#i love using real life concepts in my designs

[zwarriorcats]

Did you know the higher your testosterone count, the better your beard growth, you may go bald, the more muscle mass retained, and the more aggressive you may be, especially in romantic conflicts?

Anyway here's some warmup Ashfur sketches

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[drenched-in-sunlight]

i don’t think it’s talked about enough that the reason there’s a Godwyn ending where he becomes a Lord (not a God) is because symbolically, he was mirroring Godfrey in more than just name.

Godwyn’s alive body sprouting fish tail and scales isn’t just a random design choice, it’s a reference to Confucius' The Book of Rites, where it’s stated that the subjugation of the Four Divine Beasts will grant the person who tamed them different kind of control:

- Dragon -> control over animals with scales (specifically, FISH. See?)

- Qilin (Lion) -> control over beasts (think of how the Hornsent coveting the power of the Crucibles via the lion dance ritual. The “lion” in lion dance is Qilin in the native language of Asian countries that celebrate that tradition. And it’s why Godfrey’s symbol is a lion, why lion imagery plays such important role in Elden Ring world)

- Phoenix -> control over birds

- Turtle -> control over the heart of men (this might be a reach but Miquella’s connection to the Carian family and thus, the Turtle Pope could be a nice parallel to this)

in Godfrey’s cut dialogues, he said “Dearest Marika is precisely what I must take back” and “Dear Marika, do not fear. I am returned.”, and even without all that, The Talisman of Lord’s Bestowal stated that Godfrey accepted his duty without any sign of wavering, even taking Serosh upon his back so he could conduct himself as a Lord worthy of her. Bro, he loves that girl, he passed Messmer’s vibe check with flying colors.

For Godwyn to be a fruit of such a loving union, i do think Godfrey instilled in him a sense of duty to protect his Mother, and there’s his own love and devotion to her as well. Leyndell Knights all use Dragon Cult incantations and buffs - the kind of power that is only available to them because Godwyn befriended Fortissax (which is why i said that move has an ulterior motive to it).

All of that brings me to this main point I’m trying to make: does Godwyn really that devoid of agency?

I see it’s a popular interpretation in the fandom that oh Godwyn was just a symbol, he had no voice, we never knew what he wanted, etc etc… Do we really not know though?

Sorry for slapping another fandom on this, but this is really relevant to my understanding of Elden Ring as a story, even with the base written by a Western author, was developed by a Japanese team of storytellers and designers:

The concept of soul - body and body snatching etc etc exists a lot in Asian media, and there’s always a general consensus that the body remembers even as the soul perishes. What is Godwyn’s body is doing? The game specifically states that his body is alive. He only perishes in soul.

He was infesting the Erdtree’s roots, spreading Death around like free real estate. If he wanted to let go of life, of his Mother, his body should have just let go on its own. But no, he was tenaciously clinging to the Erdtree, to Marika.

Even Fortissax remembrance stated that despite its best effort, it could not fight back the Death within its friend. If Godwyn really, truly wanted to embrace a true death, would his body just let Fortissax fight alone in an uphill battle like that?

Then there is the DLC revealed that Godwyn’s personal knights were in LoS to find and guard his cadaver surrogate, specifically for the Age of the Duskborn. Their helm stated that their loyalty to him is unbroken. So will they just go and do something that their Master would not want?

These Knights are literally an elite circle that was bestowed the most precious of jewels in Godfrey’s time (the +3 medallions), they aren’t merely good, they are the very best. They are Godwyn’s inner circle the same way the Fire Knights are said to be the ones who know Messmer best.

Even if you think Fia and Those Who Lived in Death were just taking advantage of Godwyn’s death… her endgame goal technically did not even succeed. She wanted to be Mother to TWLiD, but the ending very much shows that the Mending Rune was returned to Marika’s womb. It’s her who would birth Godwyn a second life, so the True Mother™ to TWLiD… would actually be Marika 💀

Like, am i the only one who saw this as some real crazy 4D chess Uno reverse move from Godwyn? Oh these ppl wanted to get rid of him then took advantage of his body? Fine, he would take that challenge and run a mile with it. If Age of Duskborn came, it meant Ranni didn’t succeed, Fia didn’t actually get to be Mother of TWLiD, Death - the very thing that Marika tried to seal, would now be something within her control, because Godwyn is its Lord now. Exactly like how the Dragons’ power became something wielded in Marika’s favor in the end. Thanks to him.

In the Duskborn ending, bro, the God would still be Marika. It’s the only possible new Age involving a demigod that doesn’t get rid of her. Even if it utilize heretical powers to get there.

And the crazier thing? This is not the first time Fromsoft did this, btw.

[thepunkmuppet]

the possible future of the hatchetfield series: hatchetfield halloween party livestream full rundown

again apologies if someone has already done something like this, but I’m procrastinating doing my coursework and just want to talk about hatchetfield I want everyone to be aware of this exciting stuff that was announced in the stream so here you go:

the next starkid musical to be released will not be in the hatchetfield universe.

the guy who didn’t like musicals will soon be ready to license.

nightmare time 3 was originally planned to be released in the same year as nightmare time 2 and will wrap up the overarching nightmare time stories (which seem to be miss holloway and the foster sisters respectively).

if they did a fourth hatchetfield musical, it would be about miss holloway and her backstory. it is already written. I am very very extremely normal about this fact 😃

there is a possibility of a hatchetfield movie, and workin’ boys was sort of a test for this concept. it would be a slasher murder mystery centering around the hatchetfield community players (zoey chambers and the cast of workin’ girls, possibly also with ruth, hidgens, alice and any other theatre-oriented characters but that part’s just my speculation). the transcription of the teaser description can be found below the nmt descriptions.

ok so here are the transcriptions of the nmt3 episode descriptions:

Story #1: Bottle Imps

Bill Woodward has been chosen to test CCRP’s latest and greatest product; Bottle Imps. These reality-bending buddies will bring their owner the one thing they desire most. When his new imp, Lovely, leads him to his soulmate, Bill decides to use his magical companion to play matchmaker. But to help Charlotte find the man of her dreams, Bill will have to bend the Imp’s rules. Rules he’s been warned, must never be broken…

Story #2: Frankenruth

Desperate to see a naked body, Ruth Fleming and Richie Lipschitz volunteer at the morgue of St. Damien’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Laszlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!

Story #3: Becky Barnes Climbed a Tree

Becky Barnes is on top of the world! Not in a literal sense, of course. She’s deathly afraid of heights. After years of struggle, Becky’s life is finally everything she dreamed it would be. She’s engaged to her high school sweetheart, Tom Houston, and the two have a surprise baby on the way! But, as the couple prepare for the arrival of baby Marie, a shadow from Becky’s past returns to haunt them.

Story #4: Devil’s Night

Tim Houston has a crush. Unfortunately, it’s on his older, mature and totally cool babysitter, Grace Chasity, who he fears will never see him as anything but a snot-nosed little kid. But when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween, Tim must protect his beloved, or join the killer’s growing body count. It’s another slashing adventure on the night HE came home… Devil’s Night.

Story #5: (long special episode) Miss Holloween

It’s Halloween in Hatchetfield once again, and Miss Holloway is celebrating the same way she’s done for decades, staving off the horrors that go bump in the night. But when Duke gives her an invitation to his wedding, the dejected Miss Holloway begins to chafe under the terms of a contract forged many years ago. She strikes a new bargain, but unfortunately her creditors are known for their tricks, not treats. Just as Miss Holloway gives up her powers in exchange for a mortal life, a monstrous new threat rears its ugly head. As All Hallows Eve descends, and all Hell breaks loose, Miss Holloway must save the town or die trying… for real this time.

Story #6: (long special episode / season finale) Orb Weaver

Lex Foster had a life once. A home. A boyfriend. Now there is only the road, and her sister, and the fear of the men who are hunting them. As Hannah Foster watched Lex sink deeper into despair, she is certain of only three things: Webby is gone. She cannot help them. They are alone. Elsewhere, an old soldier awakens from a catatonic state. Returned from some unimaginable Hell with a mission. He knows that somewhere, two magical girls require immediate evac… then maybe some coffee.

very important: if you want nightmare time 3, WATCH NIGHTMARE TIME 2. BUY A TICKET TO THE LIVESTREAM. SHOW THAT THERE IS LOVE AND DEMAND AND IT’S WORTH THEIR TIME AND MONEY I AM BEGGING YOU

hatchetfield movie: Cast Party Massacre

The Hatchetfield Community Players. You will never find a cattier troupe of two-faced thespians. But when the blood begins to flow at their latest show’s cast party, they must consider: is there a secret murderer in their midst? And more importantly, who amongst them is a good enough actor to pull off such a performance? Can they set aside their petty squabbles and tangled romances, or is it curtains for this ensemble? Who will survive… the Cast Party Massacre!

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[saturnville]

brown sugar

pairing: lewis hamilton x black oc (victoria "tori" scott). summary: he loves her. she’s too blind to realize it. warnings: angst. reference: brown sugar (2002). wc: 5.9k. an: this took forver, ngl. and I don't even know if I like it for real LOL, but I hope you all do! tags: @boujiestpoet @mauvecherie-writes @saintslewis @greedyjudge2 @vile-harlot @emjayewrites @ggaslyp1 @neewrites @cocobutterqwueen

Working hard for what he desired was a concept that was instilled in him from a young age. If he wanted something, his father would say, it was up to him to put in the work to make it happen. He'd have help, he'd have support, but the grit had to come from within. It was a lesson he carried with him throughout his life. 

