#i love them thank you for the ask anon

[enden-agolor]

may I request a little sleepy Jesskas doodle?

(also please remember to take care of yourself! Don’t burn yourself out! Your a huge inspiration to me and others and you are appreciated!!!)

i mean sure. i GUESS i can do that 🙄

also thank you. i promise i pace myself properly and don't go through too much burn out. im so happy i can inspire you and others with the silly block guys : ]

[egophiliac]

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

[xxplastic-cubexx]

Snap: *draws a Megaman-inspired Magneto*

Me: ...Perfect modernization.

wait now that its not 3AM i can do you one Slightly better

bonus:

[basketobread]

my dumb fuck ass just spent 30 minutes trying to find Save Us White Girl and caved and "help white girl bg3" immediately returned it via google,,,,, had help white girl, white girl help stuck in my head,,,,,

THIS MADE ME LAUGH SO MUCH TBH I CANNOT BELIEVE IT CAN IMMEDIATELY BE FOUND LIKE THAT???? everyday this comic finds its way back to me and i'm unsure if i'll ever be able to outdo it... it might be my magnum opus, i fear... (this is a good thing)

[honnelander]

How did Sanji and reader meet the first time? What did they think of each other at first impression 👀?

hmm interesting question! i feel like it would go a little something like this (in my main "mutual pining" series):

You had originally joined the crew back in the beginning with Luffy, Nami, and Zoro when they were going up against Buggy. Since helping them slice that clown pirate down to size, you were a straw hat.

You never particularly had a dream of your own or knew where you wanted to be, but once you met Luffy and his endless optimism and kindness?? You knew it then: you had found your people.

So when did you meet Sanji? At the same time as everyone else, at the Baratie.

After Nami slipped the host some berry to get your crew a table, you all made your way down to the main dining area. Watching Zoro struggle to slide into the booth because of his swords was practically the funniest thing you've ever seen so you couldn't help the laughter that came out of you and in turn, that made the rest of the straw-hats all join you in poking fun at Zoro and laugh your asses off (much to Zoro's chagrin).

"Fuck you guys," Zoro muttered as he gave each member of the crew their own personal death glare.

When the swordsman locked eyes with you for your own personal Zoro Death Glare, you couldn't help but laugh louder.

Meanwhile, in the kitchen, everyone's favorite blonde-haired chef was busy making the infamous bluefin tuna special that led to him getting kicked out to wait tables that particular night.

As Sanji put the final touches on his off-the-menu special, wiped the edges of the plate clean, and confidently strode to the front of the line, all while bantering with Patty, he felt on top of the world.

Until Zeff crapped all over his dish and kicked him off the line.

"Fucking old man," Sanji snarled under his breath as he pushed the kitchen doors to the dining room a little more harsh than necessary.

As he walked into the dining room, slinging his suit blazer over his shoulders, he was fuming...until he heard a loud chorus of laughter come from his right. He looked up in curiosity as he buttoned his blazer in the little alcove next to the kitchen and scanned the dining room. Baratie was a more upscale, fine dining experience (especially for pirates), so for a table of guests to laugh as loud as he was hearing was certainly new to the cook. Whoever they were, they definitely must not be from around here.

His blue eyes immediately went to the table nearest to him, table eight, where he had his eyes set on the pretty blonde woman earlier in the night in hopes that she was the one laughing loudly but, no she wasn't. When he took the plate of pastries and took a few steps into the dining room, he heard the laughter towards his right and immediately looked that way with a cool gaze.

And the sight he was met with nearly took his breath away. At table ten, he saw the most gorgeous woman he'd ever seen: you. There you were, sitting there at the table, laughing your ass off at the green-haired guy next to you, laughing so hard you were hitting the table with your fist, not a care in the world. It looked like everyone else at your table was laughing along with you, all except for mosshead (a stick in the mud, Sanji thought with a scoff).

Only one thought occupied his mind now, not Zeff, not the bluefin special, not being kicked out of the kitchen, just: you. You and your infectious laugh.

Everything after that happened in a blur. The two pirates at table eight both stood up enraged, yelling insults back and forth along with threats to kill each other, ripping Sanji's attention away from you and pissing him off all over again.

Could anything go right today?

Once he kicked those two pirates unconscious, he then smoothed out his suit jacket, let out a small exhale of satisfaction, and picked up the plate of pastries again. As he strode over to your table, he put on his most charming smile and placed the pastry plate right down on your table like nothing had just happened.

And to be fair? Pirates fighting did happen all the time, that was just another typical Tuesday night at the Baratie.

