to see if the trick will still work for newly widowed Prince Jacaerys Velaryon after his late wife Baela passed in battle.

status: poster, summary and idea

summary/premise: Inspired heavily by The Great as poster implies, Y/N Targaryen firmly believes in a prophecy her dear sister Helaena has shared one night, that she was meant for greatness, with a crown on her head as queen. enticed with grandeur for sketches and daydreaming of plans of how to improve westeros and rule, she knows her greatest shot to be queen is to get jace's fancy and convince her father the king and her mother the crown princess that there was no other option for his consort but her. no seduction at first, more teasing and brain games. smut to follow in later chapters if sequels turn the one shot to a series

status: poster, summary, ideas

summary/premise: Reader was always the awkward one at King's Landing Academy, never fitting in, but Jacaerys Velaryon, heir to Targaryen Corp and descendant of one of the school's founders, never saw a reason to treat her otherwise. Until after one summer she shows up all glowed up, teenage features polished after puberty finally kicked in, and she learned how to do her hair, makeup and style herself to what suited her best. Now suddenly all the boys want her attention, and Jace ain't having it, knowing how superficial they were, and well, weren't there before she became the beauty standard.

status: just the poster, idea and summary written up

summary: dealing with post partum mood swings and balancing wife of the heir duties, jacaerys being the most respectful husband and doting father never rushing you, just an angel, smut and all, just loving worship sex

[wingzie]

Speaking to the media as a UK Army

Earlier in the week I mentioned in a local group chat that the UK’s attitude towards BTS and KPOP overall had changed. It felt like everyone was excited during Dynamite and then interest was quickly lost. Things got worse after the Festa Dinner. Because of previous experiences with a certain boy group, it was reported that the members would never return. These stories were soon edited, but it was obvious that there was a certain bias against the members now. The previous hype posts for them and their new releases were less present. Instead, we have gone back to having to do everything ourselves during chapter 2. 

As I am sure many of you are aware, it has already been a tough week for UK Army. We found out that MUSE had inclusions, making it harder to chart. We got backlash from solos for something that wasn’t our fault and the emails we sent were ignored or received weird responses. We are a resilient bunch though and we continued to promote and gain more funds. I figured that things for us couldn’t get any worse. I was wrong. On Sunday I was sent an article from the BBC by a friend. They asked my thoughts on it and I quickly understood why. Something else worried me though. I recognized the journalist. He is someone that we have history with. He kindly wrote about Persona and Wembley in 2019, but he also sneaked in a line that he thought that the members were miming through the concert. At the time, a few Army tried talking to him about it on Twitter and he was receptive to the feedback. I decided to try and do the same and to do it privately in the DM’s. Something which he told me himself that he appreciated. I spent a good amount of time drafting my message. I made sure that it was polite, but also included the reasons why a certain part of the article was troublesome. During this, a friend of mine also made a detailed thread correcting the misinformation. Once the message was sent, I went on with my day and waited to see if I would get a reply. Much to my surprise, I did indeed get a reply. I don’t have consent to share our messages, but we replied back and forth a few times and he said that he would look into changing the wording. I quoted my friend's thread, explaining that I messaged him privately and that he was working on it. As someone who posts about Jikook on a regular basis, you could say that I am used to getting unnecessary abuse. However, I was not fully prepared for the response to this. As more hours passed and there weren't any changes made, the more anger and hate I received. This greatly confused me, as I wasn’t the one who wrote the article itself. I just wanted to try and help and we had to be patient. 

A day later the edit was made. I messaged the journalist again to thank him and he responded back, explaining that the reason it took so long was because there was a debate internally about the best way to respond. I then shared on TL about the edit being made. It wasn’t the best edit, but that’s all we got. Unfortunately, the hate towards myself increased even more. Some said that the article was my fault, that I failed BTS or that I was an anti. Plus a few words that I daren’t repeat here. Some saw what was happening to me and sent kind support. These included people who I have never interacted with before and I will be forever thankful for that. I also spoke with some about the response of the general public towards the article. The article was heavily advertised so there were discussions in relation to Seventeen going to Glastonbury. This hasn’t been done before so some were curious and some were confused. It was interesting to see the reaction to it, even if it was poorly written. I was personally exhausted though.

