#i love all the good omens cast and crew

[lydiablackblade]

Okay, I have questions:

Was the box bigger on the inside (or smaller on the outside)?

Wtf is Hobnobs?

Why they wanted to shoot him? o.O

That's how he got on fire regularly? Being too hot in a cardbox?

Was Michael allowed to pet him?

Why does this kick in a new fetish to me?

How does anything get done on the set of Good Omens when David Tennant look like THAT

We keep him in a box until we're ready to shoot.

[unforgivablego]

I want to say something very important.

It's about how much I love our fandom and how glad I am to be a part of it, even if just a little bit. Usually everyone is talking about the show, Neil, Michael, David or G.O. crew and i’m not saying that you are doing something wrong, I just wanna say how little we talk about ourselves.

We treat the Neil with humor, we joke about it, we ask interesting questions, how much pleasure and emotions we get and something truly beautiful comes out of it. The relationship between the creators and the fandom is so warm that sometimes it seems that we all have known each other for a very long time and it's so wonderful.

Just look at how the fandom cleaned up the information about the leak very quickly and efficiently. How much you need to appreciate the work of others and be understanding in order to treat everything that the go crew does with such trepidation.

And we are all strangers to each other, we are not directly related, we are just a bunch of very different but lovely people who are connected by something in common - love for good omens.

Yes, it may sound sentimental or strange, it's just a book or just a TV show. So what? The world is full of such things. But sometimes those things make people feel like they belong, and that's what I feel when I'm in this fandom - at home. No matter what we all worry about, we know that when we come home after hard/easy work or a bad/good day, we'll go to the Neil's page and write something kind and gentle, maybe funny and stupid, just to make someone smile or sincerely take an interest in someone else's experience. We'll write several posts about how we feel, what emotions we experience with the thought that at this moment we are not alone. It'll give us relief, someone will have a charge for the next day, someone will cheer up.

And it's wonderful.

We love everything G.O. crew does, we trust them, we trust Neil and we help ourselves to feel comfortable at the expense of him. This is a kind of symbiosis “I to you - you to me” between the creators and the fandom, and everyone puts something of themselves here.

That's what fandom is - we're all a shining example of it. Thanks to all of us for this, thanks to the G.O. crew and Neil for giving us the opportunity to be ourselves, to be something like this.

That's all I wanted to say.

Love you guys, we're perfect.

[bugbugboy]

I want to say there's quite a bit of genuine negativity bc of that ending but I think, the whole show not just the ending, was brilliant and with the hopes of a season 3 we can only put our trust in Neil Gaiman and Terry Pratchett as some people have done since 1990

[catabasis]

the news about Good Omens s3 being just one 90-minute episode is very bittersweet, but it's still a bit better than not having an ending at all. i just hope whoever they bring on board to write it does a good job and it's made with love. Crowley and Aziraphale deserve their happy ending, in whatever shape or form, and the the cast and crew also deserve to bring this story to the end

[smudgeandfrank]

Good Omens S3 has been officially put on a production pause.

To all of my Good Omens darlings out there, take a breath and feel the comforting hug I'm sending your way. 💖🫂💖 Everything will be alright. 💖🫂💖 Production pauses happen, and this one, I think, is perfectly reasonable.

After everything that has come out about Gaiman, it would be a blatant disregard of moral standing to keep him on the project. As he is the present show runner, removing him is a big upset to the show's production structure. It will take time to make the proper adjustments if that's the issue at hand. (I'm pretty positive that this must be the cause.)

So, don't panic, my darlings! 💖🫂💖 Give this time to breathe, and trust that the right choices for GO and its cast/crew will be made behind the scenes. I love you all dearly! 💖🫂💖

[floralcyanide]

ᴛʜᴇ ᴅᴇᴀᴛʜ ᴏꜰ ᴘᴇᴀᴄᴇ ᴏꜰ ᴍɪɴᴅ — ᴄᴀʟʟᴜᴍ ᴛᴜʀɴᴇʀ

callum turner x fem!reader (nsfw)

In which a chance reconnection with your ex, Callum Turner, brings you to his hotel room- and he talks you through more than just your breakup.

✣ warnings: smut, penetrative sex, unprotected sex, language, female anatomy described, nipple play, finger sucking, fingering, mutual orgasm, love confessions

✣ word count: 2.7k

✣ author’s note: I wrote half of this weeks ago and just finished it. hope ya'll enjoy ((:

masterlist | divider credit: @cafekitsune

based on this song | the death of peace of mind - bad omens

this fic has been cross posted to ao3.

ᴅᴏ ɴᴏᴛ ᴄᴏᴘʏ, ʀᴇᴘʀᴏᴅᴜᴄᴇ, ᴏʀ ᴄʟᴀɪᴍ ᴍʏ ᴡᴏʀᴋ ᴀs ʏᴏᴜʀs ᴏɴ ᴛᴜᴍʙʟʀ, ᴀᴏ3, ᴡᴀᴛᴛᴘᴀᴅ, ᴏʀ ᴀɴʏ ᴡᴇʙsɪᴛᴇ. ʏᴏᴜ ᴅᴏ ɴᴏᴛ ʜᴀᴠᴇ ᴘᴇʀᴍɪssɪᴏɴ ᴛᴏ ᴜsᴇ ᴍʏ ᴡᴏʀᴋs ɪɴ ᴀɪ ɢᴇɴᴇʀᴀᴛᴏʀs ᴏʀ ᴀɴʏᴛʜɪɴɢ ᴛᴏ ᴅᴏ ᴡɪᴛʜ ᴀʀᴛɪғɪᴄɪᴀʟ ɪɴᴛᴇʟʟɪɢᴇɴᴄᴇ. ʏᴏᴜ ᴍᴀʏ ɴᴏᴛ ᴜsᴇ ᴍʏ ᴡᴏʀᴋs ᴛᴏ sᴇʟʟ ғᴏʀ ᴀs ʏᴏᴜʀ ᴏᴡɴ ᴄʀᴇᴀᴛɪᴏɴ.

The last thing on your mind today was running into your ex, Callum Turner, yet here you are. 

He’s sitting adjacent to you in the script reading session for your new movie- and you had no idea of the cast until today, so seeing him was an absolute surprise. You try your best to remain neutral and keep yourself from looking at him, but you find yourself glancing up at him frequently. He looks great, of course, which makes it hard not to stare. You remind yourself Callum is an ex for a reason and focus on your turns to read the script. Callum had broken up with you because he had found himself unsure of his feelings and hadn’t elaborated further on it before leaving. So, you have struggled for a while with self-confidence and identity. It’s not entirely his fault, but not knowing how he felt for you during your relationship did something to you emotionally and mentally. 

When the reading concluded, you tried your best to make a clean getaway, but Callum’s long strides and quick maneuvering skills got him to you in the hallway in record time. A gentle hand is placed on your shoulder in the sea of cast and crew exiting.

“Long time no see,” Callum flashes his brilliant smile at you once you turn to face him.

“Yeah,” you half-smile, “Sure has.”

Callum stares intently into your eyes for a few seconds longer than usual before he notices he hasn’t responded. He visibly shakes his head out of his mess of thoughts, “How have you been?”

“Could be better,” you shrug, “But I’ll be fine, always am.”

You keep your answers brief, with as little to go on as possible. 

“Would you like to meet at my hotel for coffee later? There’s a cafe in the lobby that’s pretty good,” Callum scratches the back of his neck, “I just need to talk to you about something and would rather do it somewhere other than the corridor,” he laughs nervously.

“Oh,” you purse your lips, momentarily looking down at your feet before answering, “I don’t know, Callum. Is it really a good idea for us to talk outside the set?”

Callum clears his throat, “Well. I was hoping to talk to you about that, actually. See, I didn’t tell you everything when we broke up about how I felt, and I think you deserve to know, ‘s all.”

You sigh, “I suppose knowing wouldn’t hurt, even though it’s been a year already. Why didn’t you come to me sooner?”

“I was afraid,” Callum admits, “I thought you hated me.”

You frown, “I don’t hate you, Callum. I promise.”

Callum brightens, “So you’ll meet me at the coffee shop? Tomorrow, maybe? Ten in the morning?”

“Fine,” you agree, “Tomorrow it is.”

Callum gives you the hotel’s address and leaves you in the hallway, turning as he walks away to wave goodbye.

You’re laying in bed that night staring at the ceiling. You still love Callum; don’t get yourself wrong. But if he didn’t feel the same, why entertain it? Besides, it seemed like he never really felt that way for you, and that’s why he dipped last year. At the same time, however, you don’t know that for sure because Callum didn’t tell you much. You guess you’ll find out more tomorrow. You roll over and will yourself to sleep.

You definitely need the caffeine upon waking the following day from tossing and turning all night. You get ready and take a cab from your apartment to the hotel Callum is staying at, nervous the entire ride there. When you arrive at the cafe, Callum is sitting on a couch by the window, aimlessly scrolling through his phone, waiting for you. He hopes you come and don’t change your mind.

“You made it!” Callum grins as you walk in, and he stands up to greet you with a kiss on the cheek. 

Your entire body burns at the contact, but you try your best to push your feelings aside, “Of course I did.”