But meeting you? That was a once-in-a-lifetime opportunity and he'd do anything to hear you laugh and see your gorgeous smile light up that pretty face of yours again.

He stared right at you as he said, "Good evening, and welcome to our shitty little restaurant: the Baratie."

At his tone and choice of words, you couldn't help but look at your extremely attractive waiter in surprise and confusion and let out a surprised laugh. Didn't he work here?

He kept going though but his charming smile only widened at hearing your laugh, his smile reaching his eyes as he said, "My name is Sanji. What can I get for you?"

And in that moment, without the other person's knowledge, you were smitten with each other.

Taglist: @smolracoon25

[twentyfivemiceinatrenchcoat]

AGH FASHION DESIGNER SUGURU AND MODEL SATORU W A NEW INTERN DESIGNER UNDER THEIR WING 😞😞☹️ - 🌺

WAHHHH I LOVE THIS 🥺🥺🥺 the pining and flirting and slowburn of it all… model!satoru and his favorite designer suguru geto, both of them undeniably skilled and born with an eye for fashion….. well-known and adored……..

designer!suguru who gets tasked with showing you the ropes, who’s always so patient and kind despite your inexperience. diligent with his teaching but also so laidback, so easy to talk to… he looks intimidating, but he’s so polite that you can’t help but swoon a little. and he admires your enthusiasm so much…… grows fond of you soooo quickly bc you’re just such a breath of fresh air compared to the divas he’s forced to work with all the time. he thinks you’ve got real potential and he wants to nurture it.

and ofc you end up running into model!satoru eventually…. bc he’s always hanging around suguru whenever he gets the chance. and he’s maybe a little jealous that you’re hogging so much of his personal designer’s attention, but… he also thinks you’re so cute . T_T like a little puppy following suguru around… so excited to be apart of what you’ve dreamed of for so many years……… he looks into your eyes and sees the same sparkle he had before he made it big, and it makes his heart race.

yeah . i’m just thinking abt the peaceful coffee breaks with suguru….. how he’d insist on paying for your drink, ”since he’s your senior” (he wants to be your favorite </3)…… and how he’d just be so protective over his little intern. don’t get me started on the close proximity with satoru when you’re taking his measurements, the glance and smile he sends your way during an impromptu shoot… the way he always calls for you with a sweet coo of ”how’s my favorite intern doing today?”

😔😔😔 yeahhhhhh. they make me feel ill.

[scribz-ag24]

okay but you know how dusknoir the species get signals to bring the dead to the underworld

imagine being around grovyle and feeling that all the time

This is such a great idea, Grovyle's time has come but Dusknoir does NOT want to take his soul, yet dusknoirs lose their will when they receive orders...

[buglaur]

fireworks show 🎆

material preview version is very cute also :)

i struggled with the lighting on this one so badly, but it turned out alright in the end.

i actually started it last year for new years 2023 but never got around to finishing it, hence no progress pictures this time sadly lol. i do have a very low-res, first draft, test gif though

stills 🥳

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[shadowtraveled]

In your Mithrun analysis, when you say “maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.” who is the ‘someone’ in your mind? Milsiril? Kabru and the canaries? I loved your analysis, so I’m curious

OH kabru absolutely

milsiril spared him and, decades later, helped him with his physical rehabilitation, but it seems like she more or less gave up on his personhood. no more desires -> no more mithrun as we knew him -> no more mithrun. she spared him because he wasn’t completely devoid of motivation to live, and she used the single motivator he had left to eventually get him to keep himself alive, and she briefly even seemed to want to try and instill some of his old mask (even with the understanding that that’s what it was) back into him, but that fell through immediately and i think with it went her optimism that mithrun would ever… be a person again. “too late now, i guess.”

then the canaries are on good enough terms with him, but they’re practically instructed to treat him like a weapon or a tool they’re maintaining. i believe it’s cithis that tells kabru to take care of mithrun but clarifies that really what that is is just making sure he eats. ensuring his baseline needs for survival are met. and really, that’s all she was ever tasked with. when it’s all over and mithrun is cataleptic, the canaries stay physically near him, but they seem to have accepted that he’s gone—without the demon to chase, he has nothing to live for. cithis, though, seems to be closer to mithrun than any of the others, and i don’t think it’s a coincidence that she’s the one who calls lycion off and encourages kabru to try engaging with him when she hears the beginning of what he has to say.