As a child, he was determined to become a successful racing driver. He'd now become the primary name in Formula One as one (if not) the greatest racing driver and the first Black driver, especially of his caliber. He'd broken barriers and found himself doing things he'd never thought he'd do; designing, producing, and mentoring. 

He was determined in every aspect of his life, including his love life. Or, the lack thereof. He was used to the fast life of money, cars, and women, but as he grew older, it seemed unappealing. Bringing random women homemade his stomach clenched in discomfort, staying out too late made his head hurt, and having a large bed to himself grew lonesome. 

But, he knew what he wanted. He put in effort to ensure that, even selfishly, he got wanted; always did. And it was going to be her.

-

"Hello?" Her voice reverberated throughout the airy penthouse. Her heels kissed the hardwood floor as she entered the foyer of his home. Her nostrils widened as she inhaled deeply. He was still present. The scent of his favorite cologne lingered and tickled her senses. "Lewis!"

"Do you like yelling my name or something?" he joked as he came around the corner. As he came into view, she smiled gently. He looked very comfortable. He wore a pair of loose-fitted black sweatpants and pulled the matching sweatshirt over his head. His hair, as usual, was pulled into a low bun and a lazy smirk played on his lips. 

She rolled her eyes playfully and welcomed his hug and kiss on the side of her neck. She shuddered. "Try again. I came to drop this off." In her hand was a black restaurant-like bag. Lewis dropped his hand to her waist and turned his head to the side. He watched as she swallowed thickly. She said, "Nothing much. I cooked and had a lot left over." 

Lewis' eyes lit up in excitement. Her love language was cooking. Her grandmother was the 

chef of her family, often teaching everyone, including herself, her family recipes. And since leaving the States to move to Europe for business, her grandmother's recipes were the bridge that kept her connected with her Mississippi roots. Lewis was always an indirect benefit of her love for her roots. 

"You spoil me," Lewis said boyishly, allowing her to put the bag in his hand. The scent was familiar. Greens, green beans, cabbage, vegan mac n' cheese (an extra step she took), black-eyed peas and rice, and a small portion of. "Thank you." Lewis visited the States plenty of times, but nothing was as fulfilling as Grandma Eve's cooking, and he learned that from the first time he went to Mississippi with her. 

"Something like that, but that's all I wanted." 

Lewis's face turned upward. "You're not staying?" She shook her head. 

"I have a date." That didn't go over well with Lewis. He grunted in disdain and took a step back from her. She pursed her lips and turned her head to the side. "Don't act like that. I told you I had a date three days ago." 

He never forgot about her date. He simply didn't care. Not because he didn't care about her happiness and romantic prosperity, he didn't believe that the guy (or any other guy, for that matter) that she'd gone out with, was worthy of her. They weren't worthy of being in her presence, let alone breathing her air. He never forgot, he just knew she deserved more. 

"Mhm," Lewis hummed. He dug into the bag and plucked a piece of cornbread from the napkin atop the containers. "Yeah, I know. Guess I gotta eat all this by myself..." She chuckled and waved him off. She dropped a kiss against his cheek and waved, "I've got to go. I'll tell you about it later." 

Lewis nodded. It made his chest hurt saying, "Enjoy, love," but by the smile on her lips, he knew she appreciated it. 

"Thank you, baby!" 

He huffed deeply as she left his home, the nickname she gave rubbing his insides warmly. He only hoped he'd still hear her say it. 

-

She met the man. She said she met the man, who took her out and was everything a partner should be. He was kind, generous, and a leader--the overall catch. He tried not to show the jealousy, the envy, the discomfort on his face when she spoke of him, of this David character. 

He tried to stay happy, smiling and supporting her newfound love with the man who seemingly swept her off her feet. Lewis kept showing up for her in every way he could until he couldn't anymore. 

There was no reason (in his opinion), to show up when another had filled his place. Lewis knew it was wrong, but how long could he accept being pushed into the background by the woman he'd come to know and love in a way most wouldn't imagine? He knew it was wrong, but his heart couldn't take it. 

Once her phone calls slowed, texts grew less, and she stopped showing up how she used to, he didn't force it. He did what most hurt people did; he fell back. 

-

"You talk to Lewis lately?" Her friend asked. Tori thought for a moment. She hadn't seen him, she hadn't spoken to him, and she hadn't been to his races in a while. Life had been on the rise and her schedule grew busy. She'd accepted the position as senior partner at the law firm and had found love. Her life had changed so much that she hardly realized their disconnect. 

Tori took a sip of her almond red wine and twisted her lips. Suddenly, the sweet red was bitter against her tongue. She didn't meet the eyes of her friend, Jen, who grew curious with her silence. Tori swirled the liquid in the cup and shrugged. "No, it's been a while. He...he reached out to congratulate me on the promotion and I was told he came to the party, but I didn't see him. I haven't heard from him since." That was a month ago.

"I did," Jen countered. "He spoke to everyone, left a gift for you, and tried to get to you, you weren't around, so he left." 

Tori's stomach jerked. How had she not seen him? She'd known Lewis like the back of her hand, which included being able to sense his presence. How had she failed? 

"You were with David for most of the night, so, that's expected. I know you two are close, so the fact that you haven't said much about him is shocking. Did you at least thank him for the gift?" 

Shame fell over her. "I never knew he got me one. I just assumed he came and went because I didn't see him. I was so focused on everything else." 

Jen's eyes narrowed. This was odd. "So you don't remember the black box with the gold ribbon? Cursive writing on the bottom?" Tori shook her head. At first, she thought it was from David, but when he did not take credit for it, she simply pushed it into the corner of her room and said she'd get to it later, along with the other gifts that awaited her attention. 

Tori groaned, "I feel terrible." She hadn't known her best friend come to celebrate with her, she hadn't recognized his handwriting on a gift he got her, and she made no effort to show up for him within the last few weeks. And even worse, she hardly realized the shift. 

"You should," Jen shrugged. "I'm all for expanding your circle, trying new things, exploring new people, but abandoning your friend in the process isn't cool, T, and you know it. He loves and cares for you a lot, so I can only imagine how it feels to ignore my calls and texts while you're living la vida loca with this new guy and his circle." 

This time, Tori's eyes narrowed. "What does David have to do with this?" 

If only she wasn't so naive sometimes. Jen chuckled and shook her head, "I see you don't know your friend as well as you think you do." 

What was that supposed to mean?

-

Tori went home that night and sauntered to the corner of her room where the remaining gifts resided. Her friends and family were quite generous, having blessed her with money for new outfits, a new lunch box to carry, coffee mugs, and decor for her new office. However, her eye was trained on the black box with a gold ribbon. It was off to itself in the corner, hidden by everything in front of it. 

Tori crawled toward it and shuffled it toward her. It was heavy in her hands. She shook it. On the bottom was the cursive writing. To My Love, congratulations on all you've accomplished. Xx, LH. 

Her forefinger and thumb pulled the ribbon and opened the box after. She couldn't stop the tears from swelling once she saw what was inside. There were small knickknacks, such as her favorite snacks that she never had the time to get and a pearl necklace that matched his. But, what tugged at her heartstrings was the letter that was framed beautifully. A letter to herself, from herself. One that she swore she'd never see again. A note was on the front. Since your dreams have become a reality, here's your reminder that you can do all you put your mind to, Xx, LH.

"I wrote myself a letter. I don't remember what I did with it, but I wrote to my future self. All things that I'd hoped to accomplish in five years." 

Lewis turned his head, "And what's that?"

Tori sighed dreamily. "I want to make senior partner. Hopefully, own property and stop renting. I want to travel and go places I never thought I'd be able to afford. I want to find love. I want to be happy, Lewis. Truly happy." 

"And you think you'll get there in 5 years? To true happiness?"

She nodded, "I do."

Dear Tori, 

I can't believe you did it! Promotion to senior partner is no easy feat. Not only are you a senior partner, but you're the youngest in company history. When the world kept trying to decline you a seat at the table, you brought a folding chair and made your presence known. I hope you're proud of yourself. 

Did you ever take that trip to Athens? I hope so. I know you're a mythology nerd. I hope you went with Lewis; he always supported your nerdiness. 

And love? Is it there yet? How is the dating pool? Is it still terrible or have you found a man that you love? Is he caring, humble, generous (not just financially), and supportive? Make sure you're not settling! You know Lewis wouldn't approve of you settling. You're too good to settle. 

Write back in five years. I can't wait to hear about what you've done. 

I'm proud of you. All the love, 

Tori

Tori sighed heavily. She'd accomplished a lot that was on her list. She made senior partner, she explored Greece, Rome, and Alexandria, Egypt for her birthday the previous year with Lewis, and had more fun than she could have ever imagined. She remembered the trip like the back of her hand. From how he surprised her with the tickets on a Saturday morning and sent her on a spa day to prepare. How he had an itinerary planned for their 14 day excursion across two continents. His intentionality and persistence in ensuring she was fulfilled never went unnoticed...until recently. 

It made her wonder...did she have everything she wanted? Sure, she got the promotion she desired and deserved, she bought a home, and she met a good man. But, did she love David, was the question, and if she didn't love him, how did she allow him and her newfound success to blind her from the genuine connections she had before? When and why had she changed? 

Her eyes wandered over the box again. To my love. She missed him, she had to admit. Seeing his beautiful smile and eyes light up whenever she walked into a room and feeling his warmth whenever he hugged her. She wondered how he was doing. Would he pick up if she called? 

