#i love how her reputation is fully established by season 3

[scribbly-dee]

Inspired by this post

I adore corruption arcs, so I graded how well the non-archivist characters would have damned humanity if they had been the archivist.

Sasha James 11/10, would be an ideal archivist, this plus her height is probably why the stranger monster targeted her before she could peak

I have a soft spot for any au that knows Sasha has never seen a brain cell in her life and that any unhinged!Sasha au is really just a regular Sasha au. Picture it with me. Sasha and Jon have parallel archivist tracks, until Sasha (my beloved show off) decides: you know what would make me more efficient at snooping? Becoming a Human Google. And things accelerate. The Web doesn't even need to bother with subtly magic lighters, it slaps all 14 marks on her at once by pulling up next to Sasha in a windowless van with "free secrets 👍" written on the side.

After the Unknowing, Sasha takes over the institute from Elias instead of Martin and Peter. With Tim dead, Jon in a coma, Martin lonely-snatched, Melanie compulsively homicidal, Daisy in the coffin, and Basira on autopilot, she quickly bonds with Rosie, the ultimate nosiness enabler. Sasha is a fully marked archivist for a good long while, but doesn't start the apocalypse right away because she's eager to read ALL the ominous notes Elias left, so the watcher's crown statement is in her to-be-read pile. When the apocalypse starts (Rosie: "Hey, Sasha, I just read something extra fucked up that Elias wrote, wanna see?" Sasha: "God yes."), she books it to become the pupil with Rosie as her anchor. Mayhapse an anchor-archivist polycule with Archivist Jon and Martin? Mayhapse Jon is just a normal eye avatar here and deeply invested in all of Sasha's eyepocalypse statements, so it's Sasha and her plus-three? Mayhapse it's a race across the eyepocalypse wasteland between Archivist Sasha and Archivist Jon to usurp Jonah and become the pupil?

Tim Stoker 2/10 dude's here for a good time, not a long time

The only way I see this working is if Elias disguises not-stranger clues as circus related so Tim is motivated to investigate. Otherwise, his archival assistants are way more curious than him and disobey his direct orders to 🍹chill🏝. Jon, Sasha, and Martin inadvertently bring marks home to him like cats bring home dead birds. He asserts his agency when he decides the best course of action? Actually? Just blow up the archives. This unfortunately puts him in a false sense of security, and Elias makes him read the watcher's crown statement by cat fishing him on grindr and sending the ritual as a dm mid conversation.

Daisy Tonner - 9/10 archivist, would have started doomsday before she was at the archivist job long enough to use her PTO

Daisy already had a lot of experience hunting down fear-entity-related people in sectioned cases, which means she possibly canonically already has all the marks from just hunting avatars who use their powers in self defense. The reason she lost one point is because she's too much of a jock to read, only nerds are culpable to watcher crown statements, so this would be the only delay but oh what a delay it will be.

Melanie King - 7/10 archivist, points awarded for achieving her breakthroughs by smashing her head against a wall until she literally breaks through, points deducted for doing so in full clown makeup.

If Jon got a handful of marks by just asking anoying questions in the same room as an avatar, imagine how much faster Melanie would get marks by bringing her trademark Chaotic Brat personality on fear entity investigations. The apocalypse would have started in like two seasons: one season to hire her off the streets and establish shakey, complex relationships with her new assistants (Jon and Sasha put in the time with the institute but were passed over on this promotion for some random YouTuber (plus they're tighter with Tim and Martin, so proletarian solidarity against the boss)).

Then a second season to stab every mark and get stabbed in return. Melanie would blitz through all 14 marks because what precious little impulse control she starts with is slowly replaced with slaughter juice. One fun moral ambiguity to explore could be if Melanie tries to use her new, dangerous Eye/Slaughter powers to revive her reputation and platform in the supernatural community now that she can, ya know, identify supernatural things for the first time ever. Does she acknowledge her entire career up to her hospital episode apparently only investigated fake sightings? A better question to ask is whether Basira, Tim, and Jon ever let her live down how Ghost Hunt UK's professional dignity was contingent on the legitimacy of her sCiEnTiFiC gHoSt eQuIpMeNt in those episodes, so the temperature spikes set to dramatic music were well and truly just temperature spikes and dramatic music. Sasha found a clip of that music playing as Melanie narrates "it's a message... from the other side..." and made it as her text tone.

Also, it would be hilarious if Melanie tried to kill Jonah on sight in the panopticon, once again botched assassination attempt number 1,963,538, and then Jon quietly snuck in to finish the job on his first try just like in canon.

Jon: "What, like it's hard?"

Basira Hussain 3/10 archivist, her eye alignment manifests as office gossip, like a normal person

Basira has the most formidable super power of all: the power to nope tf out of any conversation or plan she wants. She therefore would probably take 10x longer to start the apocalypse than any other archivist because her fatal flaw is refusal to directly engage with a lot of personally difficult things (like the slaughter bullet surgery she organized, Daisy In General, etc). The marks will be slow going if she resists putting her safety on the line or invests time in making good plans (which is smart, but unhelpful for dooming humanity). She would for sure still get marked and end the world because once she's convinced of a plan (aka Elias convinces her of a plan), she's ruthlessly efficient. So I'd stay out of her way that last year or two, she marks the entities right back at them.

Martin Blackwood 2/10 archivist, considering a prerequisite for creepy eye avatar staring is the ability to make eye contact.

S1 Archivist Martin would probably dote too much on the employees under him to be hugely susceptible to Elias' isolation-dependant manipulation. Any progress Martin inadvertently achieves toward the watcher's crown goal would have to be contingent on it helping his loved ones, which is perfect fuel for a "corrupted by good intentions" arc. This would be key because Martin has superb bullshit and manipulation detection, making the marks are tricky but not impossible to orchistrate considering Jon can't stay put in a safe corner for 10 minutes and Martin's mother would refuse to stay with him where she's safe from avatar threats.

Imagine the petty drama when Jon and Sasha learn he got the promotion they wanted because he lied on his CV.

Other than that, Martin would be even worse about pit stops on the apocalypse road trip than Jon because his Kill Bill mode would have no off switch. Does Archivist!Martin and his anchor Jon ever reach the panopticon? Eventually, but not until after they lose points for significantly reducing the apocalypse fear quantity. Would Annabelle survive to deliver her cryptic MaCHiNAtIoNs and achieve the Web's goal? Hard No, additional point reduction for neutralizing the multiverse invasion. Points potentially earned back if Martin's Web connection is strong enough to come up with the multiverse invasion plan on his own, though.

Georgie Barker 4/10, as a fearless coward, all the fear she feeds to the entities would be khaki flavored. They'd get their apocalypse, but they probably wouldn't enjoy the meal.

Similar to Basira, Georgie has the super power to Fuck This Shit I'm Out. She would overall be a subpar humanity damning archivist; a major archivist success factor of Jon's is that he has enough affective empathy to be afraid with every statement giver he reads, so when Jon archives a statement, he unintentionally contributes to the fear soup seasoning. Combined with how Georgie doesn't want anything to do with entity drama, so any corruption specific to the watcher's crown would stagnate. Even her casual exposition conversations would go like

Georgie: "I've connected no dots."

Melanie: "you've connected a lot of dots??"

Georgie: "I've connected shit all dots."

The reason she gets one more point than Basira is because Georgie's fatal flaw is the passive observer quality the Eye tried to stoke in Jon. Her level of engagement oscillates between two extremes, impulsive over commitment and judging from a distance. This would probably lead her to geting involved just long enough for her involvement to become irreversible, at which point she would try to cut that shit out of her life after it's trapped her. She'd linger, barricading herself on the margins of this problem as the marks that are targeted at her slowly tally up until boom. Apocalypse is on and she only half understands what's happening.

Georgie would wander around an apocalypse hellscape confused, but vibes and physical health fully intact. Anchor!Melanie would have quite the emotional journey starting with Georgie on that pedestal Melanie placed her, and ending with a slaughter avatar stabbing the person who convinced her to work on her slaughter inclination.

[onlyalittlebookworm]

I posted 2,219 times in 2022

52 posts created (2%)

2,167 posts reblogged (98%)

Blogs I reblogged the most:

@reputation

@adamronans

@stonerbughead

@stillhidden

@dailystrangerthings

I tagged 2,213 of my posts in 2022

#stranger things - 345 posts

#text - 240 posts

#st - 132 posts

#otp: we just ran - 131 posts

#otp: hey there juliet - 124 posts

#joyce byers - 101 posts

#stranger things spoilers - 87 posts

#winona ryder - 84 posts

#el hopper - 71 posts

#btvs - 69 posts

Longest Tag: 139 characters

#honestly love your shadowhunters posts bc they’re always so relatable and i love that someone besides me still can’t stop thinking about it

My Top Posts in 2022:

#5

I haven’t been watching and I don’t plan to until the shit gets sorted out, but I’ve been lurking and honestly I’m disappointed with the way TBK has been handled. When he’s introduced as part of Betty’s time-skip backstory, it’s clearly a traumatic, horrific experience that she’s had to go through and we see how badly it’s affected her.

Now, from what I’ve picked up from s6, the MO of the killer seems to have completely changed and he’s just out here vibing? It’s being handled so flippantly and I feel like that’s such an insult to what was established in early s5 and what we saw of Betty in that season. In the end, it’s turned into a joke because these writers are fully incapable of carrying a story through and maintaining a consistent tone. This is not at all surprising but I’m really disappointed by it.

13 notes - Posted April 7, 2022

#4

I’m sure someone has already caught this parallel but “the lovebirds” being the unofficial code name for both Jopper and Lumax in the finales for s3 and s4 respectively is wild to me especially because neither couple is officially together at the time and also both make plans for when they get out safe but the plans don’t happen bc one of them “dies”

13 notes - Posted August 15, 2022

#3

NO ONE FUCKING TALK TO ME I’M ABOUT TO GO FERAL

24 notes - Posted June 7, 2022

#2

i’d give up forever to touch you

He touches her differently now.

Read on AO3

25 notes - Posted September 1, 2022

My #1 post of 2022

all the things we did (look what we became)

Riverdale through Betty's eyes; or, Betty Cooper has gone through a shit ton of trauma and is not handling it well.

Read on AO3

38 notes - Posted August 13, 2022

Get your Tumblr 2022 Year in Review →

[dramaticviolincrescendo]

How would describe shameless to someone who never heard of it? How would you describe the specific characters?

I don’t know what I’ve done to deserve these super fun asks, but thank you so much! :D It’s funny that you sent this because I did actually describe the show to someone not too long ago, and I didn’t like how I did it in hindsight. I felt like I didn’t do it enough justice. So, I get a second chance to try again!

“How would you describe Shameless to someone who never heard of it?”

Shameless is a show about how life doesn’t always go our way, we don’t always do the right thing, and we’re all imperfect beings—but we still deserve a chance regardless. The Gallaghers begin the series nearly at rock bottom, doing anything they have to for their literal survival, but also to keep their family together. Sometimes that means supporting each other when they’re in a difficult spot, banding together to help their neglectful father even though he doesn’t deserve it, or even committing petty crimes to sustain their meager way of life. As they get older and have more agency in and control over their lives, the nature of their problems shifts, and they learn from their own mistakes rather than reacting to their parents’. The same trends unfold for the people and families in their orbit, showing that various trials and tribulations can impact anyone of any social standing. Not everyone gets a happy ending; not everyone gets what they want. However, they grow and learn how to manage both the hand that they’ve been dealt as well as the bed they’ve made for themselves. That, after all, is life.

Shameless is a “dramedy” where the comedy elements utilize primarily satire, which sets it apart from the popularity of slapstick and dry comedies over the last decade. By nature, the show therefore addresses difficult, uncomfortable, and controversial topics in manners and utilizing methods that are designed to make us laugh at the absurdity while forcing us to think about these topics in ways that we may have avoided otherwise. This format has been established since the pilot episode and certainly is not to everyone’s taste. I wouldn’t recommend this show to anyone who prefers that such issues be addressed with a deeper analysis on the part of the characters rather than the audience, which is the general tendency in drama pieces rather than shows of this genre.

“How would you describe the specific characters?”

For this, I’ll focus on the main Gallagher family, Kev, V, and Mickey, as they’ve been the constant presences on the show since the start. I’ll also keep it relatively short since I could write essays on each one, and that would bore anyone who hasn’t heard of Shameless (and 95% of those who have) to tears.

1.      Frank Gallagher is the stereotypical “deadbeat” who plays the system for every penny so that he doesn’t have to work, choosing to fund his addictions rather than support his family. He will go to any lengths if it means preserving this lifestyle—mild, absurd, and even heinous. He functions as something of an anti-hero, being more a threat to the family’s stability in early seasons than a boon and gradually sinking into obscurity because of his children’s growing indifference as he burns one bridge after another with them. Frank prides himself on espousing only the values that will get him what he wants in a given circumstance. In specific instances, that has meant showing a measure of love and affection for his children that evidence has proven exists deep, deep below the surface. In others, he’s a wild card. Frank’s various fatal flaws have included arrogance, addiction, selfishness, and an avoidance of any and all responsibility.

2.      Fiona Gallagher is the eldest and began the series as the rock of the family because, to put it simply, she was the only person able to do it. She selflessly cared for her younger siblings so that they wouldn’t be scattered into foster homes or adoption thanks to her parents’ neglect, even to the point where she gave up portions of her life and blurred the lines between her roles as sister versus caregiver, which became a sticking point in later seasons when her siblings didn’t need or want a mother-figure anymore. While Fiona was initially very responsible with regards to raising her siblings, she therefore sacrificed a lot of opportunities that were important for her development as a young adult and exhibited an immaturity typical of people her age that impacted other arenas of her life, especially relationships. As her role as caregiver dwindled, that immaturity and the norms prevalent in her environment became more pronounced with her newfound freedom, and she struggled greatly in the face of what she viewed as making up for lost time. Fiona’s various fatal flaws have included ambition, a “martyr complex,” and viewing her family as an impediment to her ambitions later in life instead of a support system.

3.      Lip Gallagher is the oldest son. He began the series with a hefty chip on his shoulder. Intelligent, quick-witted, and calculating, Lip was constantly referred to as a sort of diamond in the rough and clearly came to believe it. This led to a very fascinating dynamic within the family and his other interpersonal relationships as his love for and desire to protect his family was balanced by a sense that his way was the best way—the only way, really. A combination of poor choices and unfortunate circumstances beyond his control resulted in a very real “fall from grace,” by South Side standards, and Lip has worked hard to claw his way back from where he was in the middle of the series. Where Fiona spiraled further as she withdrew from her family, Lip leaned on them and others in his support system—and it saved him. Lip’s various fatal flaws have included arrogance, contempt for power structures in which he is not at the top, and trying to solve other people’s problems at the expense of dealing with his own.

4.      Ian Gallagher is the middle child and something of an outlier in his own right where his family is concerned. He began the series seeming to have his shit together: he balanced school, ROTC, and work, excelling in all three at just fifteen years old. He was plagued by his status in the family at times, not old enough to have more control over his situation while not young enough to shrug off a lot of it on Fiona and Lip, and wanted something for himself more than anything. It’s that combination that put him in an extremely vulnerable position, because while he was the picture of responsibility and didn’t orchestrate as many scams as his siblings (though he was involved in plenty—he is South Side and a Gallagher, after all), it gave him—and his family—the false impression that he was more mature and in control than he was. Multiple older men preyed on him because of that, and in his thirst to find something that was solely his and someone he could care for outside his household, he viewed them as relationships rather than abuse. Like Lip, Ian truly hit rock bottom in a different manner, although the causes of his descent were more heavily skewed beyond his control. In true Ian form, however, he remains driven to find the straight and narrow—and stick to it as much as he can. Ian’s various fatal flaws have included ambition, a “hero complex,” compartmentalizing to the point of narrowmindedness or naïveté, and ignoring his own needs in pursuit of fulfilling others’.

5.      Debbie Gallagher is similar to Lip in that she has always been clever, cunning, and driven to get what she wants. Debbie began the series in a difficult position, going to school and contributing to the household while ultimately not in control of anything that was going on. From the start, all she wanted was a functional family, and it colored her behavior throughout the first six seasons of the show. In many cases, that meant doing whatever she could to hold everyone together: investigating Fiona’s lying boyfriend, running a daycare so that Fiona could work all night and still find time to sleep, prompting Fiona to more actively worry when Ian ran away and helping Lip locate him, and caring for Liam a lot of the time while he was a baby. Over the years, as the dysfunctions racked up, she sought an escape through boyfriends and a baby of her own. The means by which she attempted and ultimately failed to achieve these goals were at times reprehensible and spurred on by both her immature ignorance and the culture in which she was raised. Debbie’s various fatal flaws have included self-centeredness, envy, manipulative tendencies, and not thinking or caring about the implications and consequences of her actions for herself or the people involved.

6.      Carl Gallagher began the series as a real mess. The word “sociopath” comes to mind. He was the stereotypical “wild child” whose behavior embodied the dysfunctional nature of the family and their environment. He destroyed toys for fun, tortured animals, physically bullied children at school, and was held back multiple times for poor academic performance. Carl was never as academically bright as the other Gallagher siblings, but his street smarts were nigh unparalleled and, like Lip, he could probably survive anywhere. Over time, Carl underwent a remarkable transformation: embracing the negative stereotypes of his environment, he dove towards rock bottom with gusto only to realize that the thug life isn’t all it’s cracked up to be. Once again, he paralleled Lip and Ian’s trajectory in leaning on his family when it became too much, and he’s turned his entire life in the opposite direction to pursue a path that he hopes will lead to helping people rather than hurting them for his own gain or reputation. Carl’s various fatal flaws have included lack of foresight, a penchant for violence, and ignorance.

