#i love being in fandom. i love giving to fandom

[youryurigoddess]

So one thing led to another, and I’ve just paid a visit to the first (that we know of) confirmed Good Omens S3 filming locations. Due to the obvious sensitivity of this material, please tag it accordingly and share only with the fans consenting to know potential spoilers.

A fellow Good Omens fan has mentioned that residents of a certain Edinburgh area had unexpected guests recently, knocking on their door and telling them they are filming in their street soon. Imagine their surprise when a polite question about the details led to the offhand answer: “IT'S ONLY GOOD OMENS”.

For those unaware, the City of Edinburgh Council has been working really hard on promoting the city for film and TV industry for a few years now (the effects of which we saw in S2), and has a set of very clear and very publicly available guidelines regarding the modus operandi here.

The Good Omens production has both large scale and a high impact on a specific location due to the crew size, amount of technology used, and requirement for crowd control in most of the exterior and interior scenes (e.g., bookshop, pub, or coffee shop windows), which is why not only the local authorities, but also residents were informed about the filming with an at least 8 days notice:

Ironically, I just had happened to have a trip here planned and a hotel booked within walking distance to the locations on the attached TM and parking plan map, so it would be a waste not to use this opportunity for the greater good of the fandom. Can’t stay long enough to see the actual crew, so unfortunately the hair photos will have to be made by someone else. Disappointing, I know. But there’s still a lot to be excited about!

According to the provided notice, the filming will happen within one working day with the required set-up planned for the day before, mostly in the afternoon hours. The attached map shows planned parking suspension and SYL dispensation on two streets close to the chosen locations, which is where the trailers and equipment vehicles will park:

Location One turns out to be, rather surprisingly, a cosy corner bookshop. The shop — one of the Edinburgh’s oldest surviving secondhand bookstores — is very small, but crammed with a wide ranging library of beautiful books to serve readers and collectors, including antiquarian true first editions and signed copies.

It’s giving Muriel’s sweet and whimsical charm, but the bits and pieces of the unpublished Good Omens sequel point out not towards Whickber Street, where the angel currently resides, but more towards a new in-universe location. Maybe one that will be opened in the future post-Second Coming, maybe one that will remind one of the characters about a home base of operations back in the heart of London’s Soho (and theirs— wait, who said that?).

Notice that the road closure includes north and south sides of the pavement visible in the last photo, so both indoor and outdoor shots could be expected:

Location Two seems a bit more complex, since it’s basically a skewed triangle consisting of one longer street and a short side street diverging from it. Conveniently for the filmmakers, the architecture here is uncharacteristic enough that it could be easily presented as British, Scottish, or even American. I’m personally a bit partial to the last option since it would make sense story- and budget-wise, especially now with the two people previously adamant on shooting the US scenes only on location there not on the production team anymore.

The contrasting structures and materials visible here easily offer background for multiple potential contexts and scenarios, so much in fact that it’s easy to imagine more than one scene being shot here for cost- and time-effective reasons. Some of the buildings along the cobbled road have the right look and feel for historical flashbacks, as you can see below. I find the two separate entrances next to each other particularly lovely:

A considerable part of the buildings in the area, however, belongs to a more modern complex that communicates a very different personality and function. With a bit of camera and post-production magic, it could transform to a wide range of settings — please let me know your thoughts and ideas if you have any!

Specific filming times and more detailed information are consciously not shared out of concern for the crew and cast members who clearly don’t want them to become public knowledge. Those of you who live in the area and might visit the set anyway, please don’t forget to make sure that your presence won’t bother them as well as other locals. And remember to keep any new photos and information contained with tags so that you won’t spoil it to the people who would rather wait for the movie itself!

[melioristicbeast]

“Sorry,” Stiles said, unsure of why he was apologizing. “I’ve never heard that song before. Did you write it?”  Derek looked uncomfortable, maybe a touch embarrassed, which was answer enough. “It’s good. I like it. It’s calming.”  The small smile he got in response melted his heart a little bit. Fucking hell, he was so gone for this asshole. Stiles didn’t know what he was going to do. He wished he’d never realized how much he loved him. Wished he’d just continued to think they were best friends and nothing more. It was slowly going to kill him being so close, and yet so fucking far. Clearing his throat, he brought the book back up to continue reading, muttering that Derek should keep playing. He did, his fingers plucking gently at the strings, filling the loft with soft music. It really was calming, and soothing. Stiles really liked it. He liked it even more when he realized Derek could honestly express himself with the guitar. It still wasn’t a voice, but it was something, at least. 

Actions Speak Louder than Words (ch18) by @isthatbloodonhisshirt

This fic is what spurred me to start doing sterek fanart back in the beginning of december - magic!stiles, cursed!derek, stiles/jackson terrifying everyone else as friends - an incredible 430K story with a completely endearing slow-burn and slowly unfolding exploration of the characters and their relationship, made complete with the perfect bow of cursed-mute-Derek because 'Derek's eyebrows have a language of their own but only Stiles is fluent' is my favorite and this author does it SO well. And gives Derek a guitar. Derek plays a guitar!!

Ella, consider this my loveletter to your works - they all, this one in particular, buoyed me through a tough time in my life and brought me back to a love of drawing that I haven't had in years and a fandom that has been so generous in their support of my silly art. Thank you for sharing your works!

And a huge thank you to everyone's support so far - the sweet comments in replies, the unhinged all-caps tags, yes-and'ing my silly ideas and headcanons, i'm just over here kicking my feet and giggling and definitely not getting teary-eyed over it no siree no lacrimal action happening here

[raven-at-the-writing-desk]

You mentioned how ace's dream was like a vague fanfiction addressing some fun fandom theories and ideas but I think whats the best part about it was how the progression up to that point made sense. Theyve dropped so many moments showing ace caring dearly for yuu to the point where this dream as fanservicey like that it was it feels natural for ace to have such a dream if that makes sense WAAGH I LOVE HIM SO MUCH

What did you think of the dream though ms raven? The dream made me wail so badly ough hes finally cried too m sure hes been through a lot 🥹 seeing cater talk to ace so sincerly it hits me so hard in the feels im so glad hes finally got to cry (a little anyways)

Ace’s dream felt like fanfiction, but at least it felt natural or like everything up to this point was leading up to this being his wish. I unfortunately cannot say that for several other dreams. Certainly ones definitely felt egregious or contrived. Some were largely fanservice (Savanaclaw Rook, dorm leader Cater, delinquent Deuce) or just excuses to make new cards (merform twins), even if it didn’t make complete sense for the character to wish for it.

dgjswvizjsowk I know you’re probably expecting me to comment on Ace in his own darn dream, but I actually have a lot more to say about Cater. Ace’s motivations + butting heads with the rescue squad were what I expected them to be (though I give him props for being the only character so far to resist waking up right away). More on my precursory thoughts in this post (but based the exact wording of your ask. I’d be tired to guess you’ve already read it 😅)! But CATER????? TELL ME WHY HE WAS THE GOAT THIS UPDATE 😭

Cater does SO much???? First he suggests the third years help Trey cook BBQ so the darkness is distracted while the others can isolate Ace and try to wake him. When that attempt fails, Cater pretends to agree with Leona’s proposal to leave Ace behind to bait Deuce to come after him to play as his support. Cater sitting down to have a heart-to-heart convo with Ace??? And then mercilessly using his UM to gang up on Ace and beat him up??? 😭 Him reminding Ace about his courage facing off against OB Riddle… Cater confessing he wanted to run, but being encouraged to join the fight because aaaaah his kouhai looked so cool and dashing!! Thanking Ace??? Finally verbalizing some of his feelings???!?!?!?!???! CATER PULLING ACE OUT OF THE DARK????? MY GOD… OTL ThE biG BRoTHER EnERGGY WaS SO DTRONgGGGGGggGGGGG

And he kept this up even into Trey’s dream???????? Where Cater once again does a TON. He volunteers to investigate since makes the most sense (he is a Heartslabyul student so it’s not shady to be in the dorm and his UM is useful for combat). Cater also the third years with him into the kitchen to have a look around. Him saying he’s impressed with Silver’s will and how he would’ve given up so much sooner if he were him???? Dropping interesting lore about Trey??? Cater admitting that he has always been a spectator and now realizes he should have done more than just watch events unfold???

CATER CONSISTeNTLY puTTING hIMSELF AnD THE THirD YEARS IN hARm’s WAy FiRST… StRAtEGIzING… mAnIPULATING… AND ACTUAL SELF-REFLECTION AnD SINCERiTY????

Cater got to shine SO much this update, especially in Ace’s dream. He really came off like a big brother figure to Ace. A little mean, but also able to be so very vulnerable with him. Him not wanting to give up on Ace even though he later says if he were Silver, he’d have given up on everyone a while ago… MAN. CaTER cARES SO muCHHHHHhhh 😭 This might actually bump him up a little in my tier list… I didn’t like him much before 💦

[the-uninformed-zennial]

Okay so I wanna talk about the ecosystem of a fandom space like Fable/Bound SMP and those that extend off of it.

(long post below)

So one of the things that kinda stands out to me is that many of the popular ships are just canon. Like… off the top of my head the only two popular ships that aren’t necessarily canon in Fable are Kaleidoscope (Midas x Malitae) and Prison Duo (Centross x Icarus). But even one of those has been hinted at being canon by Sherbert in a few streams so like???

Looking at this from the outside it’s almost worrying. But the thing is, I think it has to do with three different things that are all unique to the Fable/Mer/Bound (and adjacent) fandom(s) and might actually be the sign of a really warm and welcoming community (as the Fable & adjacent fandoms have always been imo).

Firstly, the medium. If these were not lore-heavy, highly improvisational, live-streamed stories the fandom wouldn’t be able to provide feedback and the creators wouldn’t be able to react to said feedback in time to adjust. Think about Hermitcraft, it’s highly improvisational, yes. But lore-wise it’s not super heavy and thus all ships kinda teeter on the edge of being canon or not canon. Likewise smth like Whitepine where it’s recorded beforehand (and I think scripted??) doesn’t give the creators the flexibility to adjust the content in the same way the fandom is moving as quickly as the fandom moves.

Secondly, the fact that the creators interact with the fandom. Hi, hello, I’m living proof of this cause if I hadn’t gotten picked up by Heyhay and Art I never would’ve gotten to become one of said content creators. But this goes far beyond that. This has to do with the fact that they listen and interact and bounce ideas off of their fan base. Even if it doesn’t always feel like it, the opinions and ideas you guys share out here do influence the story, even if it’s just confirmation that you guys are picking up what the creators are laying down. It still serves as a sounding board to see how well things are coming across, and speaking as a creator myself (albeit a newer one) I find it incredibly helpful.

Thirdly, the size. Obviously if this venn-diagram of fandoms was as large as say Hermitcraft or QSMP the content creators simply wouldn’t be able to keep up with the fandom and many ideas would get lost in the jumble. Even just with how large Fable got at it’s peak, there came a point where it was nearly impossible to keep up with the amount of fan art and theories that were being made. So I think this point kinda feeds back into the second, that having a smaller size helps the content creators keep up with the feedback they receive from their art and lead to the fandom having more influence on the story than anyone really realizes.

These three things work together to create a space where people get to feel heard and seen. One of the most enticing things about being a community member for me was having that ability to influence the story, to talk to the characters themselves, to poke them about things I wanted to know the answer to. And when they responded?? It was so cool! I remember I used to keep a tally of little things in the world that I had affected because of messages that had been sent during live chat. It wasn’t ever anything big, but sometimes it’s the little things that count. That’s why, as a creator now I try really hard to interact with community members. I know I’m obviously not one of the big creators in this space, but I still want to help you guys feel seen and heard, because that’s where so much of the magic of being a part of this fandom space comes from imo. And if I can help recreate what helped me fall in love with this fandom space even a little bit, I’ll do what I can.

Anyway, I’m just super grateful to this community and the fellow creators within it. I have been so lucky to be able to get to experience this fandom from both the community member and creator side and honestly it has just been one of the most overwhelmingly positive experiences of my life, from both sides of the spectrum. I know things like that are fickle. I know fandoms and people are always growing and changing and maybe that won’t always be the case. But I just wanted to say I really appreciate the community that has been built here and all the work that goes into keeping it a positive and safe space. So, thank you guys 💕

[hotpinkandlimegreenlovinfangirl]

It's the same in the James Bond fandom. There are literally websites dedicated to elaborating why Daniel Craig is not James Bond and his set of five James Bond movies are not real Bond canon. I get that they're more gritty and realistic and apparently have this Jason Bourne feel to them and the amount of violence is higher in them. But there was a sort of gritty realism in the books by Ian Fleming. Oh, and apparently Craig's Bond isn't much of a gentleman, meaning he isn't sophisticated in the sense that he doesn't know his wines like the other five Bonds do, but Craig's Bond does know his vintage cars, which just screams sophistication and "gentleman" to me. But Craig is not less of a James Bond simply because the tone of his 007 films are not as campy as the earlier Bond films and I am not any less of a real James Bond fan because Craig's Bond movies are my favorite and Craig's Bond is my favorite Bond. I am a real fan because I love James Bond. Period.

Or The Phantom of the Opera fandom, particularly when it comes to the musical by ALW. Gerard Butler gets a ton of flak for not being a Broadway or West End Phantom level singer, but that's what ALW wanted with the 2004 movie. He wanted someone with a rock edge and an unpolished voice, which is closer to the original novel by Gaston Leroux. The Phantom sounded really good, yes, but he was not professionally trained. He taught himself. People who are fans of the stage musical can give fans who were introduced to Phantom by the 2004 movie a ton of crap for liking the 2004 movie. Gerard Butler is not less of a real Phantom because he was cast for his rock edge and unpolished voice and I am not less of a real phan because I like Gerard Butler's Phantom (including his singing performance) and I like the 2004 movie. I am a phan because I love Phantom. Period.