The two of you order and return to the couch, where you hesitantly sit beside Callum, his thigh touching yours. You find it familiar and comforting but, at the same time, very nerve-wracking. 

“So,” Callum turns to face you, “Do you mind me explaining everything? I promise you don’t owe me your time; I just feel you deserve to know why I left.”

“I don’t mind,” you say honestly, “In fact, I’d feel better hearing it.”

“Alright,” Callum nods, “To be honest, I was scared. I had feelings for you I had never felt for anyone before, and I didn’t know how to handle them.”

You focus on Callum’s words, carefully turning them over in your head, “I understand.”

“I loved you, you know,” Callum rubs his palms on his thighs, a nervous laugh leaving his lips, “And I fucked it up.”

You stare at him wordlessly, unsure of how to respond.

“Still do, actually. Love you.”

Your ears begin to ring, and you almost don’t hear your names being called for your coffee orders until Callum stands up and walks over to retrieve them. He loved you? Still loves you, rather? Your facial expression- one of shock- is still apparent when Callum sits back down next to you and offers you your drink.

“Are you alright?”

“Yeah,” you exhale the breath you didn’t realize you were holding, “I just didn’t expect that.”

“You don’t have to return those feelings, by the way. I just needed to tell you that’s how I felt then and still feel now.”

“Despite leaving me a little lost a year ago, a part of me still loves you too, Cal. But I don’t know what to do with that.”

“It’s up to you, sweetheart. We don’t have to do anything if that’s what you wish.”

“How do I know you really love me?” you blurt, shocking yourself with your words.

Callum puts a hand on your knee, “You can trust me, or I can prove it to you.”

Clutching your untouched drink in your hand, you wonder what he could mean by that.

“Prove it how?”

“You know a thing or two about that, I think,” Callum says suggestively, and your body burns like fire again.

You scoff, “I do. But how do I know you won’t just up and leave again after? Hmm?”

“I won’t,” Callum grabs your unoccupied hand, “I won’t this time, I promise. I don’t think I could leave you again.”

“Okay, then,” you admit defeat, “Show me just how much you really love me, Mr. Turner.”

Callum leads you to the elevator, where he presses the floor button and stands beside you, eyeing you up and down. When the doors close, he pulls you to his side as he finishes his coffee. You rest your head on his arm, sipping your own drink. Callum’s hand grips your waist, his touch hot even through your clothes. You're nearly shaking with nerves when you reach the top floor. The two of you had your go-arounds while together, of course. But it was never anything emotionally charged. You’re hoping Callum really does show you how much he loves you this time and doesn’t leave you hanging. He lets you follow him to his room, where he fumbles to unlock the door with his phone. Callum heads to the windows to close the drapes, his back muscles rippling under his shirt, much to your delight. He turns around and catches your gaze, maintaining eye contact with you as he returns to where you stand. Callum wraps his arms around your shoulders, pulling you to him after you sit your coffee down. He is taller than you, so you have to look up at him when standing so close. A closed-lip smile spreads on his face as he takes in your features. Callum pushes a stray strand of hair out of your face before leaning in.

“Do you want this?” he asks, his lips barely brushing against yours.

“Yes,” you whisper, “I do want this. Prove it to me.”

Callum captures your lips with his finally, and everything negative you felt about your relationship falls away. The comfort you’ve always found in him flows back into you as he guides his tongue along your bottom lip. Callum’s hands find your hair, where they tangle themselves in your locks for leverage. You allow him to explore your mouth softly as if it was his first time in uncharted territory. Your arms are around him, and your palms are settled on his back as he slowly moves the two of you over to the giant bed in the middle of the suite. You sit on the edge of it as Callum pulls his shirt off. He’s a little more muscular than the last time you saw him. You drink in his broad shoulders and toned chest, his thick biceps resting by your head as his fists dig into the mattress on either side of your legs. Callum is leaning over you, his demeanor shifting to something more dominant. He kisses you again before his hand moves to your chin, tilting your head to meet his gaze.

“Go lay on the pillows and get ready for me.”

A surge of excitement rushes through your veins as you nod, moving backward to where the pillows sit at the top of the bed. You peel off your shirt and jeans, kicking them off the side of the bed onto the floor where your shoes are haphazardly lying. Callum climbs over you, taking in the sight of you. He lays beside you, patting his spread, underwear-clad thighs for you to sit. You oblige, his chest pressed to your back as you relax into his embrace. Callum’s large hands rub over your hips and legs, his skin hot against yours. He buries his nose into your neck, leaving a trail of kisses along your shoulder and up your throat. Callum then lightly traces your jaw with his tongue before he reaches your ear, nibbling the shell of it. His hands travel from your thighs to your hips, all the way up your sides, until they reach your covered breasts. He squeezes them as he sucks a mark behind your ear, out of sight. You squirm lightly in his lap, inhaling sharply through your nose at the feeling of his teeth on your sensitive skin. Moving your hair out of the way from your ears, Callum continues his assault of bites on the back of your neck as his fingers slip underneath the cups of your bra. You hum as his fingers toy with your nipples, your head tossed back against his shoulder as he does so. This gives him more access to your neck, where he leaves open-mouthed kisses on the skin there. You feel him grow hard against your tailbone as he twists and rubs your sensitive nubs, eliciting moans from you.

“I miss the way you say my name,” Callum whispers in your ear, letting one of his hands travel back down to your stomach, where he slips a hand beneath the band of your underwear, “Say it.”

“Callum,” you gasp as his fingers ghost your heat, lightly brushing against your clit.

“Just like that, doll,” Callum grins into your shoulder, where his lips press to your skin.

He helps you out of your underwear, pulling it down your legs until you’re able to kick them off. Callum tosses one of your legs over his thigh, giving him easier access to you. You reach behind your back to unhook your bra, throwing it off the side of the bed.

“Kind of unfair that I’m the only naked one,” you frown.

“Be patient, I want to play with you first,” Callum kisses your cheek.

He prods your lips open with two of his fingers, allowing you to suck them in. You lave your tongue around them, coating them with your spit enough for Callum to be satisfied, “Good girl,” he coos.

He then gently circles your clit with his two slicked fingers, and your hips buck involuntarily. He uses his other arm to press you firmly against him. Callum continues to play with the bundle of nerves before letting a finger test your entrance to gauge how wet you’ve become. He’s able to slip a finger inside without struggle, curling it against the familiar spot that makes you groan. As he adds another finger, you grip Callum’s arm as his fingertips massage your g spot. 

“Callum, please,” you whine.

“Please, what?” Callum feels himself getting painfully harder against your back at the sounds you’re making, “Gotta use your words.”

“Show me how much you love me,” you beg, “Fuck me already.”

“Impatient, are we?” Callum smirks before removing his fingers from you and putting them in his mouth this time, relishing the wetness of your cunt, “God, the way you taste,” he moans.

Callum moves you over and off his lap so he can remove his pants and underwear before hovering over you. He braces himself on his arms on either side of your head, bringing his face to yours, “Are you sure you want this?” he asks again.

“Yes,” you say, grabbing his face and looking him in the eye, “I want this.”

“Not that your begging wasn’t enough; I just needed to hear you say it,” he jokes, lining himself up to your entrance.

You playfully smack his chest before digging your nails into it as he pushes inside you slowly. You wrap an arm around his neck, tangling your fingers into his hair. Callum fully seats himself inside you, his forehead pressed to yours. You wrap a leg around his waist, pulling him closer to you. Callum focuses on breathing properly, as your clenching around him makes it hard not to pound you into the mattress. You wiggle your hips a little, letting him know he could move. Callum holds your hips up, moving your legs over his shoulders to get a better angle. He pulls out just enough to thrust back in, gaining a steady rhythm. The noises you let out just urge Callum to go faster and harder as he kisses along your thighs.

“I love you,” Callum says, biting down on your thigh and causing you to yelp, which makes him grin.

“I love you too,” you say breathlessly, your hands gripping his biceps for leverage.

“Do you believe me when I say it now?” Callum bites his lip, feeling your walls clenching harder around him.

You’re close, and he can feel it. He reaches between your bodies and presses a thumb to your clit, rubbing tight circles against it.

“Yes,” you say, almost illegible, “Fuck, I believe you, Cal.”

“Good,” he pants, sweat beading on his forehead.

Your fingernails dig into his muscles as you feel yourself about to let go, your stomach tightening into a knot. Callum feels his orgasm creeping up as he snaps his hips faster against your ass, his grip on your thighs almost bruising. Your orgasm hits suddenly, like a tsunami of pleasure taking over your senses. Your body shakes as Callum’s own climax surges through him, your convulsing cunt milking his cock. You’re both gasping for air as Callum lets your back fall against the bed as he pulls out, collapsing next to you. 

“That was…”

“Amazing?” Callum turns his head to look at you, 

“Yeah,” you’re quick to pull the duvet over you as your sweat cools on your skin, “Better than any time before, honestly.”

“Agreed,” Callum puts an arm behind his head to rest on, “I’m still sorry for not telling you how I felt. I didn’t really know what it was at the time.”

“It’s okay now, Cal,” you roll over on your side, putting a hand on his chest, “You don’t have to worry about it anymore.”

