#i love how all the characters are so fucked up and not even in plot-important ways

[eddiediazismyhusband]

Ok so how are we feeling about the Diaz parents

(Full disclosure I don’t like them. I mean you see your son and he tells you he was with the exact doppelgänger of his wife and you don’t stop and think: “Wait this actually might be a cry for help maybe we should stay here and help OUR SON and his son��� )

oh i absolutely fucking despise them both as people and as characters

(get ready this is gonna be a long reply

for context, i have to talk about the bts of it all

the way the show handled the whole situation w gavin’s restricted filming schedule due to his family moving really pisses me off as a whole because like- he barely showed up in s7 anyway and no one questioned why we were getting fewer chris scenes bc we as a fandom understood that gavin is getting older and his family moved and thus that creates some scheduling conflicts; so the logical solution would be to just give him less screentime like may and harry as he gets older (even though yeah, it sucks but it’s better than the alternative we got)

but instead of just doing that, they chose to have eddie go off the deep end (and not even for a good reason because nothing about this plot has furthered his character in my honest opinion- 806 did absolutely nothing for him that wasn’t already done in previous arcs and it just felt like “oh we have to give eddie something after hyping him up all season” so they shoe-horned that arc in and it fell completely flat for me.) just to give them an excuse to send christopher away on screen rather than just giving him less screentime to work with gavin’s schedule.

but as far as the diaz parents of it all; it honestly ruins the quality of their characters within the story bc now they’be gone from bad parents who stick their noses into their son’s business a little too much and don’t understand him to now being complete comic book super villains who are hellbent on making their son miserable for their own gain and it’s like… for what reason?

bc before this happened, even though i think the diazes are awful parents, i do think they genuinely love their children (hell we even had that whole plot in s5 w eddie and ramon coming to a little bit of a reconciliation) but tim minear has been using this philosophy of “shock value and drama are more important in this show than the actual storytelling” so he just completely threw out the love that they do have for eddie to replace them with these evil heartless characatures of themselves looming over the narrative.

like i personally have a rocky relationship w my own mother- she’s a super conservative christian woman and im a socialist nonbinary gay person, but at the end of the day no matter how rocky pur relationship is she still loves me and would never do anything to intentionally harm me for her own benefit.

so yeah- i hated the diazes as parents before but they at least were decent characters in eddie’s story, but unfortunately s7/8 have just made me completely hate them even as characters bc tim and the writers have just ruined the dynamic they had going bc they would much rather infuse shock value and cheap, unearned drama into the show to grab people’s attention rather than take the time to create a meaningful story that would in and of itself provide sufficient room for drama within an actually enjoyable narrative.

overall… im super disappointed with how all the diazes have been written since 707… even eddie. it feels like they took a character who has so much potential for interesting storylines snd turned him into a narrative punching bag, snd have kinda turned him into a watered down version of who he used to be all in the sake of cheap tv show drama- and as an (obviously) eddie diaz stan, it disappoints me that my favorite character and his arc are being treated so poorly by the writers to the extent that a story and character dynamic i used to relate to so well has been destroyed in favor of hamming up the plot purely for shock factor purposes (if any of that made sense i’ll be shocked by im literally typing this w one eye open im so tired)

i’m sorry this may not be the exact kind of answer you were looking for but your ask hit me right while i was actually thinking about all of this and i just had to share my whole thought process lol 😭 thank you for the ask bestie <3

[aq2003]

if anyone is a fan of dt's voice work/audio dramas like i am and wants to listen to something random they've likely never heard before (or if you're coming down from the tony-baddingham-rivals high and want to see (hear) him play an entirely different yet equally complicated guy) i recommend murder in samarkand! it's quite good :)

cw: explicit mentions of SA/police brutality, islamophobia, and suicidal ideation

(youtube link)

(official site: mp3 download/soundcloud link)

[steeltwigz]

Saw a post abt the Sonic movies that was like "plz filter negativity posts better" which is GOOD AND TRUE you should be doing that. Ok. But then they kept going to imply that the criticisms of the Sonic movies are all entirely Personal and Ignorable and not like. Usually abt the horrific copaganda, misogynistic writing, and Paramount's disgusting zionism.... Guys a lot of ppls problem w the Knuckles show wasn't JUST a bastardization of Knuckles' character or thinking Wade was annoying or whatever, but like was focused on the grotesque Zionist message from that one episode 😭😭😭 you can enjoy something and still recognize that it has intrinsic and huge glaring flaws and talk abt them. I think actually you Should be speaking up abt the misogyny, zionism and propaganda the SCU supports and discusses, ESPECIALLY if you like the movies! Its important to be able to recognize these things in media and admit that even media you personally enjoy can be deeply problematic, instead of hiding it away and pretending those HUGE FLAWS aren't issues actually....

[my-thoughts-and-junk]

reading dungeon meshi

[anotheruntitledsong]

i did like the hidden palace but (SPOILER if anyone hasn't read it?) i'm genuinely so annoyed at how Arbeely is handled like... I wish i could be sad but i'm just fucking irritated. I was overly invested in him and that's def why but i just feel like they did him dirty

[jackass-jones]

They did Ryuki so dirty in aini and I’m gonna be salty about it for the rest of my life I think

[tortademaracuya]

Having to enter my own drive reminded me of the agonies (people stealing my stuff and none of my professors giving a shit) but it also brought me the wonders :) (finding a storyboard for another class I didnt remember doing and how much I liked the character I made for it)

[nefastnefertiti]

WHY CHAPTER 431 OF MY HERO ACADEMIA SCREAMS CENSORSHIP

First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.