This whole ordeal started on Sunday and I woke up on Tuesday still feeling a bit wary of receiving more hate. On top of this, I had gained around 300 more followers from all of this and didn’t know how they would react once I started posting Jikook. If I’m honest, I felt a bit uncomfortable with everything going on. What did shock me though, is that some of these new followers were going through my “pinned” post and liking the threads on Jikook. It made me a bit self-conscious, but I didn’t want it to overcome me and Jimin’s promotions though, so I came up with an idea. 

July is my Birthday month and to celebrate I am doing a giveaway for other UK Army. This gives them a chance to get any albums they currently do not own and to try and boost sales for Jimin at the same time. The UK fanbase don’t really want to be associated with me because of my account, so I decided to do everything myself. To help boost morale, positivity and the community spirit that Army has. Overall, I do not regret reaching out to the journalist. He was rather difficult to speak to, but an edit deserved to be made for the way in which it was written. I appreciate the discussion we had and those that supported me. My focus will continue to be on Chapter 2. Look after yourselves and each other. 

[hms-no-fun]

What's your opinion on the new HS^2 update? I'm really excited it's back but I'm a little worried. Like, the fandom has had a real problem with pretending all the horrible shit that caused it to end in the first place never happened. Is this just gonna sweep that under the rug even more? Is James Roach heading the project because he's less "problematic"? I love James roach and I'm sure he'll do great but what about all the transphobia? I just hope they finally fulfill the Toblerone Prophesy and make June Egbert cannon.

short version is, i'm cautiously optimistic! but this is a loaded question you've given me on a lot of fronts, so i'm gonna try to take it piece by piece.

to start with, the sudden revival of Homestuck^2 (now minus the squared) took me by surprise because to my knowledge, it was entirely dead in the water. my involvement with anything Official ended at Pesterquest, and pretty much the entire post-canon crew i was friends with in 2019-20 has moved on to greener pastures. i share a similar sentiment with @pochapal in that i would have put money on hs2 staying dead forever. i have, quite frankly, dreaded the inevitable day when official Homestuck media would resume production, because the fandom at large seems quite eager to sweep the ceaseless harassment and transphobia that ended hs2 under the rug and pretend that it just, like you said... never happened. when that california cafe used older Pesterquest-like character designs that omitted short chubby Terezi and black-coded Roxy, however well-intentioned and ultimately harmless that was, it felt like a sign of things to come. that, as you fear, the sharper & more personal queerness that we tried to bring to this series would be erased, in favor of something meant to simultaneously appease both tenderqueers and redditors, two sects of the fandom most responsible for the aforementioned harassment.

luckily, that really doesn't seem to be the case!

to your worry that James Roach was made director because he's "less problematic," i'll just say that's entirely the wrong way to look at it. it's not like WP (such that it even still exists) were cruising to get HS2 back up and running. by all accounts, James is the only reason it's happening again in the first place. i can't stress enough just how small an operation this Homestuck business actually is (or, at least, was when i was involved). this is not a Huge Corporation making cynical cash grab decisions. this is someone who cares about the material pushing to get something made where otherwise there would be nothing. check the new About page, where the principles of the so-called Homestuck Independent Creative Union are laid out in plain terms. this is something the original hs2 team fought for, so for this new version to start from there as square one is huge and a good sign of the possible longevity of the project.

next, let's talk about the question of this new team erasing the legacy of the old one. Kate Mitchell is on the record that she was reached out to about this new hs2, approved it, and declined to be involved. i don't know if the other writers were reached out to, but i have no reason to believe they weren't. this is a tremendously important gesture of good faith and goes a long way towards easing some of these worries.

but let's look at the composition of the team itself. do you remember The Perfectly Generic Podcast? originally hosted by future hs2 writer Kate, pgen became a flashpoint for community discourse, often opening doors between official homestuck and homestuck fandom. what made that show special was that, rather than relying on the imo tired genre of the liveread, pgen focused on a different topic each episode and explored it with one or two qualified guests. Kate's goal with the show was to encourage a more adult and quasi-academic discussion of homestuck, of its successes and its failures. if you weren't there, the weight i'm putting on pgen might seem overblown (not least because you can't find it anywhere anymore except on the internet archive). but it's not! when they decisively criticized the wild contents of the Skaianet debacle in episode 19, Andrew listened and worked to bring a more diverse group of creators into the fold. in the months after the Epilogues were released, Andrew issued a statement through pgen on episode 52 about how the Epilogues are meant to create bridges and offramps for the post-canon fandom. it's an essential piece for understanding the epilogues and their relationship to fanworks! that it wasn't included as the author's introduction to the Epilogues in the book version remains to my mind an astonishing oversight, but whatever. point is, pgen mattered to the folks in charge.

