#i love these jeans….. so comfy

[muttsmeats]

aww, what? lil pup too much of a slut, he can’t go even an hour without having his big brothers cock in his mouth? that’s fine, darling, just open your mouth,, theereee we go, that’s a good boy,, <3

[zivazivc]

a collection of old doodles and forgotten wips

[babymorte]

from the other day when i went pants shopping. are these not the cutest ?

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[starrysharks]

i am the cattt just chillin outt but in the night she's all i think aboutttt

[softquietsteadylove]

The arranged marrige au looks very interesting 👀, may i ask for another part. Also i wanted to thank you so much for posting your work, without your work i'll be bored and sad they make my days better, also you write so good, you write Thena and Gil and their relationship so beautifully. 🤍

Thena sighed. There was just no way around this. She wished it hadn't come to this, but she didn't have another choice. With great reluctance, she cracked the door to the dressing room open. "Gil?"

Even with only one eye to peek at him, she could see him sitting on a chaise just outside her door. He was being reflected in the multiple mirrors lining the walls of the enclosed fitting area. She couldn't see his screen but she could tell he was doing something work related.

She cleared her throat and swallowed her pride, trying a little louder, "Gil!"

He blinked, immediately slipping his phone in his inside pocket. He put on the perfect smile as he looked up at her. "How's it feel, sweetheart?"

It was the finest material she'd ever put on her body, it felt like a dream. That wasn't the problem. "Gil, I can't wear this."

He looked appalled, basically pouting. "Why not?"

Thena rolled her eyes, opening the door just a little more. The dress was beautiful, and it fit her well. But that wasn't the point! "When I said I needed some things to wear, I meant something casual, for running errands, or seeing some friends."

"So?" he stood, grinning and oblivious. "This looks perfect on you!"

Thena huffed, pulling the door open completely and crossing her arms at him. "This dress is for formal events, and I think it costs more than a year of my old rent."

She could just tell he wanted to comment on the fact that she didn't have to worry about rent anymore, now did she? But he held his tongue in a rare moment of restraint. "Thena-"

"Gil," she relented. She knew he meant well--she meant for it to be a sweet gesture, and the fact that he was here instead of just sending a bodyguard with his wallet was testament enough that he was trying to sweet about it. "It's too much. I can't wear this."

He was still borderline pouting, holding her modest white peacoat under his arm with his hands in his pockets. "I got you other stuff like this and you didn't say anything."

She squirmed on the spot. "Well, I don't wear any of those things either."

Gil's jaw dropped.

She attempted to reason with him again, taking his hands in hers so he could really hear her (which he did better through the sensation of touch, for whatever reason). "Gil, I know it's just part of your lifestyle. But you've seen the clothes I brought with me--what I wear at home. I need...that. I need some normal clothes. I was just going to go myself when-"

"No." He was firm about that. He was very firm, actually; under no circumstances was she to go wandering around alone. Her first instinct was to act defensive about his need to keep an eye on her. But she couldn't act childish; his work was dangerous, and there was a reason he'd hired a car for them, had tinted windows, and never left her side this entire afternoon.

She gave his hands a squeeze, "please, Gil?"

He really did have a soft heart, and he wore it on his sleeve, completely out in the open. How did anyone take him seriously as a gangster when he was clearly just a big, soft teddy bear walking around in a pinstripe suit.

"Okay, sweetheart," he conceded to her, as he always did. He raised her hands to his lips. "Whatever you need--I promised that. You get changed and we'll find some things that suit your tastes."

"Sir, Madam, do you need any--oh!"

Thena drew her shoulders up. She had no reason to feel flustered, or embarrassed. Gil had thrown the doors open and asked that his 'wife' be assisted by their best and brightest. That was probably more embarrassing than them being seen by the staff holding hands in her changing room.

There was no need for her to blush.

"It's all right," Gil chuckled, letting her close the door to get changed again. She heard his shoes on the fancy marble floors as he walked back out into the store. "Everything's great, but I think we're going to try some other places."

"Very good, sir."

This was the most posh place she had ever come into. She did tell Gil she usually shopped off the rack sales for generic corporate casual clothes. If she weren't a mobster's wife, maybe she would even peruse the shops or malls like a normal person.

But she got changed and hung up the gown that was so expensive she was afraid to touch it. It was beautiful, and she had to admit that it had fit her like it was made for her. Gil had seen it on display and insisted she try it on.

He was right, it had been perfect for her, but that didn't make a good enough reason to buy a dress like that.

She exited the room, holding her purse and going to find Gil. This time last year, she never would have come into a store like this. She would sooner assume she would be laughed out of the shop all together.

"Yeah, someone will pick it up later."

"Gil?"

"Hey, princess," he turned, raising her hand and kissing it again. He released her coat and held it out for her to put on. "Ready to go?"

"I suppose so," she murmured, looking at the staff all waving goodbye to them. Maybe all fancy shops were like this, but she had a bad feeling about it. "What was that about?"

"Oh, I just told them that we'll definitely come again some time, we're just looking for a different vibe today."

He was lying. But Thena let him hold her hand as they exited the name brand store, massive and towering and shiny enough to reflect a blinding amount of sun this time of day. It was nice out, though. It was a large part of the reason she had proposed going shopping for herself.