7.      Liam Gallagher is still very young and therefore tougher to fully characterize as his development isn’t as extensive. Right now, he’s the same age Debbie was when the show began, and we’ve seen just how far she’s come. So, for the time being, Liam is extremely bright and has grown up with a great deal more privilege than his siblings. He doesn’t remember saving for the squirrel fund with fears of not being able to eat all winter in mind. He doesn’t remember what it’s like to worry about Frank or Monica’s actions having an enormous and lasting impact on them. He doesn’t remember Lip dropping out of school and moving out of the house, Monica’s actions at Thanksgiving, Fiona crying over crumpled bills from working at the sport bar, Ian going missing for four months and coming home a different person, or Debbie lying about Patrick just so they could keep a roof over their heads. Liam didn’t grow up with those things, and so he has the luxury of being a kid a bit more of the time. However, because his parents aren’t around and Fiona left the house a long time ago despite being his guardian, he has matured quickly in lieu of any real supervision.

8.      Kevin Ball and Veronica Fisher have been the Gallaghers’ closest allies in the neighborhood all this time. Kevin isn’t the brightest academically or in terms of common sense, but he has a good heart and makes the best decisions when he uses it. He has been through a lot, between foster care as a kid, a crazy ex-wife, trying to keep the Alibi afloat, and raising twin daughters that they definitely didn’t have the means for when they discovered that they were expecting two kids. And Veronica… Well, she’s quite literally his other half. She’s savvy and smart, intelligent and assertive—they complete each other. They began the series as an established couple experiencing some growing pains, especially when Veronica was giving the Gallaghers everything from use of their shower to their toaster while Kevin insisted that they needed to focus on themselves before they could help Frank’s kids. (He talked a good game, but when the chips are down, Kevin has always been there for them too.) They’re good people who’ve been given a few bad shakes and taken a few wrong turns, but their love for each other, their kids, and the Gallaghers has made them a surprisingly strong heart of the show. Kevin’s various fatal flaws have included lack of foresight, ignorance, and not standing up for himself. Veronica’s various fatal flaws have included avoiding communication about her feelings and indecisiveness.

9.      Mickey Milkovich is the stereotypical personification of their environment. He began the series as a poor thug—and a dirty one, at that—who exuded such a presence in the neighborhood that he instilled fear at a mere glance. His family functioned as a foil to the Gallaghers, perhaps what they would have been if Frank had been a different person or they’d fallen even further. Mickey didn’t benefit from an emotionally supportive family that banded together to provide for more than merely monetary concerns, not to mention that his father was openly and violently homophobic, so it took a great deal of time and overcoming numerous internal and external hardships for him to come to terms with who he is on many levels. Over the years, Mickey was self-employed or acted with his family as a drug dealer, a pimp, and a prison hitman; worked for a drug cartel; and has engaged in any number of other scams and illegal activities in order to make ends meet—and he has been quite happy to keep doing so as it plays to his strengths. Mickey is remarkable, however, because he has always been a multifaceted character whose problematic decisions, abrasive mannerisms, and questionable lifestyle didn’t and don’t negate that he cares very deeply and will do literally anything for the few people he allows to get close to him, specifically Ian. Mickey’s various fatal flaws have included lack of foresight, avoiding communication about his feelings, and not reaching out for help when he needs it.

~*~

That was quite a bit longer than I initially intended, but I had a great time putting this together. Thank you again for the ask! 

[appleb18]

Cartoons Relationships Are Terrible

Back in the day of cartoons, the romantic subplots were simple and yet very heartwarming to see such as 

Katara and Aang from Avatar: The Last Airbender

Phineas and Isabella from Phineas and Ferb 

But now, modern cartoons are taking romantic subplots into heavier territories that something that some live-action shows would do. While it does sound interesting that making relationships more realistic and complex but the way that has been written in the previous decade is pretty bad. The writers try to make romance relatable to the audience but fail on doing so such as making likable characters to really cringy and awful people, shoving down our throats of how cute it is and having the romantic subplot more focus than the actual plot.

Adventure Time and Regular Show 

So you must be wondering why I put Adventure Time and Regular Show together instead of separate categories. The thing about these two shows is they used to have bad romantic subplots but as the show progresses, they really did it well and I have to say it did better than most cartoons that failed to do which I’ll talk about later. 

For Adventure Time, Finn and Flame Princess broke up in “Frost and Fire” due to him deceiving her by having FP fight Ice King/Simon Petrikov for his amusement

After their break, he tries to rekindle his romantic feelings for Princess Bubblegum and thinks age is just a number in “Too Old”. However, it doesn’t end up too well that she has people to watch over and that’s when he realized that he really did donk up with Flame Princess. 

Although he apologized to FP in “Earth and Fire” to her it didn’t fully restore their relationship and Finn still had romantic feelings for her and Princess Bubblegum. 

Thankfully, Finn matures in later seasons.

Finn realized it’s better for him to be friends with Princess Bubblegum 

He then fully apologized and realized what he has done wrong to Flame Princess and she tells him that he really matured and hang out by playing guess who and rapping in “Bun Bun” 

and Princess Bubblegum, and Marceline. They both finally reconcile at the end of “Varmints” and start to hang out more which develops their relationship from being platonic to romance.

For Regular Show, in “Steak Me Amadeus' ' Mordecai asked Margaret to be his girlfriend and although she would like that, she can’t because she got accepted into college which broke his heart.

It didn’t last when he’s been reunited with CJ in “New Years Kiss”. 

As the show progresses, the two become a couple but then things get complicated when Margret returns. It made things awkward between CJ, Mordecai, and Marget like CJ always gets jealous and runs away when she sees Mordecai and Margret together. 

By the end of season 6, he dumps CJ in front of everyone in Muscle Man's wedding. 

Like Adventure Time, Mordecai and Margret hangout and realized they should stay as friends in “Just Friends” 

While Eileen and Rigby become a couple. 

Now it’s time to talk about other cartoons shows and their romantic subplot problem  

Steven Universe 

Steven Universe relationships can sometimes be well written but most of the time can handle poorly.

Such as Lars and Sadie were starting to develop their relationship in “Joking Victim” however it repeats itself throughout three seasons until the end of season 4 where Lars develops. Then there’s Sadie trapping him and Steven on the island in “Island Adventure” so he won’t have to leave and they don’t resolve and don’t even mention it ever again in later seasons. All they show was Sadie scar and that’s it

In “Steven Universe: Future”, Sadie and Lars didn’t get together and she’s now with Shep and they did it off-screen. So throughout the whole thing with Lars and Sadie, they don’t get together. The show kept teasing it and they might get together in the future but the writers just said screw it, let's have her date a nonbinary while Lars goes on a space adventure. It feels like a waste of seeing those two characters that the show keeps showing them together and not have them become a couple. Unlike SvTFoE, Shep just came out of nowhere with no proper introduction and doesn’t establish they and Sadie's relationship and it’s really bothersome! 

Connie and Steven's relationship was good for the first four seasons. It was really had good chemistry and she was a good partner for him 

then season 5 came in and it kinda got ruins by after Steven escape from Gem Homeworld and coming back to Earth, it starts off with Connie leaving Steven with lion and never to be seen for a month according to “Keven Party”. The Steven and Connie arc was really bad like why was it dragged for five episodes? The whole thing could’ve been resolved in one episode by having them talk about their feelings like how “Mindful Education” and “Full Disclosure” did by they talk about their emotions instead of running away. 

Then in “Gemcation”, Steven the most important thing to him is Connie's relationship than worrying about Lars and the Off Colours' safety. That has to be the dumbest thing I’ve heard in my life and I can’t believe Rebecca and the Crewniverse have written it like that. 

Then there’s Ruby and Sapphire. I’ll be honest, the relationship feels like old Disney love stories like Cinderella, Seven Dwarfs, and Sleeping Beauty and that’s not a compliment. In “The Answer”, after they accidentally fused, they escape and wander Earth that caused them to fall in love which kinda contradicts what Garnet said to Jamie about love, at first sight, isn’t good in “Love Letter”. 

In “Pink Diamond” Arc, the plot came to hold to make room for Ruby and Sapphire’s wedding. 

While it is revolutionary that they show an LGBT wedding live on television but as a narrative standpoint, it feels rushed. The reason for that is after that Blue and Yellow came in after the wedding. They were no build-up or anything, they just came.The reason why they did it so some countries can’t take it down due it the main story which is stupid. It’s nice they represent LGBT but why in the middle of a major story arc, that’s just sloppy. 

Voltron 

So Voltron has a reputation of queerbaiting the audience that Shiro is gay and he has a boyfriend. The writers keep telling us on Twitter that they’ll show his boyfriend in season 7 but when it finally aired. It was terrible 

The first time we saw Adam was a flashback but it was nothing, it was more friendship than romance. 

When he finally shows up in the present he dies. Shiro goes to the memorial and signs than that’s it. 

The writers really made a dumb move of hyping it up but they let us down by having him die. They try to make it up by having Shiro marrying some guy who has a very little screen in the final season. Similar to Regular Show with Mordecai marrying a batgirl but not dumb while Voltron trying to get brownie points for having LGBT rep. 

Lance and Allura were really forced. For six seasons, Allura was never interested in Lance and only saw him as a friend but in season 8, the two confessed their love for each even though there wasn’t any chemistry nor sign that they truly love each other and they insensitively become a couple for one date. I would’ve supported if their relationship was established back in season 2 

The Legend of Korra

The love triangle between was handled so poorly with bad timing, making characters look terrible, making things force and having it engage more than the plot. 

For the first season, there was a love diamond. Bolin liked Korra, Korra likes Mako and Mako liked Asami and those two go out. Korra and Mako kissed which broke Bolin’s heart but he got over it but when Asami finds out when Korra was missing, she gets jealous. I understand that she was concerned about her relationship with Mako but during when Korra, the avatar that is missing while Equalis are on the move? That’s not the right moment to get jealous when Republic City is gonna be under attack but of course, Mako and Asami break and Korra gets in with Mako. 

In season 2, things get worse when the happy couple keep nagging and they break up

Which he tries again with Asami 

After Korra got her memories back but forgot breaking up with Mako, she asked him if it was bad however though he lied and everyone judged him for that dick move, especially Asami who started to have feelings for him again. Thankfully they broke up because that was just an awful way to get someone back by having their mind erased. 

Also, Bolin was with Eska and it was abusive. Forcing him to be her man, changed his whole entire to match with hers and she forced him to marry her. 

What’s worst about it is no one is concerned about him being with her and instead they just laugh like it’s supposed to be funny. Being in an abusive relationship isn’t funny and I hate how the show treats it so. By the end, they just forgot the whole thing that ever happened and moved on with their lives. 

Season 3 and 4 kept the romance to a minimum with Bolin x Opal and Jinora x Kai but there was one romantic relationship that had to happen with no hints or build up and it’s Korra x Asami. By the end of the series, they decided to go to the spirit together while holding hands and having their eyes glazed toward each other and they become a couple. 

While many of you may say that they hinted it since season 3, however, it looks like friendship. Blushing and writing to her isn’t enough to say they have feelings towards each other. That is what best friends do too. The creators even have to confirm that they are a couple and the comics showing their love while it’s nice and all but it would’ve been a lot better to show it either on streaming service or live television than buying volumes to see more of their pairing, it’s balderdash. Now it’s time to talk about a cartoon that has one of the worst romance I’ve ever seen in my entire life of watching shows. 

Star vs The Forces of Evil

Star vs The Forces of Evil has one of the WORST romantic subplots I’ve ever watched, it is even worse than CW’s Arrowverse romance and that’s saying something. The romantic subplot makes Star and Marco look like terrible people that only care about each other more than other characters. 

Jarco 

Out of all ships in SvTFoE, Jarco has the most establishment than most others. Marco liked Jackie when he was little and it was bound to happen that those two will date. Ever since season 1, the relationship has been growing to platonic to a romantic couple in season 2. 

Their chemistry together worked well but then “Sophomore Slump”. When Marco finally went back to Earth, he was obsessed with Mewni and Star and he won’t stop talking about and he still wears the cape. When Jackie told him to stop obsessing over Mewni which he tries to do but it got the better to him by he still wears the cape when he was on his date with Jackie. It’s really BS when Marco said to Jackie “You’re my best friend” which ruined everything that it established since season 1 and this, of course, caused them to break up.

 Then he left Earth to go to Mewni the day after their break up. It’s a real shame that building up their relationship and giving Jacie character got shoved aside for Starco. Although she returns and meets up with him again I can’t help feeling that it just for fan service and being inclusive for Jackie being Bi

Tomstar 

Before the show started, Star and Tom were a couple but broke up due to him getting angry very easily and he wanted her back for the past two seasons luckily he stopped trying in “Mr. Candles Cares”. Their relationship becomes healthier when Tom gives Star space and that causes them to get back together and not have feelings for Marco anymore.

 Tom went through a lot of development for Star and it was a Mewni x Monster romance which is similar to Eclipsa and Globglor and it fits season 3. After rewatching it, it was pretty good. However, like Jarco, it was doomed from the start due to fans wanting Starco to be canon even though Tomstar was getting good. Also, Star was a terrible girlfriend to him. 

Star never told him she kissed him, Marco did and when Tom confronted her about it, she got mad and tried to walk away. 

She mistreats him by nagging somethings, blowing on his face and angrily ask translate

She declined on going on a vacation with him so she can be with Marco.

Even his mom was afraid that she might break his heart again and her response “Everybody breaks up. That’s what teenagers do! Teenagers are dumb”. He went through so much development, changed his character and gave her so much but she never returned the favor. What an awful girlfriend 

Kellco

With Tom and Star getting together (for now) it left Marco feels devastated that she’s dating someone and can’t get rid of his feelings for her while Kelly doesn’t want to be with Tad which she broke up with him. They both have something in common and start to hangout and their relationship has developed throughout season 3 and he’s with her more than Star. 

They became officially a couple as “breakup buddies” in “Kelly’s World” and it also when they did a perfect synchronization between two partners. 

So they’re pretty much a good pair but everything changed when the episode “A Boy and His DC-700XE” and did an off-screen break up. I don’t care who or what you write but never, ever a major plot point or character development offscreen. Kelly finds happiness when she leaves Tad but they break up with no explanation. It was glossed over like for five seconds and Marco doesn’t even care about their break up, what an a*hole. 

This relationship feels like a real waste of time and serves nothing to the plot nor character development, it was just there to waste time.

Starco

Before I talk about Starco, I used to ship it and I thought they were enjoyable characters. They would've worked in a relationship if things were written better and would have been the next Phineas and Isabella but sadly the writers messed up probably the easiest romance to write. 

Season 1, Star and Marco became best friends. Although there weren't many romantic moments they still look pretty good together 

Season 2, As Star was happy for Marco that she’s finally dating Jackie, the girl he has had a crush on since preschool,

 on the other hand, she started to have feelings for him and she has trouble expressing it. 

In season 3, Marco started to have feelings for Star which caused him and Jackie to break up. Star told him that he wants nothing to do with him romantically in “Lint Catcher” and Tad told him that he does have feelings for her in “Lava Lake Beach” and he wasn't happy to find out about it at all. Then in Booth Buddies, they were held hostage by some freak until they kiss and they were completely in denial about having feelings for each other

Then season 4 is when Starco becomes really sour. Star and Marco always keep saying that they don’t want to have feelings for each other and yet the writers have several episodes before the end of the series

. They never showed any romantic interest until “Mama Star” where he confessed his feelings to her and then they kissed in the second last episode. By the finale, instead of either of them going back to their dimensions they went back to the World of Magic and held each other. It would’ve been more meaningful if they got together before the end of the  show. 

It’s very odd that they risk their lives for a relationship that just started. However, for some miracle, both of their worlds collide and become one with no explanation of what so ever. 

Starco could’ve been a lovely ship but the writers have to keep messing around with it till the very end. 

Conclusion 

Whenever a show presents a romance, I don’t mind as long it either fits with the narrative of the story it be fun but 2010s romantic subplots have been written very terribly by having it the main focus but sacrifice pacing and quality of the story, forcing characters to become a couple without establishing it enough in the show, and having characters go off for the sake of drama. Romantic stories can be simple and cute like Kim x Ron from Kim Possible, Suki x Sokka from Avatar: The Last Airbender and Starfire x Robin from Teen Titans and that’s all right. I do hope that this generation will fix what the previous decade of cartoons has failed to do. 

[underscore-jude]

A Brief Tangent on Simon and Grace

one thing i’ve seen on Infinity Train is people talking about Grace and Simon and acting like their situation is entirely black and white. It’s not. Grace and Simon both did shitty things to each other- the difference is in how they dealt with it after the fact. 

The only thing Grace ever wanted was to be noticed by her parents, to have just a sliver of attention. It would make sense for her to be enamored with being the leader, getting attention from others and being able to give attention to those who looked up to her. At the very beginning of her journey on the train, when she saved Simon, she got her first opportunity to do exactly that- get attention. Grace had spent years regarding Simon as #2, and he always submitted to her will- she was the boss. This is where the bulk of my issues lie: when people act like Grace never ever did anything wrong to Simon when she did.