this post caught a lot of my opinions regarding mithrun’s relationships (linking to my reblog of it because i dumped some thoughts in the tags) but tldr i do think milsiril and the canaries fall short of thinking of mithrun as a person, and that’s why their relationships with him fail him somewhat. i don’t think that’s their fault, because it seems like they were taught to think of losing your desires as a complete loss of self and humanity, but it does mean they see mithrun as someone who has already been lost. kabru is demonstrably different in that he’s able to help mithrun see a future beyond the demon, and he’s able to do it because he deals with mithrun like he’s human. because he is. and all of that stems from the specific aspect of kabru’s personality that is his obsession with people

[rottiens]

Stepmom Yuki has severe breeding kink 😔✊️

she fucks you nice and deep, putting her hands on your belly looking adoringly at the way the cock separates your slippery folds and she would love nothing more than to fill you to the last drop. she in fact, debates whether she would love to cum in your folds or so deep inside you. her thumb moves from your belly button to your clit and strokes it sweetly as she takes the leg above her shoulder and kisses your calf, moving her hips in such a way that she manages to get even deeper.

the idea of her seed inside you, your tits swollen from pregnancy and her lips on your sweet sensitive nipples is what makes her cum silently, calling your name as she bites your skin.

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[willowser]

you don't know how much comfort your dragon king bkg drabble has given me ever since you posted it!! i keep reading it i love it sm 🥹

as it turns out, the man bakugou is — a bit harder to handle.

he sleeps like a heathen; you once thought the dragon bakugou to be a bit lazy, with how often he tended to curl up in the fields of grass, warm under the sun, but now — it would seem his little human form needs significantly less rest.

almost up all hours of the day, and when he does finally lay down, he's everywhere. a mess of limbs: one thrown carelessly out to the side and the other bent at an angle you can't believe doesn't hurt his joints. his head stays tucked into you somehow, either buried in your neck or pressed against your ribs — or you'll wake to find him nose-to-nose with you. he still snores like a dragon, however.

you're also beginning to wonder if there is a bottom to the pit of his stomach. he ate much before, whole fields of things, but you expected that appetite to dwindle, at least a little, now that his stomach has decreased considerably in size. and in number ? you're not even sure how many stomachs a dragon has; that's not something that was mentioned in the fairytales.

it burns through him quickly, gives him more energy than he needs, and it doesn't ever seem to affect his weight much. already, he's huge and thick with muscle and eating as much as he does never dulls the severity of his cut abdomen. not that you're looking all that much.

— not that you have a choice not to, as he seems to have little-to-no understanding of —

the door to the bathhouse kicks open, with enough force that you already know who it is without ever turning to look. you try not to shriek when you see him, because he seems to like that in some evil, impish way.

you've been alone to wash so far, thankfully, as the inn you'd managed to find was small and far enough out from the nearest kingdom that the occupancy was low — enough for you and your little brute.

the man bakugou comes to stand in front of the bath, blinking and huffing against the steam. finding clothes for him was — nearly impossible, and so the trousers you'd found hanging on someone's line outside fit above his ankles, a bit too tight around his waist. instead of a shirt, you've wrapped him in a scratchy linen, swaddled him up like a baby to cover the small smattering of scales that decorate his body, almost like freckles from the sun, though they gleam just as bright and red as they ever have. no matter his form.

a horn has started to sprout, on the right side of his forehead, and you've done your best to cover that, too.

you have no idea how long this man thing will last. if it's permanent or if he even has control over it. the last thing you need is for him to switch back, somehow, while you're in the middle of feeding him, absolutely demolishing whatever tavern you're in and calling all of king todoroki's guards to attention.

bakugou grunts, almost sleepy, and tosses a fat, weighty sack onto the edge of the bath. it jingles a certain jingle that makes your heart stop.

"oh, allfather—" you move for the edge, awkwardly keeping one arm against your chest despite the fact that he's seen it all by now. when you peek inside and confirm your fears, you lob it back to him furiously, as if it were a steaming potato. "where do you keep getting this stuff?"

things have started to turn up, miraculously. shiny things — like coins and rings and gems. things he could not have simply found rolling around in the dirt.

"go put it back!" you hiss at him, and the tone of your voice makes his frown deepen. you never realized how pouty he was, when he was still a dragon.

you think he understands you, and you're pretty certain he just chooses not to listen; instead of doing what you've told him in the slightest, he simply dumps the coin-purse to the floor, and then lets his linen and stolen trousers cover it as he unceremoniously undresses.

the biggest issue that you would say the man bakugou poses is — his complete lack of understanding of personal space.