Original japanese for those who understand.

The best traslation I found and most people are agreeing with.

Key sentences are:

1.The real final chapter is 429, 430 is more like a curtain call.

2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.

This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.

(They're talking about Vol 37 cover)

And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.

It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?

The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.

Dabi, 431 and by Horikoshi

Toga and Ochaco in 431:

Toga and Ochaco by Horikoshi:

All Might's signature for Katsuki (Horikoshi would never mess this up):

Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.

Katsuki's odd teeth what the fuck. (His hand looks good to me)

Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.

And this awful background (center) was the main giveaway.

Horikoshi's backgrounds are so professional:

At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.

I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.

Character's development wise now.

Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?

Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.

430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.

Ok.

Now specifically about that ship canonization and bkdk.

Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.

I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.

Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.

About 431 again though.

I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.

And I think this could be Horikoshi's case.

I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.

I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.

PS:

It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"

I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.

Thanks for reading!

[tossawary]

Moshang fanfic idea that I've been holding onto for a while but have no strong plot for: the Airplane Extras meet-ugly happens as per canon UNTIL Mobei-Jun asks why Shang Qinghua saved him / what Shang Qinghua wants from him.

At which point, a panicking Airplane desperately searches for a compelling and believable character motivation as to why he would stupidly save the life of a murderous demon who might still kill him, and hastily blurts out: "You're so beautiful that I fell in love at first sight!"

Important to note: this is not true. It is bullshit. Airplane thinks MBJ is incredibly hot, obviously, but he does not know or like this guy as a person, because MBJ is both a relative stranger and a scary asshole.

Also important to note: some demon cultures have a marriage kidnapping tradition, but that happens under very specific and usually pre-arranged circumstances that obviously do not apply here. Mobei-Jun being whisked off to the equivalent of a shitty motel room by some random human outer disciple, who absolutely cannot forcibly keep him there, has no real romantic connotations. It's just weird. There's not even any life debt tradition aspect to it; Mobei-Jun could just kill this guy now and it wouldn't say anything about his personal honor even if anyone found out. It would just be humiliating. This guy would have to be fucking nuts to think this interaction is anything that anyone, especially any authority, would recognize, and that's not what this guy is claiming anyway. All he's doing is claiming that he's suddenly in love with a hostile stranger, which is still nuts.

So, Mobei-Jun (who is also still a teenager) is just... surprised and extremely confused. Does this kind of thing... honestly happen... in real life? Really??? And Airplane is like, "Aw, fuck, I made it weird. Well! I have no choice but to go with this!" and starts up the "Please don't kill me!" thigh-hugging routine.

Somehow, Moshang make it out of that meet-ugly similarly to how they usually do. Airplane is like, "Well, fortunately, nothing will ever come of this! No way would someone like Mobei-Jun ever return the feelings of his gross, pathetic human servant. I can freely express how sexy I think he is and it'll just be meaningless lovesick flattery to this asshole." Real emotions? That soft, squishy bullshit? Airplane does not have the TIME to contemplate having sincere feelings. He's in survival mode.

And teenage Mobei-Jun, spoiled demonic nobility extraordinaire, who otherwise would have spent the next 20 years or so thinking of his human servant as gross and pathetic and repulsive but strangely useful, is like, "I think... I'm being wooed...??? Is this working on me...? He's kind of... not unattractive, actually, for a madman. Maybe I should try to be... nice... to him??? How do humans do this???"

And THEN, months to years later, young and in-love Mobei-Jun somehow finds out that Shang Qinghua outright lied to him. (And by this point is pretty fond of Mobei-Jun but still hasn't looked directly at his own real emotions for years. He's busy.)

Arguably, the above idea is one way to interpret normal canon already, with Mobei-Jun reading more than is mutually understood into Shang Qinghua's bullshit, failing to communicate what he thinks their relationship is (if he even fucking knows himself), and then feeling betrayed when Shang Qinghua ditches him for being an asshole. But I'm charmed by the idea of distracted Shang Qinghua explicitly lying, actively making it WORSE by knowingly behaving "romantically" under the assumption that it's harmless fawning because Mobei-Jun basically doesn't even HAVE emotions, and then getting totally blindsided by having his "impossible unrequited love" returned and accidentally, apparently breaking Mobei-Jun's heart. Fuck!!!

[kamaluhkhan]

anti-curse

pairing: percy jackson x daughter of apollo!reader

summary: whether he knew it or not, percy jackson made the world a better, brighter place — and you intend to protect him, no matter what path the fates leads you down. fuck prophetic dreams. the future wasn't written in stone.

warnings/disclaimers: mentions of typical demigod things (battles, weapons, etc.); this is set during the heroes of olympus series so roughly follows that plot + features the seven demigods; mainly inspired by book!percy (dark hair, sea green eyes) bc that's the one i fell in love w growing up; characters are aged up from the book (reader + percy are meant to be 21-22 y/o) bc i imagine there was more time between prophecies/series....anyways, please enjoy <3

when you first met percy jackson, he almost shot you through the chest with an arrow.

