#i made myself the fool
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aerequets · 2 months ago
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an update on the sleep talking,
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lotus-pear · 6 months ago
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mourning black and the death of ideals
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oifaaa · 5 months ago
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OIFAAA! DROP ANOTGER CHEERLEADER CASS X JOCK STEPH, AND MY LIFE IS YOURS!
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"Haha yeah"
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to-be-a-dreamer · 1 year ago
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Gonna spend some time cleaning up the Secret Life Spreadsheet for the final post but I just need everyone to see this absolutely WILD graph that was so insane I had to triple fact check to make sure I wasn't losing my mind.
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Are. Are you kidding me.
I swear I'm about to make one of these for every other season because I simply MUST know if this has always been the case, that one or two people get most of the kills. There's no way right??? Scar was simply on something this finale (Gem is always Like That I was expecting her to look this way)
Also fun tidbit: all three of Etho's deaths were because of Scar. He killed that man three times. Etho is the only person who died the same way every time.
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ladadee195 · 7 months ago
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daftpatience · 2 years ago
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beeboo bedoo green so tasty
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lifemod17 · 7 months ago
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Come on now say it with me: THANK YOU RUTH!!!
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The one hand on the wheel. It's so over for me.
📸: Ruthlessimagery | instagram
Pinkpop Festival || 06/23/2024
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faunandfloraas · 2 months ago
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The Nobleman or 양반 (yangban): The smiling face represents the bluff and composure that an aristocrat is often known to have. The chin is a separate piece from the top of the mask, and the actors can lean forward and back to make the mask smile or frown as needed.
This monk who abandons his doctrines, or 취발이 (chwibari): Chwibari was originally a monk, but he had no intention of joining the monastic order, so he came down to the world and wanders. Represented with a forehead full of wrinkles and spots.
The widow or, 부네 (Punae/bune): represented to be a widow, or a kisaeng ( a woman who sang, danced, or played an instrument to provide entertainment for company at a drinking party), or a mistress of the Yangban. She has a very small mouth, round cheeks and forehead- giving a general look of happiness good-humor.
#skz#stray kids#skzedit#bystay#obligatory i am no expert take it with a grain of salt blah blah#theres no changbin bc you cant see the mask clearly and no hyunjin because as best I can figure his mask is a General/high ranking official#but most of those are modern productions and dont have any real descriptions or anything.#these plays were made to mock the upper classes so the nobleman is p much always treated like a fool or bastard lol#also these all change depending on the location- so like the chwibari is usually a negative portrayal of a monk who drinks and parties#and isnt very... monk-ly lets say- but then theres a story where he saves his lover from a lecherous monk and they get married so 🤷‍♀️#he wasnt a monk that iteration though or he abandoned his studies ?#and then the widow/concubine varies from sympathetic young widow to a kinda femme fatale who seduces the nobleman/scholars#Will any of this play into the concept? probably not. they dont really commit to concepts lbr#but still! it was interesting to look into and the masks are pretty to boot so this was fun :)#it'd be cool if they did a mask dance. i always loved thunderous for the traditional elements so i hope that happens#also YEAH a korean seungmin girl saying she was sad the foreign fans wouldnt get the significance bc she wants to see 'secondary art'#did inspire this (of course i'd wanna know why he was the only one given a womans mask dont act surprised)#bc im pretty sure i know what she means by secondary art and LMAO#i see right through you.... and into myself maybe#long post
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beatcroc · 4 months ago
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what kind of frivolity would you engage in, mecha?
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#mecha sonic#scrapnik mecha sonic#scrapnik island#sonic fanart#sonic fandom#arting#msab#good MORNING. i have given myself many emotions about mecha's big stupid cape. like a fool. such is the way i suppose#god ive been dying to get to this one. do you get it. do you understand#victories; if not on your own terms. achievements; if not the ones you thought you wanted. childhood dreams that never die.#which on that note yeah this is also my favorite one for showing eggman-era mecha as like#''yeah hes hes the most arrogant and murderous jackass on the planet but hes also like 17.''#& therefore kind of a lame little nerd by default. he thinks capes are sooooooo coool#we were all stupid kids once but sometimes u get older and u still wanna paint your house purple. and sometimes u still want a cool cape#it occurs to me that actual 17-year-olds may see this and to that i say: sorry. you guys are fine do ya thang.#its just that im 29 and have grey hair and shit so i have a certain Perspective on being 17 is all. & scrapnik mecha is like mid-30's to me#i knoooowwww he loves his big stupid cape so much. look at the refsheets with his dumbass spines poking holes through the the hood#tell me he has not made a COMMITMENT to wearing that hood despite being built in a way that makes that incredibly inconvenient#u look at nathalie fourdraine's christmas scrapniks post and tell me he isnt having so much fun#being all decorated and swishing around in that Even Bigger And Stupider Cape & shawl w/ his friends#hes so funny for that he's generally such a serious kinda character but on god he does also love some showmanship and flashiness.#i want to make it clear btw i also think capes are awesome i literally cosplay a guy with Two [2] capes.#& mecha is basically the coolest ever. but also hes still funny for that
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feeshies · 10 days ago
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First day of my products liability class
First slide on the PowerPoint is a photo of my professor lying bleeding on the ground after he lost his finger in an air rifle explosion (it’s back on now). Then he handed me a knife.