Callum kisses the top of your head, “Okay. I won’t.”

The next day, when the script is read over again, tensions are definitely not as high. You don’t struggle as much with your lines, and being around Callum is easier. You’re glad it all worked out; maybe this time, it’ll last without confusion.

[twilightcitysky]

Whooooo okay, so. Thoughts.

You can get a lot done in 90 mins. Many books are made into 90 minute movies.

(Season 2 was 6 episodes... but maybe 90 minutes of it total was actually *necessary*.)

Think about what we've learned. Neil wasn't the person we thought he was, and it showed in his treatment of a story we all love. He said himself that he gave fans what they wanted (in terms of the kiss), but we "wouldn't like it." His ego thrived on manipulating, ridiculing and generally stirring up the fan base. The more upset and vulnerable we were, the more satisfied he felt. What do you think, then, was in store for us in his Season 3? Do you think his scripts would have left us feeling satisfied, even if we got the cottage ending?

The new producer doesn't know GO, but the cast and crew love this world and love the story. I'm going to choose to trust that a group of people that overall has been so united and wonderful, so very much on the same page in terms of this love story, will see things through. And I'm excited for an ending that truly is for us... because let's face it, we almost didn't get an ending at all. A TV show that gets rocked in this fashion generally does one of two things: cuts ties and continues if there's enough financial incentive to do so (think House of Cards, Rick and Morty-- both of which are/were MUCH bigger and more profitable than GO), or cancels. Considering how long it took to greenlight S3 and Mickey's "We did the impossible" post on X, I'm sure Amazon was on the verge of pulling the plug. (I'm not going to talk about my opinion on the ethics of these decisions. I'm just saying it's reality. Corporations care about their bottom line and their optics.)

It'll be okay. Let's be optimistic. Neil is gone, the story will continue, and they're doing it for us.

(Last thought: remember that-- in a different reality where Neil Gaiman actually is the person we thought he was-- we might not have gotten anything more satisfying in terms of the A/C love story. Neil doesn't think "settled relationships" are good television. He wouldn't let them lay a finger on each other until the very last episode, I guarantee it.)

(Also, this is the guy who decided that "Crowley lives in his car and Aziraphale doesn't know or doesn't care" made any kind of fucking sense; no, I'm not over it yet.)

[fuckyeahgoodomens]

The Chic Magazine interview with the Good Omens cast and crew by Keeley Ryan, August 2023 :)

'It was wonderful to get the Good Omens family back together'

There were plenty of miracles, mysteries and mayhem when Good Omens returned to the small screen for a second season.

The PrimeVideo series, which was originally based on Terry Pratchett and Neil Gaiman's best-selling novel, is heading beyond the source material this season.

The six-part series highlights the ineffable friendship between Aziraphale, a fussy angel and rare-book dealer, and the fast-living demon Crowley.

And while the duo put a stop to the apocalypse last time, there are the sparks of a new mystery that will take viewers from before The Beginning, to biblical times to grave robbing in Victorian Edinburgh; the Blitz of 1940s England to the modern day.

The cast includes David Tennant and Michael Sheen as Crowley and Aziraphale, Jon Hamm, Maggie Service, Nina Sosanya, Miranda Richardson, Shelley Conn, and Derek Jacobi also star in the series.

And Michael Sheen told how the Good Omens "world has grown" with season two - and opened up about his first day back at Aziraphale's bookshop.

In an interview conducted before the SAG strike, he said, "It was lovely to be back in the bookshop after having seen it burnt down the ground.

"Clearly I had managed to save a few books! Actually, it was extraordinary - your brain does a double take - my desk, the cash machine, the record player - everything is all so familiar even though it is a totally different location.

But we have expanded - there is much more of the world of Soho here including Aziraphale's favourite the magic shop and my favourite the pub - our world has grown."

The actor also praised Neil Gaiman's writing, noting how there's "something about the way Neil sees the mundane that is extraordinary."

He said, "His writing has such a breadth of reference and yet is so accessible and entertaining even when taking on big epic or philosophical issues.

There's something about the way Neil sees the mundane that is extraordinary. When things filter through his imagination they emerge in an entirely unique way and yet it feels like it's always been there.

Add in the sprinkling of the imagination of Terry Pratchett and cocktail has been created - utterly familiar."

Producer Sarah-Kate Fenelon told Chic how the second season of Good Omens is "building on the universe" - and how they had been "sowing the seeds of a second season without anybody knowing" last season. "

She said, "I work with Neil Gaiman and know in part that Gabriel, who is played by Jon Hamm, his character is not in the book of Good Omens - but it was included in the first season. We were sowing the seed of a second season without anybody knowing.

"That character was written by Neil and Terry as a potential second book. They never got to write it, but now we're able to tell Gabriel's story. It's kind of a lovely evolution, where we're just expanding the universe.

"A lot of locations on the set are locations from season one. We've also been able to explore new shops, like we've got the record shop and we've got The Dirty Donkey pub, which we go into - it was in season one, but we never got to go into it.

"Season two is just building on the universe."

The Wicklow native added that it was "wonderful to get the Good Omens family back together" for a second season.

She said, "We were lucky that a lot of our crew and creative talent were able to come back for a second season. But also, we had our cast return. Miranda Richardson plays a totally different character this season and we have a new Beelzebub.

"And then obviously, we've got Maggie and Nina playing themselves, Maggie and Nina, as written by Neil. It was wonderful to get the Good Omens family back together again."

Noel Corbally, who works as an associate producer on the series, recalled how they marked a special anniversary of the first season's release while prepping for season two.

The Irishman said, "We went for dinner that night to relive the celebration, happy to be back again.

"Even now, it's been more than a year since we wrapped and to be able to come back into the studio that's just been frozen in time with everything wrapped up — we had a week to turn it back to life, have it be a live street again.

"It's been a week. But it's been amazing. We had our original lighting team come back, our original art department — and they've just done a fantastic job."

And while there are plenty of easter eggs for fans to spot throughout the six episodes, the pair shared their favourites.

Noel shared, "I think that my favourite easter egg is actually in the record shop. It's a song that we play in the background. It's so subtle, but it's from the musical Happy As A Sandbag.

"Maggie's character Maggie runs the record shop, which was owned by her grandfather in the story. But the musical, Happy As A Sandbag, Maggie Service the actress - her mother and father met on the musical and fell in love. Having that was an homage to them for bringing us Maggie."

Sarah-Kate said, "I quite like the easter eggs in the title sequence. If you look really closely, there is a Gabriel or Jim in every shot, which people tend not to notice. It's like Where's Wally?"

Rob Wilkins, who manages Terry Pratchett's estate and serves as narrative EP, told how he was "elated" for the second season to be out — and about moving beyond the book's source material.

He explained, "There were lots of nerves, because there is no source material. There's no book. I went through the whole of season one with the mantra that we've got a beginning, a middle and an end.

"And at the end of season one, which was the only season at the time, I felt very relaxed - we're all grounded through Terry and Neil's words, and that's fine. We know where we're going, we've got the novel to refer to.

"And so with season two, of course there's going to be nerves — there's no source material.

"But Neil is 50% of the creative team that brought you Good Omens, so in him we trust. And we genuinely do, from the bottom of my heart - of course we do.

"There's excitement about what Neil is going to bring from the page and from the page to the screen, but trepidation as well — I'm a fan as much as anybody else, I want to know where the stories are going."

Rob added that some of his own favourite easter eggs within the second season include a nod to Terry in The Dirty Donkey pub - as well as a special sight in the bookshop.

He said, "I love the fact that in the bookshop, Teny's hat and scarf are just hanging there. Terry, as a huge patron of bookshops around the world, he just left his hat and scarf in there and moved on one day and left them behind.

"That's a lovely one for me, as well - it means more to me, I think, than anything else."

Rob opened up about the success of the first season - and why it was something that he didn't necessarily expect.

He continued, "There's the Terry Pratchett fandom, there's the Neil Gaiman fandom and push them together and there's a big crossover. But what we created with season one, we created Good Omens fandom from the show.

"People came to Neil's work and Terry's work through the show. It created something entirely individual of its own making, and that freaked me out because I didn't see that one coming.

"I didn't see that as a thing. I thought the fans would be rooted in Terry or Neil. I didn't realise that the ineffable husbands in all of that - I love David and Michael, but I didn't realise the love people would have for them as our demon and our angel.

"I shouldn't be surprised. It's just my admiration for them as actors and for what they do, and for people getting it I think that that's the thing that's meant a lot to me, that people have understood what we tried to do."

Costume designer Kate Carin told how having the opportunity to join Good Omens' second season was a "gift" - and opened up about why it was impossible to pick a favourite scene.

She explained, "When you see the whole show - you think, when you're watching episode one, you're like, 'oh my god, that's the best'. But then you watch something in episode two and it's like, 'that's awesome!'

"I would say that I'm a disciple of the show now. I didn't know the book when I was approached about the job. I'd obviously heard of it, and I'd seen season one — as a punter, I watched it.

"To get the opportunity to come and work on season two, it's a gift for a costume designer.

"You do fantasy, you do period, you do contemporary and all of the wavy lines in- between - you're given a lot of rope to play with."

