#i love the rest of the cast too but something about the original team of 4 is so dear to me 🥹����

[axoqiii]

shujin trio,,my babies..,.,

[softfem-dom]

heyyy Ii love you and your writting and I was wondering if you could write something? it's kinda a different rq from what I saw you writing but would you be willing to write sepparate headcanons/a short blurb for different Logans? (esp the xmen 97', origins, worst wolverine, patch if u write for him and the dofp logan)

if youre comfortable with this rq style, could you write something for the different moment they/someone realized they were a girl dad™ with a platonic!teen!yn? if not that's okay dw <33

different wolverines, same cub different!logans x fem!teen!reader

a/n : okay this is diferent from the requests I usually get but it's a very welcome change in format! pd: i love you too anon <33

wc : aprox 500 words for drabble.

FLUFF , GIRLDAD!LOGAN(S) , TEEN!READER , MUTANT!READER , TW FOR PAST ABUSE MENTION IN ORIGINS LOGAN.

xmen97'!logan . origins!logan . dofp!logan . patch!logan . worst!logan

XMEN97'!LOGAN HOWLETT

Ever since Proffesor Charles' death things were a bit tense in the team. Scott, even as hard as he tried, wasn't all that ready to be a leader and with a baby in the way and Logan acting like a jerk to him anytime the opportunite arose, things weren't getting that better.

However, strangely, today the team wasn't that much of a team. It was more like the family you all were. And the way you were playing on the basket court was something to see. With two of the men without shirt, Jean as a ref, and Jubilee and you bursting with energy things were about to take an interesting turn. Especially when Gambit and Logan were placed into opposite teams.

You spent the majority of the time in the sidelines, talking about the latest gossip with Jubilee, while you cheered for Gambito —who seemed to be eating it all up. But then the orange ball bounced your way, and you grabbed it before thinking of the consequences. So now you were running for your life, trying to evade the opposite team's players —which was a difficult task given how good Beast seemed to be at this.

And just when you were about to reach the basket and score, you bumped into a solid wall of muscle. You groaned under your breath, already knowing who you had just bumped into, before you were suddenly being lifted into the air. The ball fell to the ground for Morph to grab.

"an' what do we have 'ere, hmn?" Logan laughed, his voice gruff and deep as he looked at you with a smug ass smirk on his lips. He tilted his head, narrowing his eyes playfully and making you scoff, before deciding to throw you up into the air and catch you.

"LOGAN!"

"what? too much action for ya, princess?"

Jean could only watch from the sidelines, a hand resting over her round belly. Rogue caught onto that, her eyes having been trained on your laughing form as Logan kept throwing you into the air and catching you —like a father with his baby. "seems like Scott ain't the only father around, huh, sugah?"

Jean chuckled softly, a fond glint on her eyes as she stared at the scene playing before her. "it does seems like it, it does" she sighed with a smile on her face.

___

ORIGINS!LOGAN HOWLETT

Since the moment James entered his homely cabin, finding it oddly silent, and walked right onto his girlfriend —Kayla— trying to convince a blood and dirt covered teenage girl into eating he knew he was in for a wild ride. His girlfriend had always been alright with the fact a mutant was living with her, and now it seemed like that number had leveled up to two.

They still hadn't been able to get much out of you, just the fact that you were an experimented mutant that had escaped and was probably being searched for. Still, his sweetheart of a partner didn't seem to mind the risk —just like she didn't mind his adamantium claws.

He was sitting on the couch, the fireplace lit up and casting a gentle warm glow over his face. However, his hazel eyes weren't looking at the hypnotizing flames, but at you. You were way more healthier than when Kayla had found you lost and scared out in the woods near the cabin, less sickly-looking. You were simply minding your bussiness, seated on the floor —on the warm and fluffy carpet— as you read one of the books that Kayla had kept from her early teenagehood.

"what're you reading, kid?" his voice was calm, soft, and with a bit of the usual rumbly tone it held. You looked up from the pages to the man sitting on the couch. "the princess bride" you spoke quietly.

You didn't speak all that much, short sentences and direct meaning behind them. But Logan still found himself humming along to your simple answer. "that one's good,"

"yeah"

"you met iñigo yet, bub?"

"uh-huh"

He found himself sporting a small smile at your responses, you weren't a troublesome kid you just had trouble opening up. But it was fine, he had all the time in the world to coax you out.

"you know what Kay' used ta' say 'bout him?" he asked you, his voice soft. Hoping to keep the conversation going for a while.

Your curious tilt of the head and the way you lowered the book slightly —subcounsciously— was enough answer.

"she used ta' say I was like tha man" he hummed, looking at you with a smile. His girlfriend did use to say that he reminded her of the spanish henchman.

A beat of silence. A wrinkle in your brow and your nose scrunched up. "you're way better" was your quiet response before you went back to reading.

He would never deny the way those words made the rest of his day, and his week, and his month. He didn't even know it yet, but when the day came that all of him but blurred parts was lost, he'd still remember a girl telling him he was way better than the swordman.

___

DOFP!LOGAN HOWLETT

Yes, he had traveled back in time to save the future from the centinels. And yes, he was on it. But while Charles and Hank tried their best to track Magneto to get him to collaborate, he decided it would harm no one to have a bit of fun with this version of you.

He knew you in the future, and you were the dictionary description of a real woman. You knew your abilities, had self-confidence, and had that damn smile that could challenge the sun. But, right now, in the past, you were nothing but a feisty 15 year old that he was having the time of his life bothering.

He walked through the empty halls of the lived-in School with that confidence and 'no-one-can-sweep-me-off-my-feet' attitude he carried everywhere, his tinted aviator glasses resting idly on the bridge of his nose. He was in search of you, and he knew exactly where to find you.

He opened the door to your room with his usual carelessness, not even bothering to knock just for the sake of annoying you, and laughing —loudly— at the way you almost jumped out of your skin.

"Logan! fucking god-!" you screeched from your place on your bed, hand grabbing at your chest. "you almost gave me a fuckin' heart attack, you asshole!"

"yeah, yeah, whatever you say, bub" he laughed, shaking his head in amusement. Before his eyes fell on the pink —glittery— notebook open wide infront of your crossed legs. "ohhh, and what is that?"

He smirked at the way you scrambled to close the thing, pink gel pen falling to the covers without a sound, as you clutched the notebook to your chest. The words written on the cover exposed you. A diary.

"nothing!"

"is that a fuckin' diary, bub?" he snorted, walking over to the bed with an amused smirk on your face.

"no it is not!"

"yes it is"

"no"

"yes"

"nah"

"yeah"

"nuh-huh" you shook your head. "yeah-uh" he replied, noding his head with a smirk on his face.

You two stood in a silent stare competition for a few seconds, but he had reflexes way better than yours and much more strenght aswell. And he ended up snatching the pink notebook from your gasp. "HEY!"

You were quick to scramble up to stand over your bed, trying to pry the glittery item from his hands as he kept dodging your hands with mocking ease while he opened it on the last page. The page you had been writting about him. When you saw his eyes start to read the words written in girly pink you sighed, a red hue creeping onto your face and growing more and more intense with each second that passed before he looked up at you again. His smirk had turned even more cocky and smug if that was even possible.

You groaned loudly before dropping back onto the bed, pulling a pillow over your face. "you think that 'bout me, bub?" you groaned in embarassment as an answer, getting a deep chuckle in return. "yeah, well, I appreciate you too, ya little feisty thing"

Your embarassment eased up a little, knowing athat at least he was not going to ridiculize you over the way you had written about him and the way you wanted to be like him when you were older —the way you held him over a gold pedestal. AS a role model.

"but, let me tell ya a thing real quick" he added. You heard the sound of him closing the diary and placing it safely on your desk. Then the bed dipped slightly. "when ya grow old, don't be like good ol' me, be like you. That's how I met ya in the future, remember?"

Just when you were about to pull the pillow off your face, and thank him, he went back to his jerk behaviour and decided to playfully suffocate you for one or two seconds. "I'm still gonna make fun of ya, though" he added. You could hear the smirk on his lips as you groaned a loud "fuck".

___

PATCH!LOGAN HOWLETT

You had gotten admited to Xavier's School for Gifted Youngsters when you were a kid, finding a family closer than the one bound by blood. If someone, anyone, had told you that you'd be going on missions with the X-Men when you grew a pair you wouldn't have believed them.

But right now, you realized that maybe you did aspire to be someone in the hero world. Especially when it's the Wolverine —the X-Men— the one taking you with him on his side quests.

It wasn't beacuse you had some kind of insane, min-blowing mutation that made you invincible, nah, not really. The thing was that your mutation allowed you to locate mutants and perceive their powers and level, and that did damn come in handy when it came to tracking down the targets of his missions.

And that's how you had endedp up staying in a hotel room with Logan in Madripoor. The city of crime and casinos.

You were currently all dolled up, pretty as ever by his side, with a fancy white dress with black buttons that matched his white shirt and his black eyepatch. 'Patch' is how they knew him here, one eye hidden beneath black cloth and his characteristic cowlicks slicked back. He was hidding his identity quite well.

You two were at one of the fancy casinos on the highlife streets, 'lady luck' they called it, and Logan was hoping he had enough of said luck to catch the target that frequented the place before midnight —you had a damn bedtime he was always going to stick to.

Seated at a poker table with some greedy men surrounding him, Logan had you seated prettyly on one of his legs. Holding his deck of cards with one hand while the other was firmly planted on your hip, so no dirty rich man got any 'brilliant' ideas.

Your young eyes were moving from place to place, admiring the fancy decorations in rich reds and golds. Looking at the pictures of famous people that had visited the place hanging from the walls, the gorgeous chandeliers and oogling the pretty dresses the women there wore. Logan thought it was cute how shy you got when one of those women caught your gaze and smiled your way, waving sweetly, but what wasn't cute was the way you were getting distracted. And not because of the mission at hand, but because he saw the lascivous glances sent your way —those perverted men made a low growl start to rumble in his chest.

"Eyes on me, sweetheart. Can't have you gettin' distracted here" he explained in a low tone, not even taking his eyes off of his deck —intending on at least winning the game if the target didn't show up in the end—.

"that's some serious arm candy you've got there, Patch" one of the men in the table spoke up, pushing a few more red coins on the table to to add up to his bet.

Logan growled, his hand suddenly tightening up on his hip, squeezing you to his side. "with all respect, I'm not a sex toy, mister" you huffed, frowning in disgust at the man.

Said man quirked an eyebrow at your 'attitude' before looking back at Logan, as if epecting him to scold or chastise you for speaking up. Still, he was only met by a grumble of Logan and a shoulder shrug.

"you heard the girl, she ain't no sex toy" he hummed, adding another few gambling coins to the pile in the middle of the table. "so stop tryin' to fuck her with yer eyes or I'm leaving you without 'em"

The man fell silent after that, probably a bit intimidated, while you just sat there kepon his leg and kept your eyes on his deck. You knew that if you were obedient and let him concentrate on winning this game he'd let you order as many sweets as you wanted from the hotel service. And you were really looking forward to those chocolate cookies.

___

WORST!LOGAN HOWLETT

You thought that the worst scent of all was the scent of blood. A sickeningly cloying and metallic smell that whafted into your nostrils and forced your mouth to taste of iron, so strong it was dizzying more often than not. But, lately, you've started to repulse the scent of whiskey much more.

You hated the way that alcoholic brevage clung to him. To every cell of his very being. To his breath, his skin, his clothes, everything smelled like whiskey. It wasn't a particularly unpleasant smell, but just like blood it was the thought of what came behind it, was it corpses and death or drunkeness and slurred speeches.

You both had managed to crash in an old appartment that used to belong to Cyclops before, well, his death. Except you weren't allowed to call it that, as long as you were in Logan's presence you had to talk about it —think about it— as 'the accident'. Who could've guessed he'd end up drunk out of his mind on Jean and Scott's old queen-sized bed.

He doesn't know how long he's been laying on that bed, drunk off his ass, he just knows he's sober and awake now —and without a hangover thanks to his metal bones. It's half past 4 in the morning, and he just sits there for a moment as he tries to make out what has woken him up. He waits for a few seconds before he hears the creacking of the wooden floor of the appartment coming from the kichen.

You. He doesn't know why he jolts out of bed, almost loosing his balance and falling face-first to the floor. You two are in an appartment in the city centre, you two are safe, but just the thought of you awake at half past four in the morning has something in him stirring and clawing at his insides.

"bub?" his voice is rougher than usual due to sleep, raw with the disorientaame with waking up so abruptly. "bub, s'that you?"

He blindly reachs for the doorknob to the small kitchen, pulling the door open to reveal you there. In the middle of the kitchen. Still in your pyjamas and looking as sleepy as he did and with a mug in your hands. He looks to the side slightly, spotting the bottle of milk on the counter and the opened door of the microwave. Oh, so that was what had woekn him up, the beeping of the stupid microwave.

You stood there, like a deer in highlights, with your mug of warm milk in your hands. You weren't about to admit to him that you were still childish enough to believe a warm glass of milk would send you to bed after a nightmare.

"what-?" he started, rubbing a hand over his face. "what're you doing? it's fucking 4:30 a.m, bub" he groaned tiredly—pretty much using the doorknob as support for his sleepy body.

"I-" you breathed out, voice groggy with interrumpted sleep. "-wanted a glass of milk" you mumbled, cringing at how childish you sounded.

His gaze seemed to both soften up and clear up at your words, and he found himself walking past the fog of sleep that his worn out brain was still trapped in, to join your side and close the microwave's door gently.

