#i love this little bitch

[victorzhuzhakin]

I've literally hated every human design everyone has given starscream because it doesn't feel like him but yours suits him so well! I'm happy to actually see a design I enjoy 😭

Thank you very much, I'm glad to hear it! I don't really like any of his human designs either because I picture most transformers as mature or old, but he's portrayed as too young, so I take it upon myself to age up every male I like

[ygamiraito]

his arm (& chest) in this picture. good Lord good Heavens oh mhbgod PLEASE. + the smoking pipe. GODDD

[glbtrx]

<< Morzan once carved his name on the back of Galbatorix' throne, and Galbatorix never find out>>

- Christopher Paolini

Ok but I want that fucking scene and the fucking Galbatorix reaction if he found out it

I WANT THEM

[mysoulisasunflower]

People : Gosh, you have a corgi ! This dogs are so gracious and royal !

The "gracious" corgi in question :

[llllillin]

Meanwhile, Shadowheart entrance:

Wyll has the hardest entrance in bg3 and no one can argue with that. They had him entering the field like a smash bros character, like:

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[methoughtsphantom]

silly headcannon #2 that Bruce never got the reference that Jason always made of himself being short round (he always thought it was Jason saying he was short) until after he died and Tim, avid Indiana Jones fan made Bruce watch the movies with him, only the man breaks out crying., sobbing, full on breaking down over the two second scene that is Indy ruffling Short Round’s hair as he explains they first met when he caught the kid stealing from him, and then took him under his wing.

[paper-mario-wiki]

THAT'S HERRRRRR THATS MY TORTURED RODENT!!!!!!!

doodles of @paper-mario-wiki 's Ambrosia because she is just so delightful & you should read her cool lore

[mostly-imagines]

I Missed My Funeral

jason todd x reader

aka you learn what happened to jason

warnings: detailed discussion of how jason died, this is not so happy but i can promise you my jason angst will always have comfort

You wonder if your nightmares are accurate.

Your brain is probably just conjuring up every worst case scenario it can fathom, but maybe there’s truth to one of them. You hope not.

It’s something you haven’t been able to keep out of your mind these past few weeks, and everything seems to remind you of it. When you see his guns, when you’re using a knife to cut up dinner, when you see a car crash on the news, or even when you walk past a fucking pharmacy. The thoughts are everywhere, all the time.

Even as you lay in bed, head on his chest, your mind keeps on drifting where you wish it wouldn’t.

You know he died. He never said it out loud, but you’d seen his autopsy scar plenty of times. You’d always refrained from asking questions, he seemed nervous enough the first handful of times he was around you with his shirt off. Enough time has passed that he’s comfortable being shirtless around you, even okay when you touch his chest. The decrease in boundaries has granted you more solace in one another, but it’s also caused your mind to go wild with possibilities. 

Even now, as you lie against his bare chest, you can’t keep your cat-killing thoughts away.

“You’re being quiet,” He comments, not accusatory, just factual. 

You snap out of reverie, “Sorry, I—”

His hand soothes up and down your arm without pause, “Don’t be sorry. What’s going on?”

“I just…” you look down, thinking over your words. “What…what happened to you?” You ask quietly.

He goes still. 

You immediately regret bringing it up, sitting up from his chest to meet his eyes, “I’m sorry, I don’t need to—”

He shakes his head. The slightest response from him shuts you right up. “No, it’s…it’s okay. Probably should’ve said something by now.”

He nudges your head back down to his chest and you oblige, trying to relax your body against him again. It’s a difficult thing to talk yourself into when his isn’t any more relaxed.

“I…you know I used to be Robin?” His voice is low, hesitant.

You nod.

“Well…I made a mistake—a few mistakes. I wasn’t as careful as I should’ve been and I walked into a trap.”

You’re sure he’s placing more blame on himself than he should, though you don’t know enough to fight him on it yet. You wrap your hand around his forearm that drapes across your chest, a silent affirmation that you’re here with nothing but support and reassurance.

His breath stutters, “The, uh…the Joker set me up and…well, he killed me.”

You don’t want to ask how. You don’t want to know how. But you feel like you have to and it’s selfish and you know that but you can’t leave just it at that. 

It’s a barely audible whisper. You’re not even sure Jason could fully hear the word, but he understands the intent anyway.

His next exhale is shaky, “Yeah, um, that’s the rough part.”

Your head twitches. “That’s the rough part?” You breathe out, scared to hear what’s next.

You can’t see from this angle, but Jason’s eyes are welling over, trying desperately not to let tears fall. It takes him a moment to prepare himself to verbalize the next part. 

“He…he be—” he stops himself. “…He hit me with a crowbar. A lot.”

Oh.

You can physically feel your chest sink.

That’s worse than all the horrifying scenarios you’d built up in your head. That’s…he was beaten to death. For trying to help people. 

You don’t want to leave him in the silence for too long, so you ask the only thing you can think to. 

“How old were you?” 

He drops his head to press his mouth against your head, like he’s trying to ground himself. “Fifteen,” He murmurs into your hair.

Oh.  