so let's look again at the writing staff of this new crew. James Roach first guested on pgen in episode 7, and would go on to be a regular. Haven, who did the Vriska and Roxy sprites in Pesterquest (and probably more stuff i don't remember), guested in episodes 81 and 87. Miles guested on episode 87 as well (unless it's a different Miles, i'm not familiar with their work and ugh this damnable linkrot). Floral, creator of one of my favorite hs fanworks & huge godfeels influence Liminal Space, first guested on pgen in episode 47, and would go on to be a regular (including once during my tenure as host to talk about Jade). on the technical staff side, Kohi built the hs2 website and has remained a backend mainstay both on the WP side and on Vast Error.

all of which is to say, if you were looking for a crew to cynically erase the past and appease the haters, these probably aren't the folks that'd be at the top of your list. of course, if you *really* wanted to cynically erase the past and appease the haters, you wouldn't bother reviving hs2 in the first place!

and that's the crux of the matter here. what cash is there to grab? what clout could possibly be chased? i struggle to think of a decision less obviously profitable and popular than continuing hs2 with a new crew right where it left off. i have to believe this is happening because the people involved want to make it.

so, yeah, i'm cautiously optimistic. i like this crew, i like the contents of the first upd8, and i'm glad as hell it's not a reboot! i'm grateful that by reviving hs2, the hs:bc crew have instantly yanked the epilogues & the post-canon project back into relevance in the broader community. and i always liked hs2 a lot! i was excited to see where they were going! i'm really looking forward to seeing more YIFFY!!!!!

but the thing is, this won't be the hs2 i wanted. i know that, and i'm not expecting it. my greatest hope for hs:bc, for this crew, is that they get the chance to take up the reins and drive this thing in whatever direction they feel most passionate about. if that winds up looking like the hs2 that was originally planned, great-- but more than anything, i want everyone on this team to feel just as empowered to leave a profound and personal mark on this series as the original team did, as i did working on Pesterquest. i hope the outline changes! i hope they take some really wild swings! i want to be surprised!! i want to be challenged!!!

above all, i want them to have the chance to pick a course, sail it, and see it through to the end regardless of what the public thinks. they deserve the chance that the original crew didn't get.

i have plenty of bitterness and cynicism in my heart over the events and circumstances of 2019-20, but as far as i'm concerned it has no place here today. i would never, ever wish the trauma and stress of that era on anyone. let the fandom at large react in whatever way it will, but i want things to be different this time. this is a second chance-- not just for hs2/hs:bc, but for all of us. even people who hate homestuck post-canon! this is an opportunity for everyone to choose to be better this time, and to push back when others might squander that opportunity. this team is not a group of celebrities, not an abstract fiction on the other side of the world, they are human beings who took a job. they've earned the opportunity to do that job, and they deserve to be treated with the respect and dignity that was so often absent a few years ago.

as to your last point, about june egbert and the toblerone. i've been saying for years that andrew's confirmation of june was less "the granting of a wish" than it was "a spoiler shared without input from the creative team." that there is any doubt about june's providence in hs2 can only be attributed to willful, aggressive ignorance on the part of people who refuse to engage with the written word in any way other than plodding literalism. the original team didn't unveil june ~immediately~ because they didn't think of june as a wish, they thought of her as a character in an ongoing story who needed time to develop naturally. i have never not felt entirely crazy about how thick everyone has been about this!

but will the new team make june canon? obviously i have no way of knowing for sure, but i'm gonna go out on a limb and say that probably the answer is "yes, when they're good and goddamned ready." just, please, for the love of god, don't go after every upd8 like "where's june? where's june? why hasn't june yet????" this was one of the worst results of the toblerone spoiler and it put INSANE pressure on the hs2 team. so just... just let this story be what it is. let this new team make the homestuck continuation they want to make.

and in the meantime, if you're really hungry for june... there's always godfeels :)

[batsplat]

hello!!! i wanted to ask you something, i just saw video of gigi and when they asked him about how he'd define dovi he said fast after thinking about it for too long 😭 so i was wondering if you had some post about the dovi/ducati relationship?

