#i liked the beginning so much more i liked the characters that cared so little about each other and the overall oppressive mood

[dark-konohagakure2]

sephiroth forcing himself on a girlie thats too shy to talk to him?

tw: noncon, power imbalance, size difference, humiliation, degradation, semi-public sex, misogyny, victim blaming, verbal abuse

All characters depicted are 18+

Sephiroth is well aware of his little fanclub of swooning fangirls who are all head over heals in love with him, he doesn't hate it, but he certainly doesn't like it either, he treats their existence with the same passive indifference that one would treat ants on a sidewalk, uncaring if they are there or not, Sephiroth has about as many love confessions under his belt as he does inches of hair on his head, but none of these women interest him very much.

That is the case for a while until his keen senses pick up on someone following him, he initially assumes it's just Hojo coming to pester him again, or Zack coming to ask him more idiotic questions, but instead he catches a glimpse of a girl peeking at him from around the corner, only to quickly hide when he turns around. Being a trained SOLIDER from birth, Sephiroth immediately assumes hostile intent from her, what other reason would she have to follow him whilst concealing her presence?

He'll almost immediately confront her, although not in a brutish manner, no, a man like Sephiroth is one to use cold intimidation over such savage tactics. He'll corner the little spy rather quickly, placing his gloved hand on the wall next to her head as he asks her what exactly she thinks she's doing. He'll watch as she flounders about like a fish on land, struggling to get a single word out as her face turns a bright red, that when Sephiroth will notice a very interesting looking note clutched to her chest.

Sephiroth will pluck the note from her hands the moment he sees it, holding it out of her reach with his superior height, ignoring her protests and pleas as he begins to read it, sneering at the flowery words and shoddy handwriting, it's pitiful how little effort she put into confessing her silly feelings to one as important as Sephiroth. He'll make it clear that her little crush is nothing but delusional wishful thinking, but that won't stop him from taking advantage of it, and of her.

"Oh... How cute. Did you really think a few scribbles on paper would be enough to win me over? How pathetic. But I suppose I can give you what you so clearly want..."

He'll pay no mind to her protests as he rips her shirt open right on the spot, Sephiroth doesn't see why she's protesting, she said she likes him, and now she doesn't? Are all woman this indecisive? Sephiroth has never really understood women, or men either for that matter, he's always had trouble understanding those beneath him, but none of that matters to him now, all that matters is giving this cute little stalker exactly what she deserves.

Sephiroth isn't gentle with her at all, it's just not in his nature to treat anyone with kindness, not even an innocent young woman who's only crime is having a crush. He'll cover her mouth with a large leather clad hand as his hips snap into her's from behind, fucking her just around the corner of the hallway and in the blind spot of the many security cameras in Shinra's hallways.

Despite forcing her to be silent, Sephiroth won't do the same, instead he'll whisper venomous insults into her ear, telling her that she's no different than his other admirers, that this is the most attention any man would deign to give her, and how this is what she wanted from him, so she should be grateful, he's practically a saint for humoring her pitifully misguided affection towards him, an affection that definitely won't replace after this encounter, instead being replaced with fear.

He'll be finished with her rather quickly, as if his body itself is in a hurry to be done with her, Sephiroth won't care if he cums directly inside her, even if he doesn't knock her up, she should be grateful for his attention and his seed, he doesn't give that to just anyone, only the shy little brats who don't know how to talk to people like a big girl.

"Hmpf, I have no more use for you. Now go back to your little hovel like a good girl, unless you want more of my attentions, that is..."

Sephiroth will watch her leave without another word, showing faint amusement at the sight of her limping away, her pussy leaking his semen as she does. He finds her very amusing, in fact he might even consider using his high standing in Shinra to get her alone again.

[the-swift-tricker]

i get a little sick of all the hot takes that are like "uh actually you were never meant to root for scott pilgrim" and usually their reasoning is scott being a deadbeat and dating a 17 year old when he himself is 22 which like yes very good that's fucked up but also that's kind of the point of the story? when we're first introduced to scott he's been dating knives for a week and they haven't even so much as held hands. then as the story progresses we find out the reason scott likes hanging around her is because she blindly adores him and thinks he's the coolest person ever instead of seeing him for what he is. a loser. he's lame as fuck. then he meets ramona. and as we continue on scott improves himself. and then he gets worse. and then he gets better. he cheats on knives. he realizes that was terrible and he also should've never dated her to begin with. he gets a job. he makes an effort. he fucks up again. but he tries. over and over and over again. and you know who else is like that?

ramona flowers.

she's hurt more people than she cares to remember. she abandons people who care about her. she runs when the going gets tough. she cheats on scott. she fucks up and tries again.

the main point of the story is that every one of the characters are painfully human. scott's friends suck just as much as him. kim makes out with knives when they're both drunk. oh yeah scott and his friends let knives get drunk with them.

knives gets used by people, she gets led on and taken advantage of, she doesn't know how to handle all the feelings that these knew experiences are leaving her with, she gets hurt. knives outgrows them all.

kim is a loser who still holds a torch for scott despite wishing she could move on. so she finally moves on. makes a serious change in her life and leaves. fucks up and tries again.

envy is the same way. she hurt scott and got hurt by him. thought she was better than everyone else and then had to come to terms with the fact that she was just like them. fucked up and tried again.

nothing justifies anything they do so all that they can do is own up to it, move on, and try harder. try again.

[2demondogs]

With Chrismas around the corner (not really but basically), i would love an Arthur x GN!reader where Arthur proposes to reader for Chrismas and they obviously say yes because, well, it's Arthur, who wouldn't?

