#i love how all the characters are so fucked up and not even in plot-important ways

[arcane-ruined-my-gut-flora]

I love how people think this was the only problem. Arcane's pillars are the writing, the world building and the animation. In this season, only the animation matched s1's level because everything else couldn't keep up with the quality they set before.

And before anyone comes at me, you can enjoy the show, I'm not telling you to hate it. I actually envy those who managed to enjoy it because I could only notice the fatal flaws, the cartoonish representation of the main characters and the lack of continuity in the plot development.

The writing is ridiculous. I'm not saying it because I want to hate on the show, but because I loved it with all my heart and it disappointed in a way I couldn't even fathom. We lost the most important part of it: the slow, meaningful moments between characters, the ones that helped us see how they felt and what they thought, how their relationships changed and views shifted.

Take Isha and Jinx. We have the before, and we have the after, but where's everything in between? Jinx pushed Isha away at first, then the next scene they're best friends, and I simply can't accept this in a show that is ALL about building connections.

They added random characters that turned out to be completely useless. Was I supposed to feel bad when bad things happened to them? I was like "oh, alright."

But most importantly, they stripped away the conflict between Zaun and Piltover. They inserted a common enemy so that they'd put aside their differences to defeat it (that's also literally the only reason why the Black Rose "makes sense". It's literally used for the bossfight and to set Mel up for the next series, nothing else).

After the fight they're all good. Forgive and forget, right? That's how you make peace with your oppressor, without even having a single fucking conversation, a damn confrontation or something. The power of friendship, the power of "we're all the same, we just want to live and we must stick together to defeat the baddest guys! It doesn't matter that you treated us like shit on your soles for years!!! Now we're all friends and we have a seat in the council!!"

This season is a goddamn joke.

People can rant about the pacing of season 2 all they want, but the fact that they managed to fit a climax this epic and cathartic and painful this seamlessly in a single episode is nothing short of genius.

Like... y'all they really had it all

[fyeahnix]

Ok lemme talk about this season of Arcane, the ending, and most importantly, Sevika. If you don't want spoilers, back away now but I'm leaving this open because people have a tendency to not open or read my posts with read more cuts after them 🙃

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First off, I will say that I like Arcane a lot. Like a LOT. I've watched the first season 4 times (rarely do I watch anything more than once) and I think it's a masterclass in adult animation. Fortiche really put everything into this series.

That being said...

While I did like season 2, I don't think it was enough. Animation wise it was phenomenal, writing wise...I think it could have been better. As I've learned through doing research for my Sevika fics, the League of Legends universe, lore, and worldbuilding is fucking MASSIVE and even if I don't give two shits about that community or game, I have to give it props in that department because they really put a ton of work into it to make it feel alive. Maps? Short stories? Timelines? Race and culture? Apex could never...

That ofc is why it's hard for me to say that the writing is amazing. We had far too many characters to keep track of in season 2 with far too many plot threads to finish in two seasons. I think ideally, this series should have been 3 seasons instead of 2. Acts 1 and 2 could have been its own season, and Act 3 could have been its own season. If not that, then at least one more episode per act would have helped a lot. Things just progressed and wrapped up far too quickly for my liking.

Also not a huge fan of how quickly video game related media tends to dip into the whole timeline and multidimensional business. It def works well for some games but here? Idk I guess it was bound to happen given some League character's abilities, but the stakes just elevated far too quickly for me. Not a fan of Viktor becoming one of the main antagonists at all, and DEFINITELY not a fan of the conflict between Piltover and Zaun being sidelined for an "enemy of my enemy is my friend" thing with the war against the Noxians. It makes sense, I just wish "war with the Noxians" came at a later date so we could focus on the twin cities.

And speaking of the generational conflict between Piltover and Zaun, let's talk about Sevika.

As I said before, Sevika is the most qualified person to become the leader of Zaun and I stand by that even after the ending. But first....what about her found family? Isha sacrificed herself and Sevika gets no on-screen reaction? The last two episodes just progressed SOOOO FAST that we and some of the characters didn't even have time to breathe. Did Sevika even get time to mourn for Isha? What about Jinx, who is now gone? Sevika barely even encountered Vander! I would have loved to see some of the aftermath there because I think season 1 did a better job of allowing characters time to process their emotions and grief, even if the pacing was still kinda fast. It was acceptable!

I am sad af she didn't get more lines, but remember, Sevika has always been a side character in this series. An important side character but a side character no less. The promo shot of her now feels like...what was the point? (more on that in a sec) but considering how many characters and plot points and plot threads they had to account for, I am not surprised she didn't get more screen time. Hell, Vi and Caitlyn didn't even get a chance to have a full conversation on eveything that happened and Caitlyn didn't even apologize on screen. The fuck bro.