given that apollo is your godly parent, you often found yourself at the archery field, which happened to be one of the first stops on percy’s tour of camp half-blood. after that first mishap, your other half-siblings were, understandably, too scared to let percy try again — frankly chiron seemed a bit hesitant as well — and you could sense that percy felt disheartened. so, you flashed the boy a reassuring smile before giving him a few pointers and a second chance. when he smiled back at you, you felt a fluttering in your stomach that told you percy jackson would be more than a little important in your life.

archery still wasn't percy's strong suit, but your gut feeling turned out to be true. you and percy had dealt with a lot since then — a handful of quests, several prophecies, more than a few near-death experiences, a titan war, and, maybe worst of all, high school. you couldn't imagine getting through any of it without him by your side, and you knew the feeling was mutual.

so, you were entirely anticipating that percy would be hurt by your announcement during dinner. 

“no way that’s happening.” percy laughs, as if he can’t believe you’d suggest something as ridiculous as not having him accompany you on your quest. he remains unfazed, takes a sip of his electric blue coke before gesturing to the empty seat next to him. “come on, sunshine. have something to eat.”

the nickname sends your heart into a frenzy as you sit next to him. you and percy had never been anything other than friends, but sometimes....sometimes you look at his dangerous ocean eyes and wind-swept dark hair and it makes you blush. sometimes you consider the way his laughter fills you with warmth and his smile holds a thousand memories, the way he teases and winks at you and you decide that he makes your world so much brighter. sometimes you remember how sarcastic and thoughtful and loyal and reckless he is, his heart of gold and unpredictability of the sea. and you start to think that maybe possibly you'd fallen in love with your best friend.

that was not the issue at hand, though. you summon your favourite food and drink, but don't particularly feel like having either. percy returns to his conversation with hazel about how the two of you would drive up to montauk after you finally got your license, any time either of you needed to escape your reality, even just for a night. you'd sit on the beach, stargazing and roasting stale marshmallows and wishing to stay there forever. hazel seems to think that sounds like a nice escape, and percy promises that once the eight of you fulfill this prophecy, you'll all go to the beach house together, which makes hazel break out into a grin.

you can't help but smile at percy who loves his friends, who has loved you for so long. that feeling is quickly replaced by a pang in your chest that reminds you what's at stake. from the corner of your eye, you notice annabeth across from you, who looks at you like you’re a puzzle she can’t quite solve. you're trying to hide it, but if anyone can read you better than percy, it's annabeth. she knows something is weighing on your mind. you briefly lock eyes with jason, who you had gone to earlier for help, from the other side of the room, where he sits between piper and frank. 

if you weren’t so distracted, you would have been able to enjoy dinner. the eight of you — all demigods of the current great prophecy — hadn’t been all together in a while, and it was nice to share a meal aboard the argo ii despite the reality of why you’d all been traveling together. leo had equipped the ship with magic plates and cups, and with the lively jokes and stories filling the air, you could almost imagine it was an ordinary summer evening at camp. you could almost forget that tomorrow, you had to go on a quest to rescue apollo and artemis from python, a monster so powerful your father barely defeated him thousands of years ago. you could almost ignore the impending war with gaea and the giants, and the doomed fate of the world if you were to fail. the one thing you could no longer ignore, however, is the gut feeling you have about the fate of the boy sitting next to you if your quest is to unfold the way you had first planned it. 

you clear your throat, an attempt to interrupt the group's conversations. 

“i was serious earlier,” you declare. “you’re not coming with me, percy. jason is.”

the smile percy had on his face fades. his eyes are filled with concern and disbelief, as he glances at you. “i – i don’t understand.”

"percy,” jason jumps in carefully, aware that he’s treading through dangerous waters like you had warned him. “y/n and i were strategizing earlier and it seems to make the most sense, given our powers combined." 

percy shakes his head. “but — but you can’t just make last minute changes. we’ve already got everything set. right, valdez?”

leo shrugs, swallowing a mouthful of chicken before responding. “i don’t know, man. i’m no expert in quests, but it seems like i’m not the one who should be deciding this.” leo looks at you, and you nod gratefully.

you've been on edge since last night, and to calm your nerves you fiddle with the gold chain around your neck. it was a gift from your father: a necklace with a music note charm that can transform into an electric guitar or a bow and quiver. thankfully, you hadn't had to need both at the same time.

“it's up to me. and i want leo and jason to come with me.”

“then i’ll come too,” percy's voice remains calm, but insistant.

“isn’t there that thing about quests usually being done in threes?”

“that is true, piper,” percy agrees. he tilts his head towards you, like he's calling on you to remember. "exceptions have been made, though. like that one time with zoe." that had been years ago, when demigods from camp half-blood and hunters of artemis joined forces. five had been sent out on a quest, but only three came back. you shiver at the thought.

"or my quest through the labyrinth," annabeth recalls.

"but won't that also change our other plans, though?" hazel asks.

"not necessarily," you pipe in, your voice more assertive. "if jason and percy just switch. no harm done."

"we're not interchangeable," percy grumbles.

"hera sure seemed to think so!" leo searches the room for positive responses to his joke, but the most he gets is a half-hearted laugh from frank. "too soon?"

you take a deep breath. "it's not a big deal, really."

"it kind of is," percy counters. "you've never gone on a quest without me."

"you've gone on quests without me," you point out.

"that's...that's different."

