#i love getting drawings sent in it's so great!!
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Kai'yan Arros (aka Star Strike) is one of the more... otherworldly of the Skylanders. Normally quiet and reserved, preferring to keep to the background. Kai is often sent out as a spy, reporting directly to Grandmaster Spyro.
If you manage to get her out from under her hood however, she's quite charming and charismatic. Though few can say they've achieved that level of closeness. Among these are Spyro and, shockingly, Lavender (Torch).
Spyro was the first to discover Kai after Kaos ripped her from beyond the stars in an attempt to summon himself an ally from what he believed to be a species of pure darkness. Let's just say he doesn't understand that the concept of the planet of hats isn't real.
Lav on the other hand, is simply a lovable idiot that tries to make everyone her friend (and she usually succeeds). They're good friends.
I loved drawing Kai, she's always had one of my favorite designs and her colors were so much fun to play with. I plan to post something going more into her species, a group I call the Karath. It'll also include more of Kai, so yay!
Also, yes I forgot to color her fans, I'm sorry!
I hope y'all have a great weekend!
With love
-Cherri
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Hi!!
i absolutely love your writing and was wondering if i could request single parent MC with the kings (+anyone you'd like) please?
Hi anon! Thank you for waiting and I hope you like this now that we have all the kings now to add to the mix :3
I'm going to start with Asmo first because yahhhhhhh this is his territory
Asmodeus: He can tell a milf/dilf from miles away and he just knew MC had a kid right off the bat. He's pretty much worried that MC's here in hell when their kid is back on earth and he's wondering if there's anyway that can be arranged where they can return to see their kid more often. But of course once all of the wholesome has worn off he's pretty much humping their backside wanting to pretend to give them another kid....it's only pretend and he just can't wait to take the role of stepdaddy....
Satan: A kid? Oh, he wasn't aware of that when he first met MC. He asks a lot of questions about them, and even has a crazy idea to bring the kid to Hell with MC so they aren't alone. Everyone else of course tells Satan that's a horrible idea, but he's convinced the kid would be fine. Plus, he considers himself a great influence and can teach them how to ride a bike, or beat up someone for annoying them. That sort of thing.
Mammon: MC's kid is Mammon's kid too. Doesn't matter what MC says it's final in his head. He's sending back toys, clothes, and setting up a future bank account for MC's kid to have a stable future. He's even found the best babysitter available in Hell and sent them down to Earth in disguise to watch them. Now the talk of when MC would have more kids is brought up. Mammon is fine that MC has had a kid(s) before they had their own with him, and this is just practice of their lives together as parents.
Beelzebub: Did MC tell him about their kid before? Maybe. If so he forgot about it. He does think it's cute that MC is a single parent running around Hell essentially babysitting others who he considers are "children" too. Bael would even Beel himself is childish and that's probably why MC has so much patience for him.
Leviathan: What kid? What do you mean that you have to pay attention to someone else more important? Impossible. And if MC does have a kid then why are they in Hell instead of being a responsible parent and watching them? Leviathan is pretty much lecturing MC's ears off even though he isn't a parent himself. He's even getting jealous of how much he's talking about a kid that isn't even his. In fact, he wants to stop talking about it before he starts thinking about things and possibly adopting MC's kid(s) so they have a proper upbringing.
Lucifer: Oddly, he knew about MC being a single parent because of their mannerisms and bodily changes if applicable. They seem more patient, tired, dad/mom bod possibly? Or in very simple ways, he just knows because he can tell. Having raised his seraphim brothers from tiny angel babes, he considers himself a parent too. He's even happy to give MC some tips on how to deal with their child aging while they're away in Hell. Because when you think about it, by the time they return their kid(s) could be adults or halfway there.
Belphegor: In his words "He ain't go no time for kids" and he very much means that. Though he doesn't mind at all that MC is a single parent. He takes it as a sign that MC is just going to act like a parent to everyone around them including him. So that means...he needs help doing everything from changing himself to making his meals, bathing, you name it. MC ofc doesn't mind doing these things as it reminds them of home, but it's kind of awkward given the circumstances. Also it seems Belphie is enjoying this too much to where even Beleth is asking if MC can "baby" him too.
now I was going to do some nobles, but my mind is drawing a blank rn ;.; if I can think of more i'll come back and add on to this!!!
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made you something 😘
probably gonna post the other half + this one
Ooo this is so silly and cute!! Honestly even without that hairstyle he's still got the vibes for sure... and there's another part? :0 Do share it I'd love to see!! I personally imagined this as a follow up:
#answered#submission#so cuuuuuutesy#i love getting drawings sent in it's so great!!#sorry for the tardy reply I've been rlly busy#trying my best to keep up w the inbox ^^#tysm for this!
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GUYS LOOK AT THIS ABSOLUTE GEM OF A COMMISSION DONE BY FREDDIE @cupiidzbow !!!!! IM SO INSANE!!!! 💥💥💥💥💥 APPLESHIPPING CONTENT ACQUIRED LET'S GO!!!!!!
#HE WAS SUPER UNDERSTANDING AND PATIENT AND EASY TO TALK TO WWAWAWAWA HES SO COOL#fred if youre reading this i promise you i keep pulling up the draft you sent just as a reminder that the drawing exists and i get BETTEE#INSTANTLY. AHSHDBSNSKMSMSMSS#I ALSO JUST WOKE UP WHEN YOU SENT THE FINAL ART TO ME SO IM SO ENERGETIC RN WKAKWJENEBSJSE THANK YOU SO MUCH!!!!!!!!#THE WAY YOU DRAW RED YM GOUD I COULD CRY HES SO HANDSOME#and HES KISSING JAIDEAHEHEHEHEHHEHEEHHEEHEHEEH CUTE BF MOMENT#i know this is part of your style BUT I LOVE WHEN YOU GIVE SOME CHARACTERS MORE EMPHASIS ON THEIR LIPS ITS SO SO CUTE AND IT LOOKS GREAT#ANYWAYS GUYS LOOK.#WILL BE RBING THUS CONSTANTLY#THANK YOU AGAIN AND THUS MWDE MY DAY GENUINELY#~ lovely gifts#♥️ appleshipping#ALSO THE BRACEKRTSHEHEHEHEHEHGEGEJJWKWKW
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just saw a stupid ass video of a man pretending to drink cow udders with a cat filter on and died laughing
#my humor is absoljtely broken right now.#actuallt cried laughing i cant do this anymore#anyways hello guys!!!! hope everyones doing great :]#im about to graduate and am currently drawing some things based off spiderverse asks i was sent#wont say much about the art because i want it to be a surprise but hehehehe im having so much fun drawing it >:]#i love drawign tickle art gusy#like i think about what if i wasnt a tk artist but yipee!!! i have so much fun doing it even if i get embarassed posting them#jettxt
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OKAY goodnight for real now :-)
#bike ride. take grandma home. some sort of image or paperthing#rlly want to draw kitty w [unnamed engiebee URCR rip. referred to henceforth as the cuckoo] w smth around mitskis me and my--#--husband. HAUNTING song#need to straighten out the magpie a bit more. guy pretty high up into the commercial sector of the URCR who gets a weird little clone of--#--him made whilehe is Still alive initially to act as an assistant b4 said clone freaks the fuck out and tries to kill him and gets sent--#--to a lovely little sheltered place w no contact and no import (i CANNOT make it a moon. it is all so obvious already LOL) . original--#--cuckoo goes ont he idea that the clone just came out Wrong when rlly being put thru such humiliation + dehumanization brought abt a--#--great rage. kittys later interaction w clone-cuckoo does NOT help things as she uses him as a complete punching bag- able to lash out at-#--him and bring him down 2 her level in place of the original cuckoo- and by the time the CS HAMARY went rogue things were real contentious#--on the main URCR planet as clone-cuckoo focused on raising dissent and gathering his Own power in order to get at original-cuckoo#kitty loses interest as clone-cuckoo starts focusing on her less in favor of the Great Affront of the URCR and what it has done to the--#--sanctity of humanity (clones) + its home (extreme environmental degradation necessitating colonization efforts a la the CS HAMARY)--#--and all that. not as much fun to fuck with a guy when he is fighting to transform into the complete Opposite of his current self half--#--out of sheer hatred for another guy who is him
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what is it that drives people to create the most gorgeous and elaborate art of anime muppets. i want to dissect an osomatsu-san fan's brain but that would involve me actually having to smoke cigarrettes (watch the damn anime) and probably develop lung cancer (enjoy it)
same sauce as my little pony:friendship is magic getting popular
#(it's the good characterization and subversion of expectations)#ik u probably sent this for a joke answer but that's my sincere theory#the medium/genre (gag anime/kids cartoon) makes people let their guards down#and then the genuinely good and effective character writing gets them in the gut while theyre open#i read this great essay about what makes the mane 6 from mlp so appealing and basically it's abt the Gap#rainbkw dash is cool and confident but secretly loves reading#fluttershy is meek but is capable of being fierce and loud#these kinds of wrinkles and depth as simple as they sound is the sauce#karamatsu is the Cool One but he's bullied endlessly and cries easily#ichi is the Dark and Evil one but he's actuakly very sensitive#it's the same sauce... it's the unexpected depth#also the voice actors just do a great job bringing the characters to life#one musnt ever estimate the power of a great VA performance#also the built-in dynamics#theyre all brothers so that setup automatically begs some questions#'how do the older ones interact w the younger ones'#'hiw do the brothers closest in the birth lineup interact'#having these kinds of relationship dynamics baked into ur group is immediately intriguing#also they are easy to draw. that part musnt be underestimated either#simple and effective character design that lets ppl go crazy#like how people go insane w kirby fanart bc he's so simple#but like honestly it's not that much deeper than 'the character writing is genuinely really good'#ask
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Hey, I’m the anon who sent that ask a while ago about sharing the polluted marrow (tm) brainrot, and I’m currently doing my reread. I’ll share my thoughts on each chapter here since I’ve been meaning to post a review on my ao3 account anyways. Sorry if this gets a bit too long-winded/rambly or has typos!
For chapter 1, the opening line hits SO hard. Max is next to Chloe before she’s falling, this isn’t a case of her fingertips barely grazing and falling short. This is Max desperately grabbing a hold of her entire world and not being strong enough to keep her there. Which is WOW, what an analogy. Then, with her photographer’s eye, a snapshot of the moment is etched into her brain, the newest of a long list of failures. The line, “Max glares down at the waves, and prays that Chloe washes up somewhere far, far away from here” is so evocative. Even though she’ll reverse it in a few seconds, even though she won’t get to see it, even though it’ll mean less than nothing, Max still wishes Chloe gets out of Arcadia Bay in at least one timeline.
When she starts limping back through Blackwell’s campus, the fact that no one truly reaches out to help her is really telling. This was the same school that (nearly) drove Kate to suicide and it shows. She’s bleeding from her face, is visibly injured, and no one takes action. It really speaks to how deteriorated Max’s mental state is that she acknowledges how messed up her everything is but all she focuses on is saving Rachel and everyone else. "Uhm, no the fuck you don't," from Rachel got a startled huff of amusement from me ngl because that’s such a genuine retort of equal parts confusion and rebuke. Max is so Focused on making a plan she forgets Rachel’s closest friend is Chloe and their reunion is pretty much the polar opposite of how either wanted it to go.
And the nightmare transition OH BOY. It’s small, but “You're almost more trouble than you're worth” “Almost” captures Jefferson’s sliminess perfectly. Even without knowing she has powers, Chloe still calls her Super Max, which must be a huge wake-up slap to the face. When Rachel intervenes during their hug, it gave me huge “You, Me, and Steve” vibes even though that was probably unintentional lol. Max keeping Chloe in a death grip (oof) as she pulls away is just D:. Chloe, taking in her childhood best friend, now bedraggled to an extreme degree, questioning how she ended up in such a state, barely holding it together. If she knew what Max thought, that “I hurt me. I brought this on myself. I deserve this”, I’m sure she would go on a rampage. The period between Chloe leaving the room and Joyce coming must’ve been around a few minutes, and Max manages to say two words, when in combination, paint a terrifying scene. Max agreeing to rest for the first time in subjective months only so she can “get back in fighting shape” makes me want to wring her neck like a rubber chicken because PLEASE let her sleep she deserves it :(((
POV switch to Rachel! The girl, the myth, the legend. Describing Chloe as “her big tough badass” is <3333. Y’know, I never thought about it, but hare is an appropriate animal for Max. I looked up the wiki article because I didn’t really know the difference between it and a rabbit, fun fact: “their young are able to fend for themselves shortly after birth”. If you use Max gaining powers as her metaphorical birth then yeah that tracks. Rachel only realizes how strange the whole situation is after she’s out of Max’s immense sobering gravity and back at the scene of the crime, so to speak. When she talks to Victoria and Kate, the line “She wouldn't stand a chance” about the latter leaves the unsaid as “against Jefferson/another predator looking to take advantage”. The various strangers accosting Rachel about Max’s appearance is another strike against Blackwell’s populace. Her recontextualization of her entire relationship with Jefferson as she leaves asap with rage stirring was great.
Chloe, oh Chloe. Her dream conversation with her father coming to the exact same conclusion as Rachel, that Max is a hare running away from something, is very interesting. Visuals of the storm peppered throughout are making me very Concerned. And Max writing letters filled with remorse for being a lackluster best friend is what Chloe wants! Or rather, what she wanted, but not at the cost of Max’s well being. Even after all those years apart, she still refers to Max as her best friend which ueueueueueue. The juxtaposition of Max witnessing Chloe dying and saving her while Chloe watches Max nearly bleed out and not being able to do very much is striking. Chloe coming to the misguided realization just as she was without Max, Max was without her, hurts. In contrast, her familiarity with Rachel allows her to step in when she’s doing something self-destructive. “If she tries hard enough, Chloe can almost pretend that everything is fine” which is such a mood honestly. The ending of the first chapter was such a doozy when I first read it, because I was really up at 3 am, squinting at my dim screen, bundled under a thick blanket on my bed, reenacting Zuko as he inspected a scroll wondering where the rest of the text was. Was an experience, loved it.
I’m sorry if this was way more summary than analysis, everything was awesome and makes me feel emotions in a way hard to articulate through text. I’ll try to send the ask for the next chapter faster if you want!! Thanks for writing :D
hello anon!! first off don't worry about being rambly bc i when i opened my inbox and saw this i turned into this gif of kermit
and also don't worry about being articulate bc after like twenty minutes of trying to come up with a nice proper response to this all i have is: !!!! sdfksjfhsksdfkhjk :0c ohhh my god thank you thank you <3 <3
#nova answers#Anonymous#and no rush friend!! i am unspeakably appreciative that u sent me this much 🥺🥺#dying at the You Me & Steve comment btw. absolutely unintentional but i see exactly what u mean lmao. i should draw that sometime#and i Love getting to know what lines hurt the most#turns out lis fic is a great place to exercise my 'what's the most heart-wrenching sentence i can come up with' muscle#also i'm putting this in the tag so i can look at it whenever bc it Brings Me Joy;; thank u again anon <3#marrow max tag
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don't you want to be a cult leader? - danyal al ghul au
this is mostly a joke post but i thought it was funny and had to share so--
his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!