( https://www.instagram.com/reel/C_hrfEKojxd/?igsh=MWtmMXQwYnRlbnF2dQ== )

thank you so much anyways!!! i love your blog 💕💕

(link) can I just say, I think everyone should go watch this because if anything anon is underselling just how long dall'igna pauses. I actually burst out laughing, it's comical

anyway, don't have a post about this specifically but it's an easy one to answer - they HATE each other. quite infamously so, like this was a common bit of paddock gossip for years and years. an open secret that they could barely be in the same room as each other. like here from 2020:

and from a little later in 2020, in the context of dovi leaving ducati:

not ideal, is it. they frequently clashed about development direction... plus dall'igna was a big jorge advocate within ducati, which dovi was unsurprisingly not massively into. important bit of context that dall'igna and jorge had already worked with each other back in their aprilia days. dall'igna's always been a jorge fan, something you would maybe not say is true of dovi. essentially dovi persistently thought ducati weren't listening enough to him and dall'igna persistently thought ducati could be performing better with a better rider. dall'igna never felt like dovi was riding the bike the way it was supposed to be ridden, and eventually the mounting tensions caused an irreconcilable rift between the pair of them

at the latest by 2019, things had definitely soured - with reports around the time of sachsenring of strained relations within the ducati camp, and dovi increasingly publicly critical of ducati:

'did not need to explicitly mention' like that's how you can tell everyone knew they had beef lol

luckily for us, however, we don't even have to rely on rumours here - because dovi went for a bit of a scorched earth approach in early 2021 once him and ducati had parted ways. actually went on the record with a lot of his dall'igna criticisms, all timer interview quite frankly. first he says he hasn't spoken properly with dall'igna for years -

- and is also kind enough to confirm that jorge's arrival specifically soured things lol. then he talks about how much power dall'igna has within ducati:

do we think. do we think from the tone. do we think from the tone that dovi maybe doesn't think ducati made the right choice in going for jorge

goes on to say that the split was always going to happen due to a particularly acrimonious meeting in the middle of 2019, the aftermath of the aforementioned sachsenring troubles. he also accuses ducati of not handling contract negotiations in a sufficiently transparent manner:

obviously the interview caused a bit of a stir, and dall'igna gave quite a muted response that didn't really address anything dovi said specifically:

but you can ofc tell dall'igna isn't a massive fan of dovi, as nicely illustrated by the clip shared above. I also remember watching an interview recent-ish where dall'igna was banging on about how much jorge had helped develop the bike, which. y'know. I'm sure jorge did provide useful input, but it does all feel a little pointed. just all got quite ugly between the two of them, which is also a big reason for why such a successful partnership ended on quite so sour a note

[cosplayinamerica]

Fierce Deity Zelda : @lexaluth0r / Photos :  @quachstar.jpg /  @mattlarson.jpg

I’ve always loved the Zelda series and always considered cosplaying Zelda, but I never really resonated with her character or any of her outfits. I started looking at some fan art of her redesigned in some of Link’s designs. When I saw the Fierce Deity one I just loved seeing her as a strong character.

It is hilarious to wear this cosplay because of the contacts. Constantly hearing people walk by and freak out because the eyes are pretty creepy. But it was great when someone would come up to me and be like “Fierce Deity ZELDA?!” I just love that moment when you are able to share the love for a character. It’s one of the main reasons I love cosplaying, is just seeing someone’s reaction when they see your cosplay. The excitement of seeing a character you love come to life.

When I first got tickets to my first comic con back in 2019 I felt this pressure to make something to wear. Not a bad pressure, but I felt like how could I go and not wear something that I had made? I turned to some of my current favorite video games to come up with a character design that I liked and thought that I could make. It turned into the perfect hobby for me as I’ve always enjoyed making and crafting things.

In the spring I competed in my first cosplay contest at the Gem State Comic Con. I was pretty nervous because I’m pretty introverted and not good at acting in character. Showing off your cosplay on stage can be so intimidating. Fortunately it was laid back and I did not have to talk too much! I was pretty proud in my Valkyrie cosplay, I had spent a year working on it and had already had a good response to it. Winning the cosplay contest really gave me the confidence in my own cosplays. When you are an artist, you always have some sort of hesitancy about the quality or how good your work is. You can be so critical because it’s your work. But winning the cosplay contest really helped me see past all the things I felt like could have been better.