"why? because i'm so weak that i need the son of the sea god to protect me at all times?"

you're giving percy the coldest stare you ever have. he hesitates to hold your gaze.

"you know that's not what i meant," he sighs.

"then what did you mean?"

percy looks at you, his eyes and tone softer. “look, sunshine, let's just stick with the plan, alright? we can just —”

“gods, you never listen, do you?" you finally snap. "you're not coming! i don’t want you there, percy!”

percy stares at you, stunned. you look around the table, and everyone looks back at you, wide-eyed. they weren’t used to this side of you, your sudden outburst not fitting in with your usually sunny disposition. 

“well, someone woke up on the wrong side of the bed,” leo jokes in an attempt to lighten the mood, with less than ideal results.

“you saw something in your dreams, didn’t you?” annabeth realizes. 

her conclusion makes you freeze.

demigod dreams are always significant, carrying vivid images of monsters, messages from friends or enemies. some children of apollo like you had visions of the future — pseudo prophecies that are supposedly set to unfold given the path you’re on. technically, you weren’t supposed to share your visions, something about messing with fate or destiny, but that didn’t mean you had to accept the way things were. 

what you saw in your dreams last night, what might happen to percy, made your blood run cold.

you would defy all the laws of the universe and divine rules if it meant you could protect him. so fuck the path the fates are attempting to lead you down, and fuck prophetic dreams. you refuse to let percy die. no matter how frustrated you’re acting towards him in this moment, you know he would still do the same for you.

you figure that the future isn't written in stone, right?

either way, you're willing to challenge destiny for percy jackson.

without answering annabeth, you get up from the table and take a deep breath, carefully avoiding percy’s gaze. 

“i go with leo and jason, or i go alone.” your voice is steady, fighting the heavy beating of your heart and tears caught in your throat. “either way, i leave in the morning.” you exit the mess hall before anyone — before percy — can protest.

[love-byers]

....wait . there are people who don't think the show is centered around will? there are people who don't think a core part of s5 will be wills culmination as a character?? there are people who don't think the entire supernatural plot will circle back to will???

besides the fact that the duffers LITERALLY CONFIRMED that will is the center of s5...

the show itself literally tells you. that is the narrative they've been pushing the entire time.

the entire first season is about finding will. every single plotline is connected to finding will.

mike and the boys are using el to find will

jonathan and nancy are working together to hunt the monster they believe has taken will and barb

joyce is trying to communicate with will to find out where he is and how to save him

hopper is a cop investigating the case, and eventually he and joyce team up to investigate further into the lab conspiracy, believing it's tied to wills disappearance

a massive chunk of s2 is about wills connection to the upside down. he's being hunted by the mind flayer and used as a spy, causing a lot of the conflict but also leading to the resolution.

now that we know vecna was behind all of that, that open so many doors for will in s5. if you use your fucking peanut brain for 5 seconds you'll realize there are lots of things we don't know surrounding will and vecna that will come to light in s5. vecna specifically sought will out and hunted him down. remember s2?

"It wanted to kill you?"

"Not me. Everyone else."

we're also getting flashbacks of will in the upside down so we can see exactly what happened to him the week he was there. clearly there's something important we don't know about. the upside down is literally frozen on the day will went missing. but will isn't important and won't be a big part of s5?

s3 is the first time will is less significant to the plot. he still has the connection to the mind flayer and his ability to sense it is still relevant to the story and helps push it along. bit still, he had significantly less lines and screen time. much of his story is portrayed as him struggling to 'grow up' and not being interested in romance like the others. there are several jokes that present will as simply being childish and reluctant to grow out of it. which a lot of people found sort of annoying. i remember seeing a lot of people enjoying s3, but wishing will had more depth and importance.

but we now know that that's not the whole truth. all of that, him being annoyed and disinterested by romance, just wanting to play dnd with the party, and fighting with mike was all subtext leading into his sexuality and the fact that he's in love with mike. that's been confirmed by actors and the duffers themselves. though will's sexuality was always hinted at, it wasn't meant to fully come to light until s4. so they tried to pass it off as will just being childish. they tried to pass of mike and wills conflict as only being about dnd and growing up. a prime example of this is will tearing down castle byers after his fight with mike. he rips the photo of the core 4 as the ghostbusters down the middle, aka where he and mike are in the center. that is easily passed off as just being about the friend group. people BELIEVED that it was just about the friend group, and that there was no way will was in love with mike. but it's now literally confirmed that he is. like it's insane how many people never even considered that as a possibility. people literally just tune out parts of the show they don't immediately find interesting. i've seen so many comments on byler scenes, for example "it's not my fault you don't like girls", saying "wait i don't remember this scene when did he say that??" people just don't pay attention or think deeper than surface level, which in this case is okay because wills sexuality was meant to be something you slowly realized. the problem comes when people just start denying its significance and refusing to see it for what it is.

if you take in all of will's story with mike and whittle it down to "stupid gay crush on best friend" i don't know what show YOUVE been watching. did you forget that will only remembered his mom and mike when he was possessed and lost his memory? that mike recounting the day they met was enough for will to break through and communicate while possessed? that will puts mikes happiness before his own? that will has literally said he needs mike and always will?

it's not a crush that will can just get over. you know we actually have an example of a simple crush and it's dustin and max. how did that work out? dustin got over max very quickly and it's no biggie. he didn't go on a monologue about how he needs max and always will. he just thought she was cool and pretty.