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jovieinramshackle · 16 days ago
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I always try to not be shy about the fact Pio does not pass as a man at all, and that he is in a situation where he cannot take the steps to do so (medically transitioning basically)— not just financially, but mentally too.
He hates his chest, his private parts and the fact they cause hin extreme dysphoria once a month from his period, his voice is audibly feminine, he even has very "soft feminine" features, he is often mistaken for a butch woman and misgendered a lot (he's also very anxious about correcting people, since he's afraid of how they'll react).
And I feel it's important from me to showcase these features, because they’re part of a realty many transmasc/guys/men like me go through.
The thing about Pio is that he has an extremely hard time believing he's a "real man". Almost everything in his life is an active reminder that society does not see him as a man, and he has internalised it. He is happy the people close to him (his father, Chris and his family) confirm they see him as a man, but he has a hard time genuinely believing they actually do, because he can't possibly say the same about himself.
He's on the verge of giving up sometimes, to detransition, to go back being [REDACTED] and be a woman again. He thinks it will make life easier. After all, it'll be easier to socialise, talk to people, and even find a partner. Pio is gay after all, but what gay man would love a "woman," right? Straight men must be his only option, right?
But it won't be easier, it will outright kill.
And this is why his relationship with Fellow is so crucial to him. For all his faults, the fox did one very important thing right in the relationship— love Pio for the man that he is.
Fellow didn't always have the right words, but he knew words weren't really gonna help such a dysphoric person like Pio. The constant and consistent love and support over time was what made Pio realise how genuine Fellow was with him.
Intimacy felt less uncomfortable, it actually became enjoyable. He could actually bare his features, even if a little. He actually grow to like his voice a little, even if he's fine with it changing. Everything just became a little easier when he was with Fellow, he could actually see himself as desirable, to an other queer man no less.
He began thinking that perhaps he is a man, regardless of everything. This reduction of his dysphoria was what made him more motivated to seek medical transition later one, as he finally could think to himself, "this isn't pointless." He realised nothing can stop him from being the man that he is.
Even after their falling out during their work in Playful Land, Pio still had this drive in him. He went back to his father and started working, slowly saving up to seek a way to get his hands on HRT. And although he has a long way to go, he is for once finally determined to do what he must do for his well being.
He kinda spiralled for a while because of the falling out. He even began relying on alcohol for a bit. But this new profound drive carried him every day and kept him alive.
So basically, as angry as he is with Fellow, he will always be grateful for all the genuine love and desire he was given. It, quite literally, saved his life.
So yeah ofc they make up in the end, what did you expect, to not give them a happy ending? Poser./j
@sunnysidesevenup @theolivetree123 tagging you two cuz...Pio Lore....heh....<3
tag list : @ramshacklerumble @thehollowwriter @summerspook @scint1llat3 @skriblee-ksk
@cyanide-latte @twistedwonderlandshenanigans @oya-oya-okay @viperbunnies @jadelover69
@twsted-void @lallopsyou (lmk/dm if you wanna be added)
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ganondoodle · 2 years ago
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pokémon evolution
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sunfloweraro · 1 month ago
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Sneak peek!
Aka more Pink Bunny AU!!
Ravio reaches his breaking point.
@thatonecrazysidekick as promised >:)
✦ .  ⁺   . ✦ .  ⁺   . ✦ .  ⁺   . ✦ .  ⁺   . ✦ .  ⁺   .
First, Link had stopped speaking. Then, he had stopped being Hylian. Now, he was refusing to eat, too.
What was Ravio doing wrong?
“Please,” he begged, pushing the bowl closer to Link. “Eat something. It will help you feel better.”
Link turned away again.
And something within Ravio snapped.
He slammed his hands on the kitchen table, tearing a flinch from Link. “Please eat something, Link!” Link turned to him, alarmed, but Ravio couldn’t make out his expression when his vision went blurry with tears. “Come back to me already, I miss my best friend, damn it!” He clenched his hands tightly, nails digging into his palms. “What—What’s wrong with you?!”