So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.
Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.
Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.
And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.
Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.
Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.
He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?
Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.
Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.
They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.
Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.
He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.
His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.
Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.
It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.
He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.
Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.
He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.
He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.
Sages say that faith is blind, they should also say faith in you is even blinder.
It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.
It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.
"I've become my grandfather."
#dpxdc#danny fenton is not the ghost king#dpxdc crossover#dp x dc#dp x dc crossover#danyal al ghul au#dpxdc au#dp x dc au#dpxdc prompt#ive been playing cult of the lamb recently and you can tell#anyways i thought this was funny to think about. its specifically danyal al ghul bc that makes it even funnier#tfw you accidentally become a cult leader. rip to you danny you have a cult following#not at ALL an accurate depiction of a cult but i still think its funny. innaccurate cult depictions. ur in too deep to change it now danno#sam and tucker: hey dude... this is a cult | danny still learning how to People: what. no. these are all my friends and refugees.#his inner circle are all Insane about him they just show it in different ways. Sirius is as equally zealous as the rest they just don't#show it as much. which has mistakenly convinced danyal that they are the more logical one. no danny. they would kill for you#danny: i am being hospitable | sam: you created a cult | danny: i am being hosPITABLE#i dont like ghost king aus but i love danny being in positions of power it just has to feel earned. 'accidental kingdom acquisition' is my#favorite trope it just has to be done correctly. 🫵 build that bitch up with your bare hands and not realize until its too late you fool#'becoming a world power by accident and im in too deep to back out now'#danyal. a raised assassin (has no threshold for normal behavior): *sees utter devotion towards him* yeah this is fine and normal.#danyal: yk i dont see this ending horribly. *goes and collects more followers* yeah this is totally cool. welcome to the constellation#danyal: *saves a few people and houses them in his lair* (everyone liked that [to a worrying degree actually])#his inner circle: my moon! | danny: my stars :]#danny: ive become my grandfather. | danny: ... | danny: idk how to feel about that honestly.#those poor cultists that kidnapped antares were subjected to a 3hr tangent about 'the radiance of the Moon and his resplendent generosity'#before danyal found him and got him home. who were the cultists summoning? who knows! but they got Objectively the Worst out of the#constellation to summon by accident. actually they're all bad there's no picking who. they're all various amounts of Unhinged Danny just#Never Realizes It because he is also Unhinged and thinks some of this shit is normal.#like yeah thats totally normal behavior he has no questions whatsoever. this seems like Typical People Stuff.
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You belong with me
you and jace were childhood friends, you never left eachothers side growing up, but that all changed once you both went off to university.
CW: MDI, 18+, smut, p in v, oral (f receiving), fingering, angst, jealousy, unrequited love (kinda), love confessions, not proofread!
word count: 5,896
modern Jace x fem!reader
Masterlist
a/n based of taylor swifts you belong with me, lyrics and music video.i also have very little knowledge of american uni or football, but i tried my best though!
You and Jace had grown up, side by side. Your mothers had been the best of friends, and so naturally you both were also. For your entire lives you knew everything about each other, your traits your habits, you knew each other better than you knew yourselves. You made every decision together, especially the decision to go to Dragonstone university together.
And that decision changed everything.
It wasn’t a surprise that Jace became so popular, he always had been. Always so able to draw a crowd and make friends in any situation.
And you, you had always been one to take a backseat. Happy in the friends you had, and never one to put yourself out there as he did.
And sadly, that seemed to be your first mistake.
He had joined the football team, finding new friends and a new crowd quickly.
You stuck to your old friends. Making small efforts to know the endless crowds of people at university.
And so, he and you started to spend less time together, and more and more time apart.
And then he got a girlfriend.
Sara Snow.
The cheer captain.
And the sister of his new best friend, Cregan Stark.
And suddenly you weren’t apart of his life anymore. You had found out he had a girlfriend from sitting on the bleachers at one of his games and seeing her run towards him and shove her tongue down his throat.
As time went on, your texts to one another became less and less, your replies delayed, and sporadic, and his ever more so.
Your study sessions stop, nights in together became nights in apart.
It hurt, you had loved him for so long, as a friend and a lover. Not that he knew. All you could do no was stare in envy as you lost your best friend and never even got a chance to say goodbye.
That year was a strange one, you now watched each other from the outskirts, you didn’t know each other every thought or where they were at all times.
Ther person you looked to in every room, no longer there, no longer was he the person you would text at every opportunity, or share looks as you reacted to what other people were saying.
Now you only knew each other in passing, a few texts here and there, mostly about your course, or if you were going home for summer or the weekend.
And when you both were home, it was so different. Once you would spend all day together, planning your days with each other. And now, you may sit in the same room, but little more than small smiles and small talk was shared between you.
And the few times you did feel you could talk to him; he would be, interrupted by his new friends coming to whisk him away.
The last three years you started to get used to not having Jace as a constant presence, instead you found great comfort in your other friends, you had always been close to them, and apart of you was grateful as you began to realise the love of female friendships, rather than just the love of Jacearys Strong.
It was Friday, the week before the big football game. The game everyone talked nonstop about, even Jace, as he had messaged you asking if you were coming to the game.
You had yet to respond.
Once you were his biggest cheerleader, sitting on the bleachers shouting his name. Now you no longer cheered his name, though you always sent him a kind smile when he did look for you in the crowd.
But unlike before you no longer went to every game, and as time went on you went to less and less.
“Are you going to the game on Friday?” Maris asked. You were all sat in a private study room, preparing for your midterms.
You shrugged “maybe, I’m not sure yet”
“of course, we all are! It’s the big game, everyone’s talked about it nonstop!” Baela said beside you, “and I also don’t want to miss watching Cregan stark all hot and sweaty, now would I?” she said with a laugh, she and him had been casually hooking up for a past year, and with the way he looked at her she was sure they were soon to become more.
You laughed, “perhaps for you maybe, not that I have anyone worth ogling over”.
“Sure, you don’t” Heleana giggled from the other side of the table “poor Jacey would miss you terribly if you don’t go”.
“Oh please, he wouldn’t care if I was there or not” you rolled your eyes.
“Oh? Aside from his on again off again weird little thing with Sara Snow, Jace is, besotted with you!” Maris interjected.
“she’s not wrong” Rhaena spoke,
“Really?” you shook your head, “perhaps once, but he rarely speaks more than a few words to me anymore”.
“Perhaps that’s because he realised how hot you are” Baela said, sending you a wink.
“Oh gods, do you remember the look on his face when you slept with Justin Lannister in our first year” Maris laughed, “he looked like a kicked puppy!”
“Especially when he saw the hickey he had left” Heleana added.
You shook your head “I think he was more disgusted with the fact I slept with Justin than anything else”.
“hmm” Rhaena hummed, “and when you and Aemond dated in high school, what about then?”
“Oh gods, don’t bring that up” Heleana grumbled, “it still brings me nightmares, from when I walked in- “she fakes gagged at the memory.
“Okay stop it, I think you’ve all proved your point!” you sighed, “maybe once he had a crush on me, but not anymore!”
They all shared a look.
“And what about your crush on him?”
“What crush?” you said defensively.
They all laughed.
You stood up dramatic, gathering your books, “if I go to the game will you all shut up?”
“We make no promises!” Maris said, laughing once more.
“Ughh, I don’t know why I put up with you lot” you grumbled, as you went to leave.
“Because you love us” Heleana, answered.
“And Jacey too” Baela added.
you rolled your eyes as you left, heading home for the weekend.
You returned home often, your mother was all alone with out you there, though you did often find Rhaenyra, Jace’s mother, in her company. You loved seeing them both, finding Rhaenrya presence to be as much as a comfort as your own mothers.
Its one of the reasons your friendship with Jace fading into what it was now, hurt so much.
Before you had practically lived at Jace’s house growing up and now you rarely went over there, despite living next door, your bedroom windows facing one another. It hurt, seeing the life you knew suddenly disappear. To spend the summers in your own home, having your friends come to yours rather than to his, especially when you could see him on his bed, and you on yours.
He had changed, though not so much that he seemed a stranger to you, though his company was certainly strange. He knows hung out around Aegon a lot more, though he had once avoided him as often as he could. You were glad he had yet to adopt Aegon’s personality, the self-entitlement mixed with the self-loathing. Jace remained kind, his gaze often on yours whenever you were in the same room together. Something you had heard Aegon mock on several occasions.
As you walked into your house, the taste of cinnamon and sound of laughter flooded your senses. It was no surprise to see your mother in the kitchen, and even less of a surprise to see Rhaenyra with her, a smile graced your face as you approached the pair.
“mama” you greeted, “Nyra”.
“Oh darling, I didn’t know you were coming home!” your mother greeted, pulling you into a hug.
“I came home to study, I couldn’t focus with all the football stuff going on” you sighed, dumping your bag on the kitchen table.
Rhaenyra laughed, “yes Jace has talked nonstop about the football” she then looked at you with a sad look, “are you planning to go?”
“I’m not sure yet” you replied, stealing one of your mother’s cinnamon rolls from the counter.
“I’m sure Jace wants you there, he misses your rituals you know” Nyra spoke, coming to sit down at the table you now sat at.
“He does?” you did too, he was the reason you got into football in the first place and watching him without your rituals or watching games without Jace’s constant commentary.
“I know he does” she smiled, reaching for your hand, as your mother moved towards to the table.
“Believe it or not, darling, he talks about you often” she gave you a teasing look.
You shook your head, “if only he talked to me and not about me more” moving to stand up and head for your room.
“He said he was coming back this week, perhaps he will” Nyra called out as you started to walk up the stairs.
As you lay on your bed, your eyes moving to investigate Jace’s room. You laid there for a while, hoping they would open.
And they did. He had clearly just returned home just like yourself, his face tired, as he moved to sit on his bed, his face downcast, no smile in sight.
You moved to sit up, and as you did, he saw you, a small smile gracing his face.
He sent you a small shy wave, and for a moment you felt as if you and he were back to normal.
But then his smile disappeared as his phone rang.
She tried to not watch as he argued with someone, his girlfriend you assumed. They always argued, she was always upset about something he had said, she never got his humour, not like you once did.
You couldn’t think of anything they truly had in common, then again you didn’t know either of them, not anymore.
On paper It made sense them being together, she was cheer captain and he on the football team, whilst you, you were on the bleachers, watching the game and waiting for his victory, whilst she would cheer him on, in his direct view. Ever the supporting act, and you the extra.
Before Uni, you and been his biggest and though you still supported him, it hurt a little seeing her cheer his name, especially since you never knew if they were off or on again until her, she shoved her tongue down his throat.
You and he used to have a ritual before each game. the day before you would always bunk of school, and he would always somehow convince you to join him on his run, you would run side by side, your phones listening to same playlist. (You and he had always had the exact same music taste, music she didn’t like, if the though few parties hosted by his frat and her sorority were anything to go off of)Then you would spend the night staying up and watching the same three movies, before falling into a sugar induced coma only to be woken up by Nyra and Luke aggressively shilling you both awake screaming that your going to be late, and when you did finally wake up Jace would always force you both to take an ice bath, claiming it to be a good way to wake you up. You never believed him, and it would take him pulling you into the water with him for you to join him.
You would be there for every game and event, cheering from the bleachers.
And now as you watched him arguing with his girlfriend, you wished you knew what they were saying, there issues. A part of you regretted not trying harder to stay friends with him, even though it was him who moved away from you, not you away from him.
You reached down under your bed, trying to find the old sketchbook you used to use to talk to Jace before you both had phones.
You didn’t have his number anymore, having deleted it off your phone, though you remembered it off by heart, a part, something you could never bring yourself to forget it.
You didn’t want to text him, it didn’t feel right, you are reaching out first almost didn’t feel right either but eh looked hurt and you deep down still cared.
Finding a pen you quickly wrote, “you, okay?” Finding a pen you quickly wrote, “are you okay?”
He had sat down on his bed, head in his hands before looking up to see you turn the paper around.
A smile graced his face as he shrugged and reached for his own sketchbook and pen.
“Tired of drama” he wrote.
You laughed a little at his message, writing “sorry” with a sad face beside it, shrugging as you turned the paper around
And he shook his head, moving to stand up as you went to write something else, only for him to shut his curtain before he could see what you wrote.
You shrugged of his easy dismissal, and how so few words were exchanged before he decided to end the conversation.
You had finished you studying, content and ready for your exams, so blasting your music on full volume you started to dance around your room.
Unbeknownst to you, he watched you dance, a smile pulling at his face as he realised you were the same as always. You danced like no one was watching singing along to the songs as you did. And he smiled, laughing at your antics as he remembered how you used to pull him up and dance with you.
He regretted how he ended his friendship with abandoning you, he wasn’t even sure why he did it. He knew he hurt you. He feltBu, for his own selfish somehow, he had made gain. He had made new friends; he, he was popular and on the uni football team. He liked the spotlight always had and was half to have all these new friends. He had made a great bond with but in doing so he lost his truest friend and the woman he loved.
He had decided to talk to you, to apologise and make up for what he did. So, as he saw you at outside the bench outside both your houses he came over and sat beside you. So, as he saw yous at outside the bench outside both your houses he came over and say beside you.
“hey” you heard a voice say beside you, as you turned your head to see Jace sit beside you.
“hey” you said back, as your hair falling in front of your face. He reached his hand forward, to brush the hair out of your eyes, and tucking it behind your ear.
“How have you been?” he asked, his hand lingering slightly. You stared at him fro a moment, he still dressed the same, with the same worn-out jeans, the same smile, but with better hair.
You supposed you looked entirely different, though at the same time you hadn’t changed either. Your curled hair was no longer a frizzy messed, but well maintained. You didn’t wear your glasses much anymore, now favouring contacts. He seemed to smile as he took you in, staring at your eyes.
“I’m good, you?”
“Good, excited for the game…” he kept talking and it felt like old times again, you thought, it was so easy, to return to how it once was, chatting about nothing in particular.
He smiled as he spoke to you, happily chatting away. His smile was the same as always, a smile you sworn could light up a town.
“I haven’t seen you in a while” you said after a pause.