The character of Shax, played by Miranda Richardson, was a "really fun character to design for" - as Kate told how plenty of ideas jumped to mind after reading the description.

She said, "When Neil writes on the page that you have a 50s inspired female demon, that gives you a lot of scope to play with. "

And when I started drawing her, I actually had to stop myself because I kept coming up with ideas."

And with the series jampacked with magical moments and settings, set decorator Bronwyn Franklin told how there was one particular shop that has a "certain magic'!

She said, "I actually think the magic shop is my favourite shop. The bookshop used to be, but now that l've done it twice - it's still beautiful. It is Aziraphale's home. It feels more magical because Aziraphale lives there, and there's the whole angelic side.

"But this one, it really has a certain magic. From a set decorator's point of view, it's a joy. Will Godstone, he gets to sit there and he's got his little cash register and if he's got no customers, he can sit there and have a little cup of tea.

"You just have to feel that person, live that person and think that it's yours. I always come into a space like this and think, 'how would I like to be?' Because if it makes me happy, it'll make the cast member happy, it'll make the viewers happy."

Michael Ralph, who is the series' production designer, told how while it's impossible to pick a favourite set, the bookshop is "one that will resonate most'.'

Aziraphale's bookshop contains more than 7,000 real books and Michael noted that it was important for the setting to feel real, not just for the audiences at home but for the cast and crew.

He said, "There's not a fake book in here. Couldn't do that. In a way, if you look at any bookshelf - I spent almost a day just moving books around, to make the bookshelves look like they're real. They could be flat dressed, and then they're not real. But this is real, when they're just moved around a little bit; or people have pulled them out and put them in incorrectly.. .that's what's real about a bookshop."

[xkoiinu]

Okay fair warning - the end of the year will soon be nigh and I want to gush about Good Omens a bit just because. ❤️

2024 has definitely been a tough year at times for the GO fandom but it’s also been interspersed with some really bright and wonderful moments too. To see how far we’ve come and where we are now, with the S3 finale less than a week away from filming, I feel so proud to be part of the fandom in my own small way. GO is unique and special and so beloved by its fans, and 2024 has really showcased that in my view. GO belongs to us, to the fans, and it always will.

Since 2019, GO has been my safe space to retreat to after a tough day, or when I’m feeling low or anxious. I have learnt so much from it and from the fandom around it. GO has challenged the way I see the world and what I thought I knew about kindness and acceptance and, especially, about love. It’s honestly helped shape who I am now and I think, I hope, I am a better person for it.

I’ve always been more of a ‘lurker’ in the fandom but I’m taking (baby) steps to rectify that. If nothing else, in 2025 I hope to be brave enough to interact with more fans on here and maybe even pen some of my own fan fiction… we’ll see 👀

Now, onto the S3 finale! (Happy hair watch to those who celebrate!) I’m super excited to see our ineffables on screen again. Of course, I have things I would love to see happen in S3 but above all else, what I want is a happy ending for our beloved angel and demon and I am 100% confident the cast and crew will deliver that for us all (and if that happy ending just so happens to be in a certain cottage somewhere in the South Downs, well 😘!!).

See you all in 2025! It’s gonna be our year.

🖤😇😈🐍🍷🤍

[ro-written]

Bright Like Night, My Sea of Stars - V.S

Tags/Warnings: Sanji is in loveeeee (aw), Tsundere!Reader, reader had a VERY rough childhood (read: Kuro and the Black Cats), violence, angst, fluff, cussing, it is 1 am and I am not editing this rn but i will later lol

Word Count: 4.2k

Playlist:

“CIGARETTES” by Amir Obè “Just Pretend” by Bad Omens “Oceans” by Seafret “Da Selby Pt. 1” by Hozier

He’s sure he was in love. He knew it because the feeling in his chest was one he had never experienced before. Well, not like this. 

Not in the way he feels a squeeze at just a simple look you give him. A concerned look when he’s out of breath from fighting. An excited look that you tried to hide when you realized he made your favorite dish again. A peaceful look when the stars and the ocean blend to create a more infinite galaxy and you have the fortuitous chance to view it. 

Just as the waters echoed back the bright lights of the sky, he mirrored the look you cast while he realized that he, a mere human, had the absolute blessing of being in the presence of an ethereal entity such as yourself. His ocean that will always answer your stars.

He didn’t understand it, to tell you the truth. How could he be so lucky to end up in the presence of the person he knew he was destined to be with?

By chance, it was you and the crew who walked into the restaurant. And as pissed off with Zeff as he wished to be, it was Zeff’s decision to put him out on the floor that landed him in front of you. He kicks himself now for flirting with Nami first before you. Since once he heard that pretty laugh, bright enough to make even the nastiest at Baratie have their heart stutter, he could feel it in his throat. A knot. Constricting against his windpipe. The compliment he had ready to launch at you was right on the tip of his tongue, and it refused to come out. Because nothing he could possibly say could be the right thing. He could never possibly compose the right words to let you know the tidal surges you created within him. So, with a red face, he looked at you and mustered up the word: “Water.”

You stared at him with a raised eyebrow and squinted eyes, lips partly open. “Was that a statement? Or a question?” You had laughed out slightly. His staring started to unnerve you, and you cleared your throat to look around.

“Hey, waiter,” Zoro to the rescue. “You okay?”

That seemed to snap him out of the trance you had summoned Sanji in, he whipped his head to face the green-haired swordsman with a nasty look.

“I am not a waiter.”

With that simple statement, he turned to walk back to the kitchen.

Maybe you had some sort of influence over his decision to join the Straw Hats. But he didn’t admit that. Zeff did.

You seemed to have some sort of effect over him, unfortunately. This effect kept him from being able to come up with witty comments and quips to launch at you and ultimately left him stuttering and stumbling over himself while you watched him with a look asking if he was okay. He wasn’t. In the worst way.

Eventually, eventually, he found his footing and could somewhat properly talk to you. Questions about if you had any input on dinner, if you had seen his whisk, or if you knew how much longer for the next stop (that one could have been directed to Nami or Luffy, but anything to talk to you.) And you can’t forget the silly little flirtatious comments. Not at all his best work. 

“Is that a new haircut?” He asked, leaning against the countertop in the kitchen.

“No?”

“Oh well…you-uh. You look good with it.” He rushed out after that one.

He was a man in love.

And he had no clue what he was doing.

It brought him to Nami’s door one night, after cleaning up from dinner. She seemed to have the most common sense when it came to people. If anyone could help him, it had to be her. I mean, what other choice did he have? 

“Sanji, you have to understand that…for them it’s more difficult than you realize.” Nami sat on her hammock with her arms crossed, staring at Sanji as if he grew another head. He put his hands out in front of him, making exaggerated movements with his arms.

“Well, yea I know they are pretty stoic but that’s why I am he–” 

“No, Sanji, you don’t understand. This is one you might want to sit out.” She cut him off before he got too far ahead. Her words confused him. Sit it out? Why? His face contorted and he cocked his head to the side, frown pulling at his features. Nami sighed, telling him to grab the stool that sat right under her mirror, to which he pulled it out and sat in front of her.

Thus started the story of you.

Taken from your parents at such a young age by the Black Cat Pirates. All because your parents weren’t able to offer up tribute. You were raised to clean the ship, dodging Kuro as much as you could. But it could never last long. It started after you turned ten, the training. The rigorous, violent training. He taught you everything he knew, one way or another. If you didn’t learn quick enough, the punishment would land you with you being stitched together by the ship’s lackluster doctor whose training included being given a needle, thread, and some alcohol and told “good luck!” But it didn’t stop.

Kuro made you eat the Devil Fruit. Forced down your throat while the others held you down. His own little secret weapon, one that people never suspected when happened to “wash up” on their front door step, pleading for help. Or after you became of age, and could tempt people back to Kuro for their final exit from this world. Their screams were why you frequented the comfort of the night sky when everyone was back in bed. Why Sanji could regularly find you staring longingly into the sea. The ocean. Your love, and your demise.

“It’s a lost cause, Sanji. I don’t know if they will ever truly feel such peace to where they can accept such love.”

He left Nami’s cabin feeling especially heavy that night. And when he walked out on deck to see you staring down into the ocean, he held his breath. What does he say now? Sorry that you had the world’s shittiest childhood, but I can treat you right. That would be a winner for sure.

He decided to not join you that night. Or the next.

It wasn’t that he didn’t want to join you. Fuck, he was chomping at the bit to go see you. And that’s why he couldn’t. Not until he figured himself out in this entire equation. He didn’t want to freak you out, scare you away. Everything you grew up with…there was a burning desire for him to protect you. But he didn’t know how.

The complete shift in attitude from the chef did startle you, though. Your interactions of awkward short conversations with his absolute failed attempts of flirting became him attempting to dodge you entirely. You would walk into the kitchen for a snack, just something simple, and he would leave out immediately. You would look at Luffy, sitting at the table with wide eyes, munching on a sandwich. He would simply shrug his shoulders, and continue to grub on his (immensely large) snack. You sighed, rolling your eyes, and headed to the cold chest to get something.

Something within you was…pissed off though. Angry. But you couldn’t put your finger on why.

If that asshole wants to ignore me, then so be it.