Silence rang out between them, as it had for months now. And then—
Link whimpered softly, a terrified little thing that had Ravio’s breath hitching.
What had he done?
“Link, I��I—”
Another whimper when Ravio reached for his friend, and then that blur of pink darted away from him. Ravio scrubbed at his eyes, vision clearing in time to see Link dart out of the open kitchen window and into the snow. A gasp tore from his throat and he raced to the window, leaning out as desperation swelled within him. But Link was already gone.
Link was… gone.
What had he done?
Another sharp gasp, which turned into a hitch of his breath. Ravio turned back to the kitchen. He should go out there and find his best friend. He should apologise for being so awful, for not being enough. He needed to fix this.
Instead he leaned back against the wall, slowly sliding down the old wood. His vision blurred as hot, sticky tears dripped down his chin. He dropped to the floor, gazed down at his shaky hands, hands that his best friend had flinched away from. With a choked sob, Ravio buried his face in his hands, curling up on the kitchen floor, alone.
This was all his fault.
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thefandomenchantress · 5 months ago
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A Very Long Morgie Analysis
Warning: As the title says, this is a very, very long post. You should fear that keep reading button. /j
So I watched Descendants 4 with pretty low expectations a week or so ago, since I heard a lot of people criticizing the film. I’d watched the first three Descendants and thought they were a very fun kind of over the top, and figured that this one would be similarly kinda cheesy but hopefully in a charming way.
The first time I watched the film, I liked it. While I thought the beginning of the movie’s plot dragged slightly only for a far too hasty conclusion, I figured that with a supposed part 2 coming, things could possibly wrap up nicely in the future. That was my mindset throughout almost the entire film…Until suddenly Morgie got a scene.
This is a post mainly for people who’ve seen the film, but just in case I’ll explain the scene. Morgie, son of Morgana, is assigned as look-out during the villain heist. He then makes an amusing comment about what the signal should be if he sees Merlin, and no one answers him. We leave his character for a bit before coming back when Merlin returns to his office, about to catch the villains. Morgie does his signal as planned, and when Merlin looks at him, he hides behind a branch as though that’s going to do literally anything to hide him.
By the end of his little dose of screen time, I was quite amused and wondered how I hadn’t really noticed him earlier in the film, since his character archetype seemed right up my alley. After a day or two, my curiosity peaked and I decided to watch the movie again, but this time pay lots of attention to him whenever he was in a scene. I both wanted to appreciate his character more as well as reevaluate the movie after my first viewing, wanting to decide if it really was ‘bad’ like people said it was (spoiler alert: I had fun watching it the second time as well, while it is flawed it’s a fun movie and I like it and I will die on this hill—).
On my second watch, I realized that Morgie is surprisingly pretty well-characterized for a character that doesn’t have too many speaking lines. And I really wanted to hyper-analyze his character and all that, so now I’m making a very long post about it. I really just need to ramble for a bit because for some reason I have become deeply fixated on this character and NEED to blurt out all my thoughts.
So without further ado, how about we watch this movie for a third time and point out every single little thing about Morgie and appreciate it? Let's go!
(There's also my theory about how the new and old timelines work below all the movie analysis, in case anyone just wants to see that).
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YAY HE SAID HIS FIRST LINE WOOOO!!! After a whole 48 minutes, the best character has finally entered the movie /j.
Now on to actual thoughts and stuff. Morgie's first ever words in this film are, "Son of morgana", which, from an out-of-universe perspective, can be easily explained by the movie needing us to know who he is, since he's one of the two completely unheard-of characters in the villain gang.
But Uliana, notably, only has her relation to Ursula mentioned after her verse. So the "son of morgana" line didn't have to be the first thing to ever be said by him, but it is.
That could just be because it flows best from a music standpoint, but in-universe, I think it could possibly represent how Morgie got into the villain gang in the first place.
You see, while I was trying to dig up all the Morgie information available before I made this post, I found these blurbs:
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(From an official Descendents book, 98% sure it's called "Descendants: The World Of Auradon: Royals And Villains").
Notably, Morgie's entry says he isn't the most well-liked in the group. But in that case...How is he still in the group??? The villain gang don't exactly seem like the types to keep someone around just to be nice. So here's what I think the reason is.
Uliana wants to be the most feared person at the school. She wants to surpass even her sister when it comes to being mean and scary. And that means that her gang has to be mean and scary. And when she hears that the literal son of Morgana--Morgana, in this universe, seems to be a very powerful sorceress who almost took over the world--is attending her school, she knows that having him on her side will definitely give her more of a powerful, evil image. Afterall, if the son of one of the most powerful villains was willing to follow her, people would think that she must be very mean and scary.