Had to read some post this morning about how no Star Trek after Enterprise is actually Star Trek and only fans of any new Star Trek are actually trekkies and bla bla bla. People said the exact same thing when Ds9 came out but predictably the 90′s shows have now been completely incorporated into Trekkie gatekeeper mythology.

As a note to all people interested in being part of this fandom: 

I don’t care what Star Trek you have watched or how much of it you have watched. I don’t care if you identify with being a trekkie or if you identify with it so hard you sleep in a Klingon uniform. 

You are welcome here, on this blog and in this space. If you see gatekeepers like that being pissy about your interests and stuff that brings you joy, ignore the fuck out of them and go out searching for the good, inclusive, friendly and accepting Star Trek fandom that exist here.

[shoups32]

The mischaracterization of Mel Medarda by both the fandom and the show has to be one of the worst things about arcane.

In the show we see her get mischaracterized and completely ruined mostly when it comes to Viktor and mostly in season 2. This is mostly because of Amanda’s very clear dislike of her (she has said on twitter that she finds Mel boring and did basically use her to further the plot of Viktor.) but I also think a part of it is just the inconsistencies of her character. A good example of this is that we see in season 1 through a flashback that Mel is a very thoughtful character that doesn’t agree with the laws of Noxus nor their reign over Ionia. Inside the show this gets completely ignored when we see her judging Viktor due to him being from Zaun (though I don’t think that is what that scene was implying that seems to be what most do think). With what we know about her she wouldn’t be judgmental of people from Zaun. Now this isn’t to say she would have fixed all the issues and stood up for Zaun from the beginning because she still does care about her power. This is just one of the many inconsistencies in her character in arcane.

Another issue (that is far more important in my opinion) with how she is written that I believe contributes to my post is that she is written into the “disposable black girlfriend trope” not only by the fandom but by the show itself. We see this most in season two when any moment between Jayce and Mel gets Viktor in it. It is very clear Jayce cares for both of them dearly but we also see her get overshadowed by Viktor multiple times. One example is the fire scene. Jayce sees Mel first then it goes to Viktor, that could be a good show on how he cares about them both but it is shown more in a way that makes it seem as though Jayce overshadows Mel with Viktor. Of course this point is only proven more in context of the fact that Jayce rarely ever spoke to Mel in season 2 and didn’t either bring up Viktor or basically called her a shitty person. While I get a lot of people’s defense for this is that in canon Jayce was stressed when you put it all together that defense doesn’t work out much.

My final point is to why and how I think she was so butchered in the show (mostly season 2). One reason is the writers clear dislike to her. Amanda herself has admitted to finding her boring and using her for Viktor on Twitter. In season 1 I think what was protecting Mel from how bad she was portrayed in season 2 was the fact that it had a huge team of writers. Season 2 has been confirmed to only have about 3 writers so not many people to actually give the characters the love they deserve. I think season 2 being rushed is also a huge issue but that is a whole other topic.

If you don’t agree with this that is fine I just have gotten tired of the fandom mistreating her. I do hope someone reads this though and realizes how bad her character is treated.

[not-neverland06]

𝚃𝚑𝚎 𝙿𝚛𝚘𝚍𝚒𝚐𝚊𝚕 𝚂𝚘𝚗

Pairing ˏˋ°•*⁀➷ Arthur Morgan x fem!reader

A/N: It's finally here, the fruits of my labor have finally come forth lol. I finally managed to get out those last few bits that I was struggling with so much. Turns out, finally getting on anti-depressants is actually a fucking game changer. Who knew?

I'd like to apologize for how long this took, but, also, I'd like to thank you all for being so supportive. I know there can be a lot of toxicity in fandoms, especially in fanfiction. I have been absolutely blessed with such wonderfully supportive, understanding, and kind readers. I want you to know that I do not take you guys for granted and absolutely love the small community I've found on here. Thank you all, and know that the epilogue is nearly finished and will be posted within the next 1-2 days, as I'm sure some of you will be wanting it after this one.

Next Part - Hell Hath No Fury Series

Summary: The end is nigh. Arthur feels it in the air, the broiling tension and building hostility within the gang. Their enemies are no longer their biggest problem. Instead, they have to worry about each other now. There's betrayal at every turn and Arthur is stuck in the middle of it all, pulled incessantly between two worlds. His old life as an outlaw, and the possibility of a new one with you.

You heave the hog off your shoulder and drop it onto Pearson’s table with a heavy thud. The legs creak under the weight, groaning as though they might give way. For a moment, you hover, watching the table tremble before it steadies. Satisfied, you take a step back.

Pearson ambles out of his tent, wiping his hands on his stained apron. He spots the hog, and his face twists into a suspicious scowl. “What the hell is that?”

You give a faint grin, more out of habit than humor. “Helped a farmer down the road. Didn’t have the coin to pay me, so he gave me one of his prize hogs.”

Pearson’s frown deepens, his lips twitching as though he’s struggling to process the situation. After a beat, he shrugs. “Alright, fine.”

You scoff, the lack of gratitude digging under your skin. Would it kill him to crack a smile? Shaking your head, you turn away, irritation simmering as you leave him to his work. Maybe you’ll go for another ride tonight—most likely camping out under the stars. Anything to clear your head.

You’ve still got a few hours before sunset, so you mull over how to kill the time. A race with Sadie might do the trick. The familiar sound of hooves splashing through the mud catches your attention. Normally, you’d ignore it, but a sudden commotion pulls your focus.

Mrs. Grimshaw’s gasp pierces the air, her hands clasped over her mouth in shock. Frowning, you follow her gaze, your stomach twisting as you spot riders approaching. Their faces are blurry in the distance, but something about the way they move makes your chest tighten. Stepping closer, your heart drops like a stone.

Dutch is at the head of the group, leading his men back into camp. Those who’d been on the ferry are all there, alive and well—except for one. The absence burns hotter than the sun on your back. Anger flares like wildfire in your chest, threatening to consume you.

The others cheer and laugh, crowding around the returning riders. Your gaze locks with Micah’s, and your teeth clench so hard it hurts. Dark circles frame his eyes, and he coughs into a bloodied cloth. The sight of him—the fact that this bastard gets to live while Arthur doesn’t—is enough to make you sick.

You turn away sharply, unable to stomach the celebration. Across the camp, your eyes meet Sadie’s. She’s leaning against the cabin, her face a mask of restrained fury. The sight of Dutch soaking up the adoration like a starving dog gnaws at what’s left of your patience.

You can feel it slipping away—your peace, your freedom. Dutch’s return threatens to drag it all back into the muck. But not this time. You swear it, not this time.

Dutch Van der Linde isn’t your leader. He isn’t your friend or your family. He’s nothing but a man who takes and takes until there’s nothing left.

Your gaze hardens on his back, your lips curling in quiet defiance. Tonight, you’re leaving—for good. Damn the gang. Damn this camp. And damn Dutch Van der Linde.

Arthur finds Diablo waiting for him at Shady Belle, as though the horse knew exactly where he’d return. He walks up to him, rubbing the horse’s nose gently. He finds an apple and gives it to Diablo, relishing in the familiar connection.

He’d known, deep down, when he was on his way here, that the gang wouldn’t be around. There was no way they could stay near St. Denis after what happened. Still, when he doesn’t see you immediately, the gut-deep ache doesn’t fade, even if he’d expected it. 

The note Sadie leaves is easy enough to figure out. Going off the hooves circling around the house, he’s sure the men who were ahead of him discovered the location too. Mounting Diablo and riding off toward camp is such an achingly familiar feeling it almost hurts. After weeks in Guarma, scorched by the sun and tortured by corrupt politicians, riding Diablo feels like a return to something sacred, something he can’t quite explain.

Reacclimating himself to the feeling of riding a horse isn’t an arduous task, but it is uncomfortable at first. He’d walked across every inch of Guarma, then spent weeks on a boat. It’s been so long since he felt the freedom of the open plains.

 Arthur looks toward the horizon, to the setting sun and the golden light casting its net across the world before him. It won’t be much longer until he’s back with you. He’s almost looking forward to hearing you say ‘I told you so.’

It’s not much longer before he’s riding through the muddy puddles in front of the cabins deep in the moors. Sadie is the first to see him. Her head is ducked, eyes down as she speaks in hushed whispers with you. Your back is to him and he doesn’t know if he’s grateful or not. The idea of a reunion has felt like a distant dream, he’s not sure if he’s truly ready to see you again. 

Sadie’s head lifts slightly, eyes locking on his. Her face goes slack with shock, cheeks pale, and eyes wide. “Sadie?” You ask, and your voice is like a balm over all his aches and pains. “What is it?” You don’t look,as stubborn as ever, you nudge at Sadie’s shoulder, waiting for an answer.

She spares you a brief glance as Arthur dismounts, eyes still stuck on him. “Turn your ass around and look,” she demands, her voice a mix of disbelief and wonder.

Arthur doesn’t notice the way Sadie throws herself at him, her arms wrapping around him, pulling back, and slapping his shoulder. He’s too focused on you. Your shoulders are stiff, fists curled tight like you know he’s there but can’t bear to turn around. In all his time thinking of this moment, of seeing you again. He’d forgotten something very important. 

Finally, you turn around. Arthur grins, the relief in his chest rising. “Well?” He teases, arms open wide as he narrows his eyes at you. “Aren’t you gonna say hi?”

You don’t answer, eyes nearly bulging out of your head as you look close to tears. Arthur’s brow furrows in confusion. He thought you’d at least look happy to see him. “Arthur Morgan,” Sadie chides from beside him, though her grin betrays her. “I thought you were dead, you bastard.”

Arthur feels his heart drop, finally realizing why you’re acting like you’ve seen a ghost. He was gone for weeks, last you heard he’d been on a ship. And word had probably gotten around that they’d been shipwrecked. Weeks without word, the shipwreck, and the rumors that must’ve circulated. He hadn’t thought for a second that you might actually believe he’d left you behind. After the way you’d parted, he supposes he didn’t do enough to convince you otherwise.

“Sweetheart,” he starts, chest clenching tight, “I-” 

You take quick steps toward him, boots splashing through the mud. He mutters your name lowly, an apology and a promise laced between the syllables. You suck in a sharp breath and he thinks you might hug him. Before he can say anything else, his head is whipping to the side, cheek stinging. 

Your hand lingers in the air for a moment, as if still caught in disbelief. You stare at him, your eyes wide, voice trembling. “Arthur?” you whisper, your words barely audible, your face crumpling under the weight of the truth.

You surge forward, grabbing the collar of his tattered shirt and dragging him down. You surge up, pressing your lips to his with a desperation that nearly matches his own. He can taste the salt of your tears as you kiss him, the way they streak down your cheeks. 

Arthur’s heart drops. He’s used to being a disappointment to the people around him. He’s experienced this a hundred times. His relationship with Mary was no exception, he should be used to this pain by now. But knowing he’s failed you, makes it hurt worse than it ever has before. Arthur grabs you by the waist, desperate to make up for everything. He pulls you as close as he can get, pressing his lips to yours. 

You wrap your arms tightly around his neck, desperation nearly a physical thing as you return his touch. You hold each other as though this kiss could somehow erase the weeks of suffering you’d both endured.

He doesn’t want to let go again. Arthur never wants to see that heartbroken look on your face. And he doesn’t ever want to be the cause for it, not anymore. The ache in his chest loosens as he breathes you in like you’re the only air he’ll ever need. Arthur won’t let you go again, he swears it to himself, because he knows you won’t ever believe him again.

You and Arthur sit toward the back of the cabin, away from the heart of the gathering. Everyone had been thrilled to see him alive, their greetings warm yet subdued, their relief tempered by everything they’d been through in his absence. 

Your hand rests loosely in his, a token of comfort you hardly seem aware of offering. Arthur studies your face as you listen to Dutch’s grand retelling of Guarma, your narrowed eyes betraying the skepticism simmering beneath your otherwise still expression. Each time Dutch embellishes a detail, you flick your gaze toward Arthur, silently searching his expression for the truth. The scrutiny makes Arthur shift uncomfortably, though he knows it’s not unwarranted.

“I truly do not know how you all made out so well here.” Dutch comments, lips curled slightly as he glances around at the thick layers of dust and dirt coating the walls 

Tilly grins eagerly, motioning toward you and Sadie. “It was all Mrs. Rowe and Sadie, they found this place. They been taking care of everything.” 

Arthur’s brows furrow as he watches a sheepish smile grow on your face. He squeezes your hand and you glance toward him. He lifts his brow in question and you nod your head. “Ain’t been doin’ much,” you tell him, shrugging. 

Sadie must hear you because she scoffs and rolls her eyes. “You kiddin’ me? Once you finally stopped mopin’, you were the only reason we didn’t all lose our minds.” Your smile tightens, the edges hardening as your shoulders stiffen.

“Well,” Dutch interrupts smoothly, his voice cutting through the tension. He fixes you with a look, and you straighten under his gaze. “I suppose I should thank the both of you for holding things together.”

“Suppose you should,” you reply sharply, meeting his eyes without flinching. “Or maybe you could apologize for that half-assed plan that got us stuck in this mess in the first place.”

Arthur’s hand tightens on yours, his voice low and warning. “Don’t—”

You whip around, glaring at him, and he’s startled by the fire in your eyes. Without a word, you yank your hand free and stand. Arthur opens his mouth to protest, but Dutch steps forward, his gaze narrowed in on you.

The tension is interrupted by the door bursting open behind Dutch. Bill stumbles in, his face red and sweaty. “Go’damn!” he bellows, his chest heaving. “I’ve been lookin’ for you all damn day. Had to ask every soul in town where the hell you were.”

Arthur’s gut twists. He bolts to his feet, striding toward you and Bill. “What’dya mean you asked around town?”

Bill falters, his face draining of color. His lips part as if to speak, but the words are stolen by a booming voice from outside.

“This is Agent Milton,” the voice calls. The blood drains from Arthur’s face as he grabs your arm, pulling you toward him. “You have one minute to surrender before my men decide to take you in dead.”