“yeah” he said awkwardly, scratching his head “I’m sorry about that, I never meant to- “a car pulled up, with Sara Snow in it.
He got up suddenly, mumbling goodbye as he did. His smile had faded, and turned into a forced smile, the kind of smile you gave to a stranger you passed in the hallway, as he got into her car. She instantly pulled him in for a kiss, her eyes staring you down as she did.
You had never actually talked to her before, never known anyone who had, but you did know Cregan, though not well, and he rarely said anything nice about his sister.
They drove away after that, Jace looking at you over his shoulder as they did.
The rest of the day you kept too yourself, focusing on studying. Jace had yet to return home, the light off in his room. Not that you were checking.
He had sent you a text, “sorry”, nothing more. You hadn’t replied, you didn’t even know what to say.
From the corner of your eye, you saw the light in his room turn on.
He walked in with a downtrodden look. He had spent the whole day with her and felt only regret on not spending it with you.
He and sara were on and off again, never anything serious, no feelings past lust. Especially after how she talked about you today. He ended it officially, and he couldn’t be happier. Especially when he saw yous at at your bed.
He reached under his bed for his sketchbook, reminiscing on how even as children you couldn’t spend an hour with out talking to one another.
It had all changed after uni, and he regretted not dragging you with him as he changed.
“hey” he wrote holding it up hoping you would look, and as luck would have it you did.
You seemed unsure as you yourself grabbed your own sketchbook, writing the words.
“what’s up?”
“I wanted to see if you were okay”.
You furrowed your brows “yeah?”
He sent you a small smile, before grabbing his phone and calling you.
“Hey?” you answered, your tone nervous.
“Hey!” he said trying to lighten your mood a little, “i’m sorry about earlier it won’t happen again”.
Yous kissed your teeth nodding your head, “right” his actions early hadn’t supposed you, they only made you realise that you and he won’t ever return to how you were before. Choosing each other first always, and never up and leaving each other mid conversation.
“I…. i broke up with her, officially”.
You hummed, he nervously coughed.
“I I know I hurt you when I started dating her, and i…I am so sorry, I just got so caught up in the idea of it all, these…these past few years have been a torment to me, watching as you seemed perfectly okay with us not…not being us anymore and I didn’t know how to…how to talk to you or-“
“i wasn’t perfectly okay with it” you interrupted him “at not point was I okay with loosing my best friend” you shook your head, glaring at him through the window “I tried to talk to you and you shook me off, you chose her over an 18 year long friendship, how would I be okay with It!”
“I didn’t!” he said quickly, his face panicked, “I-I I messaged you I swear I did I sent you so many messages and you never replied”.
“No, you didn’t, I get the odd one but the second is as her shove her tongue down your throat I haven’t received these “many messages” you claim to have sent”.
“what?” he looked shocked through the window, “I told you about her, how I got drunk and slept with her at a party and how she wouldn’t take no as an answer, you never replied, I sent you countless texts about going to study together or hanging out and you never showed up!”
“What! You never showed up when I asked you!” you were near shouting now.
“You never asked me- “
“Neither did you!”
You heard your mum call you are asking if you were okay. You went silent, “we can’t do this over the phone”.
“Meet me at the backdoor” you looked at him nodding your head.
“hey” you said as Jace opened his back door, pulling it closed behind him.
“hey” he said moving towards you, “look, clearly there was some reason we never got these texts”.
You looked at him in disbelief, shaking your head, “gods Jace I didn’t realise you were so blind!” you laughed, “look I don’t know her or anything about her but, are you sure Sara never used your phone and maybe deleted the messages?”
“Umm…no?” he said unsure, “why would she do that”.
“Oh, please Jace, you and I have known each other our whole lives, and when we first started uni, we were acting like a married couple, she probably wanted me out the way so she could date you”.
“But we weren’t…we’ve never- “he stuttered awkwardly.
“Have you never once thought of me-?”
He cut you off, “no!” he said it too fast, so fast that you were unsure if he meant it.
“Really? Because I have, I did” you replied, sending him a shy look. You had hopped he had to and that you are saying this would make him say it in return.
He looked at you shocked, not expecting your admission, then his face turned guilty. “I know” he said looking down, “but at the time I- I saw you nothing more than a…a friend and so I…I dated Sara to push you away in hope you would stop seeing me as more than a friend.” He scratched his head awkwardly, looking down his eyes filled with guilt.
“oh” that’s all you could say. It was the first time you had ever admitted you had actually liked him, and to be rejected so clearly. To know the reason why he was with Sara, the reason he was with her in the first place was to get rid of you, it hurt more than three years of only passing words and fading friendship.
“I. I’m sorry I… I broke up with her though”.
You laughed a humourless laugh, almost in disbelief “I well that makes what you said better” you scoffed, truing around to leave.
He grabbed your arm, “No…I” he whispered your name, “I… I do like you like that… I’m just before her id dint realise my feelings for you and I do know…”
You scoffed, “right… so it took fucking another woman and ignoring me for three years, to save me from my feeling, made you realise you liked me to?”
“Yes.” He nodded.
You laughed, a short scoff of a laugh, “by the gods Jace you’re an idiot” this time when he grabbed your arm as you went to leave you only shook him off, storming up to your room and leaving the curtains shut for the rest of the weekend.
That week you swear you saw Jace everywhere. He seemed to follow you almost.
Though you were both doing the same course, meaning 90% of your lectures were together.
“Why is Jace following you?” Maris asked as you both walked out of your seminar.
“Oh gods, I haven’t told you, have I?”
She laughed, intrigued, “no, what happened”.
You looked down laughing as you tried to tell her, “Well Jace and I finally talked and he… admitted he liked me?”
“What!”
“that’s not it… but he also told me that he knew I liked him and that was the reason he started dating Sara… so I would stop liking him”.
“What the hells?” Baela said as she caught up to the pair of you, “did I just hear that right”.
“don’t even get me started! But I basically told him he was an idiot; I mean who hurts someone like that!”
“Idiots!” Maris and Baela said simultaneously.
And as they did you saw Jace appear from around the corner, two coffees in hand. He had a hopeful look in his eyes as he walked towards you.
“Speak of the devil” you mumbled, as you turned to your friends, “I’ll be back in a minute” you said as you walked towards him.
“Jace” you greeted. “What do you want now?”
“To apologise” he said handing you a coffee, “I really am sorry, I never should have done what I did, and I should have told you, and not kept it from you.” He looked at you, his face kin to puppy scrounging for food.
“Then why did you?” You said as you ushered him to an empty room.
“I was scared. “He admitted, smiling shyly, “all my life I had loved you and everyone told me you did too, and then. then you and Aemond started dating and I thought they all were lying to me and how could you ever love me and when you could be with him”
In truth it took you until after your relationship with Aemond to realise your feelings for Jace, in fact it was Aemond who broke up with you because he saw said feelings first.
He continued. “And then you broke up and everyone was telling me to take a chance, and then uni started, and I got scared and realised that you did I fact like me too. But for some reason I was convinced that being in a relationship in uni would only tear us apart. So… so I decided to take a step back and stop whatever romantic feelings we had- “
“That wasn’t your choice to make Jace, maybe for yourself but my own feelings? You had no right!”
“I know… I know. I was- I am an idiot and…I’m sorry, truly.”
You sighed, you could see he was really sorry, and yet an apart of you didn’t want to forgive him. But another part of you wanted to jump into his arms and forgive him.
“I want us to be friends.” He said, with a hopeful gaze. And your heart broke all other again.
“no” you stepped back, “you know of my feelings, and… I-I can’t be your friend, I can’t ignore those feelings, I won’t, I can’t” tears welled in your eyes at the look on his face.
“I don’t know if I can give you what you want.”
“Why not?”
“Because I have loved you my whole life, and I have already screwed that up, I can’t risk whatever we have now for a relationship.” “we have nothing, we are not friends, not lovers, nothing. You have nothing to lose and everything to gain”.
“No, I have everything to lose, I have already lost your friendship, I can’t risk breaking your heart and loosing you forever!”
“So, because you’re afraid of the possibility of us breaking up you won’t try?” you shook your head, “I can’t believe you! I don’t understand what you want! And you clearly don’t see what I want either!” you went to leave, “I can’t anymore Jace, I just want, I can’t look at you without my heartbreaking. You broke my heart and our friendship once before because you feared losing me forever, well know I think you might have lost me anyway.”
You left without another word or a single glance.
The week passed slowly, your friends were a great comfort and your exams seemed to breeze past you, but the nagging in your back of your mind was constant.
The regret and want. The want to see Jace, to take back what you said and make him realise what an idiot he was. And the regret from not grabbing his face and kissing him.
You and he had been each other’s first kiss, using the excuse of ‘practice’ to cover up you real feelings. It had been awkward, with nose and teeth clashing, and then before you knew it the kisses became perfect, casual even. You had both been sure it was the start of something. And then you ruined it by saying yes when Aemond asked you on a date. You never regretted dating him, he was your first love, your first everything. But not your first kiss. He made you realise what love was and that it was what you had with Jace all along.
Then University started, you lived in the same halls, saw each other every moment of everyday, cooking together, studying together. And then the casual kissing came back. Sweet kisses goodbye or good morning. And then one day you had lingered, and he had pushed back. Your daily routine faded, and then it all happened. The football team and Sara Snow.
It would of been better had he just stopped kissing you, stopped initiating the kisses. Instead, he left you, and now you had done the same to him.
And yet here you stood, getting ready for the big football game, with all your friends.
You wore a jersey, his. The day he got on the team he had gotten you both a jersey. It had sat unworn in a box under your bed since then. It fit perfectly, his name written in bold on the back, alongside his lucky number. The number you had picked, the number that was conveniently todays date.
You stared into the mirror taking a deep breath as your friends all readied themselves. You weren’t sure exactly what you planned to do, but either way Jace would regret ever saying no to dating you.
Everyone was at the game, including the entirety of Jace’s family, you found yourself sat next to Rhaenrya and Luke. You sat right at the front, practically, on the field, meaning Jace could see you, and more importantly you in his jersey. They had all taken notice of your jersey, with Harwin sending you a teasing look.
It was loud and chaotic, the entirety of the university at the event and for good cause as Jace’s team had won.
You hadn’t really paid any attention, your eyes solely focused of Jace.
He made eye contact with you, solely you and came rushing forward. You stood up moving yourself and before you knew it, he had sweeped you up into is arms. Spinning you around, he whispered like a chant “I’m so sorry, I regret everything I never should have- “
You shut him up, taking his mouth with yours in a slow passionate kiss. Moaning into each other’s mouths, you realised you both had got on lost in the crowd, as everyone had run into the field. Leaving you to find a moment alone, to finally reconnect and admit your feelings.
“Come with me” he said grabbing your hand, leading you away from the crowd and field.
“I’ve never taken anyone here before” he said once you finally reached your destination, it was a sweet little outlook with a view of the island. “The day I found it I wanted to save it, for you”.
You looked at each other, hands entwined.
“I love you” you both said in unison, bringing a smile to each of your faces.
“I am so sorry about everything, I don’t know why I said what I did, why I asked to be friends and nothing more. I’m a fool”
“You’re my fool” you laughed, “in fact were both fools, I don’t know why we kept this from each other for 21 years. “You laughed, before reaching forward and kissing him again.
It was so different from your years of practice kisses. They were deliberate and sweet. This was hot, passionate and desperate.
“Gods, I need you” he moaned into your mouth, as he backed you up onto a tree, his hands descending to your waist, pulling you closer to him. Your bodies stating to slowly grind against one another as your tongues battled for dominance, his eventually winning, as he took you in for one last heated kiss before his lips began deciding down your neck.
“Please.” You begged, as you reached down to pull of his jersey, you wore nothing underneath, your bare breasts on show.
He moaned at the sight of them, before taking your nipple into his mouth, licking and sucking as he did. Low moans spilling out of you as he did. You gripped his hair as he continued his ministrations, before pulling him of your breast and reaching up to undress him. Soon you were both bare, if anyone was to walk by, they would easily you, but neither of you seemed to care as Jace moved to kiss you again his hand reaching down to caress your wet cunt, shuddering as he penetrated your hole.
As he continued to pump his fingers in and out of you, your moans swallowed by his mouth as you felt yourself tighten around his fingers your peak edging closer and closer, before he withdrew his fingers causing a moan of protest as his fingers left you.
“Keep going” you pleaded, but he simply shook his head, before going on his knees, your leg moving o his shoulder as he licked your cunt. He lapped you up like he was dying, and you were his final meal. Licking up all your juices before finally reaching your clit, his fingers hand made there way back to your cunt, as you felt his finger penetrate you once more as he sucked your clit into his mouth.
You moaned loudly as he did so, making no effort to hide your pleasure, as you gripped his hair and started to ride his face until you finally came.
he stood up slowly, before once again pulling you into heated kiss.
“You taste divine” he moaned into your mouth, before groaning as you reached for his cock. “jump” he groaned, and as you allowing him to thrust, into you in one slick movement as you wrapped your legs around his waist, causing you both to moan simultaneously, as your walls wrapped around his length tightly, he didn’t move for a moment, allowing you both to adjust before he started to pump his hips slowly into you, building up a rhyme.
“Gods you moaned,” gripping onto him tightly, as he started to pound into you, you both moaning as his pace picked up.
His face was buried in your neck, leaving kisses you where sure would leave a mark.
He continued to thrust his hips, pounding into you as your peaks grew closer and closer, his cock throbbing inside you as your cunt tightened around his length.
“I’m going to cum” he whined. “Fuck, where?” he asked, reaching down to rub your clit, prompting you closer and closer to Cumming with him.
“Inside…I’m on the pill” you said between moans and before you knew it you felt the warmness of him spreads inside you as you came yourself, gripping tightly on his arms as you did.
You took a moment, leaning against, him and him you.
“Why did we wait so long to do this again?” he asked catching his breath.
“Because you’re an idiot”.
He laughed, “and I will spend every day making it up to you I swear” he kissed you softly, as if sealing his promise in a kiss, a promise you knew he would keep “I should have known, you belong with me”.
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#house of the dragon#hotd#harry collett#modern jace#modern jace x reader#jacerys velaryon#jace velaryon x reader#jacerys velaryon x reader#jace velaryon#jacaerys strong x reader#jacaerys velaryon smut#jacaerys targaryen#jacaerys velaryon x reader#modern hotd#hotd smut#hotd angst#prince jacaerys#jacaerys valaryon x reader#jacaerys smut#jacaerys x reader#jacaerys velaryon#taylor swift#hotd x you#jacaerys velaryon fanfic#jace veleryon x oc#jace strong#hotd jacaerys
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Grimace has a lot of internal struggles that he deals with.. primarily his sense of worth and belonging..