-

Lewis sat on the balcony of his penthouse humming along to the music that played on the outdoor speakers. His eyes caught the twinkle of the stars above and the winks of buildings. The night, quiet and gentle, had settled into a familiar sense of loneliness. He nursed a glass in his hand, swirling the liquid around, its color catching the light of his environment. The weight of the past few weeks had weighed on him heavily, especially with the growing distance between him and Tori. 

He missed her presence in his life--their conversations, her laughter, and the way she effortlessly made his house feel like a home. He replaced their last interaction in his mind, the way she casually mentioned her date with David. The bitterness ate at him ever since, not because she was with someone else, but because he hadn't been honest with her or himself. 

Lewis sighed and set down the glass. He picked up his phone and scrolled through the messages he'd sent her, most of which went unanswered. It hurt to feel her drifting away, especially knowing she was happy with someone else. But he couldn't keep pretending that he was okay with just being her friend. He couldn't keep pretending that he didn't love her. 

His phone buzzed. A message from Tori. He felt a strange mix of hope and dread as he opened it. 

Tori: Hi...I've been meaning to catch up. It's been a while since we talked. Been thinking about you. How are you?

He stilled. She thought of him. After all this time, she thought of him. 

Lewis: Hey love. It's good to hear from you. I've been okay, just busy with everything. I'd love to catch up if you're up for it.

Lewis gnawed on his bottom lip as he awaited her reply. He saw the three bubbles appear, but they disappeared just as they appeared. Fifteen minutes went by. He sat in the same place, phone in hand, tapping the screen every time it tried to go to sleep. His jaw clenched in annoyance and his stomach churned with an emotion he couldn't identify. 

She reached out once after not speaking to him in so long, and once he replied, she disappeared. Was she purposefully playing with him? 

Lewis: I see you're busy. I hope everything's okay.

Twenty minutes later, he received another message. 

Tori: Sorry, Lew. Dinner w/ David and his friends. Can we catch up another time? 

He didn't reply. Lewis stood from the seat outside and walked into his house, leaving the phone by its lonesome all night long. 

-

There was a gathering for her friend, Tone. He wanted to celebrate his birthday at his pool house and invited his closest friends and acquaintances to join him. So, Tori packed a bag, put on the best swimsuit she owned, and walked through the double doors with a smile on her face. 

As she moved through the room, her eyes scanned for familiar faces, until they landed on Lewis, standing on the balcony, looking unusually distant. 

Even from her position, she noted how different he seemed. His usual warm and welcoming demeanor was replaced by an aloof presence. He chatted with people, but Tori noticed he wasn't as animated, not as lively. 

She debated on if she'd approach him. Before she could finish debating, her feet carried her to him, her heart inexplicably heavy. 

"Lewis," she called softly. A small smile was on her face as she stepped closer. He turned to face her. The expression on his face was unreadable. "Hey, stranger."

He offered her a small smile, but it didn't reach his eyes. "Hey, Tori. Long time, no see."

An awkward chuckle fell from her lips as she felt the sting of his words. However, she continued, "How've you been?"

Lewis shrugged once. "Busy." There was tension in the air, palpable and uncomfortable. Tori shifted her weight, unsure of what to say next. His demeanor was so different from what she knew. 

She looked around, noticing how everyone seemed to be enjoying themselves, oblivious to the sudden awkwardness that grew like a weed. "I've missed hanging out with you," she said gently, hoping to prod at something within him. 

Lewis nodded, but there was a coldness behind his eyes. "Things change, I guess." 

Ouch. Tori swallowed hard, trying to understand where he was coming from. "You seem different. Is everything okay?"

He looked at her for a long moment. Even so concerned, she still managed to miss the point. In the same flat tone, he said, "I've been dealing with some things." He avoided her gaze after that. 

Tori's chest tightened. She realized she hadn't been there for him, too caught up in her own life to notice the distance that had grown between them. But she couldn't understand why he was being so distant now, so cold. 

Tori chewed along her lip, hesitating before she spoke again. "Is this above David?" she asked, her voice hardly above a whisper. 

Lewis's jaw ticked. He turned to face her fully, a mixture of frustration painted on his features. His eyes rolled once. "It's not just about David, Victoria," he said, his voice low but firm. She gasped slowly. "It's about everything. You're so caught up in your new life, your new job, your new boyfriend. Have you forgotten about the people who were there before all of this?"

His words hit her like a ton of bricks. She opened her mouth to speak, but no words came out. She hadn't realized the extent of the distance she manufactured and hadn't noticed how her actions were affecting those around her, especially Lewis. She felt a lump form in her throat, guilt washing over her. 

"I'm sorry," she finally managed to say, her voice cracking. "I didn't mean to push you away. I didn't realize..."

Lewis shook his head, a sad smile on his lips. "I know, love," he interrupted softly, resignation evident in his voice. "But it happened. And I can't just ignore that."

Her mind raced back to her conversation with Jen and her revelation while opening gifts. She was losing touch with what truly mattered. Standing here now, feeling the weight of Lewis's words, she understood that her new life, while exciting, had pushed away those who had been there for her. Her realization about David became clearer-while she cared for him, he didn't understand her in the way Lewis did. David's presence highlighted what was missing, rather than fulfilling her in the way he had hoped.

"I miss you," she whispered, her voice thick with emotion. Her eyes welled with tears as she faced the uncomfortable truth and consequences of her actions. 

Lewis looked at her, his expression softening for a moment. "I miss you too...but I can't keep pretending that everything's okay when it's not." 

The weight of his words settled heavily between them. They stood there in silence, the noise of the party fading into the background as they stood in the thick of it. Just as she prepared to say something else, she felt a hand settle around her waist. She looked up--David. Her eyes cut to Lewis, who chuckled lowly. 

"Hey, babe. Got off early." David pressed a kiss against her forehead and looked at Lewis, who stood expressionless. 

"Lew..." 

"I'll catch you around, V." With a nod toward David, Lewis set his cup down and walked away. If things kept going the way they were, he'd never speak with her again, and she couldn't live with that. 

-

A week passed and she hadn’t heard from Lewis. Her messages went unread and her calls went unanswered. It had been a week since she saw Lewis. She'd sent messages and called, all of which were ignored. She went as far as sending flowers. Flowers! David never got flowers from her. But Lewis did. 

She couldn’t get ahold of him and it drove her mad. She often pondered about what could possibly be going through his mind--was he fed up with her? 

She spent minutes, hours, and days with her eyes trained at the nearest blank wall, going through the motions in her head. Save for tonight, she didn’t have much time for that. She had an evening event planned with David that she couldn’t get out of even if she tried; she confirmed her RSVP and paid the registration fee. She’d have to suck it up and deal with it like a big girl. 

When she heard a knock on her door, she sulked to the entryway and unlocked in reluctance.

David’s presence filled the space as she stepped away from the door. "You alright?" he asked, concern knitting his brow as he took in her somber demeanor.

She forced a smile, but it felt like a mask slipping from her face. "Yeah, just a long week."

“M’fine,” she mumbled, avoiding his gaze. She swiped her purse off the side table. She tucked it under her arm, rolled her shoulders back, and nodded. “Let’s just get through tonight, okay?”

David eyed her intently but said nothing further. He opened the door and allowed her to walk ahead of him to the car, which she got in herself, as she often did because he was too busy trying to race to the driver’s side.

She scoffed. Lewis would never let her touch a door handle. 

-

The ride to the event was turmoil. David was oblivious to her turmoil as he mindlessly hummed to the pop songs on the radio as he drove.

When they arrived at the event, Tori plastered a smile on her face. T the atmosphere was vibrant--an array of colors as the theme was tropical living, with a surplus of exotic foods and drinks from all over the world. However, the underlying tension between Tori and David crept through. 

“Gonna get a drink,” David said in her ear. “Do you want anything?” Tori rejected and ushered him to enjoy himself. He pressed his lips against her forehead, to which she gave a tight-lipped smile. 

David nodded once and retreated toward the bar. She watched from a distance as he spoke with the bar attendant, breaking her gaze every once in a while to speak to others she was familiar with. But, when she saw his eyes light up and his smile widened when a woman made her way toward him, her eyes lowered. 

Who was she? She was pretty, Tori admitted. She was taller than she was, curvier in shape with light eyes. The woman leaned in, petted David’s color, and giggled at whatever he whispered in her ear. Her jaw ticked. 

The icing on the cake was when her lips touched the corner of his mouth. He did nothing. He only pressed further into her space. He seemed comfortable, which meant he’d done this before. Her tongue ran over her front teeth as her stomach bubbled and her throat grew tight, She turned on her feet and walked toward the bathroom. 

She dapped water on her face and looked in the mirror. This was not the place to fall apart. 

Tori returned to the event a few minutes later and still, David was entertaining the woman with no more shame than he had lacked before. 

As the night grew, her discomfort and frustration did, too. She spent most of her night alone speaking to familiar faces while David smooth-talked that woman. And soon enough, she couldn’t take it anymore. The more she glanced over, the more tears pooled her eyes, the shakier her voice got when she spoke, and the quicker her resolve wore down. 

“Excuse me,” she said quietly, swiftly exiting the conversation. She opened her clutch and fished out her cell phone. One way or another, she was going to leave before she suffocated. Her thumb hovered over the dial pad as she debated entering the 10-digit number she knew by heart. If she called, would he answer?