Simon was trapped on the train as a child. He allowed himself to get attached to Samantha- and that’s fine, by the way, because the denizens are established as having their own free will and being their own people (or cats) and her instinct to nurture Simon was in her blood, and he was literally ten years old, so it wasn’t strange for him to cling to a motherly figure. He gets abandoned by the Cat, and is in an incredibly high emotional state when Grace finds him. Grace protects Simon in the exact way he needs it, and so he is willing to trust Grace to a fault even when he’s an adult. 

To clarify, it’s not Grace’s fault that Simon did this. Even though she was a little older, she was still a child as well. But eventually she realized that Simon was willing to do anything for her and you can’t deny that she took advantage of that on occasion.

The events of Season 3 is where we see their coping mechanisms and personal growth deviate and thus lead to their individual fates in the story.

As we see very clearly, Grace is a young black woman who was neglected by her parents her entire life- instead of making sure she’s cared for/disciplining her when she does wrong, her parents are always quick to do the thing that will save their reputation first. This is something that Grace grew to resent and value at the same time. Grace looked up to her parents- she wanted them to be proud of her. She takes care of the Apex kids and gives them all special attention because she knows what happens when children grow up without a guiding parental force. This is why she is so willing to let Tuba accompany the group in the beginning- even if she’s a denizen, to rip a child away from a parental figure that they care about is something Grace couldn’t let herself do.

Over the course of their journey, Grace realizes that Tuba is much more “human” than she’d initially thought, and I have no doubt that her encounters with Lake played a part in the dent in her views on denizens that is blown wide open by the end of Season 3. Finding out that Hazel is a denizen after coming to understand her as a fully realized creation is pretty much the final straw that changes Grace’s mind, and allows her to achieve her redemption. 

Now, for the other hand.

When we first see young Simon, he is dressed in a shirt, tie, vest, and shorts, with very cleanly cut hair. He says that he was wearing socks and sandals because his mom wanted to try a new look. Everything that Simon says about his life before the train implies that he had a, if not good, much better relationship with his parents than Grace had with hers. Already, Simon was established as being a privileged white man who ended up on the train during some of his most formative years, and his naïveté (due to, again, him being a child) allowed him to become attached to the Cat and then Grace.

Simon’s mindset boils down to: he’s been abandoned before on this train, who’s to say it won’t happen again? He allows himself to become attached to Grace even though he knows what could happen. When Grace allows Tuba to accompany the group and he later discovers that Grace was lying about knowing Hazel was a denizen, Simon is not nearly as hurt or shocked as you might expect him to be. He’s sad that a person he trusted lied to him, sure, but he’s more angry with himself for allowing himself to trust again.

So when we reach the point where Simon has the upper-hand, has control of the Apex, and has Grace cornered, he won’t accept what he considers “hollow apologies”. Grace is absolutely right- she doesn’t owe Simon a goddamn thing. By this point, Grace has already been thrown to the gutter by Simon. She’s saved his life a million times, and can’t understand how a human’s morality has become so skewed that they could murder a person they considered a friend. 

Simon doesn’t understand why Grace tells him off for killing Tuba. He doesn’t understand the pain Grace has dealt with because he’s never been on his own without anyone to guide him. He followed her orders, loved her, helped her, and now she has the nerve to lie to him? He doesn’t see that denizens are fully realized creations with their own lives and free wills. He doesn’t understand morality. Or, at least, Grace’s morality. So as soon as he has the person who betrayed his trust- Grace- in a vulnerable spot, he doesn’t understand the problem with tossing her to the wheels. 

Again, it’s not Grace’s fault that Simon became attached to her. What is her fault is taking advantage of it when she realized what was happening. But by the end of the series, she doesn’t hold any more power over him and she knows it. She’s not trying to manipulate, she’s not trying to get him to follow orders, she’s just trying to get him to do the right thing. But he still won’t, because he doesn’t understand how.

TL;DR: Grace and Simon both did bad things to each other, but their experiences and hands in life led to Grace redeeming herself and Simon letting it numb him to human morality. 

PS: you can absolutely call this a race thing. It’s a CN show, so I don’t think they’re gonna get as deep into it as they could, but the fact that Simon is a privileged white guy and Grace is a black woman is absolutely symbolism- or poetic cinema, as i’ve seen it called.

[magic-and-moonlit-wings]

Reaction to ‘Wizards’

There were some elements of Wizards that I was quite pleased with and others I found disappointing.

Here are some notes I took while watching it: 

“I was busy,” says the guy who was ASLEEP.

Cuckoo clock in bookstore looks like Bular’s head.

Green Knight can teleport, confirming potential parallel character to Angor Rot and Tronos Madu, both yellow-eyed assassins with teleportation and tragic backstories (later confirmed, yes, there are parallels between this character and those two besides the visual one)

Jim always tips at the cafe; yup, that sounds like Jim 

Gunmar saving Jim: irony. Is Jim going to go to the Gumm-Gumm camp now? 

Confirmation that portrait was Arthur and Guinevere and she is “gone”, presumably by magic or killed by a troll - is she dead or did she just leave? (Later confirmed, dead)

Morgana’s name is carved on the tree under Arthur’s and Guinevere’s - was she in love with Guinevere too? 

Is that Nari with Morgana and Guinevere? (Later confirmed, yes)

Stone doll Callista finds looks like Angor’s totems - same village? He said it was “Gunmar’s war” that destroyed it, and she says it was a human attack, but Angor might’ve seen it as a retaliatory attack by the humans which Gunmar’s actions had provoked?

Arthur being the one to cut off Morgana’s hand makes Merlin SLIGHTLY less of an asshole for using it in the Amulet, but a lot of this still could’ve been avoided if Merlin had been willing to shut up and listen. 

Oh, except it wasn’t Arthur who cut off Morgana’s hand the first time anyway? 

Episode 3 ends without Steve getting knocked on his back, so that scene must’ve been his sparring match with Lancelot in Episode 2 instead of keeping it an Episode 3 tradition (like how Zuko and Iroh hug in Episode 18 of each season of Avatar the Last Airbender)

Why would Douxie be grossed out at the idea of swimming naked? Swimsuits have only been around for, what, 80 years? Presumably it was a specific lack of desire to see Steve naked.

Neat take on the Lady of the Lake. 

AAARRRGGHH used to have a triple set of horns - what happened to the other two? Receded, amputated, knocked off? Also, Gunmar says AAARRRGGHH is ‘holding back’ when they spar and has yet to win against him - if AAARRRGGHH was doing that on purpose, this supports my theory that he was debating how safe it was to stay on Gunmar’s side for some time before deserting. 

Morgana possessed? 

Angor Rot saved Morgana/recovers her body and gives a funerary-sounding blessing, showing he was sympathetic to humans before losing his soul  

Oh, and Nari gave her the new hand 

Wait, so who steals Angor’s soul in this timeline? 

Called it on that servant guy being a Changeling - he appears in the background of, like, every scene that episode where they’re talking about Morgana using unexpected strategies to sneak into Camelot. 

Wait, except his human form is an adult - so is he a polymorph? Or Familiars can be taken as adults but babies are easier to contain and have less ‘established personality’ to match after replacing them? Or has Morgana already been creating Changelings? AAARRRGGHH calls Jim “impure” when they meet in Dwoza, suggesting Gumm-Gumms already know what Changelings are, except Morgana wasn’t working with them yet

Is Callista going to be Deya? (Later confirmed, yes)

Show seems to be matching up with old theories about Deya being the first Trollhunter, confirming that the show, comics, and novels are all separate continuities (since comics and novels show pre-Deya Trollhunters). 

Gumm-Gumm berserkers - mind-controlled or grit-shaka’d (talisman of “no fear”), to throw themselves into sunlight like that?

Steve seems ready to refer to any half-decent older man as his dad, like when he refers to Merlin as ‘Wizard-Dad’. Maybe it’s because I was watching Brooklyn 99 recently but I’m reminded of Jake Peralta.

Big Jim’s crystal neck protrusions look like Strickler’s knife collar back when I thought that was part of his body. Glowy lines look like Gunmar; tie-in to Gunmar born of a “corrupted Heartstone” since Jim is “corrupted” now?

Aw, Krel called Ricky his dad. 

How did AAARRRGGHH fit through the HexTech door to the backroom?

“Cat and mouse” line cuts to a shot of Archie obviously imitating Nari (confirmed a few minutes later)

Toby has obviously seen Ghostbusters. “When someone asks you if you are a god, you say YES!”

Decoration in bookshop looks like Angor’s head.

Was that lightshow of Nari searching the world for Jim’s soul just a visual metaphor for her powers or did literally everyone on Earth see that?

“There’s a force neither of us can escape - gravity!” says the woman who can fly.

Morgana’s occasional echo-y voice in Trollhunters matches Bellroc and Skael - possession/magical-influence related?

So did Merlin have that book on him or did his body turn into the book?

Are all dragons fluffy and/or shapeshifters in this universe? 

Might’ve been smarter to keep Merlin’s staff intact and destroy the Grimoire so the Arcane Order never knows where to find the Genesis Seals, just saying.

If Morgana didn’t become “the Eldritch Queen” until, like, IMMEDIATELY before Angor approached her (therefore days earlier at most in the unaltered timeline), how had he heard of her to seek her aid? Was he actually reaching out to the Arcane Order? At least this explains why he didn’t go to the Trollhunter for help - there was no Trollhunter to approach yet.

Big Jim ‘dies’ in the same pose as AAARRRGGHH in Trollhunters Season 1 and Draal in Unbecoming, both false death scenes, for five-second foreshadowing Jim was alive. 

Mixed feelings about him being human again - like I’ve said, I didn’t think the Troll Jim subplot was well-executed but I also felt like, now that it’s been established, the show needs to stick with it. Since everything’s over I’m going to headcanon Jim having shapeshifting powers now and being able to switch between human and troll at will, he just didn’t think to try to do so on-camera.

Also, I feel like Jim’s relationship with Claire is once again completely overshadowing his relationship with Toby, instead of them being different kinds of relationships with equal weight. 

Barbara is going to be pretty shocked when her human son shows up again. She and Strickler don’t appear at all in this series, even in cameo. 

Maybe Jim’s not a troll anymore because, with Merlin and Morgana both dead, their magic is “broken” and that’s what was holding his transformation in place? Merlin’s through the potion, Morgana’s through the Changeling femur, both through the Amulet.

Is Jim still going back to New Jersey? Blinky’s got to, unless the trolls there have elected a new leader or they’re bringing the New Jersey Heartstone back to Arcadia.

Series ending scene also would work as the final scene of a movie, setting up a sequel hook even though it’s supposed to be over now. 

Seems like wizards are long-lived and age really slowly? Possibly a “will not die but can be killed” situation, like vampires, or unicorns (at least in The Last Unicorn) 

Additional thoughts after finishing the show and thinking for a while: 

I don’t get how Morgana could end up with such a reputation among trolls - enough to have superstitions about her, seen when Dictatious objects to Usurna saying her name - when they only interacted with her for like a few days at most. I guess she made a pretty strong impression on Gunmar, who passed that on to everyone else? Or maybe she cultivated that reputation over time via the Changelings?

Speaking of the Changelings, does this mean that, while Morgana designed the process to create them, she doesn’t make each individual one? Otherwise she would’ve had to pre-make a bunch in the time between getting her new hand and being trapped in the Heartstone. Although, if she can steal Angor’s soul remotely (with the idea she was already trapped in the Heartstone when that happened), she can probably also make Changelings remotely. 

I’m kind of sorry the Changelings got invented so quickly; I figured there would be some trial-and-error to that process.

How I think the Original Timeline went: 

Morgana would’ve turned to the Arcane Order seeking magic allies, later in the day that gets changed when the time-travelers arrive. Possibly she seeks out Nari, specifically, remembering her from childhood. 

Merlin then sees Morgana as the Future Threat and he or one of the knights (not Arthur) cut off her hand in the resulting fight. 

Merlin makes the Amulet. It chooses Callista, who is still in Camelot’s dungeon at the time, and she agrees to fight Gunmar in exchange for her freedom. 

She fully intending to go back on the deal and run for it, but then something-something-something and she learns her original name and saves the world anyway. Probably she’s the one who took down and imprisoned AAARRRGGHH in Dwoza, which inspired the other trolls there to follow her. 

Morgana finds out about the Trollhunter shortly before Angor arrives to ask her for magic, which is why she orders him to hunt the Trollhunters down.

Arthur thinks Merlin killed Morgana and wants to avenge her, leading him to the Arcane Order for the original not-time-loop-prompted attack.  

Show did a good job establishing and developing Douxie’s relationship with Merlin

Also, how did that bookshop end up a center of Merlin’s power? He’s only been in the modern world for a few months. Did he set a shop up off-camera while the trolls were travelling to New Jersey and the Akiridions were discovering Earth? 

How did Ricky Blank lose his head, anyway? Can Hex Tech fix him? Krel says magic and Akiridion tech combine harmoniously. 

[aion-rsa]

Community: Britta Perry Is the Worst, Which Makes Her the Best

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Sitcom characters very rarely come off of the page fully formed. Many classic (and not-so-classic) network sitcoms rely on time as an ally. Time spent with characters allows for not only an audience to get a better sense of them but also for the writers and actors to do so as well. 

Community was no exception. Each of the ensemble cast’s seven main characters (and tertiary characters like Ben Chang and Dean Craig Pelton) arrived in the pilot fundamentally unfinished. And each of them evolved over time, in some cases sharpening creator Dan Harmon and the writing staff’s original assumptions or defying them. No character, however, changed more from conception to execution over time than Britta Perry as played by Gillian Jacobs. 

Originally, Harmon designed Britta Perry simply as a romantic foil to series lead Jeff Winger. When Community first premiered in 2009, The Office was entering its sixth season and at the height of its popular appeal. In that context, perhaps bringing a sitcom to NBC without a “Jim and Pam” firmly in place felt unwise. The problem was that the “Jim” portion of that romantic duo, Jeff Winger, was richly realized (having been based on Harmon’s own experiences in community college and played by relentless charm factory Joel McHale), and the “Pam” portion, Britta Perry, was simply a Pam stand-in. 

In the first half of Community’s first season, several attempts are made to humanize Britta. In one episode, the pressure she feels as an older student in community college leads her to cheat on an exam. In another, she begins to establish her feminist profile and interest in psychology by (perhaps accurately) observing that her male friends desire to fight class bullies comes from a place of pent-up homoerotic energy. For the most part, however, Britta and her storylines exist only to complement Jeff’s. By episode seven, Britta is suddenly a part of a Jeff Winger-Michelle Slater love triangle whether she realizes it or not. 

Britta’s failure to properly evolve as a character in Community’s early episodes was significant enough that other characters on the show started to realize how…well, odd she was. In episode six, “Football, Feminism, and You,” Britta has a hard time connecting with her fellow female classmates, Annie (Allison Brie) and Shirley (Yvette Nicole Brown), because she views the time-honored tradition of visiting the bathroom as a group to be a sinister patriarchal conspiracy. 

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Earlier this year, Harmon revealed in an interview with EW that that plotline came directly from another writer on the show’s observation about just how much Britta sucked. 

“When I said, ‘What about Britta,’ [writer-producer] Hilary Winston said, ‘I don’t like her,’” Harmon said. “Listening to Hilary talk about Britta, which started with like, ‘I wouldn’t trust her if I was a woman. I understand that she means well and that she’s saying the kinds of things that you’re supposed to say as a woman, but that’s what makes me not trust her. I need a confidante behind the scenes, because the truth is, I do want to talk about shoes sometimes and I feel like she might sell me out if I did that — and I wouldn’t go pee with her.’ Stuff like that starts to dimensionalize Britta right away.”

By this point the show’s characters, writing staff, and audience had realized that there was something unlikeable about Britta. This was due to the show’s thin conceptualization of her as a character to begin with. But as we said above, time is usually on a sitcom’s side. Community had many more episodes of its first season order to tackle the issue. What’s interesting about how Community figured Britta out is not how it “fixed her” but rather how it leaned into her existing flaws.

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That anecdote about Hilary Winston not trusting Britta turned out to be a feature, not a bug for the character. A lot of Britta’s early traits – her political ideals, defiant attitude, and quick wit – were likely designed to make her appealing to both Jeff and the audience. In reality, they had the opposite effect. So the show just began to lean into those qualities as comedic fodder. Britta retained her same liberal political leanings but the show now highlighted how she had neither the courage or energy to follow through on them. She also quickly became known for accidentally ruining everything around her and snuffing out the joy from her friends’ lives.

In the season one episode “Physical Education,” Community finally provided the terminology for what would become the character’s recurring meme through six seasons of the show (and hopefully a movie). Britta is, quite simply: the worst. After discovering that Britta pronounces “bagels” as “baggels,” Ben Chang reflexively responds with “ugh, you’re the worst.” It’s a small moment to be sure, but one whose spirit Community would continue to capture with Britta time and time again.

Britta is the worst because she calls “bagels” “baggels.” She’s the worst because she ruins the reputations of all the guys she dates for Abed (Danny Pudi) and Troy (Donald Glover). She’s the worst because she insists on being nice to Troy’s awful grandma and gets the switch for her troubles. She’s the worst because engages with the least amount of civil disobedience allowed by Greendale policy. She’s the worst because she won’t buy her one-eyed cat a monocle as “that’s pretentious.” She’s the worst because she supports a lesbian student so enthusastically that she accidentally enters into a romantic relationship with her despite neither the student nor Britta being a lesbian. 