And from the moment she mentioned it, everyone who worked with or for Gilgamesh in any way had panicked. Every time she wanted anything or wanted to go anywhere, it was a unanimous sentiment; the boss's wife could want for nothing. Either they had to handle it, or Gilgamesh would.

"You okay, Thena?"

She blinked, coming out of her thoughts. "Hm?"

Gil sighed; he almost looked contrite. "I know this probably isn't the kind of day out you're used to. But...I wish I didn't have to go this far. But if anything happened to you-"

A big, soft teddy bear, who liked to pretend he was all grizzly and growl-y. When, in actuality, he had the softest heart around. She slipped her hand into the bend of his elbow. "I know you're just trying to protect me, Gil. It's nice."

He wasn't entirely convinced. But they kept walking, taking their time moving away from the luxury branded buildings towards a more regular collection of shops. "I'll try to make arrangements so you can go out on your own--with security, obviously."

"Obviously," she humored him. She was walking arm and arm with her husband, but more than that, she had to admit it was nice to talk with someone like a friend.

"What else?"

"What?" she blinked, alarmed by the grave change in his tone.

"What else do you want to do?" he asked more gently, moving them off to the side. "I don't want to hold you back, Thena. If you want to explore this part of the city, see more of downtown, call up any old friends--anything."

She didn't have much in the way of 'old friends'. Dealing with her father was such a dominating and isolating aspect of her life. She was quite sure none of her old coworkers would even notice her absence. Even if that weren't the case, she wasn't exactly yearning to explore weekend markets or clubs, either.

"Unless it's an old flame," Gil added hastily, holding up his finger with a heavy gold ring on it. "Then maybe, but you have to say it's just as friends, because you're married now."

Oh, she certainly had no such thing. But she grinned at him, as he often did with her. "Oh, well, I didn't think my husband was the jealous type. What if I tell him we're married in name only? What if he offers to whisk me away from this life?"

She was laughing, but Gil had that look on his face whenever he was watching sports and the team he owned was losing. It wasn't murderous, but it was decidedly pissed off.

"He can offer." Maybe she had taken this joke too far. But Gil moved her hand so he could hold it again, locking their fingers together. "But I'm gonna introduce myself as your husband, so he knows what he's dealing with."

Even in this fictional, joke world, that would paint an intimidating picture. She leaned against him faintly--to calm his temper, she told herself. "Wasn't it part of my contract that I not be in any relationship?"

Gil looked away, pretending he was examining his suit. He could get somewhat sheepish from time to time, which she had to admit was quite adorable. "Our contract--and that doesn't mean you don't have some ex-boyfriend or something pining for you at this very moment."

She definitely had no such thing. And even if she did, it would be far from her mind as she leaned against her husband, their arms sealed together, his massive bicep against her slim one. She looked down at the strap of her purse, fiddling with its latch. "Well, I don't."

"Good."

"Good."

[liauditore]

OVERSIZED JACKET JIMMY-

YES!!!!!!!!!!

[paindemiserables]

Tall Spoon, Wide Spoon, Schrimbly, Bompous

[tinycowboybro]

*zaps vegaspete with domestic ray*

currently trying to convince myself that the faster i get this paper over with the faster i can get back to drawing vegaspete being silly and sappy, and who else is more silly and sappy than patpran yk ? so i give you this doodle of my favorite guys all wrapped into one 🫶

i do have a hard time sometimes thinking about what pete would wear post kp.. we get to see some elements of his style when he goes out with tankhun but i just wonder how much of it is really his. I guess also thinking about how so much of his wardrobe was just suits and tracksuits and how empty his closet would be after he resigns. I want to see what he wears when he’s no longer asked to be a machine

kinda went crazy in the tags don’t mind me

[talentforlying]

my favorite fashonista, ft. a rare sighting of loungewear + hair with no gel in it. (dollmaker)

[wellnoe]

what if i. deleted my blog and started over as a friends at the table fanartist

[milkweedman]

eating my dinner of one squashed heirloom tomato which i dropped shortly after picking it, sliced with salt and pepper on it, with chopsticks and while standing in the middle of my room

[tvrningout]

don't get sleepy after an hour of social interaction challenge

[readingwriter92]

My comfiest pair of jeans rn is starting to grow a hole in the knee and I’m so hyped bc its gunna start getting warmer and then they’ll be perfect and I’m still mourning the loss of my last pair of jeans that I wore out both knees to and were soooooo comfyyyy

[sevicia]

I carry so much stuff in my bag she's literally my best frienddd 🩷 she's a green messenger canvas cross-body bag that I got off aliexpress. The one I got 4 my birthday is the same kind except she's blue and has a little transparent pocket like an ita bag and she is also from aliexpress. I also have a pair of black cargo pants that I love so so much... They're kinda loose on me now but not to an uncomfortable degree yk... Anyways I also put paracetamol in the leg pockets 👍 guy who gets soo many headaches when outside 💔

[ambrwolf]

My Father Paul cosplay at galaxycon columbus! The person i bought the print from (@raphae11e / raphdoods on insta) was the only one who recognized the character lol