Anon did you read my mind. I was just thinking about proposal fics when you sent this ask because I have yet to stumble on one somehow... I'm sorry this took forever btw T-T

Shoutout to my platonic boyfriend for helping me with ideas because I got writer's block <3

Words: 3k oh my good lord Tags: canon divergence (it's just people leaving the gang a chapter early), Arthur does not have tuberculosis, INSTANT spoilers for character death, cheesy shit

It's been too long, you're realizing, since holidays like Christmas felt like special things. There is a double-edged feel to this one — it is the first since Hosea's death, since leaving the gang — but it is the first, in a very long time, that you've spent in the so-called right way: in a warm house with four solid walls and someone you love, how those fanciful books Mary-Beth used to talk your ear off about always wrote.

The house is warm enough, anyways.

There's work that needs done on the cabin. Some of the wood is rotting out and chipped at the corners, forming into sharp splinters that you've brushed against one too many times, but it is a house. You haven't had this pleasure since before joining the gang.

Sometimes, with how content Arthur seems at baseline, you wonder if he's had this pleasure since early childhood. On quieter evenings, ones less reserved for happiness than this one, there has been clipped discussion about how Arthur has never had domesticity like this. Silently, it was an admission of how good it is to share this freshness with you.

During a ride into town, he'd admitted that he had never picked up painting because it was the sort of thing only steady folks got to enjoy. You'd gotten him a set of oil paints when no one was looking — he's worth much more than a few measly dollars, but that means little if you haven't got them to begin with. Some habits die hard; he was happy you remembered what he'd said only a few hours before.

Come the new year, Arthur plans to find work that will pay. New things are a luxury neither of you care much to indulge in, but the repairs will take lumber and maybe a few extra hands. Ones with more expertise, at least, because Arthur's houses usually have not had foundations.

You could simply move now that time has passed, yes. You could find somewhere much farther away, maybe even New York, and pack yourselves in alongside the other sardines bustling about a city, undetectable in uniformity. Shave beards, got jobs, change clothes, cut hair and color it, too, if paranoia strikes— but keeping low to the ground has worked itself out so far, and there is no more of that deathlike stagnation in the air of this place.

Sentimentally, you think this Christmas will seal off whatever makes this cabin yours. Shadows linger, there's been a few odd creaks that've spooked the horses, and maybe it's going to shit a lot quicker than either of you want to admit, but it's your shit-house and the shared stubbornness between you has always brought you nothing but closer to one another.

Arthur is tired of running, and so are you. Last week, he talked about writing to Mary-Beth and Simon, maybe checking if Kieran — the utterance of the man's proper name was a confirmation of the last of that stockholmlike regret having worked out of his system — had broken and followed his little girlfriend. It wasn't said with malice, just some amusement.

"Why do you think he would?" You'd asked.

"Dutch only saves people who don't ask for it," he'd said, and that wistful look in his eyes vanished before you could ask what it meant.

Maybe it's the hard work that makes it feel like a real, true holiday. Pearson and Grimshaw stopped working everyone harder in the winter over the years, once the familial glamour faded with each new addition to the gang. It was no longer a tight-knit group, but a posse, more or less, of runaways and strays all against a big, evil thing like the rest of the world, or whatever it was that Dutch grew to fear.

Since November, Arthur has been saving the best catches to be salted and stored for Christmas dinner. Each addition is cleaner skinned and cut than the last, and the newfound worst of them ended up being ate upon his return from hunting. You've both been saving back herbs since summer, dried and ready to be crumbled into the heated up pot come time for a real feast. Cornbread was made by hand for the first time since you settled down here, drizzled with honey from the general store a ways out.

The latter was Arthur's only specific request for a fancy dinner. If you hadn't gotten him a single gift save for making it, he'd still be happy as a clam.

He's been putting that goddamned honey on everything. You're glad he seems to be enjoying things again, not as tightstrung as he was before you'd made off with him. That's how it feels, anyways, after the long and struggling conversations that were had before the decision was made. Family or life? It's a hard question for someone who has such little concept of either.

Now, the grey hair in his beard is catching the light from the fireplace where he's sat himself on a chair before it. They'd sprouted through the sun-bleached blond atop his head has been looking lighter and lighter in recent months, grey finally catching up to the discoloration and giving him some malcolored sort of tabby look. It's a good one on him, as much as he complains about looking old as dirt and that it's all formed by stress.

For all the lacking color, it adds a ruddy warmth to his face. Daydreams of growing old together find you when you focus on it, or on his wheezing laugh that's gotten worse with the cold weather. Despite the woolen vest he's been sporting, his fingers are as chilled as yours whenever they've brushed. Idly, you wonder if he's gotten whatever Hosea grew into, then remember they were never by blood.

Arthur hadn't wanted you to get him any gifts. When you asked if he would get you something, he'd flushed and changed his mind, apparently already having done it.

Whatever it is, it's good-sized, wrapped in one of the dustcloths you'd gotten him alongside the paints. He's been spending more time painting, lately, tucked in the treeline and looking over the cabin or deeper into the woods, studying something plein air the way those professionals do. He'd propped it against the wall this morning, and once you've settled on the floor before the fireplace — too cold outside not to crowd close to it — after dinner, he looks between you and the cloth like he isn't sure what to do.

"D'you wanna do the honors?" He asks, and grins although the twitch of his eye tells you he's covering timidity with faux cockiness.

"You go ahead," you say, half because he's closer. Tormenting him in small ways must be part of any good gift.

The painting is an image you recognize. A photo that one of the girls took for you months before things went down the hole, using the camera Arthur was loaned by some feller in town who wanted photos taken for a book. He never returned it, and it more or less became something he tucked beneath his cot and let the elements beat around. You can't remember, now, who it was or where he went to get it developed.

The little inkling of pride you felt knowing he kept putting off getting the negatives developed — not enough money, not enough time — yet was gone the next morning to have yours developed returns, now.