Britta is just the worst. And that makes her one of Community’s best creations. There are few examples of TV shows taking lemons and turning them into lemonade more apt or admirable than Community’s treatment of Britta. The show deserves an enormous amount of credit for realizing that it was underutilizing a comedic concept in Britta and a comedic talent in Jacobs and reversing course by leaning in to that same course.

And let’s be clear here, Gillian Jacobs deserves an immense amount of credit for taking that opportunity and running with it. Though Jacobs may be one of the lesser-heralded talents to come out of Community, thanks mostly to the Russo Brothers ascent to Valhalla and Donald Glover’s ascent to the top of the universe, she is just as valuable as anyone else involved. Near the beginning of season 3, it becomes clear just how much Jacobs relishes Britta getting to be the worst. From episode three “Remedial Chaos Theory” through episode 15 “Origins of Vampire Mythology,” Britta and Jacobs are on absolute insufferable fire. 

It’s in this stretch of episodes that Britta’s terribleness actually saves the day. The plot of “Regional Holiday Music” involves the evil Glee club director (played by Taran Killam) slowly brainwashing the study group into becoming Body Snatcher-esque glee club pod people. Britta succumbs in the end but when Abed encourages her to take the stage and sing what’s in her heart, the transcendent awfulness of her performance immediately snaps everyone out of their trance. That also leads to the classic line of Dean Pelton seeing the show’s program for the first time and whining “ah, Britta’s in this?”

In a way, “Regional Holiday Music” is a microcosm of Britta’s role on the show. Every character on Community has a part to play. Jeff is narcissistic, Annie is innocent, Shirley is devout, Troy and Abed are goobers, Dean Pelton (Jim Rash) and Ben Chang (Ken Jeong) are insane, and Pierce Hawthorne (Chevy Chase) is old. But the glue that ties together all of those disparate characters together is Britta Perry and her special ability to be the worst. 

She truly is the AT&T of people. And God bless her for it. 

The post Community: Britta Perry Is the Worst, Which Makes Her the Best appeared first on Den of Geek.

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[ruffiorocks]

Long post about the reasons Lena sold Cat Co.

FYI very Anti James Olsen, and not very Kara friendly either. You've been warned 😊

This makes me sad, even though it was obvious Lena would sell Cat Co. What's heart breaking about it is Lena was essentially driven away from her own company.

Remember when Kara was ghosting her at the beginning of season 3? She only came back to Lena when she needed her for something, ie. Help with Cat Co. What did Lena do? Lena FREAKING brought it!

Kara "no! Edge has Cat Co!"

Lena "no... I brought it" - Lena hesitates when she says this as though she isn't sure how Kara, who has recently been a jack ass to her would react.

She then gets more confident and says

"pretty bad ass right" - she sounds so pleased with herself and is expecting Kara to be happy.

Kara? Basically says she quit. She came to Lena for the first time in ages to rant and rave, complain and then basically ask her to help sort it and Lena DOES! But Kara seems to forget all of this and just quits het job.

Lena is shocked and is like

"well unquit!! I can't do this without you! I don't know anything about running a media empire"

Kara, like she can't be arsed and didn't just get what she went to Lena for says "well neither do I". It's so dismissive, and it's bullshit since she does know how that stuff works to a point because she was Cat Grants FREAKING assistant! Kara was waaaay more qualified than bloody James "I take pictures of my posing best friends" Olsen.

This here just proves that Lena would have had second thoughts about have brought Cat Co if she knew at the time Kara was going to quit. She clearly thought Kara would be there to help her run it.

Lena also says "how often do you get to work with your best friend" it's so cute, and so sad. Lena was looking forward to working with Kara.

Fast forward to the end of the Episode and Kara has a realisation that Lena Luthor is a God Send and did EXACTLY what Kara wanted and couldn't give a rats ass she quit and decides being a"boo hoo my boyfriend is gone so I can no longer be the person I was well established to be before he showed up" Emo is ridiculous.

So first day at Cat Co and the elevator opens up to Lena and she looks excited and then meets Eve, who to be fair (even though we know what happens) is actually the nicest person to Lena the whole time she's at Cat Co and that includes her best friend and boyfriend.

James is shocked she dared show up to her own business without informing him, he then has the gall to say they don't have an office ready for her, erm.... James? Cats office is now HER office! Every office in Cat Co belongs to Lena now. He just assumes he's still running things and says he was thinking about weekly updates. Lena who is clearly used to men telling her how to run her businesses and setting her aside tells him there's no need and she will be there every day. James again is SHOCKED his new BOSS is going to be at her the place she spent $750 mil on 😑

Kara shows up and to begin with is a little love who gives Lena a diary and basically calls her family. But then Immediately runs off the moment Lena asks her to do something.

Kara does this more than once and Lena asks James what's she's doing and James dismisses Lena's question with a snotty "she's a reporter! It's what she does!" Seriously rude!! I don't give a rats ass she didn't tell James she was turning up and she did tell Kara. She had a reason to tell Kara, she wanted to work with her and trusts her. She had no reason to tell James, she has every reason to turn up and check out the buisness and how he's running it without him or anyone else dressing it up because the boss is there.

Lena is an understanding angel and even though Kara is ignoring instructions and being rude Lena isn't rude back. When Kara pushes it past the limit Lena has no choice but to reprimand her. Kara took full advantage of Lena here, thinking she could just do what she wanted because that's what she has been doing with James running things. News flash Kara, Lena isn't in on why you ditch work every 5 minutes.

Kara realizes she's been an ass and apologizes and Lena, understanding as ever immediately forgives and they hug it out.

Later Lena tragically gets involved with James even though he was pushy and handsy when she said she didn't want to do anything without talking to Kara first, because Sister's before Misters! She dotes on his ungrateful ass and he puts her whole business at risk by meeting and working with the COL which she told him not to do. Which she is FULLY entitled to so as his boss. He of course ignores her, she gets him a TV appearence to talk with Ben Lockwood which would boost his career and putCat Co in a anti COL light but noooo... Apparently Lena has no say in work matters! Did you read that correctly? Lena has NO say in WORK MATTERS!! why didn't she fire his ass on the spot?!!

So James, only caring for his ego and wanting to be relevant since no one ever remembers he's Guardian feels that hanging out with terrorists is more important than his job as the face of Cat Co, putting Cat Co at risk. To further put Lena's business in jepordy he picks KARA the junior reporter to take his place?!! Kara?? There wasn't a fully qualified journalist with more experience available? Well that went to shit anyway because Ben Lockwood destroyed Kara in that debate.

James nearly gets himself killed, nearly gets Kara killed, nearly commits an act of terrorism without any regard whatsover about what Lena, a LUTHORS association with the poster boy of the COL would look like, no regard for her hard earned reputation and no regard for her business.

James even humiliates her further by making her look whiny at Thanksgiving dinner in front of all their friends, even though 5 seconds later his little Field Trip with the COL proves how clueless he is since he didnt even realize what they were doing. He basically praised the guy he was with and thought he was on to something. What... A... Dumb... Ass!!

Remember James also revealed himself as Guardian, a STUPID idea that serves Virtually no real purpose, but Lena was supportive because she's an angel!! But he's a dumb ass and thinks he is above the law and thought HE of all people was able to stop the DA from going through with the charges against him for being a vigilante. James ACTUALLY thought by doing NOTHING he had fixed the problem, like the authorities just forget these things?

He decides going out as Guardian is a good idea even though no one needs him to do this and he serves no real purpose as Guardian. But Lena because she isn't a moron, tells him he WILL go to prison. He insults her and says she worries to much and he sorted that issue. Here Lena finally tells this jack ass that she solved that issue and what was his response to her declaration of love and not wanting to see him go to prison or die? "If you think that's what love is, I don't want it!" And he leaves her in a corridor to awkwardly go back into Kara's loft, humiliated.

James goes all Ross Gheller and invades Lena's space at L Corp after she told him she was busy and thankfully she kicks his ass out!

He pretends to be on board with her Harun El ideas and uses this to get her into bed, only to sit up looking awkward about it while she sleeps. (Jesus my 34 brother watched this and was like 'he basically lied so he could sleep with her)

James considers using Lena's own resources to investigate her?!!

Lena thankfully dumps his ass and stops coming to Cat Co.

Now here's where its really relevant:

Kara and James basically run Cat Co without Lena to the point she doesn't even show up anymore. Harun El experiments aside, Lena no longer feels excited to be working at at Cat Co on a new adventure with Kara. Plus why would she want to see James??

Kara basically ignores Lena as Kara but she treats her like absolute garbage as Supergirl. Then returns to her as her bestie Kara. Lena was up to this point unaware she was being duped. Lena even makes a comment to Kara when she FINALLY decides to remerge as Kara Danvers that Kara hasn't been there at all but Alex has.

Lena finds out that Supergirl asked Lena's BOYFRIEND to spy on her and betray her trust which he actually does do btw, then he sours things even further between Lena and Supergirl by revealing it?? What purpose did that really serve? And NO! Do not tell me 'he had to be honest' what he HAD to do, was not break into L Corp in the first place!

Now we have Alex reprimanding Supergirl for being an ass to Lena and they come to a shaky truce.

During this time Lena and Kara get close again by trying to track down Lex and then Lena and Supergirl have a few bonding moments. Kara, however let's Lena think she's been blown up for a good few seconds!!

Now Lena finds out that Kara has been lying to her this whole time, it was Kara who treated her like garbage as Supergirl, Kara who interfered in her personal relationships. It was all the other super friends all lying to her. Etc etc. She even saw Kara burning all the pics Linda's cell so Lena won't find out. She learns all of this from Lex of all people! This just tells Lena that Kara never trusted her, second guessing why they are even friends? Realising Kara tricked her into revealing personal feelings she would Never have told Supergirl to her, yelled at her, called her a Luthor and then came back to her as he shoulder to cry on oh and let her think she had died.

Yeah..... I wouldn't want to work at Cat Co with ANY of them either. No way is Lena going to want to work with James and Kara (I know James is leaving) and be the one paying their wages.

Lena was Virtually driven from Cat Co by James and Kara even before she learned the super secret. She was never really treated with the respect she deserved as their boss, and the thing is she never demanded it, she only pulled rank when they were being jack asses and thinking they were above being told what to do, acting like Lena being the owner and boss meant nothing.

Poor Lena's enthusiasm for working at Cat Co with Kara died very early on. Mostly thanks to both James and Kara. All that joy and optimism she had? It's all gone. 😢😢

So I'm glad she sold it!

[houseofanubis-headcanon]

An Analysis of the Joy-Fabian- Nina Love Triangle

I would like to preface this analysis with the reminder that my thoughts and feelings, although passionate, are subjective and open to change. Some of the ideas I express her might be seen as controversial. I don’t know. I’m actually very interested in discussing this plotline. Therefore, if people disagree or would like to add on - please do! I’m also writing this at 2 AM and I am wackers-bananzos.

In the beginnings of House of Anubis we are given three important pieces of information pertaining to this analysis. Those being 1) Joy and Fabian are at the very least friends, 2) Patricia and Joy are at the very least best friends, 3) Nina and Fabian are growing closer. Nina and Fabian’s friendship later causes Patricia to accuse Fabian of being to relaxed on Joy’s disappearance.

My ideas lean with support of the headcanon that Patricia, while maintaining her friendship, did throughout the events of season 1 and beginning of season 2 have a crush/romantic feelings for Joy. This is my personal preference and interpretation, but doesn’t affect the analysis that much. This crush can be hinted at by the behavior exhibited by Patricia. She is very concerned for her friend after Joy’s disappearance, which, although not inherently romantic, is more likely out of a deeper feeling. Patricia’s feelings are also expressed through her opposition to Joy attempting to attract Fabian, Patricia’s explanation also supported by her friendship with Nina. There are other more subtle hints regarding Patricia’s sexuality, but in the scheme of this analysis I will establish an unrequited crush without delving too much into the independent intricacies.

In season 2, and hinted in season 1, it is revealed that Joy has feelings for Fabian and is discouraged by his relationship with Nina. Joy throughout the entirety of season 2 makes it part of her mission of assimilating back into her old Anubis lifestyle to cause a rift between Fabian and Nina. This eventually devolves into Joy blatantly attacking Nina.

Nina also has a part to play in the stroking of Joy’s fire. Other than dating Fabian in the first place, Nina is also very jealous of anyone Fabian is remotely romantic with. This especially includes Joy. Nina tenses whenever Fabian and Joy joke, hang out, or talk, because of the threat Nina interprets Joy to pose. This threat is only heightened by Fabian’s indecisiveness and unassertive attitude that only tends to get him in trouble with Nina and Joy.

This plotline goes back and forth between Nina being too awkward to communicate with Fabian, Fabian being too flustered and confused to do anything about anything, and Joy being a little coo-coo maniac (just kidding, but you know what I mean.)

Somewhere throughout the late-middle of season 2, as Joy becomes more exposed and broken down, Patricia’s distance, originally brought on by her Sibuna obligations, only becomes more prominent. At this point, is where I assume Patricia fully moves on from her unrequited crush on Joy and the two separate. Patricia is happy with Eddie, and Joy has lost Patricia as a friend.

The season’s conclusion involves Joy aiding Sibuna in the Senet task, eventually leading to a fight between Joy and Fabian where they both shout each other’s flaws at one another. This fight is seemingly resolved by Fabian, showing his development, decides to take Joy’s potentially life or death advice, despite her warning not to follow her lead. This shows Fabian to have grown as not only a character, by making decisions that have big consequences, but as a friend of Joy, expressing his trust in her, despite her chaotic behavior. The two solve the Senet task and rescue Nina, Alfie, Patricia, and Amber from the evil Senet dungeon. Joy and Fabian become friends again. Nina and Fabian start dating again and the season concludes once again with Fabian and Nina kissing and their friends being oddly happy about it.

There is more to discuss about season 3, but I will get into that in a bit.

Now for the real shit. Also known as, how this plotline helps develop these characters.

Fabian- Personally, I feel as though Fabian’s transformation throughout this plotline was the best part about it. He certainly grew as a character. In season 1 and the beginning of season 2 Fabian struggled with being assertive, making decisions, and communicating with others. By the end he was still a confused, bumbling dork, but he was one who wasn’t afraid to trust his intuition. I feel like season 2 both had Fabian’s lowest and highest moments of trusting himself and his decisions. The lowest being both throughout this love triangle plot line and the Senet game. (Honestly, I could do a whole analysis on the Senet task. It fucking tested some limits!) The highest was also in the Senet game as Fabian showed both his fight with and trust in Joy. If this thread of assertiveness and decision making continues throughout season 3 I can’t entirely say, but it definitely seems like it isn’t a struggle anymore. Also, his attraction to Mara in “Touchstone of Ra” showed him to be able to handle relationships a lot better than previously, in terms of his instincts.

Joy - Joy’s journey throughout season 2 revolves around her recovery from her disappearance. She is having to deal with both the events of last year and readjusting to school. Joy in season 2 is in my opinion one of the most fascinating moments developmentally. Joy loses everything in this season. She realizes that returning to her school after a year of being away means that nothing is the same. This is what initially triggers Joy to desperately attempt to get Nina away and Fabian back. This was what it used to be before Joy went missing. But in this season, as Joy tries to win Fabian back amongst other things, Joy just becomes more and more distraught. She loses Fabian. She loses Patricia. She loses her reputation after many things, but especially the Jack Jackal scandal. Season 2 is the phoenix bursting into flames. It is only until Joy becomes friends with Fabian again that she realizes and accepts how things will be different, but also okay. And as much as I would like to say that season 3 is the phoenix rising from the ashes, it is not. At least, not in the beginning. I believe the way the writers handled Nina leaving was very poorly. Especially when considering how Joy reacts. In the beginning of season 3 she is immediately after Fabian again. Only when he rejects her, showing his newfound assertiveness, is she turned off and decides to remake herself (aka the phoenix rising from the ashes). Personally, I think this makeover should’ve happened at the very beginning of the season to signal Joy’s new confidence as a different person with advanced understandings. Having Joy pine after Fabian once more simplifies Joy’s motivations to be purely about her attraction to Fabian, bring that piece of her development right to the surface.

Nina- Nina, in my opinion (very much opinion), is one of my least favorite characters on the show and this is one of the reasons. In season 2, more of Nina’s flaws are revealed through her conflict with Joy. I like this aspect. I like to see protagonists as imperfect people with undesirable qualities. However the flaws that the writers gave Nina seemed… incomplete. Nina, to me, being a person who doesn’t communicate well and often blames herself for the bad things happening to other people, wouldn’t be an openly jealous person. Her conflict with Joy makes sense, but it is fueled by the wrong reasons. These flaws only become worse when Nina breaks up with Fabian, but also gets extremely possessive and jealous of him. This becomes especially apparent during the masquerade kiss fiasco. It is understandable that Nina would be upset about that. This is a boy she likes kissing a girl who she does not. I get that she would be upset. I would also get that she would cry to Amber about it. My friends have certainly done that with me. My problem is that the show frames it in a way that makes it seem that handling Nina’s feelings is now Fabian’s responsibility. He needs to save Nina both literally from falling down the chasm, and figuratively from falling into a sadness because she thinks that “Fabian likes Joy more than me!” Once again, these flaws are only made worse by the season finale. After all of this jealousy and possessiveness Nina still gets what she wants. She kisses Fabian. Yes, she did somewhat resolve her conflict with Joy by thanking her for saving her from the Senet dungeon and by accepting her into a part of Sibuna, but that still doesn’t solve this issues that she internally made acceptable. Nina is developed into a character where jealousy and possessiveness will get you what you want. I don’t know if the writers had a plan to solve this issue later, but I doubt it.