You flip over so you’re chest to chest with him and hold him tight. “I’m sorry.”

He wasn’t expecting you to say that. The very very few times he’s had anything even remotely relating to this conversation, the revelation is always met by silence. Or worse.

But you’re sorry. No one’s ever said that to him before. About anything, but especially this. What does sorry even mean in this context? You didn’t do anything, are you sorry for asking? Do you…do you feel bad for him?

He swallows hard, “You’re sorry?”

“Yeah,” You say, furrowing your brow. “You’re a good person, Jay. You’re a really good person and…you didn’t deserve any of the shit that happened to you. Especially that. I hate that you’ve been through so much and I’m sorry.”

He refuses to blink but the tears are threatening to win anyways with nowhere else to go. 

He shakes his head weakly, “It was my own fault.” 

“Jason,” you say seriously. “It was not your fault. You were trying to help someone, weren’t you?”

It takes him a moment to respond to that. “I—yeah. Yes. My mom. My birth mom.” He takes a breath, “He, uh, he was blackmailing her and I tried to help her—I tried. But she gave me up to try and save herself…it didn’t matter in the end.”

While you didn’t know about the history with his birth mom, you’d been sure he’d died helping someone. That’s just who he is—whether he knows it or not.

“There was a bomb and it…” He lets that bit trail off. “I don’t remember the explosion. I think I passed out before it happened.”

He doesn’t remember the explosion. But…

He does remember the other part.

You have to drop your head into his neck so that he doesn’t see the way your eyes well up. 

“Please know you’re a good person. Please,” you plead. “You’re the best person I know.”

“But…” his breath comes out shaky, “No one…no one did anything.” 

The tears fall now, and in spite of the fact that he hasn’t let himself cry in front of anyone since he was ten, he doesn’t feel the usual burning impulse to hide. Not from you.

His voice breaks as he says, “He killed me and he didn’t…”

You sit up straight again and hold his face in your hands, looking him in the eye. “That’s not your fault. Whatever Bruce did or didn’t do, it has nothing to do with you. It’s all about him.”

You gently wipe his tears with your thumb as the weight of his head drops forward, leaving your touch the only thing holding him up.

You know he has…problems with Bruce. You know his death is a sore subject among them for more reasons than the obvious. You also know the Joker still lives and breathes today and there’s some sort of rule or agreement that Jason isn’t allowed out on patrol when he’s loose. 

There’s clear trust issues there, on both sides, but you’ve always had trouble figuring out what exactly Bruce had done to leave Jason so closed off. It pushed him away from his family and caused potentially irreparable scarring to his ability to trust other people. It actually makes a lot of sense that this is what caused the rift between them—you’d been thinking maybe Bruce was the reason Jason died or he couldn’t stop it, but this…this is a different kind of damaging. Fuck, no wonder Jason feels like he doesn’t belong in his family. 

You take a heavy breath, “You’re important. You’re important to me and whatever moral roadblocks Bruce couldn’t get over doesn’t change that—it has nothing to do with how good you are.” 

You’re definitely crying now but at this point it doesn’t matter. It’s more important for him to hear this than for you to pretend like this isn’t as horrible as it is.

He doesn’t look up at you but you can see his own tears dripping off his face. You don’t see him cry very much at all, and definitely not like this.

You sniffle, “Do you wanna switch?”

He nods against your palms and lets you out of his hold to sit up as he shifts lower on the bed and wraps his arms around your torso. You weave one of your hands in his hair and stroke softly. The other rubs soothing patterns on his back, feeling the heaviness of his breath under it.

You kiss the top of his head, “I love you. So much.”

He holds you tighter, murmuring “I love you,” into your chest.

It’s quiet for several minutes after as you both process the words said.

You’re the first to pipe up again, “How did…”

He exhales, “Ah…it’s a little complicated…”

He wants to talk about it another time. That’s fine by you.

Another silent minute passes before, “Bruce isn’t…he’s not a bad…we had a lot of problems after I came back. Both of us. Took a while to get over ‘em.” There’s a beat before, “Still getting over ‘em.” 

You nod, continuing tracing onto his back. His voice is clearer again, stronger.

“Is that why you don’t like being at the batcave?” you ask.

“No,” he murmurs. “It’s ‘cause he keeps the suit on display.”

You look down at him, frowning. “What suit?”

“The robin suit.”

You pause.

“That robin suit?”

He nods.

…what

for clarification bc i think i thought this was canon oh well

🔮🕯️the reblog witch bids you do her bidding 🕯️🔮

[brainrotcharacters]

Mothers and fuckers of the ketchup and mustard household (I'm going even more insane than usual)

[miametropolis]

the first episode of star trek tng:

hi everyone! meet the crew! wow, this guy's got a temper. this one's an android! uh-oh, a spooky alien has appeared!

the first episode of star trek ds9:

post-traumatic stress disorder

[codacheetah]

smile for the camera! :)

[mintaikk]

MOXXIE SHIPPING STOLITZ MOXXIE SHIPPING STOLITZ THIS IS NOT A DRILL

[lilyshear]

soooo i started playing hades 1 :)

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"