It's a much nicer rendition of it, your clothes not dirty and his arm around your waist, the other holding his hat to his chest. It's clear he preferred to give your portrait more detail, his own lagging somewhere behind in clarity and looking closer to the photo. You suppose it's easier to look at someone besides himself, but there's a clearer enjoyment in the lines of you, more care taken in the color mixes.

Ignoring the dense joy of the implications of that, of how obvious it is, proves difficult. Your cheeks twinge some from the wide smile before you realize you're even reacting.

"You'll be a big name someday," you say, and he may as well shrink in on himself beneath the praise, although he's heard it plenty of times before.

"Naw," he waves a hand. "Quit that."

"Really, Arthur." Scooting closer, laying your hands over his knee. He's moving his jaw when your eyes meet his, lays a hand over one of yours, heavy and warm. "It's beautiful. I love it."

"Good," he says. His jaw clicks. "I— uh, I love you."

The hunting knife you got for him seems small, though relatively equal. Arthur looks as pleased as ever studying it, half-mumbling appraisals of yeah, nice and sharp, sturdy to himself that likely would've stayed inside his head, if it weren't for wanting to show you he liked it.

A bone handle, which he feels over with his fingers before noticing it's engraved, fits easy in his palm. You were afraid you push your luck with maintaining its quality too far adding the tiny, vague bear shape next to the deeper cut of his name. Already impressive was the fact that you hadn't ruined it with the letters, being one of your first expeditions into anything of the sort.

"I would've gotten you one of those folding knives," you explain. "But they don't hold up as well, and I know you have one."

The army knife was Hosea's.

"Needed me a new huntin' knife," Arthur says. You know, because he's complained about his current one being close to snapping with all the skinning he does anymore. He squints at the handle, turns it over in the light from the fire. "Did you engrave the handle?"

"Yessir."

He smiles. "It's real nice," he says, pats his palm with the blade softly. It makes a dull noise, sturdy metal on skin. "Why a bear?"

"They remind me of you," you admit. Really, you'd spent a long time considering what else to add, because only his name seemed so plain; although he wouldn't be opposed to flowers or vines, they are a little more intricate than a simplified bear head. "Big and strong. Hairy, too. I'd like to hug one."

He snorts a laugh, but it seems thin. His eyes are fond enough on you that it couldn't be any rejection of your words, and so you brush it off. "You wanna hug a bear?" He asks.

"In a perfect world," you amend. "Don't they look warm?"

"You'd better stick to me," he says, smooths a palm over the thigh of his jeans. The nicest pair he owns, he promised you, because he feels ridiculous in slacks and seems to think you care what he wears.

Beyond thinking everything looks well on him, at least. You often find yourself concerned with that thought.

"I got you somethin' else," Arthur starts, running a finger over the bunched inseam at his own knee. "Well, uh— it's f'both of us, really."

Isn't that intriguing, you think, but your silent, undivided attention seems to make him outright nervous, so you say: "Oh?"

Some conflict happens over his face as he pulls his vest collar away and reaches into the inner pocket, takes out a stack of thin papers that he glances over before apparently relenting to something. Confusion finds you, until he takes a deep breath and holds them towards you.

"Read these," is all he says, and he sounds like it's almost painful.

He's written much, much more than that. Your stomach turns, once or twice, realizing they are pages from his journal. Uncertain why, until the first entries which are skittering on affectionate fade into ones much more flowery. They are all about you, days you'd spent together or times you hadn't, the things you've given him over the years and the things he wished he could've given you.

Each page makes your chest feel tight with a panicked joy, as if his hands were not fiddling with the new knife to occupy — distract? — himself but clenching hard at your heart.

One, near the beginning, says he thought of pickin' a pretty lil' flower, God bless it, I feel ridiculous; on the back of the next is pressed a variegated tulip, crumbling with age but holding firm to whatever adhesive glues it to the paper. Again, that creeping smile, like thyme. Another entry is entirely about your hair, because it had brushed his arm. Only a few sentences made up that page, below the cursive a choppy sketch of your horse.

Certainly, Arthur stays busy in his head. You've always known as much, but never figured any of it was about you. Not like this, anyways, though the dates spread from the week before Blackwater and you can only wonder what laid in that journal he lost before.

"Oh, Arthur," you start, looking up from a third-way through, feeling giddy but not wanting him to watch you so intently while you finish them. No wonder he was shy. It's his heart. "You're so sweet."

"Finish readin' 'em," Arthur says, doesn't meet your eyes at first. When he does, they're gentle. "They get sweeter, y'know, better finish 'em. 'Cause of that."

He is nervous. Hardly moving, besides the tongue running over his teeth beneath his lips, and the rambling every time he opens his mouth. You don't mind, never have. He's endearing like this.

Outings you'd went on infrequently, the dates of his favorites underlined, you're noticing, based on the tone of his words in them; his worries and fears about courting you, and some of what you mean to him though, with its succinctness, you have a feeling he wouldn't dare put all of his genuine love to findable paper; things he likes about you, and one page where he admits that he cannot keep himself from documenting you in every other entry, which tells you this small collection is hardly everything. The previous entries turn over in your mind again, and you are struck on a random page for a moment as their meanings take hold, realizing they were especially sliced from his journal to show you.

The entries leading to the last are what set your mind and pulse ablaze. From the first appearance of the word marriage, you swallowed your idea of what may be coming — Arthur's breathing changing beside you doesn't help any, and it certainly does not help that he leans down once you've reached the last page, plucking it from your hands. Before he does, you notice quite a few crossed out lines, scribbles as if he were frustrated with not being able to find the right words.

"Think I've got the balls on me to read this one aloud, at the very least," he says, voice laced with a chuckle. Breath comes uneasy, but you collect yourself enough to gather the pages back into a neat, ordered stack in your lap. "Unless you'd rather spare me," he adds, nudges your knee with the toe of his shoe.