"nightmare?"

"yeah.."

"you want a hug or something?" he suggested, not really knowing what to do.

"yeah.."

And with that, one big arm was drapped over your shoulders —a bit awkwardly but still— while you sipped on your warm milk. His free hand reaching up for the liquor cabinet, yet stopping when he caught the way you looked at him. He sighed at that, redirecting his hand's trayectory to the cabinet next to where the alcohol was kept, and grabbing a bag of instant coffee.

Yes, you hated the smell of blood. And yes, you hated the smell of whiskey even more. But you could get used to the smell of cold winter nights shared over a glass of warm milk and a cup of coffee.

[zeevoidlight]

what's the deal with these two...

Seriously. Why is the suspicion and joking of their bromance even a thing that exists (outside of just shipping for shipping's sake and ppl making every male friendship a secretly frustrated gay relationship). Is it even a thing?

Do I ship Goku and Vegeta?... yes.. yes I do, I confess myself as part of the problem. But I feel is fair that in a show like Dragon Ball where there's sexually mature references and themes at times I can give myself the freedom to wonder. So i'mmana talk about two pivotal moments that marked a before and after for both of them together as a team: their Majin saga match and the fusion.

//////

As far as the show goes, there's not really much to go off of. They clearly both have their wives whom they both love very much, children, they love to battle and test themselves, they are bros (now at least), rivals for life, they better each other by challenging one another to get better.

On the other hand my autism tells me that that's not the whole story. Because I normally don't like to take things at face value when i can see more.

Is interesting to see how both, Goku's compassion and respect for Vegeta, and Vegeta's (albeit unhealthy) obsession over Goku, the fact that they were also the last of their kind and the only ones that could compete with each other to fight between themselves and against others (discounting Gohan since he always slacked on his training and wasn't really interested on fighting), the only ones that could understand how the other felt as being pure blooded, that Goku had a living example in Vegeta of his true origins to learn more about himself (like a walking Saiyan enciclopedia), that Vegeta had in Goku a new purpose in life (until he realized what he had with his family as well), all of that with time combined to create a dynamic where they both felt comfortable with each other, it made them be naturally closer than the rest of the cast (even if it was in rivalry terms). They famously became companions, with time forming friendship/friendly rivalry and some could even see them now being akin to brothers. Something that as much as Krilin was Goku's life long friend and will be forever he could never really fulfill all that Vegeta came to develop with Goku. And in a way I don't think anyone can either.

But there's also an important note to make about this relationship/friendship. Vegeta is the one that gives it more meaning than Goku does (at first). I feel like Goku is simply being his loving caring happy free self, while Vegeta takes it personal and takes so much weight on what Goku says and does and how it affects him (like Goku is just vibing while Vegeta is oozing jealousy towards Goku). As he later puts in words in Super (Granola arc i think), Goku is an egotist while he himself is an egocentric. And that difference is important to get to the point because from now on for a while the question is "Why does Vegeta".

Why does Vegeta put so much weight in their fight in the Majin Saga that he's willing to kill innocent people again just to have a match with Goku (going with the latin dub again since is more accurate to the original japanese one). And it isn't just about his ego, is about what he doesn't say as well.

Why is Vegeta the only character that is so against fusion, with Goku specifically because he has only fused with him and we don't know how would he react to fusing with someone else if it's needed.

Why is Vegeta so averse to touching Goku. At least after their fight and after him dying in the Majin Saga and once he is allowed to go back to Earth.

Why on the brink of the universe destruction was Vegeta acting like a cheated on girlfriend when he discovered that Goku had a new transformation and didn't told him about it (I would be mad at him too to be fair but i also understand why Goku wouldn't want to do so and he did it to not hurt Vegeta's feelings and have a good time under fair conditions. he gets half a point for the sentiment).

The Majin Saga

From all the examples people like to pull up when trying to argument sexual tension between these two there's only a few that I feel have some significance. And I can tell you when did it cooked enough to be a possibility. And that is right when Goku announced he was going to go back to Earth for one day and one day only, presumably forever. That's where something started, but it was brewing since Goku died to Cell and Vegeta lost Goku, his purpose, his obsession, his will to fight, and entered a depressive episode that lasted 2 years (aprox, since Bulma tells Chichi that Vegeta had been training for the last 5 years in the 7 year time skip). He honestly was a mess of a person right around that time. He couldn't even call himself a warrior under his own standards, he was trying to cope with the fact that he messed up with future Trunks and would have to change with his own present Trunks, he got stuck not being able to prove himself, etc.

Once he knew Goku was coming back he just had to do anything in his power to fight against him again, no matter what it took (he looks so excited too, that's cute). His entire meaning as the person he perceived he was and his meaning as a warrior and Goku's foil depended on it. He actually was in good terms with Goku up to here though (while in the Cell saga he was pretty much amicably antagonizing Goku for the most part, and the other spent feeling jealous). Agreeing to the tournament rules, being patient, enjoying meals together, bragging about his kid. But after realizing that they might not have their match because of Supreme Kio's pink menace, nothing else mattered, not Bulma, not Trunks, not the Earth or the universe or everything he had been building for so many years without Goku. Goku was the single catalyst for his relapse. Like... how is it possible that fighting with him and proving his worth is more important that it's been a rock in his boots for years now. But ok, he's a warrior so I can understand why, also because he was going through a Major (with capital M) identity crisis where he's trying to negate his newfound value in his family and new home while thinking that is what was making him weak, though he never really believed that since he knew Goku never needed to be cruel to surpass him, it was just a jolt reaction to not knowing how to handle it, and Goku could see through that very clearly by asking him if he really believed that bs about feeling good by being cruel and being a slave of his own mind.

But the thing is that during their fight it is clear that more than winning (which he would have enjoy to no end if they finished their fight and Goku didn't had a new plot convenient powerup hiding under his eyebrows again, though that wouldn't have helped him to grow), both were very much enjoying the act of fighting (since Goku said he wanted to end the fight soon so Buu doesn't get the energy but he didn't because he could have used Ssj3 and end it quite fast), Vegeta fighting against his previous rival now a bit more than that, Kakarot. Battling with him in perfect synchrony in an equal fight because what Vegeta actually wanted with the Majin Magic was to close the powergap and convince himself he had an excuse to not feel remorse because of the magic. And i say that because before Goku dying to Cell he really saw him as competition, but after he lost him i feel that alongside his remorse and embarrassment for the disaster that was that saga, in part because of his gigantic ego, he must have felt alone, now truly being the last pure blooded Saiyan alive and not in condition to call himself a warrior anymore under his own standards. And although he had Gohan, which he respected a lot because of his courage and his immense power, it was not the same since Gohan is a pacifist and didn't had the same passion for fighting like a pure blooded Saiyan so he wasn't even training. So by the time of the Majin Saga and once Goku came into the picture again I think he subconsciously regarded him differently and he ends up realizing it during their fight (although he doesn't vocalize it).

During their fight there's a specific moment. After Goku throws Vegeta to a cliff-side and he makes a hole in it to liberate himself with his ki, Goku comes to him and they both get very close just floating in the air and powering up, looking at each other. Vegeta is beyond pissed, Goku taking the fight very seriously. Then Goku smiles to Vegeta challenging him and showing he's enjoying their fight, and Vegeta relaxes for a moment changing his attitude and showing a smile back to him in empathy, sharing to him that he is enjoying it too and wants to challenge him back as well.

This whole fight is Goku's way to show Vegeta how much he actually cares about him and his well being despite what Vegeta might have believed up until then, how much he respects him as a warrior and an equal too, even risking Earth and Majin Buu's return. He did the unthinkable and menaced Kaio Shin with death if he dared to stop their fight, which Vegeta sure noticed and even reacted with complete disbelief. As Supreme Kaiosama says to Gohan and the others in the wasteland: "we cannot do anything about it. Fight until you can calm your hearts", because even Kaio Shin knew that they weren't going to actually kill themselves, they just had to talk (while fighting).

I know a lot of people joke about Vegeta being a repressed homosexual (or technically bisexual because y'know there's Bulma) because of his legendary obsession with Goku, and i'm not saying he is, but this fight is charged with sexual tension, mostly on his part, among other things of course. And is interesting that Vegeta, ever since the Namek experience (which was the first time in his life he was emotionally vulnerable to the point of breaking entirely), is the most emotionally fragile of the bunch and an unstable character. He feels everything very intensely like an open wound, and reacts in the same way while trying to hide under a curtain of pride, ego and his title of Prince (I mean, he's the one that actually openly cries the most out of frustration after Namek, just for starters).

Goku knew what he was getting into by agreeing to fight with Vegeta. He wasn't going to just let them set the score, he was going to give Vegeta the most intense therapy session ever by letting him discharge all that literal energy and anger, guiding him through his thoughts, playing by Vegeta's rules. Help him overcome whatever he had been brewing in his mind since they day they met thinking on where was the moment everything went wrong for years, so he could move forward...

And then... this happens...

... I don't think anyone expected something like this to even be a thing that he could do as a power that we will only see one time ever in the entirety of the show from him and is in here, lol. And not long ago I watched a semi abridged semi analysis commentary video on the fight and yeah, we coincide that there was something else going on here at the same time. Vegeta got a little too excited... He got rock hard by too much adrenaline (or testosterone, endorphins... i know science ok?), lol. And I didn't mentioned it but being that Saiyans were a warrior culture there exists some real life relation of warrior societies (like greeks, romans, spartans, norse, some aztec societies) and homoerotic practices as part of that philosophy and way of life. Fighting is everything and everything revolves around fighting. And finding a brother in arms could develop into something else (call it love or getting physical or whatever) out of admiration, or from hyper-masculinity with the purpose of dominating the other and demonstrating power by physically making every other man your peach and the others are like "wow, a man dominating a man? that's so mainly". And i'm not saying that that was part of Saiyan culture, just that there might be some similarities with what we're seeing.

There's a fine line between pain and pleasure, hate and love, fear and excitement, rivalry and attraction. And in moments of intensity where both opposite feelings collide can produce an equally intense and confusing response. We know for sure Saiyans by nature often confuse fear an excitement, and rivalry with attraction at least, like Goku when he confesses his motives and feelings on his first fight with Vegeta. And here Vegeta is going through a rollercoaster of emotions, and given that he is the most emotionally charged character it can go all places.

So, Vegeta tells Goku if he pretends to defeat him quickly as he said, Goku responds that he's trying to do that, and Vegeta asks if he thinks he can do it *slap slap* (the disrespect). He's trying to provoke him but the way he does it is kinda similar to what you'd do in a sexual encounter since he's not really hurting him too badly (which is really funny). And I'm pretty sure he wasn't thinking about anything sexual, just pure anger towards our buddy Kakarot, that doesn't change the fact that he did just lost his marbles to blind rage and wasn't thinking at all, just feeling intensely and acting freely on it. "Listen... don't you think this is enough humiliation I got from your part *hit hit punch hit*. This attacks are not enough to set the score. How is it possible that a Prince of Saiyans, that possesses such a great pride, was humiliated by a warrior like you (In the English version there's a series of flashbacks with dialogue but that's not a thing in the japanese and latin version so he continues...). What saddens me the most is that you saved my life, worm (he's referring to way back in the saiyan saga when they first met since for a warrior is way worse offense to get their death in battle denied since he now has to suffer all what he's been through for the simple fact of having been spared=being an embarrassment). You deserve to die! I'll break you to pieces right now! I'll start with the arm...".

((You got this guy having Goku in all tied up to a rock, legs spread out, slapping Goku in the face, talking about "not being enough humiliation", and saying "this attacks are not enough", all emotionally charged and intense with his obsession of a rival, high in endorphins and adrenaline, from a warrior culture, that even back in the day I was like OH MY GOOOOD!? What is he going to DO?!!... He wouldn't do it, would he?... The Buu saga was a return to form to OG DB's general feeling and tone, and if it was OG DB this scene would be absolutely interpreted as having that kind of hidden meaning even if nothing would have actually end up happening, though is still a very bold move in terms of sexual themes, just like that scene in OG DB with Bulma and the two RR soldiers. I was sweating cold, that when I heard him say "I'll break you to pieces right now! I'll start with the arm" I was like OH THANK GOODNESS he's just going to mutilate him... NO, WAIT...)) (also, notice that Vegeta is technically fighting a ghost because Goku is already dead).

Unfortunately for Goku though Vegeta didn't share the safe word and he had to free himself so he wasn't actually dismembered by the intensity of Prince Vegeta and they continued their fight, once again Goku leveling the field into a in a less emotionally charged more equal fight all things considered (while also mutually complimenting their fighting prowess). They talk again and Vegeta admits to him that he understands that he's never going to surpass him because Goku is more skilled at fighting, now getting into the real meat of the matter with him and his frustrations.

We get to Vegeta almost breaking in tears again, torn by the realization of his situation confessing all about how he wants to be who he was as a warrior and how he cannot cope with his new life on Earth having all this new feelings for his family and being passive that make him feel like he is not himself. That he wants to be ruthless like before because what the hell is even being anything else, that's a thing of weaklings. Which tells a lot about how he still doesn't know how to function outside of conflict and his deeply rooted self image since childhood. I mean... this kid (Vegeta) doesn't know anything other than living in conflict, constant stress, anger, and feeling in danger all the time before and during Frieza. He was around 31 years old when he could finally be free. And to me it says that it almost feels to him like he's afraid of disappearing as an individual if he cannot go back to being something he recognizes and is familiar with as he doesn't recognize himself being something else underneath of what he's saying. A who that is completely opposite to what he has ever known. Is something some people that had lived through a deeply traumatic upbringing experience. On top of it being a Saiyan it must have been really confusing and difficult because their nature and culture is nothing like that of earthlings, Saiyan's are naturally built to fight, but Goku is the only one that could probably understand that in some capacity as pure blooded Saiyan that managed to adapt to Earth. That's why he is the only person Vegeta can trust with this information, and because Vegeta genuinely trusts him. With no one else he has this level of openness, probably not even with Bulma.