Now about Sevika's ending....I am very happy she isn't dead. Like dawg, you have no fucking idea how happy I am about it. SHE FUCKING LIVED. But....

I am seeing some people saying they're not happy or they're confused or that her ending doesn't make sense. And I just disagree with those points. Let me explain why.

I posted something earlier today about it, but again, as people don't open my read mores, I'll repost it here:

We absolutely do not know how much time passed between the war and the final few shots of the season. So Sevika joins the council. I DO NOT THINK she would do this unless there's a good reason for it, and that's why I'm guessing she will be Zaun's ambassador on the council. That war probably significantly changed the relationship between Piltover and Zaun and while old wounds will take more than a fucking war to heal, her being on the council now means she directly has a say in Zaun's future. Remember, the council was literally about to hand Zaun their independence before Jinx blew it up, and Mel was in support of it. As I said before, Sevika is respected down there at a bare minimum with all the factions. She would know better than anyone how to lead Zaun at this point. So yeah I get the hesitation, but it makes sense in my eyes. And it makes it likely that Sevika could show up again in a future League animation, if not become a whole champion.

I like her ending. I am sorry but it just makes fucking sense. Sevika is extremely loyal to her home and her people of Zaun. We've seen that time and time again. She was willing to go to war and die for those people not just against Piltover but also the Noxians, so why on fucking earth would anyone believe she's making a bad choice here?

She is now in the best possible position anyone in Zaun could be to advocate for their independence and support their growth. She knows the chem barons and brought them to peace, she gained the respect of the Firelights with Scar leading them in Ekko's absence, and she even got the Jinxers together with them before the Noxian attack on Zaun. Sevika has experience, she has the ear of the people, she knows what it's like down there, she is made to lead and help advocate for them!!!!

Believe me I get that whole "changing things from the inside" angle doesn't work more often than not, but this doesn't feel like "changing from the inside," it feels like "let me advocate for my people's actual independence so we have a starting point to become self sufficient." Again, Piltover was literally about to let Zaun gain their independence, and while none of the previous council members that agreed to it are there, Mel is/was. Who's to say she didn't help negotiate for Sevika to sit on the council and start (or complete!) the Zaun independence process before she left for Noxus? I can't imagine Sevika would just show up to the table and sit there if she didn't have a damn good reason. Like come on now. This woman has seen first-hand what Piltover is capable of and does not like them nor looks like she wants to be there. But she's seen what Piltover has done to her people first-hand, and after learning from both Vander and Silco, this is how she feels she can best protect her people.

She IS the new leader of Zaun and their ambassador at the council.

And lastly, we've been told that some characters will be returning in future League animations. Mel seems like an absolute given, but what about Sevika? Zaun's story is only just beginning, and yeah they said they'd like to branch out to other regions, that doesn't mean a cameo or maybe another medium can't be used to continue that story (a book, perhaps??).

Anyway yeah those are my thoughts...

[aq2003]

if anyone is a fan of dt's voice work/audio dramas like i am and wants to listen to something random they've likely never heard before (or if you're coming down from the tony-baddingham-rivals high and want to see (hear) him play an entirely different yet equally complicated guy) i recommend murder in samarkand! it's quite good :)

cw: explicit mentions of SA/police brutality, islamophobia, and suicidal ideation

(youtube link)

(official site: mp3 download/soundcloud link)

[my-thoughts-and-junk]

reading dungeon meshi

[anotheruntitledsong]

i did like the hidden palace but (SPOILER if anyone hasn't read it?) i'm genuinely so annoyed at how Arbeely is handled like... I wish i could be sad but i'm just fucking irritated. I was overly invested in him and that's def why but i just feel like they did him dirty

[hecksupremechips]

They did Ryuki so dirty in aini and I’m gonna be salty about it for the rest of my life I think

[tortademaracuya]

Having to enter my own drive reminded me of the agonies (people stealing my stuff and none of my professors giving a shit) but it also brought me the wonders :) (finding a storyboard for another class I didnt remember doing and how much I liked the character I made for it)

[pygmi-cygni]

writing tip - research

research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:

lack of depth

stagnant plot or development

confusing or inconsistent setting

it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.

Fantasy

I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.

'but pygmi, fantasy is made up! it isn't real!'

SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.

Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.

Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.

Let me give you some pointers to make sure the time you spend researching is relevant and well spend.

Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.

Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.

Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.

To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.

Setting

researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"

if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.

Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.

Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.

Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.

Eras

Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.

get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.

Unless it's doctor who. you guys can do literally whatever.

Plot and Character Development

If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.