also, the show spends so much time getting the audience to feel bad for will and want to see him happy. you are SUPPOSED to like him. you are supposed to have empathy for him. will is written to be extremely gentle, kind, and selfless.

will is too nice to say anything bad about anyone, even after being viscously bullied and called slurs for years. even by his own father, WHO HE STILL CANT TALK BAD ABOUT!!!

no matter how much will suffers, he remains kind and selfless. he gave a girl his tonka truck knowing joyce couldn't by him another one. mike says they shouldn't give up on looking for him because will sacrificed himself in dnd to save the party. remember the whole thing in s2 about joyce getting on will for constantly apologizing even when he did nothing wrong? there is no point to that besides evoking empathy for him!!!!! he is sweet and sensitive and doesn't deserve any of this!!!!!!!!

and about bylers being delusional for thinking will and mikes relationship will be a big part of s5 and the culmination of everything in a show about monsters killing people, here's a quote from shawn levy, who has directed many stranger things episodes

"People talk about mythology and The Upside Down, and all that is huge, but the magic of S5 are the characters who find sense of belonging with other and through that connection, become heroes."

everyone loves the stranger things relationships until they're queer. when they're queer suddenly there's no time for romance in a sci fi show, the writers actually suck, and they're just baiting. lumax and their love for each other was a core plot of the season where the big bad was trying to kill her all season. there is an entire plot point about max's memory of kissing lucas at the snow ball saving her life. in a show like this, there is time for relationships and supernatural stuff because they are interwoven when the time comes. they can do the exact same thing with byler in s5. s5 is going to be the longest season thus far. there will definitely be time for relationship development.

so yeah. call me delusional but i don't think the show will end with wills feelings for mike unresolved or with them just evaporating. given everything we know about s5 (relationships and finding belonging being an important factor, noah and finn constantly filming together, leakers saying will has a love interest) and everything we already know about the relationship formulas in ST, literally all the signs are pointing to byler. the only rebuttal people have is calling us delusional because the writers just wouldn't do that. if you actually push past the heteronormativity and consider the fact that the duffers do want to represent queer people in a way that doesn't reinforce the idea that we can never find love or be happy, things will start making a lot more sense.

i'm sorry to have to say this about mike but mike is a character presumed straight who hasn't been super relevant in the supernatural plot for 2 seasons now, just as long as will. his significant plot points are related to el or will. relationship development. and unlike will, he has been an ACTUAL asshole!!!! lots of people stopped liking mike as much after s2 because of his personality change. (ofc i still love mike, but there's been multiple plot lines about mike being a dick for no reason and apologizing for it) but no one has VISCERAL hatred for him like they do will byers. not saying mike deserves hate, cause he certainly doesn't, but the problems people have with will, they only have with will. any other character doing it is fine. 2 seaons of wills feelings for mike is boring and distracting but 2 seasons of mike having the same 'i love you' problems with el isn't?

i'm not saying the sudden hate for will is because it's now clear that he's gay but im kind of saying it

some people can't sympathize with queer issues because they don't care about queer people. they don't empathize with queer people. queer issues bore them.

will byers i will ALWAYS defend you. you are safe with me pookie

[mirrorcatcreditcard]

Things I think the fandom just willfully ignores or has no idea about that would be super easy to slip into your fanfiction if you want to be inclusive and try out new things.

Lucifer just likes shibari, nawajutsu, or some form of rope tying art, and there's nothing inherently sexual about the excitement it brings him. He's a sadist too, but attraction to the other party would only add to the experience, not be necessary or a byproduct.

Belphegor could age regress and nobody would really be the wiser because of his position as coddled/spoiled youngest child. Even if they were, it doesn't change anything, really.

Beelzebub can fuck. He's also a cannibal. Do I need to say the vore word for you to understand how underutilized food/gore as a love language would be with him? No, it doesn't need to be sexual either, but goddamn so many keep treating him like UwU baby when he kills demons in cold blood because he hungy

Asmodeus is any gender or sexuality you want him to be. Lust ≠ attraction, and you can make him asexual. He's pretty free with how he presents. Also, his fans are so desperate for nice content on him that they'll take anything too. Nobody is going to kill you over this.

Mammon's greed can also be depicted as someone who wants to monopolize your time and/or affections. He attempts plenty of times in canon.

Barbatos' strongest attachment is Diavolo, but he does care about other beings. As long as they're not getting in the way of Diavolo, he's allowed to show care in his own way goddamnit. He's not an ice statue.

Mammon is allowed to be a non-sexual masochist. I don't know why people think all kinks are sexual, BUT HE'S ALLOWED.

I just want to take a moment to acknowledge bloodlust counting as a lust.

Luke is a genuinely deep character with a compelling story and important appearances, and you will be doing better than 99% of the fandom if you just acknowledge that he's more than just a kid who tags along and whines when he's scared (like all kids do when they're his age btw). Kicking him to the side is just another child discrimination case, and you can just say you don't understand him...

Almost everyone if not everyone has had a 1-on-1 in this series, and you're allowed to write about that scenario that "seems ooc" because there's someone out there who wishes that they could write who wants to see them interact, and they haven't found you because you haven't made yourself known.