In conclusion, this plotline had very interesting aspects tied to it. Fabian developed into a stronger character because of it, Joy’s arc in season 2 was very strong, and Nina began the season with the potential for potential. However, overall this plotline fell flat.

TL;DR - The writers don’t know how to handle character arcs.

[why-this-kolaveri-machi]

Grand Titans Rewatch: 1.01

so! i only really got into the show around the 6th episode, which means that while i was intrigued by the first five, i didn’t really pay a lot of close attention the first time ‘round. so i’m going to try and rewatch the entire series over the next several weeks and bring you Thoughts, because um. well. I Will Have Them.

SPOILERS for pretty much the entire series, though i will be covering only the pilot episode in this post. let’s see how this goes.

1. i’m just such a sucker for eerie dreamscapes, so i’m definitely biased when i say that this is a promising start. what’s really intriguing, though, is rachel dreaming of dick’s past well before she’d met the guy. after eleven episodes, the extent and even the very nature of rachel’s powers is still nebulous; this ability to dream about people she hasn’t even met only comes up this once, as far as i remember. (again, my initial viewing was superficial, so i might’ve missed it coming up/referenced again.)

1.5. a doylist explanation for this? hint at a special relationship between rachel and dick right off the bat, set the tone for the rest of the series, establish a character-development-by-dreamscape precedent, give us a gander at the origin story of the most iconic character in the ensemble, and set the broader arc of the season—an acceptance of and an ascent out of inner darkness—in motion with these two characters.

an in-universe search for an answer is potentially more interesting, however: why should these two be connected? i like to think that trigon’s influence started here, pushing rachel further and further down the path that would lead her to free him. i mean, handwaving aside the comic-booky implausibility of trigon foreseeing the exact pattern of random events that would lead to the moment rachel pulling him out of the mirror in 1.10 (he’s an interdimensional being! i don’t know! *flails hands*), i like the symbolism of it: both batman and trigon as phantom fathers that rachel and dick run away from, only to be pushed together. this is not to imply any broader equivalency between trigon and bruce wayne, of course; but it goes some way in explaining why this dick is especially traumatised and brutal, and why it would’ve had to be an especially traumatised and brutal bruce wayne that taught him everything he knows.

1.6. HAH at the ‘flying’ in the ‘flying graysons’ sign fizzling out just before the rope snaps, tho! so corny but also so upsetting.

(‘so corny but so upsetting’ – a valid tagline for titans)

1.8. oh but the set-up around rachel is so intriguing, tho! this is both the greatest strength and the greatest pitfall of the show: each of its characters can occupy a genre show of their own; because the first three episodes focus so heavily on rachel, it seems like the tone of the show changes when the titans finally get together, and like a lot of interesting, painstakingly slow set-up for rachel is just dropped and wasted.

2. the first glimpse we get of dick grayson is in the rearview mirror of his car. FUCK. i’m going to start a count.

MIRRORS, MIRRORS EVERYWHERE: 1

Ok. things i love about this little two minute introduction to dick grayson:

a) look at this broody asshole. i love him so much.

b) right away we have this push-pull re: his robin identity. he hates it, resents it, but can’t quite let it go. his officer grayson persona isn’t enough for all the evil in the world, even if it means losing control and falling farther and farther down a spiral of self-loathing.

c) he’s so damn mired in crime and tragedy, tho: officer grayson by day, vigilante robin by night. MAKE A FRIEND, DICK. GET A BEER, DICK.

(so true to character, tho: a suffering dick grayson is usually a determinedly self-isolated dick grayson.)

d) AMY ROHRBACH! i refuse to believe they’d just unceremoniously kill off such an iconic character. i fully expect to see her in s2.

e) “you do your thing. i’ll do mine.”  a poorly functioning dick grayson picking up unhealthy coping cues from his mentor.

f) i love how implicit it is that gotham is a carnival of unending horror among the officers in the precinct, and probably every other city in america.

3. the clawmarks on rachel’s mother, tho! fuck, i wish they’d carried over more of this eeriness in the second half of the season. oh, and also:

MIRRORS, MIRRORS EVERYWHERE: 2

i realise why we had to get a move on with the plot, but i can’t help but wonder if we could’ve gotten an even slower build-up to rachel’s powers, because honestly? i know you’re lying, i always know when you’re lying, and the vicious slut! in the school bus window? actually more unsettling than watching rachel liquefy some baddie from the inside.

(tho. um. don’t get me wrong. that’s plenty disturbing, too.)

4. conflicted!brooding!vigilante!dick, here to chase away the images of dead women splayed over living room floors with bullet holes in their heads.

4.5. the fight scene was brutal, sure—but to be fair, most of batman/robin’s fights teeter on the fine line between causing enough damage to keep the bad guys down for a bit and outright brutality. it’s difficult to bring that to life on screen (in a series that touts to inject grittiness/realism into proceedings, no less) and portray a robin who’s definitely crossing some lines without going into some real brutal territory.

4.6. so far i’m loving how economical the storytelling is when it comes to dick—how quickly it’s established, then underscored, how being robin is so important to him and the last thing he wants. his curdling resentment at the thugs immediately looking for batman the moment they see him, and his inability to move on from being the other half of batman-and-robin. he feels compelled to play both parts at once when he’s fighting, and he hates it. all of these things are playing out right underneath stretched-too-thin skin, jagged and awful and ugly.

4.65. and the editing and sound choices keep emphasising how this is not dick in his natural state—how, in a lot of ways, robin is not his natural state anymore.

4.8. dick, brooding in his open-plan apartment, broodily listening to vinyl records and cleaning his armour of blood, while brooding. did i mention that i love this asshole?

(i don’t know where the bruises came from, considering that it seemed like the thugs couldn’t get a single hit in during the fight.)

MIRRORS, MIRRORS EVERYWHERE: 3

4.9. a dick timeline: the zucco thing happened, what, two years ago? robin hasn’t been seen in over a year. and dick moved to detroit a month ago. hmmmm.

5. rachel’s alter-ego-self as a manifestation of her powers continues to be fascinating. as is the fact that that alternate self appears less and less as she grows more accepting of what’s inside her and learns to control her abilities.

5.25. so, what, was sally a part of the cult that wants to kidnap rachel specifically, or just a Bad Person in general?

5.5. “you got that thing for helping kids” – i love that dick has this reputation barely a month into his time in this department. like. this guy is broody and closed-off and clearly traumatised, but hey, he’s good with kids!

MIRRORS, MIRRORS EVERYWHERE: 4

5.8. “you’re the boy from the circus” is super-dramatic and all, but how did rachel recognise adult!dick when she’s only seen kid!dick in her dreams? and also, why did she dream of dick at all?

5.99. side note: officer!dick’s hair is the best. it never gets better than this for the rest of the season at least until he becomes trigon’s demon acolyte.

6. KORY!

6.5. so… did the car accident cause the amnesia? do we ever find out why exactly she couldn’t remember anything about who she is? she doesn’t look injured; just dazed.

6.6. her passport was issued in 2014—so she’s been here a while, searching, researching. or not, because it’s probably a fake-ass document. stop reading so much into this, emmram!

MIRRORS, MIRRORS EVERYWHERE: 5

6.8. her super-convenient amnesia means she’s forgotten her identity but not human language, mores or customs. i like this extra layer of… alien-ness? that this brings to her: so now she’s not only a stranger to the rest of the world, but to herself. again, so many interesting things are set-up here that the show never really follows through with for the rest of the season—imagine re-discovering kory’s identity along with her, piecemeal, rather than an impersonal infodump near the end of the season!

6.9. also given that portrayals of starfire (at least those that i’ve seen/read) make liberal use of the ‘born sexy yesterday’ trope, i rather like this take—she’s already learned everything she needs to know about assimilating into human society, and it’s a question of rediscovering that knowledge instead of having some dude patronisingly mansplain the world to her.

6.95. why did she snap that russian dude’s neck, tho. that’s just brutal. i’d forgotten about this.

7. i like to think here that when dick says i’ll find someone who can help you, he’s not just thinking of law enforcement, but also of people in the super-community—psychics, or telepaths, or somebody who has experience with both. there’s still so much about dick that’s kept in the dark for most of the season, but given the length of time he’s been with batman and the easy familiarity with which he talks about other heroes in the finale’s dreamscape, i’m going to assume that he’s more than well-connected.

7.5. but he’s shuttered himself away for so long, and robin’s return has been far from well-received. i like this little moment where he steps outside and just… lets himself be overwhelmed. just for a bit.

7.7. i like that amy says “sidekick” first instead of “partner”. on-the-nose, but i like it!

7.8. the glibness of he and i had different ideas of how to do the job is making me laugh. oh, dick.

i guess the idea of batman sours quite a lot when you’ve spent most of your life as his partner. i get that he’s projecting losing his own sense of self to a role he just isn’t cut out for onto bruce, but it’s sad anyway.

7.9. gosh i just want these two to bond. i don’t care how you do it Show but bring back amy next season, yeah?

MIRRORS, MIRRORS EVERYWHERE: 6

8. is there any particular significance to the repeated security-cam footage shots we’re getting in this episode?

(gosh, i love the cinematography so much in this scene.)

8.4. so… kory had to use some sort of russian mob and come all the way to vienna to find rachel?? why??? are we ever going to find out?

8.5. on a happier note, i love love this version of starfire’s ‘innocence’. like. she’s baffled, almost apologetic about it, but she isn’t going to take any shit about it, either. also, the music when she uses her powers for the first time, man. FUCK.

9. aaaaand there’s the liquefying-a-guy’s-insides bit. i both love and hate this show’s self-indulgence.

9.5. i gotta say, this episode makes a lot more sense on rewatch than it did the first time ‘round. i remember being so confused by evil!cult!guy, but then again, i was pretty distracted at the time. i only really picked up the show because i was so amused by the over-the-top reactions fans had to the trailer. now look at me, writing 2k+ word reviews dissecting its every moment. *shakes head*

10. *rachel stares at dick’s porsche*

“this is yours?”

“family heirloom.”

“… from the circus?”

“not the one you’re thinking.”

I LOVE EVERYTHING ABOUT THIS EXCHANGE.

10.5. i love these two Dramatic Kids.

11. beast boy cameo! just to assure us all that yes, he is in this show, and that, yes, he is the Best of them all.

12. you guys, this episode is so much more fun that i remember it being. you’ve got an amnesiac interstellar super-spy in kory, a straight-up supernatural horror story in rachel, and a psychological case study whatever genre batman’s supposed to be in dick. each of them could easily fill their own show, but i love that titans wants to connect them with something more than just a team falling together just because.

[love-takes-work]

Steven Universe Podcast: Volume 2, Episode 7: Earth Gems

Season 2, Episode 7 of the Steven Universe Podcast, released March 8, 2018, is about the so-called Earth Gems, and it covers Jasper, Bismuth, and Rose Quartz. The official description:

Rose Quartz, Bismuth, and Jasper are the focus of this episode of the Steven Universe Podcast as take a closer look at Earth Gems! Steven Universe creator Rebecca Sugar, former EP, Ian Jones-Quartey, Director Joe Johnston, and Supervising Director Kat Morris detail Bismuth's origins (including how she came to be in Lion's mane), Jasper's personality development, and Steven's complicated view of his mother, Rose Quartz. Discover which characters have been around since the pilot days, who was added as the series developed, and how Rose's storyline gets factored into each episode's planning.

Since as usual my summary is long, I will provide a highlights list followed by a cut which you can follow for a more in-depth narrative. Enjoy!

Highlights:

Jasper's main root as a character is her identity as a decorated soldier from humble origins.

Jasper, a so-called "perfect" Quartz from a Kindergarten known to produce flawed Gems, won't accept help from others because she's so determined to prove she's capable. She may be the best Gem from Earth, but she's still from Earth.

Joe Johnston was the artist who drew Bismuth's Gem bubbled in Lion's mane, but at that point they did not yet have the story of who she was figured out, though they did know there would be a "lost Crystal Gem."

Steven Sugar's tendency to add Gem artifacts into the world, most notably weapons, gave rise to the writers' need to give the Crystal Gems a weaponsmith, so Bismuth as a character grew out of that hole needing to be filled.

Bismuth adored Rose Quartz and was never allowed to understand why her leader rejected her contribution, which Rebecca and Ian compare to the trope of a villain mistreating her subordinates. 

Bismuth, in Rebecca Sugar's words, was "screwed over" epically by Rose Quartz.

Rebecca and Ian specify that Rose was wrong to do what she did to Bismuth, and that it was significant because it's so clear for the first time that Rose could have made such a clear mistake.

Rebecca makes a lot of charts to help understand what story elements need to be doled out when.

Ian loves that Pearl tells us Rose has LOTS of secrets.

Rebecca loves that all of Steven's compassion actually comes from Greg. Steven is described as a compassionate warrior, with "compassionate" coming from Greg and "warrior" coming from Rose.

Jasper is a corny anime villain at first, and we can credit Paul Villeco's love of shonen anime and manga for this.

Joe Johnston finds it refreshing that Steven couldn't turn Jasper's alignment around, and says it's because Jasper held onto her anger and couldn't be forced to be someone else.

Jasper's tendency toward bullying is rooted in feeling heartbroken over the loss of Pink Diamond. She identified very strongly as a servant of her Diamond.

Joe and Kat are pretty sure that Lapis was Jasper's first fusion experience ever.

Joe Johnston often puts "breadcrumbs" in his episodes; he puts in stuff he doesn't have plans for and figures maybe it will be something later. Bismuth's Gem in Lion's Mane was not dictated by Rebecca Sugar like the tee shirt or Rose's flag; it was a Joe breadcrumb.

Twenty-two-minute episodes were the network's idea, not something the Crew specifically wanted to do.

Joe Johnston can't say enough good things about Uzo Aduba's voice acting as Bismuth; every read was "perfect," according to him.

Early character designs of Bismuth included black eyes (to indicate her Gem's inverted state) and some early designs had her with very skinny legs. She always had dreadlocks.

Kat emphasizes that Bismuth is not and was never intended to be "a bad guy." She has different ideology, and her episode shows a situation where the audience is meant to see the value of her point and nobody's 100% right.

Jasper and Bismuth are more different than similar, despite both being big and strong and partial to bludgeoning weapons. Jasper is highly respected and wants to preserve the order of the Diamonds, while Bismuth is a low-class blue-collar worker who has realized things don't have to be this way and dedicates herself to destroying that order.

You can read the detailed summary below!

[Archive of Steven Universe Podcast Summaries]

McKenzie Atwood opens the podcast by explaining this episode's title: "Earth Gems" refers to three very different characters who are connected through the Gem War on Earth.

Rebecca Sugar and Ian Jones-Quartey on Jasper:

McKenzie asks Rebecca and Ian what effect they intended Jasper's arc to have on the audience. Rebecca says she really wanted Jasper to SEEM one-dimensional even though she isn't; her behavior has a "root" and we at first only get the foliage. We don't realize at first that Jasper has become involved in this plot due to her connection to Rose Quartz, feeling that she has unfinished business on Earth. Obviously her connection is quite personal even though she really doesn't show anyone those feelings.

McKenzie mentions Jasper being described on a previous podcast as a decorated soldier with humble origins, and Rebecca claims that description is Jasper's "everything." She's from Earth, but very different from Amethyst--Amethyst was from a pretty successful Kindergarten, while Jasper is from the worst Kindergarten on this awful failure of a planet. Jasper burns to prove her worth because everyone around her knows she's from Earth's Beta Kindergarten and therefore must be flawed on some level. Jasper feels she can never escape being associated with Rose Quartz even though she was supposedly the best thing that came out of Earth.

Ian remarks that Jasper chooses her words to show off pride and bravado, with no hint of the emotions beneath--that she feels she's fundamentally wrong and that she doesn't deserve the reputation she has. She thinks she's horrible, but Rebecca and Ian say they love her. Ian says Jasper is an example of how the system on Homeworld can fail Gems who don't quite fit the mold; externally she is a model Gem, but she never internally feels she deserves her reputation.

Rebecca Sugar and Ian Jones-Quartey on Bismuth:

McKenzie asks her guests to discuss when they started talking about introducing Bismuth. She mentions seeing the bubbled Gem in Season 1 (in "Lion 3: Straight to Video") and how fans recall that first exposure. Joe Johnston was the one who drew that in, knowing later they'd do SOMETHING with it, and then also there were early talks about a lost Crystal Gem. An early idea included Bismuth being not fully conscious, but they decided not to use it. They did figure out Bismuth pretty early on. Ian says Steven Sugar was always dropping weapons around the backgrounds, and they figured they needed a weaponsmith to explain where these things came from. From there, Bismuth was easy to develop. She's described as a "gooey center of the team."

McKenzie wants to know why they decided to unbubble Bismuth in Season 3. Rebecca says everyone's feelings about Rose Quartz were being examined at that point, and a turning point included the perspective that Rose could be a "really awful person." Ian likes the trope about a villain mistreating their subordinates, and wanted to show Rose as the person who was bad to Bismuth. Rebecca says Rose did such wrong to Bismuth--that Bismuth would have done anything for Rose, and when she came up with a weapon that supposedly served her agenda, she rejected it and rejected Bismuth for reasons she never understood.

