#i love how she talks.. :’) <3< /div> Explore tagged Tumblr posts

[chimchiri]

gideon & harrow OR rd and sf as cowboys please please please

It's the cowgirl necro and her gunslinger cav! Who is so damn extra she's got three guns: one left, one right, and one in pole position! (She swears the ladies love it!)

[thejadecount]

To anyone who wants to talk shit about bad story/character development in Deadpool & Wolverine CAN SHUT THE FUCK UP! I CAME TO SEE 2 HOURS OF DEADPOOL MAKING META & SEX JOKES AND HAVING HOMOEROTIC TENSION WITH WOLVERINE AND MARVEL DELIVERED EXACTLY THAT

[fascinationstreetmp3]

Minthara's thoughts on Karlach

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[spinaart]

hey leader!!!

[hellafluff]

Garrus' interactions with Shepard post-Thessia are so fucking well written. Everyone else is telling Shepard they're sorry or doing a soft sad voice asking if she's okay but Garrus has this moving little speech about how losing a fight isn't the end of the war and I just. He's so fucking good. He knows what Shepard needs to hear and has the experience to back up the things he says. He's so good to her

[bunnymadeofstardust]

I don't see enough of them.

[razzafrazzle]

had some thoughts about canonical communist betty boop

[image description: a page of sketches of betty boop, including closeups of her head at various angles, a fullbody drawing of her with notes about her design, such as her large head, pudgy arms, and that her lips are located at the bottom of her head, and a more realistically styled betty. there is also a doodle of koko the clown. end id]

[courtmartialme]

woag .. otp

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[spellofwinter]

insert john cena are you sure about that meme here

[s0fter-sin]

what up i’ve been obsessed with would you fall in love with me again like every other person on the planet and i can’t stop thinking about penelope’s final verse

she’s so angry; angry that odysseus would dare to suggest that her love for him has faltered or his actions were enough to destroy it. she’s been waiting, working her fingers raw unweaving her shroud every night, not sleeping as the suitors camp inside her home; every day a threat to her and her son, to her kingdom if an unworthy man - and they are all unworthy - should take the throne. she knew they wouldn’t wait forever, that at some point her deception would be realised; her dedication to her husband means she is at constant risk and the first thing odysseus does when he sees her - if this even is him - is question her love for him?

the very first thing he says (other than her name) is, “i am not the man you fell in love with.” penelope asks him if it’s really him standing there or if she’s “dreaming once more”. once more. she’s felt the cruelty of hope before; has looked at her doorway and seen odysseus the same as when he left (which is probably partly why she’s so shocked by how he actually looks) and felt unfathomable pain when her hopes were dashed over and over again. she asks if he is really her odysseus and he says no

yes, in his mind, odysseus can’t see how he can deserve her love after everything he’s done - the atrocities he’s committed, to himself he isn’t the same man, “i see a man who gets to make it home alive, but it’s no longer you” - but all penelope hears is her husband, the man she loves and waited for, doubts the strength of her love

penelope asks what kind of things he’s done and it must be shocking to hear; his actions so different from the man who left her behind even if he did them in name of returning to her. but when she asks him to move the bed, it’s as much a challenge as it is a test. she’s asking him to prove that he is the monster he claims to be; that if he’s changed so much and become so heartless, he should have no qualms about ripping the symbol of their love from its roots. and it’s also her only way of actually determining if this man who claims to be her husband yet doesn’t take her in his arms, is actually him

“just a moment of labour would bring me some peace” - if he does what she asks, then she will know either he’s changed so much that he’s no longer her odysseus or he’s another fake and was never hers to begin with; that her husband didn’t just stand in front of her and claim she can’t love him as he is. but she’s done. she was already willing to die when she stood behind the twelve axes she challenged the suitors to shoot through. she’s so tired. she just wants it all to be over

“only my husband knew that, so i guess that makes him you” - i guess. even after telling her something only odysseus and her knew, penelope’s still not convinced that it’s truly him. how many men came to her door claiming to be her long lost husband, banking on time and distance to dull memory of his face and voice, on her longing and desperation for odysseus to blind her into believing them?

but if this is her husband? if the man she’s loved through decades of absence has finally returned to her?

“i will fall in love with you over and over again” - an exhausted promise, the core of who penelope is and how she feels; assuaging his doubts and his own clear pain

but

“no matter how long it’s been, you’re mine. don’t tell me you’re not the same person, you’re always my husband” - penelope is screaming at him; how dare odysseus say this to her? dismiss her love and her suffering? he saw the men outside, he’s smart enough to know what they were here for and instead of apologising for being gone for so long, instead of begging for forgiveness for inadvertently putting her and their son at risk, instead of embracing her and putting an end to her torment, odysseus doubts her

“and i’ve been waiting, waiting” - the tone shift of penelope screaming at him to lamenting how long she’s been waiting is heartbreaking; it’s quieter as she gets lost in the pain of her grief, her anger failing as she recalls the memories of her long years of solitude. odysseus tries to call her back with his gentle “penelope” - such a contrast to his own exhausted anger at being asked to destroy their marital bed now that he understands why she asked that of him - but she can’t hear him; she’s too trapped in the memories. he tries again, still gentle but more insistent, and this time she does hear him and her anger comes rushing back along with her grief. her “waiting, waiting,” becomes almost accusatory; she’s been alone for so long and it’s bc of him, bc he wasn’t there, bc he left her waiting

that abrupt “oh” at the end of the verse isn’t just a vocalisation; in that moment, she’s realising that she has realised that he truly is odysseus. she knew it was him before she even processed it. she wouldn’t be this angry if he were anyone else; love and grief and anger coalescing in one single divine moment where penelope finally believes her odysseus has returned to her

“for you” - she’s been waiting and waiting, years turning to dust, her sleepless nights and days spent living in fear and preemptive grief- and it was all for him. odysseus is actually here. which means her waiting is over

“how long has it been?”

“20 years”

“i- i love you”

[thatbuddie]

i’ve decided i want to do the spin the wheel game for 911 characters but instead of fmk it’s:

solve one problem in their life (you have to put in the tags what problem you’d solve for them)

put in prison (you have to put in the tags what crime they’re getting convicted of)

have a 3 hour conversation about only 1 topic with them (you have to put in the tags what topic you’d choose)

so go on: spin the wheel for a 911 character!!!

[ratcandy]

words cannot describe how happy i am that heket remains lamb's #1 hater in the entire world even after her cleansing

[sporeclan]

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All grown up <3

[umblrspectrum]

still thinking about it so heres a bunch of stuff