“Dammit, Bill, you fool,” Arthur growls, the words biting through clenched teeth. His mind races as he grips your arm firmly. He knows the men outside won’t hesitate. They aren’t the type to spare the women or the children. They’ll gun you down just for being around him and the others. He tugs you closer, instinct has him shielding you from the chaos as best he can. 

Milton doesn’t wait for the countdown. “Forget it,” he barks. “Start shooting.”

The first bullets shatter the cabin’s windows, sending shards of glass spraying like rain. Arthur curls his body around yours, as the rest of the gang scatters, some diving to the floor, others scrambling for cover. A lamp explodes nearby, and the oil catches fire, dripping to the floor and licking at the walls.

Arthur’s focus is on you, but you’ve already moved. You duck and grab a rifle from beneath a cot, slinging it over your shoulder. There’s no hesitation, no look back for approval. You dart toward the door, your movements swift and purposeful.

“Wait, dammit, don’t!” Arthur shouts, but you’re already outside, firing before the Pinkertons can adjust their aim. The sun has dipped below the fire, he only spots you through flashes of bullets and the fire steadily growing behind him. He tugs his revolver out, shooting wildly, the Pinkertons are swarming out of the forest like wolves, there's no point in aiming now.

Arthur follows along behind you, taking cover behind a wagon as some of the others pick up their own guns. He spots Sadie running past him, shouting something indecipherable as she takes out the Maxim gun. Blood flies as bullets make their marks, after weeks on a boat it almost feels foreign to feel the warmth of someone else’s life pressing against him. 

Through the chaos, he watches you move with precision, directing shots with a cold efficiency that makes his chest tighten. You’re not the woman he left behind. You’re faster, bolder, and sharper, your confidence and stupidity is clear as you throw yourself into the center of danger, taking aim at some of the men on the roofs of the cabins. 

Arthur sees another man creeping up behind you. His gun has been abandoned somewhere, he only has a machete in his hand now, arm arcing down toward your head. Weeks without practice might have left him slower than he used to be, but he’s still quick enough to shoot the blade out of the man’s hand. 

You flinch at the shot, whipping around with a pinched expression. The attacker shouts, clutching his bleeding hand to his chest. Without hesitation, you rise and swing the butt of your rifle at the back of his skull. The man crumples face-first into the mud, lifeless. You don’t even look at him again, your focus snapping back to the fight as you resume shooting, each shot clean and deliberate.

The tide of the fight begins to shift. Once Sadie got ahold of the maxim, the Pinkertons had no choice but to start their retreat. Even outnumbered fifty to one, the gang still has some fight left in them. But it’s a fragile victory, and Arthur knows it won’t last.

He weaves his way toward you, his mind racing, but you speak first before he can get a word out.

“They’ll regroup,” you say, your voice firm but low. “We need to track them into the woods, pick them off before they get away.”

Arthur’s eyes widen. “What’re you talkin’ about?” His voice is sharper than he intends. “You’re stayin’ right here. You hear me? I’ll deal with it.”

Your face screws up and it’s the first time you’ve given him a glance of the anger that had been burning under the surface. You go silent, lips set in a firm line before you glance over his shoulder. “They’re getting away,” you tell him quietly. “You can stay here if you want, but I’m going after the rest with Sadie and Charles.” 

You move around him without waiting for a response, your rifle brushing his arm in a way that feels deliberate, distant. The message is clear: you no longer need his protection. Arthur watches, stunned, as you stride toward the others.

For a moment, he stands frozen, the weight of the realization sinking in. The way you fight now, the fire in your eyes, the complete lack of hesitation, it’s all different. You’ve become someone who doesn’t need him, someone who’s learned to stand alone.

His chest tightens as he mounts Diablo, his gaze flickering toward you one last time before spurring the horse forward. He’ll follow the Pinkertons like you suggested. But even as he rides, a different battle churns inside him.

This isn’t something a few dead Pinkertons will fix. The distance between you both is growing and for the first time, Arthur feels powerless to stop it.

Dutch moved them down to Beaver Hollow, it’s a nice enough spot near the base of the mountains. The only problem is a bad brood of folk called the Murfree’s. A bunch of animals masquerading as men, cannibalizing people, and taking women without a care. Arthur hates the idea of you being anywhere near them. He’s doing his best to keep you in camp and you don’t argue. Arthur’s surprised at your easygoing obedience after what happened at the other camp. 

He’s getting worried about you. You’re quiet more often than not, you don’t bite back at Dutch or Micah like you usually would. And you’re more on edge than he’s ever seen you. He tries to talk to you about it, to understand what’s going on with you, but you won’t tell him. 

You always just say you’re worried about what’s going to happen when everything finally goes wrong. He thinks he knows what you mean, even if he doesn’t want to admit it to himself. Too many times has he been told that the reign of outlaws is over. There’s no room left for them anymore. 

When he was a boy, he would have thought that the time of outlaws was immortal. It’s easy when you’re young and foolish to think that you’re invincible, that nothing can ever touch you. He sees everything coming close to an end now, though. Despite the elation of their return back to a land they know, nothing’s the same. 

Micah’s only gotten worse since they returned from their shipwrecked time in Guarma. He’s always coughing, blood leaking from the corners of his mouth. A doctor down in St. Denis told him it was tuberculosis a while back, Arthur knows that their time on the island only further agitated the disease. Since then, he’s been angrier, always whispering in Dutch’s ear. 

And Dutch, he won’t listen to Arthur anymore. Since the Pinkertons turned up at the cabins, he has it in his head that everyone’s a traitor. The only person he’ll trust is the one whispering poison into his ear. It drives Arthur mad. He keeps trying to get Dutch to tell him what’s going to happen next but he just says the same thing every time. “I have a plan, Arthur. Don’t you trust me?”

Before Guarma, before the O’Driscolls, before you, he would have said yes in a heartbeat. But he doesn’t trust him anymore, he can’t. Not after Dutch left him for dead, and then Sean and John. Sadie and Arthur had to go bust them both out of the chain gang they’d been working at in jail. It had been a mess and a half but when they’d returned to camp the only thing Dutch had to say was, “I had a plan.”

He’d been angry at them for rescuing the men and Arthur couldn’t understand why. He never would have left them to rot if Hosea were still here. 

The thought of the old man’s death leaves an ache in Arthur’s chest. He keeps picturing him lying on the St. Denis road, bleeding out. He knows Dutch couldn’t have done a damn thing about it, that bastard Milton was never going to spare him. But, if he had been given the opportunity to save Hosea by turning himself in, Arthur knows he wouldn’t have taken the chance. Dutch has grown selfish and arrogant, prioritizing himself over the rest of the gang and it only makes Arthur’s resentment grow. 

Still, he can’t help but see him as the man who’d taken him off the streets. Dutch and Hosea had taught him how to shoot, how to read and write. They’re the reason he knows how to hunt and make it on his own in the wild. How can he turn against the man who raised him to be who he is today?

You shift restlessly beside him, turning out of his hold and onto your side. Arthur frowns at the action, placing a light hand on your arm. You don’t shrug out from under his touch but you don’t reciprocate. You’ve turned cold and it’s only making everything harder. 

“I want to leave,” you whisper, and he startles slightly, thinking you’ve been asleep this whole time. 

“Huntin’?” Even as he speaks, he knows it’s not what you want, but he tries anyway. 

You scoff, the noise bitter and angry. “No.” You tell him shortly, tone clipped as you rise from the cot. Without another glance at him, you start changing out of your nightgown. Arthur sits up slowly, watching you. He doesn’t know what he’s done to spark this sudden shift in you, but the tension is near suffocating. “You have to see it, Arthur,” you say, pulling up your pants and tightening the belt. You glance over your shoulder, your expression is expectant, almost pleading. 

He lets out a rough sigh, figuring that there’s no chance of convincing you to rest a little longer. “See what?” He asks, dragging his hand over the stubble on his jaw. A low groan slips from his lips as he gets to his feet, back protesting at the too-small cot. 

“This,” you motion wildly, arms swinging out towards the camp that waits outside the closed flaps of his tent. “All of this, Arthur. It’s coming to an end. I can feel it,” you tell him, voice impassioned with fear and urgency. “There’s only so far we can run.”

Arthur looks away from you, shrugging on his shirt. “I know it’s hard right now. But Dutch-”

“Has a plan?” You snap, taking a step closer to him. Your brows knit tightly together, anger burning hot behind your eyes. You swat his hands away as he fumbles with a button, doing his shirt up for him. Even in your frustration, you can’t help but help him. It’s oddly endearing, despite the tension yawning between you. “He’s gonna get us to Tahiti?” You scoff, voice dripping with sarcasm as you roll your eyes. You smooth out his collar before stepping back, movements curt and precise.  

He reaches forward, hands catching your waist and tugging you back toward him before you can get far. You don’t meet his eyes, stubbornly looking away, but you don’t stop him from pulling you closer. 

“We’ll leave,” your head whips towards him, face lighting up with hope. He winces, wishing he was more clever with his words. “For a few days,” he clarifies and your eyes narrow into irritated slits. 

“I promise, what happened in St. Denis isn’t going to ever happen again.” He needs you to believe him, to understand just how much of a fool he felt like getting on that boat with Dutch. They hadn’t truly had another choice, but if he had a chance to do it all again he would have ran away with Charles. He never would have even left you at camp. 

“After a certain point, Arthur,” you squeeze his hand in yours and he feels just a little bit of relief at you finally returning his touch. “Your promises stop meaning much when you don’t keep them,” you slip out of his hold and his face falls flat, chest caving slightly. “But, sure, we’ll leave for a few days,” you shake your head, slipping out from his tent as he stares at the spot you’d once occupied. 

How had things gotten so bad?

“And where are you going, Mrs. Rowe?”

Arthur turns toward the sound of Dutch’s voice, spotting him standing near Pearson’s station. He looks for all the world like he’s at ease, but the tense set of his shoulders and twitch at the corners of his lips betray him. Arthur’s gaze shifts to you, standing by Lady, one hand gripping the reins of the restless mare.

“For a ride,” you say curtly, your tone flat and face pointedly blank. “What’s it look like?”

Arthur’s stomach knots as he notices the tension in the air. You’re already gripping the horn of Lady’s saddle, pulling yourself up with practiced ease. Arthur watches as you glance down at Dutch, your expression hardening and eyes slit in challenge. 

Dutch steps closer, his mouth curving into a thin smile that doesn’t reach his eyes. “I understand things were run a little differently while we were gone. But I don’t think you going out alone is what’s smart right now-”

“Frankly, Mr. Van der Linde,” you interrupt, voice laced with venom, “I don’t give a damn what you think. I’m going for a ride.”

Arthur watches the muscle in Dutch’s jaw tighten, the flare of his nostrils betraying his irritation. Dutch turns to him, his eyes sharp, searching Arthur’s face for the usual complacent obedience.

Arthur whistles, and Diablo trots up to him obediently. Swinging into the saddle, he shoots you a quick look. “You heard the lady. We’re goin’ for a ride.”

The trail you lead him down is unfamiliar, winding through thick trees and rocky inclines. Arthur catches himself stealing glances at you- the way you sit tall in the saddle, the ease with which you guide Lady over uneven terrain. He tries to meet your eye, but each time, you only offer him small, polite smiles. They feel hollow, and it gnaws at him.

The silence stretches, prickling at his nerves. Finally, he speaks, voice cutting through the suffocating stillness. “Alright. Where are we goin’?”

You glance at him briefly, nodding toward the mountains in the distance. “Meeting up with Charles and the local tribe. I’ve helped them hunt a few times, but,” you trail off slightly, voice growing heavy, “they’ve been having problems.”

Arthur raises a brow. “Problems?”

You hesitate, your jaw tightening. “With the military,” you admit.

He doesn’t feel like you’re telling the whole truth and he can’t help but prod you further. “What kind of problems?”

You let out a frustrated sigh, shifting in your saddle. “The kind Dutch has been making worse.” You shoot him a pointed look and his jaw clenches at the blame lurking in your gaze. “He’s been riling up the chief’s son, getting him involved in jobs he shouldn’t.”

Arthur’s frown deepens, his brows furrowed as he struggles to think of Dutch’s reasoning for getting involved with the local tribe. Though, it’s not as if he’s been involving him in many plans lately. “Why would Dutch do that?”

Your head snaps toward him, your eyes filled with pent-up ire that’s been waiting to spill over. “I knew you wouldn’t believe me.”

“Hey, now,” Arthur objects defensively, his tone growing just as sharp as yours. “I’m just askin’ a question.”

You fall silent, your expression flattening as you look ahead again. The weight of your resentment  hangs heavy between you, unspoken but undeniable. Arthur feels it like a stone in his chest, and it makes his teeth grind.

Arthur isn’t sure what he expected, but the sight before him twists his gut. Women huddle around children, feeding them thin soup from chipped bowls. Elderly men and women cough into bloodstained rags, their frail bodies barely covered by thin blankets. The air smells of sickness and desperation.

Arthur glances at you, but you’re already dismounting and striding toward the center of the settlement. Despite the distrustful stares from the tribe members, you move with purpose, your shoulders squared.

Charles stands near an older man, his voice low but urgent. Arthur catches the tail end of the conversation. “…my people will not survive this much longer,” the man says, his voice weary but resolute.

Arthur follows behind you as you approach. The man carries himself with a quiet strength, but his face is lined with worry and it’s ageing him by the minute. There’s a glint of familiarity in his eyes as you approach and he nods his head in greeting.

“Arthur, this is Rains Fall, he’s the chief of this tribe,” you explain to Arthur, introducing the two. “He-”

“I know you,” Rains Fall interrupts, still looking at Arthur. “You were there in the city. Your leader was meant to help my people.” He shakes his head, and Arthur sees the pain of being betrayed one too many times in the old man’s face. “Now the military is holding our medicine hostage.”

Arthur’s jaw tightens as he takes in the scene. It’s worse than he imagined. He’s heard the stories—the government stealing land, taking children—but seeing it up close is something else entirely. 