All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.

xox love you

[kamaluhkhan]

anti-curse

pairing: percy jackson x daughter of apollo!reader

summary: whether he knew it or not, percy jackson made the world a better, brighter place — and you intend to protect him, no matter what path the fates leads you down. fuck prophetic dreams. the future wasn't written in stone.

warnings/disclaimers: mentions of typical demigod things (battles, weapons, etc.); this is set during the heroes of olympus series so roughly follows that plot + features the seven demigods; mainly inspired by book!percy (dark hair, sea green eyes) bc that's the one i fell in love w growing up; characters are aged up from the book (reader + percy are meant to be 21-22 y/o) bc i imagine there was more time between prophecies/series....anyways, please enjoy <3

when you first met percy jackson, he almost shot you through the chest with an arrow.

given that apollo is your godly parent, you often found yourself at the archery field, which happened to be one of the first stops on percy’s tour of camp half-blood. after that first mishap, your other half-siblings were, understandably, too scared to let percy try again — frankly chiron seemed a bit hesitant as well — and you could sense that percy felt disheartened. so, you flashed the boy a reassuring smile before giving him a few pointers and a second chance. when he smiled back at you, you felt a fluttering in your stomach that told you percy jackson would be more than a little important in your life.

archery still wasn't percy's strong suit, but your gut feeling turned out to be true. you and percy had dealt with a lot since then — a handful of quests, several prophecies, more than a few near-death experiences, a titan war, and, maybe worst of all, high school. you couldn't imagine getting through any of it without him by your side, and you knew the feeling was mutual.

so, you were entirely anticipating that percy would be hurt by your announcement during dinner. 

“no way that’s happening.” percy laughs, as if he can’t believe you’d suggest something as ridiculous as not having him accompany you on your quest. he remains unfazed, takes a sip of his electric blue coke before gesturing to the empty seat next to him. “come on, sunshine. have something to eat.”

the nickname sends your heart into a frenzy as you sit next to him. you and percy had never been anything other than friends, but sometimes....sometimes you look at his dangerous ocean eyes and wind-swept dark hair and it makes you blush. sometimes you consider the way his laughter fills you with warmth and his smile holds a thousand memories, the way he teases and winks at you and you decide that he makes your world so much brighter. sometimes you remember how sarcastic and thoughtful and loyal and reckless he is, his heart of gold and unpredictability of the sea. and you start to think that maybe possibly you'd fallen in love with your best friend.

that was not the issue at hand, though. you summon your favourite food and drink, but don't particularly feel like having either. percy returns to his conversation with hazel about how the two of you would drive up to montauk after you finally got your license, any time either of you needed to escape your reality, even just for a night. you'd sit on the beach, stargazing and roasting stale marshmallows and wishing to stay there forever. hazel seems to think that sounds like a nice escape, and percy promises that once the eight of you fulfill this prophecy, you'll all go to the beach house together, which makes hazel break out into a grin.

you can't help but smile at percy who loves his friends, who has loved you for so long. that feeling is quickly replaced by a pang in your chest that reminds you what's at stake. from the corner of your eye, you notice annabeth across from you, who looks at you like you’re a puzzle she can’t quite solve. you're trying to hide it, but if anyone can read you better than percy, it's annabeth. she knows something is weighing on your mind. you briefly lock eyes with jason, who you had gone to earlier for help, from the other side of the room, where he sits between piper and frank. 

if you weren’t so distracted, you would have been able to enjoy dinner. the eight of you — all demigods of the current great prophecy — hadn’t been all together in a while, and it was nice to share a meal aboard the argo ii despite the reality of why you’d all been traveling together. leo had equipped the ship with magic plates and cups, and with the lively jokes and stories filling the air, you could almost imagine it was an ordinary summer evening at camp. you could almost forget that tomorrow, you had to go on a quest to rescue apollo and artemis from python, a monster so powerful your father barely defeated him thousands of years ago. you could almost ignore the impending war with gaea and the giants, and the doomed fate of the world if you were to fail. the one thing you could no longer ignore, however, is the gut feeling you have about the fate of the boy sitting next to you if your quest is to unfold the way you had first planned it. 

you clear your throat, an attempt to interrupt the group's conversations. 

“i was serious earlier,” you declare. “you’re not coming with me, percy. jason is.”

the smile percy had on his face fades. his eyes are filled with concern and disbelief, as he glances at you. “i – i don’t understand.”

"percy,” jason jumps in carefully, aware that he’s treading through dangerous waters like you had warned him. “y/n and i were strategizing earlier and it seems to make the most sense, given our powers combined." 

percy shakes his head. “but — but you can’t just make last minute changes. we’ve already got everything set. right, valdez?”

leo shrugs, swallowing a mouthful of chicken before responding. “i don’t know, man. i’m no expert in quests, but it seems like i’m not the one who should be deciding this.” leo looks at you, and you nod gratefully.

you've been on edge since last night, and to calm your nerves you fiddle with the gold chain around your neck. it was a gift from your father: a necklace with a music note charm that can transform into an electric guitar or a bow and quiver. thankfully, you hadn't had to need both at the same time.