[disguisedcheezed]

what made you like dirkjohn so much? like how did the ship pop into your head?

"how did the ship pop into your head?"

Okay. So, I just did some digging through my old abandoned accounts, and it turns out dirkjohn was my main reason why I read Homestuck in the first place. XD

They got me with their dumb looking faces and I thought I should just ship them because they're my favorites. And the fact that they were a blue orange color combo, which is the color combination I am very obsessed over, is just a mere coincidence that just made me like them more.

I don't even remember other shit from 2020-2022 because I was busy fighting for my life. 😭 I did knew that they had one interaction, so I just read the comic without expecting much of them as a ship but I loved them as their individual characters.

"what made you like dirkjohn so much?"

I don't just like dirkjohn. I LOVE dirkjohn. It's not even an exaggeration. I couldn't talk about dirkjohn(or just themindividually) without making poetry.

Anyway. The depressed weed boyfriends dirkjohn 2016-2019 shippers were right this. It was made sometime after the release of the snapchats where John is alone in his room for quite a while. And then there's other people who say like "of course they're being paired because they're the left overs of the kids ships", but what if it's like they were meant to be that way? What if they finally get to talk to each other and call out on each other's destructive behaviors? What is more romantic than being understood? Everyone else has figured out what to do with their lives.

Dirk helps John be grounded back into reality and tell him that there are friends that care for him. John tells Dirk to get out of his head, stop over thinking about the future and take care of himself. They inevitably take care of themselves by taking care of the other. They should take care of themselves for the other. And over time they get to share interest in watching animes, shitty movies and pranks.

The above is only showing "the good part" of dirkjohn.

"The worst part" ? Dirk and John were created in love of Everything, but they were doomed to be Nothing.

Similarities : They heavily mirror each other through almost all aspects of their lives.

Ex. (only a few. this isn't even the half of it.)

John: Rise up / Prince: Rise up

Liv Tyler / Lil Seb (puttin the bunny in the box)

Dirk sending gifts to his friends through a sendificator(red box) that helps/interacts with his friends physically(robots). John sends gifts to his friends through mail(blue box) that would give them their unique identity forever.

These conversations have the same vibe where they wanted to know what the other is really like apart from them knowing their adult counter parts:

In what aspect are they The Same? :

They hate themselves. Dirk dwells in it. John pushes it in the back of his head and doesn't want to think about any of it.

Dirkjohn Conclusion/Bare essentials: They effortlessly make the appeal themselves.

This is also why looking at HS^2 through a dirkjohn perspective just makes it a huge dirkjohn fanfiction. X

They ascend the need for a label in their relationship/any form of romance because of how intertwined they are to each other that they are a concept as a whole. (looks at the camera)

Dirk and John are the very threads of what makes Homestuck, Homestuck... Which means nothing.

End of ask mood moard;

My body is a vessel that collected every piece of Dirk and John's showed it back into the audience piece by piece and I will never stop doing it.

[sgiandubh]

This is a thank you, not an ask. I guess I would be classified as a lurker in the Tumbler world since I primarily only read what others write.  But I did make a comment to you once and you responded so you made me feel comfortable enough that I could send this to you.  Shippers have unknowingly been helping me stay sane these past few years.  My husband has Alzheimer’s with Aphasia and I have been his sole caretaker for a long time.  Having this responsibility is not for the faint of heart. One day in early 2019 I stumbled across Outlander and like a lot of others, was in, hook, line and sinker and Jamie & Claire and Sam & Cait became part of my daily life.  Last week I had to place my husband in a memory care facility.  It was an agonizing decision and I prayed for a sign that this was the right move.  As stupid as this may sound, I think my prayer was answered.  On the second day he made a friend.  His name is Jamie.  Only in the Outlander world would this have any meaning, but we've now got a sweet Jamie in our lives.  You may officially call me crazy.  Thank you to you and all the other shippers for all the smiles and happiness you've brought to me and many others. It kept me going.

Dear @jovialchaoslover,

By all means, do not thank me, even if I felt incredibly moved and honored by your submission, on behalf of the entire OL Shipper community. In fact, I should thank you, because for all those name calling and finger pointing Anons, you get to read something as genuine, moving and personal. These moments are rare and precious (and should remain so). They make you feel useful, in a very unexpected way.