Of course, she needs people to know that Morgie is the son of Morgana, so I wouldn't be surprised if she asked him to mention it the first chance he got, and he listened to her.
This was all a very long way of saying that Morgie says this line first possibly because Uliana told him to, since having evil, scary people on her side makes her look better. And it's also interesting that the first words he ever speaks are about his relation to someone else, not his own character, unlike all the others in his group.
But we're not done with this shot yet! I also want to add that the Son of Morgana's name is Morgie, which means that Morgana has joined the long, long line of Descendents villains who basically just name their children after themselves, (probably because they view them as a sort of mini-me). I wouldn't be surprised if his name was actually Morgan, though, and Morgie's just a nickname.
Also, something I noticed is that, if you look at the book-pictures above again, Morgie's paragraph is in past tense, while Morgana's is in present tense. Morgie's being in the past tense makes sense, since we know that in the future, the villain gang in Rise of Red no longer exists, all of them being their own solo acts. But Morgana's paragraph being in present tense means that she is still alive, powerful, and presumably still wants to take over the world. So I guess that means she's technically a candidate for antagonist in the next movie. But I'll get back to speculation about that sort of thing later.
Now we can finally talk about the next moment, haha.
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(Morgie is the one singing the line here)
The first time I watched this I didn't catch that he called Uliana hot but--Yeah, he did. Which means that he either thinks she's so hot he must declare it to random strangers, or Uliana specifically asked him to say that she's hot. Either way it's kind of hilarious.
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I am genuinely unsure as to whether they are trying to get us to ship Morgie and Uliana because:
-On one hand, we've got Morgie not being well-liked, and him "desperately wanting Uliana to like and respect him". Which seems to imply that, at least to some extent, she does not like or respect him, or at least not as much as Morgie wants her to.
-But on the other hand, we've got Morgie calling her hot, staring at her longingly, and Uliana calling him 'honey' later in the movie. Disney what do you want from us--
Personally, after reading that Morgana is cruel person who doesn't care about innocent people and who's first priority is world domination, I guessed that Morgie probably didn't have the most loving upbringing. It could've possibly been something like Red's, where his mother could be 'kind', but only if he did what she said and helped her take over the world and all that. In this scenario, Morgie tries his best to follow her lead, but most of the time still doesn't do well enough to satisfy her and fails to get much validation or love from her. When he goes off to school, he tries to get validation and love and respect and all that from Uliana instead.
But that interpretation sort of implies he sees her as a stand-in mother figure, which makes me think that no, them being a couple doesn't feel quite right.
But it's not like that interpretation is canon or anything, it's just something I came up with. So it can't prove that he has no romantic interest in Uliana and that's why he's so desperate to please her. But I did want to share my thoughts on that matter, so here you go. :)
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Aside from Morgie getting hit by Uliana's tentacle and falling over being really funny, there is something else interesting that this moment made me notice.
I read somewhere that a character being lower in frame than another, or lower from a high angle in general, can symbolize them being less powerful. And I noticed that there are a few scenes where Morgie does crouch or appear at a lower angle than the other villain gang members, which reinforces the idea that he isn't the most powerful/well-liked member and is at the bottom of the totem pole in the group.
I don't know if I'm reading into that too much, and I don't know a lot about film-making techniques so maybe that's not completely accurate, but I thought that was interesting.
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There's nothing too important about this one, I just think that all the villains frowning or glaring while Morgie goes :D is really funny. He looks so head-empty in this moment.
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Morgie uses 80's slang confirmed!!
Also, Uliana lets Morgie call her Uli. Considering the fact that Uliana says her full name (Uliana) is what will strike fear into people's hearts, her letting Morgie use a semi-cute nickname is fun. It proves they're at least a little close, since she didn't sock him in the face for calling her that, especially in public. She cares a lot about her image, so her not minding definitely seems to imply she cares for him at least a little bit.
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I don't have much to say about this one, I just think it's amusing.
Though the fact that so much of Morgie's dialogue can go unheard/unnoticed without captions on or on a first viewing is interesting. I couldn't actually hear the 'wicked' line, I'm just trusting the captions. And both this line and the last he says while not on-screen, which seems to put the other's reactions in more of a spotlight than what he's saying.
I suppose this is part of the reason I found Morgie harder to notice and keep track of when I wasn't putting my undivided attention on him. Throughout a good chunk of the movie, he's treated as nothing more than Uliana's lackey. Him not having too much to do besides follow her is true to his character, though. His entire role is all based around doing anything to gain her affection. He cares about her more than anything, and sometimes that leads to him not being a character of his own. Which is pretty cool, if done purposefully.