You were washing your clothes out on the deck, pinning them up on the wire you and Nami had set up. You had chosen this spot in particular to have the line strung so that the sun would hit the clothes, but also so that you could listen to the waves crash hit the boat while you did your chores. Hearing the water move made your brain silent, making it easier to go on when you were by yourself.

But you weren’t completely by yourself.

You could hear his steps around the corner, stopping just before he “revealed” himself to you, watching you from afar. The crew was always amazed at how sharp your hearing was, rivaling Zoro’s. But being on a boat full of pirates that dubbed themselves the “Black Cats” would do that to you. You still remember the weeks of training Kuro put you through vividly. No matter how hard you tried to put it out of your mind. 

You closed your eyes and inhaled a deep breath of the salty ocean’s smell.

“Sanji.” You called him out from his hiding spot. He hesitated, but then slowly walked from around the corner, taking a cigarette from his jacket pocket and lighting it. He stops a bit of ways from you, watching out at the water.

“So, have you finally decided to talk to me?” You opened your eyes and continued to pin your sheets on the line. His eyes jumped to you, wide with shock.

“Wh– What do you mean?”

“For almost a week now you’ve been dodging me.”

“No I haven’t!”

You stopped your chores before turning your head towards him, eyebrows raised and debating back and forth with yourself if you should knock him in the head or not. You decided on the latter, and scoff instead.

“While this boat is considerably larger than what the crew started with, it’s not that big. People notice when someone is running away from them. Especially here.” You resumed your task again as he sat there, cigarette hanging loosely from his lips, processing what you said. 

You finally finish hanging your laundry and grab the empty basket, placing it on your hip before turning away and walking back towards your room. Before you could get around the corner though, he spoke up again.

“Nami told me.” You froze. “She…she told me what happened.”

You only turned your body slightly, your right side facing him. It was enough of a sign for him to continue on.

“And I’m sorry that happened to you, (Y/N). No one should ever, ever go through even a day of what you grew up with.”

“I don’t need your fucking sympathy, Sanji.” You grit out.

“That’s not what I– I just– I’m trying to– Fucking goddamn it.” He took his cigarette out and threw it out at the water, your eyes staying trained on his face. His hand rubbed down his face, struggling to string together a coherent sentence of what he wanted to say.

“Listen, stove boy, I don’t need you or any of their goddamn pity. So if that’s what this is about, then you can sho–”

“I’m in love with you!”

It was silence. Deafening silence. He couldn’t read your face. It was just…blank.

“I’m…I’m fucking in love with you. Everything about you. Your damn smile that seems like it’s rarer than the All Blue. Your passion and care for this crew. Your bits of wisdom when we need it the most. Your smart ass comments. Just fucking all of it. I want all of it.” His voice sounded absolutely desperate, and if you were to actually stop to listen to the nagging feeling in your gut, you would have recognized it as something. 

“I guess what I’m asking is…I was hoping that maybe we could…be…closer? You and me?” With bated breath, he watches as you stare at him, taking in everything he said.

And you responded with one simple word.

“No.”

His heart pounded in his ears. Blood rushed to his head as his heart jumped to his throat, effectively choking him of his answer. You stood there watching him for a moment before you sighed, turning around to continue your walk.

“Then I will never stop.” He called out, once again, stopping your feet’s movement. You didn’t turn around again this time. He took one step closer to you, though.

“I won’t stop (Y/N). Not until you realize that you are safe. That I can keep you safe. I won’t stop until you realize that you are deserving of love. And I will show you that love.” You grit your teeth, jaw clenching.

“Until my heart has been ripped from me, and my body is tossed into this cruel ocean. And even then, not even the harshest storms or waves will keep me from you.”

You walked away.

It was a particularly difficult battle, but nevertheless, you persisted. Your kyoketsu-shoge flew through the agitators attacking your crew, blade slicing through them effortlessly. You could hear Sanji’s grunts from his fighting behind you, and you took a split second to look back, checking in on him to ensure he was okay.

You were thankful you did, as one of the “Purple Band” pirates charged at him while Sanji dealt with one aggressor already. You whipped the rope around on your weapon, turning your body and letting it launch towards the pirate. The ring wrapped perfectly around his leg, and you pulled, causing him to fall into the sand. Using your strength, you pulled him over to you, him fighting and clawing at the sand the entire time in order to get away. However, as soon as he was close enough, you jumped on him, blade sinking deep through his sternum in his chest. After one last gurgle, he finally stopped wiggling, and you took a deep breath before unsheathing your blade and wiping it off on the (now dead) pirate’s clothes. You stood up, unraveled his ankle from your rope, and looked at Sanji, who was watching you. 

It surprised you, but you tried to not show it in your face much. You could feel your heart pounding, however, ready to burst from your chest. You brush it off as coming down off the adrenaline from a fight. But you watched as his eyes scanned down your body, checking to see if any of the blood from the battle was yours. He only breathed out a sigh of relief when he decided it wasn’t.

“Are…Are you okay?” You asked him in a voice that sounded almost worried. Almost.

“I’m good. How are you? Are you hurt anywhere?” He took a gentle step forward, but stopped before he got too far. But something had caught his eye. A slight shine came from the sand.

“I’m fi–” 

“Look out!” He flings his body against you, causing you to drop to the ground. 

The next thing you hear is a shot, a yell, and his body dropping to the ground next to you.

You heard Zoro’s Wado Ichimonji slice through the gun, and, eventually, the pirate who had shot the ghastly bullet. But it all tuned out for you, as you stared at the blond man groaning through his gritted teeth next to you, rolling onto his side.

“S-Sanji?” You crawl on top of his body, seeing him open and close his eyes dazedly. “Hey, look at me now, keep those eyes open.” You pat his cheek gently.

“I must be dead…” He smiled, looking directly at your face. “Because there is no way such an angel like you is on top of me. Not in this lifetime.” His smile was cut off by a painful grunt.

“Hold on Sanji, Zoro and Luffy are coming over and we– we are gonna get you back to the ship, okay?” You sputtered out words while you tried to remember any medical training you possibly could. But Kuro never thought you would need anything like that. Sanji gurgled up some blood, with some of it splattering onto your face.

“(Y/N) we need to grab him,” Zoro’s voice came from behind you as you stared in horror at the cook’s endless coughing. Nami grabbed your shoulders and pulled you back, allowing for Luffy and Zoro to pick Sanji up and hurry him back to the ship. You sat there in the sand for a moment, Usopp to your left and Nami to your right, watching as the two men carried Sanji back. But eventually, you got up, and rushed to follow them.

Hours.

Hours of Nami and Usopp keeping you out of the room while the doctor that Luffy and Zoro found was in there to help Sanji. You could hear his grunts and yells as you paced around the deck, trying so hard to focus on the sounds of the ocean, but only able to hear him. 

He was in so much pain. And you couldn’t do anything about it except fucking wait. He took that goddamn bullet for you, and you couldn’t do shit for him.

Eventually, the yelling stopped, and before you could bolt to the door to bust it down, Luffy and Zoro walked out. Their faces looked grim and you tried to get a read on them besides that. As soon as you tried to open your mouth, the doctor walked out, apron bloodied. You couldn’t take it anymore.

“Is he gonna be okay?” You stood solidly, attempting to keep your voice as steady as possible. None of the crew members had seen you in such a state. Sure, you could keep yourself together well enough, but they could still see the look in your eyes. A frantic search for someone to tell you anything. The doctor simply sighed, adjusting his glasses.

“I’ve done what I can for now. All you can do at this point is wait. It’s up to him and how much fight he’s got in him.”

You stared at the older man. A part of you wanted to reach out and strangle him. To tell him to go in there and make Sanji better. To make him keep going until your cook woke up. But you didn’t. How could you? He did his job, and that’s all you could have asked for.

So, your shoulders fell and you took a deep sigh before you walked into his room.

“I’m worried.”

“Well, we’re all a bit worried.”

“Yea, but, Luffy…(Y/N) has been in there for the past four days. Only leaves to eat or use the bathroom. It’s not healthy.” Nami dropped her hands in exasperation. Luffy simply stared at her, a pained, tight-lipped smile as he tried to figure out what to do.

“We both know how any conversation would go. I think we need to let this play out, Nami.” Zoro stepped in to give his insight. He shared a somewhat similar personality to you the most. If anyone might have any idea on how to proceed with your (unhealthy) actions, it would have been him.

“I hear what you’re saying, but I really do think we should go–” The door to the kitchen opening cut Nami off, and you walked in. Everyone’s eyes turned to you, and you simply looked back at them. The sudden silence told you everything you needed to know about the conversation you walked in on.

“I was just going to make some soup for him. He may be hungry when he wakes up.” Was all you stated before moving to the stove to get started on your cooking.

You had taken over pretty much all of the “Sanji watch shifts.” Occasionally, they would pop in to see how both he, and you, were doing. They would come in to see you changing his bandages, or would find you reading a book to him aloud at times. More often than not, though, you would just talk. Out of the months the crew knew you, these past four days have been your most talkative. 

Usopp even swore he heard you sing once. They all brushed that one off.

You finished making the soup, putting it in a bowl and grabbing a spoon, making your leave to allow the others to keep talking about you.