And i love how Goku doesn't give up on him though after everything and he is still willing to listen and help. Without his help here Vegeta wouldn't have confronted and put into words his reality to later internalize it and fully embrace his love for his family, fully embrace his feelings, giving Trunks later his first hug. That was all Goku's doing.

Of course things happened since they were still in the middle of total annihilation at the hands of the strongest pink ball of bubblegum. and from this fight and his explosive sacrifice/ acceptance of his destiny, going forward Vegeta actually starts acting a little different. A lot more relaxed with Kakarot, more open and sincere, more focused on helping than competing, more agreeable (without betraying his character though) and no longer ignoring or being embarrassed of his feelings for his loved ones (like we see when he gets convinced by Goku to do the fusion using Vegeta's love for Bulma). And I'm pretty sure he felt grateful and in debt to him. Not only for his help with unjumbling his feelings during that fight but for everything he's done for him since the day Goku spared his life way back in the day (as we see him asking to Piccolo if he'll get to see Goku in the afterlife just before he sacrifices). A real true honest best friend/rival for life (like we see evident in the movie Fusion Reborn, which is supposed to happen after his sacrifice in an alternate timeline where both Goku and Vegeta die and Gohan is the one that defeats Buu).

Though he still was being a bit stubborn about wanting to fight Buu himself in the anime, but in the manga he just doesn't charge head first into trying to battle him, he just doesn't like the idea of fussing with Kakarot.

Then the fusion thing...

The thing about the fusion is that Vegeta usually never wants to do it because he's embarrassed by the dance (which yeah... that's absolutely fair) but this is not the metamoran one, is the Potara, and they don't need to dance. His usual complains then change to "I just don't like to be fused with him" or "I don't like the idea of uniting bodies with him" when they have to do it later (either in canon or movie, though the "I don't like to use shortcuts to fight" frequently comes as a reason but is always after they already did the fusion). And I don't know how doing a fusion with someone would feel like but the Potara at least has two ways it can go. For the Kaios just one person becomes the main, getting some physical characteristics and power of the other, and the other becomes dormant, just one person gets to be conscious. But for mortals, both actually remain conscious and they both "live" inside the body of each other as one new combined persona who is a combined identity, mixing mentally and physically, sharing memories, thoughts, feelings, everything in unison either the other wants it or not because when they are fused they are cooperating in a single brain so they think the same under this persona even if later they have separate thoughts on the same thing when they un-fuse. One example of how the logic of it is is in the Super Super Hero movie, where right after the battle with Cell Max Gotenks makes a comment to Bulma and she says "that was Trunks, wasn't it?!", and Gotenks panics and they separate, implying that even if it's a combined identity they still are conscious inside separately and can "influence" their thoughts to act more like so or so, like there's a dominant consciousness guiding the other at times. The fusion is even better actually if they are rivals because they get the rival boost. So is not too crazy to think that some would consider it a very intimate act, even more because is permanent (until the retcon), which Goku is so considerate to tell Vegeta at the very last minute and he's like "WTF!" and Goku is just down with it while Vegeta is regretting ever meeting this guy but does it anyways.

And we have seen other characters combine but they don't think much about it, Trunks and Goten specifically just find it fun because they are best friends and just think about having the time of their lives beating up the bad guys. But I think Vegeta specifically does feel like it's something too personal and intimate that requires a lot his will power to do. His concept of it is different for a lot of reasons that all derive from being a very reserved person in general in many aspects, so he is trusting his entire being and accepting opening to Goku here, and to a degree loose control of himself in an give-and-take act, because he is not silly like Goku but under the fusion he is going to be and act silly alongside him because there's no me and you under it, even switch his brain into feeling it's natural. Same with Goku and being more cruel and mock their opponent more even if he usually would feel is something he wouldn't do.

Ultimately and reluctantly Vegeta agrees for the sake of his loved ones and saving his new home, which is wild to me because he does sacrifices everything he is with the fusion being permanent since just a few hours ago he was just accepting himself as an individual. The pressure was really high.

Goku certainly didn't thought much about it though, just another way to become even stronger by cooperating with someone in a new way for the purpose of saving Earth, and simply not loose the battle for the sake of not loosing itself. He considered his options with others purely strategically without thinking what it could mean outside of that for him as an individual in that moment, because he did understood that if he fused with Gohan for example he thought for a moment if that would mean he would have to go to Gohan's school after they win, but in that moment he was definitely panicking for options just to win the battle and then later he could think about the consequences, as always (he was seriously considering fusing with Mr Satan permanently at the lack of strategic options! How desperate and out of your mind can you get!).

Out of all people it was better if it's Vegeta when he detected his ki of course, because the power boost is much greater to save the Earth and he considers him different at this point, someone he likes better as a selfless guy after his valiant sacrifice. He's so excited when Vegeta accepts because it means so much, it's the demonstration to Goku of his turn to an actual good guy, fighting for others and not just himself, and he's so proud. And the result of the fusion is this very playful, sassy confident and cocky warrior that we all know and love because is the best thing ever and I don't have Vegetto favoritism.

But something did changed in both of them after the fusion. I know is an anime only thing for better pacing (at least until Super came and made it a thing again in small ways of its own), but after the fusion thing Goku started to unnecessarily get into Vegeta's personal space more (I mean, I don't think there's anything more intimate than fussing and you'd have to get a level of trust and understanding with that other person like with no one else ever afterwards regardless). Like, I like that when they do the cheek to cheek attack, which again was completely unnecessary, Vegeta feels dirty about it, even muttering to himself "He's an opportunist...(as in like, Goku was sexuality taking advantage of him) I would have preferred the fusion" and Goku asks him is he's finished blasting Buu bits and Vegeta recoils and yells "Don't get close to me!". (In the manga there's not really that much fuss about it when they separate, they just get to work and directly from separating to Buu's brain).

The fusion represents the pinnacle of their growth together as fighting partners (and partners in general). Probably even more than that at this point for how much they share as rivals and how much they understand about each other above any other person, including their own wives in some regards for all they have gone through on things only they can share between themselves like their love for battle.

And if they both were friendly before while still keeping their cards up, now is when they start to act more like brothers and cooperating. Goku with his power and techniques and Vegeta with his strategic planing at the end of the Buu saga. Goku even becomes more playful with Vegeta, even sharing funny moments together. And as pointed out, I believe the fusion made them know the thinking, memories and intentions of the other to a degree.

This is the turning point for Goku as well regarding accepting his heritage as Saiyan. Because from then on he also accepts the values of the Saiyans as warriors (when before he would be more likely against it) and accepts feeling pleasure in having a good fair honorable fight without aid and relying only in his strength and talent just for the thrill he gets of it (much like what he felt as a child/teen), which he demonstrates by breaking the second pair of Potara earrings while Vegeta responds by telling him that he's so proud of him for going into the fight the Saiyan way. Also from then on others start to recognize Goku fully as a Saiyan (so much is the influence Vegeta has had on him that in the Super Broly movie Goku introduces himself to Broly, a fellow Saiyan, as Kakarot first over Goku).

Now, about Vegeta with the fusion, if he wasn't too sure about the fusion first, now every time the fusion is required he almost feels violated by the suggestion (which right before the kid Buu fight he actually didn't mind fusing again and kinda wanted it in the anime while this wasn't in the manga but ok). And of course, if he didn't had much thoughts on getting close and personal with Goku when battling because it meant nothing (like the arm riding in the Saiyan saga and their almost gory bondage session prior), now he recoils from him in certain situations (it... also didn't help that the first time they fuse they went dick first...).

Also also, there's a moment in the manga when Goku is fighting kid Buu in Ssj3 where Vegeta tells Goku that he guessed Goku was fighting overtime because he never intended for Vegeta to have his turn (because if he dies he dies for real), and Goku says that is not that, that he is just looking for an opportunity to reunite his power for at least a minute, and Vegeta gets all tsundere, blushes and says "So... So you weren't doing it to protect me?!..." (lol, well, here's the latin translation but you get the idea)

And onto Super, they made this thing about Goku asking Vegeta to grab his hand in order to instant transmission but Goku knows very well that's not necessary, he could have said to Vegeta to grab his shoulder like others do but he wants him to grab his hand, and Vegeta gets all flustered and nervous every time as if people are going to make fun of him for being gay or something (since we are told by the Pilaf gang that holding hands is very romantic and a sign of being a couple, and something to be embarrassed about, although from a childish perspective of course but this information was set up for the audience when Trunks wanted to hold hands with Mai). Like... Goku, do you have something to share as well?

They later spent 3 years in the hyperbolic chamber at Goku's request... 3 years together just sparing in a void where there's nothing but infinity and them! (At most they had spent not even two weeks of net interaction prior to that in all the years they have known each other, mostly just in times of conflict and as enemies/rivals/competition, and now they'll spend three years doing what they both love to do the most in friendly terms getting to know each other, just the two of them, are you kidding me?!!) which again, it wasn't really necessary because as Vegeta points out that wasn't going to make much of a difference in terms of power because they are at their limit of what their bodies can achieve by just fighting, and three years is a bit too much. And Bulma even got jealous/angry about Vegeta accepting the invitation. I know Goku went around asking a lot of other people the same request before him, but also everyone in the room (well Bulma and Piccolo) suddenly were paying A LOT of attention in that moment he asked Vegeta and what was he going to answer.

And then! They come out like they did? Matching beards? Truly looking like Spartans for real?! I kinda want to wonder how that came to be. A dare? They broke the razor or what. Obviously the implication is that they got so into their fighting that they just forgot basic higiene those last days but like... I don't even have to try...

It's become such a well known thing that there's something going on that even in official material (not canon exactly but official) acknowledges it. Maybe Goku knows something we don't since the fusion happened but it goes a little beyond just a joke from his part XD.

And i haven't talked about it because contrary to Vegeta Goku is very straightforward, but Goku has no shame or filter. He does seem to display asexual tendencies, but he's either oblivious to sexual stuff at times and how it affects others, or does it on purpose because he feels not much about it but does know how it affects others. So that cheek to cheek attack could have been Goku being oblivious, or Vegeta was right and Goku took advantage of the situation to get close to Vegeta on purpose. He's also known since always to not really care about the social conventions of things. He's a good guy, but he's also reckless, impulsive at times, and if he wants something he'll just get it without thinking of what are others going to think about it.

In GT there's actually not too much, they just remain companions and friends for life...(Is just so cute and fulfilling seeing them being like brothers). Vegeta again reminiscing of everything they've gone through and accepting his role in the powerscale and being very freaking cute with Bulma, being such a dad and all. The highlight is the fusion again though, where Vegeta is the one that says he wants to do the fusion "So what have you decided, Kakarot. Are we going to do the fusion or not", to which Goku just laughs and Vegeta is like "what are you laughing at", and Goku responds saying that "I'm not laughing, I just feel happy because is the first time you ask ME to do the fusion", and Vegeta is just averts his eyes and says "I hate you...", lol.

Of course, the bromance tones might be just fanservice (I didn't knew that in shonen is actually very common but if it is that way I'd argue is exactly because of these two since they were the OGs). But either if there's something or not I don't really care much about that. Because as characters I have seen them grow so much and they have learn so much about themselves and each other that them possibly being into each other might as well be just another aspect they allow themselves to explore if they're down with it, with whatever canon or the anime presents us to see and guess, just like they have with their own families, wives, form friendships, discover new feelings, ways of thinking, how they have become stronger and how they have change the people around them, meta speaking as well. Because it does feel natural for them, like it didn't came out of nowhere or out of purely fanservice (which it kind of is but it does make sense). Either they are just friends, honorary brothers or something more I'm happy with who they have become thanks to each other. And the trust they have for each other is what is beautiful to see reflected. I'm so proud of them and what they have achieved. Now they are inseparable as the best duo in history.

And in my conclusions I would say that Vegeta might feel something towards Goku for how much he has helped him and how he has come to admire and respect him in levels unimaginable... in a spartan kinda way if you like and if he ever was down with it. And Goku is just Goku. He loves in a storge kind of way because that's what he does. He knows Vegeta to a T, knows what he needs, and wants him to be happy as well and become the better version of himself, to feel comfortable and feel loved too because he admires him as well, and if he can help him he will do so. Is not really a physical sexual attraction (which doesn't mean it cannot derive on one if you want and as we've seen, specially with Goku) but there IS attraction and love in a different way.

[bloomeng]

who r the yj in the magical girl au????? i saw some kon fanart but what about the rest?? (at least the rest of the core four)

So giving away company secrets here but originally I drew Tim and Kon for me and a friend. Tim’s her fav and she enjoys timkon, which isn’t to say that I don’t, I do too, but I’m more of a batfam person. But that’s the reason there’s a random Kon in the mix (I’m biased towards him).

As I went along I started to think about teams outside of just the batfam. So obviously the Justice League still exists. I think the Titans exist as well however I’m not 100% which cast to go with. Nostalgia dictates that I want to go with the 2003 cast but for some reason DC loves to pretend they don’t exist. Whatever Kory exists in the au no matter what. And ofc Young Justice exists. As of right now my plans are only for the core four, simply because I do NOT have the time. But trust me if I had infinite hours there would be more.