“it's up to me. and i want leo and jason to come with me.”

“then i’ll come too,” percy's voice remains calm, but insistant.

“isn’t there that thing about quests usually being done in threes?”

“that is true, piper,” percy agrees. he tilts his head towards you, like he's calling on you to remember. "exceptions have been made, though. like that one time with zoe." that had been years ago, when demigods from camp half-blood and hunters of artemis joined forces. five had been sent out on a quest, but only three came back. you shiver at the thought.

"or my quest through the labyrinth," annabeth recalls.

"but won't that also change our other plans, though?" hazel asks.

"not necessarily," you pipe in, your voice more assertive. "if jason and percy just switch. no harm done."

"we're not interchangeable," percy grumbles.

"hera sure seemed to think so!" leo searches the room for positive responses to his joke, but the most he gets is a half-hearted laugh from frank. "too soon?"

you take a deep breath. "it's not a big deal, really."

"it kind of is," percy counters. "you've never gone on a quest without me."

"you've gone on quests without me," you point out.

"that's...that's different."

"why? because i'm so weak that i need the son of the sea god to protect me at all times?"

you're giving percy the coldest stare you ever have. he hesitates to hold your gaze.

"you know that's not what i meant," he sighs.

"then what did you mean?"

percy looks at you, his eyes and tone softer. “look, sunshine, let's just stick with the plan, alright? we can just —”

“gods, you never listen, do you?" you finally snap. "you're not coming! i don’t want you there, percy!”

percy stares at you, stunned. you look around the table, and everyone looks back at you, wide-eyed. they weren’t used to this side of you, your sudden outburst not fitting in with your usually sunny disposition. 

“well, someone woke up on the wrong side of the bed,” leo jokes in an attempt to lighten the mood, with less than ideal results.

“you saw something in your dreams, didn’t you?” annabeth realizes. 

her conclusion makes you freeze.

demigod dreams are always significant, carrying vivid images of monsters, messages from friends or enemies. some children of apollo like you had visions of the future — pseudo prophecies that are supposedly set to unfold given the path you’re on. technically, you weren’t supposed to share your visions, something about messing with fate or destiny, but that didn’t mean you had to accept the way things were. 

what you saw in your dreams last night, what might happen to percy, made your blood run cold.

you would defy all the laws of the universe and divine rules if it meant you could protect him. so fuck the path the fates are attempting to lead you down, and fuck prophetic dreams. you refuse to let percy die. no matter how frustrated you’re acting towards him in this moment, you know he would still do the same for you.

you figure that the future isn't written in stone, right?

either way, you're willing to challenge destiny for percy jackson.

without answering annabeth, you get up from the table and take a deep breath, carefully avoiding percy’s gaze. 

“i go with leo and jason, or i go alone.” your voice is steady, fighting the heavy beating of your heart and tears caught in your throat. “either way, i leave in the morning.” you exit the mess hall before anyone — before percy — can protest.

[raccoon-in-the-danger-room]

Sometimes I see reviews about D&W where people think Worst Wolverine's backstory is super lacking. That they expected something epic like how Mysterio tricked Logan to slaughter everyone in the Old Man comic run.

But that plot, at least to me, doesn't make The Worst Wolverine. It probably makes the Most Tortured Wolverine -- the story of a man slaughtering his own family with his bare hands because he was mind controlled. Which inevitably created a power vacuum so gigantic that the world basically collapsed as supervillains take over the world.

But the title of Worst Wolverine should belong to the Logan that completely abandons his most important moral value: to be the protector.

Sure, he tends to be nomadic and at times self-isolates, but at his core he truly knows what it means to be a pack animal: to be a part of a cohesive family unit, rely on others, be a guardian for the weak.

In a literal sense, a common backstory for him was that he just fucked off from human society after he mutated to live with a pack of wolves. He turned feral, but they also taught him about the importance of community.

Even if you aren't a fan of the wolf background (which I AM because I think it's funny and dramatic as hell), there's other stories where he got taken care of by the Blackfoot Tribe and Lord Ogun before somehow winding up in the Weapon-X Program. Then, the Hudson family rescued him and helped him gain his humanity back after the adamantium experiments. He joined Department H, and sometime after, he found his place with the X-Men.

My point being that past or present, Logan has always belonged to a family. He needs it -- his human AND animal side both need it. He's not meant to be a creature of solitude. When he is, it's a form of punishment that he inflicts upon himself because he doesn't feel worthy to be around the people he loves or he's worried about hurting them. Or it's something inflicted upon him -- aka he's been captured and is being experimented on.

So what does all this tell us about Logan's moral code? He cares deeply for others because it's in his nature to be a part of a pack and he will do anything to protect them.