This comes from the fact that he loves his friends very dearly, and he wants only the very best for them.. Which in turn makes him analyze himself and whether or not he's good enough for them.. if he's worthy to be a part of this great team.
He tries his best to make them laugh. To be strong and protect them. To give them all a shoulder to cry on when they are sad.. he just wants to fill their lives with joy. Just as they have done for him.
Though sometimes he falls short. Someone needed advice and he didn't know what to say.. or he wasn't strong enough and someone got hurt. When this happens Grimace takes it very hard..
Of course Grimace never tells the others about any of this. The last thing he wants to do is burden his wonderful friends with all his problems.. Instead when he gets overwhelmed by these feelings, Grimace will hide away in the shadows. That way not even Gloria can sense his distress as he tries to cool off on his own.
In this particular drawing, I imagined that Grimace left while everyone was sleeping to work through his feelings. But this time he was so distressed that Gloria could sense him through the shadows.
She woke up Sylvester and sent him after Grimace. He wouldn't usually show himself during times like these.. but Sylvester was worried about him so.. he came out.
Sylvester tried to comfort him with his ribbons auras, and it helped calm his nerves some.. V kept asking what was wrong but Grimace refused to tell him. "I'm just stressed.." "About what?" "..nothing.."
He would eventually simmer down and they'd return to the group. But Grim would never tell anyone what was wrong. Even days later. He just keeps all these feelings to himself, not wanting to burden his friends.. 💔
#pokemon scarlet and violet#gengar#sylveon#my ocs#long winded ramble/mini fic at the end there-#but it was fun! XD
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Day 13 : I Love This Place
Ft. Ahn Yujin
Kink : Stuck In Wall
“A little help!” Yujin shouts. She reaches for her phone, but it’s just out of reach. Not wanting to draw any more attention to herself, she waits to see if anyone offers any assistance. Yujin’s arms can only reach so far.
She sees her phone on the ground. As if it’s taunting her, it slides a little bit more out of arm’s reach. Yujin huffs and stands up. She tries her best to not get her legs tangled with anyone else’s on the way to her phone. “Excuse me,” Yujin says. She narrowly avoids one man’s foot, shifting to the side to step over it.
So far, her day hasn’t been too kind to her. Yujin has seen a drunk man harass a woman, she’s been bumped into, which made her drop her phone the first time, and she’s been stuck on this subway for the better part of half an hour.
Yujin, at long last, reaches her phone. She bends down to pick it up. “Gotcha,” she remarks under her breath. The girl clutches the phone and makes her way back to her seat. After hurdling the same pairs of feet from the spot where the phone rested back to the seat, Yujin sits down and breathes easier now that her phone is back in her possession.
The mobile device chirps. Yujin checks the message. “Oh great,” she mutters. “What could he possibly want?” Yujin reads the message mentally and a long sigh escapes her mouth. “I’m gonna be late,” the first message reads. “I know we have that project at work, but I can’t make it because traffic is a nightmare. I’ll try to be there as soon as possible. If you get there before me, work a little bit on it.”
She scoffs and rolls her eyes. The lethal combination of reactions would be enough to set anyone off. Knowing that she’s on a tight schedule, Yujin composes a message. “Okay then,” the first message reads. “I’m on my way right now. After I get there, I’ll cover for you.” Yujin sends the message and puts her phone back into her pocket.
Yujin sits patiently in her seat. Waiting for the stop where she gets off has never felt longer. She hopes that this ride will be over in the foreseeable future. She knows that this ride will only last a few more minutes, but to her, that’s an eternity.
The minutes pass in relative silence. Yujin listens to the occasional noises coming from the other passengers. Once the ride comes to a stop, she stands up and gathers her belongings. Yujin bows and apologizes for her outburst while heading for the exit. Once she’s at the exit, she leaves without a second thought.
The doors close behind her and she’s sent on her way. Yujin exits the station, walking up the stairs to ground level. She emerges onto street level and takes a brief look around. The area, which is practically engraved in her mind, makes the last leg of the journey easier.
She begins her walk to the office. Yujin keeps to herself, trying to balance it out after her outburst on the ride here. She tries to forget that instead focusing on the walk to her office. Yujin rounds the corner and this starts the longest straight walk of the entire day. No turns for the last few blocks, which definitely makes things a little easier on her.
Yujin tries to make her walk as easy as possible. The ride was emotionally taxing, so it still lingers in her mind. She tries to shake it, but her embarrassing moments always stick with her. “I need a drink,” she tells herself. “Or something.”
As she’s lost in her thoughts, Yujin bumps into a man. “Watch it!” You bark. Seeing that the girl meant no harm, you relax and open your mouth to speak again. “Looks like you’ve seen a fucking ghost. Speak.” You wait for a response and examine the girl who is dressed in formal attire.
She shakes her head. “I’m fine,” she tells you. “Really.” Yujin tries to walk around you, but you don’t budge. “I really do have somewhere to be. I have this thing at work that desperately needs to be done.”
You smile at her and nod understandingly. “Well, can I interest you in something?” you ask her. “A pretty girl like yourself surely has needs or something.”
Yujin clicks her tongue. “I’m gonna stop you right there.” She puts one hand on your chest and pushes you gently. “I have to get to work. Anything else can wait.” Yujin then removes her hand from your chest and walks past you. She doesn’t want anything else to get in the way today.
“You don’t understand.” You grab Yujin’s hand. “It’s not just a hookup.” Your hands pull her closer, begging her to listen to you. Seeming like you’re begging for her attention, you let Yujin’s hands go. “You look to be in need of a little stress relief and I’ve had a long night. We should make ends meet.”
She shakes her head. Thinking about it for a moment, Yujin doesn’t move a single muscle. She then shrugs and stares at you. “Well, I don’t see a problem with it,” she tells you. “It’s not the first hookup. Won’t be the last one either.”
You smile, pleased with yourself. “Right this way then,” you instruct her. As Yujin follows you, you lead her into a dark alley. Once you make it to the end of the alley, you point to a door on the right. “It’s in this building. Just stick close to me and we’ll make sure that you have an absolute blast.”
Yujin sees the smile on your face. She doesn’t normally trust people who lead her into secluded areas, but she makes an exception. “Could’ve been anyone.” Yujin looks up at you and says it again. “It could’ve been anyone. Why am I the girl who gets asked? There’s surely other women on that stretch of road who are in need of a little bit of stress relief.”
You nod. “There was one earlier.” Your admission makes her look even more confused. You then open the door and both of you walk in. The strong smell of sweat hits you. You can tell that the smell is a little much for Yujin. “You just look like you don’t get enough relief.”
She laughs. “I can’t deny that,” she confesses. Yujin’s eyes meet the eyes of another man. “It smells like a gym here. Why did it have to be here?” Her question hangs in the air.
“There’s a simple answer.” You usher Yujin into an available side room. “I like my clientele to be in similar businesses.” Once you’re in the room, you close the door behind her. “Go over to that wall there.”
Yujin laughs. “Are you kidding?” she asks you. Her eyes lock onto the hole in the wall. “Let me guess…” Yujin releases a deep sigh. “There’s another cock on that side of the wall.” Yujin removes her blazer. “I’m not a huge fan of being shared. That’s something that I leave to my colleagues.”
You run your fingers through Yujin’s hair. “That’s a great idea.” You walk over to the hole in the wall and peep through it. “There’s no one on the other side. Considering that’s where we keep lube for the anal freaks, I’d be surprised if anyone found comfort in that cramped space.”
As you step away from the wall, Yujin realizes that she has no choice other than to trust you. Yujin puts her blazer on the seat next to the hole. She then picks her bag up and places it on the blazer. The girl moves closer to the wall and bends down. Yujin sticks her head through the hole in the wall.
You get a good view of Yujin’s ass. The pants surely don’t do it justice. To make sure that everything is good to go, you grab her pants and yank them down to her knees. “Nice choice of panties,” you tell her as you grab them.
Yujin tries to look back at you but remembers that her head is through the wall. “I made sure that you’d like them,” she jokes. Once her panties are pulled down, she feels your hands on her bare asscheeks. Yujin moans softly and then realizes that you’re going to take full advantage of the situation.
Not caring about being late to work anymore is relieving for her. Yujin sighs, happy that she’ll soon get the relief that she needs. Yujin attempts to position herself, but she realizes that you are holding her in place.
“The lucky man gets to decide,” you tell her. With that, you push Yujin closer to the wall. You put your back into it, shoving the girl by pressing against her shapely ass. Once you get her into the desired position, you move your hands away from the girl’s backside and grab the zipper of your pants.
Yujin attempts to wiggle. “This is a little uncomfortable!” she calls out. Yujin attempts to move again, but she’s genuinely stuck in place. “I’m stuck now? You want me to be a cocksleeve this badly?”
You laugh and unzip your pants. “Truth be told, I had a good look at your frame.” You take your cock out and place it on Yujin’s bare ass. “I knew that your body would be perfect for this hole, so I had to think about which room would give a tight squeeze but not so tight that it hurts you.”
She places her hands on the wall that’s touchable through the other end of the hole. “It’s just enough to where it doesn’t feel like I’m having my guts squeezed out.” Yujin knows that exaggerating won’t get her anywhere, but she tries to ease the discomfort by making a joke.
“You can get out whenever you want,” you tell her. “I see how wide the hole is and, if you really wanted to, you could escape right now.” Your tip pushes into Yujin’s pussy. “You don’t want to leave yet though, do you?”
Yujin moans as your cock is inserted into her. “I definitely don’t!” She feels her breedable hole get stretched by your length as it pushes inside. When the thrusting begins, Yujin looks down at the floor, focusing her efforts straight down so her neck doesn’t get any pain from focusing elsewhere.
You start to fuck Yujin like you mean it. The bucking of your hips is similar to that of a man who hasn’t seen his lover in weeks. There is desperation in your thrusts. It’s a desperation in the sense of wanting to fill this sexy girl to the brim with your seed.
She gets wetter when your thrusting pattern gets into place. Upon finding the most comfortable position for her hands, Yujin surrenders to you. She never imagined that being stuck would be so arousing to her, but something about the willing helplessness just turns her on like never before.
The sensation of using Yujin is a very arousing one. You never thought that a girl in a suit would be hiding such a good ass. You haven’t even had a look at her chest, but you figure that you’ll save that for next. Your cock is doing everything to make sure that she enjoys it so much that there will be a next time.
Yujin’s pussy juices drip onto the floor. Now that she’s soaking your rod with her wetness, she realizes just how enjoyable you really are. Yujin relaxes, letting you dictate the pace while she makes herself comfortable in her fuckable position.
You can’t see Yujin’s face but you know that she is having the time of her life. Based on how her pussy is constricting around your length to give you something to work for, you can tell that the stuck girl wants you to have as much fun as you want. “Enjoying yourself?” You ask Yujin.
She nods, knowing that you can’t see her. Yujin then gives a response that comes in the form of her shaking her ass. “I’m having a great time,” she moans. “FUCK!” Yujin screams when your cock hits the right spot.
As you pound her tightness over and over, you feel her reacting well to the thrusts. Yujin’s body is going to make sure that you spill every last drop of your load into her. You smack her ass and watch the skin ripple. Her squeal can be heard through the hole in the wall, which pleases you even more.
Yujin realizes that she can’t contain herself. She knows that she’ll be cumming all over the place in a few minutes. She tells herself that she’s trying to hold on, but a quick change of pace removes that thought from her mind.
You grip Yujin’s hips and speed up. The new rhythm is easily found by you and you use it to your advantage. “You’re so wet,” you moan. As you keep laying pipe in Yujin, your cock throbs. The sensation triggers you in a positive way and you reach around her with one hand, snaking the fingers between the wall and the front side of her body to reach down and play with her clit.
All of the touching is unbearable. Yujin shudders in anticipation. Finding it hard to stay still, Yujin clenches her fists and presses them against the well. The girl’s sexual frustration of days and weeks past fades away with the simple motions of your rod going into her, coming out of her, and going back in again.
Yujin’s orgasm creeps ever closer. The impending spray of juices is the only thing on her mind. Unbothered by work, unbothered by being shoved in a wall, and unbothered by being fucked by a man who she met barely a handful of minutes ago, Yujin enjoys the steady usage of her vagina. She feels it coming and there is nothing that she can do to stop it. All she’s able to do is tell you.
“SHIT, I’M CUMMING!” Yujin screams. She closes her eyes as her body begins to shake. Yujin feels her strong orgasm as the pleasure hits her all at once. Her legs shake and she struggles to stand up, her juices splashing onto the wall and the floor. As she cums, she realizes that your cock is no longer in her.
Unsure if she pushed it out or if you pulled out without telling her, Yujin’s pussy releases even more of her nectar. The girl smacks the wall with her fists, denting the other side from the power of her hits. “GOD, IT FEELS AMAZING!”
You watch Yujin, enjoying her sexual spasms. Once the orgasm is done with, you reward her pussy with a few smacks from your cock. You then slap her folds with your hand, the fingers smacking the wetness and making it splatter even more. “That was more powerful than most of the girls who visit here.”
Yujin chuckles. “Tell me about it,” she jokes. The girl tries to catch her breath, but the raspiness will only last longer. Yujin is impaled by your cock once more while she recovers from her orgasm.
You know that yours will be coming soon as well. You always want to make the most out of a perfect opportunity, so you fuck her like your life depends on it. “That’s it,” you tell her. “Bring me over the edge.” You slap her ass and watch it ripple again as her body reacts to your touches and prodding.
She is leaking at this point. Her juices continue to flow, making her pussy like a Slip ‘N Slide. You continue to batter Yujin’s entrance, hammering with your cock to hit the depths. You then move your hips back and prepare for a change in thrusting.
Your cock is pushed back in, albeit with a little less depth than it just had. You don’t go balls deep, instead choosing to fuck her with almost your entire shaft but not quite the whole thing. A few more moments of this would surely send you skyrocketing into a state of bliss, but you figure that it’s worth it to fill Yujin.
You place both hands on her waist. As you grip her, you keep fucking Yujin and letting the warmth and wetness consume you. You can tell that her pussy is hungry and you don’t want to keep it waiting any longer.
Yujin feels you jackhammer her pussy. She braces for impact, looking back at the floor once more. Yujin’s preparations aren’t enough and she realizes this as you fuck her as hard and fast as possible. “Cum for me,” she begs, biting her lip while waiting for the feeling of a massive load inside of her.
With a groan, you unleash your load. Your hands leave Yujin’s waist as the seed spills into her and you thrust slowly but keeping the same depth. You fuck her while your hands stay off of her body.