My current (ambitious) list:

Duke & Oracle

Discowing & Batgirl

Damian & Jon

Batman & Superman

Bart & Cassie

The Robins

Ivy & Harley (but with a twist)

If I can get through tthat list I have ideas for other characters. However I do want to draw something else eventually. I’m thinking that I might do a speed round where I sketch random character magical girl designs but leave them unpolished just to get them out of my system haha.

[physalian]

Segway Characters (Or when your protagonist knows jack about the story)

This is the protagonist of a sci-fi or fantasy world, generally a nobody who gets dragged in either by circumstance or by being the long-lost-something prophesied to save the realm. They know absolutely nothing about the plot, the other characters, the magic system, or the new world, the audience proxy that asks all the questions on the audience’s behalf.

I call them Segways (read; not segue) because they look dumb and you ride their ass through the narrative.

This is a very, very broad concept for a protagonist, everybody from a superhero origin story to Harry Potter, as opposed to a character like James Bond, an expert in their craft and a *seasoned protagonist*.

Segways usually aren’t a problem… until it becomes rather painfully obvious that they only exist to be the audience proxy to ask those questions, when another character could and should be the protagonist because they’re far more interesting, usually because the protagonist is way less cool and active in the plot than their constituents. Or, they’re a perfectly fine character, but the exposition dumping to them is sloppy and unrefined.

The difference between just a protagonist and a Segway is how smoothly they integrate into that story.

So.

—

Inception

I love this movie. It has inspired so much of my writing.

Ariadne is a poster child of Segway characters. Aside from the villain, Mal, she’s the only woman in the cast, and though Dom (DiCaprio) is the hero, Ariadne is his protege, the audience vector through which all the world mechanics and important backstory stuff is told. Every other character already knows how dream heists work and who Mal is, so explaining redundant information between experts would look weird—enter the Segway, Ariadne.

For what it’s worth, she’s not useless otherwise. She’s the new ‘architect,’ she builds the mazes the rest of the team runs through and is the innocent cinnamon roll dragged into problems that Dom created. Her name could not be a more heavy-handed symbol.

She’s active in the story and her perspective foils against Dom’s well enough, but Inception is a movie with layers and an infamous amount of necessary exposition to understand the story. Someone has to be there to ask all the questions the audience has. Ariadne unfortunately gets the lion’s share, instead of the script figuring out how to weave more of it into the interactions of the other characters. They spent so much time on the complex narrative it’s like they forgot about a layman audience and threw her in too late for a seamless integration.

—

Netflix’s The Old Guard is better than it should be, given its budget. I didn’t read the comic it was based on and have no idea if Nile’s character is the same in the original, but she’s another Segway with only one reason for existing in the plot otherwise: Andy’s got to pass the torch to someone.

Yes she comes to save them in the end and yes, her advantage in the story is being unknown to the villains, but she’s there, in this version of the story, so the other four heroes can info-dump to her about all manner of things from how immortality works to their backstories to the setup for the sequel the movie never got.

I just rewatched it recently and if the script just had two or three passes to tackle the exposition problem, it could have off-loaded some of the burden onto other characters, or better told it through action, and not just info-dumpy monologues. When the movie came out I remember a critic I like commenting that it could have been a more interesting story if it had been told from the sympathetic villain’s perspective (Not Dudley’s). As in, if he was on a mission with all his conspiracy-level research and dedication to track these people down, throwing out his own theories for them to then correct or something.

Like this, the story is just waiting for Nile to ask the right questions. Nothing is volunteered freely without Nile directly asking for it, because it runs into the same problem as Inception: Every other character already knows everything, and they wouldn’t exposit to each other.

—

A lot of isekai anime also do this. I’ve tried getting into older, tentpole shows like Sailor Moon and Bleach and Yu Yu Hakusho and I don’t know what it is about anime pilot episodes, even modern ones but particularly the old ones, the exposition dumping is atrocious. To the point where it feels like they all know it and are like “listen just bear with us and we’ll get this done fast and sloppy and get to the good stuff later”.

I just can’t. I think I made it 15 minutes into Bleach before noping out of there years ago.

—

Obviously all these movies and shows have their fans, but if you’re a writer struggling with exposition or noticed this trend like me, here’s some suggestions to avoid the need to info-dump, assuming you do want to keep your Segway.

Try not to give all the exposition questions to one character, and don’t wait for that character to ask, out-of-character on behalf of the audience, what’s going on in the story. Instead, let it flow more naturally in conversation and let the more experienced characters brainstorm with each other, or let the protagonist uncover some of this information actively on their own through other means, for variety’s sake.

Figure out a reason why these questions are necessary to the story in this moment. Why is the hero asking now, as opposed to any other time? You can also let the hero draw their own conclusions and have the other characters correct their misassumptions, feeding that information in a more natural way.

Give the hero more to do in the story beyond being the exposition vehicle right from the start. I don’t care if they’re the chosen one and the plot just falls into their lap, why are they the chosen one?

Spread out the exposition to come only when it’s necessary. Front-loading it can tarnish the immersion and overwhelm the audience, especially if it’s complex, or if there’s a lot of it. You can pepper it all the way through the story if you want.

If you really want to front-load it, you can go to the extremes and slap in a prologue or meta-narrative dump that’s fun and entertaining from a third person omniscient perspective. First thing that comes to mind is the opening 2D scene from Kung Fu Panda that covers a lot of ground. Go ham.

None of these characters are bad, I just think with a few more rounds of revisions and forethought, they could have been integrated better into their stories.

[jakesuit0]

What Was Missing Review

Finn is revealed to regularly have alone time with the wad of Princess Bubblegum’s hair she gave him in “To Cut a Woman’s Hair”. It’s essentially a PG version of a guy still holding on to their ex’s underwear for personal use. The allegory is pushed forward with Finn checking to make sure he is alone. Don’t get me wrong, this isn’t exactly shocking behavior for a thirteen year old boy, but it’s the first big sign that Finn’s crush is getting unhealthy after “Too Young”. It’s time to move on! Unlike “Wizard Battle”, I like the incorporation of Finn’s feelings, despite the arc feeling like there’s nowhere to go after “Too Young”. It’s not the main conflict in the episode, and serves to build to a climax in the season finale.

The Door Lord steals Finn’s gum, Jake’s blanket, and BMO’s controller. It’s hilarious that he only speaks in loud mumbles. He’s supposed to be related to Key-per from “The Enchiridion!”. The Door Lord steals a toy from a candy person and Finn reassures him “I’ll get your kid back, toy!”. The episode wasn’t originally written this way. Adam Muto misspoke when he was pitching the episode and they thought it was funny to keep it like that. Door Lord steals something from Bubblegum and attempts to steal Marceline’s bass axe. With Maja being in possession of Hambo, it makes sense for her bass axe to be her most important item. Finn, Jake, Princess Bubblegum, Marceline, and BMO have to team up to solve the riddle of the door. It’s great getting to see this group of characters together for the first time. It’s the entire main cast minus Ice King, and they get so few opportunities to all be together before Stakes. Their group dynamic is so fun too. The episode is set in Red Rock Pass, which is a really pretty setting to choose for a (mostly) bottle episode. 

Marceline chastises Bubblegum for not executing the door lords, as they kept breaking out of jail. I’m not sure if PB is really above just killing them, considering all the fucked up stuff she’s done in the past. But, killing might be a bridge too far for her. I know she committed robot genocide, but I argue she didn’t see them as sentient beings. Jake decides to pretend to be the jerk in the band. Since Jake doesn’t have a grand emotional arc, this is a funny role to put him in. Marceline starts singing “Just Your Problem”:

-“I’m gonna drink the red from your pretty pink face”. This pretty much gives the game away about PB and Marcy not being platonic. She’s singing about kissing and biting PB. 

-PB calls it “distasteful”, causing Marceline to accuse her of just not liking her. This ties into PB not liking Marceline’s behavior when she got more and more consumed with her princess duties. Marceline became well aware of this by their first mission to the Glass Kingdom (“Oh c’mon, you love it.”). 

-“Sorry I don’t treat you like a goddess. Is that what you want me to do?” She’s calling out PB’s god complex. Marceline assumes Bonnie thinks she’s better than her, like how she sings “you’re self-obsessed and all the rest” in Distant Lands.

-“Sorry I don’t treat you like you’re perfect, like all your little loyal subjects do. Sorry I’m not made of sugar. Am I not sweet enough for you?”. Marceline thinks Bubblegum demands absolute loyalty from everyone as she does with her citizens. She thinks PB would prefer Marceline to be a dum dum juiced moron that never questions her. We don’t know if Marceline is aware of the dum dum juice, but I like to think that she’s partially referring to that. It also relates to Marcy viewing PB as a dictator as she sings in “Woke Up”. She thinks PB wants her to turn down her edginess and be sweeter, like when she wasn’t taking the situation in the Glass Kingdom seriously, something I’m sure wasn’t an isolated incident. 

-I’ll lump together “Is that why you always avoid me?” with the later line “I forgot what landed me on your blacklist.”  Some people question why Marceline wonders this considering her singing “Woke Up” is the obvious answer. I think she’s partially referring to PB’s actions before their breakup. Bubblegum grew more distant as her responsibilities grew, something that confused and hurt Marceline. PB talks about this in “Varmints”. She’s also referring to PB being cold to Marceline for centuries after their breakup. Even when they were around each other in “Power Animal” and “Video Makers”, we don’t see them talking. Bubblegum was very dismissive of Marcy in “Go With Me”. This is partially Marceline’s fault, as she can be really rude and mean to Bonnie, as seen in this episode. 

-“I shouldn’t have to justify what I do.” Marceline doubles down on acting the way she thinks people perceive her. If people think she’s a monster, it's less painful for her to embrace it. This is something she picked up on from thinking she scared her mother away.

-“I shouldn’t have to be the one who makes up with you so why do I want to…” Marceline thinks that since PB is the one who pushed her away, PB is the one who should take the initiative of making things right. There is some truth to this, but as we see in “Obsidian”, they are both more at fault than Marcy is willing to admit. The faces on the door glow brighter and Marceline gets closer to the truth. The truth is she wants to at least be friends with Princess Bubblegum again. That’s the real reason she joined the group here. Reconnecting to PB is something we’ll see her try to do in episodes like “Sky Witch”, “Princess Day”, and “Varmints”. 

The song itself slaps. “Just Your Problem” is super popular, so much so that tons of non-fans know the song. A big reason being that it’s probably the most relatable Adventure Time song ever. A lot of people have friends and lovers that drifted away from them or became downright cold to them due to their differences. Rebecca Sugar even based the song off of her experience with a roommate. Princess Bubblegum’s face during this is also pretty telling. She was definitely having flashbacks to the last time Marceline humiliated her with a song. PB’s face turns to shock when Marceline is on the verge of revealing she wants to make up with her. I don’t blame Bonnie for not realizing this. Marceline’s general nastiness towards her, and of course what she said about her while singing “Woke Up”, would give PB the opposite impression. 

Finn doesn’t fully grasp the tension between PB and Marcy, but is able to diffuse the awkwardness and get everyone (besides Jake) to have fun together. I also like how sweet Marceline is to BMO, gently calling him “baby”. I like PB’s quirky attempt at a science based song, which is more fitting for her than singing her heart out like Marceline and Finn. Her song fails and Marceline uses it to antagonize PB. She fixates on Bonnie’s failures as she feels insecure in her presence. The words “monster trash” are definitely echoing in her mind here. Marceline is still really nasty to PB. A lot of it feels like unwarranted bullying without the context of future episodes, but even with the context, it still feels that way to an extent. Spitting on PB is pretty inexcusable and Bubblegum is totally right to walk away after it. Their conflict boils down to Princess Bubblegum’s ego and Marceline’s insecurity clashing. I also like the detail of Shelby slithering back into Jake’s smashed viola. 

As a final effort, Finn sings “My Best Friends in the World” after realizing the key to the door is the truth:

-“Am I a joke…?” Finn worries that Marceline doesn’t respect Finn, and perhaps only hangs around him because she enjoys messing with him. This is an understandable fear with episodes like “Henchman”. It’s still fundamentally untrue, squashed by the end of “Henchman” and in “Heat Signature”. There is no denying, however, that she loves trolling Finn. She likes messing with everyone, Finn’s young mind just makes him an easier target.

-“...your knight…?” This could be taken to mean Finn wonders if PB only keeps him around, and entertains his advancements, just to use his service to the kingdom. It’s true that Bubblegum employs Finn a lot, and isn’t above manipulating him for her benefit (“The Other Tarts”, “Too Old”, “James”), but she still genuinely enjoys his company whether they are working or just hanging out. He might also just be referring to this positively, as her knight in shining armor.

-“Do you look down on me because I’m younger?” All of Finn’s closest companions are older than him, and it makes sense that this weighs on him. Even Jake, who is often close to Finn’s level and acts as a best friend, also often acts as his parental guardian. This line applies most of all to Bubblegum, given how recent “Too Young” is. The events of that episode are still raw for Finn, and PB’s behavior to him after her age was restored came across as condescending and dismissive. 

-“I just wanted us together and to play as a band. Last night was the most fun I’ve ever had.” Finn loves getting to finally hang out with everyone he loves together and feeling like part of a family.

-“Even liked it when the two of you would get mad at each other.” Finn prefers honesty between friends, and appreciates seeing their more vulnerable side as they are usually more closed off from their true emotions in front of him.