Being associated with Dutch has never brought about anything but pride. But standing here, seeing the people he’s taking advantage of, he’s overcome with shame. Rains Fall speaks again, his voice steady despite the weight of his words. “If we cannot retrieve the vaccines soon, we will lose many more. My people are already weakened.”

Arthur looks to Charles, who meets his gaze with grim determination. “We’re going to get the medicine back.” he tells him, and Arthur knows that you’re going to help, whether he wants you to or not. “The officer’s camp isn’t too much further down the mountain. But we can’t risk this looking like the tribe’s retaliating, it’s why I need your help, Arthur.”

Arthur and Charles are close, perhaps not as close as they should be. But they respect one another. Right now, Charles isn’t just asking for a favor, he’s asking for the help of a friend. Of a brother. And Arthur won’t allow himself to keep disappointing the people he cares about. 

Arthur nods, his decision immediate. But the truth burns in his chest: Dutch’s hand is in this. Somehow, the man he once idolized has turned these people’s suffering into a means to an end.

He glances at you, and your expression says it all. This is what you’ve been trying to warn him about. The look you give him is sharp, almost scolding, as if to say I told you so. Arthur doesn’t have the words to argue—not this time.

The conversation with Rains Fall and Charles winds down, and the three of you prepare to part ways. Arthur adjusts his hat, turning toward you. “You comin’?”

You pause, exchanging a glance with Charles. The look between you is brief but meaningful, and Arthur feels a pang of something he can’t quite name.

“We’ll catch up,” you say simply, your tone dismissive.

Arthur hesitates, searching your face for… something. An explanation? Reassurance? But you’ve already turned away, speaking quietly with Charles. He lingers for a moment longer, then mounts Diablo.

Arthur finds himself screwing up more often than not lately. But letting Dutch know about the plans for the tribe, has to be one of the stupider things he’s ever done. Dutch wants to get involved, of course, for the good of the natives, he claims. Arthur knows him, though, he knows it’s more than that. 

Together, they go and find Eagle Flies, the chief’s son. He’s already with his own band of men, each of them young and healthy, the few fighters their tribe has left. Their plan to get the medicine back, to stick it to the military, is far more violent and grand than yours and Charles had been. 

“This is the dumbest idea I have ever heard,” Arthur tells Eagle Flies, glaring down at the dynamite in his hand. He turns toward Dutch, expression disbelieving, “I can’t believe you’re encouragin’ this!”

“Encouraging what, Arthur? These young men to fight for their home, their land back. I’m disappointed in you son,” Dutch chides, and the way he says son rubs Arthur the wrong way. “I thought you, of all people, would support a cause such as this.”

“I support the cause,” Arthur snaps, snatching the dynamite out of Eagle Flies hand, “but I cannot support acting like damn fools and getting yourselves killed.” He turns toward the boy, imploring him to see reason, not to listen to Dutch’s silver tongue. “My friend has a plan for your people, he can get the medicine back. And he can do it without getting anyone killed.”

“What is the point in that?” Eagle Flies growls, taking the dynamite back from Arthur. “You want us to just lay down, belly up like dogs and let these men take everything from us? You would have us stay quiet instead of fighting back? The only way your people hear us, is if we make ourselves loud.”

He steps back, looking around Arthur to Dutch. “Tonight, we’re going to their camp and we will send them a proper message. You can join us or not,” he snaps, storming back toward his men. 

“Dutch-”

“I’m disappointed in you, Arthur,” Dutch starts, shaking his head as he makes his way back to the horses. “Not just for this, but for how you’ve been acting lately.”

Arthur stops in front of Diablo, eyes narrowed on Dutch, “And how have I been actin’?” He snaps, tired of the superiority that Dutch carries himself with, as if he’s not trying to get these boys killed. 

Dutch stares down at him, distrust and suspicion lingering between the both of them, “Like someone I can’t trust.”

“Well,” Arthur shakes his head and mounts Diablo. “I guess we both feel the same, then.”

Charles is furious as Arthur tells him Eagle Flies plan to blow up the military encampment and steal back not just the vaccines, but the deed to their people’s land. “We had a plan,” Charles shouts, the first time Arthur has ever truly seen him lose his temper.

“Arthur,” you start, letting out a low sigh. “Why did you tell him?” He doesn’t need you to say his name for him to know who you’re talking about. 

“I thought,” he can’t finish his sentence. Too ashamed of what the end might be. He thought that, maybe, you were all wrong, that Dutch could still be relied on. That the man he once knew was still in there somewhere. It felt too childish to admit out loud. 

“We’ll need the others,” you start when it's clear Arthur doesn’t have a reasonable excuse. “We won’t be able to stop Eagle Flies on our own. Especially not if he actually picks a fight with the military.”

It doesn’t take long to gather the rest of the gang, some of them ready to join Dutch as he goes to see Eagle Flies. But Arthur knows that he’s doing this for the wrong reason. He doesn’t understand what Dutch thinks he can gain from exploiting the tribe, and he knows that Dutch is never going to share it with him. 

The ride toward the military encampment is quiet, the tension thick enough to choke on. Eagle Flies and the other men are already moving around the area when they arrive, dynamite placed and ready to ignite. Their faces are set with the determined fury of men ready to face death. 

Charles brings Taima to a harsh stop and swings down before she’s fully still. He heads straight toward Eagle Flies, face tight with anger. “What the hell are you doing?” He demands, voice sharp as he jerks the boy forward by his arm. “We had a plan! Your father-”

“My father would do nothing!” He snaps, ripping his arm out of Charles's grasp. His hands ball into tight fists at his side, as though he’s prepared to take his anger out on anyone close enough. “He waits, and we die slow. The army has taken everything from us, and you want me to stand by and watch?”

Arthur dismounts from Diablo, mud splashing around his boots as they hit the ground. “You blow this place sky-high, you think they’re just gonna walk away? They’ll come down even harder on your people.”

Eagle Flies’ expression flickers for a brief moment, the weight of his father’s disappointment visible in the tightness of his jaw. Before he can respond, a sharp sound cracks through the night. Everyone turns to face it as another breaks the silence. A gunshot, clear as day. 

Chaos erupts instantly, soldiers startling from their tents and returning from their watch along the treeline. They run forward, rifles raised, gunfire already ringing out through the night. “Shit!” Arthur curses, reaching for his revolver. 

As he turns to run for cover, the rest of the gang scattering, he realizes that he can’t find Dutch. He doesn’t want to assume the worst, he can’t. But he wasn’t beside Arthur when the first shot rang out, and the soldiers didn’t even know they were there yet. 

He doesn’t have time to linger on the thought as the first explosion detonates prematurely. A fireball launches to the sky, the ground below him shaking as though it’s about to split open. The horses make a run for it, bucking off riders and racing for cover. Shouted orders and screams become one cacophony as he finds cover. He fires from behind a stack of crates, bullets disappearing into the dark of the night, but the return fire is relentless. 

Arthur has lost sight of everyone, you, Charles, he sees no one except the soldiers bearing down on him. 

He grits his teeth and keeps shooting, even as the fire begins to spread across the dry grass and smoke fills his lungs. He sees one, two, three men drop before he’s forced to reload. As he turns, he spots Dutch nearby, moving through the smoke and fire with a calculated calm. For a brief moment, Arthur feels a flash of relief, if only to see one familiar face. 

Then, something slams into him. He’s knocked to the dirt, teeth rattling from the force. A soldier grapples Arthur and raises his arm, a knife flashing in the firelight as he swings it toward Arthur’s throat. He catches his wrist just in time, muscles straining and breath ragged as he holds the soldier back. The blade trembles inches from his neck, the soldier’s weight pressing him further into the suffocating earth. 

“Dutch!” Arthur chokes out, struggling to keep the knife at bay. “Dutch, help me!”

He sees Dutch stop and turn to face him. The gunshots have lessened, soldiers dropping to the ground like flies as the gang swarms over them. Dutch has nothing to worry about as he watches Arthur. Yet, his eyes are unreadable, cold in a way Arthur has never seen before. He looks at Arthur for a long time. Then he turns. 

And runs. 

Arthur’s grip slips, for a horrifying second, he nearly lets the knife drive through his throat. The shock and betrayal hits him like a punch to the gut. But before the knife can land, a wet, gurgling sound fills the air. The soldier jerks, eyes going wide and face paling as blood spills from his lips. 

Eagle Flies stands behind him, his knife buried deep in the man’s throat. He rips it out without a care and the body slumps to the ground. Arthur remains in a state of shock as Eagle Flies offers his hand. He hesitates, only for a second, before grasping it and hauling himself to his feet. He barely has a moment to catch his breath before another shot rings out. 

Eagle Flies gasps, his body jerking to the side as blood blossoms from his ribs. “No!” Arthur shouts, whipping around and putting a bullet between the eyes of the soldier who fired the shot. The man drops, but Arthur barely pays attention as he turns back to the boy. He grabs Eagle Flies as he wavers, slinging his arm over his shoulder. 

“Come on, kid. We’re gettin’ outta here,” he swears. Eagle Flies groans in pain but doesn’t argue. Arthur grits his teeth, half-dragging and half-carrying him away from the battlefield, bullets whizzing past him. 

He stumbles through the trees as the soldiers scream, wildfire consuming them quicker than his revolver ever would. He hears your voice over the sounds of death, sharp with desperation. “Where’s Arthur?” You shout and he lifts his head. You stand by the horses, face tight with worry and finger twitching close to the trigger. 

Dutch stands in front of you, expression impassive. “Where the hell is he?” You demand, stepping back from Dutch and raising the rifle to be level with his face. 

“Here,” Arthur calls out before you put a bullet in the man’s skull. You spin, your relief immediate but fleeting as your eyes fall on Eagle Flies slumped in his arms. Charles steps forward, his face contorting with grief as he looks at the boy. 

Arthur meets Dutch’s eye, something flickers in the man’s expression, something that could be shame if Arthur didn’t know better. He stares at him, and for the first time, he sees Dutch for what he truly is. A liar, a coward. And a man who would leave him to die. 

“I’m takin’ him home,” he turns his back to Dutch and prepares for the long ride back. 

He pushes Diablo faster than he ever has, heels digging into the shire’s side as he pushes him over the edge. Eagle Flies is only getting weaker and he can’t return another dead son to Rains Fall. He can’t be the reason that the rest of his family dies. 

He knows, though, that there is no chance of survival for a wound like Eagle Flies. No herbal remedy or medicine could fix this. But the least he could do is give them one last moment together. 

When he rides back onto the reservation, Rains Fall is already waiting to greet them. He rushes forward, face stricken as he sees his son slumped against Arthur’s back. Charles walks over, helping Arthur gently lower Eagle Flies from his horse. 

Rains Fall kneels beside his son, quickly scooping him into his arms and pressing his forehead to his. Eagle Flies is too weak for words by this point, eyes fluttering shut as he relaxes into his father’s embrace. 

“You brought him back,” Rains Fall murmurs, his voice breaking. Arthur nods, not trusting himself to speak. The chief closes his eyes for a long moment. When he opens them, they’re wet with sorrow. “This land will never be safe for us. We must go. Find somewhere else to settle.”

Arthur looks away, knowing nothing he could say would ever fix this. He could never salve over a wound like this with something as trivial as empty promises or kind words. You and Charles stand at his side, watching Eagle Flies take in his last shuddering breath. The disappointment is palpable. 

He can’t face it any longer. Can’t face the death or the grief that seems to follow him wherever he goes. Without a word, Arthur mounts his horse and rides off into the night, leaving the weight of it all behind him. 

And he knows, deep in his very soul, that nothing will ever be the same again. 

The trail lightens as the sun begins to rise. The sounds of the reservation fade behind him, swallowed by the rustling trees and the distant call of an owl. He rides without direction, without thought, just the steady rhythm of Diablo’s hooves against the earth, carrying him further from everything he no longer knows how to fix.

Then, a voice cuts through the silence.

“Oh!” Someone shouts from the trees, “You goddamn, useless,” the man’s voice trails off into a series of expletives that’s too quick for Arthur to make out. Face pinched in confusion, he nudges Diablo forward, leading him towards the man. 

An old man stands in the middle of a clearing, hopping around on one leg, fist waving wildly in the air as he curses to himself. Arthur chuckles to himself, watching the man plop to the ground with a huff. He reaches down and rolls his pant leg up, revealing a stump where his leg should be. 

Arthur frowns, slipping off Diablo and moving closer to the stranger. He’s barely got a chance to greet him before the man's whipping out his revolver, eyes narrowed in suspicion as Arthur approaches. 

“I ain’t lookin’ for trouble, sonny.” The man tells him, pulling back the hammer of the gun. 

Arthur puts his hands up in surrender, shaking his head, “I’m not lookin’ to cause any. Only wanted to see if you needed any help.”

The man’s eyes turn into thin slits, lips pursed as he eyes Arthur up and down. He looks the part of an outlaw, but right now the stranger doesn’t have much choice but to trust him. He lets out a heavy sigh and puts his gun down. “Hamish Sinclair,” he offers as an introduction. Arthur gives him his name and Hamish gives him a brief smile. 

“Forgive my poor manners, don’t see much of anyone ‘cept those Murfree folk.”

Arthur shakes his head in dismissal, taking a step closer. “It’s fine. You wanna tell me what’s got you out here shoutin’ at the sky?” He can’t help the slight chuckle that slips out when he sees how Hamish’s shoulders slump in embarrassment. 

“It’s my damn horse, Buell, bucked me off, took my leg with him.” He gestures vaguely behind Arthur with a huff, “ran off that way.” Arthur nods, grabbing his rope off Diablo and heading off. “Feel free to shoot him,” Hamish shouts from behind him, “bastard’s caused me enough trouble.”

Arthur laughs quietly to himself, Hamish reminds him a bit of you. 

It doesn’t take long to find the horse. But Hamish wasn’t lying, he was a right bastard. It was more of a chore than Arthur thought it would be to get him lassoed and corraled back to the old man. 