He's very caring towards animals (ex. looking after wolves that took care of him, mercy killing a bear in The Wolverine, and saving the horses in Logan). He tried to save Silver Fox's life when Sabretooth attacked her. When his wife Itsu was murdered, he relied on the advice of Lord Ogun to get vengeance for her with the Muramasa Blade. He joined Department H and Alpha Flight because he owed the Hudsons so much after re-acclimating him to society. He stayed with the X-Men because Charles gave him a home, family, and purpose outside of being a weapon. He enabled him to be the good man that he is by not only using his powers for the good fight but also being a teacher for the students.

As a character, Logan was created to reflect the archetype of the cowboy/samurai with the morals of honor, integrity, and justice. He's also not afraid to be judge, jury, and executioner for the people he loves. He's a man of action.

So what is the antithetical? A man who dishonors himself by not taking his job seriously. A man of inaction who abandons those he loves. A man who doesn't seek justice but wallows in regret and guilt.

And what did the Worst Wolverine do?

He let his fondness for drinking harm his work. While he was drinking at a bar, a group of humans invaded the X-Mansion and killed a large part of the staff, students, and X-Men. He entered a berserker rage where he murdered the invaders AND innocent people. He tarnished the legacy of the X-Men.

The title of Worst Wolverine doesn't go to the man who got brainwashed and killed without knowing. The title goes to the Logan who killed indescriminantly and didn’t want to stop.

He chose to walk away when they called out for him. He went into a beast state that made the public completely turn against the X-Men in just one night. Instead of making up for his sins, he just went back to the bar -- the very thing that killed his family. He did everything he could to go against his morals of honor, integrity, and justice.

He was a man who failed his family.

THAT'S what makes him The Worst Wolverine.

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[lurkingshan]

10 Things I Love About Mr. Mitsuya's Planned Feeding

This wonderful little show has come to an end, and I feel compelled to tell folks why I loved it, and why you should watch if you haven't yet. First, a big word of thanks to @isaksbestpillow for providing her excellent subtitles and making this show available to international fans. You can find all seven episodes here, get them while you can!

This drama understands that sometimes we really do want to fuck that old man

I don't know what to tell you, the man is hot. He is kind, patient, and generous, he's a master chef, he has a beautiful home with a garden that he tends himself, he is a loving dog owner, and on top of all that he has a hilarious dry wit. Who wouldn't want to fuck him??

Ishida is an endearing protagonist having a relatable quarter life crisis

Ishida certainly does! Which is a nice little revelation for him in a time when he's already struggling to figure himself out, as it's his first time wanting to fuck a man and his work colleague to boot. Ishida has hit a stumble in his original career choice and is feeling pretty apathetic about his job when he meets Mitsuya and gets his world rocked.

Mitsuya is a weary older man who has been burned

Mitsuya is quite a contrast to Ishida as an older adult who very much has his shit together, but has also survived some deep hurts living as an out gay man and grown reluctant to let people in. He and Ishida both see something in each other that the other needs.

It's a food drama that will make your mouth water

The food Mitsuya makes and serves to Ishida in this show looks so delicious that I had to make sure I was fed before watching each episode. Mitsuya can feel free to bait me with food any time.

Shige is my idol

We get to spend ample time at the neighborhood bar, where Mitsuya's old friend Shige serves drinks and hot goss. Shige is a great mix of the wise elder gay dispensing advice and the mischievous trouble maker who likes to stir the pot. I love him, and this show's understanding of the realities of men their age living out and proud.

Frito is a very good dog

FRITO! I'm not always too hype about pets with prominent roles in my shows, but in this story Frito is an important character and an emotional support to Mitsuya, and often provides impetus for Mitsuya and Ishida to grow closer.

Have I mentioned this show is hilarious

Truly, so funny. I laughed out loud during most episodes. Ishida is a walking comedy show as he flails through life, and the few moments when Mitsuya's dignified exterior cracks will have you howling.

It gave us one of the best dates I have ever seen on my screen

I still think about this date all the time. It was so beautifully written to underscore why this couple fits and how they each meet the needs of the other. Just having seen this one day spent together, it's easy to understand how a life between the two of them would unfold.

This show has a mature and nuanced understanding of relationships

We get deep into the show's perspective on love and romantic relationships via the return of Mitsuya's ex, Kaoru, a plot which the story handles with remarkable grace. I loved the space they gave to Mitsuya's former love and need for closure, and that Kaoru was not treated like a villain. He even got to provide an assist to Ishida!

The main romance feels deep and compelling

All of this adds up so that by the time we got to the finale, I really believed in this romance and why Ishida and Mitsuya needed each other, and the way the show dug into their hesitations and fears around that was so moving. My only regret is this show is short and we can't follow them to keep watching their lives together, but we got what we needed to feel confident in their future. I will miss them.