Each thrust brings in more semen. You then grab the girl and pull her closer to you, letting the cum be shot deep inside. After a handful of hip thrusts, you leave your cock all the way in her to shoot the last rope. The final bit of your ejaculate comes out and the rod twitches, signaling a job well done.
Yujin feels you pull out of her. She mumbles something under her breath in Korean as your tip emerges from between her lower lips. The girl pants hard like she just had the most vigorous exercise of her life. “Can I get out?”
You think for a moment. “Maybe I should leave you here,” you tell Yujin. You laugh and grab something to clean your cock. After cleaning your rod with her asscheeks, you put the shaft away. Your pants are zipped and you turn away from her while attempting to find a good answer for Yujin’s question.
“You could always stay here for a day.” You smack Yujin’s ass and grab her bag. “I could text your boss to tell you that you’re taking a day off.” Your hands then put her bag back down. “Just get back to work. I do have a condition for you.”
Yujin takes herself out of the wall. “What is it?” she asks you. Once she’s standing up straight, she walks over to her bag. She lifts it and grabs her blazer. Yujin puts the blazer back on and buttons it before putting her bag back over her shoulder. “I am already gonna be like half an hour late,” she says.
You turn back to her and point to the door. “Your condition is actually very simple.” You lean down to whisper in Yujin’s ear. “I want you to do me a favor. The next time that you’re horny, you should come here and visit me. If I’m not here, there will always be an eager cock.”
She covers her mouth while giggling. “Sure thing,” Yujin says. She grabs your crotch and walks to the door. “I’d much rather have the cock I’m familiar with. Just stand outside the door and wait for me to come to you.” Yujin opens the door and breathes softly, attempting to compose herself while she’s still in the building.
“Just give me your phone.” When she hands you her phone, you text your number. “Save me in your contacts as whatever you wanna call me.” You hand her phone back to her after adding the number to her contacts. “Now, get a move on.” You walk Yujin to the exit and keep your arm around her shoulder. “I wouldn’t want you to miss the valuable opportunity to have a story to tell.”
#kinktober#kinktober 2024#kpop smut#m reader x yujin#ive yujin#ahn yujin#yujin smut#ahn yujin smut#ive smut
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Been thinking of armand x reader x louis and their whole dynamic. I could see her being one of the actors, i want them WHIPPED for her. Like sis has these two powerful beings wrapped around her finger, scary dog privileges fr
Trust | Armand x Reader x Louis
ෆ born for stardom, but destined for chaos, the last thing you ever expected was for two old vampires to become your companions.
it is finally here, the amount of requests for these two has been ASTRONOMICAL 😅 I promise there will be more in the future!!!!
“Open your hands,” your father barked. Holding out your palms, you winced, tears running down your face as the belt came in contact with your hands.
Drawing your hands back, he stopped you and roughly grabbed your wrist. Yanking your arm forward, he brought another lash to your stinging palms.
“You've been missing church to be at that bar, seducing those men like a harlot,” he screamed at you. You could see your mother looking away, too afraid to intervene. She never helped you, her marriage was first, and you were always an afterthought.
“I’m sorry, I just wanted to sing, I was only singing-
“Are you alright, my love?” Snapping out of your thoughts, Armand lifted your head to look at him. You sat comfortably on the floor, surrounded by the handsome models, but looked up at your maker, while he stared down, his soft curls in his face.
“I’m okay,” you smiled, watching as he went to stand next to Louis, who sent a wink your way. Knowing him, he heard or saw something in your thoughts and told Armand.
“Shall we continue?” The photographer asked nervously, relieved when Louis nodded at him.
"Did she have to be practically naked?" Armand asked.
"You look amazing, darling, fabulous," the photographer praised, snapping the pictures.
"She wouldn't have wanted it any other way," Louis said, as they focused on the photoshoot.
In the bedazzled lingerie, you posed provocatively, the male models surrounding you. Your fangs out, lightly pressed against the model's neck for the photo.
The model tried blinking away the headache, unable to see Armand glaring, using his powers against the young man.
You were above all these mortals, yet you allowed them to touch you so freely. You and Louis were more willing to work alongside the humans, allowing them a safe space, to feel comfortable, he would never.
"And that is it, I think we're done," the photographer announced, as your team clapped.
"Great, thank you all for coming," you said, pecking the cheek of the model your teeth were pressed against.
You could feel the intense gaze from your companions, territorial and envious. Standing, you walked in front of them, the staff eyed you in fascination seeing you move so fast. Since Lestat had revealed himself, Louis had been quite stressed. He had no intentions of getting back with the blonde hotshot, but he still cared deeply for him.
Mortals didn’t believe the authenticity of his claim to be a vampire, while the elders were furious. Out of love for your companion, and the thrill of living life on the edge, you revealed your own identity, taking some of the spotlight off of him and shifting it to yourself.
If you were going to break the ancient laws, why not go all the way out and serve cunt while doing so. Becoming the next biggest Pop sensation, you were sure to cross all boundaries, and the best part of all of this, you were elusive, untouchable by almost all vampires. Being with Armand and Louis, others were scared to even look your way, despite their desire to see your demise. The next Madonna? Britney? Gaga? Rihanna? no, you were better. You were selling sex, covered in a catchy beat and raunchy choreography, and the world was eating it up.
"You two looked a little close," Armand pointed out, while Louis stared at the model, as he slipped back into a shirt.
“Stop it,” you grabbed their jaws, forcing them to look at you.
"Don't I look tasty?" you changed the subject.
"Yes, although, I wished you would have worn something less revealing for our...guests"
"I thought you liked it when I showed off, Louis, do you like my outfit?" you nuzzled your nose against his own, as his hand went around your waist. Taking in your scent, he nodded.
"I never said I did not like it, or that you did not look ravishing," Armand recanted, wrapping an arm around you.
“I think you could show better than you could tell me,” you smirked. Closing your eyes, you hummed, feeling the pairs of lips against your skin.
“Beautiful,” Louis whispered, as he continued kissing along your neck.
“The most perfect,” Armand added, moving from your neck to your lips.
“I want both of you,” you said, in between the sweet kisses, hearing Louis’s low groan.
Armand was about to command the team to leave the penthouse. They had private business to tend to with you, when your assistant, Joy, came walking in, clearing her throat.
"My apologies, your reporter, he has arrived," she said, as the two men slowly pulled away. Your silk robe, flew across the room, into Armand's hands, before he began to place it onto your body.
“Aw, and I wanted to show him my outfit,” you laughed as Armand looked at you, the idea infuriated his thoughts.
“You've shown off enough today,” Louis said, going to tie the robe closed.
"Let him in," you said, giving them both a kiss of reassurance.
However, you ended up humming in approval, as the tall man entered, he seemed too handsome to be a reporter, a Clark Kent archetype.
"I'm Robert, it is a pleasure to meet you, Vogue is extremely eager to work with you," he held out his hand for you.
"The pleasure is all mine," you winked, snickering as he backed up, glancing at the two figures behind you. You could feel Armand’s icy glare, mixed with Louis’s judgmental frown.
"Don't mind them, they won't bite, will you?" You asked them. They remained motionless for a moment, contemplating simply shredding the guy into pieces, his thoughts loud, staring at your legs, your cleavage, the rouge lipstick.
"No," Louis said, he was usually first to give in. He was loyal as they came, too focused on pleasing you to go against you.
"Armand?" You turned to your maker. He stared emotionless at Robert, who uncomfortably shifted under his gaze.
"Love, tell Robert you won't hurt him," you said, as you held his jaw, his eyes shifting to you, softening.
"I won't," he agreed.
"See, they are very well behaved, they just don't like to share, we can go into the living room, it was recently redecorated," you exclaimed, intertwining Robert's arm with your own, while they followed behind, trying to swallow their burning jealousy.
Sitting across from you, the three of you stared at Robert, watching as he pulled out his notes and laptop before he cleared his throat.
"We have been thrilled about your willingness to work with Vogue, you are very inspiring to many artists, the youth, and I'm sure other vampires. I have questions from our team and you can answer them freely, and whatever is too uncomfortable, you just let me know"
"Okay," you nodded, crossing your legs, smirking as he looked, gulping as the robe rose slightly.
'Let's start with your persona, you claim to be a vampire, is this in any way connected to the rockstar, Lestat-
"No, he is not the only vampire to exist, my maker, is much older than him. I will admit, the ancient laws, so sacred and honored, are boresome, I think the both of us would agree," you said, pausing, as he typed your words.
"Ancient laws, could you elaborate for us... mortals?"
"Think of it like our commandments, no writing about vampirism, killing other vampires, don't turn children, no revealing your nature, and allowing the person to live. I could go further, but it's all incredibly uninteresting to me," you shrugged.
"How many others like you are there?"
"I'm not sure, I don't keep count of every vampire there is," you said, as you and Louis shared a chuckle.
"Will you only ask her questions about vampirism?" Armand asked, a frown already forming.
"It's fine," you told him, as he interlocked his fingers with your own.
"Um, your career, were you always into music, or was it a passion that came over time with your gift?"
"Oh, I've always had quite the stage presence, throughout my years in high school, I think I managed to play lead in every play. Also, there was a lounge near the apartments I lived in before I turned, I performed there regularly"
"Were you pursuing a music career?”
"Not really, I knew it was something I was good at, I mean, I was great at acting and singing, but I needed more than hope and a childish dream to pick up my entire life, to try to achieve either"
"Please forgive my questioning, but since you've revealed yourself, many are fearful of your potential eating habits, any comment?"
"I cannot speak for all vampires, but my maker, companion, and I all receive blood in the most cruelty-free way. Yes, we are technically able to do these things but there are better things to do than picking up random people to kill"
"Your maker? The person, or I should say vampire, who turned you?"
"Yes"
"Who is your maker?"
"Armand," you said, watching the emotion leave his face, as he briefly glanced at him.
"If possible, could you tell us a backstory maybe your previous months, leading to your transformation”
"No," Armand interrupted, before you whispered into his ear, Robert was interested in knowing what you could have said leaving the vampire much more relaxed than before.
“I was born in a small town, less than 5,000 people. Everyone knew everyone, and they all seemed to follow the same customs, until me. My mother told me when I was a child, she knew then, I would be a star, but my daddy thought differently…”
“I swear, if she is in here, I’m beating her into next week,” your father, Joseph said, turning off the car.
“Joseph,” Sandra, your mother screamed.
“This isn't a grocery store, first she's missing church, now she is a liar,” he said, getting out of the car, his wife scrambling to follow him.
It was your mother who convinced him to let you have a job in the first place. You had been working at the next town over, for about two years now. You were able to purchase your own car and save money. The problem came in because you broke your end of the deal. You got the cashier job, but you still had to continue with church and choir with your family.
However, your parents didn't even know you didn't work at a grocery store. You managed to find a nice bar, willing to pay tips and you got to perform. Dressing up, you were able to sing and dance whatever your heart desired, as long as the lustful men got to watch you.
Easter Sunday came and went and you were nowhere to be found, leading them to begin investigating the town over, where they heard about the bar.
You stand straight as Tiffany’s
Diamonds, Diamonds
I don't mean rhinestones
But diamonds are a girl's best friend
As you finished singing, you nearly fainted as you made eye contact with your parents. Your mother had her mouth covered, while your father held a look of disgust.
The music, the form-fitting dress, the hair, the make-up, you were practically a lady of the night, dancing for these men. Nervously bowing, you accepted the tips, before you approached your parents.
“Where are your keys?” you father started.
“In my bag,” you winced at his every move, afraid of getting one of his brutal punishments.
He was strict, and it wasn't uncommon for him to get physical if he even felt like you were trying to act unladylike.
“Get your things now, you can ride back with your mother,” he told you, hardly sparing you a glance.
Quickly changing, you explained your situation to your manager, and before you knew it, you were awkwardly sitting in the passenger seat, as your mother drove you home.
“He’s going to kill me, mommy,” you whispered.
“Why would you do this, Y/n, dressed like that, tempting those men,” she stressed.
“You always said I was meant to be a star-
“That doesn't mean dress like Marilyn Monroe, of all people, she has a terrible legacy, is that what you want? To be seen as a sex symbol by all of those men?” she asked. Yes. Yes, you did, your embarrassing daddy issues made you crave the attention of men. If using your body and looks made them fall to their knees, you didn't care.
“I’m sorry-
“You’ll have to tell that to your father,” she cut you off.
“I’m 20, how long am I supposed to let him spank me as if I am a child,” you raised your voice at her. She didn't say anything the rest of the drive, pulling into the driveway.
Your father stood, leaning against your car, and as soon as your mother parked, he took long strides towards the door, opening it, and yanking you onto the grass.
Trying to get up, your efforts were futile, as he grabbed your hair, dragging you into the house. Your mother kept her head down, unable to watch the sight.
“Daddy-
“I won't let you become so whore, you are a young girl and you need to act like it,” he said, taking off his belt. You sat on your knees, crying, rubbing your head from the soon-to-be headache, trying to mentally prepare yourself for what was coming.
“Open your hands,” your father barked. Holding out your palms, you winced, tears running down your face as the belt came in contact with your hands.
Drawing your hands back, he stopped you and roughly grabbed your wrist. Yanking your arm forward, he brought another lash to your stinging palms.
“You've been missing church to be at that bar, seducing those men like a harlot,” he screamed at you. You could see your mother looking away, too afraid to intervene. She never helped you, her marriage was first, and you were always an afterthought.
“I’m sorry, I just wanted to sing, I was only singing-
“You sing at church. Not some bar full of lustful drunkards, you’ll learn, no more working, no more car, after this, you can reflect on your choices,” he said, as he began swinging the belt freely.
By the time he finished, you lay stiffly on the carpet, the welts already forming. You were too tired from crying and squirming to move around, but you knew one thing, you needed to leave as fast as possible. You couldn't stay in this small town and keep dealing with the treatment.
Forcing yourself off of the floor, you limped to your bedroom. Packing only a handful of outfits in a backpack, grabbing your stash of saved money. Once you were sure your parents were settled in their room, you snuck and took your car keys from your father’s jacket.
Running outside, you quickly started your car to leave. You had to get as far away as possible, and you could find a new job wherever you went. You had enough money saved to get an apartment, but as of now you simply wanted to drive, cry, and hope to end up anywhere better than this shitty town.
“You are in luck, my dear, we just recently finished cleaning up a one-bed, one bath - the only problem is it is on the third floor, and the elevator only goes to the second,” the landlord, Gary said, smiling sheepishly.
“It doesn't matter to me, I need a place as soon as possible,” you told him.
“Then we can work something out, you seem like a sweet girl with a good head on your shoulders, I won't do a background check, just finish the application and we’ll go from there,” he said, standing as someone rang the bell in the lobby.