Hamish’s leg, as he’d promised, was still tucked into the stirrup, the wooden appendage waving in the wind as Buell stomped around. “Oh!” Hamish shouts, waving his hand as Arthur brings the horse forward. “Shoot the son of a bitch, I’ll go get me somethin’ nicer,” he mutters, reluctantly bringing a hand up to pet Buell’s nose. 

Arthur offers Hamish a hand up, holding the wooden leg out for him to take. Hamish holds himself steady on a nearby rock and latches the leg back on. “Cannonball,” he says idly. 

“Which war?”

“Civil, whatchu think?” Hamish snaps, narrowing his eyes at Arthur and shaking his head. “Named this damn thing,” he lays a heavy hand on Buell's side, “after my commander. They were both pains in my ass, and they both cost me my damn leg.” Hamish laughs at himself, swinging up onto the saddle and glancing down at Arthur. “Comin’ or not?”

Perhaps it’s the loss of Hosea that has Arthur following this man. Or maybe it’s just the need for a moment of escape. Either way, he finds himself mounting Diablo and following after him. “What were you doin’ out here, anyway?”

Hamish digs his heel into Buell’s side with a huff, driving the horse down a small path Arthur wouldn’t have found on his own. “I went out to get some bait. Got this pike that’s been eatin’ all the fish in my creek,” he turns and gives Arthur a wild grin over his shoulder. “I’m lookin’ to turn it into my dinner.”

A smile curls upon Arthur’s lips, something uninvited and unnoticed. Things in camp have been so tense, every conversation with you or Dutch just feels like a noose tightening around his neck. He’s being drawn in so many different directions that he’s forgotten what it feels like to just talk to someone without any ulterior motives. There’s no hidden message within Hamish’s gaze or underlying threat to his words. For right now, he can just ride and pretend that all is fine within his world. 

“Can’t seem to get the damn thing on my own, maybe you’ll have better luck. You seem a touch spryer than myself.”

Arthur snorts and shoots the old man an amused look, “A touch?”

“Hey,” Hamish warns, tone light as he grins, “I may be weathered, but I can still take you down, sonny.” Arthur raises his hands in surrender, bowing his head in defeat as Hamish lets out a low chuckle. “Gotta say, been a while since I hollered at anyone ‘cept those Murfree boys. It’s quiet out here, that’s for sure.”

Arthur takes in the scenery around him. The way the sunlight just barely parts through the thick cover of trees and shines across the creek running beside them. The deer he can hear rustling off in the distance. There’s a whole other world around him, one he hasn’t been a part of in a very long time. 

“Quiet’s what I’m looking for,” he mutters, not much thought behind the words as he makes note of a bunch of wildflowers. They look like some you used to pick for the tent. 

“No point in quiet when you’re all alone,” Hamish chides softly, a heavy sadness hangs off his shoulders that Arthur’s not sure he’s ready to dissect. Hamish doesn’t leave him worrying for long, shooting Arthur a quick smile and shaking away the emotions. “Nearly there,” he tells him, nodding toward a clearing. 

Wildflowers and rocks that reflect the midday sun surround a shimmering lake he’s never noticed on his travels. Arthur’s fingers twitch toward the journal in his satchel, the scene too perfect not to draw. Still, he doesn’t think Hamish would appreciate the interruption much. 

Instead, he commits the image to memory. The quaint cabin that sits in the middle of it all, so unimposing it looks as though it had grown there like a tree. He’d have to draw it later, maybe even show it to you. 

Hamish leads him around the cabin and orders him around like he’s spent all his life doing it. Arthur drags out the fishing poles and takes the boat off the shore. He laughs when Hamish slaps his hand away when he tries to help in the boat. And he laughs even harder when Hamish nearly topples over the edge in his stubborn fit. 

The fishing itself is spent in silence. One of them occasionally breaking it by humming something or thinking they spotted movement in the water. It makes Arthur’s chest ache with a familiarity that’s a stranger to him. Yes, he used to do this with Hosea. But Hamish wasn’t Hosea, and there would never be anything to replace or soothe that gnawing pain of never being able to sit on a boat with him once more. 

“There!” Hamish slaps his shoulder hard enough to force Arthur out of his spiraling grief. He nearly knocks him out of the boat as he starts frantically jumping up and down, arms pinwheeling to keep himself balanced. “There’s that bastard, whoo I got you now!” He hollers, lighting a stick of dynamite and tossing it into the water before Arthur knows what's happening. 

He ducks, bracing himself as a ripple of water nearly puts the boat on its side. It’s quickly followed by a fin rising up in the water in the distance before disappearing once more. “My god,” Arthur gets to his feet, jaw gaping as he watches the behemoth of a fish swim away. Not once, has he ever faced a pike as large as that before. It could eat him. 

“What’re you doin’, you fool? Reel it!” Hamish snaps, already lighting another stick of dynamite to force it back towards them. Arthur shakes off the silent astonishment and quickly grabs his fishing pole. It feels like a battle, hauling this fish toward them and finally killing it. 

They must spend nearly an hour on those waters, blowing up half the lake just to haul a fish the size of Bill out of the water. Hamish is cackling and hollering the whole way back to his cabin. He goes on and on about how long that pike has been taunting him. How Arthur must be his goddamn lucky charm to have gotten it on their first day. 

It’s only when Arthur lingers by the edge of Hamish’s doorway do either of them acknowledges the shared pain between them. Arthur doesn’t know exactly what Hamish lost in the war, but he knows it must be something just as bad as Arthur. There's a creeping loneliness that they both know neither one of them can fill. But that doesn’t mean they won’t try. 

“You helped kill the bastard, sit down, I’ll cook up some of him for ya.” It’s an invitation that Arthur can’t deny. He gives Hamish a small smile, sitting down at his table while Hamish moves quickly through his cabin. 

“Did I ever tell you,” Hamish starts, as though they’ve been friends long enough for Arthur to hear his stories. Arthur doesn’t object or interrupt, he leans back, eyes alert as he listens to everything Hamish tells him. Tales of the war, the time before, the time after. Arthur shares a little about himself, but for the most part, he’s content to let the old man talk. 

That’s how most of their time together goes. When Arthur manages some time away from Dutch’s suspicious eyes, he goes to Hamish. He listens to his stories. And they use the excuse of hunting animals Hamish claims to be haunting him. It’s on his fourth visit that Arthur mentions you. 

“I don’t get it. You’re big, strong, you gotta have someone.” Hamish pauses, glancing away from his fishing pole and narrowing his eyes at Arthur. “Don’t tell me I’m your only friend, son.”

Arthur chuckles a little, shaking his head. “I got a lady,” he tells him, reluctant for Hamish to know exactly what company he keeps. Hamish nods his head, giving him an expectant look. Arthur lets out a low sigh, rubbing his palms across his pants and shrugging. “She’s gorgeous,” Hamish lets out a disbelieving snort and Arthur shoots him a look. “Smart” he continues and it’s the first time he’s ever struggled to describe you. 

Such simplistic terms don’t seem fitting for someone like you. If he had his journal, if he could show him a drawing of you, of the little bit of you he’s managed to capture on paper, maybe Hamish would understand. “And she’s a good person, a better one than I ever will be-”

“Then what’s she doin’ with a fool like you?” Hamish interrupts, snickering when he sees the irritated look on Arthur’s face.

“Weren’t you just tellin’ me what a catch I am?” Arthur snaps, eyes narrowed in amusement at the old man. 

He shrugs, tugging slightly on the string of his fishing pole and huffing out a laugh. “Eh, she can’t be that great if she’s with someone like you.” Arthur straightens up but Hamish barrels on, paying him no mind. “Bring her down tonight. I’ll cook up whatever we catch here. It’ll give me something other than your ugly mug to look at.”

Arthur scoffs, “You are a piece of work, old man.”

Hamish waves him off, leaning back in the boat and smiling softly as he waits for a fish to bite his bait. Arthur shakes his head, looking back to the familiar blue waters and feeling something like contentment settle over him. 

“You didn’t have to dress up,” Arthur tells you, holding his hand out to you. Perched atop Lady, you give his outstretched palm a long look before slowly settling your hand in his. 

“I’d hardly call a corset and some nice pants dressing up, Arthur,” you tease. It’s the first time you’ve spoken to each other without there being some underlying current of tension to your conversation. 

He leads you toward Hamish’s front door, smiling slightly when you stop to admire the garden at the side of the cabin. “I wanted to make a good impression,” you tell him, straightening up from where you’d been smelling some of the flowers. You give him a brief look out of the side of your eye before brushing dirt off the knees of your pants. “You’ve been talkin’ about him a lot and well,” you suck in a deep breath, exhaling slowly. “I know things have been hard after Guarma,” you can’t seem to look at him, eyes always darting away from his. 

Arthur stays silent, worried anything he says will ruin the first honest conversation you two have had. “And everythin’ has been so odd between us." You take a step forward and Arthur follows, craving the closeness that has been so sorely lacking. Looking up, you finally manage to meet his eye. The hurt and frustration so plainly displayed on your face makes his stomach clench. 

“I care about you, Arthur, deeply. And that’s not ever goin’ to change.” He expects there to be a ‘but,’ some clause added on that means he needs to change his ways. Or even you telling him that you just can’t handle this life anymore. He wouldn’t blame you if you told him that, but just the thought of it makes him hurt. 

Instead, you give him a smile and lean up, pressing your lips timidly against his cheek. Your hands find his, squeezing slightly, like an assurance to you both that there’s still something to be saved between you. 

Arthur can’t help himself as he turns his head, capturing your lips between his own and tugging you closer. You let out a short huff of laughter, smiling against his lips. It’s a chaste kiss, certainly one of the more demure ones you’ve shared. But it means more to him than he ever thought it would. 

“What the hell are you two doin’?” You startle back from him, eyes wide as you turn. Hamish has his head peeked around the corner of his porch, a stern look on his face but a slight mischievous tilt to his lips. “I invited you to dinner, I didn’t need a show to come with it,” he scolds, but there’s no hiding the humor in his tone. 

You bite your lip and move away from Arthur, though you let your hand linger in his as long as you can before you slip to the porch. “It’s nice to meet you,” you tell Hamish sheepishly. 

“Hm,” Hamish shakes his head as he looks at you, “Can’t believe you let Arthur fool you into bein’ with him.” He grins at Arthur’s affronted scoff and nods you along. “Go on inside, fish is almost ready.” You send Arthur one last look before heading off. 

Climbing the steps of the porch, Arthur lightly shoves at Hamish’s shoulder. “What’re you playin’ at, old man?”

Hamish shrugs, beckoning him inside, “I need somethin’ to entertain myself with.”

“How long have you been out here?” You ask Hamish as you settle down at his too-small table. He plates the fish and takes a seat across from Arthur, brow wrinkled as he thinks. 

“Well,” he laughs lightly and shakes his head. “It’s been so damn long, I can’t quite remember. Probably longer than you’ve been walking, sweetheart.”

Your eyes round, something like concern flitting across your face. “All on your own?” Arthur pauses from where he’d been cutting into his meal, content to let you carry the conversation. He glances up at Hamish, gauging the look on his face. 

Hamish’s solitary lifestyle has been something Arthur’s been avoiding talking about. He knows there’s something painful in Hamish’s past, something he does his best to keep quiet about. Arthur hasn’t wanted to push, too afraid that he’d ruined the good thing they had going. 

But the look on the old man’s face isn’t defensive or angry. It’s soft, his eyes are sad as he looks nostalgic, as if thinking back to happier times. “All on my own,” he confirms and Arthur sees the way your expression slacks with sympathy. “Honestly, this cabin is starting to feel too big,” he admits, glancing around at the barren walls. 

Where some would have family portraits, heirlooms, or memorabilia, Hamish has mounted deer and stuffed fish. There’s nothing besides a slightly dusty metal from the war to hint at what his life had once looked like. “It needs a family, or,” he glances back at you and smiles, “someone besides a sad old man.”

Hamish turns back to his meal and asks Arthur something, he responds vaguely, eyes still trained on your face. Your gaze has hardened as you glare down at the fish on your plate. There’s a wrinkle between your brows that he’s come to know as you plotting something. Whatever Hamish has said has given you an idea that Arthur’s not sure he wants a part of. 

“Well, I’ll be damned!” Hamish shouts, jumping from his seat and running toward the window. “That goddamn bastard!” 

You shoot Arthur a bewildered look and he shakes his head, standing up to join Hamish by the window. “What is it?”

“That boar! It’s back!” Hamish points to a vague shadow of a shape on the crest of the hill. It’s larger than any boar he’s ever seen, but Hamish seems to be cursed with animals of legendary size and vindictiveness. He runs from the window, grabs the rifle mounted above his fireplace, and runs toward the front door. “You better get a move on, boy, I ain’t waitin’ for ya!” He hollers over his shoulder, already whistling for Buell. 

Arthur sighs and gives you an apologetic look. “I oughta make sure he don’t get himself killed.” 

Smiling, you wave him along, “Go ahead, though,” you muse, glancing out the window, “it doesn’t look like he needs much help.” Arthur turns, letting out an aggrieved huff as he sees Hamish already shooting wildly at the beast. 

“Won’t be long,” he promises as he rushes out the door. 

He only vaguely hears your small, “I’ve heard that before.”

Arthur spots Buell grazing in a small patch of grass and leaves Diablo beside him. The two horses don’t seem to get along very well, but he’s more concerned with the trail of blood in the underbrush than them. 

Kneeling down to investigate, he’s stopped by nearby shouting. “I’ve almost got him, Arthur, hurry-” Hamish’s voice is cut off by a loud cry of pain and a boar squeal that almost sounds like screaming. 

Dirt flies up under Arthur’s boots as he races forward. He pushes through the thick foliage, stumbling out into an open area where Hamish lay sprawled on the ground. His body twitches, fingers weakly grasping at a dark, gaping wound in his stomach. Blood pools beneath him, soaking into the earth.