[himejoshiangels]

Duke Thomas fic rec list

I've scowered every tag relating to him, combed thru the 'duke centric tag' at least 8 times, this is what ive come back with, at least my personal faves

necessary reminders - duke pov, outsider pov, and some social media following duke as he gets used to his day job as a vigilante. flows really well, has a good balance of sad and happy, and gets dukes character rlly well

that which you cannot bear - THIS FIC WILL BREAK YYOU duke is kidnapped and its only down from there!! this is like, one of the first duke fics I read and it's still labeled as such in my mind. its well based, sooo cohesive plot wise, and stays completely in character w all its characters, especially duke, while exploring such an interesting facet of him > his tendency to self-isolate, insistence on being independent, and his stubbornness. sooo much good angst just incredible stuff while also staying hopeful and grounded. ALSO duke is an intelligent badass throughout the fic which is an important detail 2 me

signal, n. a divine act - same author as the last one, absolutely insane concepts are explored and its just so well written srsly it's like poetry. digs into some of dukes ideologies so well. if u like holy imagery??? kind of but not rlly?? ig you'll love this

this whole series is just so fucking incredible but something about my bodies made of crushed little stars I don't fucking know it messed w my brain chemistry, I've recced it b 4 bcs it made me cry but read the whole series, it's all duke centric and just so good. Saki writes bruce and duke in a way that fizzes u up w emotion and focuses on such unique facets of dukes character/dynamics and sleep well my little sunshine is soo cute and fun and soft >when earth finds the stars - bonus presignal duke and jason fic, balances being incredibly fun with a realistic zoom in on duke before we are robin. he's quippy and witty and always at the edge of his rope

not mutually exclusive - tired of bruce being kinda shoved into the role of dukes capital F father when that's not quite what their dynamic is? Then this is the fic for you!! Just good duke and Bruce interactions overall, it's sad and hilarious with just incredible dialogue and peak Bruce and Duke interactions

signals and symptoms - a classic sickfic and like one of my fave bruce bonding fic ever ever EVERRR!! really introspective abt dukes character and just so well done

even exchanges - some of u are gonna hate me for reccing an incomplete fic and esp one that doesn't look like it's gonna be finished anytime soon but even exchanges is so formative to my duke characterizationalong with portraying such a fascinating dynamic w him and his new family. it delves into his messy and angsty experiences pre-becoming the signal and is overall written like several subsequent punches to the stomach. promise ur gonna bitch and moan about this fic as much as I do

scientific method - extremely cute fic, watch Duke bond w the bats and slowly get more comfortable with them over time as they all tru to figure out what the fuck this guys powers are. Really fun dynamic wise, the dialogue is crafty and captures the familiarity between the characters. Really realistic about day to day vigilante life and how genius the bats truly are. really slice of life fluffy shit w some bonus sciencey stuff

turn my voice human torch remind people what I’m fantastic for - truly a classic, Duke invites cass to slam poetry night. short n sweet I LOVE BUMBLEBATS RAHHHHHH

tradition - pure duke n bruce ice cream fluff

meal prep - real sad angst one shot ft. alfred

occupational health and safety violations - duke pov reverse robins but it's way out of order

write about flowers (at a time like this) - duke and dick fic where they meet pre we are robin. yes I just found this one yesterday yes I'm absolutely obsessed. it characterizes him so well and understands his thought process and motives and UGHH just tune in yall

sidequest: the viper pit - WE ARE ROBIN DND JUMANJI

signals of fear and hope - duke centric reverse robins, caters TTOME specifically it's so fire

and now here are fics that arent duke centric but he's in it and in character/well written and now forced into the back of the room aka some of my general faves that feature duke

gotham aviary - the batman fic where he just adopts a bunch of em truly adorable like the cutest thing you'll read

I walk the streets at night (with monsters in my mind) - dragon fic, absolutely goated 10/10

fight, flight - cass centric but duke plays a big role, they mean everything to me

[blue-mood-blue]

I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.

And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.

What about a version where it’s not coincidence at all?

Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.

Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”

They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.

Shen Yuan misses school. Shen Yuan starts missing school a lot.

Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.

It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.

(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)

Death feels very real after that.

The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.

The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.

(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)

Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?

(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)

Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...

…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…

And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.

“You told it wrong,” is the first thing he says.

Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.

(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)

“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”

Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”

[vi-as-in-violet]

i think the main feeling i have about this season so far is that i crave to see MORE, but not in a good way. i love the themes this season is working with, i love the conflicts, i love the characters but it feels like i don't see enough of the story playing out and it leaves me feeling like something is missing.