Tori gnawed on her bottom lip as she debated. Her determination to get out of the door curbed her ability to hear David calling after her. “Tori! Where are you going?” 

“I’m leaving,” she said quietly, not turning to face him. “You can continue with the girl you were with.” 

David huffed and rolled his eyes, “It wasn’t like that. You’re overreacting.” 

Tori turned slowly. “You mean to tell me that you come to an event with your girlfriend, go to the bar, snuggle with some broad, and you think it wasn’t like that?” 

The disrespect was glaring. 

David’s hands went up. “Because it wasn’t! She’s a co-worker.” Tori rolled her eyes. He disrespected her and was okay with it. He was comfortable with disrespecting her and saw no fault in it. She could only imagine what happened when she wasn’t in the room.

“Consideration is one of the best things someone can give another person,” Lewis told her as they walked along a trail. “If something would hurt you, I’d never do it to you. And if I did hurt you, unintentionally, it’s up to me to listen to you and take accountability, even if I didn’t mean to. It’s the kind thing to do.” 

What a difference between the two. Originally, David fit in the picture of what she thought she wanted, but everything was a facade. If he couldn’t admit his faults, how kind, generous, and supportive was he? What kind of leader did that make him? But Lewis, her partner through life’s ups and downs embodied empathy, understanding, and emotional maturity. 

The realization hit her hard. A mix of sadness and clarity. She’d been naive and out of the loop for so long, but in this bittersweet moment, she began to understand how she felt. Her life was good, but there was potential for more. David filled a space, but there was still a lingering emptiness without Lewis. 

Then, her conversation with Jen registered in her mind. How Lewis brought her that considerate gift, handwritten and thought out. David didn’t get her anything. Nothing but congratulations, a kiss, and an offer to buy her coffee on her first day. Her connection was nowhere near as deep and genuine as she had hoped and thought. 

The dots connected. Lewis loved her in a way she didn’t think to acknowledge. And with the revelations she had, the recent interactions with David, and the lack of interaction with Lewis that had her in emotional turmoil, she understood that she may have loved him the same way.

Everything became clear.

“Go back to her,” Tori said after some time. She held the phone to her ear and listened as it rang. “We’re done.”

The phone rang and rang. Her heart sank further as the waiting period grew longer. Then, she heard him. “Hello?” she heard on the other line. “Tori?” Hearing his voice made her eyes water. 

“Will you please come get me? I’ll be at the hotel on Fourth Street. Will you...” Tears began to flood her eyes as her frustration broke through.

She heard ruffling in the background and keys jingling. Lewis’s voice was clear, “I’m on my way.” 

Lewis arrived fifteen minutes later, waiting by the passenger door. Tori sighed in relief. When she was close enough, he opened it and assisted her in the car. 

“Thank you,” she said softly.

Lewis nodded, his eyes still trained on the road. “Anytime.”

-

The silence from the car ride lingered, thick with unspoken words and emotions. Tori stood awkwardly near the entrance, arms wrapped around herself, feeling the weight of everything she’d endured. Her eyes were red from holding back tears and her body was tense, still bracing for the chaos she left behind with Lewis. 

Lewis moved with quiet grace. He didn’t rush her, rather approached her with a familiar tenderness she forgot existed. “C’mon, let’s get you comfortable.” 

Tori found her way to the couch. Lewis knelt in front of her and lifted the hem of her dress. He took her foot in his hand, one by one, and plucked the expensive heels off her feet. Tori watched him, her breath caught in her throat. She could hardly believe how natural the ordeal felt. His touch, even in this simple act, was a balm to her frayed nerves. Her feet slipped free and she wiggled her toes, sighing in relief.

Lewis stood and offered his hand. A beat passed between them. She felt an array of emotions. Vulnerable by the events of the last few days, but she pushed them aside and took his hand. They made it to his room a few moments later. Tori followed him to his closet where a drawer full of her clothes was located. 

Without being prompted, Lewis’s hands were steady as he unzipped the back of her dress, giving her space to shrug it off. As her dress slipped down her waist and pooled at her feet, Lewis rummaged for something for her to wear, wanting to give her privacy and the dignity of handling herself. 

She couldn’t help but note the distinct difference in the approaches between David and Lewis. There was never such a powerful, wordless communication that made her feel seen. Lewis allowed her to control the pace. So, when she walked toward the bathroom and beckoned him to follow, he did. 

They faced the large mirror and Tori’s heart fluttered. He was very handsome, she noted. Still dressed from the evening’s excursions, she presumed. He wore a blue and white sweatshirt with baggy jeans and boots. A hat covered his unbraided hair but it still didn’t mask his beauty.  

Without much thought, she leaned into him. The warmth of his body eliminated the coldness she felt earlier. She closed her eyes and basked in the steady rise and fall of his chest. As she found herself relaxed against him, Lewis’s hands found their way into her hair, fingers deftly undoing the pins and ties. The sensation sends a shiver down her spine. 

Tori’s mind raced as she felt overwhelmed by the gentleness of his touch. It was all too much and yet it was exactly what she needed. Every brush of his fingers against her scalp, every slight shift of his body to accommodate her, spoke volumes. She felt her defenses crumble and a soft sob escaped her lips. 

Lewis didn’t speak; he held her. His arms wrapped around her, firm yet tender like she was a precious jewel. Tori buried her face in his shoulder, breathing in the familiar scent of him. It was intoxicating; a mix of nostalgia and comfort. His grip on her was tight—he’d never let her go. Through her pajamas, she felt his warm hands caressing her back as she shuddered with emotion. He whispered sweet words in her ear, further accelerating her emotional rollercoaster. But after a few moments, ori pulled back slightly to look at him. His eyes are filled with concern and something much deeper, something that made her heart ache with longing and desire. She missed this, and she missed him much more. She missed how he saw her and knew her so well. He knew her.

“What did he do?” Lewis’s voice was low. He released an arm from her body and wiped her tears away from her eyes, ignoring the brown makeup stains on his sweatshirt and the black mascara under her eyes.  

Tori smiled sadly and shrugged her shoulders. Simply, she replied, “He wasn’t you.”

The words cycled in his head like a wheel. What did she mean by that? Did she mean it literally or was there something hidden behind her words?

“Tori…” Lewis dropped his hands from her waist and sighed. “What are you talking about?”

He needed to hear her say it all. Everything he desired to hear, he needed to hear her say it. 

“He wasn’t…he isn’t you, Lewis.”

He said nothing. 

“I don’t know what I was so clouded by but,” she paused, taking his hands in her own. “He’s not as considerate or kind, not as sensitive or sincere. He was all on a girl this evening and saw no issue with it. He didn’t open my door and saw no issue with it. Then I started thinking…you’d never do that to me because you never have.”

Lewis’s face turned up. “So it’s about what I can do for you.”

Tori’s eyes widened. “No! No, it’s about the intent behind what you do that sets you apart. You…are just so kind and considerate without wanting anything in return. Not saying you don’t deserve it, but your selflessness and overall nature are so beautiful and I cannot believe I was blind to it all this time.” Her cadence increased as she continued to rattle off her enwfound revelations regarding him. 

Lewis’s dark eyes studied her face. He searched for any trace of uncertainty. His heart pounded so loud that he heard it in his ears; a mix of emotions swarmed within him.

“Do you mean that?” he asked quietly, his voice tinged with vulnerability. 

Tori nodded empathetically, squeezing his hands tighter. “Every word. I mean every word. I was so caught up in what I thought I wanted, in what looked good on paper. But you—you’ve been the one who’s always been there, who’s always seen me, even when I didn’t see myself.”

She took a breath, “David was what I thought I wanted, but you...you’re what I need. And I can’t believe it took me this long to see it.”

Lewis swallowed, his throat tight. “It’s nice to know you might feel the same way…” His voice was thick with emotion, and for a moment, they both just stood there, letting the gravity of the moment sink in. The air between them crackled with unspoken words. Tori’s heart ached as she saw the pain in his eyes, the hurt he’d been holding onto for so long. “I’m so sorry, Lewis. For not seeing you, for not appreciating you like I should have.”

Lewis shook his head, a small, sad smile tugging at the corners of his lips. “You’re here now, though.”

She blinked back tears, overwhelmed by his forgiveness. Always so kind. She stepped closer, closing the gap between them, and rested her forehead against her chest. “I’m here,” she whispered

Tori pulled back slightly, just enough to look into his eyes. “I do now,” she said softly. “And I’m sorry I made you wait. But I’m here, and I’m yours, Lewis. If you still want me.”

Lewis’s eyes darkened with emotion, and he gently cupped her face in his hands. “I’ll always want you.”

He leaned in, brushing his lips against hers in a kiss that was tender but laced with the promise of everything he’d been holding back. It was a kiss that spoke of his love, his desire, and his quiet, steadfast determination, despite all the ups and downs, to finally have what he’d always wanted—her.

[gb-patch]

Sorry to send another ask amongst the sea I'm sure you're receiving, but I find myself more concerned about Rose being a sensitivity reader as I find more information. One of Rose's friends continues to insist that the conversation about Tamarack and male MCs was part of a larger discussion about biphobia in the fandom. However, they claim that Rose's position is "people erase Tam's bi/pansexuality by refusing to portray [her] as being attracted to anything other than men." This explanation of Rose's belief is, in-and-of-itself, biphobic. It claims that portraying Tamarack as attracted to men erases her queerness. This is textbook biphobia and bi-erasure that I as a bisexual encounter every day. It is NOT a good-faith defense of a queer character. It reduces us down to our partners and makes the claim that if we end up in a relationship that's "straight-passing," we're erasing our queerness. Especially as a bi sapphic myself, it reduces my identity strictly to the perceived-man I'm dating, and not my inner or previous experiences, or those of my partner. It's very uncomfortable that Rose, a non-bisexual, was discussing this like they're defending Tamarack's queerness when they're doing the opposite.