“Excuse me,” he said, leaving you, as you tried your hardest to hide your smile.
After hours upon hours of driving until you finally stopped in San Francisco, and the first apartments you checked, you were already finding a place to stay. Gary, the landlord, was the kindest old man, everything you wished your father was.
As he said, the process went by quickly, and before you knew it, both of you stood outside of the door, as he placed the keys into your hand.
“It’s only you and the neighbors across the hall, but you won’t have any issues, they stay to themselves,” he explained.
“Thank you so much,” you told him.
“Oh please, dear, I hope you enjoy your stay,” he told you, turning to leave you.
Your living situation was now secured, you just needed a job. The sun was beginning to set, but perhaps there were a few places you could check- your hand instinctively went to your stomach as it growled. Maybe you could eat something first, preferably something budget-friendly.
Driving around, the lounge caught your eye, Midnight Oasis, and they sold baked goods! Parking your car, you made your way inside. The room was dimly lit, most of everyone's attention on the stage. A man sat, playing a saxophone.
Going to the counter, you ordered a slice of the velvet cake, along with a cold-cut sandwich. Sitting at the bar, you watched in amazement, as the man played the instrument. Back home, you weren't allowed to listen to music on the radio, it was the devil's music, your father had even taken it out of your car.
All you had was old vinyl, bought at the record store, and all of the albums you owned were from the sixties or older. When you worked, you grew familiar with a few artists you liked, Queen, Donna Summer, and Abba, just to name a few, but you hadn't been listening long enough for any of it to stick.
As the cute plates were placed in front of you, you slowly ate, watching the performance. The man playing the music was quite handsome and had strong features, dark eyes, and a cute haircut. He kind of stood out, he didn't look like the type to be in lounges.
“Is he an upcoming artist? He's really good,” you asked the nearby bartender.
“Christopher? No, he's just a regular, the tips are nice so he keeps coming back,” she laughed.
“He doesn't work here?” you asked surprised.
“No, you sign up and the stage is yours for nearly an hour, you can do music, stand up, dance, whatever,” she said, as she cleaned the glasses.
“How do I sign up?” you asked, interested in the idea of easy tips.
“Sign that paper, I don't think anyone else has signed up, so you may be next,” she pointed out by the cash register.
“Thank you,” you said, going to the cashier to pay for your meal, along with signing the paper.
“Oh, you actually signed up,” the bartender said, surprised as you came back.
“Yeah, could I have two shots of…do you have whiskey?” you asked, taking out a few bills to pay.
Quickly making the shots, she slid them to you, watching as you reached for them.
“To new beginnings,” you mumbled to yourself. Throwing each shot to the back of your throat, you grimaced at the burning sensation, shaking your head sourly.
“That was Christopher with his self-written piece, next up, Y/n,” the cashier announced with a microphone. Exhaling, you took off your jacket and purse, revealing the shirt you'd cut into a crop top with daisy dukes.
“Could I leave this here?” you asked her, sitting it on the counter as she nodded.
Walking through the crowd, you could already feel the alcohol warming your body. You smiled at the variety of men, as their eyes widened, watching you walk past. Making eye contact with Christopher, you looked him up and down, moving to the microphone, while he walked off of stage.
“Hey,” you called out to him, biting your lip as he looked back at you.
“Do you play piano?”
“Yeah,” he nodded.
“Could you…” you motioned.
“Sure,” he grinned, coming back on stage.
“Do you know Natural Woman?”
“Uh, yes,” he nodded.
“Okay, follow along,” you chuckled, grabbing the microphone from its stand.
Lookin’ out on the morning rain, I used to feel so uninspired-
As you started singing, he began to press the keys, and the crowd of men began whistling, wooing you. Continuing to sing, you walked from the stage, passing a few of the men, swaying your hips. The performance seemed to catch the attention of nearly all of the employees, hearing how rowdy the audience was getting.
Sitting on one of the many tables, you looked down at both of the brown-skinned men. They stared at you as if you were prey, and in a twisted way, it only made you more confident in your appearance.
Hoping up, you went back to the stage was the song was coming to an end, dramatically bowing as everyone cheered for you. The staff, the audience, security, even people that had been walking by had came in to hear your voice.
“You were amazing,” Christopher started, as he stood up.
“I know,” you laughed.
“Are you new in the area? Maybe we could get lunch sometime,” he said, and just like that, he became unattractive to you.
“I don't know, it seems a little bit too soon for any of that,” you apologized.
“No, it’s okay, at least take my number, if you're ever bored, call me,” he said, quickly writing his number on a napkin and giving it to you. Grabbing his saxophone case, he waved, before he left.
Walking from the stage, you accepted the tips, from everyone. Thanking each of them with a wink, when a man stopped you.
“That was a beautiful performance”
“Thank you”
“My name is Donald Willis, I’m the owner of this establishment, and I would love to offer a position as a full-time performer. You would get paid weekly, along with your tips, please accept, we have been this crowded for years,” he said.
“Okay,” you nodded, excitedly.
“Come back tomorrow night and we’ll talk more, Miss Y/n,” he said, eagerly, walking away.
Going to the bar, you sat down, putting your things back on.
“You certainly know how to put on a show, and Donny offered you a job,” the bartender came back.
“Thank you, I’m so excited,” you beamed. Everything seemed to be falling into place for you, leaving home was one of the best things that could've happened.
“Brava, it has been a long time since I’ve seen such an eccentric performance,” you heard, making you turn around. Of the brown men, one was clearly black, but the other was possibly desi. They were handsome, with a hungry, and lustful glint in their eyes.
“You have a beautiful voice,” the second man spoke.
“Thank you,” you smiled.
“For you,” the brown man spoke, holding the folded bills, it had to be a few hundred, sticking the money in your waistband, you got goosebumps as his cool fingers brushed against your skin.
“I’m Y/n,” you spoke, they shared a smirk, before looking back to you.
“Louis”
“Armand,” you brown man spoke. His eyes felt like they were piercing through you and it only drove you crazier.
What was wrong with you? You loved men like your father, stoic, stern, a little evil, but what you loved even more was doing to them what you couldn't do to your father; break them. To have these scary men falling at your feet, there was no greater ecstasy. You certainly weren't a virgin, perhaps that was one of the many reasons your father was cold to you, but the distance between you both slowly was replaced by your nymphomaniac tendencies.
“Why’d you turn down the kid with saxophone, he seemed nice,” Louis asked.
“He’s not what I’m looking for, especially in a man,” you crossed your leg over the other.
“Really now?”
“Hm, I prefer older, mysterious men,” you batted your eyelashes.
“Is that what you think? You should get home, too dangerous for a young girl to be out alone,” Armand said, turning to walk away.
“I am not a little girl,” you told him, taking your purse, storming past him. You were too offended by his words to notice his smirk. They could hear your thoughts loud and clear, he could see the sass in your walk, this was the most intrigued Armand and Louis had been in a while.
“Hey, he didn't mean that sometimes he just speaks before he thinks,” Louis called out, trying to keep up with you, your humanly fast pace.
“It's okay, Louis, I appreciate it, not everyone can have the looks and a way with words, your loverboy lacks the latter,” you said, as Armand slowly approached the two of you.
“My apologies, I am very aware that you are indeed fully woman, I was only letting you know, that there are scary men who would give anything to hunt a woman with a face as cute as yours,” he told you, grinning as you mentally questioned why he sounded like he was from another time.
“Let them, I can handle myself,” you told him, looking away as his eyes explored your figure. He didn't even hide it, while Louis was more discreet.
“Hardly, it would only take one swift move, to have you against the car, if you knew any better, you would take my advice,” he said, making your laugh.
“Is that what this is? Your advice? You haven't been able to keep your eyes off of my cleavage since you introduced yourself, if you wanted me, all you had to do was say it,” you smirked, looking at him. He stared at you, before sharing a look with Louis.
You are the dancing queen
Young and sweet, only seventeen
Dancing queen
Feel the beat from the tambourine, oh yeah
Singing loudly, you vacuumed the large rug in your living room. It had been only a few weeks since living in San Francisco, and things were really looking up for you. You'd been hired at the Midnight Oasis and quickly became popular, the money growing each night.
Louis and Armand, you didn't see any more, which bummed you out. After that night, what happened between the three of you, in your car, you hoped they would at least try to keep contact. However, you couldn't stay stuck on the same two people, which is why you had already been on a lunch date with Christopher.
He was there nearly every other day, and after a few conversations, you agreed to meet him for lunch. He was sweet, the stereotypical good guy behavior. He wasn’t your type, but perhaps it was what you needed, instead of the same men you kept dealing with.
The sound of knocking interrupted your thoughts, lowering the radio, you rushed to the door and swung it open. Raising your eyebrow, you were surprised to see Louis.
“Hi,” you said.
“Hey, could you keep the music down a bit,” he smiled.
“You’re my neighbor, and I’m just finding this out,” you said, your eyes widening as Armand opened the door across the hall.
“We’ve known about you for some time now, just been busy,” Louis said.
“I was wondering when I’d see you both again, I figured you didn't want to see me anymore, especially since you both thought I was too much of a little girl to leave your number, but woman enough to fuck,” you raised your voice for Armand to hear. He had been staring, unblinking with those piercing eyes, never once speaking to you.
“You practically begged for it, but you are a young girl and you need to act like it,” Armand said, your eyes immediately watered, his choice of words reminding you of your father.
“Shut the fuck up,” Louis looked back at him with a frown.
“Don't listen to him-
“I don't know what your problem is, Armand, but I have some news for you. I certainly wasn't begging you, shrimp. I’ll keep the music down, Louis,” you said, slamming the door shut.
Leaning against the wall, you wrapped your arms around yourself, trying to calm yourself down. You had lied, trying to hurt Armand’s pride, he and Louis had been the best you'd ever had. You didn't understand what was his problem though. His eyes showed that he yearned for your attention, but the first time he saw you in nearly a month, he said something so mean.
The next morning, opening your door, you were shocked to see the bouquet. A small card, simply stating, “sorry”, not even a name. Balling up the note, you angrily took the flowers and tossed them in the trash.
As much as you were attracted to these men, it was best to do them the same thing they had done to you, leave them in the past. There were too many options for you to be stuck on two men you didn't know.
You began avoiding them like the plague, going to work and coming home. Occasionally, you made plans, but you mostly stayed in your apartment or at your job. Christopher because a recurring person in your life, and you didn't mind, if it meant the two would leave your thoughts.
I love to love you, baby
I love to love you, baby
I love to love you, baby
Finishing the Donna Summer song, you waved, facing Christopher as he pulled you into a hug. Rocking left to right, his hand rested on your lower back. Pulling away, you accepted the tips, before the both of you were at the bar.
“You did amazing, you always do, I don't think I've ever met anyone like you,” he confessed, his eyes shifting from your eyes to your lips. Laughing, you leaned close, pecking his lips.
“Would you like to come to my place?” you asked, tilting your head. Eagerly nodding, he stood as you held his hand, leading him to his car.
Back in the apartments, Louis leaned against the wall, and Armand sat on the sofa, trying to stop himself from destroying the area out of jealousy. They could hear you, loud and clearly. Your moans, giggles, the sound of the bed, he couldn't stop his leg from shaking.
“You can't be jealous, after what you did,” Louis told him.
“What have I done?”
“You were all inside her brain and used those words against her”
“You were in her thoughts as well, and I was trying to create distance between us, it will either be death or she is turned, if we reveal our identity. Something about her is very special, and I don't know if she should have the dark gift,” he confessed, grimacing as you whispered the saxophone boy’s name.
“That would be up to her to make that decision, I like her and I know you do too, so there is no reason for you to act like that, when you could just try to get to know her, outside of invading her thoughts,” Louis told him. It sounded very easy, but Armand couldn't help that he ended up saying the wrong thing.
Standing up, he could hear the two of you getting dressed, and soon your door opened, and you walked the boy to the stairs. Just as you were coming back, Armand opened the door, staring at you.
“Can I help you?” you rolled your eyes.
“You were loud,” he lied.
“Okay? Turn on the radio to drown me out,” you said, gasping as he was in front of you within a span of a blink.
“You choose to live vivaciously through your daddy issues-
“Excuse me?”
“When you are worthy of more than this,” he said, his eyes briefly looking down at the robe. Staring into his eyes, you smashed your lips into his own. Naturally, he picked you up, his hands moving down your back to your bottom. You moaned lightly in the kiss when suddenly, you slapped him.
He could see the tears building up in your eyes as you ran into your apartment, slamming the door. Looking back, he shared a look with a very disappointed Louis.
“You live vivaciously through your daddy issues, why the hell would you say that?” he asked Armand, as he came back into their apartment.
“I was trying to be nice-
“By bringing up trauma? When the hell has that ever worked for anyone?” Louis stressed, going into their shared room. Armand seemed like a lost cause, any possibility that he and his companion had to see or experience you again, was dropping, quickly.
“Wait, so you had a threesome with your neighbors? They're not gay?” Christopher asked. He had become a regular at your apartment, oftentimes cuddling, talking, being intimate. In a way, he seemed like your boyfriend without the title.
“Not completely, obviously, because it happened, but Armand has been the biggest asshole ever since, it really has been too much,” you shook your head.
“Do you want me to tell him to back off?” Christopher asked.
“No, he has been keeping his distance, hold on, I need to give Gary my rent,” you gasped, remembering that he said he would be out of time for two weeks.
“You want me to come?” he said, watching as you slipped into the pajama pants and slippers, grabbing the check.
“No, it's fine, I will only be a few minutes,” you said, going to the stairs.
Making your down to the lobby, you rang the bell, hearing Gary call out, one second. Leaning against the counter, you patiently waited, jumping as your name was called.
“Y/n, how are you?” Louis asked as he and Armand entered the building.
“I’m okay, you?”
“Great,” he smiled at you.
“Y/n, I-I would like to apologize for my actions towards you, how I spoke to you is inexcusable, I spoke wrongfully one too many times without thinking,” Armand confessed. You didn't say anything, staring at him.
“Gary, I’d like to pay Y/n’s rent this month,” He said.
“No, I don't need you to do that,” you refused.
“I insist, think of it as payment for the emotional distress I’ve caused,” he said, counting out a few hundred dollars, and handing them to Gary, as soon as he came from his office.
“You can spend your money on something nice,” Louis told you, as Gary looked at you.
“That is very kind of you two,” Gary nodded in approval, taking the money, and going to his office.
“You didn't have to do that, you could have done anything else,” you told Armand, your heart fluttered as he smiled.
“I told you, think of it like my payment for the distress I’ve caused you, I knew matter to speak to a lady in such a manner, but I let my tongue run loosely in the presence of a beautiful woman like yourself,” he spoke. Your eyes widened, surprised by his words. He expressed as if he was a completely different person.