“Oh, Hamish, no,” Arthur mutters, dropping to his knees beside him. He presses his hands over the wound, trying to staunch the bleeding, but it’s no use. He can see it in the way Hamish struggles for breath, his chest stuttering with each ragged inhale.

Hamish lets out a shaky laugh, the sound wet and gurgling. “Flesh wound,” he croaks, though the blood trailing from the corner of his mouth says otherwise. His voice is strained, each word dragged from his throat like it pains him to speak. “I’m an old man, Arthur. This was bound to happen sooner or later.” Arthur wants to tell him to stop talking, to save his breath. But he’s seen death enough times to know there’s no coming back from this. 

“Don’t,” Hamish chokes on his blood and flinches forward. Arthur props him up on his knee, still keeping his hand over the wound. It’s not doing anything except prolonging this, but he can’t find it within himself to let go. Hamish settles, lungs wheezing with effort. “Don’t be like me. Don’t die lonely.”

Arthur doesn’t have the chance to tell him he’s not alone before the light leaves his eyes. He finally takes his hands off of him, looking up as he hears squealing. He spots the boar in the underbrush and picks Hamish’s rifle up off the ground. 

The trek back to the cabin is slow. Hamish’s body is slung over Diablo and Buell carries the boar. Arthur wonders if Buell knows that his master’s dead. If he can smell it, or if he even cares. 

He leads them both toward the hitching post at the side of the home. He sees you watching in the window, eyes narrowed in on Hamish’s body before you disappear from view. Footsteps sound out on the porch as he slings the body over his shoulder and walks it toward the clearing of wildflowers. 

“What happened?” You call out, voice soft as you join him. 

“Boar,” he answers shortly. He doesn’t have the patience to speak. He’s faced and caused death hundreds of times, but something about this feels like a slap in the face. It wasn’t enough that he had to lose Lenny and Hosea and then watch as what used to be his family falls apart. He had to drag Hamish into his problems, had to loop you into this business. 

He knew, when his mother died and when his son died, that he was cursed to lose everyone he loved. That he would never be allowed a happy, or a simple life. And yet, like the fool he is, he keeps trying. He keeps trying to allow himself a sliver of peace or happiness. 

You hand Arthur a shovel as he sets Hamish down on the ground and he starts to dig. Until the sun sets and the moon is high in the sky, he digs a grave for Hamish. You stand there with him the whole night, never saying a word, and for that he’s grateful. He’s learned that it's better not to have to do something like this alone. 

When he’s done, and Hamish is six feet deep, facing the east so he can see the rising sun, he leads you back to the cabin. It’s a comfortable quiet as you help him rinse the dirt and blood off his hands. You take the clothes he stores on Diablo and bring them to him, convincing him to just stay at the cabin for the night. 

He’s too tired to understand the concentrated look on your face, but there’s something niggling at the back of his mind. A sort of intuition he usually wouldn’t ignore but can’t bother with tonight. “Good night, Arthur,” you whisper but he’s already asleep before he can say it back. 

When he wakes up, you’re sitting at the table, writing something on a scrap piece of paper. You turn slightly, smiling briefly at him before going back to the paper. “What’re you writin’?” He asks, sitting up in bed and stretching out the soreness from digging for so long. 

Your shoulders tense up, expression going blank before carefully reconstructing itself into something pleasant. Placing the pen down, you slide the paper away from yourself and turn fully to face him. 

“Eagle Flies is dead.” Your voice is clipped, emotion buried beneath steel. “Dutch was at the heart of it all. He didn’t just destroy a tribe and a family for nothing but his own gain, he left you for dead.”

Arthur grimaces, shooting you a sharp look. “I don’t need the reminder-”

“I think you do, Arthur.” Your tone hardens, cutting through his defensiveness. “Charles is devastated. He won’t stay with the gang much longer after this. That’s who the letter’s for,” you say, nodding toward the paper on the table. “I need to tell him some things before he disappears for good.”

Arthur watches you carefully. There’s something else behind your words, something bigger than just grief over Eagle Flies. A knot of unease tightens in his stomach.

“John and Abigail are leaving soon,” you continue, voice steady but insistent. “They won’t risk Jack getting caught up in Dutch’s mess. Sadie’s been itching to go off on her own for a while-”

“What’re you gettin’ at?” Arthur snaps, frustration creeping in. He’s tired, exhausted from everything, and you dragging this out isn’t helping.

You inhale sharply, rolling your shoulders back as if bracing yourself. “I want to stay here.” Your expression is unreadable, your voice flat. “Here or anywhere else, but I am not going back to that camp. I won’t.”

Arthur stiffens, dragging a hand down his face before swinging his legs over the side of the bed. He tugs his shirt back on with sharp, jerking movements, frustration simmering beneath his skin. “You want me to just leave?”

You shake your head, voice calm but firm. “I want you to do what you need to do.”

Arthur doesn’t believe that. He can’t accept that you would be so calm giving him permission to leave again. He searches for an ulterior motive, for some hidden tone to your words, even though he knows there won’t be one. “They’re my only family. You expect me to just walk away?”

Your expression softens, but he can see it in your eyes, the steel behind each word. Your resolve isn’t bending, you won’t be changing your mind anytime soon. “I expect you to decide for yourself, for once.” You step closer to him and he feels two ideals, two lives, warring against each other in the back of his mind. 

“You’ve spent your whole life followin’ someone else’s lead- Dutch’s, Hosea’s.” Arthur wants to leave before he has to listen to anymore, not ready to confront the truth. “Even now, you’re just tryin’ to hold it all together because you think you have to.”

Arthur swallows hard, “It ain’t that simple,” he argues, even though, deep down, it truly is. 

“It is,” you counter gently, voice calm like you’re soothing a bucking horse. “I’m not tellin’ you to abandon anyone. But you know how this ends,” the look in your eyes shifts. It changes from something earnest to the distant gaze of someone whose sick and tired of marking new graves. “You’ve always known.”

Arthur sucks in a sharp breath, his jaw tightening as he turns away from you. If he doesn’t meet your eyes, maybe he won’t have to face the truth in them. 

But you’re stubborn as all hell and you never know when to quit. “I’m stayin’ here. This is my choice. And I’ll be here when you get back,” you pause, your last words quieter, “if you choose to come back.”

Arthur hesitates by the door. There’s so much hanging over the gang, the Pinkertons, Cornwall, Dutch’s tightening grip. Even if they all wanted to leave, Dutch would never let them. And Arthur… 

Arthur has to see this through. 

“I have to go.” His voice is quiet, resigned. 

“Then go,” you tell him as if it’s the simplest idea in the world. 

He lingers a moment before stepping through the door. He doesn’t look back, but he knows what he’s fighting for now. What he’s fighting to come back to. 

Arthur rides into camp, his gut twisted with unease. He’s not sure what he was expecting, certainly not an idyllic scene, but the sight before him still takes the breath from his lungs. 

Molly lies sprawled in the dirt, blood soaking the earth beneath her. Mrs. Grimshaw hovers over her body, shotgun in hand and the barrel still smoking. Her face is unreadable. The rest of the gang looks at her in stunned silence, some horrified, others grim. 

“She said,” Susan mutters, voice hoarse. “She said she sold us out. Gave us up to the Pinkertons.”

Arthur’s stomach drops. He steps forward, his voice low and urgent. “No, she didn’t,” he looks at Molly, the flickering light of the fire dancing across her lifeless face. He turns his gaze to the real snake in their midst. “It was Micah.”

Mrs. Grimshaw pales and Micah scoffs. “Oh, give me a goddamn break.” He leans lazily against a post, arms crossed over his chest, a smirk tugging at his lips. His eyes are alight with amusement as if this is all some great joke to him. “You’re graspin’, Morgan. I get it, you need someone to blame, and Molly’s already dead, so why not pin it on me?”

Arthur’s jaw clenches, “I see you for what you are, you rat bastard.”

Micah just shrugs, cocky as ever. Mrs. Grimshaw, though, in all of her wisdom and unflinching loyalty, sees right through him. Her eyes narrow and she comes to stand beside Arthur, “Arthur’s right.”

That’s all it takes. The shift on Micah’s face is instantaneous. The gunshot rings out before Arthur can even react. Mrs. Grimshaw jerks back, her body crumpling to the ground. Blood seeps through her blouse and spreads across her chest. 

The camp erupts. Shouts ring out, insults are thrown, and guns are pulled by people who had once called each other friend and brother. Dutch steps forward, getting between Arthur and Micah, his hands raised, eyes darting between them both. Arthur can’t read his face. It’s calm on the surface, but beneath it, something fragile and uncertain lingers. 

Micah steps back, but he isn’t alone. Bill and Javier fall in beside him, weapons drawn. 

John pushes Abigail and Jack behind him. Charles and Sadie round up the rest of the women, dragging John’s family off as they lead them to the horses to flee. John meets Arthur’s eyes, and there’s no hesitation. He grabs his revolver and steps to Arthur’s side. 

Arthur breathes out sharply, giving Dutch one last chance. “You can still do this,” he tells him, voice raw. “You can still make this right, Dutch. You can stop this.”

Dutch’s face twists, pain, doubt, anger, all flickering at once. He shakes his head slowly. “I thought of you as a son, Arthur.” His voice is quiet, barely above a whisper. Then louder, firmer, “I can’t believe you’d betray us.”

Before Arthur can say another word, the Pinkertons ride in, guns blazing. Chaos takes hold of the camp as Micah takes his eyes off of him to start shooting at the others. Arthur doesn’t hesitate, grabbing John as they bolt for their horses. Bullets fly past them, grazing against their clothes and nearly nicking them. Pinkertons certainly aren’t good shots. 

They mount the horses, racing through the woods. The sound of gunfire and shouting follows behind them before slowly fading. They can’t afford to slow down or stop, wordless as they push their horses harder and faster than the animals can stand. 

They don’t stop until they reach the base of a mountain. The money’s nearby, stashed away in Dutch’s greed-fueled paranoia. It’s their only chance of making something out of this mess. Arthur can’t afford to let Dutch and the other’s get to it first. 

Arthur dismounts and John follows. “This is it,” Arthur turns toward John, placing his hand on his shoulder. “You take the money, you get Abigail and Jack outta here. Make somethin’ of yourself.”

John frowns, shaking his head. “Arthur, I ain’t-”

“Go,” Arthur’s voice is firm. The finality of it stops John short. “I’ll hold ‘em off.”

John hesitates, and Arthur knows how desperately he wants to stand beside him and fight. To prove that he’s more than a coward. But he knows better than to argue, and he knows he can’t leave his family behind. He gives a short nod and starts running. 

Arthur begins his climb up the mountain, hoping to find a vantage point to hold the Pinkertons and the others off. He’s not far when he hears them behind him. Turning, he sees Micah and Dutch closing in. 

Micah grins, “Should’ve run while you had the chance, Morgan.”

White hot fury floods through Arthur’s veins, it pushes him forward and he lunges at Micah, grappling him to the ground. Micah lets out a wheeze, his blackened lungs not prepared for the attack. He doesn’t hesitate, bringing his fist down until he feels bones crunch under the force of his hand. 

Micah struggles against him, kicking him off and struggling to his feet. Arthur lets him get up and then he goes after him again. He pins him against the wall of rock behind them both, letting his rage drive him forward as he hammers against his face. Micah keeps gasping for air, arms rising feebly in defense only to get knocked down again. 

A click echoes through the cold air and Arthur freezes, dropping Micah and letting him slump to the dirt. His eye is purpled, swollen completely shut and Arthur almost can’t recognize him anymore. 

He turns, finding Dutch standing behind him, gun aimed at his chest. 

For a long, silent moment, they just stare at each other. Dutch’s finger hovers over the trigger and Arthur just watches. He sees the conflict in Dutch’s eyes, the doubt warring with years of manipulation and ego. 

But in the end, Dutch does what he always does. 

He runs away.

Micah groans, nails digging into the dirt as he struggles for air. Arthur doesn’t bother finishing him off. He watches Dutch disappear into the night and leave them both behind. Breathing slowly, his chest heaving, Arthur turns away from Micah and leaves him to rot. 

The ride back to the cabin is slow. Every muscle in Arthur’s body aches, his lungs burning with each breath, but for the first time in a long while, he’s not carrying the weight of the gang on his shoulders. It’s over. Dutch is gone. Micah is as good as dead. The life he’s known has fallen apart, but he’s still here. And he’s free. 

He crests the final hill, the cabin coming into view, and there you are- waiting. 

You’re not crying with worry or pacing in anger that he left again. You stand, arms crossed, watching the road like you always knew he’d come back.

Arthur exhales, something in his chest easing at the sight of you. He slows Diablo to a stop, dismounting with a grunt of pain. You don’t rush over to him and demand to know what happened, or how he got the fresh bruises littering his skin. The both of you have always known that the only way this was going to end was bloody. Arthur looks up and you hold his gaze, waiting for him. 

Waiting for him to finally decide. The outlaw life, or this new one with you. 

He takes a step toward you, and you stay still as a statue, another and he’s nearly on top of you. You don’t move away or take a step back, you peer up at him, meeting his gaze expectantly. “It’s over,” he tells you simply. 

You nod, nothing gleeful or victorious on your face that you finally got him right where you wanted. You’re not Dutch, this was never about controlling him, he realizes that now. Without his loyalty blinding him, he can finally understand that you were only ever trying to help him. “I know,” your voice is calm as your eyes rove over his face. 

A silence stretches between you, heavy with words left unsaid. Then, slowly, Arthur lifts his hand toward you. You don’t pull away, and when his fingers brush your waist, you sigh, your shoulders easing like you’ve been holding yourself together for too long. Arthur doesn’t waste any more time pulling you in close to him, the both of you holding each other up. 

Arthur breathes out slowly, resting his forehead against yours and pulling you as close as he can get. Your hands come up, gripping his shirt like you’re trying to make sure he doesn’t slip away. But he knows he won’t, not ever again. 