I wanted to SEE and experience the underground resistance growing, i wanted to actually see how Jinx became a symbol and how that united the underground. I wanted to see the process of it and how it affected her! I feel like the writers really should've gone with the traditional show-don't-tell rule here instead of just showing us the aftermath which left me with exactly zero emotions about such crazy impressive and important events. The entire Underground got united (!!!!) but we saw zero of the unification process and got like two scenes before they were all arrested, released and then the entire revolution idea was completely forgotten and not addressed once in the rest of the act (as far as I recall).

Jinx was clearly struggling with the newfound worship, so much so she went into HIDING. how must've she felt knowing that so many people find hope in her when she sees herself as a literal jinx? how did she deal with becoming people's hope instead of their curse? I wanted to see her work through this so bad since that is what Arcane has always been good at, it's what season one did so well - it walked you through the emotions and motives and therefore, the conclusion to personal plot lines felt SATISFYING and left massive impression. this was completely missing for me this act for most plot lines

Same goes for pitfighter!Vi and her descent into self-destructive hell. We don't get to see the emotional fall out of her being fucking punched and left lying on the ground by the only person she thought she had left - we just got a montage showing the aftermath of her spiraling. which is cool but it left me with feeling pretty much nothing about it all because seeing the conclusion to her struggling without the build-up just fell flat for me. i was looking forward this specific internal conflict of the protector archetype with nothing left to protect and therefore completely losing themselves before finding their purpose again SO much and it ended up being completely brushed over. i wanted to be able to pick Vi's thoughts apart when she was at her lowest point in life since her time in the jail and see how her behaviour and relationship with people/alcohol/violence changes in the process. like later in act 2 when she punches Isha, she doesn't even react (holy shit?). that is SO far from the Vi we saw in act 1 of this season and it feels super out of character because we did not actually get to SEE her behaviour and priorities changing - we can obviously figure out the reason and understand why she ended up this way but since we weren't actually shown how it happened, it still initially felt like it came out of nowhere and majorly ooc for the character we've known so far

and don't even let me start with Cait and her dictator arc. I was getting ready for the emotional fall out and internal conflict and the political powerplay with Embessa but we got SO LITTLE of it. i could go on and on about this but i feel like a lot of people might agree her dictator arc was pretty underdeveloped so I am not going to discuss it further (plus the immediate switch when she met Vi again was just ??? because we can't really see how she feels about this entire thing with the exception of her thinking Embessa is too brutal and that it seems to be weighting on her. PLUS she has at least a situationship with that sunshine enforcer and even tho she is clearly mentally elsewhere, we have no reason to think she is still pinning after Vi?).

I'm not even going to address Jayce because What.

On a positive note, I think Victor's arc has been handled pretty damn well. But aside from that, this season just leaves me craving more and it is quite clear to me the writers absolutely did not have enough time (nine episodes is not a lot) to develop the story they wanted to portray in full.

Now, I watched the latest three episodes while on a plane and since the act is so plot heavy, i might have totally missed or misunderstood something, lemme know if that is the case

i am super interested in how's everyone feeling about this so feel free to add your thoughts!!!

[love-byers]

....wait . there are people who don't think the show is centered around will? there are people who don't think a core part of s5 will be wills culmination as a character?? there are people who don't think the entire supernatural plot will circle back to will???

besides the fact that the duffers LITERALLY CONFIRMED that will is the center of s5...

the show itself literally tells you. that is the narrative they've been pushing the entire time.

the entire first season is about finding will. every single plotline is connected to finding will.

mike and the boys are using el to find will

jonathan and nancy are working together to hunt the monster they believe has taken will and barb

joyce is trying to communicate with will to find out where he is and how to save him

hopper is a cop investigating the case, and eventually he and joyce team up to investigate further into the lab conspiracy, believing it's tied to wills disappearance

a massive chunk of s2 is about wills connection to the upside down. he's being hunted by the mind flayer and used as a spy, causing a lot of the conflict but also leading to the resolution.

now that we know vecna was behind all of that, that open so many doors for will in s5. if you use your fucking peanut brain for 5 seconds you'll realize there are lots of things we don't know surrounding will and vecna that will come to light in s5. vecna specifically sought will out and hunted him down. remember s2?

"It wanted to kill you?"

"Not me. Everyone else."

we're also getting flashbacks of will in the upside down so we can see exactly what happened to him the week he was there. clearly there's something important we don't know about. the upside down is literally frozen on the day will went missing. but will isn't important and won't be a big part of s5?

s3 is the first time will is less significant to the plot. he still has the connection to the mind flayer and his ability to sense it is still relevant to the story and helps push it along. bit still, he had significantly less lines and screen time. much of his story is portrayed as him struggling to 'grow up' and not being interested in romance like the others. there are several jokes that present will as simply being childish and reluctant to grow out of it. which a lot of people found sort of annoying. i remember seeing a lot of people enjoying s3, but wishing will had more depth and importance.