This is a doubly strange position when Our Life is a game about the acceptance of love in all its forms. The conversation could be different, MAYBE, if Our Life was a TV show or a book or a comic. But this is a game where people are meant to play as characters of their own design. I do not feel confident about Rose being a sensitivity reader for a game with bi/pansexual love interests if these are their beliefs about bi/pansexuality, particularly if they're unable to adapt their opinions to be relevant to different formats of media; this shows they're lacking in skill in the areas of media literacy and critical thinking.

I’ve been trying to make a post that presents the concerns people have about this, but your ask touches on the points I was going to, and I’d say it’s better to have it said by a player than me deciding what people are thinking. So, this is something that I want to make clear- that I see this and other asks/comments about it. What you’ve said is something a lot of people are unsure and upset about. I am sorry that you feel so out of place in this community now. And I am also sorry to players of any sexuality who use a male MC. That comment dismissed players and Tamarack’s identity.

It did come from a longer discussion about bi-phobia issues. The overall feelings were “if people did only want Tamarack to be interested in men, I really wouldn’t like that and wouldn’t it be a funny concept if Tamarack then left them for a woman?”. The comment itself didn’t encompass that idea at all. It does not give a good impression about where they’re coming from. It was unkind.

The viewpoint Rose is trying to have isn’t that “Tamarack can never express an interest in men” which would be wrong, it’s “I stand by the fact that Tamarack is someone who wouldn’t only be interested in men and no one else”. If it’s true that Rose likes Tamarack being interested in all genders and doesn’t want her bi-ness to be forgotten, I’d say that’s an acceptable view. If the point actually is that Tamarack should only be with women and if she’s not than Tamarack is no longer bi or she’s a bad character, then you're right- that isn't acceptable and that is going to get someone removed from the project. I do believe Rose agrees with what you’re saying and means it when they say they want to stop bi-erasure, not participate in it for real. But they had a very harsh way of talking about it.

I understand that people don’t know Rose and this situation has made them believe they do seriously hold that first view. But from working with them, there’s never been any feedback that shows an opinion of the sort.

Right now, I think that comment was being edgy and making a quick, very poorly-worded quip to people they’d been chatting with about that topic already. Rose has left the GB Patch discord servers, they used to be a mod, and may or may not ever be back in there. Rose won’t make blog posts responding to players going forward. They’re going to take a break from this and then try to give helpful feedback. We’re going to see if things can be okay from here.

And with this coming up, we’re all really aware that it’s something to consider about the game. I’m going to be as conscious as I can for any advice that seems to go against the character’s identities and I’m going to question my own knee-jerk choices for how I handle things. Other sensitivity readers will be able to give their viewpoints as well, so will the players. If the game’s content isn’t welcoming or is biased people will notice, and I’ll be here to accept what I’ve done. I don’t want that to be the result of this, of course. I hope the game will be thoughtful and considerate, but I can’t fire Rose at this point to try doing that.

No one has to keep following the game, though. I’m sympathetic to anyone who is too uncomfortable with all this to stay around.

[usagifuyusummer]

Hello, sorry it took me so long (6 days), but here's your request @candyglumboy. I was experimenting a lot on these honestly.

From first to last in order, First memories/ Mortality/ Ascension (or an imitation of heaven?). I'm still unsure if these are the appropriate titles for these pieces lol.

Thanks for requesting me by the way! It was fun practice admittedly. (I still suck ass at backgrounds though.)

As usual, my insane ramblings below and some close-ups and concept art (will change if formatting is fucked up).

Oh yeah, I've been offline a lot because I'm so busy with uni stuff and... unavoidable family matters..., plus all of these took me a while to finish. I was brainstorming a lot on their request and these are the ones I've chosen to finalize.

I've decided to go with the concept of life, death, and rebirth on their request to just see Peri hugging Timmy lmao, because why not? It was to make me fulfil this request in a more enjoyable and exciting way.

I was experimenting and practicing a lot on understanding the Fairly Oddparents style in these pieces. My attempts are still far from perfect obviously, I mean the second one (Mortality) took the longest for me to finish just because I couldn't translate 3D poses into the 2D artstyle very well lol. (The second one was the hardest to make it look... well alright/pretty to me. It looks like a mess of haphazardous colors... I am terrible at coloring. I think I'll share the other scrapped poses later.)

Honestly, I struggled and got frustrated a lot with finishing these but still enjoyed the process. Here I'll list my inspirations for each pieces;

First memories - xblubotx (i won't tag them because i don't want to disturb): Their small Peri/Poof and teen Timmy fanart pieces continues to inspire me to this day. And yes!!! I see that they have made More Timmy fanart!!! Thank you xblubotx. I will continue to appreciate those in silence.

Mortality - I was thinking of loss and death a lot on this one. I thought what kind of embrace that shows this feeling? So, I used the famous, Ivan the terrible and his son painting, for the pose. I wanted to challenge myself if I could translate the 3D pose into 2D, so yeah, that's the final result... It looks like a mess of vomited red colors... I am sorry if you're squeamish towards blood by the way. I wanted to see if I could also attempt to draw blood streaming. I still think I have a long ways to go in terms of skill... For now, enjoy the nuclear baby about to explode because of overwhelming feelings <3 <3 <3!

Ascension (or an imitation of heaven) - @bevony: I hope I did not miscredit you, as I used your Fairy Timmy design for this one! I changed it a little according to my preferences/headcannon though. Still, I love their Fairy Timmy design! I like the hot pink Channel boots that they gave Timmy lol. (And the very comfortable formal fashion.) Keep on slaying~ My Fairy Timmy design will probably be heavily influenced from them when I get to that eventually... Tell me if you don't want me to, I'll back off. For now, I'll be enjoying the others fanarts of Timmy quietly.

(Additionally, my phone is slowly dying from all of these creative projects that I'm doing currently lol. Agh, I wish I had a drawing tablet or a better device to satisfy these creative urges....)

Again, thank you for the request! I'm okay with requests as I'm still not confident with my creative skills at this moment lol. So, admittedly I view these as a challenge or for practice. I can't fulfil them quickly though, as I have multiple responsibilities to do in real life. Still, I don't mind them once in a while.

I hope you like what I've done here. Sorry if it doesn't fulfil your vision candyglumboy. I'll keep on practicing my creative skills.

So yeah, I think that's all I wanted to share in the post this time. I'm still at season 3 on the FOP rewatch by the way. I am very excited to get to the specials eventually. Yeehaw!!!

Here's some concepts and close-ups of the pieces below this long massive yapping session lmao. Thank you for reading. Have a nice day <3

[bambi-slxt]

Could you write something with Matt or Chris (or both!) and a chubby/not petite reader? I don't see a lot of those and would really appreciate it!

Doesn't have to be smut, it can be more in the style of your non-binary post or love languages. Thank you!

oh honey. of course i can.

chubby!reader:

✨a concept✨

a/n: i'm not petite and i never have been. this post is not intended to cause body dysmorphia to those who are, but rather promote and uplift those who have more fat on them than what's normally represented in the fanfiction space. i hope you enjoy this one anon!

doing their makeup at a sleep over -

chris: "yeah, come on, sit on my lap. no, seriously. i don't mind. come here, mamas." *kisses* "there we go. now put this shit on my face before i change my mind."

matt: "you were saying something about hooded lids? yeah, i don't think i have those. what do you mean people have different eyelid shapes. what the fuck. you have to look up different- jesus christ i'm glad i don't fuck with this stuff."

watching a scary movie -

chris: "i never shoulda' agreed to this. what spell do you have me under? i hate you. no like actually." *holding your hand for dear life and also shaking like a chihuahua*

matt: "-genuinely fucking terrifying. what? why do I have to be the one who tells you when it's over? i don't wanna look either!" *long-suffering sigh*

swimming -

chris: "i don't want you to look like a model, i want you to look like you. you look real, and you feel real...when i look at my girl all i see is how beautiful you are. no, i'm being serious. especially wearin' the stuff i bought you."

matt: "it's just us, darlin'. i've seen all of you before. i know what you look like, and i love you because of it. get in the water so we can play mermaids."

clothes shopping -

chris: "what the Actual Fuck are these designs. this is the plus size section? what a waste of space? i'll make you better clothes. yeah, i'm serious. you like my brand better anyway. jesus christ, i'm sorry."

matt: "...is this really what you want to wear? no? okay so let's leave. yeah, this isn't your style at all. i don't care, i'll shop with you all fucking week if that's what it takes. you're not gonna settle on this shit if it's not what you want."

going to the gym -

chris: "come on, you got it. i know it hurts but you're almost done, come on. don't you dare stop, there we go...there we go, you're good, you're good, get some water...that was a new PR baby, i'm so fucking proud of you. hell yeah, you did so good...damn i don't even think i can get that...fuck you..."

matt: "why the fuck would we go to the gym when the bed is right there? absolutely not. we can work out in my bed-"

streaming together -

chris: "no we're playing fortnite, get on here. i don't care. we've played fallout all week i wanna play duos, pleasepleaseplease-thankssss. yeah we can hop on stream. nah, they love you. trust. you wanna get ready first? i think you look great, but it's up to you, mamas. i want you to be confident, you know that."