You are one of those daily life unsung heroes and I want you to know that you are probably way stronger than you would ever think. I can only imagine the kind of experience you are now going through, even if I am (like many daughters, all around the world) only too aware of the cruelty with which old age sometimes disfigures beloved family members. I have only a remote idea of my own grandmother's quick descent into dementia and death, but I do have a very direct experience of the grueling toll it took on our family. Especially on my own mother, who let everything go and cared for her until the very last moment.

With the proper care solution in place, you will find yourself with a lot of time on your hands. A spare time you perhaps forgot existed. Please (I urge you) use it wisely and never forget this is all about you. You more than deserve it and the moment is now. I may know a thing or two about emptiness and void. They are incredibly enticing and treacherous. Please try and do something for you every single day. It does not matter if it is important or completely futile: it is about YOU and changing the angle will change everything. Remember the wonderful woman I am sure you are and try to reconnect with her. I can promise you she is not very far and I bet she misses you, too.

Last but not least, let me tell you that I will never call you crazy for having shared that Jamie story with us. I think it was very brave of you and I can confidently tell you it even has a name. What you experienced is called synchronicity and it is part of the tiny and personal magic of daily life. People as serious as Carl Gustav Jung dedicated their life to try and make some sense of this. And it all started with one of his patients (he was a shrink) describing a very vivid, recurrent dream of hers, that featured a scarab beetle. At the very same time, they both saw a scarab beetle (uncharacteristically) tapping on the window. The woman was not instantly cured (psychoanalysis does not exactly work like this), but it helped both of them overcome a very frustrating communication barrier.

That Jamie story is a real synchronicity, too, because it is meaningful for you and nobody else. It happened for a reason you are the only one to understand, in time. I could talk about it for hours and link it (as Jung did) with my beloved I Ching or with a couple of dead(ly) serious German philosophers, for some extra gravitas. But I am not going to over-complicate things. You got this. You are strong and brave and believe it or not, I am sure you are also loved by many.

I also think Caitriona Mary Balfe and Sam Roland Heughan should read your ask, finally understand their magic brought solace to many, many people around the world and get their damn act together for Season 8. But that is a different story altogether.

For the rest, if you want, we will be here for you. Me and probably other kind people on this side of the fence. Anytime you want, here or in DM. It may not be much, but it is something.

PS: that may or may not have brought a #silly tear, you know.

[myobsessionsspace]

Fun ask: Do you like unconfirmed but possible JiKook thoughts? So JK did GCF-T and used the song There For You - "But you gotta be there for me too" ending line. For 2019 summer, JM on vacation with friends, returned for JKs b'day, etc. JM made a travel vlog for that trip, using the song Come Thru - "Can you come thru?" ending line. (It always stood out to me as an odd choice for a travel vlog.) Soon after, JK began getting the tattoos that included the infamous "J M". Was that JKs answer to JMs question? Aside: the Vlog video concept reminds me of Closer Than This video theme. JMs Vlog -https://www.youtube.com/watch?v=dl3QLdm2uts

Hello Lovely,

Ooohhh you’ve asked THE question. Where do I stand with unconfirmed but possible Jikook thoughts or how I’d probably see it ‘Jikooker Theories’ & ‘Jikooker Delulu’ (said lovingly)?

TL;DR - I’m the worst with this. Honestly my jikooker friends get so frustrated when they delulu and then they’re like…Em?? How about you?? And I’m like…

The main reason I’m so enraptured by Jikook and everything around their bond is because I really don’t need to be into unconfirmed but possible thoughts.

Credit: factkm

You don’t need to squint to spot their unique duo in the midst of anything or anyone else. I don’t even need to put my glasses on to look at them and see that they’re different.

That’s what I like so much about them, they radiate in their actions and words how they feel about each other and how close and unique their bond is, whatever it is it’s closer than close and it’s the two of theirs.

Don’t get me wrong I find it fun delving into Jikook theories. I’m blown away by the intelligent minds that can spot certain connections and patterns. I’m only human too, so I’m a nosy cow. I eat it all up, their off schedule sightings and 1:23 theories etc. I studied psychology and am a lover of love, so of course I’m interested in getting as much information to draw conclusions and all that jazz.

One of many Jikook Icebergs. I love me some Jikook theories but…I above all love Jikook period.