but we now know that that's not the whole truth. all of that, him being annoyed and disinterested by romance, just wanting to play dnd with the party, and fighting with mike was all subtext leading into his sexuality and the fact that he's in love with mike. that's been confirmed by actors and the duffers themselves. though will's sexuality was always hinted at, it wasn't meant to fully come to light until s4. so they tried to pass it off as will just being childish. they tried to pass of mike and wills conflict as only being about dnd and growing up. a prime example of this is will tearing down castle byers after his fight with mike. he rips the photo of the core 4 as the ghostbusters down the middle, aka where he and mike are in the center. that is easily passed off as just being about the friend group. people BELIEVED that it was just about the friend group, and that there was no way will was in love with mike. but it's now literally confirmed that he is. like it's insane how many people never even considered that as a possibility. people literally just tune out parts of the show they don't immediately find interesting. i've seen so many comments on byler scenes, for example "it's not my fault you don't like girls", saying "wait i don't remember this scene when did he say that??" people just don't pay attention or think deeper than surface level, which in this case is okay because wills sexuality was meant to be something you slowly realized. the problem comes when people just start denying its significance and refusing to see it for what it is.

if you take in all of will's story with mike and whittle it down to "stupid gay crush on best friend" i don't know what show YOUVE been watching. did you forget that will only remembered his mom and mike when he was possessed and lost his memory? that mike recounting the day they met was enough for will to break through and communicate while possessed? that will puts mikes happiness before his own? that will has literally said he needs mike and always will?

it's not a crush that will can just get over. you know we actually have an example of a simple crush and it's dustin and max. how did that work out? dustin got over max very quickly and it's no biggie. he didn't go on a monologue about how he needs max and always will. he just thought she was cool and pretty.

also, the show spends so much time getting the audience to feel bad for will and want to see him happy. you are SUPPOSED to like him. you are supposed to have empathy for him. will is written to be extremely gentle, kind, and selfless.

will is too nice to say anything bad about anyone, even after being viscously bullied and called slurs for years. even by his own father, WHO HE STILL CANT TALK BAD ABOUT!!!

no matter how much will suffers, he remains kind and selfless. he gave a girl his tonka truck knowing joyce couldn't by him another one. mike says they shouldn't give up on looking for him because will sacrificed himself in dnd to save the party. remember the whole thing in s2 about joyce getting on will for constantly apologizing even when he did nothing wrong? there is no point to that besides evoking empathy for him!!!!! he is sweet and sensitive and doesn't deserve any of this!!!!!!!!

and about bylers being delusional for thinking will and mikes relationship will be a big part of s5 and the culmination of everything in a show about monsters killing people, here's a quote from shawn levy, who has directed many stranger things episodes

"People talk about mythology and The Upside Down, and all that is huge, but the magic of S5 are the characters who find sense of belonging with other and through that connection, become heroes."

everyone loves the stranger things relationships until they're queer. when they're queer suddenly there's no time for romance in a sci fi show, the writers actually suck, and they're just baiting. lumax and their love for each other was a core plot of the season where the big bad was trying to kill her all season. there is an entire plot point about max's memory of kissing lucas at the snow ball saving her life. in a show like this, there is time for relationships and supernatural stuff because they are interwoven when the time comes. they can do the exact same thing with byler in s5. s5 is going to be the longest season thus far. there will definitely be time for relationship development.

so yeah. call me delusional but i don't think the show will end with wills feelings for mike unresolved or with them just evaporating. given everything we know about s5 (relationships and finding belonging being an important factor, noah and finn constantly filming together, leakers saying will has a love interest) and everything we already know about the relationship formulas in ST, literally all the signs are pointing to byler. the only rebuttal people have is calling us delusional because the writers just wouldn't do that. if you actually push past the heteronormativity and consider the fact that the duffers do want to represent queer people in a way that doesn't reinforce the idea that we can never find love or be happy, things will start making a lot more sense.

i'm sorry to have to say this about mike but mike is a character presumed straight who hasn't been super relevant in the supernatural plot for 2 seasons now, just as long as will. his significant plot points are related to el or will. relationship development. and unlike will, he has been an ACTUAL asshole!!!! lots of people stopped liking mike as much after s2 because of his personality change. (ofc i still love mike, but there's been multiple plot lines about mike being a dick for no reason and apologizing for it) but no one has VISCERAL hatred for him like they do will byers. not saying mike deserves hate, cause he certainly doesn't, but the problems people have with will, they only have with will. any other character doing it is fine. 2 seaons of wills feelings for mike is boring and distracting but 2 seasons of mike having the same 'i love you' problems with el isn't?

i'm not saying the sudden hate for will is because it's now clear that he's gay but im kind of saying it

some people can't sympathize with queer issues because they don't care about queer people. they don't empathize with queer people. queer issues bore them.

will byers i will ALWAYS defend you. you are safe with me pookie