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Hm, I've noticed that Morgie's main ship in this fandom seems to be Hook and him, and is this one moment the reason for that? I've heard people say they have chemistry on-screen, but after watching the movie a few times, they only have a few close moments from what I can see. This and introducing Uliana are probably where their friendship is most prominent. Hook and Morgie definitely seem the most dedicated to Uliana, so they are similar in that regard. And the ship is cool, don't get me wrong. I suppose I just wonder if there's some sort of logic behind it, or if it was more of a "ah yes two conventionally attractive men it's shipping time" situation, haha.
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This is an interesting frame, because Uliana is suffering as she's turned into a...uh...flamingo-squid-human hybrid? And you'd think that Morgie, since he cares so much about her, would be the most distressed. Instead, in this moment he seems to be smiling (not sure if you can tell as much in this screenshot, though). This could mean a few things:
As stated in the Descendents book, Morgie is rather dense and still hasn't realized that Uliana isn't fooling around anymore and is in genuine distress.
He is happy Uliana is in distress because that means he gets to help her, and she will feel grateful for that and like him more in result.
As shown later in the movie, he likes animals enough to even learn how to mimic the sounds they make, so he's just happy that two of his favorite things are being combined, haha.
Some sort of theory about him secretly not being super loyal to her, though there's not much of a case you could make for that other than this moment in particular, as far as I'm aware.
I'm not sure which one I believe, though I think I'm probably leaning towards the first one, even though possibility 2 would be quite interesting. After all, he looks very visibly worried when she falls into the fountain later, so him just not realizing at first probably lines up the most.
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Not too much to say about these two moments, besides the fact that they once again showcase how desperate Morgie is to please Uliana. First by him being the first person to try to help her (but he fails and falls over, which he seems to do a lot). And second by him being the first to sprint out of the courtyard after her. Though it seems Hook caught up and got him to stay with the others to cut off Bridget and Ella at the other side, since we don't see him running behind Uliana anymore in the next shot, and then we see him standing beside Hades after we move to the fountain scene, implying he went the way Hades did instead.
(Side note, I think that Morgie's the one who shouts 'Uli!' but the captions just say student so maybe not, I can't tell).
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Okay, so, the captions claim that Hook says this line, but not only can we see that Hook has his mouth shut as he pushes branches out of the way, not speaking, the voice also sounds way more like Morgie to me. Originally, I was going to use the nickname Uli as evidence that it was Morgie, but then I remembered Hook also calls her Uli earlier in the movie. So I guess I can't prove anything, but I'm 99% sure this was a mistake on the caption-er people's part.
To get on with the actual scene, Morgie compliments Uliana in an attempt to comfort and please her, though it doesn't seem to work like he'd hoped it would. Other than the last scene of the movie, this is probably the only scene that remotely shows that maybe she doesn't like him as much as some of the others, like the book claims. But more on that later.
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I had a hard time getting a good frame of it, but I wanted to point out that Morgie kinda froggy-hops on the first two stones in this scene, before jumping across them normally. Whether he stopped because he realized the others weren't doing it or because he simply remembered that he is Not A Frog, I found it to be a fun detail and wanted to point it out.
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Pfft, he's so eager to participate, his worryingly excited vocal delivery never gets old to me here. You could also argue that this is another lower-in-the-frame moment, since he sort of crouches and then rises up here.
It's noteworthy that Morgie is the only one of Uliana's gang to not come up with his own idea for a way to get revenge on Bridget. Which at first glance seems like a strange choice, since all the members getting individual lines is a chance to characterize each one a little bit more. And that's especially valuable with a character like Morgie, since most kids probably don't know a lot about Arthurian legend and therefore Morgana. And Morgie's not even actually her, he's her son. Meaning in his limited screentime, they really need to put the effort in to make his general personality clear.
But the fact that Morgie just copies someone else's answer does characterize him. Like I said earlier, at least to me, Morgie seems a lot more eager to participate in the conversation than to come up with ways to punish Bridget for what she totally definitely did. In fact, he begins to climb on top of the rock-thingy to jump off it and excitedly repeat Hades' idea before Hades even has a chance to finish his thought (he's still on "we could"), meaning Morgie was probably going to excitedly parrot whatever Hades said no matter what it was (or maybe that just happened because the actor didn't have enough time to climb up, jump, and say the line if he waited until Hades finished speaking but shhhhhh).
This would imply that Morgie doesn't really care as much about evilly getting revenge and whatnot as much as he cares about getting to be included in the conversation and following what the others are doing. This may be getting into more headcanon-y territory, but Morgie seems to crave the love and companionship of his friends, and I think this scene sort of demonstrates his want to do what they deem as good and acceptable and what will make them happy rather than come up with anything on his own.