You knew they were worried, and some part of you felt bad for being the cause of the worry. But an even bigger part of you could only think of Sanji and doing whatever you could to make him feel better. Your mind was set.

You sat down right back where you had been for days, soup in your lap ready and waiting for him to wake up. You stared down at it, thinking back to a few weeks ago, a bit after his declaration of love. 

He had made your favorite dish. You don’t even know how he figured it out, or if maybe one of the crewmates told him, but you couldn’t bring yourself to really mind too much. Not after taking a bite out of it. It was even better than when you had it for the first time all those years ago. When Kuro decided to “treat you” for your sixteenth birthday. At least, that was what he said. You knew the truth – that it was actually because you had scored him such a big treasure all by acting a little helpless and scared at the doors of some mansion an elderly couple owned. Right before he came in to…

“How is it?” Sanji sat in front of you, a smile on his face, eyes wide. You didn’t realize you had been staring so hard at the dish as if it was speaking to you. Your head jolted up, registering what the cook had just asked.

“This is…it’s good. Thank you.” You continued to eat, and he sat there watching as you took down another bite, and another, and another. One corner of his lips lifted up and there was some type of…adoration in his eyes.

“You know, I learned a phenomenal recipe for it when this one chef came in to Baratie,” he went into a story as you continued. “He showed me certain tricks and what the best types of ingredients were for it.”

“Yeah? What did he teach you?” You look at him with a raised eyebrow, still shoveling more food in.

“Well I can’t tell you all my secrets, now can I?” He winked at you. It felt weird, how smooth he could flirt with you now after everything that happened between you two. Maybe that was all it took for him. Putting his heart out to you as he did.

“What if you’re not here one day? How else will I be able to make it this well?”

“You don’t gotta worry about that, love. I plan to always be around to make it.” He looked down at your, almost clean, plate.

“I’ll make whatever you want. If it means your happiness, I’ll do it.”

You didn’t realize the tears were falling until one dropped onto the rim of the bowl. You looked up at Sanji’s body, still out cold, and wiped the tears off your face. You let out the littlest laugh.

“You know, you told me I didn’t have to worry about knowing those little tricks you mentioned because you’d always be around. Guess who was right?” You laughed humorlessly, still staring at his face. He was so pale, one might have mistaken him for being dead. And with his breathing so shallow…

It broke you.

“You wanted to be close? Right? Well if you wake up, we can be closer. That’s all you gotta do, stove boy. You wake up, and I will listen to all your ridiculous flirting attempts and try all your different food experiments and…” Your voice died out, once again staring at the bowl in your lap. Fuck. 

You finally decided to just put it to the side and get up to kneel right next to his bed, grabbing at his hand.

“I’m…I’m scared, Sanji. I’m terrified. I can’t get close to any of you because I could hurt you. Kuro isn’t dead and when he finds out that all of you have become something to me, he will kill you. Friends get in the way of doing a job. He will kill anyone to get me back, his fucking weapon, and I can’t–” Your voice cracked as the tears once again ran down your cheeks onto your chin.

“...I can’t lose you Sanji.” You put your forehead down on the bed. “You’ve made me safe here. Always putting me before you, always checking on me. You fucking made me my favorite food. And he can take that all away once he finds me.” You sobbed into the mattress. Reality struck you viciously, repeatedly, over your back, with a metal pipe. What happens when he doesn’t wake up?

“He won’t.”

You inhaled sharply. 

“He won’t take anything.” His voice croaked out, hoarse from having no water for days. “Kuro.”

You lifted your head up from the bed to look at the chef’s face. His eyes, while a difficult feat, opened up to look at you.

“Because I won’t let him come near you. Ever again.” He looked so deadly serious. “You’ve had to protect yourself for so long, (Y/N). Please, let me do it.” His hand squeezed yours, reminding you that you still held it.

A smile took over your face, and you laughed. A true laugh. One that you couldn’t remember when, or if, you’ve ever felt before. One that supplied your entire body with elatement. Relief filled your lungs, and you threw your body over his to give him a hug. With this, he too laughed, feeling honored to see the rare sight of you truly, thoroughly happy. 

The waves crashing outside against the boat filled the air, and your body relaxed 

If you couldn’t feel the sea, well…

He would be your ocean.

This was written by @/ro-written and is not to be plagiarized, translated, or distributed anywhere else. Copyright 2024.

All comments, reblogs, and likes are always welcome

Wanna help me keep writing? Consider tipping me on Ko-fi!

[alltimefail]

Hello Good Omens fandom - I'm reaching out to you in a plea of fandom solidarity! Please help us!!!

I'm writing on behalf of The Dead Boy Detectives fandom: our show was canceled in its first season, cut off without a care for its dedicated fandom or its insane amount of potential. Yet another queer, diverse, supernatural show suffers an unfair fate and we're bloody sick of it! We believe Netflix and Warner Bros. are making a huge mistake!

Could you guys please sign our petition and help spread it by reblogging?

We're not just trying to get a season 2: we're trying to get justice for the cast, crew, and writers behind this unapologetically queer show. They had the writers write a season 2 just to cancel the show and, frankly, that's objectively a slimy thing to do. I believe Dead Boy Detectives is a casualty of its time, that shows cult-clasic, niche shows like Buffy or Supernatural for instance would suffer the same fate today if held to Netflix's callous and cruel standards and their blatant disregard for creatives.

Lastly, our shows are actually quite similar, and I think if you enjoy Good Omens you would enjoy Dead Boy Detectives as well! Please don't let the cancellation deter you, it really it a phenomenal show that will have you laughing one moment and crying the next. It has so much heart! Please help us save our boys who defy heaven and hell with their love! 💜

Thank you in advance to any of you who sign. Netflix has gotten far too comfortable nuking shows, especially those with queer themes and diverse leading chacters, in their prime. If you sign and share our petition in an act of fandom solidarity please know it means the world to our detective agency and we appreciate you so much!!!💀🔎💜

Last thing I promise this post is not intended to clog your tag in any way: this will be the only post I make in your tag! I wouldn't want our fandom to bleed into your space! We're just desperate for help and there's so much overlap in our fandoms and shows that it made sense to reach out to you all - I figure the least I can do for the show I love so much is to try. Thank you again 🖤

[melbatron5000]

Murder Board 2.0

Updated 9/27/24

Since I've figure a few things out, I need to re-do my Murder Board. New answers, new questions.

What I think I know:

Hints given out by NG are suspect at best. (I cannot blame him or anyone else on the cast or crew -- they spent A LOT of time and energy building this very meticulous puzzle game for us -- why would ANY of them give ANY of it away? That would ruin all the fun!)

Lots of the discontinuity of Season 2 can be explained by POV switches between characters. See here and here for more. I think the title/location cards are also probably POV Clues, that needs a closer look.

Crowley gave something to Aziraphale in his mouth when they kissed. It's the fly. Now, what else was in the fly besides Gabriel's memory? RECORDS. Incriminating records that are why the Metatron let Beelzebub and Gabriel go, but nailed Aziraphale. The Metatron knows Gabriel has those records, he doesn't know they got passed to Aziraphale.

Saraqael and Crowley and by proxy, Aziraphale are all working together. See here and here for more. That explains A. the tiny miracle blowing up into a 25 Lazarii miracle. It didn't. They had to cover for something else that did. B. Saraqael showing the archangels the book shop in 2019 in the spy hole. C. Crowley's spy turtle neck and where he went during Aziraphale's Job flashback. D. Why Saraqael helps him see the trial in Heaven. (Oh! Muriel's now in on it, too!)

Crowley's memory is fine, it's a red herring. It might mean something else, though. I think he is dissing Furfur, he is denying knowing Saraqael even after she gives him a reason to recognize her to hide that they are working together. He tells Jim he doesn't remember why they invented gravity, but that whole scene is from Aziraphale's perspective, so the conversation likely didn't actually go just like that.

Shax is on a mission besides Gabriel -- she's looking for whatever Aziraphale and Crowley are hiding. Gabriel is a side-mission.

The hand-washing comment from Crowley in the Resurrectionists minisode -- he tells DaVinci about helicopters in Good Omens the novel. It's just a thing he can do.

What is up with Maggie? Maggie's freaking Jesus 2.0. She's what Shax is looking for, and who Crowley, Aziraphale, and Saraqael are hiding. Also, where is God? God is busy being Maggie, that's where. That's why Crowley says "Oh God" before his speech in the final fifteen. He's bringing up what they're hiding, reminding Aziraphale that someone has to stay and keep an eye on Maggie. That's why he can't go. Now, how the FUCK did Jesus 2.0 wind up owning a record store she inherited from her family NEXT TO AN ANGEL?? (Ah, shit, now I'm doubting this one. Now I suspect it's Nina, and Maggie is Mary MAGdeline. Same questions still apply.)

SECRET SONGS??? Why are the songs secret?? I'm losing my mind, what is happening?? I think this is a message that A. Aziraphale and Crowley are okay, and B. We will absolutely be getting part 3 of 1941.

I still think the scenes might be out of order. Is it as simple as watching them in chronological order? Could be.

The Metatron is a naked man. i.e. he was originally HUMAN.