I think over 75% of the cast has what humans would call a trauma disorder, and you guys have got to stop ignoring the fact that Solmare usually just brushes over stuff that genuinely affects them to keep the plot going. They've done it since the beginning, even before the cursed lesson 16.

Non-character-specific stuff under the cut:

You can headcanon and write any character that you want to as aromantic or on the spectrum. Also, news flash: familial, platonic, romantic, and sexual are not the only relationship labels to exist. Go look up "alterous attraction" if you wanna do something that would line up with, you know, emotions that aren't all centered around how our society depicts stuff.

If they're all built like that and inherently different from humans, neurodivergence may not exist to demons but have fun with the headcanons anyways. The world is your oyster.

[raccoon-in-the-danger-room]

Sometimes I see reviews about D&W where people think Worst Wolverine's backstory is super lacking. That they expected something epic like how Mysterio tricked Logan to slaughter everyone in the Old Man comic run.

But that plot, at least to me, doesn't make The Worst Wolverine. It probably makes the Most Tortured Wolverine -- the story of a man slaughtering his own family with his bare hands because he was mind controlled. Which inevitably created a power vacuum so gigantic that the world basically collapsed as supervillains take over the world.

But the title of Worst Wolverine should belong to the Logan that completely abandons his most important moral value: to be the protector.

Sure, he tends to be nomadic and at times self-isolates, but at his core he truly knows what it means to be a pack animal: to be a part of a cohesive family unit, rely on others, be a guardian for the weak.

In a literal sense, a common backstory for him was that he just fucked off from human society after he mutated to live with a pack of wolves. He turned feral, but they also taught him about the importance of community.

Even if you aren't a fan of the wolf background (which I AM because I think it's funny and dramatic as hell), there's other stories where he got taken care of by the Blackfoot Tribe and Lord Ogun before somehow winding up in the Weapon-X Program. Then, the Hudson family rescued him and helped him gain his humanity back after the adamantium experiments. He joined Department H, and sometime after, he found his place with the X-Men.

My point being that past or present, Logan has always belonged to a family. He needs it -- his human AND animal side both need it. He's not meant to be a creature of solitude. When he is, it's a form of punishment that he inflicts upon himself because he doesn't feel worthy to be around the people he loves or he's worried about hurting them. Or it's something inflicted upon him -- aka he's been captured and is being experimented on.

So what does all this tell us about Logan's moral code? He cares deeply for others because it's in his nature to be a part of a pack and he will do anything to protect them.

He's very caring towards animals (ex. looking after wolves that took care of him, mercy killing a bear in The Wolverine, and saving the horses in Logan). He tried to save Silver Fox's life when Sabretooth attacked her. When his wife Itsu was murdered, he relied on the advice of Lord Ogun to get vengeance for her with the Muramasa Blade. He joined Department H and Alpha Flight because he owed the Hudsons so much after re-acclimating him to society. He stayed with the X-Men because Charles gave him a home, family, and purpose outside of being a weapon. He enabled him to be the good man that he is by not only using his powers for the good fight but also being a teacher for the students.

As a character, Logan was created to reflect the archetype of the cowboy/samurai with the morals of honor, integrity, and justice. He's also not afraid to be judge, jury, and executioner for the people he loves. He's a man of action.

So what is the antithetical? A man who dishonors himself by not taking his job seriously. A man of inaction who abandons those he loves. A man who doesn't seek justice but wallows in regret and guilt.

And what did the Worst Wolverine do?

He let his fondness for drinking harm his work. While he was drinking at a bar, a group of humans invaded the X-Mansion and killed a large part of the staff, students, and X-Men. He entered a berserker rage where he murdered the invaders AND innocent people. He tarnished the legacy of the X-Men.

The title of Worst Wolverine doesn't go to the man who got brainwashed and killed without knowing. The title goes to the Logan who killed indescriminantly and didn’t want to stop.

He chose to walk away when they called out for him. He went into a beast state that made the public completely turn against the X-Men in just one night. Instead of making up for his sins, he just went back to the bar -- the very thing that killed his family. He did everything he could to go against his morals of honor, integrity, and justice.

He was a man who failed his family.

THAT'S what makes him The Worst Wolverine.

[thalthanmadanus]

Draco is THE antagonist of the story and I'm lowkey sick of people diminishing his character's importance in the story and to Harry's character development. so I'm writing an essay about how Draco as a character is fucking important especially his antagonistic arc

💅

1. The crumbs:

First of all, and this doesn't get mentioned often, Draco is the first magical kid Harry meets his age.

Not only that, he is our first glimpse at two major upcoming conflicts in the series: Blood Supremacy, and Hogwarts houses.

Draco plays the important role of the narrative foil to Harry. (even wikipedia references them in the "foil" page)

Draco's main function as a character is to showcase Harry's best traits, through being his most worst. Unlike, Snape and Voldemort, Draco is more concerned with creating internal conflicts for Harry than external ones.

He is the character that says mudblood the most, with the frequency decreasing every book. He is the character that plays with/teases/bullies the psychological vulnerabilities of the trio (specifically Ron and Harry). He is one of the few characters that give rational criticism (against Hagrid, calling out the trio dynamic..) that, taken outside the keyframe imposed by the author, can showcase the flaws in Harry's views and his bias. He is also the only character that shows moral self-reflection that isn't motivated by either a reward or "love", which not only serves as character development for Draco but for Harry too who grows to sympathize with Draco, a small breakup from his fixed binary morality.