-“You are my best friends in the world. And that’s right, I’m talking about the two of you girls. And you Jake.” With his parents dead, the three of them are by far his closest companions. He’s even grown very close to Marceline in recent times. It’s kinda mean to exclude BMO, who’s right there, but BMO becomes more of a part of Finn’s family over time than he is here. 

-“I’ll forget that I lost a piece of your hair. I’ll remember the pasta that we shared over there”. Very sweet line about how the wad of hair doesn’t really matter, the time he spends with PB and getting to be her friend is what’s meaningful to him. I like how the pasta has a double meaning. He obviously just shared pasta with her, but he also had a pasta dinner with Bubblegum when she gave him the hair. 

Finn’s song is my favorite moment of the series so far, and one of the best scenes ever in the series. I thought “Just Your Problem” was Adventure Time’s best song up to now but it’s then immediately topped. I love everyone participating in the song, especially Marceline singing along with Finn for parts of it. Finn’s song causing even PB and Marcy to harmonize together is great symbolism for Finn helping to bring them back together. Even Jake finally breaks character, he’s too caught up in the moment! Rebecca Sugar drew on her feelings of being a young newcomer when she joined the Adventure Time staff to write this song. Worrying about how your friends see you and if they respect you is another very ubiquitous concern. 

The group realizes that the Door Lord showed them that the real treasure is friendship. It’s very cheesy but the contents of the episode does enough to justify it. It’s cool how well the episode ties two themes into this episode: friendship and honesty. The quick cut from the Door Lord happily seeing they got the message to him being bruised and tied up is hilarious. They get their items back, including the famous rock shirt. It’s not at all PB’s style, going to show how much its pure sentimentality means to Bubblegum. The reveal that PB kept the shirt comes as a shock to Marceline. She realizes that Bonnie doesn’t see her as just her problem. Marceline blushing and PB revealing she wears the shirt all the time as pajamas are heavy hints to their romantic pairing. Their interactions in this episode are very queer-coded, even though they aren’t hitting us over the head with it like they do in season 7 onwards. The episode itself gives enough to figure out the broad strokes of Marceline and Bubblegum having a past and a falling out without giving the details, and it’ll be a long time until they are willing to explore it more at all. It’s revealed that Marceline only joined to hang out with them. Beyond reinforcing the theme of friendship, Marceline and PB now know that the other is interested in reforming a connection again, even if Marceline will have to be the one that ends up instigating it. 

“What Was Missing” is a fan favorite for good reason. The two musical numbers are the biggest draw and they are incredible. Rebecca Sugar using her own personal experiences to write them makes them feel so raw and personal. It’s some of the most direct the series ever is about Marceline and especially Finn’s thoughts and feelings, with them explicitly singing them. It’s refreshing to get some clear cut insight as the show is usually much more guarded. I wouldn’t want the series to always be this direct, but it's nice to have moments like these every once in a while to help provide insight into their other appearances. The episode is essentially a precursor for Steven Universe. You could slot in Steven for Finn, Pearl for Bubblegum, and Amethyst for Marceline quite easily. I also really like PB in this one! Despite “What Was Missing” having not one, but two characters that are in love with Princess Bubblegum, she gets to shine. It’s definitely more Marceline-heavy, but I like PB standing up for herself, getting to see her side of the conflict, and the return of her quirks with her scientific song. PB and Marceline also have pretty great outfits here, and it’s definitely their most iconic looks besides their default outfits. 

Rebecca Sugar has since stated that she wrote PB and Marcy as exes in this episode. She felt their interaction in “Go With Me” read that way. The episode does a great job extrapolating from that brief interaction. According to Rebecca Sugar, she pitched this idea to Adam Muto, who she boarded the episode with, and he approved. They ran this by Pen who also liked it. Cartoon Network forbade the crew from being explicit with it. They still did a good job making it as clear as they could with the restrictions and the fandom picked up on it. Rebecca Sugar wanted to include LGBTQ representation and felt that exploring it through the lens of two exes with a past was the best path to getting it in. Despite it only being subtextual, it was a big deal for 2011. 

This episode stirred up quite the firestorm. It’s possibly not a coincidence that it would take almost two years for PB and Marcy to interact again. The Fredator associated Youtube channel Mathematical! posted recaps after the airing of Adventure Time episodes. After the airing of “What Was Missing”, their recap speculated on the possible romantic pairing between Princess Bubblegum and Marceline, interlaced with overtly romantic drawings of Marceline and Bubblegum from character designer and storyboard revisionist Natasha Allegri. As a result, Fredator fired Mathematical! producer Dan Rickmers, deleted the video, and cancelled the Youtube series. Times were different then, but that’s no excuse for such an overreaction. Fred Seibert offered the following explanation:

“Well, I completely screwed up. There’s been chatter on the internet recently about our latest Adventure Time “Mathematical!” video recap that we created, posted, and removed here at Federator. I figure it’s time to clear up the matter. In trying to get the show’s audience involved we got wrapped up by both fan conjecture and spicy fanart and went a little too far. Neither Cartoon Network nor the Adventure Time crew had anything to do with putting up or taking down our latest re-cap. The episode ”What was Missing” remains a terrific short and will be shown again and again just like any other Adventure Time episode. I let us goof in a staggering way and I’m deeply sorry it’s become such a distraction for so many people.” It’s a really weak reasoning as Mathematical! had always been a fan oriented show and that’s what the entire fandom was talking about. Still, I’d expect this from an executive. What was unexpected were Adam Muto’s comments: 

“If it was just a fan video there would be no problem at all. The problem was that it was made by a production company actively involved with the show. The video took something that was a possible subtext and declared it, in effect, text and made it seem like the production was actively seeking out input on plot development. That's all there is to it.” Considering Sugar said that Adam Muto agreed with that interpretation, it would have been for the best if he just stayed out of the situation. That’s what Pen Ward did ("It’s hard to comment on that, because there were so many extreme positions taken on it all over the Internet, and it happened so quickly. I don’t really want to comment on it because of that, because there were so many extreme sides taken. It was a big hullaballoo.")

Now that we know Bubbline was in fact the crew’s intention, and it’s since been explicitly canonized, the situation is just even dumber. Dan Rickmer is definitely owed an apology. But what’s really important is the series no longer having to keep their relationship a big secret.

Grade: A+

[kimberlyeab]

Undertale Yellow - Thoughts

Do you ever touch a piece of media and it hits you so hard that you just decide to drop all your artistic responsibilities for a day and write something to get your thoughts down into a single coherent place.

Well, uh… let’s talk about Undertale Yellow.

Please avoid if you intend to play and do not want spoilers as this delves heavily into topics laid down in the pacifist route. Also please note this contains content warnings for child death, so don’t touch if that ain’t your cup of tea. Like all Youtubers would say, please play the game before you read this, because this experience is best enjoyed in its original form.

The first issue i am struck with before getting too deep into this topic is that this is a fan project. While i, as a fan creator, enjoy feedback on my work; even if it is a little biting at times, i don’t know the pulse of the team in this regard. After all, this had no price tag and was purely a labour of love with seven hard years of development behind it.

i also don’t know how the development of this project was handled and if it was a collaborative effort from start to finish or different teams worked on different sections with an overarching goal. All i have is my own experience of modding for Hearts of Iron IV where my efforts were focused on singular nations and not overarching plots. If different sections were handled by different teams, please don’t take a critique or praise of any singular section as a slight against your work, it was all fantastic just some areas were more fantastic than others.

i enjoyed the mod, immensely, it stuck with me to the point that i had to come here and discuss it for what seems to be close to 2000 words. This project is something truly special, not only in terms of a fan game, but as a piece of media in general. It managed to make me feel that sense of magic I felt two years ago when i first played Undertale. And i can’t think of a higher praise than saying that.

The sprite work was amazing. The battles were fun and just the right amount of challenging… except Axis… fuck Axis. The music was a genuine banger to the point where i even liked some of the songs better than some of Toby’s work (i’m looking at you, the person who composed A Mother’s Love, that Hopes and Dreams drop ruined me emotionally for the rest of the run and i hold you and the writing team responsible for that).

And the story, gosh the story was just a real treat.

The mod in general is a bit slow to start, i’ll be honest, i did enjoy the tease at the beginning with Toriel and i think it was genius to cut us off from her entirely at that point. To me, a Undertale mod doing the ruins is like a Batman movie watching Bruce’s parents get gunned down. So, getting something refreshing here was a great foot forward.  Actually, I think that the fact that this mod does not use the OG cast as a crutch is an all-around strong point that i really appreciate and helps set it aside as its own independent thing, different from Undertale. Even though I did find myself craving at least a cameo at times.

On my first day of playing, i witnessed everything that the ruins and Snowdin had to offer. i enjoyed Dalv and Martlet immensely. As I went into the start of the Wild East, I was having a lot of fun. Yet, something felt off, something wasn’t quite sparking the magic i felt with Undertale. So, I left off my first session in the Oasis, having beaten the third boss. All in all, an enjoyable time but not quite clicking.

i couldn’t describe why the game felt off up to this point. Until i watched a friend stream xeyre own first run of the game.

Xey said something during it which made me realize what the issue with these first three areas was. They felt safe, they felt fangamey. These were fun experiences with great atmosphere and enemies but Dlav and Martlet (up to that point) were not characters who grabbed me and made me feel as invested in them as say Toriel, Sans, Papyrus, and Undyne (all characters we would’ve met at a similar point in OG Undertale). Sure, they were nice, and were immensely fun, but i didn’t feel that drive to get to know them better and care about their greater story. These were not the characters of ask blogs and video essays.

At this point, i went to bed, content to get back to it tomorrow but still very much feeling like “this is a fangame.”

Then i woke up…

And let me telling you about Starlo and the town on the edge of the Wild East.

This is where Undertale Yellow grabbed me, this is where the story became something special. This wonderful cast of six unique characters who left me wanting to consume every piece of dialog they had available. These six characters managed to crackle to life that little fanfiction voice in the back of my brain. It was these characters that planted the seed of this sprawling text i am currently writing.

Starlo, himself, is a wonderful character, very fun, very well written, just a treat to experience and spend time with. His missions were comedic gold to a degree where I was cackling in VC because of how good they were. And the fights, oh jeez, the two fights in that area are where the mod really showed off what it could do when it came to combining fun gameplay, great music, and just top tier sprite work that helped give these characters so much substance and life.

And it was also in this section where i started to get invested in the characters. This is where the fangame vibes withered away and gave birth to that same experience i had playing Undertale for that very first time.

It was hinted at with Starlo, a monster putting on a façade to hide from the cold reality of being a member of a broken species living in an equally broken land. His reasoning is so tragic, yet through the tragedy, he is just trying to distract people and bring them whatever joy he can manage. His methods are faulty but his goal is good.

And Ceroba is just amazing, as well, hinting at something darker in the narrative, weaving her story into OG Undertale by experiencing loss to the same experiments that would haunt Alphys. She is something familiar, a mother in pain like Toriel, but also someone who didn’t let that pain keep her in hiding. She uses that pain to try and help this world. And it plays on me so well, making me genuinely ache as my mind idly wonders which amalgamation in the lab was once this monster’s little girl. I wanted to know her story and experience it.

Then the game was all high points from here.

The adventure in the Steamworks where we see the remains of a shattered legacy and the pain that Ceroba goes through when she realizes that her husband was never respected in life. It resonates as we learn how much he just wanted to help Monsterkind and his legacy was just thrown away and left to rot. It made me hate Asgore.

And then comes the plot twist, the moment the shoe drop, as we approach Hotlands and Starlo confronts us. He knows Ceroba’s secret and is there to keep us safe. I had never been so invested in finding out what any of this meant, craving to know what could possibly bring these two into conflict with one another after being so close just two sections prior.

And that’s when we go to Ceroba’s home. That’s where we experience the empty abode that used to house a family. It’s where we learn how this tormented world of captivity that broke them, one by one, killing father, daughter, and yes, even the mother. It’s where we learn about Chujin, a figure of mythos, this mod’s Asgore in a way. A man who knew that escaping the Underground wasn’t the end goal unless Monsterkind could assert itself and prove that it had a right to exist upon the surface. This moment was so compelling, asking questions that fans have had for years and answering them in a way that felt downright satisfying.

And it put a fire in my breast going forward. i feel bad for the individuals who wrote dialog for optional areas after this reveal because i was a woman on a mission at this point. There was no endearing encounter, no fun moment that would distract me from finally finishing this with Ceroba.

And as we reach New Home and face the enemy, a mother who has lost everything, with our friends by our side, that’s when we play the best boss fight, I’ve had the privilege of enjoying in a very long time. It was the right amount of difficult with perfect music, amazing phases and forms, and a wonderful use of the yellow soul to its full capacity. It was long and slogged out, fought tooth and fucking nail, all while the music perfectly weaves together Ceroba’s struggle with the adventure we’ve been on and also a little nostalgia just to remind you what’s at stake. i have slept and i still remember her piano bits combined with those little western twangs, bringing together two childhood friends before dropping Hopes and Dreams just to show you how epic it is. It is… HOLY SHIT… it is something.

And with every phase we see a little more of what this monster lost. We watch her husband wither away, we see her risk her daughter and fail, and we see every last thing this obsession has cost her. And we know that this is a family broken by a collective scar left upon a whole species. We know that humanity is at fault, subjecting a whole race to torment for something that’s generations old. This family is just one of many who our species has wronged, just one trauma on a whole ledger.

And as we finally dispatch her and feel victorious, the reality of the situation slowly settles in.