“Well…apology accepted,” you said, making your way to the stairs, both of them following close behind.
“Would you two like to come over for lunch-
“We have plans tomorrow,” Louis spoke, feeling guilty as you mouthed, ‘oh’.
“But you can come over tomorrow night, do you play board games?” he continued, blushing as you smiled, nodding.
“Then we will see you tomorrow, after sunset,” Armand told you, as you approached your apartment.
“See you then,” you nodded. As you entered your apartment, Christopher looked at you confused at your smile.
“You seem happier than before you left, something happened?” he asked.
“Nope,” you said, your smile faltering as he stood up.
“I have to leave, I have class early tomorrow, I’ll see you later?” he asked, putting his shoes on.
“Yeah, sure, I’ll just see you later,” you nodded, letting him peck your cheek, before making his way out of the apartment.
Christopher made his way out of the complex, walking towards his car, when he stopped, seeing the familiar man, leaning against his car.
“You, again,” he grumbled.
“I need your help, you’ve gotten to know Y/n, and how does one grand sound?” he asked, Christopher pondered on it.
The man had approached him, some time ago, offering him money, to have access to you. The longer he declined the deal, the higher the offers became. Christopher had been trying to hold out because he did like you, but he was a struggling college student. From his understanding, in your hometown, you didn't have any plans concerning college, and since you had been in San Francisco you had taken all of the money he could have earned.
“What is your name again, sir?”
“Joseph”
“Alright, Joseph, I will let you know when we can begin planning,” he said, shaking the older man’s hand before getting into his car.
Meanwhile, Armand and Louis began getting ready for bed, undressing.
“You did good, telling her how you feel,” Louis told Armand.
“You don't think I overstepped?” Armand asked.
“She agreed to come over, so it worked,” Louis told him, as he nodded in agreement.
“Right”
“We just have to wait for the right time to tell her,” Louis said, as they climbed into their coffins.
After spending countless hours observing, they had determined that you were indispensable, the crucial element to their companionship. The apple of their eyes, from the way you walked down to your sassy mannerism, they would do anything, be anything, if it meant they could have you.
“Make your move, Y/n,” Louis taunted. It had been well over two weeks and you were beginning to form a friendship with the two males. Regularly hanging at their apartment whenever you were off or spending time with them after your performances.
“Armand, help me,” you whined, holding the cards close. You were losing terribly in the card game and with you asking for help, he immediately felt compelled, reaching forward, grabbing the necessary card.
“Why did you actually help?” Louis asked, as you laughed.
“Don't be a sore loser, Louis,” you pointed, before glancing at the clock.
“Oh god, it is getting late, I need to get dressed for work,” you said, standing up.
“You picked up tonight?”
“Donny asked me last minute if I could do it, you two should come, we can get a few drinks afterward,” you said, turning around. You caught a glimpse into their shared bedroom. You didn't know if your eyes were playing tricks on you, but it looked like a coffin inside.
“Sure, did you want to ride with us?” Louis asked.
“Will your boyfriend be there?” Armand asked, trying to hide his jealousy. Smiling, you stepped closer to him.
“I don't have a boyfriend, and no, I would rather my outfit be a surprise,” you smiled, backing out of the apartment, as Armand walked forward.
“Then we will be there waiting for you,” he said, taking your hand into his own, and placing a kiss on your knuckles.
Going to your apartment, you immediately began fixing your hair and makeup. Thinking about Armand and Louis, you couldn't help but smile, they were so interesting. A few of your colleagues warned you, claiming the men seemed strange and could potentially be dangerous.
You didn't believe that though, hanging around them nearly every day, despite how intimidating they were to everyone else, they were nothing but gentlemen to you.
Just as you slipped on your fitted dress, you heard a soft knocking on the door. Smiling, you were going to peek out and tell Armand or Louis, they had to wait. However, your smile dropped upon seeing Christopher. You hadn't seen him at all, for the last two weeks, he wasn't answering the phone, nor was he ever showing up to the lounge anymore.
“Y/n, may I come in?” he asked, unable to meet your eyes.
“Fine, you have some nerve, showing up after all this time, I was worried about you,” you said, letting him in, going to a nearby mirror to fix your lipstick, slipping your earrings into your ears.
“I’m sorry, Y/n,” he said, looking as if he would burst into tears.
“It's alright, Chris, no need to look so emotional,” you laughed, going to grab your car keys and heels.
“Forgive me,” he whispered, making you look back at him in confusion, when a cloth went to your mouth, roughly pressing against your face, until you fell unconscious.
At Midnight Oasis, just as Louis was parking the car, they felt weird feeling. You were in trouble, starting the car, then quickly went back to the apartment. Your door was shut, but by making the door swing open, they could see that you struggled only a little, knocking a few things. Picking up the cloth, it was obvious someone drugged you. Armand frowned, the cloth burning into flames before he stormed out of the apartment.
Waking up, you groaned, your head throbbing. Blinking repeatedly, your heart was pounding as you recognized your surroundings. You were home. Trying to get up, you realized your hands and ankles had handcuffs on them. When suddenly, your father walked into the room, Christopher behind him, with his head down.
You didn't know when you got here, or how long you had even been here, but you had to get out of here, as soon as possible.
“Dad…”
“You have no idea what you’ve put your mother and me through to get you back home, it was thanks to this young man, I was able to get you back,” he grinned, patting his back.
“Chris?”
“I needed the money,” he told you, looking away.
“And you, young lady, you’ve shown why you don't need to be away from home,” he said, as Christopher hesitantly approached.
“Your neighbors, they- they are some kind of monster, it may be best that you stay here,” he tried to make you feel better, as he showed you the pictures. Louis and Armand, both biting into people, seemingly killing them, fire, lots of it, as they burn the bodies. None of it was logical, you had no logical explanation for it, but all you knew was the two had treated you with chivalry and you weren't going to trust him when he had kidnapped you for your father.
“You’re wrong, get away from me, I hate you, I hat-” You dropped your head when your father slapped you in the face.
“Thank you for your help, Christopher, take your money and get out of my house,” he said, as he began taking off his belt.
“Mom, mommy,” you screamed, tears already piling up in your eyes, out of fear. Five months had come and gone, you began to live a life, free of this, but in his presence, you were filled with fear.
She came from out of their room, tears in her eyes, and she shook her head.
“Joseph, don't do this, this isn't the way, please,” she cried. You both knew this spanking would be worse than any of them.
“Shut up, go in the room,” he screamed at her, making her lower her head at his tone.
Swinging the first lash, you gasped, feeling as if your breath had been taken away. Falling over, your face landed on the carpet, as you took a deep breath, although he didn't let you recover, as he began swinging the belt harshly. You would die, you were sure he would kill you from this.
You could hear your mother crying, begging him to stop, you had enough, even Christopher hadn't left, watching the scene unfold. He questioned within himself if he had made a mistake, in helping your father. You lay crying quietly, flinching after each hit when the door broke open.
Armand and Louis walked in, and immediately, Louis was in front of Christopher, snapping his neck. He had given you up for money, making him equally guilty. Your mother screamed as you widened your eyes. Armand stalked towards your father, fire appearing in his hand, as your father backed away from him. Crouching down, Armand ripped handcuffs off with ease, caressing your wrists, then ankles.
“What are you two doing here?” you sniffled.
“Here to get the woman we love,” he said, holding your face.
“What are y-
“We will explain, everything, but trust me when I say, you will never be treated like this again, you will only know love, I promise you. Louis and I will cherish you, seeing you for all that you are, if you allow us to be your companions. Would you grant us the greatest gift, to be yours?” he asked, as Louis approached, crouching next to him.
“Yes,” you smiled, wiping your tear-stained face, as they both embraced you.
“You whore, you’ve defiled yourself, giving yourself to these demons, who have committed acts against nature,” your father spewed, as the two of them slowly looked towards him.
“That is something I have to live with, Dad,” you told him, slowly standing up.
“Do you think I am letting you leave this house after you have shown you love what is evil, it would have been better if you had never been born,” he said, pulling out a pistol from his waistband.
“Joseph, no-oh god,” your mother screamed, the most terrifying scream, as the gun went off. Holding your stomach, you looked down at the blood on your hand, before your eyes went to Armand, then Louis.
Louis caught you, as you began to fall, while Armand stood, as darkness covered his eyes. You could see the fire sparking from his hand, your vision going in and out, as he gruesomely killed your father. Breaking his limbs, drinking his blood, setting him on fire.
Louis held you, trying to keep you awake, while he searched for the bullet. Finally, as he pulled it out, Armand rushed over lifting you into his arms. Louis looked back at your mother, who cried hysterically, about to stand up, you reached for him.
“Spare her,” you struggled to speak.
“I’m going to make the pain go away, okay,” Armand told you.
“Are you sure you want to do it? I can do it-
“No, I got it,” Armand said. All this time, in San Francisco, he had been trying to push you away with mean words, to avoid this happening to you — but now at this moment — he wanted only his blood flowing through your veins.
Struggling to nod at his words, your eyes began to roll back, as he began drinking your blood, and before death could take you, he pulled away. Your breathing was shallow, slow, and unsteady, as you reached to hold his face.
Using his nail to slice his skin, he brought his wrist to your mouth. “Drink,” he told you, watching as you slowly began to swallow, holding onto his arm. Finally, after you had enough, you let go, laying back in his arms, as your eyes went to Louis, reaching to hold his hand.
“We will teach you everything you need to know, in your new life, but things of your former life will have to be left behind,” Louis told you, motioning to your mother. Nodding, you watched as he stood up, approaching her. She flinched away from him, but he grabbed her, glamouring her, telling her a fabricated story, before sending her to bed.
Despite still having a wound, your stomach no longer hurt, but rather churned. Armand looked down at you, Patting your stomach, he smiled.
“No worries, it is normal, and won't last for long,” he said, kissing your cheek.
“What are we?” you asked him, as your body felt physically exhausted.
“We are vampires and we will have an eternity together”
“Promise?”
“I promise”
“I’m sorry,” Robert said, genuinely feeling pity for you.
“Oh no, there is no need to be sorry, my father was a terrible man, as was Christoper, no different than Judas, it was unfortunate that I had been shot, but my maker and companion both avenged me, before I was given the dark gift,” you said, as Armand kissed your intertwined hand, while Louis kissed your cheek.
“And what of your mother?”
You remember as if it was yesterday when you got the letter in the mail. She was old, wheelchair-bound, and waiting for her time to come. She had sold everything and now lived in a retirement home. Louis had only wiped her memory up until the night you left, blaming her husband’s death on sickness. She wrote you a letter, begging that you would come see her, and out of curiosity, you showed up.
You felt bad for her, she couldn't help that she was brainwashed into the role of what was considered a good wife. However, when you showed up, first she praised how young you looked before she began to scold you. She couldn't believe you would up and abandon your family because of mistakes your father made, it was shameful, etc. You knew it was wrong, but you made her remember everything, a devious smirk on your face as you left the facility. She screamed that same scream from that night, terrified by the things she had seen and allowed.
“Her memory was erased and she lived the rest of her and died a happy old woman,” you smirked.
“After your time at Midnight Oasis was that the night of your music career, until recently?”
“No, I continued there a few more years and went on to do some behind-the-scenes work, songwriting, producing, a little bit of everything”
“Do you ever…do you ever think of seeing other vampires, or even people? An eternity seems like a long time to be bound to someone,” he managed to get out. You could practically see the steam radiating from Armand and Louis, as they stared at him. Laughing, you lay your head on Louis’s shoulder
“Not really, companionships are different than any average relationship, so the circumstances are really the same either”
“Miss Y/n, excuse me, but your meals have arrived,” Joy peeked into the living room.
“I’m afraid this interview will have to be cut short, Robert,” you told him, leaning forward, an enthusiastic grin on your lips.
“We will finish on Zoom, ciao,” you waved, as he blushed, packing his things.
“I will see you, then,” he said, unable to meet the eyes of Armand and Louis because of their harsh stares.
“Did you have to scare him?”
“He’s lucky he didn't get worse,” Louis said.
“Exactly, with his perverted thoughts, I should have ripped every limb from his pathetic body-
“If you two kill every person who wants me, who will fawn over me?” you asked them, while they shared an expression.
“Us,” they said, in a matter-of-fact tone.
“Obviously, but you like when I’m performing, being ravished with attention, not just you two but others,” you pouted, as you began to open the robe.
“Of course, but it is infuriating hearing the thoughts of everyone who thinks they could have a chance with you”
“Let them have their fantasies, it is on the stage that they can use their imagination, but you both know I won't be going anywhere any time soon,” you said, kissing Armand’s lips, then Louis’s.
“Promise?” Louis asked you.
“I promise,” you laughed, your pinkies wrapping around both of their pinkies.
“Miss Y/n, your first meal…”
i'm not sure about how i feel about this one, but time will tell…
#armand x reader#armand the vampire#louis de pointe du lac x reader#louis x reader#interview with the vampire#amc iwtv
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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN
The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear.
Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain. One of these stories fails, and the other succeeds. I will illustrate why under the cut.
BROKEN THEMES = BROKEN STORY
When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that.
Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate.
When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.
“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.”
I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level. The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?” This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story.
With Great Power… You know the rest.
My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game.
However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA. The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman.
The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be.
Now I’m going to drastically oversimplify what a character arc is.
A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth. The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end.
I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change.
The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending.
MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.” The hero shouldn't be allowed to win without first fixing this flaw.
From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”
All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.
Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero.
Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters.
"Can I save the villain?"
"Should I save the villain?"
"If I don't save the villain, then can I really call myself a hero?"
In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match.
I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.”
The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person. Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing.
How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.
Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character. However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others.
However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not.
Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem.
Edo: Can you even fathom that, Judai?
For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people?
Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities.
THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.
Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence.
seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash.
While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else.
Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai.
In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose. Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used.
Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road.
Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."
Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed.
There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes.
Should I save the villain?
The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison.
Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.
Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be.
Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others.
Johan: Judai, it was my dream to save everyone through my dueling!
The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection.
Should I save the villain?
Here the answer is "Yes", because wants to become more like Johan someone who uses their power to help others not just for themselves. Then we reach the third question
If I don't save the villain, can I really call myself a hero?
It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering.
People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends.
These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"
Was there ever someone you couldn’t save?
m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel. In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim.
Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.
Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored.
"I was suffering even as you came to forget about me..."
Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences.
It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored.
Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground. Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.
But you see, I couldn't possibly forget about you in the time that I've suffered...
Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other.
"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."
For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy.
They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship.
Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did!
Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.
They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.
Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.
Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today.
Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends.
Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices.
Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card. Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did.
In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship.