I suppose that's one thing that makes his character morally grey to some extent. Sure, he doesn't seem to take as much direct joy/satisfaction in torturing Bridget, but he still cares far more about his friends' approval than her well-being. As long as his friends are happy and want to keep him around, Bridget and anyone else's happiness doesn't matter.
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I have no idea why they put in a random shot of Morgie jumping in the middle of the song, but it's really amusing to me so I'm happy they did. I just needed to mention this really quick, I find the hard cut to Morgie dramatically jumping off something way too humorous not to.
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Off-topic, but since it's sort of implied Morgie likes animals at the end of the movie, I like to think he feeds this guy sometimes, and when asked why he'll say sadly, "No one comes here besides us anymore, so he hasn't been able to eat any innocent people in a long time :(" like it's this terrible, tragic backstory. Idk I just think it'd be funny. Anyway, back to your regularly scheduled programming.
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Ah yes, the scene I keep mentioning. The one that made me go, "woah, he's funny and has a discernable personality :0". The one where he asks what the signal should be and all that.
This scene finally shows us what the Descendents book from earlier kept claiming, that he wasn't the most well-liked among their evil clique. When Morgie talks, Uliana rolls her eyes in exasperation and walks off, not answering his questions. And the others follow suit, ignoring him.
For most of the film, Morgie seems to be on even ground with the other members, and at first, I thought maybe that wasn't on purpose and they just wanted to shove this in at the end, like how most of the ending was rushed. But now I'm thinking that maybe the reason Morgie isn't as well-liked is being shown throughout the scene, revealing why it's only more obvious now.
You see, Morgie's easily excitable personality fits in when Uliana and the gang are all just messing around, like how they were laughing and making jokes at someone else's expense earlier in the movie. Morgie just has to cackle evilly behind Uliana and be supportive. But when they try to do more 'serious' evil things, like this heist, his attitude doesn't translate quite as well.
Uliana wants to be taken seriously as the threat, and I assume the other villain gang members do as well. They want to be evil and scary and tough and all that. But Morgie doesn't really have a more serious, threatening mode. Well, he does, like when he's trying to be threatening during his introduction. But when there's no bystanders to impress, only his friends, the real Morgie isn't the serious type. He's still energetic and excitable, even in situations such as these. And the others find this a bit grating, since they want to be real villains. They don't want all of this to be childish or a game, they want to be taken seriously as villains. They want to be real villains. And Morgie's demeanor isn't as cut out for that sort of environment. Or at least his natural demeanor isn't, and he has trouble reading when they want him to be more serious.
Side-note: I swear I love every line this character delivers, something about the way he talks makes my ears happy. So I just wanted to point that out really quick.
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"Ah yes, this extremely small branch will guarantee that no one will see me! >:D" I find this very funny. I want to say this isn't very smart of him, but I mean it works and Merlin doesn't see him so you can't argue with results--
Anyways, Morgie impersonates a few animals and hides behind a small tree branch. I thought about screenshotting all the animal noises but they're pretty straight-forward and for this you just need to acknowledge that they happened, so I didn't.
Morgie is the son of Morgana, and presumably has the capacity to be an extremely powerful magic-user like her. Which means there are a lot of cool magic things he could be doing. So I think the fact that we are directly shown that shape-shifting and mimicry are the skills he focuses his energy on the most, is important. Well, I suppose it's possible he isn't using magic to mimic the animals, but I've always assumed he is. And even if he isn't, the fact that even in scenes where he's completely alone he's still mimicking something else is rather telling.
...
...Oh, wow, we finished analyzing the actual movie! Yay! Time for one last thing, then!
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Apparently, there was a deleted after-credits scene where Morgie finds the sorcerer's book. Unfortunately, I couldn't locate the original post, which supposedly came from Morgie's actor. It's not that I doubt it's real, I don't know how someone could fake this photo, but I would've liked to see it and know what he said about it.
(Warning, a lot of this gets even less objective than it already was, and most of it is just me theorizing with varying degrees of evidence to back my statements).
So what implications does this photo have? Well, it confirms my suspicions that Morgie being forced to stay behind wasn't for nothing and was setting up something else. I heard there was a lot of cut content in Rise of Red, and the fact they thought the 'Morgie barks like a dog scene' was important enough to keep over other things seemed telling.
If there was a scene dedicated to him finding the book, then him finding it must somehow be important. But in that case, I'm guessing we'd have to assume that Morgie can open the book. After all, if he can't open it, what's the point of him finding it? And it sort of ruins the original timeline, too.