This is a prologue… we know how this ends.

Asgore has five souls right now. Yet, by the events of Undertale, he has six.

i knew on a logical level that this would happen but the mod still managed to destroy me with the reality. As our friends try and figure out a way to keep us safe, we, the Spirit of Justice, a child with a pure heart, know that we can’t let this slide. We saw what humanities punishment has done to this species and we know that we can help them.

So, Clover sacrifices their Soul. And its at this moment that i started bawling like a child, watching their friends bargain with them, then plead, then seeing them slowly come to terms with it. And the game slowly ends from there, watching our hero make this sacrifice and then send away their friends so they don’t have to see them die. It’s just us, alone, knowing that we did the right thing and it cost us everything. It’s beautiful and tragic, the perfect ending that still chokes me up thinking about it.

And it pays off as the credits role and we get an epilogue that shows all the monsters we’ve touched and made their lives better.

It was special.

This was the special that i felt after Undertale.

And like Undertale, i will never touch it again (unless i speedrun it). The story was completed and the sacrifice was beautiful. It would be wrong of me to erase the deeds that i’ve done to better these lives. i don’t want to erase their happy ending just to tinker around and extract every ounce of life from this game.

So uh, yeah, sorry to the people who worked on geno-run. i’m sure you did a great job but i can’t bring myself to hurt these characters.

All-in-all, sitting there in a VC, bawling at 3:30 in the morning, i knew this was unique and I knew that i wanted to share my thoughts with the fandom and maybe even the developers if they get around to reading this.

Dear devs, if you read this, you created something out of this world, thank you.

Sincerely, thank you.

Would I recommend this mod?

Let me tell you what I said after the credits rolled.

“Fuck this mod.”

Err… text kind of loses the translation of those words being spoken through the warble of a tear-stricken voice that was fresh from sobbing for ten minutes straight.

So, uh…

Yeah, it was alright!

Hey, y'all should join my Discord! It's multifandom and queer as fuck (Please be 18+ though).

Visit my website to see where else you can find my work, follow my socials, or support me!

[inf1nyxw0rlds]

this might just be me talking nonsense but i was chatting with my bestie about this and. you really can get a good chunk of insight from the illusion that the phantom ruby cast when infinite touched it. we know that it essentially shows what a person desires, and what infinite desires... is just a wasteland.

infinite does not want to rule the world, at least from what i take from it – he wants to destroy it, to return it to barren earth and rebuilding it in his image was never even a consideration; while he wants his name to be known, leadership was never his intention. he wants to bring society down, to level everything and plunge things into a state of anarchy where there are no rules, no dictators, nothing. it's not so much that he wants to be the only one in control as he wants control to cease altogether, from my perspective.

i have a lot thoughts on as to why; his relationship with power is a complicated one and i love talking about it. for starters, i doubt he had a good life prior to becoming a mercenary – that isn't something people just do for fun, and while i won't go into too much of my own backstory for him, i think that would play a big role in his view of the world. he's seen more of the bad than the good, experienced it firsthand, fought tooth and nail and bled in the sand and built his name in theft and bruised knuckles. the world he sees is injust, unkind, survival of the fittest, and that has to be him.

to me, i think power itself isn't what drives him, which i know is a controversial take; it's not that i don't think he enjoys it, but that it's... complicated. infinite chases strength because he feels he has to – at least, to me, that's what i take from it. the world has said you're not enough, you have to be stronger, time and time over and infinite has burned that into his mind. he resents his weakness, he resents the status quo, but he abides it because he has to by way of pursuing strength.

he likes control in the sense that it makes him feel secure, i think, and comes to enjoy it because it's him spitting in the face of the world that tried to smother his fire. that satisfies him, being the one people fear, having the ability he once envied. but it wasn't power he wanted, at least originally, i think. it was freedom.

infinite shows not so much of a desire to rule as he does a desire to eradicate the system of rulership completely. society, money, law, leaders, and on a more personal level, responsibilities and expectations of him; he even states as much in that he is tired of the world as it is. he wants to prove himself worthy, and this is a win win, simultaneously showing he was always capable while tearing down all the things that bound him.

i've seen discussions on his freedom before and this is no shade to them whatsoever, but i don't think he's free; he's a wanted a man, and sure, he and his team can roam the regions but there's a target on his back at all times, he's responsible for not just himself but his squad, and... for him i don't think that's free. he's also trapped in his mind, by his mindset, but that mindset was formed by experiences, by his reality, so it's not like it's based in nothing, he can't argue or discard it.

if he wanted to quit being a mercenary, could he? has he ever had much choice? will he ever be able to rest without fear of ambush? to let his guard down knowing that with just one wrong move, he could die, or his teammates? when he fights, is he thinking about how he could easily be rendered completely blind, the first scar indicative of a weakness so blatant that his other eye is always where they aim? what is freedom? a feeling of safety, contentment, the absence of fear? what freedom means to him, i think, is a desire for total autonomy.

the thing is, to achieve autonomy, you need power, and in pursuit of power, you lose autonomy. to be powerful enough to be free, or to create a blank canvas wherein power doesn't matter. that's what i see in him. because maybe, if he strips all of this stuff away, he'll finally be able to breathe. to exist without fighting, or fulfilling expectations, not needing to be anyone or anything because he's tired. it's sort of like an escapism power fantasy. i don't know.

his name is infinite but he's always bound. by his allegiances, by wanted posters, by what he's supposed to be and especially by himself.

[zponds]

(Credit goes to JWBtheUncanny on Deviantart)

Ash Ketchum as Cure Master

Ohh yeah, Your eyes are not deceiving you, Ash Ketchum has changed.... for the next Pokemon Anime vignette.wikia.nocookie.net/po… when Sun & Moon finally ends and the Clone's Storyline finally ends, This is the Real Ash Ketchum, And he has been altered to a Degree, And it's sort of a Mix between XY ash and the Sun and Moon version, And.... to be honest.... I do like this new look for him, In-Universe Its possible how Ash altered it this loo may have been the Result of all 55 of the Pretty Cure All Stars inner light changing him.... At first I was afraid Ash was never gonna return in the Anime, But his Japanese Voice Actress put a rest to that claiming his Adventures is not over, It's amazing how much he's changed i.imgur.com/e9cnXq9.jpg

Also... with This new change of the Character and he's' still the same Age as he was in 1997, It's given me the opportunity to proceed with the Cure Master concept with Ideas from the Blueprints fav.me/ddcv5f6 But in the Blueprints as I would call the original Concept, the costume looked too familiar with his Kanto Costume which was the Idea with the Gold symbols of each of the Precure teams from the All Stars Pantheon, So I took some big libraries with the concept and came up with a Costume that's fits in line, His Cure Master Costume is a Set of Precure Armour that takes some inspiration from the Male PreCures from Hugtto PreCure, Even Jonathan Klondike AKA Joe Okada's suit of Armour, I did keep the Symbols of the Respected PreCure teams, They are Engraved in the Armour, In an edition, Ash now has a Sword called Blade of a True Pokemon Master and a Shield titled PreCure's loving Protection... if you look closely to it, You'll see the Angle figures on it are modelled in the forms of Nagisa Misumi AKA Cure Black and Honoka Yukishiro AKA Cure White, He's Research book is now complete with info linking the PreCures with there Respected Zodiacs, And he also has that Shard of the Miracle Star still giving off ever as you can see, Pikachu now possesses a Cloak of Levitation... Which Heartcatch PreCure use... When I was coming up with the Dialogue for Ash I was listening to this www.youtube.com/watch?v=Dp-6BS…, So guys What do you thing, Do you like the way I came up with the Design, Please let me know of what you think?

(Messages from Ash Ketchum to the Precure All Stars Pantheon: Hello, It’s me... Ash, The real Ash Ketchum, Hope you get this message, There’s Something I wanna Tell that I keep Neglecting to tell you all at the Trial of my brother and the Ultra-Guardians... I received word from the Headmaster of Magic world, There’s Something about my Contingency Plan I had the Headmaster Of Magic World cast on to keep you and your Respects Home-Towns safe from invaders..... The Cloaking Spell was way more powerful then we originally thought... With some... Side effects.... Picture Miyuki and Akane becoming invisible when Candy was messing with the Camera.... But the First Generation Pretty Cures From Max Heart to Happiness Charge... Some how the Cloaking Enchantment Left Some Energy That has been absorbed into the Your DNA.... so from what Riko and Mirai told me... It’s likely that your Human hosts now have the Ability to become... Translucent willingly, So in the Day or night They could become Invisible and Visible at any time by command... I just thought that all 55 of you should know, Me and the Headmaster are not sure if there's a way to reverse it, but it may prove useful to all of you.... Sincerely Ash Ketchum of Pallot Town.)

[amoransia]

Leviathan: "Oooooooooh"

Beelzebub and Asmodeus: (This could've been an email.)

!!!Chapter 65 spoilers below!!!

Good fucking food and good chapter as per usual. Thank you for showing me my snake wife (Satan) again. Loved every page, and I hope Fukayama-sensei is taking his time recuperating from his surgery and doesn't push himself too much.

I say this because those pages were out of this world. I love the spookiness factor they're finally adding. A lot of exorcist manga just focus on the action and completely forget they're dealing with demons (and other creatures of similar nature) so I'm glad Aruma added that in. Belphegor's pathetic poltergeists(?) are really funny, too lol.

Babacat confirmed!! Troperrific called it! I had my money on Cattan instead, lol. Regardless, this basically means she's been spying on Priest since the very beginning, so there's a high chance she'll try to talk-no-jutsu him into corruption(?) using what she knows about him. What Vergilius couldn't convince him to do, she'll probably (almost) succeed? If that's her goal, anyway...

Surprise! Chicken legs, as per her folklore of having a chicken leg-powered house. Nice to see that Aruma-sensei has some basic knowledge on her. As usual, they do look into things. Which makes me happy. I thought the chicken was kinda cute until her disemboweled headless corpse waddled in. Jesus.

Apparently, disembowelment and beheading are the punishments given to schismatics in the Ninth Bolgia in Dante's Inferno. Yeowch. Perhaps this is her punishment because she wanted to help wrongly convicted souls while not inherently being a non-believer and merely disagreeing? I don't know.

I'd also like to mention that Mikhail is probably going to gain a more prominent role when it comes to Baba Yaga. He was the first to recognize it was Baba Yaga, and I think this is because he's more familiar with Slavic folklore than the rest of the cast. After all, Mikhail is a name of Russian origin, so he's probably from around there. He probably got told stories of her as a child.

(I used to affectionately dub Mikhail "Florida man" because of his crazy antics, but he also does fit those crazy Slav dudes that post videos of themselves randomly bringing down abandoned buildings with only bricks. Anyway.)

Really hilarious that Priest can somehow tolerate the horror fuckery that happened this chapter but can't handle horror MOVIES or Japanese spirits. My MC is truly built different and I love him dearly. Someone get him a good therapist and multiple trips to a bunny café.

Just look at him go!!

Imuri's face didn't show up even once in this chapter, by the way! Probably means nothing, but it'd be curious if her reactions were obscured because she was familiar with Granny somehow. Imuri's lived quite a long while, too, after all. Wouldn't be weird if she knew some people here and there.

(Might I add that we've yet to see the mysterious Cass friend she texts... He said he hesitantly submitted a request to see her to the Church, but it's been a while since that...)

This line alone is either a red flag or a green flag, but I'm hopeful it's actually a green flag, since it goes against Satan's wishes. Maybe Baba Yaga will actually sympathize with Priest, since she's been watching over him... dunno!

Additionally, this is also something I mentioned on my Twitter, but to me, it appears that she's being set up as another parallel character to Priest:

Both are the strongest of their team

Got called "it" and "thing" by their respective benefactors

Both want(ed) to help people

Witnessed or witnessing wrongful accusations against the innocent

Priest even sympathized /explicitly/ with people who were wrongly tried for supposed witchcraft in chapter 64. Surely she must've heard him say that? I previously thought Vergilius would take on the role of the parallel, but I think Granny is a more deliberate one!

Welcome back Tachibana my beloved boss girl, in the most literal sense. She even has a big ass coat on. Is she single? We should ask Aruma-sensei. Please do a Q&A, I pinky promise to be civil.

Anyway, I'm convinced Mammon is coming back too, then, since she is extremely capable. Mammon's (first) arc was definitely rushed due to the looming danger of the axe, so I'm excited to see him being pathetic again. He's grown on me, for the wrong reasons. I think he's a big fan favorite amongst the JP sphere as well. He's the only Demon Lord that I feel truly values his human connections, so that's no surprise.