matt: "if they have something to say i'll just rip 'em a new one and kiss you on stream. yeah. no i'm dead serious. there's my girl. come on, let's play."

boyfriend hoodies -

chris: "course it fits. i got bigger ones for me so you could steal them. you're such a thief. i love you. what? i didn't say anything..."

matt: "i'm gonna freeze. no no, take it, take my only source of warmth. i'm not bitter. come here lemme cuddle you i'm fucking cold."

a/n: hope you like this nonnie!

request to be on the taglist under this post right here, make sure your mentions are on!

tags: @selenascorner @pinksturniolo @malirosee @st7rnioioss @nonat-111 @cindylcuwho @evie-sturns @h3arts4harry @fanficsbymia @dazednmatthews @sturniolo-rat @mattsmad @sturniolo04 @bellasturn @blahbel668 @yomamaslays4lyfe @stasiesturn @pleasantlycrazyworld @ariqolyx @wh0resstuff @krissy4gov @coochiedestroyer1 @madisturn @mattspolitank @sturnsxplr-25 @xtravrgnoliveoil @raysmayhem-72 @sturnpooks @certifiedstarrr @melanch0lybby @freshloveforthefit @xoxo4chrisss @stunza @meerkatzthings  @zivall @sturniolopepsi @that1fangirll @wh0schl0 @sharksworldd @mattscoquette @chrisslutx @sturnzsblog @sturniologals @quaxkingshs @certifiedstarrr @sarosfilms @mattsfavbigtitties @slutforsturniolos 

[thecapricunt1616]

capri. i have a request for carmy

(jokingly) sulking and moping when someone else gets the slightest bit of attention

he jealous boi when u give anybody else attention how dare u >:(

xoxo thank u mwah -🐁

Mousey? Mousey mouse 🐁? Are you out there?? Oh Mooouseee 🧀🧀🧀!!! I’m so sorry this has rotted away in my inbox forever! I love this concept, excuse the formatting as I’m on my iPad (ya girl still doesn’t have a laptop but I’m working on that) I hope you enjoy either way! Xoxoxo As always if you enjoy pls like/comment/reblog, requests are open but no laptop rn so they will be shorter like this 🥹❣️

Warnings for BTC: smoking, swearing, pouty Carmy, no use of y/n, kinda short (sorry it’s hard to do this on an iPad im trying to get a new laptop this week 😭😢)

I can totally see this happening when you’re invited for family dinner. Like, okay so in my mind you’ve been really busy with school/work/the usual boring adult things - but you finally have an evening off, and Carmy decides to invite you to come hang out with the crew and him since he loves showing you off, (let’s be real once Carmy has his one, he’s never gonna stop yapping abt you to everyone in his vicinity)

As soon as you get there everyone is gushing about your promotion at work or the fact that you made it onto the deans list because Carmy is constantly boasting about you. Marcus would pull you aside to have you taste a new dessert he’d been working on, Syd would ask you about the outfit you were wearing and talk about the next time you two would go thrifting together.

Carmy would hang around you the whole time, like a little lost puppy. You didn’t really notice, as you were too busy being treated like a guest of honor. Ebra would proudly show you his new system for making the window work faster, and Tina would proudly show you her new set of knives. You would finally notice that Carmy had been looming about when Richie pulled you to the dining room and after a few minutes of yapping about the new seating design he goes

“Yo- cus, aren’t you on family today?”

This causes you to turn around, “oh! Hey baby!” You’d say happily, leaning in and giving him a kiss on the cheek.

He’d scoff, the tiniest hint of a pout on his lips and a scowl to his brow “about fuckin’ time. Hey- nice to see you, am I chopped fuckin liver?” he asked, in that winey way he took on when he was broody and pouty.

“Oh Bear- stop the sour attitude, let’s go have a cigarette mm?” You tug him by the hand, back through the kitchen where he of course obediently followed your lead (he always did) You wave off the crew like gnats as you made your way through while they ask you questions.

“Going for a cigarette don’t bother us.” You ordered as you nudged the door open with your hip, tugging him outside with you. You gently pushed him against the door and brought your lips to his, planting an open mouth loving kiss on him as you rub gentle soothing circles into the white fabric of his T-shirt over his pecs.

When you pulled away his cheeks were pink and flush, he was a bit breathless, and his lips were kiss bitten. Of course he was speechless so you started,

“When you talk me up like the fucking queen is coming here for dinner and not just your girl, it causes for people to wonder if I’m really as spectacular as you talk me up to be, Bear. If you want us to be left alone while I’m here you gotta make me sound boring” you smirk a bit and he huffs a laugh, shaking his head and digging his pack of cigarettes from his jeans and patting them in the palm of his hand a few times before taking one out and popping it between his lips.

You flicked his lighter to life with your manicured thumb, lighting it for him and he took a deep drag before popping it between his fingers and pulling you to his chest with a gentle kiss to the top of your head. You nuzzled your face in his chest, closing your eyes for a moment and breathing in the scent of bergamot, honeyed tobacco, and oud of his cologne that stuck to his skin, along with the thick smell of original American spirits.

One of the things you loved most about Carmy was his affinity for being groomed and smelling nice. And even more so since he met you, he had started going with you and getting the male pedicure and manicure at the salon when you went so his hands and feet were always well taken care of. He also loved cologne collecting, and of course vintage thrifting.

You’d had many dates to thrift stores, as well as middle eastern cologne & perfume stores, which Carmy had introduced you to. He told you while living in Copenhagen he worked with a Palestinian man who always smelt absolutely amazing, and he asked him what cologne he used and he explained in the Middle East they use cologne oils since it lasts longer.

He had since gotten you on middle eastern perfumes and no matter where you went, you got the questions of what you were wearing - whether it be because of your amazing outfit Carmy helped you put together, or how incredible you smelt.

“Gimme some” you said gently, lifting your face and puckering your lips. He took a long drag before bringing his lips to yours, exhaling the smoke into your mouth as he gave you a slow sensual kiss. You inhale graciously, eyes fluttering shut and tilting your head back to exhale once he pulled away.

“So what’s f’dinner tonight, chef?” You asked and he smiled a bit, clearing his throat before saying

“Venison loin, with charred juniper cream gravy, plum compote, and twice baked smashed potatoes”

Dc: @mouseymilkovich ily I’m sorry it was so short it’s hard to type on my iPad and format it 🥲

[epiicaricacy-arts]

oh we’re still so young, desperate for attention

this was super experimental so i will talk about my process (+ clearer version) under the cut

i’ve been looking at a lot of “messier” or more textured painting styles recently and an artist that stuck out to me is clariondeluna ! they posted a self-portrait recently that i really liked and i was super interested in the brushwork seen in their work. i love all the textures and how the shapes feel so loose yet everything is so detailed.

that’s not a method for me at all!!!! i cannot paint like that at all and the stuff i like to paint is very different to theirs. which is okay!!!! i had no intention to copy this artists style so closely like with what i tried to do in my raiden painting, i just wanted to try this style out :^)

it’s been a goal of mine to avoid over-rendering like i tend to do a lot, and i think i’ve been doing good with that recently! the mindset i’ve got going on right now is that if i find myself staring at it too hard for too long, i have to leave it and move on. if there’s still something wrong with it, i can fix it later once ive got a fresh view!

i’ve been trying a lot of things with my art this year. i always try to challenge myself with each piece, and to end the year off i wanted to be as uncomfortable as i possibly could be with this painting. i let myself draw whatever i wanted because i still wanted to enjoy it, but everything i did in this process was new, including parts of the subject matter.

i’ve never drawn a head at an angle like this, and i struggle with drawing mouths open. i don’t do bold lighting like this, and if i do, it’s not fire. i’ve never drawn fire! i also rarely work with warm colours and i hate using green, so i combined those to be my colour palette. i like working cleanly so instead of having a dozen different layers for one section, each section only had 1-2 layers for rendering. instead of clipping masks i would simply paint over things loosely and clean it up later. i never like having limbs cut off in a drawing so i had his other arm go GOD knows where. i don’t like weird patterned backgrounds so i made myself figure out how to like it!

IS THIS MY FAVOURITE PIECE OF ALL TIME. no. absolutely not. but i’m very proud of how this came out with all the challenges i put on myself. i WANTED to get better at these things and be more broad with my art, both in terms of the styles and subjects i portray.

okay let’s talk about wtf this drawing is

for those who don’t know, the design in this painting is my fatui/“Father” lyney fan design (read the design post here). the concept isnt super complicated and i don’t really have much explanation for it, but i wanted to combine the story of how lyney wanted a delusion before getting his vision, fire eating circus acts and how olympic medalists will bite their medal to prove it’s real??? don’t quote me on that i’m like 75% sure that’s a thing that happens. i don’t watch sports though so im just believing someone i heard on the internet ages ago.

anyways. i think fire eating acts are cool. and i think the fact that lyney wanted a delusion is very interesting to me. scratches my brain in the right places. and yk as a magician lyneys character revolves a lot around fooling people and creating illusions so i guess what im saying here is that lyney is trying to prove to himself that this power he’s been bestowed is real. bc his whole life his only constant has been lynette so he is trying to see if he can trust this new power. cause i guess this is an alternate universe where lyney does eventually become “Father” but he never got his vision ??? idk im not making lore for this i just wanted to dress up this funny little guy.

ok i’m done

thanks for reading

here’s my dog

[miraculouslbcnreactions]

When I first saw a Miraculous Ladybug salt post it was the usual Lila takes away all of Marinette's friends Adrien does nothing Marinette becomes super successful Lila gets exposed blah blah blah

When I see posts like the ones you post where people give actual constructive criticism about the characters and not favor one character over the other has made me realize that these are fictional characters and its not their fault they are the way they are. Also they're 14 what kind of 14 year old makes good choice's? Especially when they have the fate of the world/universe on their shoulders

If anything the character I really blame is Master Fu. He was obviously meant to be some sort of mentor figure for them or at least Marinette's mentor. He was the one to tell and encourage Marinette to keep everything a secret from Adrien. Comparing him to other mentor like figures in the world of superheros he isn't really all that helpful.