"No." Your voice sounds strange, even to you. "Do me the honors."

Arthur bites his cheek, nods and lets it fall as he smiles. Still, his hand finds the back of his neck, the page held between two fingers that remain surprisingly steady. The knife lingers in his hand beneath it, and isn't it just like him to propose holding a weapon.

Propose. It takes its first toll on you, rolls over your back in shards of tingling.

"December twenty-fifth, nineteen ninety-nine," he starts, eyes flicking to your face every other word until the intensity of your gaze must make him too anxious. "It's a nice little life, livin' with the one I love," — rubbing his mouth, sighing some — "Jesus, I always gotta be sappy." You laugh, though it comes out more forceful than you intended, and relax some until he continues. "The thought of another day where anythin' could happen 'n' we ain't bound is somethin' I hate."

Arthur pauses, stands up and places the journal entry on his chair. You take his hands when he holds them out to where you sit, grunting when he hauls you off the ground with more force than you expected, feet shuffling into place to stick all-too-close to his. His hands are burning, skin feverish when you grab his wrists, as if you'd ever want to stop him as he eases onto a knee before you.

And his eyes throw you off balance, too, catching the light just enough that you can tell they are stinging. So are your own, now that you think about it, but intelligent thoughts go out the window once you sense him about to speak.

"I wanna be 'til death do us part," Arthur confesses, fumbles to catch both of your hands in his in an awkward, squeezing hug of a hold.

The way your bones catch on one another, well— it's not a sensation you'll forget, like the first time he kissed you and you felt it still a week later, warm pressure on your mouth if you got too lost in the memory. He looks as good, looks so nice, and you know your fingers would be shaking if he weren't crowding them together, steady.

When he says your name, the blood is rushing through your ears too loud to hear it clearly; you almost want to ask him to do it again. "Will you marry me?"

Nodding, face slack before it spreads in a grin. "Yes," you say. "Of course I will."

His is hidden by how he lets go of your hands, catching them before they fall in stupid, limp joy back to your sides. He lays kisses along the knuckles, all three rows of them. It's so awfully saccharine and yet you could never tell him to quit being sweet— not now, not as he stumbles to his feet after you pull him up and shake off his hold to grab his face, tugging him into a kiss.

Arms come around your waist, squeeze tight enough to hurt, or to hold in place. Arthur runs a hand over your back, breaks the kiss to slide a hand into your hair and press your face to his chest, caging you in his arms. He smells warm, like good cologne, and you know he's been planning this.

[pink-ninja]

I'm on a Ninjago ranting spree lately and really hot take but Koko isn't really too much better of a mother than Misako was and I'm tired of pretending she was

(not proofread btw, I wrote this in the middle of the night so there may be some grammatical mistakes)

So many people hate on Misako for abandoning Lloyd at darkleys and like yeah deserved. Koko is NOT that much better of a mother and I had a whole rant about this with my friend a few weeks ago.

So first of all let's start with the beginning of the movie, Lloyd wants to skip school, stay at home, not feel miserable on his birthday. And Koko tells him those are the best years of his life etc. and knowing Lloyds character he probably does keep it a secret of just how badly he's being treated but as Garmadon said "Look who's the absentee parent now" Koko had to have known to some extent Lloyd wasn't being treated well, she told him he just has to let people see the real him, when he comes home late and Koko is calling someone they ask her if he's turned evil and joined his father etc. Garmadon said she wantsd a normal life for Lloyd. Yet she also kept the last name Garmadon for Lloyd. She told garmadon she always told Lloyd he shouldn't be ashamed of who his father is, when his father was basically a terrorist, "boo Lloyd" became a top hit, people played in on the radio, Koko HAD to have heard it at least once. The real question is if she wanted a normal life for Lloyd why not give him her maiden name instead of Garmadon's name, she could've told Lloyd who his father is when he was old enough to understand, it could've been Lloyd's choice if people knew or not. Yet she basically stuck a label on Lloyd that would follow him his entire life they Lloyd was related to the guy that attacks the city multiple times a week.

Yes, Koko is super sweet and caring towards Lloyd, yes she cares for him, but that doesn't make her an amazing mother compared to Misako. There was so much Koko could've done in my opinion that would've spared Lloyd from being treated so terribly by pretty much everyone in Ninjago, again, given Lloyd her maiden name, heck she could've just let Lloyd stay home from school on his birthday, I don't think that was an unreasonable request from Lloyd. Also maybe not pushed him to see Garmadon in a good light, When the whole city hates Lloyd just because of Garmadon. I know it's a movie plot point but if Koko really didn't want Lloyd being ashamed of who his father is she could've told him the story of how she and Garmadon met. I think that would've given Lloyd some extra much needed closure instead of my father couldn't care less. In my opinion Koko more of put on something similar to rose colored glasses, she was super oblivious to just how much Lloyd was struggling until it was too late.

And I know misako isn't perfect again, but Misako also has her moments, she's more transparent with Lloyd the dynamic is also different in the show rather than the movie so I think after the first time Misako knows Lloyd is 1. Not a little kid anymore and 2. Has people (the ninja and Wu) that'll be there for him since the ninja are shown to have way stronger of a family bond in the show rather than them just being close friends in the movie.