But to me even if all the theories and unconfirmed thoughts of others are stripped away, Jikook give me enough to not need any of that.

It’s a funny balance, taking in others unconfirmed Jikook thoughts. Reading what people say, people thousand of miles away from Jikook, from different upbringings, backgrounds, careers, cultures, ages, genders. People who’ve never met Jikook on a personal level or been apart of Jikook’s inner most circle and not letting it become fact to you, taking their thoughts and opinions as gospel.

Jungkook is me sometimes when trying to get into Jikooker number theories 😩

I love all types of jikooker accounts, art ones, writer ones, historian ones, spicy ones, super investigative ones etc. I’m still figuring out myself how deep into unconfirmed jikooker thoughts I’D share.

I’d love the asks to help me discover what I would be able to answer. **SO ASK AWAY💜** and let’s see how that goes. It’d all be my opinion and my opinion only though.

If it’s not something plainly my opinion, I prefer to stand by everything being backed up by evidence from Jikook and those closest to them, like the members. If it isn’t a verified interview, from original content that can be referenced, from their vlives/weverse lives, sns etc I’m not too keen 😬

VS

Very easily, unconfirmed thoughts can become fact in subsections of fandoms like shipping fandoms, solo fandoms etc. So I like to make sure I can find the first source from when/where/who it started from.

So in conclusion,

I love the fun of it all, the unconfirmed Jikook thoughts, the theories, the sleuthing and delulu.

I do try with my #Tin Foil Hat: Jikook (I’ll tag it so you can take a look if interested) but it’d maybe take asks that make me go for it in more depth?

But ultimately if it’s not from Jikook’s words, their overt and also their not so subtle displays and actions OR if it’s not from those confirmed as closest to them…then to me it’s nothing more than light entertainment that starts and ends there. Nothing that will shape how I view Jikook.

Thank you for you ask!

💜

P.S I think ‘Letter’ is Jimin’s GCF Tokyo/GCF Saipan and ‘Closer Than This’ is the fan song for the collective of BTS fans known as ARMY, cos you know, Jungkook is Jimin’s fan too!

[puckpocketed]

As someone who’s the go-to prospects blog in my mind, do you have any thoughts on Aron kiviharju dropping to the fourth round? The video the Wild shared after he got drafted is soo interesting to me

"Let me tell you one thing, man; you just made the biggest steal of the draft. I promise you that."

29/06/2024 - The Minnesota Wild draft Aron Kiviharju 122nd overall

Aron Kiviharju was supposed to go 1st overall.

Can you be a bust before you ever get drafted? Can the narrative miasma of going 1st overall linger on someone who went 122nd?

Kiviharju’s first game report from the 2024 EP Draft Guide is dated November 24th, 2019. He was 13 back then. According to them, no other player in EP's database — nor in any other draft guide this year — has had scouts' eyes on them so early, for so long. They say he understands the game beyond what's reasonable for a player his age, that he's always excelled while playing above his year level, that even though he's small and light there's something special about his game. Singular, elite, a phenom. This child is the next big thing. He is 13, 14, 15, he is anointed Boysaviour before his voice has cracked.

How many times have we heard this story before?

One day, Aron Kiviharju will be competing with and against players his age. And when that day comes, it might feel a bit odd for the defenceman. For years, ever since Kiviharju was young, he has played up a level, or two, or three. At age 13, he was playing U16 hockey with TPS Turku and, this past season, as a 15-year-old, he started with TPS’ U18 team before moving on to the U20 club. His numbers – 30 points in 35 games – would be deemed impressive for a 19-year-old forward, never mind a young defenceman who only turned 16 in January.

Steven Ellis' article on Kiviharju for Daily Faceoff, early September 2023, broadens the scope of public scrutiny even further:

Time travel back to 2022, and you'll find his name is printed right next to some familiar faces from this year's draft: Macklin Celebrini, Cole Eiserman, Berkly Catton, Ivan Demidov — except, they're all listed as possible challengers to his assumed throne.

And then, the accident.

The glaring flag on Kiviharju's draft profile, and across every report, every interview, and article since is the reality of his stalled potential. A scout’s job is to project a player’s future, but progress is rarely linear. What might halt a once-promising player's progress? Injuries and global pandemics and a poorly managed season or two; these things don't care for destiny. For every realised prodigy there are a dozen more who will fall short of expectations — this is something you pick up fast reading backdated draft guides and sifting through the history of the NHL.