Compared to DC Ladybug and Chat Noir do not have any adult superheros to help them. In DC younger superheros have entire superhero families to help them out and if not that than they have other adult superheros to help them or they have an actual team. We know that other miraculous holders exist and the order is back I have a vague idea as to why they can't help but I still find it weird as to why they are around if not to help. Like phones and the internet exist do they not?

Sorry for they rant, I want to know what your thoughts are on this?

Your rant was fine! I don't think that I've talked in depth about mentors as a concept and I should both because I love mentors and because Miraculous has completely failed to give us any good ones. This is a writing failure not because good mentors are required, but because the show chose to have mentors characters and then not use them.

Before I get into the topic at large, I want to start with a brief discussion of mentors in shows aimed at young children as Miraculous' intended audience is young children and that fact is worth keeping in mind when discussing what Miraculous did wrong and some of the ways that you can fix it.

Shows aimed at kids generally avoid adult characters in major roles for the very obvious reason that the intended audience is kids, so you want the kid and teen characters to be the stars. This doesn't mean that adults aren't allowed to save the day or have important roles. It just means that they should be used sparingly. This is why mentors are a great addition to kids shows. They allow adult characters to be deeply involved with the plot without anyone expecting them to intervene because that's not their role in the story. They're not here to be the hero. They're here to guide the hero.

One of the powerful things about this setup is that it allows the writers to give the real kids watching at home real advice about real life problems. For example, if Marinette comes to Fu to talk about feeling alone and overwhelmed, then he can give her real, practical advice that would apply to anyone who is feeling alone and overwhelmed, but no one expects him to directly intervene because he's supposed to say hidden.

A lot of these elements apply to mentors in media aimed at older audiences, the rules just apply for different reasons, so I'm going to stop reminding you that Miraculous is for elementary school kids and focus on the failed mentor issue as it would be an issue no matter what Miraculous' intended audience was.

When it comes to bad mentoring, a lot of people focus on Fu and I get why. At first glance, he's the classic wise old Asian man who is supposed to be there to guide the protagonist on her mystical journey (not getting into the racism issue here, just know that I'm aware of it and that Miraculous dropped the ball on this in a lot of ways even though they absolutely could have made it work.) But Fu isn't the main focus of my ire because, while the writers seemed to have designed him around the mystic Asian trope, they never actually wrote him like a mentor.

He doesn't train Marinette and Adrien in the ways of the miraculous. He just sneakily gives them their miraculous and then disappears from their lives for quite some time. So he's not around to get them properly started on their hero journey. That's strike one for the mentor role.

Strike two is the fact that we never actually see him mentoring Marinette. I don't think that she ever went to him for advice? If she did, then it wasn't a big element of their relationship. When I think of Marinette and Fu, I picture her going to him to grab a miraculous or two before booking it back to the ongoing fight and that's about it. The guardian training she supposedly had was all off screen, so we have no idea how close they were or what he even taught her outside of potion making. Even that wasn't really him teaching her something. It was them working together to figure out a puzzle because Fu never completed his own training, making it impossible for him to properly train a successor.

Strike three is the fact that - outside of the King Monkey incident - Fu never gets directly involved in helping team miraculous. He's never gives them feedback on fights or works with Ladybug and Chat Noir to strengthen their bond. He doesn't even help them track down the two missing miraculous or hand out the temporary miraculous on Marinette's behalf, a choice I still find super weird. "This fight is super hard and we need help, so I'm going to leave Chat Noir to fight alone while I go get said help!" is absolutely nonsense logic and one of the many examples of the writers desperately needing to let Marinette hand her responsibilities off. Why wasn't this Fu's job?

This brings us to fix one: if you want the guardian to be a mentor - which is a role they arguably should have - then the guardian needs to be actively involved in Marinette and Adrien's lives in an on screen way. For this to work in the context of Miraculous - a show that really wants to focus on the teen characters - then the guardian probably needs a teenage apprentice who isn't Marinette and that apprentice will be the one doing the mentoring.

My pick for this is Luka for two big reasons. The first one is that his calm personality is perfectly suited to a mentor. The second one is that it seems insane to me to have the snake be a temp holder. The snake should be watching every fight, but staying out of the actual fight so that they can use their power whenever it's needed. That's the perfect role for a mentor character to fill. Someone who is active in the plot, but only ever as a support because their power stops them from getting more involved.

Moving on to the bigger issue.

As I said up above, Fu doesn't actually get my ire. While I wanted him to be a mentor, he never once filled that role and he didn't really need to because the show already had mentor figures that it was actively using and using poorly. Those figures are the ancient magical creatures that follow our heroes around, dispensing terrible advice whenever they feel like it. That's right, as much as it pains me, Miraculous' biggest mentor failures are Tikki and Plagg.

The miraculous did not need to have magical creatures associated with them. They could have just been magical jewelry that Fu handed out and explained. Instead, the writers chose to give us the Kwamis and I don't disagree with that choice. I like the Kwmais! The problem is that they're used in the most lackluster, asinine ways you possibly could.

The Kwamis are not presented as oblivious to the world and unable to give advice. They give lots of advice! The problem is that advice tends to suck! I can think of many examples of times where the Kwamis made everything worse, but let's look at the one that grinds my gears the most: Plagg's actions in season four.

In Rocketear - the episode where Nino gives Adrien an incredibly inaccurate picture of why he knows Alya's secret identity - we get this:

Adrien: I still can't believe Ladybug entrusted Alya and Nino with those Miraculous. Plagg: Of course she did. She's the Guardian. Adrien: But they're a couple and they know each other's secret identities. Plagg: So...? Adrien: So, why does she make it a rule that we can't know each other's identities but it's okay for them? Plagg: She's the Guardian, the Grandmaster Cheese Ripener, and you and I are just cheese on the platter. She decides what's on the menu.

Hey, Plagg, maybe don't tell your clearly upset and vulnerable teenage holder to just suck it up and deal with it when he's feeling alone and betrayed? Maybe encourage him to talk to Ladybug about his feelings so that he can get the full story? Knowing that they learned their identities during the Scarlet Moth incident would probably do a lot to smooth over Adrien's hurt feelings.

What's even more rich is that the episode Kuro Neko lets Plagg go off on Marinette for not appreciating Chat Noir:

Ladybug: What's gotten into him? I didn't do anything. Plagg: Didn't do anything? Well yeah, you did! You've been neglecting a very classy piece of camemebert on your plate for too long! And as a result it got runny, and moldy! Ladybug: What? Cat Noir never gave me any camembert. Plagg: Of course not, Cat Noir is the camembert! For a while now, you've been neglecting this camembert— I mean Cat Noir, and going on adventures with the all other cheeses! Ladybug: But he should be happy about it, it gives him more time off. Plagg: Cat Noir doesn't wanna have time off, Ladybug! He is in love with you! And your persistent calling on all the other heroes has broken his heart.

Dude, if you saw all of this going on, then why didn't you say something??? You and Tikki are in the same location for multiple hours five days a week. Go tell her how your holder is feeling and figure out how to fix the situation! Or be an actual mentor and encourage Adrien to talk to someone about his feelings! At the very least, cut up a wheel of cheese, sit down, and listen to your kid so that he feels less alone!

Also what exactly do you want Ladybug to do to fix the problem you presented? Let Paris burn until Chat Noir decides to show up to today's fight? Refuse to use the temp heroes even if it means losing a fight? None of those are valid solutions when the problem presented in the episode is Chat Noir missing fights. Especially when we know that he's doing it on purpose. Why are you yelling at her instead of working with her to come up with an actual solution? You are such a terrible mentor...

To be clear, I don't think any of this is intentional. I don't think the writers want Plagg and Tikki to come across as actively hurting their teenage charges via bad advice. I think Plagg and Tikki are supposed to be seen as good and helpful, but they can't fill that role because they're tools of the narrative and the narrative has really wacky views on what good advice is. Thus nonsense like the example I discussed above or Plagg and Tikki picking new holders instead of guiding their holders through an identity reveal.

I personally adore letting Plagg and Tikki be good mentors in my own stuff. It falls under the same category as Alya and Nino being terrible friends on screen. I acknowledge the problem and then delight in fixing it by writing the exact opposite setup because what is fanfiction for if not heavy self indulgence?

[toorumlk]

Hi I'm so freaking obsessed with your twitter.