All in all, it was a perfect chapter, and I have nothing to say about the Japanese and/or translation of the chapter; I have but one single complaint:

Chapter 65

Chapter 36

THEY CLIPPED HIS FUCKING NAILS!!! NOOO!!!!!!!!!!! HIS EVIL SLY BITCH SWAG... it's GONE!!!!!!!!!! It has been STOLEN!!!!! Someone has to die for this FUUUUUUUCK

[cat--comic]

blog 1. happy birthday

welcome to the new cat comic blog! if you're reading this on tumblr, hello! if you're reading this on neocities, i love you more. page looks pretty snazzy, right? check out the very pretty melankorin.net, this page looked a lot more plain before i ate that page's design aesthetic.

ok.

it just so happens that yesterday, the 13th of april, 2024, was cat comic's first birthday. this comic is officially one year old! goo goo ga ga! it makes me glad and more than little scared that i've been working on this for so long. it's my longest-lived project to date and still going strong, which means a lot coming from my bloody trail of abandoned projects.

what the hell is cat comic about?

cat comic is a story born out of a lot of my fears vis-a-vis my creative projects. it's a story about creation, whether that deals with art, identity, or culture, and about the history that doggedly stamps itself on any creation, and about the problems of indie projects. it's a story about a cat and a dog and some other various animals who get into lots of trouble, and it's mainly a story about the end of the world.

i think you can tell that there's a lot of throughlines to my other work (unfinished or otherwise), which is pretty thematically appropriate. actually, cat comic was originally reusing far too much of eyrie, an old comic idea of mine. eyrie followed an aspiring paladin and their little buddy as they made their way to the shining capital of a theocratic nation, delving into a mirror world that reflected public perception of things along the way. it was a pretty fun concept.

anyway, it informed a lot of cat comic's original premise—it began with an ascent from belowcloud to a shining city in the sky. huh... sounds familiar. like eyrie, it also dealt a lot with divinity, mirrors, and perfection (as in: perfection in the eyes of society, not cat comic's current sense of it). it's fun looking back at these early drafts of cat comic because you can clearly see all the influences i was pulling on, big or small. i was pretty fine with doing this because, as it pains me to remember, cat comic was to be a "fun" and "short" project where i could "do whatever". haha.

cat comic's changed a lot since then and it's also hardly changed at all. a lot of the original ideas are still there in the batter, but it's also evolved into something pretty different and much closer to my heart. and it will continue to change and evolve! although perhaps not quite so drastically as it has over the last year.

what's the plan with this thing?

i had a conversation with a friend a while ago (hiii ardenna i know you're reading this. love you) about our respective story projects and our problems working on them as single creators. i don't have a team for art or writing—it's all me, babey—and that means everything about this project is going to take what we in the industry call a "long time".

this time next year, i want to have a comprehensive plot. that might sound like a lot of time for not a lot of work but believe me i need it—i'm doing a bit of a unique format for this story and i want to put the time in to make sure i stick the landing with it. my secondary goals for the next year also include finalizing designs for all of the main cast and making sure they're all fleshed out... basically, by next year, i want to be able to start actually drawing the comic. i don't want to start drawing it then but, just, you know, be able to.

as of last week, i've handed in my senior project (and passed with flying colors, thank you), which means i can start turning my attention to things other than that. i've already talked a bit in my 2024 blog post about my plans for the year and how i would like to devote the rest of the spring to exercising my comic muscles. i would like to stick to this plan, despite the fact that school is trying to murder me.

right now, i only have vague ideas of what those exercises will be. once i'm completely done with my senior project (report handed in at the end of this month) i'll start workshopping them. again, my priority with them is not telling a story so much as working on coloring, panelling and figuring out my workflow.

and, apart from my year-long goals and season-long goals, i just want to flesh out these pages a little more. i kind of rushed getting these up because i wanted to hit the birthday (and i didn't even manage that LOL). i want to get some more of my brain bits out on canvas! but they never tell you how hard it is to figure out how much you want to share and how much you want to keep to yourself for now. i'm making little lists and i think i'm doing a pretty good job.

final notes (SAPPY WARNING!!!)

thanks to my friends (hi again) who are very excited about my comic. it means an immeasurable amount. friendship forever

and to everyone else... remember: birds can't fly with wet wings. goodbye for now!

[magical-girl-coral]

Catwoman stories that DC should write, part two:

*The armless master, Ted Grant and Alfred all fighting over who gets to walk Selina down the isle only breaking off when Selina tells the exciting news of her grandparents coming all the way from Cuba to see her away.

*An issue about a gossip reporter trying to catch the new it girl socialist Selina Kyle in a compromising position except it's always something stupid. He caught her on time sneaking off from a party with Harvey Dent and Bruce Wayne but it's so they argue somewhere quiet about ancient roman history. Another time she ran with famous singer Dinah Lance but it was to order pizza because either of them remembered to eat. The one time he gives up and doesn't bother chasing her, she went to a forgotten bathroom mid gala to dress up as Catwoman.

*Crossover story with Batman where they both find out Killer Croc escaped prison again and together they try to find him before anyone gets hurt. It's revealed in a flashback reveal Selina and Waylon met as young street rats trying to survive who had no one and vowed to watch the other's back since then. Even without using their sob story. Bruce is merciful with Waylon and is maybe the second person who has ever shown him compassion, even giving him a job offer as a chance for a new life. This could have been Selina's big "oh, Oh" moment if it weren't for her massive emotional constipation.

*Forming her own thievery group with the girls who were at her bachelorette party with a Maven cameo as Selina's assistant/the force of nature expert keeping Selina's civilian life together through detailed schedules and iron will.

*Selina visiting Ireland with Maggie to put their father's ashes to rest only to get bungled up in fae shenanigans against their will.

*Selina getting to be a mom without drama. That's it. That's the story. No one dies, lost in time, kidnapped by an evil origination or given up for adoption since DC are fucking allergic to allowing women of color to be decent mothers.

*A whole chapter dedicated to Selina's slow battling of her phobia of water to give courage to other readers who are fighting their own anxieties cause I doubt a young teen can walk off being nearly drowned to death without longtime consequences.

*Selina finding out a family member nearly got killed cause of gang violence and Catwoman tearing Gotham apart limb from limb until the message was sent across. People tend to forget her claws can cut through steel and many remember that lesson the hard way.

*Showcasing every job Selina had off screen while the rest of the cast tried to kill each other over what's good and evil such as: ancient linguistic expert, professional dancer of multiple genres, Hollywood actress, art gallery owner, veterinarian, book author of ancient myths retelling with actual research (she was sick and tired of all the tiktok takes), and a part singer for charity events.

*Having an on again off again team ups with the Riddler. On one hand, he is a somewhat decent friend who's great with gadgets and a ruthless gossip, but the other hand he just does not stop dropping clues of their crimes and is always too lax with their getaway plans and god damn it Eddie, it's like you're trying to get us caught!

*Tragic friendship that could have been romance turned enemies between Pammy and Selina before either of them dawned their costumes. Selina donating a large sum of money she "gathered" over the weeks to the firm Pammy worked at because they were one of the few that didn't test their products on animals. Sweet shy Pammy saw Selina with walk in with confidence and beauty of a goddess and nearly tripped over herself when Selina asked for her opinion on a matter she couldn't even hear them talk about. They became friends afterwards, and Selina would regularly come back for talks and advice about poisons that seem shady but Pammy was too in love fascinated by the subject to question her motives.

*A pre street kid story where it shows Selina having a happy home life with her parents and little sister before it was all taken away from her. If Batman can have a hundred versions of his parents murder, Selina can have variation where her family didn't suck.

*Selina going through a crisis when she hit twenty and decided to take a bisexual gap year to travel the world where she gained Bast's favour in Egypt, accidentally seduced a moon deity in hiding, had a summer romance with Talia in Singapore, gained Shiva's attention by mastering sword dancing in China, put an angry one thousand year old spirit to rest by returning her precious hairpin and gaining more divine favors and returning to Gotham to get hammered on her 21th birthday.

[bungandmunchpi]

Just wanted to write a little something about the shows I saw in New York before the Tony noms come out tomorrow! I never write long-form about the things I've seen any more so thought I'd indulge myself quickly.

Stereophonic, 13th April

Theatre twitter was abuzz about this when it was at Playwrights' Horizons and the transfer rumours were very exciting as we were planning our trip. We managed to nab some $40 seats in the rear mezz for previews and went with it as the first show of our week!

It's a great play, although I don't think totally deserving of the raves/five stars it's getting everywhere. It could do with some pruning in places and I think both Nancy and I thought the female characters were a little bit underwritten: I'd say the scenes where it's just the two of them discussing their careers and personal lives are the weakest of the play, although Sarah Pidgeon and Juliana Canfield are both fantastic. The rest of the cast is as well - it's stacked top to bottom, with six out of seven making their Broadway debuts which is thrilling! Will Butler's music is absolutely phenomenal, and the show really soars when the band kick into gear and are recording successfully: we were both nodding our heads and tapping along, and I can't wait for the album to come out on May 10th.

Shout-outs to basically everyone in the cast, as everyone gets their little (or large) moment, but I think Eli Gelb really anchors the thing and has a gorgeous arc, and Will Brill is incredibly funny and sad at the same time. Tom Pecinka is doing fantastic work too as the antagonist/engine of the show, and I've really enjoyed watching his Gold Derby interview where he speaks about the hostility he experiences from the audience a lot of the time, and how he processes that and stays true to the text without being tempted into making the character more likeable.

We stagedoored too and everyone was very lovely! We got to compliment Will on his British accent and meet Tom's dog Molly, who was totally over the two-show day and ready to be on her way (but very sweet with it). A great start!

Merrily We Roll Along, 14th April

This was the show I spent the most money on, and I went on my own as Nancy was off being immersed at Punchdrunk (/the McKittrick Hotel, apologies). I love Sondheim and I really love this show - I was introduced to it by Lonny Price's beautiful documentary The Best Worst Thing That Ever Could Have Happened, which I would really recommend even if you're not a big Sondheim/musical theatre person, as it deals with being creative and dreaming big at a young age, and how we adjust when those dreams aren't realised or turn sour. It felt very special to be seeing Merrily on Broadway, as I believe Sondheim used a lot of his own early experiences in the theatre to make it. So special in fact that just hearing the overture made me extremely emotional (although it's a different version/orchestration to the overture on the original cast recording, which is one of my favourites of all time).

It's brilliantly directed/somewhat reworked by Maria Friedman, and she's been credited with turning what was a notorious flop originally into an absolute smash off and on Broadway this season. I think she does a lot of good work but it's undeniable just how brilliant a lot of the songs in it are: when Daniel Radcliffe finished Franklin Shepherd Inc, the man sitting behind me exclaimed "what a number!" to his seatmates. The material in the second half in particular is extraordinary, and I thought all three leads were fantastic as the characters get younger and younger, with It's a Hit, Opening Doors, and Bobby and Jackie and Jack highlights. Our Time, the brutally optimistic climax of the show, had me tearing up as soon as it started, and I cried all the way through the curtain call, just because I felt so lucky to have been in that space experiencing that piece of work made by this team of cast and creatives.

Jonathan Groff, Lindsay Mendez, and Daniel Radcliffe are all phenomenal in it: I was expecting less from Daniel Radcliffe as I know he has the least musical theatre experience of the three, but he did a great job and brought so much humour to Charley, which I really enjoyed. Jonathan Groff's Growing Up is stunning and he just leads the show so well - he's a real star and would be very deserving of the Tony, which I have a feeling he may just land. Lindsay Mendez has been out of the show now and then so I was preparing myself not to see her and then was thrilled I got to: her voice is so solid and her arc was beautifully drawn, from Mary's acerbic comedy at the beginning of the show to her brightness as she's entering the creative world early on in her career.

In terms of emotion, this was probably the highlight of my trip, and I'm excited to see the production sweep a lot of awards in June!

An Enemy of the People, 17th April

As soon as this was announced, it started making my New York trip plans more concrete. I think Jeremy Strong is one of the best actors we have working today, and it was brilliant to see him onstage - I don't think he's done any theatre for a decade, and Circle in the Square is pretty intimate for a Broadway venue, so that was extremely exciting.

I was left a little cold by the production: I think that may be Amy Herzog's version, which gets through the nuts and bolts of Ibsen's play, but does so at quite a lick (the show runs about two hours with a five minute pause in the middle). The character work the actors are doing is beautifully detailed, so you really want to spend some more time with them all. Jeremy Strong is totally transformed from Succession, endearing and frustrating in equal measure, and he and Michael Imperioli work so well together as very different brothers. I saw Branden Jacobs-Jenkins' The Comeuppance recently at the Almeida, so it was fun to see Caleb Eberhardt and try to read him back into that play: I thought he was really fantastic and nuanced in Enemy, and would love to see him snag a Tony nom, although I think Featured Actor in a Play is insanely crowded (and I would hate to see any of the Stereophonic guys lose out).

Sam Gold's staging is nice although the space seems to be a little difficult to work in. There are some interesting details in the second half as things become less naturalistic, with characters remaining onstage to watch the action, and Jeremy Strong being Jeremy Strong has to put himself in some kind of physical peril (getting buckets of ice poured on him as the townspeople turn on Stockmann, leaving him wet through (and I presume freezing) for the rest of the show).

Overall this was good if not as impressive as I'd hoped, but it was amazing to see Jeremy Strong onstage and he again was lovely at the stagedoor, so I'd recommend that if you're interested!

Appropriate, 17th April

This was the best show we saw all trip, from the writing to the direction to the performances, and so brilliant that we didn't try very hard to get into something on the Thursday evening, as we didn't want to spoil the high we'd experienced the night before.

I love Branden Jacobs-Jenkins' writing, and the way he plays with drama as a form to create his shows. Appropriate sits in the tradition of American domestic drama, and it's harrowing and screamingly funny all in one go. Again a real thrill to see a cast this stacked, and fun to pick up another Succession cast member, with Natalie Gold so good in what could be a tricky role. Sarah Paulson leaves it all out there in the lead role, and does a fantastic job: another actor who isn't afraid to be unlikeable, and who goes deep in the cruelty she exhibits towards other characters. Corey Stoll does some great, solid work too, and Michael Esper is so SO good as Franz. The role is so disruptive and interesting and gross and funny, and he does a beautiful job. Nancy and I really bonded over the production of The Glass Menagerie he was in in London in 2017, so it was wonderful to see him onstage again and to see him bring it so hard.