In Kiviharju's case, the dislocated kneecap and the skate cut to the throat are the things most will write about. Behind the scenes, however, there were evidently other factors that contributed to his drop to the 4th round.

You see, every time I think I've escaped it, the size issue comes back.

The belief remains, however, that larger is better. I’m understating just how much it pervades hockey discourses: it’s present in scouting reports and has had measurable impacts on drafting; I hear it on professional and amateur hockey podcasts; it’s thrown out casually during interviews by coaches and fellow players. I can’t read or listen to anything about Faber without stumbling across it — the preoccupation with size. I’ll be very clear here: I’m not reading anything malicious from specific people, I’m not accusing anyone of crimes, and in no way am I implying that ice hockey is unique here. Just the opposite, in fact. I know professional sports hinges upon producing stars, that the commodification of young bodies is endemic to the business. Those stars are, stripped down to the basest definition, workers who perform with their bodies and sell their labour, whose bodies will inevitably be coveted and revered for their adherence to the Platonic Ideal of their respective crafts. For men’s sports, there’s something extra on top of the commodification of children’s bodies — it’s the vernacular of near-fetishistic worship; of the masculine, the oxymoronic youthful-but-mature, the virile. The language used to praise Faber and other young d-men like him has my stomach twisting in a discomfort that I find hard to quantify — players, coaches, and the media all talk about him, and the hockey blinders slip. He’s a “workhorse”, a “stud”, he’s got “a man’s body” — and call it projecting, call it reading too deeply into innocuous statements, but the closest thing I can compare it to is hearing my AFAB body spoken about as an object whose value can be reduced to its function, its usefulness, its closeness to sexual maturity.

Excerpt from the last time I wrote about a Minnesota d-man (sensing a pattern here).

Kiviharju probably would've dropped some places regardless of his injury and missed time; that's where the league is trending right now in terms of draft preference. When you're small, every mistake is amplified by your lack of size. You must be twice as skilled, faster, more consistent.

p. 595, The 2024 Elite Prospects NHL Draft Guide

Kiviharju's media appearances read like someone who is haunted by his draft stock despite his assertions otherwise.

Kiviharju's bold proclamation, caught on GM Bill Guerin’s hot mic, that the Wild just got "the biggest steal of the draft” will likely be associated with Kiviharju's rise — or perhaps his fall — as Minnesota media and fans work at their mythmaking. I don't know if I want to care about some hockey myths anymore. My appetite for them sours day by day. These myths were started by the eyes and hands and mouths of people watching a boy of 11 play hockey, who witnessed him and salivated at his unwritten future. Part of me thinks: I don't want to be complicit in their continued weaving — though I know I will be anyway.

I read what he says in the lead up to the draft and it's like he's telling himself as he tells us; that he will not care, because he is worth more than this.

From Kiviharju's draft day interview, transcribed by me:

Q: What's the biggest thing you learned about yourself going through the rehab process? AK: Kind of like... it's — life is more than hockey. Hockey is the biggest thing for me. I love the sport. I will do this for the rest of my life, for sure. First playing it, then probably I will continue with hockey after my career, so I've been always thinking like that, and I'm still thinking like that, but it's just that it's — more. Life is more than just hockey, there's a lot of things. And there's a lot of different things about myself, kind of like when you don't — if hockey is my fuel and I'm a car and I'm 200 days without getting any fuel, we have to find some new ways how to get that fuel, to keep my car going. - Q: How has your cut healed since U-18's? AK: Yeah so (he gestures to the cut right below his jawline) that was a pretty close one, but thank God we're alive. That's what I kind of meant when I said that this life is more than just hockey. So first you're 200 days without playing hockey and when you come back your first game the World Under 18's a skate cuts your throat open, so it's very close calls, and that's when you remember that this is only hockey.

Whatever happens, I want Kiviharju to hold on to this. Don't get me wrong, I'm rooting for him. In so many ways, he fits the archetype of players I enjoy. I want him to make it to the show and blow everyone's expectations out of the water and bring Minnesota the Cup. I love this team, even if I rarely post about them. Even still, whether he shoots into stardom or he washes out of the NHL, it doesn't fucking matter. It's only hockey.

And he is more than his ability to live up to our myths.