Also what's your favorite Romione moment in the books and why?

ohohoho thank you, friend, i’m quite proud of some of the stuff i’ve posted on there B)

and as for my favourite romione moment in the books, when i read the question i first blanked out for a couple minutes, thinking of a bunch of smaller, sillier scenes. but then i remembered that i do have a favourite and it’s from chapter 11 of DH, when remus visited the trio at grimmauld place and filled them in on he goings on of the war -including the implementation of the muggle-born registry. ron’s response upon hearing this (after his immediate outrage) was

and it’s not just the hand holding and the “‘you won’t have a choice’ said Ron fiercely” that played out so vividly in my head like this:

but this scene demonstrates so perfectly the political weight of this pairing (muggleborn/blood traitor) which i think is the immovable narrative foundation of romione. all of their silly moments and idiosyncrasies aside, there is genuine narrative purpose behind this love. ron has always had an astute understanding of the blood supremacist politics of the wizarding world (need i remind that he was ready to curse shitco at the ripe age of 12 for calling hermione the in-universe slur) and just how wrong it is. ron is a pure-blood wizard and by design has so much privilege in this society bc of it, but by virtue of having parents like arthur and molly, he’s grown up knowing the importance of fighting against blood supremacist ideology. always.

so, after hearing about the completely horrifying muggleborn registry ("People won't let this happen," said Ron. "It is happening, Ron," said Lupin.), he immediately turns to his muggleborn best friend and love of his life and says “i’m making you a family member, i’m going to use the protection my family-name has and use it to protect you from the awful injustice of our situation, no you won’t have a choice but to let me help you”

i remember having such a… visceral reaction while reading this scene like holy shit .. these kids, THESE KIDS!!!!! this is the bone-marrow-deep love that makes me feel insane. this dynamic of the blood traitor/muggleborn always there, from CoS all the way to the epilogue. We get to see that romione is the story’s pure blood/muggleborn that finally made it (rip jily and tedromeda :(). we see it in hermione keeping her muggle last name after they get married (oh my god these two actually got married) and we also see it in the hyphenated Granger-Weasley (granger being first!) in their kids’ last names (oh my gof these two had TWO kids). they are a true symbol of change and progress in their world.

also this is one of those moments where i’m so glad that our only window to romiones relationship development is through harry’s narration because it so brilliantly shows the readers this blossoming love story instead of just telling us about it because harry obviously doesn’t have access to the inner thoughts of his two best friends, he can only witness them fall deeper in love. showing the audience acts of love is always more powerful and my god is this an act of showing your love to your beloved.

(and not to go on an unrelated tangent, but this is exactly why i could never ship my girl hermione w any DE or DE-adjacent character. no fucking way. not when the concept of a muggle-born registry exists in this universe, not when the antagonists in this story wish to eradicate people like her from their society. idk about the rest of y’all but im going to keep taking the narrative seriously bc the worldbuilding obviously has real world ties/implications and i like engaging with the canon. tangently to the tangent, i saw someone (a ron basher) on twitter say that ron, OUR RON FROM THE ABOVE EXCERPT, was “one bad day away from becoming a death eater” ohhhh ohhh i ought to beat you with sticks bc HUH? this is the same kid who said he would’ve boarded the train back to kings cross if he got sorted to slytherin, the house notorious for birthing DEs, at the tender age of 11)

anyways, all this to say is that romione is incredibly, realistically, materially romantic and i love them and i love their love <3

[derinthescarletpescatarian]

Someone wanted to see my base in Planet Crafter, so here she is.

She's not efficient. I am not a good designer.

View from the outside. I live on the water (superior location) and fucking love windows.

I have no concept of privacy. Windows everywhere.

Right in the front door is my automated production area. It's not efficiently designed.

Every time I come home I just dump all my shit in this locker by the door and let the robots put it away for me. Got I wish real life worked like that.

Turning right from the door, my view of the water would be so fucking amazing if I hadn't covered all the walls in giant lockers and industrial machinery

Turning left from the door is my admin area. And some nice views. Ignore the huge drill boring into the planet's crust immediately outside my window.

Next to the admin area is my bedroom. I don't use it for anything, I just think it looks nice. My bedroom is blessed with the only non-glass walls in the base because I think sleeping alone on a somewhat hostile planet while completely visually exposed to said planet would make sleep difficult.

Why do all these wrecks have fancy golden trophies in them. A mystery for the ages.

The remaining three areas are the biolab, the T2 biodome, and another production area for biologicals.

My biological production area has my DNA manipulators and soforth. It's only half built because I'm not making frogs or mammals yet. Initially I jammed these rooms in the biolab but it was too crowded. I like big open spaces in my habitats.

Such a beautiful planet out there.

Farming area is on the roof. The machines handle all this so I never have to climb up here. It's nice and out of the way.

This isn't part of my base, but check out my butterfly garden.

[raccoonwxrks]

Hello guys, may I info dumb about my skk demon au? 🫶

Ok so, in this au I decided to use vibes a lot similar to The vvitch and similar movies: in fact, I wanted Chuuya to look more like a demon from European folklore.

Chuuya was sacrificed when he was a little kid by his village to use him as a container for the God of destruction, Arahabaki, as a way to somehow control misfortune. They succeed, making a new personality with no memories to Chuuya that is now the vessel that contains this God.

The village adored him as a sacral figure for some years, but when Chuuya found out about his real origins and wanted to leave, the people of the village at first tricked him and then tried to kill him. They don't succeed, because Chuuya leaves the control to Arahabaki in an attempt to survive, and the God ends up killing all the people of the village.

Here some concept of Chuuya's design when Arahabaki takes over him :)

So Chuuya ends up wandering in the forest near his original village for some years. And it's here that Dazai pops up ;)

Dazai is a desperate man whose only wish is to die and find peace from a life that hurts and scares him. So one night, while he's under drugs to off himself, he ends up in the forest, meeting Chuuya some moments before losing senses. When Dazai wakes up, he's been cured by this vessel and like boom he falls for him instantly.

The relationship that installs between the two is a strange (and kinda doomed) one: Dazai will do everything Chuuya asks just to stay with him, while Chuuya doesn't really trust him (even if he wants to) and tests Dazai's feelings by asking him to offer human sacrifice to Arahabaki. And Dazai does it because he's fucked up 👁️👁️

Plus Chuuya suspects that Dazai is more attracted by the power of destruction of Arahabaki than him, and even tho Dazai says that he loves the vessel only... Who knows... 👀

For now that's it, I'm stopping info dumping ya 🫠

[weirdmarioenemies]

Name: Kernel-pult

Debut: Plants vs. Zombies

Here we have my favorite plant of the original Plants vs. Zombies, the humble Kernel-pult! Out of my favorite PvZ plants, this one feels by far the most Classic. It doesn't fly, it doesn't have otherworldy abilities, and it's not a dang fungus. It's a corn cob that lobs corn kernels. Even the lobbing feels sort of mundane! Such a simple way to get a projectile somewhere else. It feels less fantastical than pods bursting and releasing seeds, and that one happens in real life! However, it is important to mention that Kernel-pult is not vegan.

Kernel-Pult typically lobs kernels that do a little bit of damage, just as much as a pea, and it attacks at half the rate of a Peashooter. It makes up for this with Butter! It has a 25% chance to lob a pat of butter instead. This is because butter is good on corn, and I guess as a result of that, the universal concepts of Corn and Butter are intertwined enough that Kernel-pult can tap into both.

Butter does twice as much damage as a kernel, but better than that, it freezes whatever zombie it hits in place for a bit! I don't know why it does that. I can't think of any reason why butter would, thematically, freeze something. But it makes Kernel-pult happy, so you'd better deal with it! Kernel-pult is thusly good as a support attacker who can slow down the approach of zombies, allowing stronger plants to damage them more. OR, you could choose Funny over Reliable, and do what I do! Nothing against Cabbage-pult, but I love Kernel-pult so much, I like to use it as my primary attacker! Good luck, me!

Butter would prove to be a very popular game mechanic, being applied to many non-corn plants in the future, purely based on wordplay. Very respectable. In PvZ2, it actually gained another ability: it will instantly defeat flying zombie birds! See, THAT makes sense. There's the realism, in Plants vs. Zombies.

Oh?

A few plants in this game have upgraded forms that can be planted on top of them, usually enhancing that plant's core concept. Kernel-pult has one, but not just ANY one. A maize so massive that you need to merge TWO Kernel-pults to form it! No mere upgrade like most of the rest, but an entire, new behemoth of a plant!

This is Cob Cannon, the most expensive, but most powerful plant in the game! Once planted, it can be used to manually fire devastating corn cob missiles wherever you please, with the power of a Cherry Bomb, but the ability to reload! And also a fun explosion animation with popcorn. The design is very different from Kernel-pult, but I'm not going to act like this is a Pokemon evolution where the evolved form stopped looking silly. This is a corn cob with eyes, on a wheeled wooden frame, whose wheels are slices of corn cob. Awesome! The second game would replace this guy entirely with a banana.

Lastly, I would like to discuss something very special to me. I would like to discuss Pult. Pult is something that delights me to no end! In PvZ1, Catapult plants exist mostly to be used on the Roof levels, since much of the roof is slanted, preventing straight projectiles from being very effective. And each of them have this little nest-looking basket on a stick that they lob their projectiles from. Evidently, this is the Pult. I love this thing! Do you think if I married Kernel-pult, I could take his last name? Here are some Pults I made during my previous Pult Phase. It truly inspires me!

Iso-pult

Sponge-pult

And lastly, I will ground us a bit more once again, with Corn Muffin-pult. My favorite Plant, now pulting my favorite form of corn! Please remember to always be silly and make silly images like these whenever you want, it is a necessary part of the human experience!