#i love you because you are good

[ofmermaidstories]

there's a special day for everyone, that comes but once a year

and for you my love—that day of days is here:

so have a happy birthday baby

may all your dreams come true, the way mine have with you

on this special day, I'd like to say—

I wish you every happiness, I hope you're feelin' fine

Now you'll have a real good time,

and I wish you happy birthday baby, mine

happy birthday, baby — tony christie

🧡💥🎂💣

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[phantom-of-the-501st]

Remember that this is not the proof that they love each other

That was a last-ditch attempt from Crowley to get Aziraphale to stay

This is the proof that they love each other

Their love wasn't just made real because they kissed

It always existed

[millidew]

his change in career has captivated me

bonus:

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[eydilily]

would you bite the hand that feeds you?

[magicicephoenix]

i finally finished reading I see you, Sundrop! by @shirajellyfish and IT'S SO GOOD I CAN'T BELIEVE IT TOOK ME THIS LONG TO FINISH IT RAAAAAAA

i will be gushing about it in the tags but here's a lil animation i made based on the below paragraph in chapter 6 that gave me such a strong mental image that i had to make it real :)

[stump-not-found]

A Lifetime Served in a Little Cup

pt.1 / pt.2 / pt.3 / pt.4

---

bill, babygirl, the red flags get outta there

[time-to-write-and-suffer]

I love how on Tumblr, "media literacy" has become "Um, just because someone writes about this doesn't mean they're endorsing this. I hate all these media puritans ruining everything."

I'm sad to inform you that knowing when and whether an author is endorsing something, implying something, saying something, is also part of media literacy. Knowing when they are doing this and when they're not is part of media literacy. Assuming that no author has ever endorsed a bad thing is how you fall for proper gander. It's not media literacy to always assume that nobody ever has agreed with the morally reprehensible ideas in their work.

Sometimes, authors are endorsing something, and you need to be aware when that happens, and you also need to be aware when you're doing it as an author. All media isn't horny dubcon fanfic where you and the author know it's problematic IRL but you get off to it in the privacy of your brain. Sometimes very smart people can convince you of something that'll hurt others in the real world. Sometimes very dumb people will romanticize something without realizing they're doing it and you'll be caught up in it without realizing that you are.

Being aware of this is also media literacy. Being aware of the narrative tools used to affect your thinking is media literacy. Deciding on your own whether you agree with an author or not is media literacy. Enjoying characters doing bad things and allowing authors to create flawed or cruel characters for the sake of a story is perfectly fine, but it is not the same as being media literate. Being smug about how you never think an author has bad intentions tells me you're edgy, not that you're media literate. You can't use one rule to apply to all media. That's not how media literacy works. Sorry! Sorry! Sorry! Aheem heem. Anyway.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[kurthummeldeservesbetter]

because I’m on a meljayvik kick rn

Viktor has to sleep in the middle of the bed bc both Mel and Jayce run hot. any combo where he is not in the center has whoever is on the end sweating profusely and the person in the middle has one cold side and one warm side. it’s science.

Mel is the coolest and calmest of their heads, yes, but she is most definitely in on their “yes, and?” dynamic to science and magic. She is all for the chaos, she just wants them to wear protective equipment while doing the chaos.

Jayce designed their shower to be double the size of a normal walk-in. Their tub is pretty much a hot tub. Do with this what you will.

Jayce carries both his partners on his shoulders. He also can do many a set of pushups with both of them on his back. They’ve played chess against each other on Jayce’s back, while also asking for advice on chess moves.

Jayce and Mel have a game called “do not leave Viktor alone with Ambessa”. For everyone’s sake, they have been 100% successful. Jayce gets jealous, and the last thing Mel wants her mom to know is that they do share a taste in types of men. Viktor is unaware of this game. Ambessa is curious of the twink her daughter is hiding from her.

Mel is the first person who gets to see all their prototypes in action. She has also been woken up in the middle of the night when one (usually both) have an idea. She is 100% behind this, though she didn’t appreciate the time Viktor and Jayce woke her up for what ended up being a literal lamp re-design. They spent an hour talking about their genius and innovative light, powered by hextech, just for her to flick their bedside lamp on.

Mel has never laughed so much in her life since meeting and getting with them. She attributes these years as the best ones so far. Jayce and Viktor feel the same.

Viktor is just. Always in meetings now. Chilling out. What are you gonna do? Tell the de facto-head of council Jayce he can’t bring in his partner and tell the richest and also most influential member Mel she can’t bring in her other Boyfriend? Good luck.

He actually does not want to be in these meetings. He's there for moral support and the promises of coffee. Also Mel needs him to occasionally hit Jayce's chair with his cane when the other man starts to fall asleep.

He also sneaks notes to her of drawings and she's been mad (not really) ever since he made her snort really loudly due to his caricature of hoskel and salo. It's framed in their office.

[ofmermaidstories]

It’s the 20th of April in Japan—midnight, 2023. Happy Birthday Bakugou Katsuki, my shining, kintsugi-hearted boy. You are one of my most favourite things—right up there with hearing my friends laugh and the winter sun on my hands and golden afternoons. You’ve reminded me of the value of doing things well, of doing them out of love, and it’s because of your silly paper existence that I have come to meet and love some incredible, important people.

I’ll say it every year: I’m so glad you exist. On paper, on screen, in fic—happy birthday, my explosive, fiery gremlin. 💥🫀🌷🎂

[tardxsblues]

Because you and Mr. Fell don't ever talk to each other. We talk all the time. We've been talking for millions of years. Bla-bla-bla-bla-bla-bla-bla-bla-bla. I say something brilliant, and he says something unintentionally funny back. It's great. You never say what you're really thinking.

[kaddyssammlung]

[poorly-drawn-mdzs]

...Turns out gay sex actually was the solution.

(This is basically a redraw, come read the real deal over at Tiger Tiger)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.