For the first time in what feels like forever, Arthur allows himself to feel real and true hope. He keeps you tight in his embrace, and you bury your face in his neck, he can feel your lashes flutter against his neck as they finally close and you relax against him. He’ll make something of this second chance. He’ll become a man you can be proud to call your own. 

As the sun rises, casting its golden light over the both of you, Arthur finally leaves behind his old life, to begin this new one with you. 

end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.

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@whimsiwitchy @cloudywithachanceofcrisis @martinys-world

[narcjsistx]

𝐔𝐍𝐓𝐈𝐋 𝐓𝐇𝐄 𝐋𝐀𝐒𝐓 𝐍𝐎𝐓𝐄! | itoshi rin x fem reader

part twelve: childhood || BAND AU, A BIT AGED UP

plot: after your band's last concert, a few days after Rin's, an online competition arises about who is the best bassist. A whole new challenge is created by the new fandom who loves you, but people don't know that you and the bassist of Blue Lock haven't spoken in about 3 years since you broke up, when you were sixteen

02: PAST, YESTERDAY

characters presentation || last part || next part ; words: 1k

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!. you can find the other parts of the story by searching in the section dedicated to bllk

"When did you decide to play the guitar? I've never seen you here" you say to the child, putting your bass in the case "I started a few weeks ago. How about you?" he asks, and you think about it "I've been playing my bass for a long time now, I was 5 when I started!" You say, smiling at him, and he nods before walking back with his group

That Sae Itoshi was weird, but really good with his guitar. His guitar teacher always talked to your bass teacher about how he was a phenomenon, that's why you decided to talk to him for the first time, but he didn't seem particularly interested in you. Maybe he's shy, but you don't know

"Wait, Itoshi!" you say running towards him, the bass weighing on your shoulders "I'm convinced I can handle the speed with which you play your guitar, I can be your bassist!" you say, and he seems to think about it “Are you good?” he asks raising an eyebrow, and you nod "Many say that I am the best bassist of my age, in our music school" you say a little embarrassed. You see him a little perplexed as he takes the case over his shoulder "Do you have anything to do this afternoon?" he asks, and you shake your head to say no, following him with a smile on your face

As you walk towards Sae's house, you think about how you ended up in this situation: you don't even know why you care so much about being his bassist, but you think that he is capable of giving you notes that can make you electrify. You've been playing bass for 5 years now, and when you heard that the new guitarist at the music school you go was looking for some good bass players, you took the opportunity. Sae is 12 years old, a little older than you, but he already seems to be great at what he does; you have fairly high expectations, both on his part and on your part

"Come, we can go to the garage" says the child entering a small garden, taking a path that surrounds the road, which leads to the back. You follow him, looking around curiously, noticing how the outside of the house is very nice. When you arrive at the back Sae takes you into the already open garage, which overlooks a very well-kept garden, probably from her mother "You can connect your bass to that speaker. Shall we try some songs?" he asks, plugging in his guitar, and you nod, following the order that he gave you “You start, I'll join you and give you the right rhythm. After all, that's what the bass does"

Sae begins, and after a few seconds you join him: you both start playing a strong melody from a song you studied in music school, one you particularly like. Even though you've never played together you seem to have been doing it for a long time, as if a chemical reaction had taken place between your bass and his guitar. Play for minutes on end, until you reach the end

“That was so cool!” you say happy, but he doesn't seem to share the same happiness, despite being calm "It was nice. Let's try again with something else" he says, and you nod getting into position, yours fingers on the bass keys. For the second time you start playing without any problems, and you feel so happy to finally have someone who can give you emotions when he plays: you've been playing for a while, you know how it works to be paired with someone for a duet, you've always gotten along well with everyone because you're talented, but you've never had fun. But now you're doing it, you're not the only one with so much talent. It's satisfying, magical, beautiful

But as you play, you notice how someone is peeking from the last step of the garage stairs, the ones that probably lead to the first floor

Finished playing, Sae puts down the guitar, climbing onto the first step "Rin!" he says, and you are confused "If you are interested, you can come down. Observing is rude" says Itoshi, and a child comes out from behind the door, that is, from where he was hiding while he was looking at you "Sorry, Nii San" says the child coming down the stairs, looking down and apologetic

Seeing him like this, he is probably his younger brother; he could be your age, since you should be more or less the same height. He is quite different from Sae, except for the marked undereyelashes, perhaps a symbol of the Itoshi family: he has dark green hair, teal eyes and chubby cheeks. He is quite a bit shorter than Sae, that's why you're convinced he's his younger brother

When he reaches the garage floor, after going down the stairs, his gaze shifts to you: you observe each other for a few seconds, you curious about him and him for who knows what reason, which however doesn't make him look away

"Rin, I told you it's rude to stare. Introduce yourself to her" Sae says, walking over, placing a hand on his shoulder. Rin becomes serious again, standing up straight "I'm Rin Itoshi. I'm Sae's younger brother" the boy says, and Sae nods "He's 10, you should be the same age, right?" he asks, and you nod "I have 10 too, yeah"

Rin's gaze continually shifts between you and your bass as he stands a few feet away from you. You look at him curiously "Do you like my bass?" you ask, moving closer, and he takes a few steps back "Oh, yes" he says uncertainly, but you don't seem bothered by his uncertainty "Do you play an instrument too?" you ask, and Sae walks away, returning to his guitar, which he puts back on

“He said he wants to start sing-” Sae says, but is cut off from the ringing voice of his brother

"I want to play bass"

TAGLIST: @x3nafix ; @kittenish0 ; @littlejapanesesightseeingtrip ; @pan-kojiwa ; @pookalicious-hq ; @kaz-0e ; @sof888a ; @chugging-bleach ; @matchablossomsss ; @lovelymeguru ; @thebestsetter ; @yamsverse ; @princesssae ; @yuukigyatgyat ; @azharyy ; @rwbie ; @bubybubsters ; @swagkittybear ; @syarc0re ; @rink1sser ; @frogsrules ; @hwaassaa ; @chuuyalvover

[inkbomber]

Composition notes, because I put a lot of thought into this piece:

I like to think of Robotnik as an elegant utilitarian, any pronouns out of convenience. I’ve been thinking trans fem thoughts about Robotnik for 4/5 months that I’ve been hyper focused on these movies. I don’t know why, exactly, but enough things pinged in my subconscious watching the movies that she got in there and won’t leave <3

Speaking to @mothric helped me sort a bunch of these feelings out, thank you for listening! and shoutout to @duckngk and @jubmato for playing in the same space! All ya’ll are incredible! No one creates in a void, and I’m so grateful for all the artists and writers in this fandom.

In case you didn’t know, Lili Elbe was a transgender woman and artist, who started dressing in women’s clothing when she modeled for her wife’s paintings. She died after complications from surgery, after being the first person to get a uterus transplant.

I chose to base this piece on “Lili y Gerda” because I consider Stone’s love and care to be an essential element of a happy doctor. I spend a lot of time covering the support Stone gives Robotnik in “The Point of Invention” because I think he provides the doctor with the space to grow and change as they need, while still having the confidence that they are loved. Something about the parallel of Gerda providing that avenue of expression to her partner really called to themes I was already focused on for my fic, so that’s why I chose this particular painting as a base.

Now, you might think I had robotnik winking in the sketch because I was having trouble drawing the second eye. Incorrect! Drawing badniks is hard lol. On the theme of safety: Robotnik is never in danger, always protected by the narrative and her killing machines both. Part of this is Stone’s protective nature, but the other is Robotnik’s own competence at work. Her machine’s are a part of her, and her children, and her tools. They are her eyes and ears where she cannot be. The red in their eyes/on her coat is that RGB shade that you can’t print, purely digital. The background is watery and indistinct because they’re in a world of their own.

The textures I chose on the brushes are also purposeful. I wanted to emphasize the badnik and the clothing as pieces of art, while I used the pixel stippling to shade as a digital contrast on the biological organisms. The black paint that smears over both Robotnik and Stone is to help emphasize their sameness, the way they are a unit, the way their motives smear into each other and compliment each other. I decided to keep the sketchy lines instead of creating cleaner line art, evolution of the piece is part of the theme, here. It’s all a work in progress, and the evidence of the labor is just as important as the result.

Thanks for reading!

POV: you’re at the Robotnik Enterprises holiday party and the CEO and their bodyguard are doing their Morticia and Gomez Thing

Inspired by “Lili y Gerda” by Gerda Wegener

[wriokitty]

#FAILBLOGGER FAVS — NOW CLOSED

As promised, for my silly Valentine’s Day event, we’re going to switch the roles and have our favs be the chronically online failbloggers <3 this is open to all my followers we don’t have to be mutuals for you to take part so everyone come join ;)

disclaimer: pleaseeeeee read this post all the way through before you send an ask pretty pretty pleaseeee

WHAT I NEED:

Send me an ask and tell me a selfship of yours (please just one) and what the dynamic/lore is—just give me a decent amount of relevant info so I know what the ship is like. If you’re only a reader, tell me your favorite fanfic tropes, preferred word count range, and if you like to read sfw, nsfw, dark content, or all of the above. If you’re a writer, please include the previous info regarding the fics you read and write (I know, I know. A lot of typing, but it makes a difference I promise. To Me it does.) Please, and I can’t stress this enough, include whether or not you’re comfy with dark content because that will severely change the direction I take things

WHAT YOU GET (PLEASE PICK ONE ONLY):

OPTION 1 — get a detailed description of how you and your fav become mutuals on tumblr and what they’re like on dash, what sort of asks they’d send you, what vents they’d make, who they’d beef with and block (as in other characters not real ppl btw lol), and what discourse they’d get themselves into

OPTION 2 — get a detailed description of what they’d be like if they wrote fanfiction about you and selfshipped with you. This includes how they might characterize you, if their forte is sfw, nsfw, dark content, etc., if they’re non sharing or sharing, who they’d beef with over you, how many comms they’d get, and plenty more idk I’ll come up with it as I go LOL

SLOTS: CLOSED — 15/15 TAKEN — for now I’m doing 15 but I might reopen for a few more when I’m done!!

FANDOMS: main fandoms include genshin, hsr, love and deepspace, jjk, bnha, and I suppose haikyuu and bllk are okay too

ANYWAYYY this is superrrr silly and unserious but I think it’s fun and would get a few good giggles from everyone so ;) anyway this doubles as sort of a milestone event too bc I’ve yet to do one after a good few milestones so ty everyone for following me and being friends with little old me <3

[utdrmv-confession-box]

Transcript: Loving the discussions in the tags about my papyrus is integrity rant. For the fandoms consideration of soul traits ut characters would have; toriel is either kindness or perseverance. Yeah yeah giving the purple goat lady a purple soul idc it fits her pretty well since not only is she Incredibly kind she also fits the perseverance aspect really well. Asgore being the loser soul is funny but I actually think he would also be kindness? He's difficult to decide on since it's easier to say which traits he DOESNT embody (bravery & integrity for which is interesting...) I like the idea of him and toriel having the same soul trait(s) despite having very different responses to their trauma.

Bravery alphys and patience sans are something I'm never going to waver on, and undyne is a mix of justice and kindness to me. Mettaton is tricky since hes....well him. Napstablook is integrity tho I have no reason or canon text to support it, it just makes sense to me. Burgerpants is also perseverance and gerson is bravery. That is all. *I walk off stage never to be seen again*

[homuraakemis]

One idea that annoys me a little in the Arcane fandom, be it in discussions or in fanfics, is the idea that Caitlyn would need to tell Vi about suspecting that Jinx is alive. Because this idea just doesn't make any sense to me.

The reason why I don't think this makes sense is that the first thing Vi would have done is go look for her sister's body. That's her little sister. She would want to give her a proper burial/farewell, she wouldn't just leave her body there discarded and forgotten. Obviously, when she went there to look, she didn't find a body. She probably didn't even find any blood either. I think it makes much more sense for Vi to be the first person to suspect that Jinx didn't die, and that it was Vi herself that asked Caitlyn to help her investigate.

A second reason why I don't really like the idea that Caitlyn is the one looking for Jinx on her own initiative is because I don't like the idea of Caitlyn ever being completely ok with Jinx. Of course, this is just my personal preference, but I think Caitlyn has every right to still resent Jinx and want nothing to do with her. I love that she was able to let go of her hatred towards Jinx for Vi's sake, but I think there's a difference between letting go of hatred/revenge and actually being ok with that person and going out of your way to find out that they're alive. To be honest, I prefer the idea that this is just another one of Caitlyn's gestures of love for Vi: that even though she doesn't really care about Jinx being found, she is investigating because Vi asked her and she knows it's important to Vi.

Finally, one could argue that Vi's sad expression in the last scene means that she doesn't know that Jinx could have survived, but I interpret it differently. As I've said, I think Vi was the first person to suspect that Jinx survived. But that's all she has, a suspicion. She doesn't know if her sister is alive or dead and she doesn't know if she will ever see Jinx again. In a way, she is reliving the same uncertainty she lived when she went to prison, when she didn't know if Powder was alive or dead. And that's more than enough to explain her sad look in the end.

[betweenthescarletmoon]

hello fellow mutual from tiktok!!! I am so happy to see you put your thoughts here, i feel it was much harder for us to discuss jayce over there!

I agree with everything you said. A fourth act would've worked wonders for Every Character, not just him. And it does anger me so much that Jayce wasn't seen nor Written as a profound character because of s1. I wish i could have a talk with Christopher Linke about this

The idea that people can only like characters because they're attractive to lessen the load of digesting media is imo most likely the Editing Effect of inatagram and tiktok. It pains me to say but i do wonder if arcane came out by the time we as a generation watched AMVs and 7min edits on youtube instead (or at least i did). Maybe then people would have more profound thoughts on all the characters, including Vi, Jinx, Silco, Mel. And i am glad we can discuss things more over here, but it's still not as common to discuss and analyze as it used to be either.