Aziraphale and Crowley are talking in subtext A LOT. Aziraphale's tells are easier to spot than Crowley's. He raises his eyebrows and does vocal bunny rabbit ears, says "um," and "ah." "Our Gabriel miracle," "The establishment in question," "Certainly on to something," "Haven't yet cracked the case." Crowley's tell seems to be being effusive. "Frozen peas," "You wouldn't be interested in love?" "Well, today is your lucky day!" "How do you know I didn't do it?"

We are missing the scenes that should mirror the Resurrectionists minisode. What we do have instead of mirrors to that are Crowley telling the demons they are out of order. He can tell time has been messed with.

There are two Crowleys. I think the head in the book shop is his way of keeping in touch while his twin is off doing things, and the red eyes are him, too. Now, why?? What do they need 2 Crowleys for?

What still needs answering:

The clocks jumping time. And why are the extras moving in double-time when we first arrive to Whickber street?

The weird hand in the 1941 photo.

Aziraphale's chair position being moved still doesn't make sense. Unless Crowley was talking to himself??

The extras behaving strangely.

Crowley's car being in the wrong spot on the road after Shax threatens him.

Weird sounds -- Aziraphale turns to look at a crashing sound when he returns from Edinburgh, to look at a car horn, the very loud clock in the final fifteen BUT ALSO when Jim says he will go out to the demons, nightingale singing when Crowley leaves in the FF.

I'm not sure that POV switches explain Crowley's sunglasses going from silver to black.

I don't know why Aziraphale went to Edinburgh, or why he stopped at the graveyard where Gabriel's statue is, or why he looked like he realized something important while he was there.

Why does Michael do the "nothing's in the box" thing with the matchbox? It's a petty specific action. Someone pointed out that Michael's nails look chewed and terrible, are we meant to stare at the matchbox while something else goes unnoticed? Well, duh. But what?

We most certainly did not get the whole scene where the Metatron is talking to Aziraphale. What else was said?

What did Crowley do during his ALL-NIGHT JAUNT in Heaven? Did he sneak around and steal something? Did he uncover something? Did they hurt him? I think he stole something.

What did Aziraphale do with his briefcase that he took to Edinburgh? We see it in the book shop from his POV, and Edinburgh is seen from Crowley's POV, so they both know it exists. And then it's gone.

Why does Gabriel prophecy with God's voice? IS it God's voice? It's a woman, is it Frances McDormand? It's hard to hear. When he remembers the beginning, I think it's God's voice. When he prophecies, it may be someone else. Frances McDormand has no credit in that episode.

Why the heck did Maggie and Nina go talk to Crowley while the Metatron was talking to Aziraphale? What they had to say wasn't important enough to leave Nina's shop during a rush, and I definitely don't think they derailed Crowley from what he needed to say to Aziraphale, though it might look at first as if they did. So what was that about? Were they trying to speak in husband-code to warn him about the Metatron?

When Shax stops Aziraphale for a ride, he says, "Oh, I really need to get to --" and then is cut off. He really needs to get to where? It's an easy assumption to think he means the book shop, or London. But is that all he means? Or was he on his way somewhere else? And if it was just the book shop, what does he mean he's late? Late for what?

When Crowley leaves Heaven, he tells Saraqael and Muriel to come, too. But in the elevator, Michael and Uriel are there! When the fuck did they show up??

Why does Beelzebub tell Shax to attack the bookstore? Aren't they worried about Gabriel being harmed? And they know Hell is understaffed. Maybe that's why they command it? Because they know Shax won't be able to get many demons?

What about the Masons? It's such a specific thing for the pub owner to bring up, what is the meaning of it? And Maggie has a Mason symbol on her necklace. Did the Masons carve the statue of Gabriel? When did they see him?

The only narration we hear in the entire season is Aziraphale in the Resurrectionist flashback. I believe this is to throw us off the POV character switches all season. But still, why do we only hear him narrate 1 flashback? I think he's reading the diary to himself in the present day. That would explain the end, "And that was the last I was to see of Crowley for some time." He JUST heard the story of the jukebox from Maggie. And Gabriel appearing at the pub -- same city that statue is in. Of course he thought of something important from that diary entry! Now, what did he notice?

Is the Book of Life a real threat? We hear two stories about it, that it's real and that its ability to erase beings was something to scare the cherubs with, this is inconclusive. Crowley gets nervous after Beelzebub talks to him, but I think he's pissed that Heaven and Hell have taken an interest in them again, especially since they're trying to hide Nina!Jesus.

So many promo posters show Aziraphale, Crowley, and Jimbriel together, or symbols of them. Three feathers: two white, one black. Tea cup, cocoa mug, wine glass. The three of them. Not with Beelzebub, not with Muriel, the three of them. And all three of them have been Jesus-coded in some small way. No one else. Those three. What. Why. Are they the sacrifice required to bring about the new world? Why not Beez, then?

The whole collection of Maggie's album's from the Amazon X-ray are great, big CLUES.

A post that I didn't reblog pointed out that the record Aziraphale is listening to when Garbriel shows up is neither Shostakovich nor 21 minutes long. That seems important, but I'm not sure how. (The record is opposite when Crowley gives Aziraphale the fly containing records -- the actual symphony is, according to the original blog, one written by a rebel in contempt of his government. Do the records have to do with the rebellion and fall?)

What the heck does Furfur mean by "little monkey in the waistcoat?" How does that sound like Crowley?

Why does Furfur change the subject when Aziraphale asks where Gabriel and Beelzebub would like to go?

Why does Mrs. H say "for God's sake" two times in a row? No one says that on this show without a meaning.

Shax notices Crowley going to Heaven and makes an epiphany face.

Why is the end credit music for the ball French cafe music? French must be important. And the end credit music for The Hitchhiker is old timey and scratchy, then skips and becomes the same song in a newer, clearer style. Because they repeat the bullet catch trick in the modern day, perhaps?

I thought I heard that Crowley and Aziraphale are in the fly in the opening sequence, but nope. So why are they in a cave?

Why are there multiple elevators and multiple mountains in the opening sequence??? What the hell does that mean?? And multiple Edens?? All right, what's up??

I count at least two times Aziraphale glances right at the camera, probably more. Who is he looking at? Us? Is he looking at Crowley?Why??

When Aziraphale arrives back from Edinburgh, he asks how "everything is with -- mm." Crowley says "he was sleeping, I heard him singing." I don't think they mean Gabriel. At the cafe, Crowley says when Gabriel smites you, you've been smitten. Aziraphale says he isn't "you know who any longer." Again, I don't think he means Gabriel. Who are they hiding?

What has Aziraphale's attention when he asks Maggie about Every Day? She points to the coffee shop, and all of a sudden Aziraphale can't stop looking out the window and gets very nervous.

Twos. Why are twos so important?? Repeating twos. And there's doubles of damn near every object on screen.

Repeating themes: (I am just realizing that these aren't just themes, they are all Clues!)

Beverages of all kinds -- tea for Aziraphale, wine or whiskey for Crowley, cocoa for Jim. Oh, and LAUDANUM. And coffee!

Time -- lots of clocks/mentions of time. Everyone notices the ticking clock during the Final Fifteen, but it's ticking loud when the demons attack the ball, too. Also, why is the first scene of Whickber street shown at high-speed? Is time sped up? Or something else?

Love/partnership/togetherness being stronger than separateness

Memories/forgetting/remembering

Payment -- money comes up in both the Resurrectionists minisode and the Flesh Eating Nazi Zombies minisode, but no one pays for anything in present. There is bartering, but no money. Both times money is brought up, it's Crowley using Aziraphale's money, and both times, it's to buy a life. It's funny, but I feel like there's a point to it.

Rising from the dead -- Job's kids (even though they weren't actually dead), bodies used for science, Nazi zombies, the Second Coming. I think this is all just hinting around Jesus -- sure, hinting around Jesus, who we were expecting to show up in Season 3, but she's already here. The hints indicate that she is already on Earth, not going to show up next season.

Unreliable narrators. Because we are seeing the whole show from various characters' points of view. Because of that, we can only see what they know, expect, believe, or understand, but also what they want us to see. We need to take the whole second season with a grain of salt.

Death in general -- but 8a., I'm a dirty pagan, why didn't I make this connection sooner, death always leads to REBIRTH, change, something totally new and 8b. there are tarot cards in the magic shop, and even if you're not a dirty pagan, the Death tarot card means transition, something must die before a new thing can be born. Hmm.

Morality and what is "good" and what is right

Recognition and identity and hiding one's identity. Ah! Probably at least partly because Maggie someone? is Jesus. How would you recognize them? (I think it's Nina now.)

Licenses, permits, permissions, rules, proof, evidence, what's allowed. All of the minisodes mention this, and it all gets mentioned again over and over. Because Heaven and Hell do have rules they have to follow. Which drives home my theory that Gabriel stole some very incriminating records from Heaven when he left, Crowley got hold of them and gave them to Aziraphale during the kiss, and now Aziraphale is going to nail them.

Colors. Lots of colors!! Job's kids are dressed in the colors of Nina, Maggie, and Aziraphale's shops. Jesus on the Resurrectionist Pub sign is in blue and red, blue and red crop up a lot in extra's clothing, as do yellow and red, Crowley colors. The Ladies of Camelot are in red and blue. Aziraphale says Earth will be a blue-green planet, Nina's shop is blue-green.