I just want to save my friend. That is all.
By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out. The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point.
I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.
Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?
Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?
Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.
I couldn't have lived with the heartache unless I felt that I was being loved...
At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator.
So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki?
It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them. In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable.
Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore?
That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.
Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.
Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about.
Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again. Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits.
"And even if that means I won't exist anymore... I don't care."
Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities.
Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.
Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.
And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.
The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness.
The story of how Deku became the worst hero.
I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless.
Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki.
Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain. The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him.
Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.
Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.
clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment.
For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did.
Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character.
What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another.
This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told.
Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog.
The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail.
The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?
Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:
Can Shigaraki be Saved?
Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him.
Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.
This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good. As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.
Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option.
Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.
Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable.
I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too. However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way.
Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant.
He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.
Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point.
It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant.
He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO. Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger.
Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things.
Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.
In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.
The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience?
Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live.
The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t.
We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?
I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals. He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable.
The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki.
Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.
Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.
Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.
Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.
Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain. As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).
When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki? In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend.
In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect.
This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki.
Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent.
On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder.
Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns.
There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.
Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life.
Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone.
Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.
Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.
In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back. When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way?
When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.
What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard.
I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.
"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"
Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.
Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"
Yubel is embraced and comforted, Shigaraki disintegrates into nothing.
One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.
The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.
Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100.
#mha meta#ygo meta#mha 423#bnha 423#mha 423 spoilers#bnha 423 spoilers#izuku midoriya#deku#shigaraki tomura#tenko shimura#judai yuki#yubel#soulshipping#yu gi oh gx#yu gi oh
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These were the Silt Verses.
(closeups/design notes/rambling under the cut, because it took me over a month to make this so I'm going to be a little self-indulgent.)
spoilers for the whole podcast ahead!
Our protagonists! Notes:
Some of these came out more accurate to how I see them than others. Hayward in particular looks much less grimy and haggard than I imagine him. Carpenter, on the other hand, is perfect in my eyes. Shrue is (subconsciously) very much inspired by the wonderful @unbloodiedmartyr's rendition of them (thanks Sacha, your art goes insanely hard!)
Hayward and Paige face away, a nod to their final parting. Carpenter and Faulkner face one another, in deference to their final reunion.
Val and Shrue are both shown at the moment of their deaths.
Paige, the only character confirmed to survive the immediate finale, is the only one with closed eyes.
I'm a blond Faulkner truther. Sorry.
Someone left some really really insane tags on a Valpost I made like a month ago about how Val can alter her appearance as she pleases, but the Last Word can never convince her not to see the actual aftermath of her torture when she looks in the mirror, and it sent me a little crazy, so I was trying to capture that failing self-deceit here. She's meant to look absurdly young, but where the flames overlay her face, you can see the prayer marks and lacerations on her skin.
I had this out on my desk for days and every time a family member dropped by I had to frantically hide the fact I was drawing 'politician gets shot in the head' fanart. RIP.
These are the marks of the Many Below! They look Not Great enlarged, but hey ho. I wanted them to look hidden and incidental, separated in each corner as they are:
'Begin with a balbis on its side. Within the two spaces, a circle marked by a single dot.' Drawn in the silt of the White Gull River.
'Beneath this, a pair of concentric circles. Within the annulus, an ovoid with a slit - a staring eye.' Scrawled across the pug postcard Cross uses to write his idea to scapegoat Shrue.
'Under that, a lemniscate over a heptagram[...]' Made up of the ribbon that binds Mercer and Gage's rifles.
'[...]and three parallel lines beneath.' Faulkner's staff, broken into three pieces.
Interstitial illustrations. There are four sets of these, which (roughly) correspond to more stand-alone episodes & fan favourites. This is my favourite, for my beloved Chapter 36: All Lovers Part As Dust. I had a blast distilling recurring motifs of the episode into one little illustration, and I'm really proud of the result; I think it captures the match of sweet and bitter that the episode in question inspires. The clock points to the eleventh hour.
These are pretty self-explanatory: I couldn't pass up a chance to draw the inciting miracle of the series, and it made sense to pair it with the image of Paige and Hayward sailing downriver at the end of Season 2, an image which has always haunted me.
The hare and the owl are from Chapter 26, a symbol of the Wound Tree's emergence. The lobster and fish are intended as a nod to Faulkner and Rane, a character who I love but couldn't include more overtly. Lobsters are seen as a symbol of devotion and fidelity because, apocryphally, they mate for life, and yet the lobster here is without its pair. The fish was intended to be a remora, which swims beside sharks. (Yes, I'm aware remora are tropical sea-dwelling fish, and humbly beg any marine biologists reading this not to kill me on the spot).
The Killing And Violence Siblings!
These object illustrations were deliberately positioned as parallels and specifically reference Season 2, marking the point of the poem that is made up of that series' titles (an attention to the series chronology that roughly coheres throughout the piece. Very roughly.)
Mercer and Gage's rifles are twisted round with a red ribbon, which bleeds into the White Gull, binding them together and reflecting how they're rarely seen apart. The ribbon's also a deliberate parallel to the banner wrapping Carpenter and Faulkner's hands elsewhere in the art.
Carpenter's axe and Faulkner's sororicidal mirror shard are depicted alongside fish hooks, as though they're separated for much of the season, the Parish draws them back together in the end. Also an echo of Paige's line, 'Love is just a meat hook for you to catch me on.'
There's only blood on one of the rifles, in a nod to Mercer and Gage's uneven dynamic.
Bookend landscapes. The pages were intended to reference the Silt Verses as an in-story document, and represent the themes of truth, myth and record throughout.
The illumination!
It was always going to be a radio-- not a nod specifically to Sid Wright, but really to the use of broadcast, music and sound throughout the show. TSV's sound design is truly one of the things I admire most about it.
The radio is meant to be on Carpenter and Faulkner's dashboard, as they drive along the river in the very first episode, hence its positioning at the start of the poem.
I conceived this as the centre of the piece, and drew the rest around it.
aaaand that was a lot. I didn't cover everything, and I recommend clicking on the final piece to get full quality and see how the details interact with one another-- but if you've read through all these meanderings, thank you, sibling. I started this two weeks after the finale, and managed a full relisten while drawing. It's been a labour of love, and I now hate watercolours more than I have words for.
#IT'S DONE IT'S DONE FINALLY I CAN REST#my hand hurts so much...#the silt verses#the silt verses fanart#tsv#tsv fanart#tsv spoilers#the silt verses spoilers#I mean the spoilers are mostly subtle. aside from what's happening to Shrue and Val maybe?? but still.#my art#✨️
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Hello! After all this effort, behold:
DANGANRONPA DEMIX, THH EDITION!
Dr Demix 2
Finally got the talentswap designs I have for the THH characters one and done with! You can click through the read more section for some fun design insights. I'm intending on uploading a doc containing short lore bits about them eventually.
Kyoko Kirigiri - Ultimate Affluent Progeny
So Kyoko's design was both kinda simple, kinda not, wanted to give her a very fine and regal kinda attitude to her but not arrogant as that's very much Byakuya's thing. Her story is that she loves her dad more than the family business and her grandpa so she abandons detective work and just uses her brain to help her dad out.
Makoto Naegi - Ultimate Novelist
Makoto is a wonderful guy, just great all around. He loves writing children's books and happy stories. This is his main coping mechanism so he doesn't have to process any negative emotions he gets, the rest he can't process… well they go into a murderous psychopath alter.
Aoi Asahina - Ultimate Lucky Student
Shoujo protagonist Aoi. Cute, headstrong, affective, competitive, these are all the traits that make her fight for her friends and clash with Kyoko (and more often than not Byakuya) in the killing game, even when all hope seems lost… she pushes through, unafraid to let tears spill from her eyes for all those lost, but pushing all the same.
Byakuya Togami - Ultimate Detective
This one, I wanna go into more lore territory, cause I kinda memed around his last desc I gave him so here goes:
"A disgraced heir of the Togami household, Byakuya lost the competition that would've secured his riches. Disdainful and bitter, he sought out to get to the bottom of why he lost, uncovering a rabbit hole in the process. By the end, he proved his sibling a cheater, but it didn't matter because by the end as he found the sweet satisfaction of uncovering secrets and crushing liars and cheaters under the weight of their hubris far more satisfying than any inheritance."
Sayaka Maizono - Ultimate Spirit Medium
So Sayaka isn't a clairvoyant at all like Yasuhiro, in fact her entire skillset is completely different, first of all she is like an actual psychic, and I based her design off of the japanese Itako, quite loosely. Very interesting group, look it up, also she'll never use these powers in the killing game because I dunno how to even approach these rituals or what they look like or how to write them while remaining respectful, so she won't do it in a killing game for the express reason of her not having the right tools available and not wanting to disrespect her traditions.
Leon Kuwata - Ultimate Swimmer
I really wanna draw him again, all these characters again tbh, and I wanna show off the patterns on his wetsuit. It's a whole coral reef under there, that anemone and clownfish bit is only one part of a whole reef stretching his midline.
Sakura Ogami - Ultimate Programmer
Sakura has installed chips into her body to help optimize her body processes and also cause why not. As for the muscles, she's an Assembly programmer, the programs she's made can run on calculators she loves it.
Chihiro Fujisaki - Ultimate Martial Artist
Chihiro's design here with the two belts is an explicit nod to his preferred martial art - Brazilian Jiu Jitsu, so unlike Sakura in canon who'd be easy to imagine cracking someone's skull in half with a chop, Chihiro's approach is more crawling onto someone and bringing them down to the floor with grappling like an angry halfling monk. As for the belts themselves, on his head is his final junior belt, while around his waist is his current belt, he's not a black belt yet because he's still too young for it.
Celestia Ludenberg - Ultimate Baseball Star
Celestia actually isn't a legend in this AU, Taeko is. Celestia hates that and wants to start a baseball career going international, whatever the hell that means is up to her own definition, but she wants to be remembered forever as Celestia, not Taeko. Also extra sentence, but this is the SINGLE hardest design I've ever had to deal with here, I think in the future I'll be drawing all her little accessories and I have an alt costume for her I have in mind.
Hifumi Yamada - Ultimate Pop Star
So I changed Hifumi's story as I originally outlined in the OG post with him. He was friends with Aoi all his life, pretty much his only friend at all, and ever since he was little he had an obsession with writing songs, because he was obsessed with stuff like anime openings and was content to just keep the songs to himself. It wasn't till Aoi convinced him to share some of his songs that he started his journey to success, but bc he's not traditionally attractive, his first hits were literally just… his voice being played over other more attractive singers and it wasn't until very very recently that he even performed a song of his for the first time.
Toko Fukawa - Ultimate Fanfic Writer
So while Hifumi was clearly a Doujinshi but due to weird translation, ended up as fanfic creator, Touko is straight up a FF then Wattpad then AO3 girl, who would get obsessed with this really shitty, tripe manga that she didn't even like reading. It did however have super hot dudes in it, so she wrote good stories of those characters when she got frustrated with the actual authorial content - which was always.
Yasuhiro Hagakure - Ultimate Gambler
Quite LITERALLY the never stop gambling meme personified into a guy. He can lose 3 mil on slot machines but always comes out fine because it means if he keeps gambling he'll eventually run into his 1/3 and win giga millions, what he needs to pay off his debts. It isn't just with luck though either because his personality and lack of intelligence or understanding of most the rules of the games he plays means he'll never react the way he should when getting a good hand in poker or a bad draw in blackjack, so he wins those games almost always through just… stupidity.
Mukuro Ikusaba - Ultimate Biker
She's number 16 in her gang, and is easily the most loyal enforcer and taskman of the gang. She does anything she's told, to a grim and disciplined degree not typical for hooligan bike gangers, she doesn't really desire a seat as top dog of the gang though, after all she's got school to worry about, and her sister.
Mondo Owada - Ultimate Warlord
So his relationship and Kiyotaka's is gonna be interesting, because I don't want him to be exactly like Mukuro at all, who was just sort of an all-obsessed Yandere. It's more like he's always chafing under Taka, who is less than friendly with him in this AU, really the main way he even lets Taka boss him around is because he pays incredibly well and helps keep his gang members from devolving back into the unstructured, chaotic criminal life, the same that took his brother years ago.
Oh and yeah, he still looks like Guile, as he should.
Sparkling Justice - Ultimate Killer Killer
Yeah it's a reference to Killer Killer, sue me I love the manga. He has Hajirahara's ahoge, and I thought it'd be cute to also give him a mask just like the other Makoto from a Kodaka game series (Raincode.) Also, while Genocide jack stuffs all her scissors in her skirt, Makoto keeps a truth gun with "truth bullets" as his main weapon, the gun he stores inside the big book in the chibi of just Makoto, and the bullets kept on his person as the red buttons all over his body, which he pulls out when he needs to reload.
"Kiyotaka Ishimaru" - Ultimate Fashionista
Unlike Mukuro and Junko, Mondo absolutely cannot hide the fact that he acts nothing like Kiyotaka, though this is surprisingly fine to everyone else, because unlike Junko who plastered herself onto literally everything, Mondo always obfuscated himself from the public spotlight, at most showing only his suits while he hid his face behind something conveniently placed. Which played primarily to his vision of an ultimate fashionista, who was above everyone and catered to the rich and powerful.
Junko Enoshima - Ultimate Moral Compass
This was a fun one, I decided to let her have her red hair because I believe it to be the "natural" look of her hair, while attaching little clips of dyed hair to her buns as a replacement to keep her shape sorta and keep the strawberry blonde somwehere on her. Understand that while she is the "moral compass" she is still pretty deranged, and the only reason she focuses so much on keeping everyone on their best behavior is because it's endlessly entertaining to her to make her fellow moral committee members upset when she blatantly makes a mockery of the rules while still keeping kids on their best behavior to make a point.
Kiyotaka Ishimaru - Ultimate Fashionista and Tyrant, the Iron Hand of Despair
Taka's design I wanted to sort of focus on this sort of, holier-than-thou idea, where I wanted to make him look a lot fancier and upper-class than Junko does in his standard highschool fit compared to him. I wanted him to have an upper-crust sort of look
If you're reading this after reading this all, thanks! You're a wonderful person :) Signing off...
Mani
#danganronpa#fanart#talentswap#talentswap au#mani e.#danganronpa demix#mani e#kyoko kirigiri#makoto naegi#naegiri#aoi asahina#byakuya togami#togahina#sayaka maizono#leon kuwata#leosaya#sakura ogami#chihiro fujisaki#celestia ludenberg#hifumi yamada#celesfumi#celestia x hifumi#toko fukawa#yasuhiro hagakure#mukuro ikusaba#mondo owada#mukuro x mondo#ikuwada#sparkling justice#kiyotaka ishimaru
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