Draco is also a very active character. His actions and choices affect the plot. The majority of the first book literally happens because of his dumbass. In the second book, he is our first introduction to the word mudblood, he's also the main suspect to the two main mysteries. If Draco wasn't such a bitchass, would buckbeak gave been in said place for Harry to use him to save Sirius?

He is important narratively but what interests me is his importance to Harry's arc.

What separates Draco from other antagonists is that he creates internal conflicts that stem from his personal conflicts with Harry, because of Harry as a person. Not because Harry's the chosen one standing in his way, not because Harry's lily or James's son. Because Harry's Harry. and this exchange is mutual.

Their personal dynamic is set up in their first meeting. Harry, upon hearing two sentences from Draco, reacts negatively because of deeply personal issues (Dudley). I don't think Harry reacts personally to any other characters the way he did with Draco? Considering that Draco wasn't even hostile in his first sentences.

While Draco targets both Harry and Ron, there's a clear difference in how Draco bullies them both but also how Harry and Ron perceive Draco.

Draco is crueler on Ron. And his bullying doesn't feel personal, just apathetic, humiliating and mean. It feels like Draco is more cruel on Ron because Harry chose Ron over him and it shows by Draco coming back every now and then searching for Harry's compartment, trying to egg him, to look for a way that will make Harry regret rejecting Draco.

About Harry & Ron perception about Draco, it's showcased in the second book by the two main major events Draco was suspected in

1. Opening CoS. It was Ron who suspected Draco for this, not Harry. Ron suspects Draco for an action that affects everyone in the school.

2. Sending Dobby. Harry suspects that it was Draco that sent Dobby to prevent Harry from coming to school. Harry suspects Draco of an action that targets him specifically, and his reason of suspect? "because Malfoy hates me". It's personal.

Another instance of Harry making every issue personal with Draco: In the fifth book, after the sorting hat's song about houses unity

'And it wants all the houses to be friends?' said Harry, looking over at the Slytherin table,where Draco Malfoy was holding court. 'Fat chance. '

I'm also pretty sure the reason why Harry chooses not to be in Slytherin was 50% because Draco got sorted into Slytherin. the other 50% being Hagrid telling him that Slythering are eviiil. Btw a conversation that wouldn't have happened if Draco hadn't brought up houses in their first meeting.

Like I said, most of the plot in the first book goes back to Draco.

My main point is that the relationship between Harry and Draco as characters is beyond goals, motives, obstacles, moral causes bla bal bla, and is on the spectrum of "I took that personally".

2. the main plate:

Draco transitioned in the sixth book from an antagonist to a "side character" with a life. His role as character no longer functioned by his connection to Harry.

and this is where a flip of dynamic happened, where Harry became the antagonist to Draco's arc.

He's the one following him. He's the one egging him on (in the first 5 books,it was always Draco starting conversations with Harry, but in the sixth book, it's mostly Harry who started conversations with Draco) He's the one hurting him (Sectumsempra) (even on accident). He's the one trying to create obstacles to Draco's goal.

and why is that? why was Harry so obsessed with Draco?

If it were because of a moral righteousness, then why not focusing on Snape who's probably more suspicious? like who cares about Draco.. yeah he's sus but Dumbledore says it's not important..

This line of thought is more Ron and Hermione because they don't share the kind of deep personal issues towards Draco like Harry does.

so why is harry so obsessed?

"Harry, knowing and loathing Malfoy, was sure the reason could not be innocent."

This line in the sixth book explains it. Harry knows and loathes Draco with more emphasis on *knowing*.

Harry admits that he knows Malfoy, of course the fruit of labor of staring at Draco for five years, but why does he even stare in the first place? Because Harry is curious about Draco.

In comparison with Snape and Voldemort, our other antagonists,  Harry doesn't show the same enthusiastic curiosity for them. At least not the same way he does with Draco. Most of what we know about Snape and Voldemort are shown through external ways. Either their memories of memories of other people about them. Their character arcs happen outside Harry's vision,  either in the past or in a memory. It's not Harry who seeks those information. They come to him.

Draco, on the hand, most if not all of his character development happens in front of Harry. From his bullshit in the five years to him crying in the bathroom, him lowering his wand, him lying in the Manor. even the visions that Harry sees through Voldemort about Draco torturing Rowle, are happening in the present. Draco's character development is laid bare in front of Harry. 

but back to his obsession in the sixth book, it's because Harry knows Draco so well that not only he's right about him being a DE, but "Malfoy being up to something" is not something new to Harry, it's actually a normal thing that kept happening for 5 years of his life. Malfoy was always up to smtg. It's this idea of a normality that fuels like a new purpose in life for Harry after being wrecked by Sirius' death. Not only the mystery tingles his detective neurons, he knows he's right about Draco which only fuels his persistence. Draco being a person he hates also downplays the guilt/shame Harry could feel while stalking him. like I'm sorry but Harry was shameless and embarassing the whole year. The way Hermione and Ron looked at him sometimes so funny, also Hermione distancing herself from Harry when he talked to McG about Draco like "idk this person". Harry was kinda giving pre-HBP Draco vibes lowkey.

This shows that Harry himself is motivated by personal feelings (though negative) as an antagonist to Draco's arc himself.