[puppy-phum]

Pit Babe Characters x Cartomancy ➣ Part 6: Pete & Way

King of Diamonds: A person with great wealth and power. Often skilled in various areas, a jack of all trades. Ten of Spades: A card of misfortune and tragic endings. Reveals secrets, obsessions, and lies.

for @pitbabeanniversary week 6 prompts: pete & way

(more thoughts under the cut!)

disclaimer: i am not an expert in either cartomancy or tarot reading. i did a lot of research on these two sites to come up with these cards for the characters. some of the meanings associated with the cards are still only my own interpretation, so they might not be completely accurate.

pete and way are the last pair in this series and i have to say that it feels fitting. they are the pair with no ending, the pair left the most incomplete in season 1. way dies for redemption (which is stupid imo) before he's able to ever open up to pete and his attempts to get closer to way. pete is only left with a grave, yet nothing seems to end. (pls s2 come quicker, i need way to have his glorious back from the dead -moment already!)

pete: just like alan, i think pete's card is very obvious and so, very cliché. he's the king of diamonds through and through, the person often associated with money and power. he's very proud of what he's accomplished in life, yet always thrives to be more, to be bigger, better, more powerful. he's in a war against his adoptive father in the only way he knows how, and so he must always be on the rise. he has no chance of letting loose, and i think we all can agree that he works way too much and rests too little. he is often stuck being not quite himself, lonely at the top. it must be hard when we can see that beneath the business persona, pete is horribly warm.

this is why king of diamonds is also described as charitable, generous, and reliable. once again, pete is a lot like alan, but where alan offers his heart, pete offers resources: money, connections, and his skills. he's tried his best to become invincible in every way just like his adoptive father seems to be. he's great in socializing, in doing business, even in combat and tactics. he's driven by his wish to help, and i guess that often ties to his compassion and understanding. that's why he hasn't given up on kenta and that's why he instantly reaches out for way, too. pete might not be able to provide a family in the way alan does, but pete is able to reach out a helping hand. he can offer a place to stay for those who have nowhere else to go and no one else to listen to them. he cares, and just like with work, it's sometimes too much. he does not get a break from it.

way: it was easy to decide that spades was way's suit; a little later, i decided on number ten. i was first thinking about ace of spades bc it's the death card of the deck, but i did not want to make way only about his death when it's the thing i dislike about his character so much. so, i decided on ten bc of the "tragic ending", which is not way's death, even if it kind of is. i think the true tragic ending comes for him earlier; with the reveal of his betrayal that causes him to lose everything he's ever had. he loses his pack, his family, his home; he loses himself, and all his self-worth, and worst of all, babe. bc he does love babe, even if it's in all the wrong ways. way has tried his best, has tried to do what he thought was right, and in the end, it is not enough to solve anything or save babe. (and so he must die, but let's ignore that.)

in a sense, the reveal of that betrayal is both the end and a beginning for way. after it's it's a way for him to be born again. he can give up on all the lies, all the acting and pretending. he's used so much time and effort keeping up his web of lies he must be exhausted by now. how many times did he almost trip? how many times did he forget what lies he'd told and had to come up with new ones, or had to use his powers to fix his mistakes? now, there's no longer need for any of that. he can finally breathe freely. no more lies, no more acting, no more being someone else. everything is out in the open and it must be terrifying bc the ppl who loved him before, would they reject this real version of him? even if they were not this hurt, didn't hate him, would they still not want way? what if tony is right and there's nothing to love about him? i don't know but i hate that the series never let way find out. but well, in season 2 we trust, i suppose. i have hopes and dreams about it <3

but based on these thoughts, it's easy to see why pete and way would work together. way is the master of deception, of lies and acting. pete is able to read people, literally and figuratively. there's no hiding from him and his touch, and i think in some ways, way needs exactly that. he needs someone to understand him without words, or to look into his head and put his thoughts into words for him. pete again needs someone he can trust with his softer side, which i also find interesting about him: he is so ready to offer his heart to way even after knowing who way is and what his powers can do. pete seems like a paradox in that sense, always keeping everyone and everything at a distance (or so i assume), yet being so ready to believe in ppl and offer them trust he's seen so easily broken.

there are also some other interesting connections to this pair i wanted to mention. the funniest coincidence imo is that babe's card is about new beginnings, while way's card is now about tragic or bad endings. also, charlie's card being the exact half of way's (5 and 10) seems to have some kind of story behind it. pete again has the same suit as kenta, both their cards in the royal family, and i think that's exactly why they work and don't work together. pete is exactly like the king, the one on top and in control, while kenta is the knight, the person who serves and follows. they're both calm in personality, tho am not sure if it's exactly who they are or if it's who they were forced to become. i wonder what could've been if kenta had left with pete – or if they'd never been taken by tony at all and had grown up like other kids.

this edit concludes my musings for all these characters. it's been a joy to make these and ponder on these boys, and honestly, i feel like i've found a completely new love and appreciation for all of them. thank you for all who have liked these edits and happy anniversary to the vroom vroom omegaverse bl, you've been stellar ♥ never thought i'd come back to you in a year but here we are, have my whole heart!

(idk if i'll make an edit for the last week, so also adding that i enjoyed the event a ton! it's been fun going to the tag and seeing everybody talk about the series again. looking forward to s2 and the anniversary stage live in less than two weeks ^^)

[alexthesillybilly]

An Analysis on William Afton and Henry Emily’s Relationship and Queer Subtext

Since the reveal of Glamrock Bonnie and his room in the Ruin DLC, I’ve thought a lot on the subtext of Henry and William’s relationship, and how it seems like a queer relationship hidden under layers of denial and guilt.  I’ve always loved to analyze and connect small details and I wanted to write something about my ideas. My point here isn’t to convince anyone of anything, just to share my interpretation of their story. So enjoy me rambling for a few pages!

Fazbear Entertainment's Origins

Fredbear’s Family Diner was created sometime before 1983- and since merchandise and other spin-off things had been created at that time, it can be assumed it had been running since the late 70s.  The 70s-80s were an extremely pivotal time for the LGBTQ+ community, for its rights and awareness - this links into another point I have, on the Glamrock animatronics and that being a very queer subculture.  This in itself wouldn’t say anything about their relationship, not really, but when certain throwaway lines are considered - mainly the lines about William’s obsession with Henry (which I’ll discuss more later) and another line I want to analyse a little now.  