You've mentioned one of my biggest gripes with fandom interpretation in the cave, WHO would debate bisexuality when they have nothing left but the crumbling inner workings of their mind, building the last comfort it can?? Thank you, i really like the idea that he also found himself resenting them, that is actually a much closer observation to how he Looks at them. I truly like that transition from his tears (which represent his old, vulnerable, sweet self) to that colder bitterness that guides him for the rest of the season (until we get the ending, which from a character narrative standpoint, doesn't make sense to me tbh).

Here's the thing, I've also placed myself in the difficult position of liking those thirst edits, saving them in a folder called "thirst traps" to keep them apart from my Real Jayce Folder, laughing at some of the "why trauma jayce kinda" and the like...while also deep down just feeling so empty and sad about it but feeling like there was nothing i could do about it? I don't wanna be dramatic but it Felt isolating. And maybe it does make me a hypocrite! Conformity and yadda yadda, but i cannot imagine that Jayce was designed to not be hot. I believe that was fully intentional, but i also thought that they were prioritizing his character. When i first saw act 2, i didn't know his agency would be obliterated and his arc ripped from his hands to place it solely on Viktor's. So now it feels even worse, that That is what the writers used him for too. And people are completely fine with it! They're so happy about the soulmates.

Your observations about him not stopping and being stuck in survival mode bring me clarity fr. He's never truly been a man about rest, was he? Perhaps that was his main trauma response all along, sacrificing sleep and Academy grades to get Hextech running, almost killing himself the moment he felt he lost it. Of course he'd do that at a more extreme level, but because act 3 doesn't rest or let the story breathe, i frankly didn't interpret it as that, it just felt like he conveniently stopped being mentally ill to give a speech and fight the war 😂 if he survived, he probably wouldn't have stopped, because stopping meant that PTSD would rear its ugly head. But the tragedy of it all Was that he died. Saving the world yes, but it feels so empty and cruel that he suffered so much just to die. No real accomplishment or meaning, just him serving the narrative and saving Viktor.

PS : i adore viktor i really do but it's getting hard not to resent him bc of what the writers did to butcher him, and how they stripped jayce of everything he was outside of him. I still love him! I promise!

And mutual! If you wanna keep talking in DMs you are welcome to!!

Random Thoughts on the Arcane Fandom about Jayce

this is gonna be a mess but I have nowhere else to talk about this.

I've recently noticed how Jayce Talis has been subjected to all kinds of sexualization since the drop of Act 2 of the second season. People have mentioned many times how trauma has made him "hot". A good and well-known example of this is Danny Motta's reaction to episode 5, where he said, "Holy shit, they made Jayce hot! [...] My dude went from looking like a Muppet to the king of Rohan, and all it took was a little bit of trauma."

This isn't entirely new for him? If people didn't hate Jayce back in S1, they ogled him in the scene where he works on the Forge shirtless, which IS kinda the point because the animators are making him very obviously attractive. But most importantly, he as a character has been reduced to his sexual or romantic relationships since the beginning of time.

It seems that S2 is a response to this in a way. His arc from the ending of S1, where he took responsibility of his actions out of guilt for the child he killed, was slightly set aside for Viktor. Well, ALL of his life, dreams, decisions, everything about him was eclipsed by Viktor's shadow because of the whole "all times, all possibilities" twist. He wasn't expected to show up as a Councilor in any of the meetings, and we must assume he quits at some point, but he surely hasn't resigned from his position by the time Viktor wakes up. Apart from that much needed scene between him and Cait, and the one where he attends the memorial (and is attacked by a vengeful mother), we don't see many of his decisions or what leads him to make them, other than Viktor. This is beautiful in a way because we can SEE how it is a trauma response to losing him. He is obsessive by nature, and he clings to what keeps him and his loved ones safe excessively, but I still had to do a bit of mental gymnastics as to why he went back on the second promise: to not build Hextech weapons again. (Hint: it has to do with the fact that VI saved him with HIS weapon, but it went so fast it's hard to process in the first watch.)

Now back to the sexualization problem. Every time I look up his name and trauma, or PTSD, 95% of the results are thirst edits on Tiktok about how hot he is. No joke. One of the more serious results is my own edit. Of course, a lot of people connect with his suffering without naming it as trauma, and that is great. My concern is that there has been so much focus on Jinx's trauma, Viktor's trauma, even Silco's trauma (which are all valid and fascinating to explore), but there's less attention for other characters who clearly show how their own traumatic experiences has shaped them. Vi, Caitlyn, and Jayce are some of the clearest examples of this, and they've experienced some truly heinous things in the show. Trauma cannot be compared, ever. But why is it that Jayce, who lived through an apocalypse that HE knows HE caused, and lives in complete isolation except the "company" of metal watchers, to the point that he loses touch with reality, and is changed so irrevocably that he loses the naivety and starry-eyed optimism that has always defined him...is seen as hot? And more importantly, why is it that there is very little attention to his experiences on that cave? Every scene between him and Viktor is uploaded in 1080 HD quality, but the scenes of him alone? Fighting to survive? Showing remarkable resilience in the face of his suffering? No, that's not as fun. Not a single one of those scenes is uploaded fully, and I have checked many times. (Some people have actually skipped those scenes to focus on Timebomb. I'm...)

I went online and looked up "why do people sexualize traumatized characters" because let's face it, it's real, it's interesting, and I cannot judge or else I am a hypocrite. Bucky Barnes, Loki, Ellie Williams, Dean Winchester, Vi herself, the list goes on much longer but I can't think of others off the top of my head. We connect with their suffering, and we are pulled by their experiences.

However, Jayce is such a complicated case because he is usually thought of as the greedy himbo that fumbled two baddies, or the confused bisexual, or the guy who lost it because of a situationship (much like Vi, who DID NOT lose it because of a failed romantic endeavor bfr). And then the plot goes and tells us, "Actually, yeah, his life outside of Viktor doesn't matter, he's not even supposed to be alive, because Viktor saved him. All of time is completely inextricable from Viktor." People hate meljay because she manipulated him and "trapped" him in a relationship or something, only to celebrate it when something suspiciously similar happens with the male romantic interest? I initially thought it was beautiful too, bc Soulmates, but man. Mage!Viktor really left the man he loved to rot in complete isolation, eating raw reptiles until throwing up, losing his mind. Say what you want about the allegory for Viktor's life, at least Viktor's isolation was metaphorical up until the Glorious Evolution.

Despite us being shown this, people make thirst edits of him in his black fit, and fighting with sexual tension with Viktor. I fear...that I am the only one who finds this tragic. The man forced to create a larger than life persona to sell his work and be seen as an attractive pawn of the system, has become the attractive pawn of the narrative. Viktor's narrative.

Perhaps Viktor was forgotten by the world. But Jayce's kind heart, and brave soul, were forgotten by us.

Just some thoughts to chew about my favorite character and my wish that more people focused on his arc with me

[rynzie]

Cosmo Has More Personality Than the Fandom Gives Him Credit For

Cosmo! My favourite, and one of the most overlooked characters. I can genuinely not think of any other character that has been done so dirty by both the fandom and creators in Dandy's World and Im not even just being biased. So, in an attempt to clear these mischaracterizations and shed some light on Cosmo's true nature and character, I am making a Tumblr post. Yes it is 3 am and I'm too tired to do anything else. Cosmo... Is a very self-sacrificial person and it is so insanely obvious I am bewildered nobody is talking about this, but not really. Because it's so clear, just nobody has bothered to look into it or even comment on it. Nobody notices because they don't care to think about his character. Cosmo uses his own FLESH. His own flesh and blood- or I guess Ichor- to heal the other toons. He never worries about him being endangered or even if the other toons might waste his heal, instead he remains timid and unsure, worried about his own incompetency.

He doesn't even feel good or confident in his healing, all of his ability dialogues but a single one ending in '...' and Cosmo feeling as if he did something wrong. He's also a considerate person, his dialogue with Flutter, Astro, Finn, Ginger, showing that he takes the time to think about the other toon's and their situations. My favourite and the most obvious one being the Flutter dialogue. Not to mention his laughably gullible character that often gets overlooked because god forbid a cartoon non-human male carry feminine AND sensitive traits! Poor Finn, I bet he and Cosmo stood in awkward silence that whole elevator ride.

Another obvious and interesting fact about Cosmo is that he loves stars and space! It's been confirmed by Qwel that he enjoys to stargaze but it's not really shocking considering his name comes from COSMIC- yk, like SPACE? and STARS? And he literally has star freckles like c'mon it's right there in our faces. It's so glaringly evident and yes I'm running out of synonyms for obvious because I can't believe nobody knows this stuff! Yk why? Because people don't give two shits about a common toon that only exists to be a tool for Sprout, whether they mischaracterize him to be some uwu boy who can't do anything without his big strawberry boy or they make him into some big manly man with a moustache that has no issues at all with being confident and making snarky jokes.

Do you see the problem? God, I have to tag this with fruitcake otherwise nobody will care.

[ilikekidsshows]

I feel so mean for saying that, but you know what I think would be ironically funny about the foreshadowing now that Marinette will loose her memories at one point, so Alya will obviously have to somehow restore it again (cuz no way is that gonna be more than a 2 parter thing. There are no stakes in this)?

If its not some outside force that forces Marinette to do it or some situation that actually requires for Marinette as guardian to give up her memories to keep the Miraculous save

It would be so funny atp if it happens because Marinette is stressed(tm) again and can't handle it when her giant web of lies are revealed by Lila, and because people are having some kind of a negative reaction and don't immediately prioritise her, she thinks that's the worst possible thing that ever happened and gives up her guardianship and memories of the last year to escape that and go back to being normal girl with a normal life Marinette.

I know it's so mean, but I can see it happening so easily that this is what the temporary memory loss will be. And then Alya has to talk to memory Marinette to find out why she gave up her memories, is told by her in pretty words that it's yet again her avoiding any long overdue consequences of her inactions (and bad choices), so Alya has to clue in memory-less Marinette on what happened until Marinette eventually make the decision to use whatever random way they'll come up with to restore her memories and face the reality "for the greater good"

But of course only AFTER everyone learned to not be mad at her for anything and view her as the true victim bc "don't you see how much she suffered? Everyone was so unreasonable and mean and bullying her that she felt the need to give up her memories! Grrrrrr, don't be mean to Marinette! It's not her fault she never said anything!"

Everybody in the fandom is angsty as shit about this, but I think this is way more likely to happen. The ultimate way out of facing consequences when the lies are out that doubles as perfect way to make everyone priorities her feelings again

---

Damn, anon, you cooked with this. I have nothing more to add other than this is perfectly in character and matches how the show has repeatedly handled Marinette’s “consequences”. Marinette’s consequences for her behavior are always self-inflicted punishments. She makes herself feel bad, she calls herself bad things, she convinces herself she’ll never find love and doesn’t deserve it. Even her Lucky Charm had now been a part of her self-flagellation. Taking away her own memories because she doesn’t “deserve” to be a hero anymore is 100% in character as a reaction to her web of lies coming undone.

It even comes with the follow-up that Adrien’s justified anger at her no longer has a target. Adrien is no longer “justified” in being mad at Marinette, because Marinette can’t remember doing that, so holding her responsible would be unfair and mean. Adrien has to, once again, be the bigger person and let his hurt go to help Marinette.

[littlestsnicket]

random armand focused iwtv thoughts and headcanons with absolutely no fandom wank this time:

i think armand is actually probably a really good teacher. he was certainly successful at teaching louis to use the fire gift, and i think it dovetails nicely with his desire to provide service and his capacity for levelheaded severity and dominance. (which he does have--the evil trauma gremlin is a separate trait and doesn't usually get triggered when teaching)

fucking obsessed with the park bench scene. louis sitting there in the rain with an umbrella in his lap, looking at armand, looking at the umbrella, and being like "i'm a bit wet". he's feeling that out, seeing how armand responds to this power dynamic before they have the rest of that conversation. like... this is calculated, louis knows and is telegraphing what he wants from armand, and armand is so eager to give it. it makes me insane. obsessed with their dynamic. truly obsessed.

and the scene before louis is going to give madeleine the gift... i actually don't think armand takes poorly to having his boundaries respected. i don't think armand is quite that fucked up (or more accurately, he is that fucked up, but has a good understanding in at least some parts of his brain about exactly how fucked up he is even if he has some weird cognitive dissonance about it, and is able to rationally interpret that as a good thing in that moment, even if it puts him off balance). what armand takes poorly is louis being wrong. louis took responsibility for something and couldn't actually handle it and that totally undermined armand's sense of safety in their relationship. which is obviously not reasonable or healthy, but i think makes a lot of sense for armand and his decision making process.

i'm also really attached to the idea that armand has a good working knowledge of modern risk aware BDSM practices. he has the internet. and as much as louis and armand don't have many (hardly any) actual peers and are therefore wildly codependent, i think they both have a ton more casual contact with people than they appear to in the dubai interview. i think louis is coming out of a particularly bad depressive funk so temporarily doesn't have much contact with the outside world, and showing himself to have outside contact doesn't serve armand's narrative. anyway, i think armand has been to his fair share of kink clubs.

i think a large part of why lestat lets louis go with armand in the tower is because he believes (correctly, at least in this case; that is literally the least convincing yes i have ever heard when louis asks armand if he saved him) that armand is not a very good liar so if louis doesn't believe lestat saved him, it's primarily because louis doesn't want to. armand is great at controlling a narrative, significantly less great at flat out lies.

armand functions, structurally, as a femme fatale in a detective story. he's exactly as simultaneously shady, secretive, tragic, and alluring as he seems to be--the reveal is just that he's done something worse, but still totally in character, than we thought.

loumand from louis' perspective: i loved you in paris, i'm not sure if i love you now or am just scared of being alone. sometimes i can work with that and things are good, other times i think i'm betraying claudia's memory by being this close to you and am going to punish both of us for it. a lot of the time i'm clinically depressed in a way that actually has very little to do with you, but you're such a martyr you can't see that and sometimes i crave the resulting attention and subservience and other times it makes me sick with both of us.