If Morgie can't open the book, then that means all of the villain gang couldn't open it. And in that case, how would they prank Bridgette in the original timeline? They couldn't, because none of them would be able to read the recipe and give the cupcake to Bridgette.
However, if Morgie can open the book, then things make more sense. I wasn't sure if I was going to share my whole theory here, but so far I haven't seen anyone have the exact same idea as me (though I haven't read every Morgie post out there, so it's possible), so why not share it?
What if the thing that changes the timeline isn't that the villains were able to get the book without getting caught by Merlin, it's that the villain gang knew Morgie could open the book?
Let me explain.
Let's start with the fact that I don't think we often acknowledge, at least in my experience, how random of a choice putting Morgie in this movie was. They could've chosen any classic Disney villain to be in this movie, yet they chose Morgana. A character who has never even shown up in any Disney project, besides a live-action film and Sofia the First. They could've chosen to round out the pirate trio from the second movie and added in Gaston, or chosen one of the core four's parents from the first movie, or picked literally any famous character from any Disney movie ever. And yet, they decided to go with not just Morgana, but the son of Morgana.
And personally, I think that if Morgie really was just a throwaway character, they probably wouldn't have gone through the effort of making a whole new character instead of just choosing an already established one, like with Hook, Maleficent, and Hades. There has to be a reason they did this, right? Anything Morgie did in this movie could've been accomplished by anyone, since his only large contribution to the plot was being a look-out and failing.
And there are two things I realized. One, that being the child of a villain basically gives you automatic redemption arc privileges in this franchise. The core four, the pirate trio, and Red in this movie are all proven to be good deep down in the end, and we're supposed to see them as heroes. And for some reason, they decided their new character couldn't just be Morgana, it had to be the son of Morgana.
My guess is that they want to be able to push the "Oh their parents taught them that being evil is right but deep down they're a good person" angle they did in all the other movies with the Descendents. Especially since it would parallel Red, who's basically the main character of these movies, even if Chloe is at a close second.
The second thing I noticed is that even if you read just the first paragraph of Morgana Le Fay's Wikipedia page, it says that a significant aspect of her character is her unpredictability when it comes to being good or evil. She has the potential for both, and since they seem to have decided to just make Morgana evil in this universe, I'm guessing that trait is being handed down to Morgie.
They needed a morally ambiguous villain who could open the book in order for the timeline to work properly, and choosing a villain we know is 'evil' thanks to their movie, wouldn't allow that. So obscure villain's son it is.
Alright, so if we assume my logic makes sense and isn't just incoherent rambling, Morgie can open the book. How does this tie into the way Chloe and red changed the timeline? Here's what I've come up with:
In the new timeline, Red and Chloe steal the book for the villains and the villains take it, opening it in front of them just to brag and getting frozen. Red and Chloe take the book and, assuming that Uliana and her friends can't go to the dance, leave the book behind off-screen. In the deleted scene I think they left it...Is that their room? I genuinely can't tell, but Morgie finds it. Possibly via following them after seeing them leave the building, since we know that the trip from Red's room to Merlin's office is in direct eyeline of the tree.
But even though Morgie found the book, the prank isn't enacted in this timeline. If Morgie can open the book, why is that? After all, he could just do the prank for Uliana, right? Well, here's what i think happened:
Uliana and the gang don't know that the book is enchanted so that non-good people are unable to open it. That's why they try to open it without a second thought. Which means there are two possibilities going forward:
Morgie did indeed follow Red and Chloe back to their room so he could get the book back for Uliana, and overheard their conversation about how the book proves Red is a good person and won't turn out like her Mom, etcetera. When he finds it, he's aware of what could happen when he opens it, unlike his friends.
Morgie doesn't know about the enchantment on the book when he finds it, because he didn't follow them or couldn't hear them through the door or something else.
Both options, for my theory, garner the same outcome, it's just that things take slightly longer to happen.
If we go with the second option, Morgie is unaware that opening the book with no side effects means anything and after he opens it, he decides to show Uliana and the others the book whenever Merlin gets the spell off of them and all that. But when they do meet up, Morgie asks how they got caught before he shows them anything. And Uliana's answer would be something along the lines of, "That stupid book was enchanted and froze us in place! Only some goody-two-shoes could open it without that happening" (she would know because she heard Chloe's explanation of the spell when her and Red were talking). And Morgie takes a moment to process that...Uh oh, wait, that didn't happen to him. Why didn't that happen to him? Cue Morgie having an identity crisis as he realizes that the book doesn't seem to think he's a bad person, even though that's what he's supposed to be. He's the son of Morgana. He's part of a group that knows their actions are bad and they don't care. His entire motivations are around getting his mother, Uliana, and whoever else to give him validation for being good at being a villain.