As you already know, at Fredbear’s, Henry performed as Fredbear himself while William performed as SpringBonnie. In FNaF World, the loading screen for SpringBonnie simply reads, “Male? Female? It’s a rabbit, who cares.”  Yes, this is just a loading screen. It probably doesn’t mean anything intentionally, but I saw somebody make a really good point on it - credit for the idea goes to this post. It says that SpringBonnie being genderless could’ve had two reasons - one being William lacking the words for a nonbinary identity, and the other being William intentionally keeping SpringBonnie genderless so it could be assumed that they were Fredbear’s love interest. 

As I mentioned earlier, the glamrock subculture of the 70s was extremely queer, with new takes on gender, androgyny, and overall theatrics related to breaking the norms of the 60s.  This adds context to Security Breach’s characters, Glamrock Freddy and Bonnie.

The Glamrocks

Since the beginning of the franchise, both in-universe and as a game series, Freddy and Bonnie have always been together, in every game, even going so far as to be physically connected as Funtime Freddy and BonBon in Sister Location - which in itself could be William’s jealousy and obsession towards Henry intensifying after being kicked from Fazbear Entertainment. But Glamrock Freddy and Bonnie are the most interesting of their variants. These two are basically canonically queer, which is big. 

I have a specific take on their relationship I haven’t seen elsewhere (though I’m sure someone else thinks this, too).  First of all, I’ll do a rundown on how their relationship is portrayed in SB and Ruin. 

In Security Breach, Glamrock Freddy mentions Bonnie a few times - only to say he misses him.  We don’t get any context on him other than that, though the “theory” that is heavily implied is that Monty destroyed Bonnie out of jealousy, which is the theory I’ll expand on after my explanation.  

In the Ruin DLC however, things change.  Through turning off all the Wet Floor Bots, a secret room will open- containing more of these bots, but more importantly, Glamrock Bonnie himself.  He’s destroyed, like the other Glamrock animatronics by this point, but it’s obvious he’s been like this for much longer.  The more important part is his room. 

In Glamrock Bonnie’s room, a few things related to my point can be found - first of all, the Glam Freddy merchandise found around the room, which I could connect into William’s obsession with Henry, but most notably (and as you were probably waiting for me to mention), the poster.  There’s a poster on the wall of Bonnie’s room, of Glamrock Freddy.  It’s written on, and it reads: “You & me forever and ever!  Love, Freddy”.  So, pretty obvious implications here - it gets real hard to argue that they were simply friends.

Now, onto the point about Monty I mentioned earlier.  As is implied, Monty destroyed Bonnie out of jealousy- and likely was planning to do the same to Freddy.  I won’t bring up every example, but many times Monty is seen being violent towards statues, cutouts, etc. of Freddy and Bonnie.  So my theory here is that Monty represents William’s jealousy of Henry turning into violence. 

We’re not exactly sure what William was jealous of Henry about, but it can be assumed it was about family or something to do with the business.  Monty was obviously jealous over fame.  I like to think that Freddy and Bonnie before Monty represent when Henry and William first opened Fredbear’s, before the Bite of ‘83, before any incidents happened.  Then Monty destroying Bonnie and becoming jealous of Freddy, represents when William kills Charlotte and starts becoming the Mr. Afton we know.  The whole storyline of Glam Freddy, Bonnie, and Monty seems similar to William and Henry’s story to me.

But enough about them- let’s talk about the real depictions of William’s obsession and jealousy.

Their Downfall

I’ve mentioned it enough times now.  William’s violent obsession and jealousy of Henry led to Charlotte’s death, likely out of William’s anger because Henry’s family seemed so perfect compared to William’s.  Now I’m onto FNaF 6. 

Henry wants to end the whole tragedy once and for all, and he finds William in the form of Scraptrap.  While setting your old best friend and possible lover on fire and then banishing them to hell might not seem too romantic to most, I’ve always liked to point out that Henry’s final words to William are, “don’t keep the devil waiting, old friend.” Something about Henry still referring to William as a friend even in a time like this, after everything, strikes me some way, that even through all the years of grieving, Henry could never make himself hate William.  Even to the very end, he just can’t do it.

This next one is a bit of a stretch, but then again, this entire essay is built on the idea that two FNaF characters have repressed gay love for eachother, so who really cares what’s more reasonable or not? 

I like to think that Orville Elephant and Mr. Hippo represent what Henry believed could’ve been, if William hadn’t grown violent.  Mr. Hippo talks to the player in Ultimate Custom Night, his stories mainly focusing on him and his friend Orville.  The player of UCN is likely meant to be William Afton himself, trapped in his own hell by Cassidy.  Some of Mr. Hippo’s stories can be read as metaphors.  If you want to read all his dialogue go ahead, but here’s a few lines that stand out to me. (I’ve taken out some repeated words to make them easier to read.)

“Y'know, I never saw any ducks die myself, but I did notice a substantial decrease in the duck population over the course of a few years. I just never thought to stop the man and tell him that he was killing the ducks by feeding them sourdough bread!”

To me, the line “I just never thought to stop the man and tell him that he was killing the ducks,” might be related to Henry not doing anything to stop or confront William about killing the kids until decades later, in fear of losing him.  

“I said to Orville, “You know, sometimes I feel like a fish leaping over and over again, always trying to get somewhere, though I don't know where, only to find myself in the jaws of a beast." He looked at me surprised, "Have you been in the jaws of a beast, friend?" To which I said, "No, of course not Orville." I said, "I simply meant that life can seem like a relentless endeavor to overcome meaningless obstacles, only to meet an equally meaningless fate regardless of your efforts, regardless of the obstacles you passed."

I don’t see this one as really related to William, just Henry’s rambles. I still figured I’d include it, though.

“…Perhaps I met a demise of my own at some point and this is my afterlife or my dream or whatever it might mean, I honestly don't know. Or maybe it doesn't mean anything at all. Maybe it doesn't mean anything at all...”