"bakugou!" your voice wavers, shocked again by his nakedness. as if you haven't seen it all by now. "no, you — get out!"

but he does the exact opposite, which is hop into the steaming water, ignoring the arm you hold out to keep him away as he saddles up beside you. skin against scales, pressing a nose into your hair to huff out his annoyance, to make it something you can feel.

if anyone were to walk in right now, they would — probably think the lie you'd told the innkeeper was true. that you are a simple traveler and this is your mute, over-sized husband.

regardless, you think this behavior isn't polite. especially in a public bathhouse.

"bakugou," you try again, turning your face away as you speak to the wood-paneled wall. "i'm taking a bath, you have to wait your turn."

all you receive in response is another huff against your ear and a low rumble of disagreement from his chest.

he has yet to speak back, and has only used inhuman sounds as his points of conversation. the only word you've ever heard him utter is oi, which he does when he really thinks he needs your attention. you're starting to wonder if he's named you that in his head. oi.

curiously, you turn back to him and the movement has him pulling his face from your hair, just enough that he can look down at you, too. watch you, with the red-rippled sea in his eyes.

they're — amazing, you will admit. just as bright and detailed as they always have been. fit for a fairytale told by the fire, veiled by the soft-ash of his lashes. he watches you through them, half-lidded, and you wonder if it's something other than fatigue that has them so heavy.

"do you know what i'm saying?" you ask quietly, voice lacking the firm heat you want it to. instead it's heavy, too, weighted by something soft and unfamiliar and frightening. "can you even understand me?"

bakugou doesn't respond, not with a huff or a rumble or ever a purr, like the one he let out on the night he lay over you by the lake. you've only heard it sparingly since then, oftentimes in his sleep when his face is pressed into you.

you try not to frown at his silence, try not to let it disappoint you because it shouldn't; he's a dragon afterall, and you're not sure what it matters. the little horn protruding from his forehead catches your eye and you reach up to touch it gently, watching him blink away the water that drips from your wrist — and then he's turning into you again, too close.

beneath the water, you feel his hands skate up your bare thighs, wrap around your waist until your chest is pulled flush against his. you feel his huff, again, against the damp skin of your neck but it's slower, lighter. not laced with his frustration. some unknown thing you feel guilty for liking.

you drop your hand to his hair, rushing full force into all the damned things you've thought about doing but have been too afraid to. he's soft between your fingers, and you trace your nails lightly against his scalp until he groans quietly; a new noise, one you don't know how to translate.

your fingers stop when they brush upon little spines that have grown at the base of his skull, that have started to trail down the center of his back.

suddenly, tangled up in the bath with him, you wonder how much time you have left.

bakugou huffs again into your skin, a little fiercer this time, and it's because of his light jostling that you realize how rigid you've gone. you try to relax so that he will, too, though you must not do a convincing job, because a sharp nip comes to your earlobe.

"ow!" you squeal, but he doesn't let you go far, not even as you try to jerk away from him. in fact, the harder you try the more his teeth show: into your cheek and the point of your jaw and then dangerously low on your neck.

it's not until you finally freeze that he stops, huffing again, with a warmth that burns more than the steaming water.

and then, very quietly, he grumbles, "shitty wife," into your collarbone, just before biting you again.

[tojisun]

Loool but can you imagine dinner? Like your dad invited his friend and you with your boyfriend😂 I think it will be kinda awkward for you and Simon, but not fot Toji, he’s like don’t give a fuck, with that smirk on his face and cocky, too. And he won't miss the opportunity call you MY girl, MY love looking at Simon, making sure he heard 

this makes my toes curl oh my godddd this is so !!!

he cleans up well, that’s the first thing you noticed when toji picked you up from your dorm, your eyes greedily devouring the tight black button up he’s got on, the sleeves rolled up to his forearms, showing off the muscles and veins that you’ve lovingly traced every time you two cuddle.

“like what y’see, kid?” toji asks, smiling softly, making you so, so breathless.

there’s something different about him – how, when he calls you petnames, they never mean anything past his affections for you. his devotion. toji teases and makes banter, but he’s never made you feel so small about yourself; has never made you doubt his feelings for you.

and it’s dizzying – to be toji’s sweetheart – but dear gods, don’t you deserve such reverence?

so, with a giggle, you say, “very much.”