Unlike Jasper's history with Rose being built on their being enemies from the start, Bismuth IDOLIZED Rose and was, as Rebecca says, totally "screwed over" by her. It breaks Rebecca's heart that Bismuth still speaks of Rose with such love, still crediting her for changing her life in such a positive way. Rebecca loves giving Bismuth "little triangular eyelashes" during the scene when she talks about what a difference Rose made for her. 

Ian says Season 3 was the best time to include Bismuth's arc representing a break from the lore they've been establishing regarding the Crystal Gems' mission. From a writing standpoint, you have to build up the status quo for a while before you break from it. It would have had no meaning to reveal Bismuth earlier if you didn't already have an understanding of what it would mean to be a lost Crystal Gem and didn't already have some feelings about who Rose has been drawn up to be. Ian thinks of it as being one of the first "Rose wasn't perfect at all" stories. Rose was WRONG.

Rebecca also feels that this is a huge turning point for Steven because he is so confused and guilty over Bismuth, balanced against what he's been taught about his mother by his family. In "Mindful Education," he's shown to still be devastated by how he's failed Bismuth--he isn't afraid of her attacking him, he's disappointed in himself for being unable to help her. He knows he needs to carry baggage from a former life he didn't really live, but Bismuth was the first indication that he has inherited something "wrong with the Crystal Gems." McKenzie thinks it's interesting for a character who isn't present to have a character arc.

Rebecca Sugar and Ian Jones-Quartey on Rose Quartz:

When discussing pacing of all these story elements attached to who Rose Quartz was, Rebecca describes writing it like building a tower; they have to have given you all the pieces when they decide to reveal something so it will make sense when they tell that story, so they have to be very careful about the order in which they reveal the pieces. Rebecca makes a lot of charts. General ideas had to be developed into specific pieces of information they have to show us. The viewer doesn't get the story about Rose in order, either. Steven is told what he is "supposed to" think, but he slowly realizes how many revelations there are out there that revise his perceptions. This is complicated, Rebecca says, by the fact that half the people giving him information think he IS his mother.

Rebecca loves that everyone is SINCERE about how they talk to Steven about Rose, too; no one is actively trying to trick him, even though they may have incomplete information. Ian specifies that he loves that Pearl reveals Rose has a LOT of secrets. Rebecca specifies that Steven's compassion is all coming from GREG. Rose was interested in that; she knows she didn't understand it, but you see how she fails at compassion during "We Need to Talk." Steven is a compassionate warrior. The compassion is Greg's. The warrior is Rose.

Joe Johnston and Kat Morris on Jasper:

McKenzie was wondering about how animation is like acting with regards to writing dialogue or choosing expressions, and asks Joe and Kat to discuss this in relation to Jasper. Joe says they'd never had a traditional villain before Jasper, and despite that she is NOT really a traditional villain, she comes off as "menacing" and "corny" at the beginning. This is credited to Paul Villeco's love of shonen manga and anime--she's sort of a JoJo-inspired bad guy. (This refers to JoJo's Bizarre Adventure.)

McKenzie thinks it's interesting that Jasper is the first antagonist who has not been traditionally redeemed and converted to the other side. Joe thinks it's refreshing to have someone Steven wasn't able to recruit in his traditional way, and suggests it's because Jasper wanted to hold onto her anger. She didn't want to change, and couldn't be forced. Jasper has been told since she emerged that she was perfect, and that's what she wants to be--not Steven's band of uplifted flawed Gems. McKenzie asks if it was impactful for Steven to see Jasper refuse to be reached, and Paul thinks he didn't really get to process that since he also had a Pink Diamond-related reveal to deal with. Joe points out that Lars also stubbornly resisted Steven's influence for a very long time, though at least Lars hasn't tried to kill Steven. (Yet! No, that was a joke.)

McKenzie brings up how Jasper gets a lot of love from fans because she has so much beneath the surface, even though she isn't onscreen often. Kat says that's done by treating her like a person; no one is 100% evil all the time, and Jasper isn't evil so much as having a set of values that are not shared by the protagonists. Jasper bullies others because of her pent-up feelings, and she expresses her heartbreak over Pink Diamond's shattering through acting aggressively toward others. It made her relationship with Lapis really complicated, too.

McKenzie brings up "Jailbreak" and asks Joe to discuss his first time drawing Jasper in action. Joe says he was really ready to do it; there had been no "main antagonist" until Jasper and he really looked forward to it. He thinks they started boarding "Jailbreak" before "The Return." Kat thinks Jasper had been written some before they began work on "Jailbreak," but since Rebecca had pretty clear ideas about who she was, it was possible to board out of order. Some work had been done on Jasper before Paul had to board her introduction in "The Return." Rebecca sometimes writes a sheet with some character points and drawings for each new character.

McKenzie then brings up "Alone at Sea," asking Kat to discuss how different that was from "Jailbreak" where Jasper was a physical threat versus how she presented more as an emotional threat to Lapis in this later episode. Kat says she consulted with Rebecca and Hilary a lot to push this story out. Jasper has had a lot of time to think since hanging out in the ocean after her Fusion broke up, and now she's concluded she has a different perspective than she used to about fusion. Jasper realized she could become more powerful through fusion and became "addicted to it." In "Jailbreak" they just needed her to present as an uncomplicated villain (and they didn't have room for much more), but in "Alone at Sea" they could show the why, the how, of her actions.

Kat boarded acts 1 and 3--"the boat stuff," she says. She says there were many versions of the episode. They initially called the episode "Boat Murderer." The boat was supposed to keep breaking down and eventually you find out Jasper was doing it. The episode kept shifting until it became what it finally was. Kat usually doesn't board--"Alone at Sea" was, as she describes it, her stepping in as a pinch hitter. McKenzie asks about whether she had any issues with drawing Jasper, and she says she draws on every episode so it wasn't really anything new for her, especially since she was in charge of the arc associated with Amethyst's season 3 arc. Kat felt that Amethyst was due for some development after they'd already tackled some Pearl and Garnet stuff in the Sardonyx arc. Jasper was a great opposite to Amethyst in that arc because Jasper was big, strong, and a soldier--what Amethyst was supposed to be. She thought she was okay with not being what she was made to be, but then she gets "annihilated" in "Crack the Whip" and realizes maybe she's not okay with any of it. Steven helps bring her through that rough personal place.

Joe Johnston and Kat Morris on Bismuth:

Everyone agrees that they loved Bismuth on first sight. Joe brings up throwing Bismuth's bubble into Lion's mane in "Lion 3: Straight to Video." He had no plan at that point. Kat says Joe LOVES to do stuff like that, and calls them "breadcrumbs." He initially thought maybe it would have been a Gem device or a portable warp. They agree he didn't need such a thing because Steven is pretty OP actually. Rebecca wanted "pieces of lore thrown about the living room," so this was part of it. Rebecca then developed who Bismuth would be. McKenzie loves how before Bismuth's reveal, fans would wonder about who Bismuth might be whenever they'd see her Gem in Lion.

When prompted to discuss what they love about Bismuth, Kat says she loves how much Bismuth loves the Crystal Gems, and Joe loves how Bismuth and Jasper are both "patriotic" for their side. Joe likes to play with how Jasper and Bismuth are both so dedicated to their cause. (It is agreed that a shouting match between them would be very loud and not end well.) McKenzie wonders how difficult it is to develop such a big character, and Joe describes having a chance to all have a pass at the character to finalize new characters. They credit Lamar with her humor and how her voice is delivered, and Kat thinks it's really cute when Bismuth was getting emotional.

McKenzie brings up "Bismuth" being the first 22-minute episode and the 99th/100th episode, and asks how that's different from the usual 11-minute episodes. Kat says there's more post to do. Joe thinks it's twice as hard. Kat says there are more board artists to "wrangle" and more picture to lock, sound effects to add, etc. Joe felt it was harder to adjust to the flow of 22 minutes after being used to squeezing for 11 minutes, and that sometimes it almost seemed like too much time, but Kat also likes that it could "breathe" a little and have some important quiet moments. They think the little bumpers were Joe's idea, but he says he won't take credit for the idea--just for drawing them.

McKenzie wants to know about the decision to do a 22-minute episode, and Joe and Kat said it was the network's idea; they wanted at least two half-hour specials, maybe three but they only got to do two. (The other was "Gem Harvest.") They then discuss having a special guest voice actor for an episode like this. Joe heaps praise on Bismuth's voice actor Uzo Aduba, saying every read she gave was perfect. Kat says it's disappointing when they can't meet great voice actors like her because their involvement is so brief.

Kat remembers Bismuth's initial character design having black eyes, intending to reflect the style of her inverted Gem, but they scrapped the design because it looked too suspicious. Joe says Bismuth was written to be very aggressive and gung-ho and got "put away" for how she expressed that. They recall Bismuth always having dreadlocks (they may not have always been rainbow), but some designs having very skinny legs early on. (Same with Smoky Quartz.) 

Kat wants to specify that Bismuth is NOT a bad guy whatsoever; she just has a different ideology. Her ideology is relatable, actually; she thinks half the audience probably agrees with Bismuth. Rose, being a "gray" character, punished Bismuth for not aligning with her own philosophy, but Kat and Joe think nobody was clearly right or wrong in the episode and that was the point of telling that story in the first place. Moral ambiguity is very important, and Rose isn't All Things Pure. Joe thinks Steven believed there was one "right" way to see the situation, but wasn't willing to fight Bismuth over it.

McKenzie asks Kat and Joe to say what is similar between Bismuth and Jasper. "Size," says Kat. Joe adds, "Muscles. Bludgeoning weapons." They're more different than the same; Bismuth is basically a blue-collar construction worker, in the dirt, while Jasper is a super-respected warrior. Bismuth rebelled when she found out she didn't have to be that way and wants anarchy, while Jasper wants the order to remain forever. Joe expresses that Bismuth's anarchist tendencies are cool, and Kat jokingly scolds him for inciting anarchy. But the Rule of Cool indicates that if something's cool, it's just cool, and it stays.

[Archive of Steven Universe Podcast Summaries]

[antisocialxconstruct]

god i love connie and she's changed so much!!! would you ever write out a full summary for everything she's been through? even entirely going through her tag i feel like there are gaps missing :'o

Thank you! It’s true, she’s changed a TON both as a character and in-fiction as a person. I’ve been working snippets of her backstory into Trip Switch (which admittedly has been on hold for a while), but never just written out a comprehensive summary. Soooo, why not now? Under a cut because it’sss gonna get wordy. (SERIOUSLY it’s like 2k words I’m so sorry)

Conlaeth awoke from the dream back in 1310, (making her around 20 at present day.) She was a talented elementalist but never really took to any of the roles that opened up for her in the Grove, and was only there for a short time before all the talk of adventure and finding her destiny made her restless and eager to travel.

Her first stop was Lion’s Arch, and she immediately fell in love with the ocean air and the feeling of life and constant change in the city. Eventually she fell in with a fellow named Forrest Kincaid, who finagled her a position aboard the Splitblade, a pirate ship (named for its captain, Tydus Splitblade) on which he was the first mate. Conlaeth earned her place but was always a bit of an outsider, as the crew was acutely aware she was only there because Kincaid had taken a liking to her. This divide was worsened after Captain Splitblade was killed in combat and Kincaid took his place, naming Conlaeth as his second in command and elevating her past the ship’s quartermaster, Indira Sulaman, who everyone agreed was the obvious best choice. Kincaid very quickly proved to have been a better yes-man than he was a captain, and Conlaeth became increasingly frustrated with having to answer to someone she felt was incapable of leading when it seemed so obvious to her how to do better.

Shortly after, in the chaos of a particularly bad storm at sea, Kincaid was struck by an improperly fastened canon and knocked overboard–Conlaeth was the only one to witness this, and by the time she sent up the call for help, he had been swept too far out to sea to be rescued. Once they were safely back in port, there was a lot of debate over whether she should be allowed to take command, and more importantly whether she had intentionally let Kincaid die. (To this day, Conlaeth has never definitively answered this question.) In an effort to set right his first and worst misstep, she asked Indira to endorse her as captain in exchange for a position as her right hand, and requested six months to prove she could turn the Splitblade’s career around. Indira reluctantly agreed, and the two worked together over that time–through a combination business both over and under the table–to redefine trade routes and establish solid relations with the other pirate factions along the coast, essentially turning the Splitblade from a renegade pirate ship into the flagship of a robust smuggling ring. Her main opposition at the time was the Defiant, captained by another, more cutthroat and dangerous ex-Lionguard pirate named Su Qinhe. In an effort to remove her from the equation, Conlaeth quietly sowed disquiet amongst Su’s crew before miraculously coming to their aid when Su’s first mate staged a mutiny, during which Su was mortally wounded and then abandoned on the coast of Southsun. Unfortunately no one else amongst Su Qinhe’s crew had the capacity to command such a large company, and the Defiant faded into obscurity, giving Conlaeth free reign of the Sea of Sorrows. (This is important later.)

And everything would have been GREAT, if not for those pesky elder dragons. In 1321, while rendezvousing with another vessel off the coast of Orr, the Splitblade was attacked unexpectedly by an Orrian bone ship backed up by one of Zhaitan’s dragon champions. Both living ships were devastated, and Conlaeth made it out with only a dozen survivors from her crew. While scavenging the wreckage they found that much of the other ship’s cargo had been taken by the risen, but Conlaeth discovered an amulet amongst the ruins that resonated with magical energy, and which she felt compelled to keep for reasons she couldn’t explain. She would continue to carry it with her as a memento, but beyond that she thought little of it. (This is also important later.) When the survivors returned to Lion’s Arch, rumors abound about what had happened to the Splitblade. Many suspected misconduct or incompetence on Conlaeth’s part, and not knowing how to handle such a grievous hit to her reputation, Conlaeth abandoned what remained of her crew and her operation and fled to Divinity’s Reach. There she caught wind of a fledgling military organization being built to fight the elder dragons, and with no solid career direction and a deep-seeded resentment for Zhaitan, who she personally blamed for the loss of her ship, joining the Vigil seemed like the perfect next step.

She didn’t take to the military life immediately, but once she was able to swallow her pride long enough to play the game and work her way through the ranks, she was able to prove herself as an adept and strategic leader, and easily secured a position as warmaster of a squadron dedicated to pushing back against Zhaitan specifically. After leading both the defense and the retaking of Claw Island, she was put forward to fill the role of Commander in the freshly forged Pact, and while there were some concerns about her character, her leadership and past experience in the Sea of Sorrows couldn’t be denied.

Her final year-long battle against Zhaitan proceeds more or less in-line with the personal story, with one notable exception. In the course of their campaign the Pact discovered that Zhaitan gained energy by consuming magical artifacts, which it sent its servants into the world to collect. Suddenly, Conlaeth had an answer to a five year old mystery: why the risen had attacked her ship and left none of the cargo in their wake. Outraged at the revelation that the Splitblade had been little more than collateral damage, she insisted on personally leading the assault on the Mouth of Zhaitan; he knew it would not vindicate her, but it would be intensely satisfying. When they found the Mouth beneath Kitah Mans it was surrounded by a vast collection of magical artifacts, which might not have been noteworthy except for the peculiar reaction it triggered in the amulet she had carried with her since the Splitblade’s destruction–when the Mouth overpowered her and her elemental magic failed her, she tapped into some other energy she did not understand, tearing a rift in reality itself that decimated the Mouth.

This was understandably jarring, but she was never able to replicate the event, and eventually pushed it to the back of her mind as an unrepeatable quirk of circumstances. Zhaitan was defeated, and with nothing else quite as dire on the horizon, she turned her attention to less single-minded business helping to organize the Pact as a general military presence across Tyria.

Admittedly the period surrounding LS season 1 and 2 is a bit fuzzy, as I wasn’t playing the game regularly at the time so I don’t have as firm a grasp on the story (as such some of the details here might still be tweaked in the future). I’m inclined to think she was peripherally involved in those events but wasn’t the star player, so most of her familiarity with DE2.0 came toward the end. What I DO know is that she was on the ground coordinating during the assault on Lion’s Arch, and that when the Breachmaker struck the leyline and threw everything into chaos, she felt it. It was the same force she had tapped into against the Mouth of Zhaitan, but on a level that was now overwhelming and all around her. She had to remove herself from the battlefield before inadvertently hurting someone, but after the initial wave it ebbed enough for her to collect herself. Afterward, with the Pact already moving in to aid Lion’s Arch, she stepped in to assist the ensuing investigation into Scarlet, hoping somewhere along the way she’d get some answers to her own questions. What she eventually surmised was that the amulet she had taken from Orr reacted violently to especially high concentrations of magic, which was becoming an increasingly present risk. However, even without fully understanding it, over time she was able to gain some control over it, utilizing it as a new combat skill.

It wasn’t until Rytlock’s triumphant return out in Maguuma, and the striking similarity between his new-found abilities and the ones she had cultivated, that she got some clue to what she was actually doing. Her best guess was that the amulet itself had some seed of magic that weakened the divide between Tyria and the Mists, and that with enough energy it could cause that division to fracture (the truth is that it was designed to open portals, but she was using it wrong which is why she was getting violent momentary rifts instead. I’m not sure she ever actually figured this out for herself.)

Her role against Mordremoth is also fairly in-line with canon, although I think in spite of her doing her best to keep both herself and her small team together, she struggled significantly with the dragon’s influence, and tended to confide in Canach (and Caithe when she made herself present)  to the exclusion of anyone else. This bred a bit of mistrust for her amongst the remains of the Pact, and when she managed to defeat Mordremoth but returned with Caladbolg and no Marshal, their suspicions became more solid. The parallels with her rise to power aboard the Splitblade were not lost on those familiar with her history, and it was decided that she could not be rewarded for killing Trahearne by being given his command. She was “encouraged” to retire from the Pact so that no one would have to explain why the Commander was being discharged after killing two elder dragons, and she was once again a free agent.