Another that isn’t related to William, but Henry’s internal feelings that everything he did was all for nothing.  I like to think of it as some of Henry’s last thoughts before dying in the FNaF 6 fire. 

Conclusion

There isn’t really a point to this all- just to tell people about my interpretation, really.  So thank you for listening to me ramble about the toxic old men I think about way too often! Of course, if I don’t say this I think I will be personally assassinated by some of the FNaF fans - THIS IS ALL MY INTERPRETATION!!  I’m not saying this is the canon true story, I just enjoy making little connections to create storylines!  Anyways, if you want to share your own interpretations go ahead!! If you read all this you are incredible ily

[tubborucho]

'it's not much" <- 3700k words long

“To prevent our guard dog from biting,” Tubbo says wryly, when she finally flings the spoon away in frustration. “Punishment, they said.”

😭😭😭

Tbf, they would not stand a chance otherwise if they let Bad be absolutely free. And he should have been.

They hate them. The Eye. The spectators. The other contestants—the other victims . Them, and this damned mountain they call their home.

Crazy.

She knows she is a sinner. She just wants to be good.

Honestly, a powerful line. I will remember it for my demon characters in rp.

But also reminded this, lol⬇️

Pierre and Tubbo are gone, most likely down in the mines. Every piece of machinery they try to make ends up frozen over, so their current plan is to build their next attempt beside a pit of lava. Tina tries to tell them about the busted gears and cut wires she finds whenever they rig a new mechanism up, but they shrug her off. It’s not that they don’t believe her: they just can’t believe her. Tina doesn’t want to dampen their hopes.

Aw ;( Man, it was sad that Create didn't work when watching Purgatory, but reading it in a text like that, where everything is so much more real...

Pol is headed down to help Pac, but not after pressing a canteen of tea into Rivers’ hands. She catches Tina’s eye, and offers her a small wave. Rivers is a bit more of a lone wolf, but she is Tina’s favorite travel buddy on the rare occasion she ventures out.

I love Rivers so much. Have I ever told anyone how much I love her.

In the distance, she can hear Niki’s laughter as Missa excitedly tells her his plans for the day. All apple related, of course.

Apple boy :D

Bad kicks at the ground impatiently and Tubbo’s face turns pitying. “Sorry, man, I don’t think it’s right to take you. You can’t make any callouts and you haven’t eaten since yesterday. Just…keep watch, and we’ll figure out how to take that thing off tonight.”

Tubbo is right. He is so right. But also :(((((((((((((((((((((( Let my guy maim, he did nothing wrong

Bad growls, low and inhuman and right from his chest. Tubbo doesn’t flinch. He’s held Bad off before when he was much worse: rabid with bloodlust and fully armed. “Keep an eye on him,” he tells Tina, and brushes past them to the boats.

I will never not feel like taht⬇️

over Tubbo and Bad's dynamic in purgatory. It just makes my brain go haywire. Or honestly, Bad in all the Soulfire. It's just 'what if this powerful destructive being cared for you and let you be its keeper' AAAAA reminds me of one clingy duo fic taht is Doctor Who crossover, and Tubbo is a Time Lord that is known to be the perfect killer, The Virtuoso, but he lets Tommy hold his crown (the metaphorical leash here) and decide, where he can go apeshit.

ANYWAY.

For the rest of the day, Bad prowls the shore, back and forth, back and forth, like a restless predator. Usually, he never scares Tina when he’s like this, always adding in some dumb quip or joke. But his jaw is locked in place, so he doesn’t speak. He just hunts.

*giggling, twirling my hair and kicking my feet in the air* Евгений, вы такой опасный (<- a very niche russian meme)

A winter storm is upon them. It’s not natural—nothing down here is. This is a punishment specifically for them.

*sigh* of course it is

Tina whirls into action.

Leaving Bad be for now, she sprints over to where Niki, Lenay, and Missa are, and sends them down to the underground base with Pac. “Start a new farm there,” she tells them as she presses the last of their seeds into Niki’s hands. “Plant everything, remember to place torches. We need it warm and finished by tonight.”

Whenever she relays instructions, she’s always half-expecting a fight, and it stuns her every time when her teammates listen without complaint. Once they’re off, she begins dismantling the tents they’ve been sleeping in.

TINA THE GOAT. THE MVP. I LOVE HER. WE ALWAYS BEED TO TALK MORE ABOUT HOW EPIC SHE WAS AND AND AND *foaming, Anderson's Little Mermaid style*

“It’s so fucking cold here,” he complains. “Anything interesting happen?"

“I think it’s gonna snow,” Tina says dully.

Tubbo raises an eyebrow and points at the flakes swirling around them.

“No, like a snowstorm, idiot,”

They are both idiots <3

Tina watches as Tubbo examines the muzzle with the critical eye of an engineer. “How the fuck did they attach this?” Tubbo huffs, wrestling with the lock. Finally, he wedges the pickaxe between a weak link and strikes down, hard, and the muzzle falls to the ground.

Bad doubles over to cough, rubbing at his throat. “Language,” he mumbles, voice rough with disuse.

Bruh /affectionate

Tubbo ignores him, watching as Bad flexes his jaw. That’s their leader, Tina thinks, admiringly. He had done his job for the day: ensured Soulfire made it another day, brought back the monster they call friend to the playing field. Now, Tina thinks with trepidation, it’s her turn.

This makes me so so so incredibly happy for no good reason. This paragraph on standalone can make my dopamine levels shoot up.

Tubbo does, in fact, love the new base, and he tells her so, mind already racing with ideas for farms and contraptions.