-

toji and you walk in with his hand on the small of your back, his head tilted down as you two shared murmured words to each other. he’s barely looked away from you even when you two pass the threshold of your home, ignoring the barely-contained judging looks from the one man you had hoped you wouldn’t see tonight, simon.

you stumble to your feet, however, when simon began to move close, smiling ruefully in that way he always does when things aren’t going his way. toji steadies you, his voice gaining volume and strength—an obvious display of his interference.

“–might just have to eat you up right now, doll. yer dad don’t know we’re here yet, yeah?”

simon’s steps falter, his eyes going wide at having heard toji. toji tilts his head up, smirking, and your mouth goes dry, warmth filling up your cheeks now that the two men are posturing against each other.

.

(im so sorry i couldn’t really finish this one 🥹)

but this one was during that insane of a crossover of new bf toji vs dbf simon </3

speedrun but:

your dad is horrified at seeing your new boyfriend because that’s a whole dad you’re dating. what.

simon doesn’t offer his two cents because he’d be a hypocrite if he does, so he’s just checked out, and so happens to always be drinking wine when your dad turns to him like he’s asking for a back up.

toji is behaved. sure he’s got a hand on your lap and it keeps sliding up every time your dad looks away but he’s behaved. shit-eating grin aside.

simon sees the hand. simon also sees red.

he breaks his wine glass, and the wine drips from his clenched fist like blood.

it’s only toji’s hand squeezing your leg and putting pressure on it that stops you from lurching out of the table to help simon—what? old habits die hard.

simon excuses himself for the night and leaves.

toji says you did good. he means it even if you know that without toji’s hold, you would’ve sacrificed your dignity again for simon.

[birddcandle]

requests? sure!! maybe the bad boys from lim! life ,,, or the roommates from secret life :3cc

(can you tell i like the concept of trios working out bc of ppl saying that trios never work.,..,)

you ain’t seen bad boys 2???

[allthegothihopgirls]

*holds out my probably canon headcanon like a toddler showing you a cool frog*

hey what do you think abt damian calling his dad baba and his siblings various nicknames in arabic that range from zameel or jalees when he’s particularly annoyed with them to akhi (brother)/ukhti (sister) when hes rlly happy

I LOOOOOVEEEEEE IT!!!!!

anything that keeps damian in touch with his heritage is a huge yes for me. big fan of him slipping arabic words into his sentences, or repeating phrases he grew up around when he can't think of an adequate english equivalent. etc etc

similar to how people who are learning english as a second language tend to mix their native tongue into english sentences. although with damian i don't think he would do it because he isn't confident with the language (because he most definitely is), i think it's just something that's familar to him, and comfortable to slip into his english speech. + sometimes he can just articulate himself better in arabic.

as for the familial names, although he doesn't use them in canon, he very much does seek comfort from things culturally familiar to him, in gotham. such as in teen titans (2016) special #1, when he's implied to often visit a middle-eastern restaurant 'tarbooshes' which reminds him of his home in the league and his mother.

so although the nicknames aren't something shown in the comics, i don't think it'd be unlikely. he's definitely 'in touch' with his culture, and it's far from an out there idea.

as for the specific names, such as calling bruce 'baba', i'm typically all for that. though apparently in arabic that word in particular translates more to 'dad' than it does 'father'. obviously damian's very formal with his speech, so it is a question as to whether or not that would be the nickname he uses for bruce, or whether he'd use more formal titles. (this post gives some alternatives + explains it more).

usually when i see the use of 'baba' in fics, it's very fitting. i'm very partial to the 'sleepy/hurt damian letting his guard down' trope, and i thoroughly enjoy it when the writer lets him slip a "baba" to bruce. one fic that did this really well was 'repeat your favourite mistakes and love them all over again' by watchingthestars13 on ao3, in which damian (although not the focus of the story) is aged down to 2 years old by magic, and coordinates life as a toddler with bruce, rather than with the league. he's very hesitant to affection at first, so when the writer lets an 'about to fall asleep' damian, call bruce his 'baba', it's always just right.

i'm also fond of him having personal nicknames for his siblings beyond 'brother' or 'sister' in arabic. this post talks about how in arab culture it's common for people to refer to loved ones as their organs. i think it's a fun idea for damian, especially because it's something only he would understand. i think he'd be most likely to do this for dick, although maybe he has a generic one that he uses for other siblings when he's suuuuper happy with them.

but he also takes advantage of being the only arab in the house, and one huuuuundred percent switches up the nicknames he uses depending on how he feels about that sibling at a particular time. he is not above throwing flavourful remarks when he's annoyed, in a language no one else understands (whether that be arabic or not), or calling people the nastiest names he can think of.