Just before the events of season 3, she was visited by a familiar face: Su Qinhe, who had been trapped at the edges of the Mists for years obsessing over the role Conlaeth had played in her death and the destruction of her reputation and legacy. With how turbulent the magical atmosphere of Tyria had become, she’d been able to cross back over the threshold, motivated by a wholly single-minded desire for revenge. She cornered Conlaeth in Lion’s Arch, incapacitated her and took the amulet, and nearly killed her right there in the street. Conlaeth was only saved by the intervention of Somheirle (an old contact she’s kept in touch with, he’s always been around I just haven’t mentioned him). Conlaeth was deeply shaken by the encounter, and by the fact that her injuries and the loss of the amulet not only robbed her of her rift abilities, but the elemental magic she could have fallen back on. She was still recovering when she got called out to Hoelbrak for Eir’s memorial and subsequently got swept up in the hunt for Caudecus. In Bloodstone Fen she came into possession of a gauntlet inlaid with bloodstone shards (looted from a White Mantle corpse), which seemed to have similar qualities to the amulet she lost. She turned its abilities on the White Mantle and Caudecus without a second thought, having a very convenient blind spot for the implications of the bloodstone-poisoned forces she encountered along the way. As the threat of “Lazarus” and the active elder dragons compounded with her ever-present fear of another encounter with Su, Conlaeth was forced to lean more and more on the bloodstone’s influence, never realizing or admitting that it was slowly poisoning her–after all, if it let her protect Aurene, stop a crazed Caudecus, and even face down the hounds of Balthazar, it must be worth it. She eventually chased a lead on Balthazar into Orr, only to discover it was false information planted by Su in order to lure her into a final confrontation. This time Conlaeth was more than equipped for the fight, but her attempt to stop Su once and for all resulted in the bloodstone infection nearly consuming her as well–once again she was saved by Somheirle, who had recognized the threat of corruption and been working behind the scenes to find a way to stop it. Disoriented, Conlaeth turned on her allies, and had to be restrained so the bloodstone infection could be cut away before it spread, which cost her the entirety of her left forearm.

She eventually came back to herself as she recovered, but once again she had been brought low by the consequences of her own choices, and it put her in a fairly dark headspace. She was already questioning whether she was fit to carry on in her role when news reached her of Balthazar moving into Elona, but she chose to view it as a chance to redeem herself.

[wits-writing]

Crazy Ex-Girlfriend Season 3 Ep 1: “Josh’s Ex-Girlfriend Wants Revenge” review

[My other Crazy Ex-Girlfriend reviews here]

Crazy Ex-Girlfriend season 3 opens as Rebecca sets out to redefine herself and uses that new persona to fulfill her season 2 ending promise to destroy Josh Chan for leaving her at the altar. Meanwhile, the other characters deal with their relationships as Paula deals with the final steps of allowing Scott back into her life after his infidelity and Daryl argues with White Josh about their future together.

[Full review under the cut]

The story for the episode is set up through the first song of the season “Where’s Rebecca Bunch?” It’s a number that feels styled after Into the Woods or similarly themed fairy tale musicals. This style is used to communicate the rumor mill of West Covina, CA as we see the entire supporting cast, using faux-British accents, wondering what’s happened to Rebecca in the two weeks since Josh left her. Besides that, there’s one question that gets repeated throughout the song “Where’s a woman’s pride without her man?” and that question has been a big part of Rebecca’s mindset throughout the series.

We see her in this song absolutely crushed with no idea of how she’ll fulfill her ominous promise to destroy her ex-fiancé. This mixes together with her general aversion to ever being viewed as pathetic, also seen when she got a makeover in “When Will Josh and His Friend Leave Me Alone?”, but this time the makeover isn’t about looking like she hasn’t been phased by the events in her life. She’s goes through her own steps to transform into a “woman scorned” before returning to her life at the law office. This opening number establishes her starting point for the season well as we see her descent into a self-styled would-be villain, symbolized by a closeup shot of her stepping on a soft-pretzel (which has been a symbol of the hope she placed on her pursuit of Josh since episode 1.)

Rebecca’s insecurities have often tied back into her worries about how other people perceive her and what role in life she thinks she should fulfill. How much she cares about what other people think while simultaneously not wanting to let herself appear vulnerable motivates this “dark” makeover. If she can’t be the girl going after Josh or the one Josh wants to spend the rest of his life with, she’ll fulfill the role of anti-heroic vengeance seeker. So much weight gets put on labels that’s all she can put her mind on is making sure she fits one with power. Her friends, Paula, Heather, and Valencia, are ready to be there for her before they realize how much the experience has broken her when she starts talking to them about her plan to get back at Josh; mailing him her poop and telling him it’s cupcakes. They’re all taken aback by how ridiculous that plan is, even by Rebecca-standards, and Rebecca’s attempts to keep re-explaining the plan as if that’ll have it suddenly make more sense is the one of the strongest jokes in the episode.

Eventually, she tells them an alternate (though still ridiculous) “Chan Plan” to ruin Josh’s chances of becoming a priest; record a fake sex-tape with a stand-in actor playing Josh who would yell out “I hate Jesus!” Her friends aren’t any more on board with this plan than they were the one about poop, but they’re at least more willing to humor Rebecca on this one until she comes to her senses. They go through with auditioning actors to play fake Josh until they find someone who’s, in Heather’s words, “a shave and nose job” away from looking just like him. When it nearly comes to the point of Rebecca having sex with him on camera, Paula pulls the plug and starts asking her why she thought something that could ruin her own reputation as well as Josh’s would be a good idea. Rebecca admits that she no longer cares about hurting herself if it means getting back at Josh for ruining her life. They say they’ll be there for her, but they’d never let her go that far.

The four of them elect to deal with this by drinking and vent about their problem with the men in their lives. This “primal ritual” is set to a glitzy 80s style song called “Let’s Generalize About Men.” All of them use their time together through this song to share mutual catharsis by talking about stereotypical gross behaviors associated with men including; only thinking about sex, being emotionally repressed, never listening, farting, and snoring. The fact that Rebecca, out of all of them, says that women always listen and never think about themselves unlike men is my favorite joke within the song’s lyrics. A close second to that would be when they start singing about how great gay men are contrasted against straight men (“They’re never angry just sassy!”). Mixed with the bright neon sets, clothing, and shoulder pads the characters wear, this song is probably the more fun of the two in this episode.

During all of this, Paula is dealing with her marital problems as she gets ready to let Scott more fully back into her life after he cheated on her with Tonya from his job. She’s puts up several goalposts for Scott before he’ll be allowed to sleep in their bed again and he’s dedicated enough to making up for what he did that he goes through with all of it, from signing in when he gets home from work to taking several lie detector tests. Paula still has her lingering doubts about whether she can ever be with him again. When those nerves get the better of her, she impulsively asks Scott to call her “Tonya” while they have sex on their first night back in bed together. Her distrust and nerves are understandable, but she’s eventually able to get to a place where she’s not going to give into those feelings as easily anymore after helping Rebecca through her issues.

Daryl and White Josh have their own issues in their still developing relationship as they’re having arguments over Daryl’s proposal from the end of last season that they raise a baby together. WhiJo says he has other things to worry about in his life before he considers raising a kid, like getting his startup business for ant-based protein bars off the ground after two years of planning. Daryl takes initiative to starting branding and marketing the bars himself while dressed as an anteater. The couple ends up going to therapy together with Dr. Akopian(’s husband and fellow therapist) where they are able to talk through this issue and leave WhiJo in a place where he’s ready to take raising a kid with Daryl into consideration. Daryl admits he can take things too far and WhiJo admits that he can be a little judgey (“My friends always call me that, but I never listen because they’re stupid idiots.”) These two, for as eccentric as Daryl can get, are still the most stable relationship on Crazy Ex-Girlfriend and watching how they develop together has been a highlight of the show since Daryl came out as bisexual.

“Josh’s Ex-Girlfriend Wants Revenge” ends up mostly being an episode about setting the table for things to come in season 3 with Rebecca’s plotting to get revenge on Josh. She settles on Valencia’s Paula’s plan to sue Josh for ruining her wedding, but still secretly goes through with her original plan to mail him poop cupcakes “from Jesus.” This episode has one more great running joke in the form of Nathan pining after Rebecca after he sees her new makeover and attitude, going to lengths to talk to her that make Rebecca (“The Queen of ‘I just happened to be here’”) roll her eyes at him. Whatever this new “scornful butterfly” version of Rebecca has in store will be interesting to say the least as we wait and see if she’ll ever find a true path towards healthy living beyond any form of obsession with Joshua Felix Chan.

But the path she’s currently on will continue in the next episode with “To Josh, With Love.”

[soaker87]

A Spider Riders guide for beginners (mainly anime-centric)

Sort of a sequel to my guide for getting into Battle Spirits, but yes, I wrote a massive essay on a much smaller and easily digestible franchise. And it was fun.

Honestly, half of this is me ripping on things, but yes, I honestly love this show and wish it was more popular. And it’s my main interest when Battle Spirits is bad/on hiatus and I’m in denial about Code Geass.

Put it here instead of my SR blog, since established fans probably don’t need a guide. And I think it’s only fair when I don’t shut up about it.

1)The first pressing question that seems to bug people. Is Spider Riders a “real” anime? Not that it particularly matters, but the answer is yes. Spider Riders is officially a Japanese/Canadian co-production. But, based on official statements made by both the Japanese and western staff, the actual production went something like this. A book (which was meant to be the first in a series of 5) was published in English, and at the same time, the Japanese studio Bee Train was commissioned to make an anime based on the same general concept. The show was completely crafted in Japan. That is, the animation, writing and directing was done there. The English side of things got to make specific requests and got a minimal amount of creative control, but it was largely left in Bee Train’s hands. The people on the English side of things consider the series Yosuke Kuroda’s vision, and admitted to not really knowing any more about the characters and world than what the viewers know. So it’s just as much a “real” anime as The Big O season II, Bakugan, Dimension W and the like.

2)Now, the deal about those books I mentioned above, which were the “source material”. Well, as anyone who’s read them can tell you, they have almost nothing in common with the anime. There are characters with the same name and alliances, and the very basic setting is the same. Other than that, you can hardly compare the two. So while the books came first (at least the first one did) they are in no way a pre-requisite for watching the anime. But still very much recommended. Without spoiling anything, they’re certainly darker than the anime (while still remaining kid-friendly). Anyway, there are three canon books total, because the publisher never ordered the planned five. Thus, the story is never fully resolved. Additionally, an unfinished 4th book exists on Tedd Anasti, the main author’s website. This book can not be considered explicitly canon, because it’s basically a re-write of the 3rd book with some added plot points, and it mixes things from anime canon that contradict the previous books. However, it is highly recommended for Buguese and Aqune fans, as the added plot points concern them.

For the record, if you want to read the novels and can’t buy them (because they’re rare and expensive if you want to buy them new) I can point you to download links. And you can read the 4th one here: http://teenovels.webs.com/spiderriders.htm

3)A Spider Riders manga also exists. It’s interesting if you’re a fan, but really not suggested as a good starting point for the franchise. While the manga has more in common with the anime than the books, it’s also a very different take on things. The manga is probably the most comical entry in the franchise, only becoming serious on occasion. It also includes more violence and fanservice (especially panty shots)  than the very tame anime. The art style is considered rather unattractive by most people.

Like basically every other entry in this franchise, the manga is unfinished. 10 chapters exist total, but only 9 were released online, the 10th appearing exclusively in Shounen Fang magazine. Of these 9 chapters, only the first 6 were published in tankouban format, and only those 6 were scanlated, as the online releases of chapters 7-9 were not high quality.

Translated scans for chapters 1-6 here: http://spiderridersftw.tumblr.com/tagged/sr-manga

4)Getting back to the anime, another thing that trips people up in exactly how many seasons the anime has. Theoretically, it only has one season, consisting of 52 episodes. A series which yes, I’ll admit right here, ends with a heck of a lot left unresolved. I’ll get back to that point later. However, most anime encyclopedias list Spider Riders as having two series of 26 episodes each. The first is called “Spider Riders ~Oracle no Yuusha-tachi~” and the second is called “Spider Riders ~Yomigaeru Taiyou~”. Why? Because the series tanked in ratings when it aired in Japan. And this is starting from the very first episode, so very few people gave it a chance. It probably wasn’t on many people’s radars, due to the show getting virtually no publicity before airing in popular anime magazines, and due to the stigma it carried being a “co-production”. Because the series tanked, TV Tokyo, who was broadcasting it, stopped airing Spider Riders after 26 episodes. Another network, Kids Station, picked it up and re-aired the first 26 episodes. After that, they continued with episode 27. But they gave the series a new title. It was outright advertised as being a second season. This is most likely because of the reputation the first “season” carried. So there you have it. Spider Riders, a 1 season show, had two seasons when it aired in Japan, but the episodes were exactly the same.

However, the saga thickens. What I mentioned above about the ending being rather a non-ending? It’s because the staff hoped for a true second season of Spider Riders. So they went out of their way to leave questions unanswered. You see, Spider Riders originally did have a true ending. Teletoon, the channel that broadcast the series in Canada, put out a press-release about the anime on their corporate website very early into the anime’s run. This press release contained character bios and episode summaries, which essentially spoiled the entire series. It became known as “the Teletoon Corp spoilers”. For the first 24 episodes, everything these spoilers said matched up with what happened in the anime. The second half of the series, the “second season” in Japan, did not. There were some things that matched, and others which didn’t. So yes, they changed a perfectly thought out second half to the series for the sake of leaving opening for a sequel. A sequel that was never going to happen with the ratings the series got in Japan. In hindsight, Spider Riders ~Yomigaeru Taiyou~ may very well be a “second season”. Because that’s when the series starts to diverge from its intended route.

Because of the convenient break, I’ve actually suggested to people to just watch the first 26 episodes and stop there. The story won’t be resolved, but you’ll still have a lot of questions even after watching the second set of 26. And ep. 26 is actually an epic one, so it makes a pretty great ending point. Better than episode 52 anyway.

Obviously, I don’t hate the second half. I just have very mixed feelings about it. There are severe pacing issues. Plot twists that don’t really make any sense (probably due to having no basis in the first half/original plans). Beerain/Buguese/Aqune/Hunter/Corona love triangle nonsense that goes nowhere. Yes,  I spoiled it. None of them end up with anyone. (Also, I am under the impression that love triangles are a plague and rarely ever done well.) Hunter and Corona becoming black holes in terms of focus, while other characters are mis-handled in various ways, especially Magma and Aqune. And Beerain’s handling is a whole separate issue I’ll talk more about later. But probably, the biggest problem with the second half is the forced portrayal of a certain character as sympathetic when I personally did not see them that way. (And no, I’m not talking about Beerain. This could apply to her too, but she didn’t cross the line like this character did.) Also, the writers go out of their way to make sure this character gets everything they want in the end, even when the more important characters have massive unresolved plot threads. Though, considering that I occasionally go to TV Tropes to try and prune some of the leather pantsing for this character, many other fans saw them as sympathetic too. So maybe it’s just my problem, but it still bugs me.

Now, the second half has some good episodes and scattered moments that were awesome or cute or funny or whatever. It has episode 49, which was very validating for me. I love what they do with Igneous in the later episodes, because it helps flesh out his character, even if he doesn’t actually get to do anything useful. Grasshop’s subplot in the second half is well regarded by fans for a reason. Buguese gets to pilot a giant robot, which is beautiful. Stags finally gets some time to shine. Corona gets some good development. So it’s not all a lost cause. It’s just not the second half that should have happened, and the executive meddling made it suffer in quality.

4) Now, if you still want to watch the show knowing all this, should you watch it subbed or dubbed? Coming from someone who never had any problem with dubs, this is one show which really should be watched subbed. While the dub (produced by Cookie Jar Entertainment, not 4Kids, contrary to popular belief) is not the most horrible dub ever, that does not by any means make it an acceptable dub. I’m going to break it down into a few aspects. And these are not the only flaws it has.

First, translation. The dub is not a straight translation of the Japanese script. Except for when it is. But that’s the exception, not the rule. Many times, they just take the Japanese footage and make something up that might fit with it. Even if it has nothing to do with what the characters actually said. Sometimes, this doesn’t really affect much. But other times, it’s created actual plot holes. Avoiding spoilers, the most glaring case of this occurs in episode 23, which is a very important episode about the villains and their motives. And the differences in the script are outright jarring. Especially factoring in that the dub goes back to the true story later on.

Second, the cheese factor. Yes, it is a show where people ride giant spiders. But this is anime. It’s far from the most absurd premise in the medium. And it’s also a premise that the show itself takes seriously, even in the dub. It’s not meant to be a comedy anime, despite having a fair amount of humorous episodes in the first half. So that poses the question of why the people writing the dub script decided to take the cheese factor up to eleven. The dialogue is outright cringey a lot of the time because of it. You have characters constantly shouting “Arachna Power”, a phrase which is never uttered once in the Japanese version. When every other line sounds like it was written by an 8-year-old trying to be hip, it makes the show very, very hard to take seriously. And, as I said, the anime takes itself seriously, even in the dub. So that’s why you have a problem.