The design elements of Appropriate are phenomenal too, particularly the final sequence, which I won't spoil but is one of the most extraordinary things I've seen done onstage.

That was the trip!! I had a brilliant first ever week in New York and the best time seeing my first shows on Broadway: I was very sad to leave but it's made me really excited to see great work in London over the summer, and I'm ready to start saving up again to go back!

[cyberdragoninfinity]

Axel and Anna for the character ask thingy!!!!

MY MAN AXEL 🔥

Why I like them/why I don’t: TRULY ONE OF THE REALEST ONES axel really carries like a solid half of season 3 on his shoulders and then comes back swinging with the Angst Agonies in season 4 like HE DOES IT ALL. HE'S JUST A RELIABLE DETERMINED GUY WHO WANTS TO FIGHT FOR GOOD. AND his duel disk is a fucking GUN.

What I like about their appearance: i love his eyelashes, theyre a more subtle detail but theyre very charming. Also it's just always a small miracle to see a black anime character whose design isnt Um. Questionable. All Things Considered (looks at girag 8| )

Do I prefer their dub names or original names? i like axel brodie and austin o'brien probably about the same! it's just nice to see him mentioned regardless of name choice.

OTP: again, he and jim are married in my brain for all intents and purposes. they did Not go through all that in The Duel Monster War Zone to not have a little gay thing going on.

NOTP: hm. i dont think ive even SEEN enough axel ships to have one i dont really like??!?

OT3: mentioned when I talked about jim but axel/jim/jesse is pretty fun. hell throw jaden in there too

Favourite card they use: Blaze Accelerator and Tri-Blaze Accelerator are fucking crazy. FIRE GUN(S)!!!!!!!! #BURNDAMAGEMOMENT

Favourite moment they were in: god his duel with the supreme king still goes so fucking hard. i do also like the Psychological Horrors he got put through by mr. T in season 4 STOP STOP HE DOESNT DESERVE THIS

Least favourite moment: all of the early season 3 stuff with him and professor viper but thats less axel's fault and more. god Damn i find professor viper extremely boring lmao

Something I associate with them: combat heavy war TTRPGS... in college AU he likes to DM them <3

AND MISS ANNA KABOOM!!! 🚂🚂🚂💥

Why I like them/why I don’t: anna rules so fucking hard...like most zexal girls i wish the show did more with her but just like. the sheer concept of a yugioh girl whose deck isnt full of cards that are solely Pretty Lady but instead GIANT TRAINS and RAILGUNS is so obscenely kickass im so glad she exists. i love that shes tough and pushy and overconfident!!! LET YUGIOH GIRLS BE A LITTLE MEAN!!!

What I like about their appearance: she is so CUTE!!! i love her sporty hair and white + pink + red color palette and her FUCKING CANNON SHE RIDES ON. it's such a delightful yugioh girl design

Do I prefer their dub names or original names?: SORRY ZEXAL SUB BUT NOTHING IS GOING TO GO HARDER THAN "ANNA KABOOM" I MUST SAY.

OTP: your honor anna/rio is MY yuri ship with two girls who didn't interact you must understand i like them So Much. butchfemme couple... fire and ice....snowpiercershipping..... i need to draw them again

NOTP: anna/yuma is like. it's not even bad anna is just such a baby butch to me this ship doesnt even cross my radar. she likes women.

OT3: ok now rio/anna/tori might be cooking.

Favourite card they use: GUSTAV MAX MY BELOVED. MOST INSANE ACE MONSTER ESPECIALLY TO GIVE TO A YUGIOH GIRL!!! TANK-TRAIN-RAILGUN BLAST!!!

Favourite moment they were in: i do love her tag duel with yuma where she duels her grownass adult woman friend and her husband and said woman's ace monster is the fucking Titanic and her husband's is the Hindenburg. i think about that duel like once a month.

Least favourite moment: like it's cool she got to team up with the sparrow and duel mizar but it still does kind of suck ass that she died and went to hell like half the rest of the cast >:( SHE COULD HAVE STOPPED IT

Something I associate with them: LEMON_DEMON_MY_TRAINS.MP3

[7grandmel]

Todays rip: 21/01/2024

8​-​bit Fish With Dreams

Season 4 Episode 1 Featured on: SiIvaGunner's Highest Quality Rips: Volume AI Also on: I JUST WANNA DO CATCH SOME FISHS

Ripped by l4ureleye

"This one's for you, buddy."

There's a time and place for everything, and honestly, right now really isn't the time for me to recount everything surrounding Marrow's place in the channel's history again. I've covered tributes to the ripper twice in the past, once with the heartachingly beautiful Telling Fish Tales, and later in the bittersweet cheerfulness of Turnabout Fishters. I won't repeat myself all too much here, so I suggest you read up on those posts if you're out of the loop in regards to StreetPass Fishing's place on the channel. And so, to round this topic off for the foreseeable future, we have 8​-​bit Fish With Dreams - one more tribute, yet one that seems to come from a rather personal place.

Honestly, in the recent months, in my time doing this blog, it's been a bit...strange, slowly assimilating into the more active parts of the SiIva community. I've said it a few times before, but before making this blog I was effectively nothing but a very invested observer - I kept my interest in the channel almost entirely to myself beyond leaving a couple of YouTube comments. That has left me out of the loop on occasion, primarily with in-jokes spawned from the SiIvaGunner Discord, yet I was content in knowing that I didn't really...have much of anything to contribute. And its with that preface said that I need to clarify once again that, I don't truly know much of any details regarding people's relations to one another in the SiIvaGunner team. Nowadays, with this blog and all, I've had the opportunity to finally talk with members of the team and other fans on a regular basis, and it's been a ton of fun - yet, I'll never know firsthand just how much Marrow meant to people. And honestly, its not exactly something that concerns me to begin with - it's not my feelings to hold.

Yet, the beautiful thing about music, about art in general, is that feelings that can be so hard to convey properly through words, through stories, through recollections and retellings, can be encapsulated so perfectly within a piece. And that is represented so beautifully within every single part of 8​-​bit Fish With Dreams. It's not a flashy tribute, nor some huge collaborative sendoff - but what is is, feels like a deeply personal arrangement made out of pure love. l4ureleye applies her signature flair and expertise for creating soothing, healing soundscapes in arranging 8-bit Kids with Dreams, an under-the-radar song made by fellow chiptune artist jankybit. Past the initial minute-long opening fakeout, so few parts of the original Beauford Pond remain, yet it still manages to feel...at home, with StreetPass Fishing's other music. It asks you not to be excited, nor to cry, but rather just invites you to sit by and enjoy the ride. As was the case with the original 8-bit Kids with Dreams, it feels like a gift made from one friend to another, a toast in their honor.

I really do not wish to intrude on the lives and mental states of these rippers to any degree - yet there's little I can do to avoid being emotionally affected by rips like 8​-​bit Fish With Dreams. As is the case with art as a whole, any rip made is inevitably going to feel like it has a piece of its ripper imbued into it. And its the ones where you can feel that most, the rips that feel almost like hearing one side to a conversation, waiting for an answer, that always end up sticking with me longest. Those are the rips like 8-bit Fish With Dreams, by rippers like l4ureleye.

"u cast your line at me when I needed it most, and helped pull me out from the murky depths of my anxiety and self loathing. I needed a friend like you, and I'm glad I got to have that. Hopefully I was good to you too, u more than deserve it. Rest easy gamer"

[sarahrogersevans]

Play This Whenever You Need Us- Chris Evans/ Steve Rogers fan fic

Summary: Chris makes a video recording one day with some of the other cast members as their characters after filming Avengers Endgame for reader since he knows it’ll be hard for her to say goodbye to the original team and Chris has her watch the video after rewatching all the movies again after a few years and Chris comforts her

Warnings: angst, fluff, mentions of feeling sad, happy memory flashbacks, comfort fluff, soft Chris, mentions of anxiety and depression, let me know if I miss anything, spoilers of endgame a bit

(Chris’s POV)

Ok so I got this idea after I had filmed Avengers Endgame with my other co stars and I knew Y/N loved Steve and the others and after she saw Endgame she was having a hard time and I wanted to do something special to help her smile again. I made a video for her dressed as Steve and I had asked a few of my co stars to be in the video as their character and they like Y/N and they were happy to help me put it together and I couldn’t wait for my girl to see it knowing it would make her smile. I went to go check on Y/N to see how she was doing and I saw her looking through movies and said “hey babe you doing ok?” She looked up at me with a smile and said “oh hey Chris yea I’m alright just wanted to watch a movie but couldn’t choose which one, maybe you can help me decide?” I knelt down by Y/N and Dodger who was by her side and I saw the marvel movies and I picked up the first one and I wanted her to watch that video I made for her but I wanted her to see if after seeing Endgame again and it’s been a while since she’s watched a marvel movie which I understood.

I handed Y/N the marvel movie box and said “here how about we binge watch every marvel again? I know they’re your favorite Y/N.” She smiled and said “oh Chris you know me too well babe, I would love to!” I kissed her and said “great, why don’t you pop in the disc and I’ll go get us some snacks and drinks hmm?” She nodded and said “sounds good honey.” I got up and went to go get us popcorn and drinks and made sure I had that video recording on stand by after Endgame. I couldn’t wait to see Y/N’s reaction afterwards, I love making my girl smile.

————time skip———

A few days later Y/N and I finally got to Endgame after binge watching every movie during the week and we were watching Endgame together and laughed at the humor and jokes and we would point out stuff and each time something emotional happened I would take Y/N’s hand in mine and hold her close to me making sure she was ok and every so often I’d have us pause the movie and I’d hug Y/N and comfort her. I looked at her with a smile and said “you wanna stop for tonight? We can pick it up another day?” Y/N shook her head and said “no I’m fine babe, plus it’s getting to a good part the team is getting ready to arrive back with the stones, but I appreciate you checking Chris I’m ok I promise.” I kissed her forehead and said “alright honey I’m proud of you.” We got more popcorn and drinks and resumed watching and we got to the big battle scene against thanos and his teams and Y/N squeezed my hand and we both laughed at everyone’s humor and then when tony got the glove with the stones I noticed Y/N started crying and when she was watching she turned towards me after she watched him snap his fingers and cried and said “no…” I hugged her tight and said “I know honey I know I’m sorry doll.” I held her for a bit after pausing it and just let her cry it out while holding her. Y/N calmed down after a bit and said “thank you for comforting me babe, I’m ok now but can you hold me while we watch the rest?” I kissed her cheek and said “of course sweetheart but are you sure you wanna watch the rest?” She smiled and wiped her tears off her cheeks and said “yea I wanna see Steve get his happy ending.” I blushed and said “I love you, you know that right?” Y/N leaned in and kissed me and said “I love you too Mr. Evans.”

(Y/N’s POV)

Chris held me close while watched the last few minutes of the movie and seeing everyone at Tony’s funeral except Natasha wasn’t easy but when I saw Bucky in the back I was happy knowing he would be there. After I saw Steve say goodbye to Bucky to go return the stones I cried a bit and when Steve ended up with Peggy I got so happy and I got up to hug Chris said “Steve really deserved his happy handing I’m glad they gave it to him, such a powerful movie thank you for suggesting it.” Chris kissed the top of my head and said “anything for my girl, I also have a surprise for you though sunshine, I have something for you to see.” I was curious and said “oh? What is it??” He handed me his phone and pulled up a video and said “push play honey, you’ll see.” I pushed on the video to have it play and I saw Chris was dressed as Steve Rogers and he said “hey I hope this is recording, ok so if you’re watching this doll it probably means you just watched endgame again. I wanted to make this video for you for whenever you need it. I know we might not be around in movies anymore but I just wanted to tell you that we will always be there when you need us I promise you’re never alone, oh I think Bucky would like to come say a few things hang on.”

I saw Bucky sit in front of the camera and he waved and said “hey there Y/N it’s Bucky here and I heard you just watched Endgame again and I wanted to come see how you’re doing and wanted to come say we’ll always be around and that we’re not gone forever just push play and watch the movies from the start and we’ll be there to make you smile we love you doll, oh and I think Wanda wants to come say a few words, love you doll.” I smiled while crying and said “love you too..” Wanda sat down and said “hey there sweet girl I know you just watched Endgame and you’re probably having a tough time but hey look at me? You’re not alone Y/N we’re here and we love you.” Thor walked by the camera and said “hey you, you’re strong and can make it through anything and Loki and I are watching over Midgard remember that.” Loki came in the video and said “hey darling I’m here to say I love you and here to support you don’t ever give up.” Steve showed up again and sat with the others and said “so just remember doll we will always be there when you need us so just watch this video whenever you need it and we’ll be right here we love you doll take care of yourself, see you soon.”

The video ended and I handed Chris his phone back and cried in his arms and said “thank you so much for this Chris, I love you more than anything.” Chris kissed the side of my head and said “I love you twice as much honey, anything for my baby I love you.” I hugged him tight and said “thank everyone for me ok?” Chris smiled at me and said “you got it Y/N I definitely will I promise I’m always here Y/N you’re never alone.”

Ok so I thought the idea for this was cute 😊♥️🥹 hope you all enjoy xx

Taglist:

@chrisevansdaughter @jessybarnes

@evansgurl-love

@royalwritersoftheuniverses

@fluffycutecevans

@writersblog20

@delicatecoffeepeanut

@marvelstarker-mha98

@vrittivsanghavi

@imyourbratzdoll

@lokiandbuckysdoll

@nana1000night

If I forget to tag anyone please let me know xx