Of course he does. It's the best base a Coach could need🥲

“No, I just—” Tina crouches down, sifts through snow. “ It’s all gone . This is—” Tears are coming now, and she blinks them away furiously. “I thought—” She slams her hand down into the snow. “ This was all I had! ”

I will kill everyone for you, Tina. Just point a finger. I will kill them.

The underground base is small, just one long, low-ceiling room, but they’ve made it surprisingly cozy. Lanterns and flowers hang from the ceiling, and a soul campfire crackles blue. It’s green and lush and warm in here, and the tension in Tina’s shoulders can’t help but drain away.

Home

As Tubbo searches for bandages, Trousers toddles up to her with a pouch of tea leaves and she takes it with a smile.

TROUSERS. I WILL ACTUALLY GENUINELY CRY. I MISS LIL BUDDIES.

“What did you do to get sent here, anyways?” she asks finally. “What are your sins?”

“I don’t know.” Tubbo shrugs. “Fucked around and found out, I guess.”

“Seriously,” Tina prompts.

“Seriously,” Tubbo agrees. “I tend to try and stretch the limits. Usually, I get away with it. But this time—”

“Fucked around and found out,” Tina finishes. “Yeah, I get it.”

My guy will press his forehead to the gun if only to know how long it will take the wielder to make a decision to shoot.

Would include a clip as proof, but unfortunately can't add videos to reblogs.

Tubbo falls silent for a moment. “We’re gonna win,” he says finally, and he has a viscous determination that sends a shiver down her spine. “We’re gonna win, and we’re gonna save everyone’s kids and then we’re gonna ram a sword through that motherfucker’s eyeball.”

And in a perfect world you did.

she’s missed the way he drives her up the wall.

“Oh, thank you, Bad. I can almost forgive you for being absolutely deranged” Tina

" No , Tina," Bad says, as if that weren't a perfectly valid question. "It's a bone saw. I thought you'd need it. They're growing back."

Tina cocks her head. "What?"

Bad motions to his head. "Your horns."

“You—” Tina’s stomach drops. “You know.”

“Well,” Bad replies, and his shoulders hunch. “So do you.”

AWW.

“Why do you always ask me these questions like it’s some test?” Tina says, frustrated. “Don’t you trust me?”

When Bad speaks, his tone is light. “Can I trust you?”

“You’re my team,” she says fiercely. “You. Tubbo. Everyone. And I’m not just saying that! I mean it. I’ll fight for you if you fight for me.” She wants to be needed, so badly.

Bad finishes his work. He hands the knife back to her, and she takes it by the hilt and slips it in her pack. There’s the barest hint of a smile on his face, sad and knowing. “Then I think we’re on the same page.”

Okay, this js just SO. I miss Team Soulfire. They were insane. In the most deeply soul-crashing way.

“I follow your instructions!”

“You do not and it stresses me out every day—”

Bad does not make it easy for Tubbo🤣 /affectionate

“Tubbo, you’ll die in fifty years and Tina and I won’t even miss you,” Bad replies petulantly.

Liar💙

“Oh, did she ask you too?” Tubbo spins on his heel, walking backwards so he can face them both. “Yours seem pretty obvious. No offense, Bad.”

“Offense taken,” Bad assures him.

They are horrible. I lovevthem.

“Let’s head back home, then.”

Tina swallows the lump in her throat. What a simple word, lovely and warm.

They head back home.

🥹🥹🥹

Okay, overall, I loved it to death. It was so good. I am just pacing in the kitchen. I need more. Please, if you EVER feel like writing more – do it. It's just. There's something just so. ARGH.

Thank you.

bone-deep | soulfire found family fic (tina/tubbo/bbh centric)

The night after they muzzle Bad, Tina tries to feed him spoonfuls of tea through the bars. It’s bolted under his jaw, allowing him to do little more than bare his teeth. But he lets her attempt anyways, eyes soft and patient even when her fingers tremble under the cold. All they have is tea. That, a few loaves of stale bread, and half-frozen carrots. All they have is tea, Bad can’t talk, and Tina is so cold.

Or: Purgatory AU, without the prior events of the QSMP. Team Soulfire tries to survive.

[poorly-drawn-mdzs]

A fierce duel commences!

[m-o-o-n-f-i-r-e]

help i’ve fallen for another ship comprised of two insane autistic queers that want each other dead despite also being willing to do literally anything for the other even at risk to themselves

[murmurmurl]

I actually find gender swapping characters really interesting (what part of their expression is dictated by gender norms vs certain events in their life vs their personal preferences that wouldn't change either way, etc.) so now I wanna draw what that would look like in my ocs except I am in pain rn so I'm forced to just lie there and be plagued by visions

[kakusboyfriend]

How I sleep understanding my favorite villain's personality and backstory and why they work so well while also throwing key aspects of it away for the benefit of my own indulgences btw ^_^

[doux-amer]

Revenant is soooo mid which is disappointing because I was looking forward to it due to the actors and writer (this isn’t a flop like Jirisan, which I gave up on after 2–3 episodes, but it’s not really good). BUT. BUT!!!!!!!!!!!!! I’m suffering from “poor little meow meow middle-aged man” deficiency and Professor Yeom Haesang suffers so much. I can’t believe I was like “Oh...okay” about his casting because I’m planting my palms against his windows, peering at him in his little cage and being fed because he’s had the worst life ever and it keeps getting worse. HAESANG *____*<3

[dennisboobs]

.

[waywardsalt]

im having more insane thoughts about making bellumbeck some kind of metaphor someone remind me to type that out at some point

[sunnibits]

*insert that one office meme* making ocs is so cool, I’d love to know literally anything about them some day :)

[arolesbianism]

There's smth rly fun abt having stories based off of dreams because you just have a bunch of dream based worldbuilding that you just sorta have to work with now. Like oh a ring of infinite dragons run through the earth eternally consuming eachother? Guess I have to explain that now. Also that's sick as hell why didn't I think of that while awake