Third, censoring. Now, like I said earlier, the anime is pretty tame. There’s no blood and gore. Nothing sexual. There’s not much that needs to be censored at all. Tell that to the people at Cookie Jar. When they decide to censor things like characters being grabbed by the arm (which they frequently cut), all while having other kinds of violence when the characters are fighting a war, you just have to wonder. When they cut a male and female character innocently sleeping in the same room. Characters who get absolutely no ship tease, I might add, and one of them is happily married to someone else, you really have to smash your head against something hard. There are probably two things in this show that could understandably be censored for western viewers, although I personally don’t believe in censorship at all. But the dub does not stop with those two things.

Fourth, name changes. Now, most of the main characters keep their Japanese names in the dub. This is probably to keep consistent with the books. But basically any secondary character has their name changed for no reason, even though their names don’t sound “foreign”. Even if their name is Melissa. The Insectors, the main enemies of the series, were changed to Invectids in the dub. This was apparently due to legal reasons. But due to the prominence of Insectors as a whole, it’s a notable change. Brade, called Quake in the dub, is probably the most important character who underwent a name change. (He isn’t in the books, so that probably contributed to the change.) And one character’s first name is actually their last name in the dub, in a world where no one even has last names. That’s a pretty weird one.

Fifth, the dub treats viewers like morons. Very frequently, the dub will take a scene where in the Japanese version, nothing was being said (the show has a lot of dramatic silence) and make a character whose face isn’t shown on screen state something obvious. It might not be something the Japanese script outright said, but it’s something that anyone paying half-attention would have figured out. Additionally, the dub will regularly add shots of Shadow in manacle space when he talks, assuming viewers won’t be able to pick up that he’s talking despite not being on screen. It’s really kind of insulting. Even if kids are the target audience, they’re not that stupid.

Sixth, the acting is terrible. People make fun of it for a reason. The dub has frequent awkward pauses between lines. Additionally, some of the voices do not fit the characters. And I don’t mean, because they’re not sound-alikes to the Japanese cast. I mean, it was gross mis-casting. The most glaring case is Beerain. Most fans, regardless of their opinion on her character, agree about her dub voice being horrendous, which makes her sound like an old lady, and is even worse during emotional scenes. In general, the actors also tend to change the tone of some scenes, which give off the very opposite impression that the same scenes did in the Japanese version.

And, I won’t link it in this post for reasons, but there’s a torrent for the subs on Nyaa, and it also includes a link for DDLS if you prefer (or if the torrent is dead, because it probably is.) If you must watch the dub despite reading all this, look it up on your own time. It’s definitely on some streaming sites.

5) So, now that we’ve got all that out of the way, what is the show actually about? Well, the plot follows a 13-year-old boy named Hunter Steele. (11 in the dub.) He follows the notes of his deceased grandfather, in order to find a place called the Inner World that his grandfather used to tell him about. Naturally, he finds it within the first few minutes of the show, and the rest of the plot takes place in the Inner World, which is basically like some sort of pocket dimension inside of the earth itself. Hunter meets with Shadow, a spider, and the two reluctantly become partners. After Hunter joins up with the other Spider Riders, he takes part in a war to save the Inner World from the Insectors, a race of bugs with human-like qualities.

6)So what are the characters like? Okay, here goes. First, the main Riders and their spiders.

Hunter Steele- The hero. Typical shounen lead. He loves adventure, he’s a bit clueless, but he’s generally friendly and well-meaning. Which doesn’t make him perfect, either. He can be bratty and disagreeable, especially early on. And while he has a sense of justice, he’s actually incredibly self-righteous and sees everything in black and white. But he does get to develop as the series goes on. And he’s the true heart of the team, who keeps everyone in line. Unfortunately, he does get a disproportionate amount of focus, even for a main character, especially later on.

Shadow- Hunter’s spider partner. He’s cocky and prideful. He has a tendency to bicker with Hunter, and he’s usually the one who’s right. They actually become really good friends. Their bond is pretty cute and needed more focus. Out of all the spiders, he’s the only one who really gets much screentime.

Corona- The heroine. Of course she has a crush on Hunter. That’s obvious from almost the get-go. But she’s absolutely not a bland swooning cheerleader like some shounen heroines. She’s a genuine action girl. After Hunter, she’s the character who gets the most focus. Sometimes the show feels more like it’s her story than his. Corona is riddled with insecurities, but Hunter inspires her a lot, and she gets to grow and develop as well as him.

Venus- Corona’s spider. To be honest, she has the personality of a rock. Yet she will get occasional lines that are longer than one word, unlike most of the spiders.

Igneous- He’s a knight of Arachna. Very protective of his kingdom, and the royal family. At first, he comes off as very serious, but you see later on that he’s one of the biggest dorks in the show. Refreshingly, he doesn’t become Hunter’s rival, despite early episodes hinting towards that. He takes on more of a mentor role. At first. Then the writers kinda forget about that aspect.

Flame- Igneous’ spider. He doesn’t speak. Not even once.

Lumen- The prince of Arachna, but you’ll just have to take his word for it. He doesn’t act much like a prince. He’s super lazy, and he loves to flirt with girls. Every girl. Even if they’re his sister or an Insector. And did I mention he’s only 12?

Ebony- Lumen’s spider. He does speak, but only once.

Sparkle- The princess of Arachna. Yes, her name is Sparkle, but just deal with it. She’s cute. Super cute. Apparently, the writers had no idea what to do with her and changed her character like a million times in the pre-production. So at first, she seems sort of wise and mysterious, but really, her purpose is to just be really cute. Which doesn’t make her any less awesome.

Hotarla- Sparkle’s spider. Like Sparkle, her purpose is to be cute. All she can say is “kyu.”

Magma- He’s introduced as a brooding wanderer, looking for his spiders’ long-lost sister. That doesn’t last for long. He’s also a total dork. He also basically clings on all the other guys. And serves as obsessed fanboy to an old man. Like, Magma is as gay as possible without the writers actually going out and saying it.

Brutus- Magma’s spider. Because he’s a flat character, he doesn’t even seem to care about finding his long-lost sister as much as Magma does.

Now, the villains’ side. They actually get more character development than most of the good guys, for better or for worse.

Mantid- He’s the Insector emperor. The main villain. But saying much about him is spoiling.

Buguese- The leader of Mantid’s Big Four. He looks pretty human-like, despite being an Insector. Based on old information, he might be an artificially-created Insector, except that never made it into the actual show. He’s a cold and calculating person, who treats everyone around him pretty badly. He seems to think the ends justify the means, when it comes to making sure the Insectors win the war. He’s constantly brooding, also.  He absolutely hates Hunter, and is pretty much the rival character. He always uses various robots to attack the Spider Riders. He usually has Aqune accompanying him too. It’s clear that he cares about her a lot, but because she’s a human, he makes every effort to hide it, even from himself. He’s my favorite character, as you can probably tell since I don’t shut up about him. As I’ve put it before, a fascinating mess of contradictions, who flips between being a total jerk and the most sympathetic character in the show. He really needed to be in a better show.

Grasshop- Easily the most popular of the Insectors with the fandom. This is because he’s very much the butt monkey. He’s sort of like a one-man Team Rocket. Always coming up with crazy schemes to defeat the Spider Riders. Always failing epically. And even the other Insectors treat him badly. Even Aqune of all people isn’t particularly nice to him. Well, he’s actually a lot of fun, and more than that, he has a lot of depth. He might be the most well thought-out character in the show, to be honest. And his development is very satisfying.

Beerain- Another Big Four member, and the only female. She doesn’t really do much for the early part of the series. Mostly just summons flying insects to do her bidding. Kind of a flat character, to be honest. She makes a good comedy duo with Grasshop, at least. Later in the show, she gets more focus. I found what they did with her character one of the absolute worst subplots in the second half of the series, mostly because it came out of nowhere and felt like extreme character derailment based on the little we know about her, dragged out until it became a plot tumor. But saying much more counts as spoiling.

Stags- The last of the Big Four to be properly introduced. But he’s the strongest and most dangerous. Stags actually is an honorable villain. But at the same time, he’s absolutely crazy. This is the guy who bursts out into maniacal laughter for literally no reason. And later in the series, when he really gets some focus, woah. Well, his fight scenes are epic, and he’s a character who deserved more focus than he got.

Aqune- She’s a Spider Rider, but on the enemy’s side. However, she’s not a villain by any means. She’s an incredibly nice person who is willing to sacrifice her own happiness to help others, whether friend or foe. Aqune is a very tragic character, and like Grasshop, is one of the most popular characters (though Hunter is the most popular of all.) She’s a favorite not just because she’s tragic, but because she’s incredibly tough. If Corona is an action girl, Aqune is even a step above that. She’s strong enough to take on multiple armed opponents alone, and she gets the most stylish fight scenes. It’s hard to talk too much about Aqune without spoilers, but she’s my other favorite character, and one of the best written, even considering she gets screwed over in the second half.

Portia- Aqune’s spider. She also has the personality of a rock.

There are other characters too, but like, watch the show and you’ll see.

7)Anything else? I ship Buguese x Aqune like it’s my job. Honestly, I’m much more fervent about them than I am my job. I would love more fic about them. Yes, I’m shameless.

8)Anything else else? There used to be an online game. It was a dice and card battle RPG with weekly quests. It was more popular than the anime. It was fun. It doesn’t exist anymore.

9)Final notes/warning- Okay, I’m straying from the point, but I’ve wanted to get this off my chest for a long time. The Spider Riders wiki is basically toxic and should not be treated as a good source. I don’t go and edit there because I know I’m not wanted, and I think it should be allowed to exist. Freedom of speech and all. But it hurts that people use it as a go-to source.

Basically, everything you might need to know about the anime is on the very detailed Wikipedia article. Go there instead. The reasons the wikia is so bad are as follows:

It is 100% dub biased. As I said above, the dub is not always accurate to the Japanese.

It is all about the anime with very little on the other canons. Yes, the anime may be the most famous, but it’s not all there is to the franchise, and a wikia should be more thorough. I say this as the owner of the Battle Spirits wikia.

Some of the information is outright wrong, even going by the dub. It feels like whoever edited it was throwing in their headcanons and misconceptions as if they’re fact

It’s super clear what pairings one writer does and doesn’t ship by what they wrote. That’s called bias, and doesn’t belong on a wikia. Friendly reminder that a one-sided relationship is not “close to canon” or however they put it. That would be like if I edited the Battle Spirits wiki to say Gilfam and Lucretia were probably lovers. Which they are as far as I’m concerned, but according to canon they were “friends.” Ship meta is an awesome thing, I love reading it, but keep it to your blogs and off encyclopedias.

A lot of the information was outright ripped off from my old fansite, then modified to fit the writers’ opinions. They did not ask me first. I might have even said yes, but the point is, if you’re going to copy someone else’s writing, you should ask them. I put my contact information on my site. On top of that, I don’t even consider my old website a great source for SR. It was something I threw together for a school project when I took web design, and had to follow particular guidelines on. So basically, they copied my half-assed schoolwork.

The wiki contains actual bashing of me. And my writing. I’m not kidding. That’s all the more insulting when my “writing” was good enough for them to rip off. Or at least it did have this at some point. I don’t really lurk around it, so I don’t know if it’s still there. That’s called bullying. And yes, I take it personally. Even if the wikia didn’t have all the other problems above, I would still loathe it just for this point alone.

[businessliveme]

Destination Divorce Parties are the Next Big Thing

In October 2015, Ariel Khawaja traveled to Cozumel, Mexico, to say “I do” before a group of 55 wedding guests.

Three years later she corralled her two best friends to stand beside her in Las Vegas as she said two other magic words: “I don’t.”

Anchoring the trip around a Drake concert, the 28-year-old, who works in real estate, filled her week with gambling, clubbing at the ritzy 1 OAK, partying poolside at Wet Republic—a day club at the MGM Grand—and otherwise recharging.

“Las Vegas is fun all the time, but when you’re there for your divorce, you’re really free,” says Khawaja, who lives in Houston. “When you’re there celebrating such a big change, you live in the moment and you’re not worried about what happened yesterday. I didn’t pay to have a pity party—I wanted to relax and enjoy time with my friends after the hell I had been through.”

If the Hangover film franchise cemented Las Vegas’s reputation as the ultimate bachelor-party town, Khawaja and other fun-loving travelers are helping establish it as the opposite: the perfect destination for a divorce party.

Often an exultant multiday escapade, these vacations celebrate—not mourn—the ending of a marriage. And in a city versed in over-the-top hospitality, venues are finding creative ways to help divorced men and women embrace their new relationship status.

Just Another Milestone Trip

Although the Las Vegas Convention and Visitors Authority (LVCVA) doesn’t actively track divorce-party figures, it also doesn’t shy away from the issue, and seasoned Vegas hospitality vets have seen the festivities firsthand.

Adam Clough first heard about the concept 10 years ago but says it’s taken off more recently. He once helped a guest fete his divorce in the company of his former groomsmen.

“People started telling us that they want a fresh start,” says Clough, the executive director of social sales and concierge operations for MGM Resorts, which has 12 properties along the Strip. “At first we thought, Well this is different. But people come to Vegas for celebrations, and people come for devastating events, so in a way it makes sense.”

Preferring the moniker “girls’ trip” or “friends’ trip,” Julie Banning, a travel adviser at the Virtuoso-affiliated Embark, has seen the trend rise in the past year or so.

“Lately we’ve seen a lot of people finding any excuse to travel,” says Banning, who’s planned several such friends’ trips, mostly for straight women. “It used to be that you go on your honeymoon. Now you go on a mini-moon before you go on your honeymoon. This is like one of those milestone trips—like, ‘OK, guess I’m going to take my divorce trip now.’”

Bachelor and Bachelorette Parties Grow Up

A few years ago, when Las Vegas native Bri Steck was deciding what to call her then-fledgling concierge company—which organizes dining, nightlife, and entertainment itineraries for tourists ready to get their party on—she purposely avoided the word “bachelorette.” To meet the rising demand for divorce parties, now about 10 percent of her business, she went with Vegas Girls Night Out (VGNO).

“I know bachelorettes get crazy, but it’s only to an extent because they’re getting ready to spend the rest of their life with somebody,” Steck says. “When you’re having a divorce party, you don’t have to worry about anybody else. There’s no guilt there. There’s nobody to answer to at home.”

Banning says a group of friends celebrating a divorce might be a bit older—and more financially solvent—than a gaggle of future bridesmaids. That means cocktails at an exclusive speak-easy instead of Jell-O shots, and shelling out for capacious accommodations instead of cramming 10 people into a single hotel room.

What Happens (Only) in Vegas

While there was a time when a trip to Sin City might’ve involved posting up at a smoky poker table for an entire afternoon, today visitors embrace a more diverse range of activities. According to the 2018 Las Vegas Visitor Profile Study, just released by the LVCVA, although 74 percent of visitors gambled while in town, two-thirds (67 percent) did so for two hours or less per day. That leaves plenty of time for endeavors like seeing a show, a choice favored by nearly 6 in 10 visitors.

Or, as someone once told MGM’s Clough: “I want to do good things during the day and bad things at night.”

Some venues have fully embraced their only-in-Vegas-ness by marketing specifically to the divorce-party crowd. For instance, the Just Divorced package ($499) at Machine Guns Vegas, a self-described “luxury gun range,” encourages divorcées to take a machine gun to their wedding dress and marriage certificate while wearing a black “Just Divorced” sash.

But often it’s just Las Vegas itself that’s enough, no official divorce-party label needed. Banning’s clients have embraced activities that their husbands might have pooh-poohed, including a Grand Canyon-from-above helicopter excursion (“Her husband was like, ‘That’s a waste of time, it’s too touristy’”), top-notch seats to Jennifer Lopez, and private meet-and-greets with Britney Spears.

Not surprisingly, mending shreds of a broken heart with barely any shred of clothing is a popular option as well.

VGNO’s divorce-party clients especially appreciate the VIP seating at Thunder From Down Under—say, around the very tables the oiled-up Aussies-in-thongs dance on. Steck’s husband co-owns the all-male revue.

At Chippendales, the Divorcé Play (from $149 a person), often booked not by the divorcée herself but by a close friend, pulls some of the all-male revue’s signature perks—limo transfer, VIP seating, and shoutouts from the stage—into a tidy package that hits the zeitgeist head-on.

Strip clubs are also a popular choice. “Your spirits will be insanely lifted by the time you leave,” jokes Lindsay Feldman, the director of brand marketing for Crazy Horse 3, an upscale gentlemen’s club that’s hosted high-profile celebrity divorce parties (on back-to-back nights, no less) for Colt Johnson and Larissa Dos Santos Lima, the formerly married stars of TLC’s 90 Day Fiancé, as well as actress and media personality Courtney Stodden.

Custom details—a Colt-shaped piñata for Lima; a cleaved-in-half, three-tiered wedding cake depicting the bride kicking off the groom for Stodden—underscored an empowerment theme.

“Divorces are obviously very sensitive, but they’re also symbolic of freedom, and these parties are about the ‘power divorce.’” Feldman says. “They’re about making everybody really happy and excited. They’re about celebrating in a dynamic atmosphere with people who love you.”

The atmosphere drives home another unalienable truth: Las Vegas is one of the best places on Earth to be single.

“There aren’t a lot of other places in the world where it doesn’t matter how old you are, you’re going to get hit on, and somebody’s going to make you feel special,” says Banning, the travel adviser. “And that’s therapeutic, because you come back from the trip and you’re like, ‘I may be divorced, but I’ve got this.’”

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