And the important point here is the flip of dynamics. Draco is not just a mere side character in Harry's life. If anything, the moment he tries to become a side character with his is own arc, Harry is forcing himself in it. Because they're both foils to each other. It doesn't work on just one side.

The dessert:

The dynamic completely evolves again with the end of HBP as Draco gains a moral sense and Harry watching Draco's character development unfolding gains a more nuanced view than his old black/white one.

In DH, Draco and Harry are not antagonists anymore to each other. Draco and Harry are kind of heroes to each other?? as they both try to save each other like two times.

A lot of people downplay Draco's lie in the Manor, comparing it to Dudley's "You're not a waste of space" as "character development" moment.

bruh.

Dudley said that after Harry saved him. Draco literally was the one who took the initiative to lie, expecting no reward, literally had more to lose by lying, he was literally acting against his own interests, his family's life was in danger!!! Harry saved Draco after Draco saved him.

also Draco's character development started with him lowering his wand.

but back to being each other heroes. Our other comparison is Ron who is in both situations where Harry saves Draco but he's the one reacting negatively and complainig about them saving Draco, not Harry. Which is funny because Ron says "we saved you" but in both cases it's Harry who's doing the saving and Ron is  just there witnessing, and again I don't think he still realizes what was happening since the sixth year. He thinks his hostile feelings towards Draco are the same ones Harry has. That they're similar. Ron.. Harry literally almost risked your life to save Draco.

It also speaks of character development from Harry that he's not reacting negatively anymore towards Draco. He grew out of it. Like Draco also was starting to grow out of his toxic ideologies.

They're both growing up simultaneously.

And Draco was The first wizard kid Harry talked to (with no precognition or insidious motive)

Draco was the first character who he flew with

Draco was the first character who he dueled with

and so in DH,

Draco was the first character who tried to help Harry with no selfish motive

Draco was the first character that flew with Harry on the same broom (at least I think so?)

Draco was the first and only character whose wand Harry dueled with against Voldemort and won.

I wish I could write more. About Sectumsempra. About wand connection. but I'm tired.

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[vi-as-in-violet]

i think the main feeling i have about this season so far is that i crave to see MORE, but not in a good way. i love the themes this season is working with, i love the conflicts, i love the characters but it feels like i don't see enough of the story playing out and it leaves me feeling like something is missing.

I wanted to SEE and experience the underground resistance growing, i wanted to actually see how Jinx became a symbol and how that united the underground. I wanted to see the process of it and how it affected her! I feel like the writers really should've gone with the traditional show-don't-tell rule here instead of just showing us the aftermath which left me with exactly zero emotions about such crazy impressive and important events. The entire Underground got united (!!!!) but we saw zero of the unification process and got like two scenes before they were all arrested, released and then the entire revolution idea was completely forgotten and not addressed once in the rest of the act (as far as I recall).

Jinx was clearly struggling with the newfound worship, so much so she went into HIDING. how must've she felt knowing that so many people find hope in her when she sees herself as a literal jinx? how did she deal with becoming people's hope instead of their curse? I wanted to see her work through this so bad since that is what Arcane has always been good at, it's what season one did so well - it walked you through the emotions and motives and therefore, the conclusion to personal plot lines felt SATISFYING and left massive impression. this was completely missing for me this act for most plot lines

Same goes for pitfighter!Vi and her descent into self-destructive hell. We don't get to see the emotional fall out of her being fucking punched and left lying on the ground by the only person she thought she had left - we just got a montage showing the aftermath of her spiraling. which is cool but it left me with feeling pretty much nothing about it all because seeing the conclusion to her struggling without the build-up just fell flat for me. i was looking forward this specific internal conflict of the protector archetype with nothing left to protect and therefore completely losing themselves before finding their purpose again SO much and it ended up being completely brushed over. i wanted to be able to pick Vi's thoughts apart when she was at her lowest point in life since her time in the jail and see how her behaviour and relationship with people/alcohol/violence changes in the process. like later in act 2 when she punches Isha, she doesn't even react (holy shit?). that is SO far from the Vi we saw in act 1 of this season and it feels super out of character because we did not actually get to SEE her behaviour and priorities changing - we can obviously figure out the reason and understand why she ended up this way but since we weren't actually shown how it happened, it still initially felt like it came out of nowhere and majorly ooc for the character we've known so far

and don't even let me start with Cait and her dictator arc. I was getting ready for the emotional fall out and internal conflict and the political powerplay with Embessa but we got SO LITTLE of it. i could go on and on about this but i feel like a lot of people might agree her dictator arc was pretty underdeveloped so I am not going to discuss it further (plus the immediate switch when she met Vi again was just ??? because we can't really see how she feels about this entire thing with the exception of her thinking Embessa is too brutal and that it seems to be weighting on her. PLUS she has at least a situationship with that sunshine enforcer and even tho she is clearly mentally elsewhere, we have no reason to think she is still pinning after Vi?).

I'm not even going to address Jayce because What.

On a positive note, I think Victor's arc has been handled pretty damn well. But aside from that, this season just leaves me craving more and it is quite clear to me the writers absolutely did not have enough time (nine episodes is not a lot) to develop the story they wanted to portray in full.

Now, I watched the latest three episodes while on a plane and since the act is so plot heavy, i might have totally missed or misunderstood something, lemme know if that is the case

i am super interested in how's everyone feeling about this so feel free to add your thoughts!!!