Horses. Horse statue, horse wine label, people saying "dark horse." The four horsemen again? I feel like they already had their ride, so what the hell? I think it's because season 2 is an echo of season 1, I THINK -- I have to check -- that horses appear or get mentioned when the horsemen have corresponding scenes in season 1.

Numbers. A lot of numbers get said. Does it matter, or am I overthinking?

Repeating words and phrases:

Technically

Properly

Isn't it just?

Too late

Funny old world

Not as such

Made for each other

EVERYWHERE

Obviously

Two shakes of a lamb's tail

Dark horse

What are you/am I? As opposed to WHO. Aziraphale asks in the Land of Uz, and Crowley asks Gabriel.

Are you sure? Quite sure.

The Marvelous Mr. Fell is described as marvelous in his mysterosity, Shax says the demons have dangerosity.

Mrs. H in 1941 says "for God's sake" twice in quick succession.

Schtum

Every day

Hints:

Powell and Pressburg films

The Crow Road

Catch 22

The Amazing Maurice and his Educated Rodents, Terry Pratchett in general

Jane Austin

Book Good Omens

Season 1 Good Omens

The titles of episodes, minisodes, places, etc. 7a. The Arrival: a book and a movie, though the book seems far more relevant. And lovely. The Clue: a movie. Companion to Owls: a line from a Bible story. I Know Where I'm Going: a movie. The Resurrectionists: two novels, each called The Resurrectionist, singular. Both look unhinged. The Hitchhiker: a Twilight Zone episode. Nazi Zombie Flesheaters: Literally no other reference. ?? Nazi Zombies do appear in a LOT of movies, comics, and video games, usually as a dark joke. The Ball: a video game. Irrelevant? It's a puzzle-based game, so maybe not. Every Day: a song AND a movie. Some themes repeat here: Puzzle games, being re-directed from one's path to find true love, death and being brought back to life in a gruesome and unpleasant way.

Objects that get a close-up/centering:

Starmaker's nebula book -- Nebula 231,080

Shax's compact mirror

Maggie's note

Shostakovich record

Tomatoes

The box

The Bentley

Eccles cakes

The bell

Head statue

The book Jim drops

Jukebox

Gabgriel's statue

Laudanum bottle

Phones in Edinburgh episode

"Very closed" sign

Broken whiskey bottles in 1941

Hourglass in Hell

Furfur's camera

Bullet catch in the magic shop

Instruction booklet for bullet catch gets 3 close ups -- because the bullet catch trick is that important, or because it happens 3 times? Both, I think.

Puppets

Dancers' silhouettes

Mr. Fell sign

The actual bullet

Angelic beings book

Photo evidence

Shax's shoes

"Surrender the angle" brick

[idonthaveany]

About the petitions to have the whole season of Good Omens

I previously re-blogged one, and now I deleted the reblog, for the following reason:

if Amazon thinks that we want a serie and not a movie, they'll cancel it again. If we write a petition on the lines of "we want the movie if there's no alternative, but we wish to have the whole serie" the petition would have 0 impact on Amazon. But if we say "we want the whole series" than Amazon will most likely read it as "they don't like the idea of the movie" and they'll cancel it. I honestly would love to have all 6 episodes, and I really would love to see everything as it was supposed to be, but folks, let's not throw away all the struggle and job done in these months to get this movie! We did get something, is it disappointing that it is shorter that what it was supposed to be? Yeah! But it is something! Let's not risk to have this canceled as well, please!

These petitions made sense before we came to know how difficult it was to have this finale, and we thought they just decided to shorten it. We than came to know that, actually, they had already canceled it, and were afterward convinced to at least make this one episode.

It took long to convince Amazon to give us those 90 minutes, and, from what we know, it seams like they didn't want to produce even this single one, and that they're doing it with as little effort as they could (I'm talking about those who decide wether to produce it or not, I'm not talking about the cast and the crew and all the people that will work on it, which I'm sure will give anything and everything and they'll do their job with lots of passion and love). So if Amazon thinks that there won't be enough people to watch it, they'll cancel it right away. They've already done it once, and than they were convinced to give us at least a movie, and all they need to cancel it back is a snap of their finger. So, again, please let's not make this happen again, please!

[neurolady]

I'm so incredibly hung up on "Mainly because I get to hang out with Michael everyday"

He could have led with anything "Neil's such a great writer", "great story and scripts", "Crowley's such a fun part", "brilliant cast and crew" etc etc - all of which are true and things he did or has said.

But you ask David what he loves about Good Omens and his brain just reflexes Michael!!! I cannot with these two!

[weirdly-specific-but-ok]

good omens mascot here, just some thoughts

Hey, Good Omens fans. Do you all know how important you are?

I need you to. I need you to know how important you are. How loved you are. How talented, and friendly, and loving you are.

I mean, look at us. @neil-gaiman and Terry Pratchett created a story, a bonfire in the woods. And so many people gathered around it, some looking for the fire, some drawn in by the warmth, some, like me, just lost in the woods and stumbling into the clearing.

And those people looked at the fire and began to weave stories of their own, told them to each other, stories filled with possibilities and endless what-ifs, and called them fanfiction.

Some people looked at the fire and saw images instead, and began to make art on the ground, on the tree trunks, on each other's skin. Colours and lines and so much beauty, all decorating this one little clearing with fanart. Some even moved, animated, brought to life by endless love and creativity.

Some took up little flaming twigs from the fire and twisted them in new ways, humming songs they remembered to go with the patterns, filling the clearing with new combinations of sparks. So many fan edits.

Some of the people even wrote songs of their own, singing them to each other. Some made jokes, drawing laughter from those who thought they'd never smile again. So many more ways in which the people gathered around the bonfire made the story a part of them, and made themselves a part of the story.

There were other people, too. They thought that they didn't contribute anything. They were wrong about that. The artists and writers and creators were so grateful to them for listening, for loving, for appreciating. They held each other's hands and cried and laughed together. They silently watched, finding warmth, not knowing they were giving strength to other silent watchers.

So many fans who made the bonfire's clearing home, reaching out with kindness to each other.

And I'm so privileged to have been grabbed by laughing, friendly people, pulled into the clearing, and shown the fire. Isn't that such a wonderful thing?

You are those people. You did what humans have been doing for millennia, you gathered around a fire and you formed a community, you made a home right there in the middle of the wilderness, with just a story holding you together. Well, not just. A story is never just a story.

Look at you.

So utterly, utterly beautiful.

I love you all. I'm so grateful for you all, the creators, Neil, Terry, the cast, the crew, the fans, all of you. For this little clearing in the woods, which I wandered into by accident while I was lost in the forest, looking for a friend.

I love you all, you are loved.

That's all, maggots. Goodbye, I have some fanfiction to read :")

[thatlgbtqfandom]

I've watched a few interviews with the cast and crew of Good Omens and can I just say that, as someone who was a BBC's Sherlock fan back when it was still airing, it makes me so incredibly happy to finally have a show that not only doesn't queerbait (yes, the bar is in hell), but where the actors seem genuinely happy with and open about the queer direction the show is going in, and where they don't shame the fans for also being happy about this development. I just watched an interview with Michael Sheen where he, almost unprompted, brought up fanfiction and said that he thinks that it's a shame that people used to be weird about fanfiction because he thinks it's amazing and shows a love for the show. And... as someone who kind of still gets upset whenever I'm reminded of certain interviews and panels with the cast and crew of Sherlock (if you were in the fandom I'm sure you know which ones I'm talking about), this unabashed celebration of queer joy from the cast and crew of a big show like this is just something I could never have imagined as a young, queer fan!

I get that there are different circumstances, Sherlock fans could definitely be a lot sometimes, and maybe it's cruel of me to compare shows like this. But I genuinely believe that Sherlock did some actual damage to my (and many others') trust in media and in creators. It's one of the main reasons I absolutely didn't believe Our Flag Means Death would do what it did even when I was seeing it play out before my very eyes. It's why I didn't believe Crowley and Aziraphale would ever even come close to actually expressing their feelings for one another despite all of the queer subtext in season 1 and despite the cast and crew calling it a love story. Maybe all of this even added to my suspicions that they weren't going to follow through because we've all been let down time and time again.

And I'm not trying to pin the fault of queerbaiting solely on Sherlock and the team behind it - I am aware that there were many other big shows and movies that also queerbaited at the time. But out of all of those shows, I mainly watched Sherlock and it, along with the interviews with the cast and crew, were my main points of reference for what to expect regarding queer representation in (especially mainstream) media at the time. Which is why I'm mainly using Sherlock as an example of this unfortunate trend.

I guess what I'm trying to say is that with all of these shows now subverting our very, very low expectations for what kind of space queer characters and queer stories are allowed to occupy in (especially mainstream) media, I feel like my teenage self is starting to heal just a bit. But, both back then and in hindsight, I'm also completely baffled that a few shows in the late 2000s and early 2010s were able to get away with the shit they were pulling and completely ruin young, queer fans' trust in both creators and in their own media literacy.