But according to this book, he's not one.
Morgie tries to play it off and decides not to show them the book. Uliana and the gang are all about being evil, and they are all he has. What if this was the last straw and they kicked him out of the group because they think he's not evil enough? He'd have no one left.
He's decided that he can't tell them about the book, but what if they figure out that he has it? As long as he has the book, it's a liability. So, he does the only thing he can think of.
Burn it to a crisp.
And with the book destroyed, the prank can't happen. The recipe that can turn Bridget into a monster is no more.
If we went back to those first two options and say Morgie knew about the spell when he opened the book, then everything is the same except the book gets destroyed sooner, the night Morgie's friends are still frozen and won't be able to catch him actively sabotaging their revenge plans.
So that's the new red-and-Chloe timeline. What about the old timeline? Well, in that timeline, let's say Uliana doesn't feel the need to show off and open the book in front of Red and Chloe, so they escape Merlin's office unharmed. That means they get to meet up with Morgie, and whenever they open it, they're around to see that oh, Morgie isn't frozen, that's weird.
And they can't know for sure why, since they don't know what the enchantment is or what its qualifications are, but they do know that Morgie can read the recipe and do the revenge plan, so Morgie is able to read the instructions and they're able to prank Bridgette.
And ta-da! That's how the timeline got changed! At least in my mind, there are probably tons of other possibilities, but this is the one that made the most sense in my head.
And with that, the post is finally finished! I'd love to hear anyone's thoughts or ideas on this! Despite this being an analysis, a lot of it is dictated, at least slightly, by my own opinions. Morgie is the centerpiece of the timeline changes for a reason, haha. With such a large fanbase compared to some other pieces of media I like, I'd love to hear what the masses have come up with and like or disagree about in this post.
Thank you so much for reading if you've made it this far! I can only imagine that if you have read all this, you're some sort of Descendents or Morgie super-fan, and for that you have my respect.
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fadetouchedsilk · 2 months ago
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like I get the feeling the need to defend veilguard as an initial response. There’s a decent crowd of ‘critics’ who are up in arms because of Gay People In Their Videogame (which kills any other valid complaints they might have had imo)
But also I think a lot of us are just. Really disappointed that the thing we Waited 10 years for isn’t even coming close to living up to what we were told to expect? Even I knew that this game probably wouldn’t be great—tbh I didn’t go in with any expectations really—but I didn’t expect to feel so deflated by what we got either. The fact that there’s so much untouched potential mixed with what we know to be irl production problems makes it a harder pill to swallow. I think I was hoping this would be another DA2 situation, where you could see there were obvious cut corners but the story that we got was compelling enough to have lasting power & we were still able to dig our fingers into the lore. Hell, people are still talking about that game to this day in some circles. What does that tell you?
We knew this game would be flawed and have some misses (they always do) but I don’t think any of us could have anticipated how gutted the actual end product would have been. People are upset because we’re not dumb. We know budget cuts & layoffs happened. Just say the resources weren’t there and you had to prioritize. Just say certain things were left behind to meet a deadline. As frustrating as that is, it’s an infinitely more preferable explanation than acting like we’re all too stupid to pick up on any of this happening.
You’re not a bad person if you had fun or enjoyed elements of the game. I did & so did a lot of other people who are being vocally critical. I probably Will end up finding aspects I feel like giving watsonian explanations for in my own canon like I have in the past. But I also cant just ignore the problems & im not alone. It’s not ‘fake da fans’ who are mad from what I’ve seen. It’s the opposite! It sucks to see something you love decline. There’s a recurring theme of grief I keep picking up on in so many of these critical posts. Of course no one actually assumed our personal headcanons would become canon, but there was a certain standard of continuity that I think was silently expected to be present & it wasn’t there.
I’m not even sure what the point of this post is tbh. So many of us wanted to like this game so, so badly. We wanted the next part of a franchise that’s been important to us to be able to stand up with its predecessors. And for a lot of us it didn’t manage to hit that mark, no matter how much we genuinely wanted it to.
Idk. As much as I can come off as pretty flippant and irate about this whole thing, in truth it’s just something that leaves me feeling sad in a really quiet, deep sort of way.
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souenkun · 2 months ago
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At the risk of being 2024's biggest clown jester, but uhhhhhh... they might have confirmed that we'll be getting the miharu arc in this season? Matoba's voice line in the trailer (which sounds a lot like the one from chapter 92) ended up being different (accurately adapted from chapter 89.5 instead) when that scene aired in this week's episode! 🥳
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